#if not then it's just gonna be another of the story's problems

[paragonrobits]

honestly this whole thing being treated as an exclusive problem to superhero tropes in general, or implying that superheroes as a concept are inherently bad because I guess people assume they were specifically created to Keep The People Down or what-not, REALLY ANNOYS ME A LOT so this seems a good opportunity to make a point:

this trope is not specific to superheroes, and has been a thing for quite a while in fiction overall, specifically in TV and films (and at the risk of being snappy and letting irritation doing the talking, thus in mediums that get the most coverage and it makes people sound like a series doesn't exist if its not in TV or movies)

At its worst, this is basically a low-effort way to give a villain some nuance without putting much thought into it. It's not really meant to imply, at least in most cases, that their goal or motive is BAD, as some people seem to suggest. This is probably an outgrowth of the common idea of a villain being the hero of their own story; its common to suggest that a villain MUST have some kind of moral point or heroic quality to them, and that's basically where this comes up; its a less well-written handling of that concept by using it to get some pathos into a villain that can often be counterproductive.

I'm gonna go out on a limb here and suggest that its not suggesting that their cause is BAD; indeed, the writer implicitly means that their cause is good, because that's where the villains Good Cause Points come from; if it wasn't a good cause to them, they wouldn't be trying to humanize the villain by rooting them in that cause.

It's not exclusive to superheroes by any means, and the general trend predates the modern superhero genre in film and television, at least in the post-MCU sense.

The other point to be made is that sometimes, the supervillain isn't actually concerned by a problem at all, and they're just using it as an excuse to satisfy their own personal grudges, because it gets them support as they pursue their own goals, or because they're cynical manipulators who never gave a damn about that problem but it furthers their own goals to manipulate others who DO care about that problem.

There is also one other aspect; sometimes the villain does genuinely believe in solving a problem, but their understanding of it is completely divorced from reality, or their intended plans are inherently a bad thing. For example, lets take the common idea of Poison Ivy as a heroic eco-heroine fighting corporations who pollute the planet. All well and good, but Ivy actually doing that is an extreme outlier in her established character. More often than not, what she's actually doing it is causing massive destruction that gets a lot of completely unrelated people killed because her explicit end goal is the complete genocide of all human life, and at extremes, all ANIMAL life as well. This makes her a textbook ecofascist of the 'kill all people, especially the ones that have no power to do anything about ecological destruction' kind.

This is closer to the sort of villains you're actually likely to see; their stance on a problem is completely destructive, counterproductive and generally just kind of evil. Thats why heroes stop them; because their entire plan is to kill lots of people while making vague comments about 'x thing is the Real Evil' or something like that.

This, uh, also tends to be the actual nature of villains that fandoms often present as enlightened True Heroes unjustly antagonized by heroes. Almost every time, they only give lip service to any real goal and mostly just want to kill lots of people or do large scale disasters to satisfy their own grudges, and as such they're not really meant to be taken seriously.

And from another point of view, its like this: the reason we don't usually see the hero solving that problem is because that's not the focus of those sort of stories. If you're going in for an adventure story about someone with fantastical powers have action-filled showdowns with larger-than-life antagonists, its not really reasonable to expect it to suddenly swerve into a political treatsie about sociological phenomenon just because the villain of the week makes some vague references to societal ills as they start kicking orphans into a giant blender to fuel their giant robot that's going to burrow to the core of the earth and blow it up.

Its a fairly basic writing bit to give a villain some apparent nuance without having to do much more, and that's basically it. And to follow the metaphor, I don't think its really reasonable to give a go-ahead to the sort of person who kicks orphans into blenders just because they make some vague references to a greater good and then never follow up on it. As a villain, their only real purpose is to be an entertaining roadblock, rather than 'a hero but kinda edgy' as the term seems to become around some fandoms.

[ldrloversblog]

In defence of Vivziepop and the women of HB

I’ve been seeing a lot of people criticising and bashing Vivienne for the way she writes her female characters compared to her male characters and to an extent fans and the antis are correct and their criticism is valid but it’s reached to a point that the fans and the antis are being more misogynistic than the person the claim to be a misogynist (Viv).

They are always blabbering about how she can’t write a woman who isn’t mean, evil, emotional and has no depth or a sad backstory. I believe that most of the times people forget that Viv is not the sole writer of the show, yes she is the creator but she is not the only one in the writing room she is not the only one who has control over the story and the characters there is whole team involved.

“But all her female characters are mean without reason”. Wrong there are reasons why they are the way they are.

Verosika is the way she is because of Blitz. In AT we learned that when she finally mustered up the courage to confess her love for the person that was her boyfriend and presumed bodyguard at the time (since she is a pop star) left her in the middle of the night without an explanation and stole her credit card which he maxed out on horse riding lessons. Ver isn’t a bad person just because, she is that way cause of heartbreak, hurt and betrayal. She even had his name tattooed on her arm that’s how committed she was.

Barbie Wire, a child with an abusive father turned to addiction and alcohol and we know that she still keeps on using because of a freak accident that killed her mother, burned the circus, left her and Blitz’s best friend disabled for life and scars than can never be healed.

Loona an abandoned child that grew up in the orphanage and every time she got adopted she got turned back due to her temper and problematic teenage behaviour. Of course someone who was never wanted as a child and treated nicely isn’t gonna be all sunshine and rainbows. Despite all that Loona has come a huge way from being the always mad, defensive and socially awkward hellhound we met in ep.1.

Octavia, one of the most if not mischaracterised and wrongly hated character of the show. The first time Octavia is shown to us she is a child that has a terrible nightmare where she can’t find her father anywhere. From that alone we can understand that Octavia is someone who’s afraid of being abandoned by the only person that she can find comfort in. Her parents constantly scream at each other and most of the time ignore her (whether it’s intentional or are too wrapped up in their own problems and goals) and never try to communicate with her properly or explain the whole situation. She is not a spoiled little princess who’s always broody and “emo” and annoying just to be, she is 17 a very vulnerable age at which she needs the two people that are supposed to take care of her in the world the most but she doesn’t and she feels that she never had them cause she never mattered, the only thing that mattered were their petty fights and duties. Via is allowed to feel hurt by her parents actions and lack of care and is right to confront them for their shitty behaviour towards her her whole life. She needs time to process what’s going on and come to terms with her own emotions and situation. If she doesn’t want to hear what Stolas has to say right now then that’s the right thing for her to do now. The love and trust she has for him is so strained and it’s gonna be a while before he can make up for his mistakes.

Stella is another character that the fans and antis complain that is evil (or cartoonishly evil which is boring as they’ve said after the last episode) because Viv has always to make her women unlikeable and stupid. Stella and Stolas were forced into the same fate without their consent at the age of 10 and have been miserable ever since. I like Stella I’m not gonna lie she is not the best written villain and we don’t know why she is the way she is but what we know is that she really hates and resents her husband and doesn’t really care for her child unless it’s to manipulate her against her father. Cartoonishly evil or not, she is entertainingly stupidly evil for someone driven by her hate and big ego, a narcissist that’s always right and above everyone else but what she doesn’t understand is that her brother is holding the strings and plays her like a puppet so he can do his own bidding in the disguise of getting rid of her husband. Sometimes villains don’t need to have a heart wrenching backstory, someone or something that made them evil some people are just evil either by them themselves or their environment. There are 2 more seasons left of HB im sure that the writers sooner or later will give us a good explanation as to why Stella hates Stolas so much and wants him out the way.

Millie a Wrathian who thought that she was good for nothing but killing people and being “the muscle”. Millie (as seen in GF) worked by herself taking jobs to survive and make a living until she met I.M.P and became a part of a team, a family that taught her that she is more that just a machine to kill people and is now the best version of her self. Married, happy with her career choices and I can’t wait to see how s3 will handle the unplanned pregnancy plot because there are a lot of things on stake here.

Why do we as fandom always have to demonise women for the smallest things and baby men for the horrible and wrong things they do and have done to others? Why don’t you give the same energy to Paimon, Cash and Crimson? Neglectful and abusive fathers? Striker? Who preaches about how royals are the worst thing to happen to imp kind but the moment he is paid by a royal to betray one of his own he’s quick to take it and run? Blitz? Who until recently never apologised for the bad things he did and ruined so many people’s life’s? Stolas? Neglects his own child in favour of his lover and stuck in his own foolish fantasies in the process losing whatever little faith Octavia had in him, obliviousness to see past his nose and his (not purposefully) prejudices?

[elaichichais-blog]

I’m trying to spread the liucheng agenda. I’m gonna drop him and Jiang Cheng into a life-or-death situation and watch the sparks fly—literally.

Picture this: they’re forced to team up against a massive demonic beast because, of course, fate thinks it’s hilarious. Jiang Cheng takes one look at the mess and immediately steps up, Zidian flashing to life as he yells, “Stay out of my way!” Liu Qingge, naturally, bristles at being bossed around but doesn’t even get a chance to argue because Jiang Cheng’s already in the thick of it, purple lightning cutting through enemies like a blade.

At first, Liu Qingge is just annoyed. Who does this guy think he is? But then, mid-fight, Jiang Cheng calls out a perfect strategy (and fine, it’s actually a good one), and Liu Qingge realizes this guy isn’t just strong—he’s terrifyingly competent. Then it happens. Jiang Cheng turns, robes torn and blood on his face, Zidian lighting up the battlefield like a storm, and Liu Qingge freezes.

His brain again: Oh no, he’s hot.

It only gets worse when Jiang Cheng saves him from a sneak attack, Zidian snapping just in time to fry the enemy to ash. Liu Qingge, still on the ground, looks up at Jiang Cheng like he’s just seen a god. Jiang Cheng, glaring, snaps, “Stop staring and get up! We’re not done yet!” Liu Qingge grunts out a quick, “Thanks,” but inside he’s spiraling.

After the fight, Jiang Cheng is all business, cleaning Sandu and muttering about incompetent partners. Meanwhile, Liu Qingge is standing nearby, awkward and covered in blood, trying to figure out how to ask, “Do you want to fight monsters together forever? Maybe get married?”

Qi Qingqi hears the story later and absolutely loses it. “You fell in love during a battle? Classic Liu Qingge. Should I start planning the wedding, or are you going to challenge him to a sparring match first?”

Liu Qingge just growls at her, but deep down, he’s already imagining their wedding robes.

(Do not question why they are fighting a demonic beast together or why they are in the same universe—shushhhh)

After the fight, things get… awkward.

Jiang Cheng goes right back to being his prickly, grumpy self, brushing off any praise with his usual “I didn’t do it for you” energy. Liu Qingge, on the other hand, has entered full internal crisis mode. He keeps replaying the fight in his head, specifically the part where Jiang Cheng yelled at him while literally glowing with Zidian’s light.

The problem? Liu Qingge doesn’t know how to act normal around him anymore. He starts inventing excuses to visit the Jiang Sect—something about “coordinating strategies” or “the lotus seed are incredibly tasty in specific sect.” (it’s off season) Jiang Cheng just narrows his eyes every time, wondering why this supposed war God suddenly cares so much about Yunmeng.

Everyone around them, of course, notice immediately. Qqq and his Sic are both having the time of their lives.

Qi Qingqi: “You’re staring again.”

Liu Qingge: “I’m observing his technique.”

Sic: “Is that what we’re calling it now?”

Meanwhile, Jiang Cheng is oblivious—until Liu Qingge asks him to spar. At first, Jiang Cheng just thinks it’s a competitive thing, but then Liu Qingge keeps showing up, offering to train with him more and more. During one sparring match, Jiang Cheng manages to disarm Liu Qingge with Zidian, and Liu Qingge’s brain short-circuits because damn, that was hot.

Eventually, it gets to the point where even Lan Xichen is like, “Aren’t you two spending a lot of time together?” and Jiang Cheng immediately denies it, “It’s not like that!” while Liu Qingge looks like he’s been caught red-handed.

The real turning point comes when Jiang Cheng gets injured during another battle. Liu Qingge absolutely loses it, tearing through enemies to get to him and standing protectively over Jiang Cheng like a one-man army. Afterward, Jiang Cheng is yelling at him: “I could’ve handled it!” and Liu Qingge snaps back, “What, do you think I’d just let you die?”

Cue awkward silence. Jiang Cheng glares, Liu Qingge glares back, and then, Jiang Cheng mutters, “Idiot.”

But the next time Liu Qingge asks him to spar, Jiang Cheng doesn’t roll his eyes. Instead, he just nods, Zidian glowing faintly in his hand. Maybe this idiot isn’t so bad after all.

[bellesdomain]

Updating Starlight in Bochum

So... the German production has had a lot of rewrites over the years. Understatement, but bear with me here... first MAJOR overhaul was in 2002, when the show imported a lot of material from the just-closed original London production.

Next in 2007/2008, the show got tweaked, cut back somewhat, and material from the US/UK Tours was imported. The show was smaller and cheaper to run.

In 2013, the material received another major overhaul and became more cohesive than before - rather than a threadbare attempt to put on a big-scale production, things like the orchestrations were modernised to actually suit a smaller digital band. "I Do" got imported from the UK tour at the same time.

Then, 2018, obviously MASSIVE changes to the show after the 2017 workshops. All that work was done to "fix" the problems with the show as seen in the 2017 "One Night Only" English-language gala.

Since then? Well, the Creative Team have been very busy in 2023/2024 mounting the Wembley revival show, with a lot of new material, new designs, new characters... pretty controversial changes but well received by the public.

2002... 2007-08... 2013.... 2017-18.... see a pattern there? Pretty much every 5 years there's been a major update to the German show. COVID has thrown a spanner in the works, I think they wanted to mount the UK Revival more like 2020, 2021, so there's a delay in the schedule. But I think that 2025 is going to bring major updates to the Bochum show.

But what updates? The Wembley show is "Non-Replica", which means the Direction is by Luke Sheppard not Trevor Nunn (or Arlene Phillips recreating his work). Choreography belongs to Ashley Nottingham not Arlene Phillips. Costume Design is Gabriella Slade's work not John Napier. Arlene Phillips was given the vague title of "Artistic Dramaturg" for the Wembley production, but none of her input under that role is going to specifically BELONG to her, in a legal sense. I assume. Unless there's been some very interesting wording in contracts...

So, how are they going to update the Bochum show? The credit for a Female Greaseball, for example, presumably goes to Director Luke Sheppard. If they change Greaseball's gender in Bochum, they have to credit (and pay!) him for using his work. Gabriella Slade's costume designs being used means Gabriella Slade gets paid for their use - but what is John Napier's contract with the German production? Can they just - STOP using his work and stop paying him for the costumes, while still using his set design? (and obviously, they're not about to stop using that!) Seems likely that he would have a clause in his contract to say that they can't just cut him off - which would explain why he returned in 2018 to design the new characters when he had already decisively retired. But if they do add the new characters, would they get John Napier back to design more? Would a new "Associate Designer" work with him for the show?

Musically the question is simple - Andrew Lloyd Webber has the melodies, Richard Stilgoe has the words. They can add in "Hydrogen" with no difficulty, but the problem lies in who is singing it and why!

But contrary to popular opinion Andrew Lloyd Webber is not the story writer nor the absolute authority on decisions. I believe he has the power to veto decisions, but he doesn't have the power to push things through without the full agreement of the rest of the Creative Team.

So... I have no idea what will ACTUALLY get put onstage in Bochum next year. I expect the Really Useful Group Contract Lawyers are working hard to iron this all out, because it does all boil down to money - who is gonna get paid for their work! Pay Artists fairly! But also boils down to producers wanting to run the show as cheaply as possible to maximise profits, because capitalism.

One thing I am sure of is that we're overdue some significant rewrites to the German show. Keep an eye on casting and the New Kids joining the show in the new year...

[gala-xyzz]

oh i have a WILD story to tell about my trip to the er

so when i was 12 i was having some sort of abdominal pain. got an xray, doctors decided it was constipation. they put me on medication for it but it wasn't working

about a month later i was at home and i just suddenly fell to the floor. couldn't walk, was in excruciating pain, screaming and crying and begging dad to take me to the hospital

he took me to the er room at the special needs hospital (it was the cloest one and we were registered there anyway for medications), and the doctors were gonna flush my bowels out. waited there for a few hours, and then a doctor walked in

he was with another, younger doctor, and they were doing some sort of study(?) to see if ultrasounds were an effective method of diagnosing abdominal problems in special needs kids. they asked if they could do one on me, and i said yes

and thank god i did

because it turned out i didn't have constipation! turns out there was some sort of internal wall that was keeping my period blood from coming out. if it had gone unnoticed for much longer something probably would've burst

got surgery the next day and the problem was fixed. the ended up draining an entire liter of period blood out of me that day. which is about a year's worth of blood if i remember correctly

For the purposes of this poll, do NOT count the following:

Your own birth (unless there were complications/urgent concerns)

Routine check-ups or scheduled-in-advance appointments that just happened to be at a hospital

Visiting or accompanying someone else to the hospital

Use your discretion as to whether to count visits to urgent care.

–

We ask your questions anonymously so you don’t have to! Submissions are open on the 1st and 15th of the month.

[mugiwara-lucy]

I’ve seen people say this the Kid Pirates are basically dead and are done for after this chapter:

But it’s clearly obvious they’re GOING to recover and rebound from this.

This is obviously an inversion to the Sabaody tragedy of the Straw Hats being defeated:

Don’t forget, Oda said he had big plans with Kid’s character and I doubt Wano was it.

[medicalunprofessional]

never change, man !

[bizarrelittlemew]

calling it right now that season 3 starts like this

[budugaapologist]

still dont see how so many people say that dawntrail is poorly written in comparison to other expansions like. what, did you realize you had to learn about a new culture and immediately not care anymore lmao? you've done it before, was this one not white enough for you?

genuinely i think more people should do side quests during msq so idk you can form a heart about the characters you're interacting with if you struggle with that and understand the land better so when impactful shit happens your illiterate ass can actually read and have empathy. theres no excuse for this.

if you can't handle storybuilding and character introductions from the expansion that feels like stormblood and shadowbringers had passionate gay sex that got one of them pregnant and birthed a beautiful daughter they both love and care about then idk what to tell you, maybe youre just lame and can't read. best of luck with that.

[xxplastic-cubexx]

why do i feel like erik would get a little jealous at how attached charles is to the cat and how much attention it’s getting from him

erik 'michael' 'magnus' 'max' lehnsherr is above getting jealous over a cat ok he knows charles loves him more than a silly lil furless furball

Magneto however.

[moeblob]

A succubus and a demon! (The succubi don't have names but the demon is Kronos and the succubus is one of his bosses in Hell and he's not /fond/ of the succubi for many reasons but they all adore picking on him)

Also because I love them and like to point it out, the succubi act more as pleasure dealers in the sense of they offer up whatever a human wants most in exchange for their soul. It's rarely of a sexual nature since it's what they want MOST in life. And most people's ambitions are outside of a bedroom. (happy pride, asexuals are able to get affected by a succubus now without discrimination)

[spyres]

i need to replay sumo again i need that same comfort that game provided me when i was 16 again

[risingsunresistance]

my bag may not be as ✨aesthetic✨ as some people's but IDC IM HAVING SO MUCH FUN!!!!!!! all my little things on display yayyyyy

wouldnt be complete without my "nether star" on the side :3c

[nyan-bynary]

I'm gonna have to wait out a few weeks to be able to complain about jjk's ending bc rn half the ppl are bashing everyone who expected more as ppl who just wanted gojo back

[pftones3482]

A list of ways they could have ended the Hamster and Gretel season finale that would have been better than whatever the hell that was:

Gretel reveals herself to Hiromi to help explain to her why Kevin constantly has to dip (Hiromi has proven herself trustworthy several times at this point there is literally no risk to telling her)

Kevin and Gretel have an actual heart to heart where they talk out why they're frustrated with each other

Gretel reads Kevin the speech she literally wrote for him

Some kind of flash back to the twins where we see Lauren starting to doubt the whole "supervillain" thing

I get it's a "kids show" but kids shows still deserve actually good writing and plot and this just. Wasn't it. The open ending was TOO open ended. Leaving the failed date for next season? Sure. Leaving the potential redemption arc for the villain next season? Yeah okay.

Wiping away the brother and sister tension with a throwaway scene and no follow up? Come on. And ending with the stupid aliens teasing next season, then crushing Kevin further with how he wasn't supposed to get powers, and finishing out the whole season with what literally is just a, "That's rough buddy?"

Yeesh.

[thatgirlonstage]

Thinking through the logical conclusions of lore that the source material has clearly not thought that deeply about can be annoying or depressing in the sense of seeing exactly how deep the plot holes go but so long as it doesn’t inherently break the suspension of disbelief or ruin your enjoyment of the overall story it can be really fun to figure out what you can use to plug the holes. Like that’s just free real estate now baby. If the lore implies X but the story wound up at Z, then you can make the journey through Y be whatever you want it to be