#if i had seen this before I rewatched the show

[aceofwhump]

hope youre doing well!

just wanted to let you know that i started binging ted lasso the other day after going through your blog for recs on something to watch (as i do, often) and i ADORE it, so thank you!!

i just watched the episode where jamie’s dad is abusive to him in front of the entire team and i have to say that it’s some of the best emotional whump ive seen in a WHILE omg. rewatched that scene so many times,,,,

while im here ill ask if you happen to have any fav jamie fic recs? no pressure though if you cant think of any specific ones, ill likely go through the entire tag on ao3 lol

Hi! I am doing all right thanks! Hope you're well too!

Omg yay!! Ted Lasso is so good!!! I'm so glad you're watching it! Ugh that episode is one of my favorites! The emotions just kill me. I love Jamie Tartt so much. I too watched that scene on a loop. So good.

Oooooh yes I have recs for you my friend! Many! Go forth and enjoy!

the early arrival of a fragile spring by mballyntyne Summary: Coach, I’m me, he had said once, why would I want to be anything else? OR Jamie gets concussed, his dad is a terrible person, there are far too many references to sad disney films, and the sun finally begins to shine.

Emergency Contact by relevanceisoverrated Summary: When Jamie ends up in the hospital after an accident, the hospital has to call his emergency contact, Ted.

The calm before the literal and figurative storm by Multifandom_damnation Summary: They lose to Man City, but they might lose a lot more than a game that day

Barn Raising by altschmerzes  Summary: After the locker room disaster in Manchester, Roy drives Jamie home. The chaos they find when they arrive at the house swiftly proves it is not a safe place to spend the night, forcing a change of plans and a reroute to Roy’s own home. The following day Jamie experiences, in this order: The most bewildering breakfast of his life, a penalty kick clinic with a seven-year-old, and an overwhelming display from his teammates that brings him face to face with the fact that not only has he been accepted back in Richmond it’s also possible he might be, in a way he can’t remotely process or understand, loved here.

Scaffolding by altschmerzes Summary: Jamie collapses at training the day before an away game far from home, running a fever, and somehow this ends up being Roy's problem. And Ted's, when he persuades Roy to take it in shifts. It's both of their problem, though it's a problem for them in different ways. Ted struggles to keep the feeling of being helpless from sending him too deep into his own head to stay where he's needed. His experience as a parent both helps and doesn't. As for Roy, hating Jamie was a lot simpler than caring about him is. Taking care of him? Roy doesn't have a clue where he got the idea he was competent enough to do that. Especially when it feels like all he does is mess it up.

The Same Story by altschmerzes Summary: “So,” Trent starts, keeping his voice mild and professional. “We have all, by now, seen the footage from the unfortunate run-in you had with your father, the night of the twenty-fifth of April in the car park at Coventry City FC’s pitch.” It would've been traumatic enough for Jamie's father to ruin Richmond's most recent victory in front of the whole team, but when the confrontation turns violent in front of a gaggle of reporters, the ensuing social media firestorm is even worse. Over the next two and a half weeks, Jamie will have to navigate the charges against his father, walk a gauntlet of publicity that he never asked for, and prepare to give the interview of a lifetime. Luckily, Richmond has always been there to catch him on the other side.

Better Angels by altschmerzes Summary: The second time that Jamie shows up, smirking and announcing that he can't participate in training because he's hurt is so much worse than the first time. He's changed a lot, grown up a lot, and no one knows why he's acting like this again when he's put so much time and effort into not being that person anymore. It feels like history is repeating itself, except… something isn't adding up. Sam is the one who puts it together, who sees the proof that Jamie very much is hurt, and has led everyone to believe that he isn't by telling them that he is in a way that sounded like an obvious lie. It makes his head spin, and he doesn't know what to do. Thankfully, his team captain and his coaches are there to figure it out. (Hypothetical season 3 timeline. Completely gen. Jamie is hurt in an accident. He doesn't handle it well.)

Something to be said by macaronicism Summary: First day back in training after what happened at Wembley is awkward, but everyone tries their best.

for speaking through walls by LadyCharity  Summary: When an incident in the match against West Ham leads to a threat to Jamie's well-being, Ted comes face-to-face with what he dreads the most. In which Jamie haunts Ted just as much as the dead.

don't let it in with no intention to keep it by jamietxrtt Summary: "Glass shatters to Jamie’s left, missing the front door by centimeters. He ignores it and ducks out into the cloudy London night, the cold night air raising the hairs on his bare arms. No time to hesitate and grab a jacket now, though, not with the suffocating smell of beer smoking him out of his own house."

it's such a long road when you go it alone by themightyduck Summary: Jamie goes down hard during the last match of the season and struggles to determine his worth outside football. Ted would like to stop seeing his boys get hurt on the field. Roy seeks to become emotionally well-adjusted and possibly even Jamie's close friend.

On Pure Instinct by Dandelion_Orange_Pips Summary:

Jamie was standing rigidly and staring at Ted’s hand in abject horror, unblinking. Then rose his gaze to meet Ted’s, tears now uncontrolled. The world seemed to come to a stop and Ted couldn't breathe. One wrong move.

Ted raised his hands, placating.

Then Jamie’s eyes snapped rapidly to his hand and back, becoming even wider. Ted froze.

“Jamie-”

Jamie ran.

Or: Ted tries his best to keep Jamie together after a tough game. He fails, but maybe it's for the best.

The Invalidated Silent Screams Of The Tormented by Cuppa_Char Summary: When a blast from the past unsettles Jamie it leads to a very public meltdown.

Somehow Everything Will Be Okay by Lilac_Lemonade Summary: What happened once the match against Richmond was over and Jamie's dad pulled him aside? Ted walked away after seeing him with his dad in the treatment room and Jamie thought that was it, just one more person on the list of people that had abandoned him. But what if Ted came back? What if Ted was the one to give Jamie the letter after Richmond's match against Man City?

mind games by sweetsorrowss Summary: jamie tartt is tired of being toyed with. he's tired of being manipulated. he's tired of people pretending that they care. when his father pays him a surprise and unwelcome visit, jamie finds solace in the one person he's convinced himself is pretending the most. but ted lasso isn't pretending, and maybe jamie deserves a place to call home after all.

Thick and Thin and Every Line by LivingProof Summary: In the aftermath of the match against Manchester City, Ted, Roy, and Jamie struggle with demons shared and separate. Then Beard’s here, then his dad is gone, just the gunshot crack of the door to herald their departure. He’d wince at the sound, but his muscles have turned to lead. And Jamie’s here, the only person in this room, the spotlight on him casting everyone else in shadow. He knows they’re out there somewhere, audience to a Greek fucking tragedy, and maybe when this is over they’ll realize they should be applauding.

Rest, Ice, Compression, Elevation by jumpfall Summary: What Ted remembers later is Beard saying, "Jamie's not putting any weight on it."

To Being Better by vxctorsfvlix Summary: Jamie-centric rewrite of the Ola's Restaurant scene in 3.03, featuring more hurt and also more comfort. Jamie's been struggling with the arrival of Zava, and how it's affecting his relationships with the team. Things come to a head on the opening night of Sam's restaurant.

for what you have tamed by LadyCharity Summary: "Men have forgotten this truth," said the fox. "But you must not forget it. You become responsible, forever, for what you have tamed." In which Ted and Jamie are tamed by their fathers, their traumas, and each other.

according to the calculations by telm_393 Summary: After everything, Jamie’s not alone.

an excess of warmth or coldness by bartonbones Summary: When Jamie is seriously injured during a match, Roy and Ted are reminded how much they care about him--as a son, or as a younger brother, or as an exposed nerve. Jamie is reminded what it's like to have people care when his face gets knocked in.

Wings Wouldn't Help You Down by ViolentlyRed Summary: He thought the most awkward thing he'd have to endure was a rigid Roy Kent embrace in the Man City locker room months ago. He was wrong. And he’s getting better at admitting when he’s wrong, so. Turning up on Coach's doorstep at two thirty in the morning was infinitely, infinitely more awkward. Or, Jamie's hurt and not about to say much about it, and Ted's a good coach.

Haunted by WinterAndMissHyde Summary: Isaac and Colin lock Jamie in a storage room at Nelson Road as part of a "harmless" joke. This brings Jamie a lot of bad memories back he'd rather forget and leads him to a panic attack. He also dislocates his shoulder trying to get out. Ted, Sam and Dani are there to comfort him in the aftermath. Set after Jamie comes back to Richmond on season 2.

the early arrival of a fragile spring by mballyntyne Summary: Coach, I’m me, he had said once, why would I want to be anything else? OR Jamie gets concussed, his dad is a terrible person, there are far too many references to sad disney films, and the sun finally begins to shine.

[rippeanuts1950-2000]

so i was looking at henry danger stuff for nostalgia on YouTube. and uh, look at this

tf you mean they added charlotte to Henry’s relationship timeline

Nickelodeon just loves messing with people don’t they

[the-hot-zone]

the imagery and audio of the opening scene of s1e1 of arcane is just insanely well done for the set-up of the show’s themes and central conflicts. this is just a quick analysis (that spiraled) of what i notice as i’m re-watching, but—

a) the POV of “jinx” with the scribbles overlaying the aftermath of destruction and devastation lay the groundwork for not only what represents her POV to us, the audience, but also to where it originates. this is one of the first things we see in e1: the scribbled faces appear on the enforcers and on the dead bodies even as powder herself has her eyes covered. the echoes of violence reach her even as she tries not to look. retrospectively, we are meant to notice how "jinx" was already forming years before she started “jinxing” jobs with vi and the gang—the violence of her circumstances and the impact they have on her as a child played a key role in what the show calls her "instability," in what we understand as her development. her scribbled vision is first associated with violence done to her and those around her before it is associated with her later choices, which arguably can be rooted in her circumstances (more on this later). this is central to what arcane as a show wants to establish wrt their commentary on violence as a cycle and consequences that cannot be undone regardless of one's actions.

b) the most striking imagery to me: blood running down the faces of the statues on the bridge between piltover and the undercity, being made to look as though they are crying. the bridge is a key piece of imagery introduced in this opening sequence that arcane returns to throughout later eps. the expression of these statues is still, solemn, and silent. they are guardians of the bridge between piltover and the rest of the city. the tears of blood, however, have moved the unmovable. this can be interpreted in a couple ways, but here's mine. the blood as tears represents the ongoing mourning for those lost to violence. vander's resistance failed in multiple ways in that it did not end piltover's rule over the undercity, nor did it save those who fought in the resistance. moreover, this bridge is revisited in e2, and we see the bloodstains never left. they cannot be washed away; the memorial to those who were lost—vi’s parents—remain, and we see vander ask vi if she’s willing to lose powder to a war, just like she lost her parents. later on in the ep when vi approaches deckard, a drop of blood runs down her face like a tear. she, too, steps into the role (or tries to), as a stone-faced guardian, but violence moves her. particularly, it moves her out of powder's life, contributing to jinx's development.

c) when vi is about to cry, it looks like she’s holding herself back before she breaks down, and only then does powder also cry. there are a couple subtle moments throughout this first scene that express the extent to which powder revolves around vi, and this is one of them. powder takes her cues from vi: just minutes ago in the scene, powder only looks at the bodies because vi stopped. so we have this interpersonal level of reliance between these two, but the show doesn't want us to forget where the cues for vi come from. powder looked because vi stopped. vi stopped because the devastation around her made her stop.

d) throughout this scene, music is the dominant auditory experience. however, there is one sound that breaks through the music: the weight of vander’s gauntlets dropping to the ground. the break in the music is meant to express the weight of this decision. it's the only sound of an action that reaches the viewer as he throws the gauntlets down in favor of picking up the responsibility of vi and powder. with this action, he attempts to abandon his cause in hopes to protect vi and powder,

e) but vi looks back. we see her glare back across the bridge towards piltover, her eyes narrowed, and we understand that a key part of her character will be resistance. and to cross that bridge, she must put on vander’s gauntlets. we see her try to embrace this legacy throughout the first ep and beyond—“this is the exact job vander would’ve pulled when he was our age” is what vi says to her friends when on that first job to steal from jayce's workshop. and throughout the first few eps we see vander’s legacy called into question, with a focus on his legacy of resistance against piltover. that's the legacy those around him prefer, including vi herself. but it’s also a legacy he’s rejected in favor of another: his work to protect the lanes through non-violent means. silco’s later criticism of “you’re willing to die for a cause but not fight for it” towards vander perfectly encapsulates vander’s decision to put the gauntlets down, and why he still fails to prevent violence, particularly against vi and powder.

overall: the opening sequence is vital for establishing the link between vi's and powder's relationship and the violence enacted against the underground by piltover. the show's theme expresses that the former would not exist without the latter. the tragedy of jinx isn't just an interpersonal tragedy. it's a circumstantial one. it's an environmental one. it's a societal one. remember: mylo first drops the name jinx when he says powder jinxes every job. but there wouldn’t be any jobs to do--the coins coming into the lanes wouldn't be "only from crime"--without the violence piltover has enacted against the undercity.

there’s a lot of pain in asking ourselves the “if only’s” of these first few episodes. but if the alternative for powder killing claggor and mylo was for her to come on the mission to save vander anyways, to fight anyways, then there was never a choice. when powder says, “I’m not a fighter,” and vi responds, “you don’t have to be,” vi fails to understand the consequences violence has already had on her sister. in powder's mind, you don't have to fight translates as you don't belong here. the only way powder knows how to help is to fight--it's what vi (and everyone around her) taught her, even inadvertently. the show tells us that there was never a real choice in any part of this sequence. the real legacy was the violence topside enacted and continues to enact against the underground. what prevents vi from coming back to powder is ultimately marcus, regardless of his motivations.

what the opening sequence, and those first three eps, tell us about the show’s defining conflict is this. in a system built on inequity, its defining characteristic will always be violence, and whether those subjected to that violence try to fight it, live within it, or take advantage of it, the consequences cannot be undone. there is no going back.

[belzebong]

Firm believer in Hurley becoming the guardian being his bad ending

[emometalhead]

The finale of The Good Place has me sobbing uncontrollably

[thelastspeecher]

wait important question I need help answering

would Angie in the Modern Stanley McGucket AU be a My Little Pony: Friendship is Magic fan

[universalsatan]

how am i supposed to collect my gay little shows when i am sleeby and work and have to rewatch the multi-seasoned shows i literally just finished

[chstart]

i want to say ordinal scale was the sao universe's pkmn go but. in-universe it gets released in 2026. it's pkmn go,,,,,,,,,,,,,,,,2

[graff-aganda]

ffffffucking obsessed with your lost fanart

YOOOOO... tysm fellow LOST-head!! 💪😤

[welcometogrouchland]

Was contemplating whether or not to rewatch the specials before watching and dreaming comes out and then I remembered that the last time I watched thanks to them and for the future was...(checks notes) 20 days ago (KEEP IN MIND I'VE ALREADY SEEN THE SPECIALS AT LEAST 4 OTHER TIMES) I think it's safe to say that. I Do Not Need To Do That

[cinnamon-bunni]

alright chat from numbers one to bajilion how cringe would it be for me to write a voltron fic

[dogmouthhorse]

had to turn off my fan to be able to write this post for some reason. anyway. watched umm. poto uk restaged tour today w earl carpenter olivia brereton and simon bailey + and i like 2 see what ppl think after i watch something so i was reading some posts about the restaged + frankly ppl were sooo boring about it. they were like ohh its so aggressive and violent :( like yes. its the phantom of the opera whether alw knows it or not it is a story about abuse+misogyny. and arguably some of the abuse is worse but broadly the restaged tours big difference is that it's not shying away from the abuse. like tbf u can feel how u like w the slap i think it was awesome but that may be a result of specifically simon bailey being the coldest least empathetic and nastiest raoul ive ever seen so. could go either way. but like. the wedding dress+the choking etc. that is the substance of the text. it just feels like ppl r so obsessed w their e/c or whatever that they r trying to willfully ignore the emotional/physical/sexual abuse that is blatantly there but once him forcing her to change is slightly shown onstage instead of just implied offstage it's like. impossible to be ignored. the phantom is an abusive misogynist in this show and he always was + that is GOOD‼️ play with meeeee engage with the text with meeeee

[marvel-hcs]

im gonna be real with you guys rn I don't actually know that many marvel characters aside from main Avengers, Spider-Man, & the GOTG... I do however love hearing headcanons even if I don't know the characters, and I like sharing my own so figured hey! other ppl probably also like sharing them! and there's other ppl who will recognize the characters I don't! and also I'm probably gonna get into more marvel series now bc of hearing headcanons abt characters here!! but I just felt like I had to explain that if I don't comment on your headcanon it's probably bc I don't know anything abt the character (yet!!!!)

also while I'm here feel free to comment/reblog with series ideas... I prefer like. cartoons/kids things bc i have a weak stomach for gore & violence but I do wanna try new things so I'll try to at least check out every suggestion!!

[icyfox17]

More random 911 snippets:

WHAT DO YOU MEAN BUCK DIED?!?!

SPRUCE!!!!!!!!

HE GOT STRUCK BY LIGHTNING AND DIED FOR LIKE 3 MINS AND SMTH SECONDS AND THEN WAS IN A COMA FOR AWHILE BEFORE WAKING UP N STUFF ITS CRAAAAZYYY

[bailaconox]

fish upon the sky isn't my favourite show but something about the complete lack of seriousness is really calling to me rn 😭🙏 rewatching the eclipse was maybe not my smartest idea so i desperately needed the unseriousness of FUTS to balance that out 😔❤️‍🩹

[actual-changeling]

So, I was rewatching the kiss scene frame-by-frame, as one does, and I realized something. First I thought, well, Alex, you probably saw that wrong, let’s keep going. A minute later, however, I was confronted with the reality of no, not mistaken. 

Maybe I am late to the party and everyone has already seen it and knows about it, but in case there are people that haven’t: Aziraphale not only puts his hand on Crowley’s back, he puts his left one on his waist BEFORE that.

Not just that, he slides it up and also uses it as leverage to pull Crowley closer. I could go through those few seconds one frame at a time, but that would take forever, so I will give you the highlights in chronological order.

His hands flutter around at first and don’t settle anywhere, which is actually really useful since it shows us what the angle for that looks like.

Now, the next time his left hand moves up, look at the progression. It does not go down the same way as before. Instead, it moves inward and against Crowley’s waist. And it STAYS THERE right up until he moves both of his hands away.

Look at the angle!!!! Look at how it moves INWARD and towards Crowley instead of straight down like before.

Still moving towards Crowley with a slight downwards drift because he is aiming for his waist.

Now it is too low for us to see but I think it is very obvious where his hand has settled. Maybe I am going insane after only thinking about this show for almost a month straight. Maybe not. Call me crazy but the angle here is DIFFERENT. The second one very much looks like he is holding onto Crowley.

Aziraphale kisses back. Fully kisses back. Somehow, that wasn’t enough for Michael Sheen, no, he had to fully commit to it and *close his eyes* when he reciprocates, too. Look at this!!! The way his eyes flutter shut when Crowley first grabs him, then open, and then CLOSE AGAIN when he starts holding him in return. Kissing back with his eyes closed and his arms wrapped around him. The last picture is right before he moves his hand to his waist/the frame after the camera angle changes.

Anyone else losing it right now? No? Just me? That’s fine, although I most definitely am not. Fine, that is. Michael Sheen I’m sending you my fucking therapy bills.