#if i could draw this would be great inspiration
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synthaphone · 2 days ago
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Allowing myself to go on a tangent about the nearly 26 year old virtual pet website that i am way too invested in.
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So today they released the Candy Pteri. While I appreciate what they were trying to do here with it effectively having two designs that you get to choose between (The "Melted Candy Pteri" on the left is a Paint Brush wearable that can be removed to reveal the customizable base pet on the right), I think in this case, they have created two extremely boring designs when they could have easily created one strong design, or hell, even two strong designs if they wanted to do extra work.
Because with this release, we get a base Candy Pteri with no real lineart changes (like the rounded hair tufts and spines on the Candy Zafara), and an alternate design that's just... a drawing of a Marshmallow Peep™???
I would have WAY preferred a base Pteri where they did something like give it a little marshmallow dollop shape on its head and in place of the tail tuft, like my friend @darieyrie suggested. Or they could give it the Peep dot eyes and more rounded features! There's all kinds of ways you could do this concept.
I'd be less frustrated if the Peep wearable had any Pteri traits whatsoever, but its JUST a Peep that's been slightly microwaved. Which is a little funny, but even more than the Toy Poogle is just an iDog, the Candy Pteri does not have any deviation from its base inspiration at all. It's not actually an execution of the concept of "Candy Pteri thats based on a Peep" if there's no Pteri left at all!
(also are they just banking on the Just Born corporation (who make Peeps) never taking any action on this? it kind of goes beyond 'cheeky reference', its EXACTLY their product. I mean, it seems unlikely that they'll notice or bother doing anything if they do, but i don't really know why you'd risk that.) The saving graces of this design, imo, are that the pink and cream color scheme of the base pet IS pleasant (though the lineart and shading treatment aren't really my bag), and some people will enjoy the novelty of having a pet Marshmallow Peep™.
But really this is just the latest of a number of recent outfit and color releases that feel like they don't think people want Neopets. Like. This cardinal outfit that they also released today.
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I love the idea of a cardinal Pteri! But this outfit literally takes away every distinguishing trait of the Pteri to make a high effort, nicely rendered, but stylistically incongruous generic cartoon cardinal????? Its not even a Neopet anymore!!! Even if I set aside my personal dislike of the overly rendered style they're using for more and more of the site assets, this wouldn't work with most of the rendering removed either, because it would still be a Pteri in pose and proportions only.
Not every new design and outfit that's come out in the past couple years has these issues and there have been a number I've really liked, and I DO think its great that the quality of the art has improved since the JumpStart era. But I would really appreciate it if the new pet colors in particular were designed a little more thoughtfully, so that they at bare minimum still resemble the species they're supposed to be outside of the rough pose and proportions. It sometimes feels like there isn't a rough draft or workshopping progress for new colors, and the members of the art team just kind of do their own thing and then the very first draft of an idea is what gets polished and released.
The current art direction for the customization aspects of the site just has me feeling like they've decided to throw out years of relatively cohesive art and world design for a strange jumble of ideas that don't really capture the appeal or feeling of Neopets to me.
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nameismizuki · 1 day ago
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Hi...
So i just saw your art and kind of fell in love with it on the spot. Its got me really inspired, to the point that i've actually decided to start trying to draw myself, making this blog for it and everything. A cursory look at some resources suggests studying different artists at some point might be good. You're definitely on that list for me, but if you have any other artists to recommend for this that would be nice...
I also just saw your day 19 reward drawing and it gave me an idea if you're still doing drawings for some peoples asks and taking suggestions. Could you draw Sky getting a Rupoor (the -10 rupee)? This was very long sorry.
hiii! thank you so much 🙏❤️ and omg that's great that you're starting on drawing! i'm proud and i give you my support 🥹
i would definitely recommend you to check out balo-badartist(if you haven't yet), the details in their art and how they color are just top tier! and i'm sure there will be more awesome artists you will encounter to help you on your art journey! you should also check out different references for poses/anatomy, cuz that's what i do a lot of times hehe
and of course! here's sky getting a rupoor 😆
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and please don't apologize for the long message, i really love reading them! have a great day/night!! hugss 🫂
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poorly-drawn-mdzs · 1 year ago
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Detectives at the Disco (Elysium)
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whaliiwatching · 11 months ago
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gals & colors..
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nwleon · 6 months ago
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Thanks bro I appreciate it, I wonder what more songs you'll add 👍
Chip: A girl is interested in me and I'm not going to ignore it!
Rebecca: Chip, I want you.
Chip: You want me to what?
Rebecca: I-um-uh
Chip: Already forgot? Don't worry happens to me all the time
(Chip leaves)
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quoththemaiden · 1 year ago
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Aziraphale: The Sword that Guards the Tree of Life
Looking where the furniture isn't
This post is dedicated to @meatballlady's excellent insistence that if we want to try to predict where season 3 will go, we need to look at where the furniture isn't. That is, what must have been there but wasn't shown?
For this one, my source material is going to be Genesis. That is, in no small part, because it does in fact fuck severely that Neil Gaiman and Terry Pratchett took the angel with the flaming sword and the serpent of Eden and made them kiss (@joycrispy, @ouidamforeman). It's also because Genesis, quite simply, exists, and it seems safe to assume that most everyone in Gaiman and Pratchett's intended audience has been exposed to at least its first few chapters dozens of times.
What does Genesis tell us about Aziraphale's purpose?
3:22 Then the Lord God said, “Behold, the man has become like one of Us, knowing good and evil; and now, he might reach out with his hand, and take fruit also from the tree of life, and eat, and live forever”—  23 therefore the Lord God sent him out of the Garden of Eden, to cultivate the ground from which he was taken.  24 So He drove the man out; and at the east of the Garden of Eden He stationed the cherubim and the flaming sword which turned every direction to guard the way to the tree of life.
@joycrispy's analysis above highlights Aziraphale's role as given in the last verse: as the angel chosen to wield the flaming sword, he was sent down after Adam and Eve were expelled to prevent them from returning. Instead, he chose to protect them by giving that sword away. His desire to protect humanity is indeed beautiful (@give-soup-please, @snek-eyes).
But wait, what came right before that? "And take fruit also from the tree of life...?"
2:9 Out of the ground the Lord God caused every tree to grow that is pleasing to the sight and good for food; the tree of life was also in the midst of the garden, and the tree of the knowledge of good and evil.
That's right: What we see in the show is that Adam and Eve were sent out of Eden so that they'd have to deal with the rain and the animals and have to work for their food, but that was never the primary motivation. God planted two special trees, and after Eve and Adam ate from one of them, God was terrified at the prospect of them turning around and eating from the other. And thus, the Garden of Eden was made off-limits and set to be permanently guarded by an angel with a flaming sword.
So, the flaming sword.
Twice now, Aziraphale's sword has helped humanity survive complete and total destruction (@nottobehornyonthemain). The first time, he handed the sword to the first two humans, which protected not just them but the entirety of the human race via Adam and very pregnant Eve.
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The second time, he let it be wielded by The Them, who used it to best the Four Horsepeople of the Apocalypse and save the billions of humans already alive as well as unborn generations.
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Perhaps the flaming sword was only intended as a plot point in the first season. However, if its purpose were completed, it could have easily been destroyed. As a narrative piece, it could have broken dramatically at the end of the face-off against the Four Horsepeople. Or, Watsonianly, God could have chosen to break it Herself; after all, it was already used against its intended purpose twice, so why let it keep existing?
Instead, it's carefully taken away to... where? Heaven?
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The place Aziraphale is now going?
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Or at least a place where he could likely find a record showing where it's being stored?
Whether you call it "rule of threes" or "Chekhov's gun," I think it likely that Aziraphale will be getting his sword back in season 3. He probably doesn't want it (@createserenity, @ineffableigh, @doctorscienceknowsfandom), but he'll need it.
The question, then, is what would Aziraphale do with the flaming sword he was given to prevent humans from reaching the tree of life?
If we're looking at where the furniture isn't, the biggest stretch of an interpretation would be to say that the missing furniture is the tree of life. If anyone knows where Eden is, it would be Aziraphale, Guardian of the Eastern Gate. We know that both Heaven and Hell want to end humanity. The opening credits have humanity walking to their judgment after their deaths; what better way to prevent that than by preventing those deaths?
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The most intense version of this theory says that the audience should be familiar with the story of the Garden of Eden and know damn well that there are two special trees there and that Aziraphale was put in place to guard the second one — the one humanity hasn't eaten from yet, the one that grants immortal life. That's where, if I were truly trying to swing for the hills by aiming at where the furniture isn't, I would ideally like to end this post. If that were the case, season 3 could even open with Aziraphale walking towards the Garden of Eden, sword in hand, but this time approaching it from the outside with the intention of tearing the wall down.
But, let's be honest, making individual people immortal doesn't feel like it would fit with the themes of Good Omens, nor with Neil Gaiman or Terry Pratchett's world views.
So, let's take the tree of life symbolically: Instead of the tree of life granting individual humans immortality, it could instead represent giving humanity immortality. In that case, the thing that's where the furniture isn't is Aziraphale's sword. You know, the sword that's already saved the human race from extinction twice now, with both times being because Aziraphale gave it away.
I suspect that the sword will wind up in Aziraphale's hands again in season 3. I also quite suspect that it won't be staying there. In the end, I expect it will once again be up to humanity to reach out their hand to take the apple from that second tree.
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soranker · 1 month ago
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Hiiii not sure if anyone's asked this yet but any advice on how to improve on art & anatomy? I use to draw a lot wayyyy back in high school but then stopped because of life getting in the way but now I really wanted to get back into art but realized my art isn't as good as it use to be & I never really cared too much about studying anatomy so all my anatomy/proportions are really wack & I'd like to get better at it. Hope you're having a good day!!! 💞💞💞
HI!!! i dont have any formal training in anatomy nor have i really done any studies, so unfortunately i think i can only offer general advice, but hopefully you can still find it helpful! here's what i'd recommend based on my own experience...
focus on proportions BEFORE anatomy! nailing down the size/length of each body part in relation to each other will give you a good foundation before getting into the specifics of anatomy, since you can practice this with simple shapes (circles, boxes, tubes, etc.). then practice anatomy/build on top of that, rather than trying to figure them out in parallel
practice from real life observation/references (ex. figure drawing)! even if you want to draw stylized, it'll be much more helpful in the long run if you study from real life. you'll be a lot more informed in how body parts actually connect to each other or how they move. observe observe observe! take pics of yourself/watch how your body moves--you can be your own most accessible resource, and a mirror and camera can be your best friends
find a way to keep yourself motivated to practice anatomy! everyone says that you only get better with practice and time... and it's true! but i can understand that sometimes it's hard to motivate yourself. if you ask me, draw your favorite characters :) it's literally all i do HAHA. my mentality is that... if i'm drawing something that i like then the practice feels less of a chore lol
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sysig · 5 months ago
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Why, is he so pretty (Patreon)
Bonus Max ♥
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#Doodles#SCII#Damned#Helix#ZEX#Max Vyer#Doodles between studies and playing with hair how could this have happened hehehe ♪#Hghhghgh every time - Every Time!! Every time I see sketches it Makes Me Want To Draw and then I do and it's great and I love it#Inspire!! My favourite ♪#Helps when the subject is as cute as ZEX is hehe <3#First one was before that but I'm still counting it because he's still just as cute lol#Back him into a corner do it (and also give him kisses he deserves it)#He's just so popular! All eyes on him!#The more experienced in the leader role ♫#The rest are all inspired-bys lol - the studies were quite fun as well! They always are#I hadn't really given much consideration to his hair to be honest :0 Other than feeling like I make his hair too long and fluffy lol#But to me fluff = fluff = fluff so seeing the shapes broken down was really neat :D#How it would react to being up or down or different weights and thicknesses and curliness - very cool! Like it a lot :D#I really like his bangs covering his closed eye hehe <3 Weighted or otherwise! Just seems like it'd be convenient for him#That way that hair in your eyes limits your visibility and/or blink a bunch but he just keeps his shut haha#There's also something nice about it being out of his face and you can see his closed eye so clearly as well ♪#Conversation starter hehe#And one that's not a style study but /is/ from after doing a couple haha - nose ear and eyes seem to be the big factors there hmm#It's interesting :3#And fun! :D#And then a bonus Max for funsies because I'm Love Him and he's So cute <3#Cannot draw this man without a pillow he embodies pillows to me he needs a pillow that is His Prop in my head lol#If/when I make that Max plush (it's still on my mind) definitely gonna have to make him a pajama set with pillow and blanket#Needs the cute sleepies! It's required!!!
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erythristicbones · 1 year ago
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i don't feel like copying what i wrote, so take some screenshots of me having brainworms for the JDK villains again. primarily spurred by me going "hey wouldn't Nisha and Artemis and Apollo make cool rockstars instead"
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#i really need to hurry up and finish organizing my writing blog so i can start posting these there instead#anyways i feel like this finally nails EXACTLY the kind of vibes that i wanted for the Acolytes and Solanace#and tbh.....even if i cant find a way to work JDK's original curse themed plot with these ideas#i feel like it would absolutely be worth changing the stories/motivations for the POV trio to fit this new set of ideas#kinda adds a lot more to the villains as a whole#and also sets it apart from a lot of my other stories that revolve around 'essentially a cult' as an opposing force#if i decide to be the most self indulgent that i possibly could be#i might even consider the idea of making it a story ABOUT Solanace and the acolytes in the POV sense#theyd still obviously be villains but the protags of the story instead of the antags#at which point jonas/lydia/hayes would have to be majorly reworked to then fit into the antagonist roles#could also theoretically work with the idea of jonas AND nisha being POVs#so the reader would be getting insight to the good guys and the villains at the same time#JDK(which STILL needs a better placeholder title) really is a story that ive had to majorly change multiple times#most of my stories i have the general idea + genre settled before anything else#but this one is more character driven#i have two groups of OCs ive thought about in depth and i just havent been able to build the story around them in the right way yet#i think once i can Actually get my brain focused long enough to draw#i wanna doodle more rockstar inspired designs/themes for nisha/artie/apollo#see if the idea continues to tickle the brainworms in such a great way + then have time to make polished refs b4 artfight#bc i really love my overdramatic artsy villains okay. i think they deserve to be extra as fuck ya know?#who doesnt love a villain whose primary goal is to put on a show and THEN to do the evil things?
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expressionless-fr · 2 months ago
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@illwilledomen @mj-iza-writer @misc-obeyme
If you're a creator and you needed to hear this today:
You have no idea how many people lurk on your work. No idea how many times people go back to revisit your work. How big they smile when they simply think about your work. How fast their heart beats, how excited they get when they see that you posted something.
People are shy with their feedback. Sometimes it’s because they’re simply shy. Other times it’s because they assume you already know how great and talented you are. Could be both.
My point is, even if you barely have any likes or reblogs, don’t get discouraged. You have a lot of silent fans, but they are still your fans. Keep on creating. Because there is always someone out there who will love what you have made.
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roseyanon · 10 months ago
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*looks up* i should make a minecraft fan project.
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nereidprinc3ss · 2 months ago
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fixation
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in which you love spencer reid's hands so much you could... well, you could practically eat them. or at least let him put his fingers in your mouth.
18+ (fluff, suggestive) warnings/tags: finger sucking...lol....., established relationship, ummmm d/s adjacent dynamics, like softdom spencer but there's no sex, pet names, teasing a/n: this was inspired by @gublersg1rl who said 2 nights ago she would suck spencer's fingers as he was reading a book. my beautiful angel with so many great ideas in her beautiful head. anyway this will not be my magnum opus in terms of quality but its just a fun short little thing I hope u like :D
Spencer is reading. 
He got home forty five minutes ago, and he’d hugged you and he’d kissed you—and they were good hugs and kisses, but as you sit curled on the opposite end of the couch from him, watching him read, it doesn’t feel like enough. Three days isn’t the longest he’s been gone, but you missed him like he was gone longer. And now, he’s not truly ignoring you—but he’s not giving you enough attention. It’s unintentional, but it’s making you feel all kinds of needy and overly-affectionate anyway. 
Especially when he’s so gorgeous. Ankle crossed over knee, lithe fingers skimming over the page to keep track of his place. Those hands are truly distracting. It’s unlike you to be struck by such wildly inappropriate thoughts so out of context, but here you are, having been without him for days, practically feverish on the couch as you imagine all the things they could do. All the things they have done. The way they've traced down your bare spine, up your side, so lovingly in the middle of the night... how they've touched you elsewhere...
And... that's enough.
Despite the whole committed relationship thing, you still feel a bit scandalized picturing him like that. And you know from experience these thoughts will only get worse if you stay over here, staring at him, wanting him, so you crawl across the couch and under his arm, settling your head in his lap and looking up at him expectantly. He chuckles—a quiet, dry thing, that says he’s only partially surprised by your behavior. 
“Well hello,” Spencer says, taking one hand off the book to settle on your leg. 
“Hi.”
For a moment he just studies you, affection seeping into his eyes along with the humor already there. “Can I help you?”
“Mhm.”
His brow darts up. 
“With what, baby?”
Baby. Your whole body tingles. He only calls you that when he’s feeling especially soft toward you and your whims. In turn you soften, and you both become rather mushy. 
Unfortunately your brain is not excluded from melting, and you look up at him helplessly. 
“Um…”
Spencer’s hand falls from your knee, taking an unnecessary but appreciated route down your thigh and up your stomach before settling on your cheek. He brushes away a few baby hairs before two knuckles begin drawing soft lines from the corner of your mouth up toward your ear and back again, and your stomach becomes a hail of butterflies. He’s got this soft smile on his face and you love him so much and he’s so sweet and perfect, you could just—
You’re not thinking very clearly when you tilt your head, angling your chin up until you catch his fingers against your lips. His eyes remain on yours as he traces the shape of your mouth with those same two knuckles—until you’re slowly parting, obstructing his path and offering a very different kind of invitation. Spencer’s eyes narrow fractionally and you watch the way his focus changes, the way he only tests the waters at first, letting the tips of his fingers trace the length of your bottom lip, before barely tugging down just enough to feel the soft warmth of the border of it. They skate over the ridge of your teeth and find the tip of your tongue, at which point you can’t help from closing your lips around his fingers, eyes fluttering contentedly as you draw them deeper into your mouth. His brows draw together, and those pretty pink lips part soundlessly like you’re the eighth wonder of the world in a way that has your thighs clenching. You hear the book shut and fall carelessly to the side table. He doesn’t even bother saving his place—too busy bringing that newly freed hand to your hair and combing gently against your scalp. 
It’s strangely calming to have him like this—he’s undeniably with you, undeniably close, against your lips and tongue. All your worries about his distance dissolve and you feel incredibly comforted. With his other hand, his thumb begins stroking a line from the bridge of your nose up your forehead, and you could pass out. 
“Comfy?” He asks after a long moment, slowly withdrawing his fingers from the heat of your mouth. You pout. 
“I was.”
Spencer hums, eyes soft on you. “I don’t think I should be nurturing your oral fixation, angel.”
“You didn’t like it?” You challenge, turning your head inward to nose at his stomach. He  cups your cheek with damp fingers and pointedly turns your head outward again. If he wasn’t so blushy and flustered and cute you might’ve cared more about the feeling of your own spit on your skin. 
“Don’t make it about me.”
You allow a minute to pass in silence. 
Fine.
“I liked it,” you say shyly. 
Spencer’s response is deeply fond as he smiles down at you. “Did you?”
Like he couldn’t tell. 
“Mhm. You should let me do it all the time.”
His smile flickers wider the way it does when he’s about to tease you. 
“I don’t know if you deserve it. I don’t know if you can be good all the time.”
You make a face. “Shut up.”
“Is that what we say when we want something?” Before he can pull his hand away, you nip at his fingers. He laughs. “You’re off to a terrible start. I think you need to work on your manners. Not bite the hand that… goes in your mouth.”
“Is that the saying?”
“I’m pretty sure,” he nods sarcastically, helping you up until you’re sitting across his lap. He lovingly tucks hair behind your ear, eyes warm as they flit across your face up close. “You know, that was incredibly unhygienic. So much bacteria it boggles the mind.”
“Yeah? That kinda turns me on.”
Spencer leans in to kiss you sweetly, choosing your mouth over his worry about bacterial transmission. “You are so psychologically concerning,” he whispers against your lips. You sling your arms around his neck. 
“Because of the bacteria thing or the oral fixation thing?”
His hands settle on your hips. “Both, lovely. For so many reasons.”
It’s only another tease, but you pull back anyway so he can see the full force of your pout. “Don’t say that. It’s mean.”
“I was kidding! It was a joke. I was joking.”
“It was mean.”
“Okay,” Spencer begins, patient and happy to untangle this ridiculous snag if that’s what it takes to make you content again, “Freud’s psychosexual stages of development are contentious at best. I’m not worried about your oral fixation because I don’t really believe in such a thing. I was just teasing you, but I’m sorry I hurt your feelings.”
“So you’ll let me do it again?”
Spencer pulls you back into another kiss. 
“You’re kind of insatiable, you know that?” 
When you don’t answer, only wait for him to respond, he sighs goodnaturedly. 
“You know you can have any part of me whenever you want it.”
You give him a winning smile and kiss his cheek in reward. 
“You’re so nice, Spence.”
“I thought I was mean.” 
“Now you’re nice.”
“Because you got what you wanted?” You nod enthusiastically. He seems not quite as thrilled, though perhaps distantly amused by his own helplessness when it comes to you. “Yeah, I feel like that happens a lot, doesn’t it?”
But it clearly doesn’t bother him that much. He’s still smiling when you kiss him again. 
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adragonprinceswhore · 4 months ago
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One Whore Is As Good As Another
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Aemond x Brothel worker x (drunk) Aegon
Summary: Desperate to prove he's no mere boy, Prince Aemond leaves his taunting brother and seeks out another conquest. Momentarily, he feels back in control, until his brother reappears.
Warnings: 18+, AFAB reader, reader is a brothel worker and has Valyrian features, targcest, rough sex, oral (m. receiving), face fuccin', P in V, semi-public sex, exhibitionism, titty slapping, humiliation, degradation, dysfunctional brothers
Word Count: 2000
A/N: I had this idea when I read the leaks for episode 3, and let's just say Aegon's awfulness worked great as inspiration. Filthy drabble ahead!
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You've seen Prince Aemond's long, silver hair flash by in the corner of your eye countless times in the past weeks.
You never get the chance to observe the prince up close. He only appears fleetingly, confidently striding through the Blue Pearl towards the room where Madame Sylvie awaits him.
She seems to be his favourite; the only one allowed to touch the imposing young man. Sometimes he spends hours with her, though you are not privy to the details. All you know is that most men entering your place of employment conduct much shorter visits.
You do not envy your madame. Entertaining a Targaryen prince is no easy feat, from what you've heard.
Still, you do wonder what it would be like to catch his eye. For him to choose you, like he had chosen the madame.
Had he ever caught sight of you, like you did him? Had he ever seen the shimmer of your silver hair reflect in the corner of his eye?
Does you Valyrian heritage look as alluring as that of the statuesque prince, despite being born a bastard?
These thoughts had merely been fugitive, indulgent fantasies.
Until tonight.
Prince Aemond stands naked in the middle of the vast space in the heart of the Blue Pearl, seeing eye gazing out over the intertwined bodies moving in differing rhythms.
No one had asked for your services as of yet, and you'd therefore been tasked with refilling chalices and plates for the patrons.
The prince's gaze settles on you as you pour wine into a few cups scattered around, ensuring no one chases pleasure parched.
He walks towards you in slow, confident steps, seemingly uncaring that he is fully nude.
'Tis a brothel after all.
Placing the decanter back on the table, you curtsey as he draws near; trembling fingers fumbling with the thin material of your gown,
"Wine, your grace?"
"Do you work here?"
'Tis not the wine that caught his attention.
"Yes. How may I be of service?"
His eye scans the place, searching for a more secluded spot. He gestures towards a plush settee tucked away in a corner with a nod, prompting you to follow him there.
Walking next to the prince, you can truly admire the sharp features of his face. His hair is as fetching up close, and his skin resembles milk; so clear and smooth.
Clean.
Not fit for the filthy surroundings you'd been brought up in.
"Are you my uncle's bastard?"
His query catches you off guard,
"I-, I do not know, your grace. Mayhaps"
You could be his cousin.
Or his sister.
It matters little here; the gods had decided both of your fates when they ruled it fair he be born a prince and you a bastard to a whore in Flea Bottom.
Despite the evident uncertainty, your answer seems to please him.
Prince Aemond's hums, seeing eye narrowing and the right corner of his mouth twitching briefly, perhaps nearly breaking into a smile.
The possibility of you being his uncle's daughter excites him.
"Lay down"
You do as told, reclining on the settee. The corner the two of you occupy is fairly out of sight, yet there is no curtain hindering wandering eyes from seeing your act. It surprises you that the otherwise secretive prince would chose such an exposed place for your coupling, yet you say nothing.
The choice is his.
He inspects your form as you lie down; gaze traveling from the round softness of your breasts to the smooth skin of your inner thighs. The gown you wear leaves little hidden, and the prince's searing stare causes your heart to drum quicker in your chest.
The unpredictability of what he'll do next; of what he wants from you, causes as much unease within you as the determined look in his eye elicits.
He hums, head nodding faintly to himself, before he moves towards you, lifting one long, lean leg so he may straddle your chest.
His cock is right by your mouth, already growing larger as he gazes down at your face underneath him.
Perhaps 'tis the gaining of control that arouses the prince so; seeing you laid out for him with nothing but obedience to offer.
He feeds you his half-hard cock; not too brutish to force it all in your mouth at once. A prince still keeps his manners, you suppose.
Taking him in, you feel the skin of his member; hot and with a taste like salt. It's heavy in your mouth, and the awkward position the prince has you in does not allow you much movement.
He looks down at you; one eye stoney and unmoving, with shadows and light dancing in it. The other expressive and fierce.
Hungry.
Both his hands grab the back of the seat as he leans forward, forcing more of his cock down your throat. It prevents you from breathing, yet you do your best to appease him, sucking and swallowing him to the best of your ability.
You feel his balls slap your chin as he rocks into your mouth, pleased grunts escaping his lips.
A few more thrusts and you start to feel dizzy, not receiving enough air with the prince's manhood in your mouth and his lower belly pressed up against your nose.
You gently tap his leg and he abruptly pulls away from you, hurriedly moving off of you to stand next to the settee.
You cough as you inhale air once again, looking up at him with glassy eyes and wet lips, shining with spit.
His face is still harsh and demanding, and your gaze flickers down to his cock.
Decorated in your spit, it has grown double in size and is now red; like vexed skin after a beating.
You lay still, breathing rapidly to regain your senses. After giving you a moment to calm, Prince Aemond gestures for you to stand, and sits down on the settee.
He grabs your hips, dragging you towards his lap, and so 'tis your time to straddle him, take his cock in hand and sink down on it.
You know how to play these games. You know how to appease the men seeking your touch. Still, the moan you emit as you take in the prince is not solely performative; the stretch of his member fills you to the point of pain.
You bite your lip in a vain effort to concentrate, set on pleasing and serving your prince. Moving up and down in a slow pace, you grow wetter and more accustomed to his intrusion, and soon, your own pleasure follows.
"A-, ah, Prince Aemond", you call out, hoping the flattery will make him favour you even more. Mayhaps as much as he favours your madame.
He grunts and places his arms around your waist, pulling you closer to him so he may rest his face against your scarcely clad bosom. He's enjoying you; reveling in your cunt, and it feels like the highest of praise.
You continue to call his title, his name, moving faster and harsher up and down his length, until,
"Brother!"
You catch the flash of a figure stumbling towards you in the corner of your eye, certain you know who it is before looking up;
King Aegon.
His lips are curved into a lazy smile, eyes half-lidded and hair tousled,
"I knew you had it in ya!"
The king ends his exclamation with a slur, clearly far too drunk to be staggering around Flea Bottom unattended.
You'd never been eye to eye with the king before; word around the street was that he found the Blue Pearl far too dull. He requires more to quench his thirst for depravity.
And yet, seeing you ride his brother's cock seems to be to his liking,
"Come on, girl, ride the dragon!", King Aegon shouts before falling into a fit of laughter. His hand smacks your arse as if you were a mare, urging you to go faster.
You search the prince's face for approval, but he's not looking at you anymore. His dark gaze is trained on his brother; still harsh and determined. You take his silence for compliance and move faster; quick breaths of exhaustion and moans of pleasure slipping out from your still wet lips.
"Making her do all the work-",
Aegon's still laughing between the words he slurs out. Standing behind you, one of his hands move to cup your left breast, and he squeezes it roughly; too drunk to appreciate tenderness,
"-I can see why"
Prince Aemond is still silent; still staring at his amused brother.
"No, no, no, this won't do", the king mumbles as he releases the harsh grip he'd had on your breast,
"Remove your gown, bastard"
Again, you seek Prince Aemond's eye for instruction, but he does not grant it. So, you grab the hem of your thin attire and pull it off over your head, exposing yourself to the Targaryen brothers.
'Tis not like you've never been naked before; you entertain most guests nude. Still, there's something about the royals' presence, their ongoing, silent battle, that leaves you feeling more exposed than ever before.
King Aegon hums in appreciation at the sight of your bare teats, the same rough hand coming up to slap the side of one of them, chuckling as they knock together.
You pick up the pace to ride your prince again, yet the king does not leave you be. His voice is still amused, though tinted with something darker, as he commands his brother,
"I want to see you fuck her like a hound, Aemond"
The prince does not reply, and your pace does not falter. You were tasked with pleasuring the prince, and if he did not reply to his brother's orders, neither would you.
Though he is your king.
"Fuck her like a hound! Come on!"
King Aegon sounds more agitated now; impatient. He does not like that his brother does not obey him instantaneously; that he would refuse an order.
The prince is as stubborn as his elder, and in between the brothers, is you;
Caught between two dragons waging a war of wills.
"Get up", Prince Aemond grits through clenched teeth.
You comply, standing swiftly only to be turned and roughly placed back on the settee on your knees.
The prince places a hand on your lower back, pushing you to arch, and enters you in one stroke, reaching far deeper than your previous position had allowed.
He quickly sets a brutal pace; fucking your squelching cunt harsh and quick.
You desperately hold on to the back of the seat, vainly searching for some control as the prince takes his pleasure from you.
Behind you, you hear his laboured breaths and grunts, and the entertained cackle of the king,
"That's more like it!"
He walks around the settee to face you; watching your body as it sways back and forward with the prince's rough thrusts.
Leaning in closely, so closely that his wine-soaked breath is right by your cheek, King Aegon inquires, "How does royal cock feel?"
You know how to play these games.
"Heavenly, your grace"
He hums and touches a strand of your hair, twirling it around his finger, "Is that what your mother thought as well?"
He does not bother with waiting for an answer from you; truly, he's not interested in knowing. Instead, he circles the settee yet again to stand next to his brother, mesmerised by the sight of his cock driving in and out of you,
"Where on her will you spill?"
Prince Aemond stays silent, pace never faltering.
“Face, teats or arse?”, his brother asks, but before his stoic sibling answers, he decides for him,
"Spill on her face. You got to appreciate those, uh, familiar features"
A few more rough strokes and the prince pulls out, grabs your waist, and turns you around so that you face them both. He pushes on your shoulder in a silent order for you to get on the floor, once again with his member in your face.
With a quick hand he strokes his slick cock, seed shooting out like arrows, landing on your cheeks, in your hair, on your lips.
He's breathing heavily, yet does not say anything, nor does he moan or grunt. He simply decorates your face in pearly luminescence, matching your silver hair and lilac eyes.
When he's done, he turns, and you see his older brother lay a comradery hand on his shoulder, commending him for "a good fuck".
As the brothers walk away together, you see the tension in Prince Aemond's shoulders ease ever so slightly.
The burdens of being a royal.
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A/N: If the HotD writers want Aemond to be obsessed with his uncle, I'll comply! I like to write these little drabbles as a fun way to practice writing without much pressure, so please be kind, it's all just for fun!
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clanwarrior-tumbly · 3 months ago
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Ooo you’re doing Pressure!!
May I request an artist reader who, throughout the journey found some paper, pencil and made a little makeshift sketchbook and when later bought Sebastian’s document decided to try and draw him? Like maybe both when human and current (and maybe the monsters)? 
Perhaps he saw them sketching, got curious and decided to look through it when reader left it somewhere or just straight up snatched it and held it out of their reach and sees those sketches of him. Could be hurt/comfort or angst/fluff.
Of course you’re free to change any of the details but please keep it platonic TwT
Aw love this idea! And it works considering all the paper and notebooks in the drawers of the blacksite.
............
"Great, [y/n]. One moment, you're doing some harmless graffiti on a brick wall nobody cares about. And the next, you're risking your life for a stupid crystal in hopes you'll get a federal pardon.."
Sighing, you held onto the overhead handles within the sleek black submarine, feeling it shake and rumble as it breached the water's surface. And after hearing the chime, the door hissed and opened up, the platform extending out onto the dock of a place already familiar to you: Hadal Blacksite.
'No place like home..' As you stepped out of the submarine, you could hear HQ over the PDA system informing you of your objective in reaching the crystal and collecting any "loose assets" you find along the way...
As if you needed any reminders of what you were doing here.
Immediately, you unlocked the first door with the keycard and began your journey to room 100. Along the way, you found a good handful of research data. Nothing too special aside from folders, USB drives, and a couple blue DNA vials.
Then after narrowly dodging the Angler in one area and avoiding Eyefestation's gaze in the next, you reached a room requiring yet another keycard to exit. You checked the nearby office cubicle, finding it in the first drawer you opened.
But that isn't what made your eyes light up. Rather, it's what was right next to the card that did:
A brand new pencil to go with the sketchbook you've been carrying with you.
Because you weren't given the luxury of doodling while sitting in jail for over 90 days, you felt your creativity flames being snuffed out, leaving you itching to draw something again.
Before all of this, you had a decent following on social media with your art skills, and you could imagine that they're worried sick over your sudden absence. But you hoped that, if you survive and succeed in this mission, you'll be able to come back and reassure them that you're very much alive.
And perhaps show them what Urbanshade has been hiding from the public...that is to say the sea monsters that have taken up residence in the Blacksite since its lockdown, freely roaming and haunting nearly every room you step into.
With the makeshift sketchbook you had (and somehow kept even after death), you've filled its pages with simple and detailed sketches of each creature you encountered.
But you doubt that they would let you leave with physical evidence of entities nobody else in the world should know about...unless you somehow convinced the guards that they were "original characters" that so-happened to look like them, but you had a feeling that excuse wouldn't fly.
Regardless, they've given you tons of artistic inspiration, despite your many close-calls with them in pursuit of studying their features from afar.
Thanks to the files Sebastian Solace has shown you, you've learned how to safely observe the Angler from a distance and better remember their details. They were merely a grotesque face surrounded by smoke, so you didn't have to worry about drawing any limbs or tails (assuming they had those).
You encountered their variants so many times that you could recall the little things that made each them unique--like how Pinkie had four pupils, how Blitz was missing pupils in one socket completely, how Froger was..well..a big frog with lots of needle-shaped teeth, and Chainsmoker was a sluggish blobfish through all that smoke.
Making eye contact with Pandemonium was a death sentence..as you've already learned after trying (and failing) to safely observe him through a glass window. So you draw him as you see him in his file.
The Squiddles' "intimidating" faces were scary in the dark when you least expected them, but they served as amazing inspiration. You even had a page full of what faces you'd think they make up to frighten others. It's too bad you couldn't show them, however, as that required you getting in their personal space.
Eyefestation, Good People, and the Wall Dwellers were quite..risky to observe, as they had ways of quickly and painfully sending you back to square one if you weren't careful. Even so, you made some pretty damn good sketches..and you wish you could show them off to them, too, especially to the shark who'd probably appreciate a human's drawing of herself.
Even the DiVine, who were always frozen in poses for some reason, joined your ever-growing list of muses. The oxygen gardens were a nice place for you to rest and appreciate the flora for a few moments--before an Angler came along, of course.
Then there was Sebastian.
While he was fully aware of your artistic passions, in the beginning he seemed a bit annoyed whenever you came into his shop just to sketch.....or if you took an unusually long time to reach him. He just assumes you've stopped to "doodle" and wonders if you really care about getting out of this place alive.
He'd remind you that HQ could get suspicious if you're off their radar for too long, but you've stayed in his shop for 10-20 minutes at a time and not once did your diving gear beep. So you reassured him not to fret.
It was kinda sweet that he worried over you, an expendable, although maybe that's because you actually treat him with decency..and don't take his snarky comments to heart whenever you died.
Aside from the occasional eyeroll whenever you brought out your sketchbook, he did inquire about some of the things you've drawn, and you'd show him, bearing a little pride in your work.
All you'd get in response was a "neato" or "wowie, that's how you see them?" and nothing more.
It wasn't insulting, so...you'll take that.
Obviously he was more concerned about how much research data you were willing to fork over in exchange for supplies, and how far that equipment will carry you before your next demise. So you'd eventually close the book and barter with him for whatever wares were on his tail.
Unbeknownst to him, you've actually started sketching him as of late. Now that you've met him dozens of times, it was easy for you to recall his features without needing to stare at him for reference every five seconds.
That would not only be rude, but very creepy.
Then one day, you showed up to Sebastian's shop with enough data to be able to afford his document, which described him as Z-13, "The Saboteur" who the company wanted "dead on sight" if he was spotted or trying to escape.
When you had time to read the file on your own, you learned some..pretty shocking things about how he caused the lockdown, went through torturous experiments, and was falsely accused of nine murders and was proven innocent far too late.
The most upsetting part was that he was never informed of this.
He learned that after presumably stealing his own document.
It made you feel sick to your stomach, knowing he's the reason you're being terrorized by those beasts, but you couldn't find it in your heart to be angry at him.
If anything you were angry at Urbanshade for their "guilty until proven innocent" system--or in his case, being proven innocent didn't matter.
His human mugshot was also included in the file, and even with the black censor bar covering his eyes, he still looked like quite a handsome fellow. You could make out some details, and ended up drawing him on a separate page, too, although part of you wishes you never started.
You doubt he would kill you or rip apart your book for drawing him, but considering how volatile and rude he could be at a moment's notice..you did your best to conceal the sketches when you visited his shop.
You didn't want him to be offended or reminded of his past..and make him resent the one person who he almost considered a genuine friend.
Unfortunately, you'd soon come to realize that your actions were only heightening his suspicions.
And that it was going to come to a head next time you entered his shop.
...............
"Okay, I'm going to bite...what're you really hiding in that little book?"
"Pardon?" Pausing mid-sketch, you looked up at Sebastian, wondering why he appeared so disgruntled. "I'm..uh...just doodling like I always-"
"No, don't give me that "like always" crap." He huffed, flicking the end of his tail as he crossed his two arms over his chest, staring down at you. "Last time, you couldn't stop showing me a stupid face you'd think one of those S-Qs would make...and now you won't even let me have a sneak peak of your next "masterpiece"." He spat the last word, voice dripping with disdain. "Are you really drawing something...or are you secretly writing intel to give to Urbanshade?"
"...wha.." You blinked in disbelief, wondering where he'd get that assumption from. "Why would I ever do that?"
"Oh I dunno, maaaybe because you have access to my file and know my location? I bet you're gonna sell me out to those scumbags once you reach the crystal." He gnashed his teeth. "Did they say you'd get extra cash for leaving tips on my whereabouts, huh?"
"Sebastian, there's no reason for this hostility. I'm not giving any intel to anyone-"
"Then you wouldn't mind me taking a look at this, would you? Yyyyyyoink!" His third arm was quick to snatch your sketchbook away, holding it out of your reach as you jumped up in panic.
You were already dreading his reaction.
This could very well be the end for you.
"Please give that back! You'll tear it!"
"You look frightened. So maybe I should, considering you're writing secrets about.....about...." But as Sebastian finally looked at the page, all he saw were sketches of his current self, and you began to see a shift in his expression.
It went from pure anger, to surprise and confusion, and then to....something unreadable.
"These are...all of me?" His voice became quieter as he flipped the page, only for his breath to hitch upon finding the drawings of his human form.
And for once, he was completely speechless.
The details were immaculate, everything from his hair style to the scar he used to have across his face--given to him from an angry cellmate who thought he really did kill those people and tried giving him a "taste of his own medicine".
But the way you made him look was...incredible.
That's him.
That's really him.
The man--the human--he was before...
Before...
"Yes." Your face was burning with embarrassment, and your heart was pounding with fear of both death and ridicule, now knowing that your fate laid in his hands now. "I-I'm sorry. I should've asked for your permission and I know the details aren't perfect but you didn't let me........huh?"
Ceasing your ramblings, you noticed the tears welling in his eyes, and you were stunned. Then his shaking hands closed the sketchbook and returned it to you. "Um..are you okay? I'm really sorry if-"
"I...a-almost forgot what I looked like before all of this.." He raised a claw to wipe at his watery eyes, sniffling. "They're...good drawings, friend. I'm sorry..I...I-I didn't mean to..." His voice cracked, and he forced himself to stop, bringing his hands to his face. "Why am I crying over something like..t-this..?"
He hated looking so weak in front of you, yet he couldn't help the tears that kept slipping down his cheeks. A certain sadness was weighing heavily on his heart, yet at the same time he felt...honored that you wanted to draw him, putting your heart and soul into every sketch--with him getting the most effort.
You didn't overexaggerate him as the hideous beast he and everyone else was convinced he was, but just him as, well, himself. His smiles when he realizes it's you coming through the vent again, his cheeky grins when you buy up all his supplies, and even the one time he pouted when you died to Pandemonium because you risked it all trying to draw the moldy fish-creature.
The human ones, as you could tell from the way he broke down, especially hit home for him. Just from a mugshot alone, you were able to create a near-accurate depiction of him.
It made him wonder if you two have met before any of this happened.
Sebastian sniffled, struggling to stop the tears and expecting you to make fun of him as he finally uncovered his face. But instead he saw you standing there with your arms opened up. "I feel like you could use one of these. It's okay. I know you miss being human."
".........."
"C'mon, big guy. My arms are kinda hurting--oh!"
Without warning, he accepted your embrace and squeezed you tightly in his hold. Of course he was careful not to crush your diving tanks, and you smiled in appreciation and patted his back. "It's okay, it's alright..I got you. I didn't mean to make you cry."
He sniffled a few times, but otherwise said nothing and tried making sure you weren't supporting all of his upper body weight.
Curse his size. He wishes he could experience a normal hug again.
This one will do, though.
"I-It's...it's fine. Don't worry.." He finally spoke after a few moments, calming down. "As long as you don't tell anyone about this."
"I'll take it to my grave." You chuckled, letting go and stepping away so he could straighten his back out. While he did that, you gently tore a few pages from your book, to which he blinked in confusion.
"What are you doing with-?"
"Keep them." You insisted. "In case this sketchbook falls into a pit or gets waterlogged, I want you to hold onto these. Besides, I can tell you appreciate them a lot. So...consider it a gift."
"Why..thank you." A smile appeared on his face as he took the pages carefully. "Rest assured, they'll be safe and sound." He gazed at them both one more time, feeling a tug on his heart.
But it wasn't as heavy as before.
After neatly folding and stowing them away into his pockets, he saw you already sitting in one of the chairs, your sketchbook opened to a brand new blank page.
"Sooooooo what are you going to draw this time?" He tilted his head, ear fins twitching with curiosity.
"Hm...I did see a vision of a white glowing man a few rooms back. I think he was from...the Mindscape? There was a file talking about him and some floating gears and a white ball."
"Ohh yeah, he's an interesting guy. I'd love to see your interpretation of him." Now Sebastian was 100% invested, as he curled his tail around himself, resting his upper body on it so he could see your book better. "But y'know you won't be able to leave this place with sketches of-"
"I'm well aware of that...I could always change a few things and turn them into OCs."
"Hah. You should."
"Maybe I will." You snickered, grateful that you didn't have anything to fear.
At least somebody in the Blacksite appreciated your art.
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kasagia · 11 months ago
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Losing your memory
Pairing: Young! Coriolanus Snow x fem!Capitol! reader Summary: He used to be your Coryo. Now he has become the man you don't know. The Plinth heir. The future president of Panem. You pray every day to forget about the sweet boy you fell in love with, on whom you could always count. To forget who he was and lose the memory of the past. Just like he did. Well... not exactly. Unfortunately for you, he still wants to remember you. Inspired by: "Losing your memory" by Ryan Star Word count: 7,2 k ~•♤♤♤•~ Coriolanus Snow's Masterlist ~•♤♤♤•~ Main Masterlist ~•♤♤♤•~
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You've been avoiding him ever since you found out he was back in the Capitol.
A month ago, this news would have aroused great joy and ecstasy in you. Your Coryo is back home. He managed to shorten his exile and gain Dr. Gaul's favour again.
But the man who returned from District 12 was not your dear friend or lover. This wasn't your sweet Coryo, with whom you walked hand in hand to school. This wasn't the boy you shared your lunch with. This wasn't a boy who cared about your well-being above his own. This wasn't a boy who joked about snobbish children spoiled by the richest people in Panem with you and Sejanus at the end of the day. (Although he talked with them, trying to keep up good appearances—he used to call that one of the responsibilities of being Snow.)
The man who came back was Coriolanus. The new Plinth heir. The shell of someone you knew. The ruthless, cold pet of the mad creator of the Hunger Games you despised.
Sejanus' death didn't hurt you as much as the transformation of Coriolanus from the person closest to you into someone you barely even recognized. And from the tearful, sad, resentful, and disappointed stories you heard from Tigris, you had an accurate picture of the man who took your Coryo's place.
And you hated him with all your heart.
Especially after what he promised you when you stayed at his apartment for one snowy winter night.
You lay wrapped in the various blankets and quilts Coryo and Tigris could find. It was winter, and they didn't have much money for additional heating, so they mostly walked around the house in several layers and slept under piles of clothes.
You didn't know about that that night.
Tigris lent him her quilt so that he wouldn't have to be ashamed of the poverty his family had fallen into since you were supposed to come to sleepover with him after the argument with your parents.
Cuddling up to your blonde boy, you tried to fall asleep, listening to his heartbeat. You frowned at the sound of it being a little faster than usual.
You lift your head and look at him carefully. His gaze is distant and thoughtful as he lazily draws patterns on your back as he presses you against his chest.
"Coryo?" you whisper, cupping his cheek in your hand tenderly and forcing those blue irises you have loved so much to look at you. "What's wrong, sweetheart?"
He sighs long and presses a kiss on your forehead, the tip of his nose stroking your hair, as he is inhaling your scent. "I just... I just think about the fact that you deserve so much more. My grandma and Tigirs deserve much more than... this." he says with disgusting pointing at the room you were in.
"This..." you say, clasping your hands together and pressing a tender kiss to the back of his hand. "Is more than enough. You are all I need. And one day, when you are President of Panem or any other important figure in the Capitol, none of you will lack anything. This is a temporary state. You are too smart to be anything less than great, Coryo. You know it."
You see him hold back tears. He pushed your head onto his chest to rest his chin on your head. He is not crying. He almost never cries. But you know how close he is to it by the slight quiver in his breathing.
"I know I don't show it often enough... but you mean... everything to me. I can't imagine how I would go through these all without you by my side."
"I love you, Corio. Just promise me you won't forget this. What you went through, what you experienced. Don't forget your struggle. That's something you should never be ashamed of." he tenses at your words but leans in to kiss you passionately and hungrily. Putting all his unexpressed emotions into action and into that kiss that warmed you more than any blanket or radiator could ever.
"I promise. I will never forget how you kept me sane. When you were the only shelter I could go to and the only support that could bear the boundlessness of my troubles and doubts. How you were my only moonlight in the worst of my darknesses." you laugh softly, recognising part of his words.
"Quoting poets will get you nowhere, Coriolanus Snow." you say teasingly, rubbing your nose against him, at which he chuckles, licking his lips.
"Well... I've learned that in some situations, it gets me somewhere. And it's a very cold night tonight, don't you think? I can't let you freeze to death." he says as his hands go under your shirt—actually, his shirt that you stole from his closet.
"Well… I guess there's nothing left for me… but to place myself under your solicitous care." you sigh softly as he pins you underneath him, making sure the cocoon of blankets is still tightly wrapped around the two of you.
"I couldn't have said it better." he whispers and presses his lips against yours, stealing your breath countless times. He pulls away just a little to say against your lips, "You're mine. We belong together. No matter what."
He makes you shiver as you eagerly agree to everything he says. You don't realise how, in the future, you will curse every single intimate, sweet moment you shared with him.
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Ironically, you realise how deep he has gotten under your skin the moment he returns to the Capitol, and you have to avoid him, not when he is sent into exile.
It was probably because when he was gone, you were too distraught to bother leaving your room, opening the blinds, or wiping the tears that somehow kept leaking from your eyes to notice how almost every place reminded you of him. If you could, you'd go back in time and tell yourself there's no point in crying over the asshole he's become.
Although maybe you already felt that your Corio was leaving, and it was a way of mourning him?
Anyway, you saw him everywhere. Not Coriolanus. Coryo. He stalked you in the library, the park, the cafe near the academy that you two and Sejanus liked to go to, and of course the Academy itself. Kudos to your parents for not letting him into your house. At least he didn't pollute your room with memories of him.
Involuntarily, you wonder if he also sees you, for example, in every corner of his apartment. Or maybe he renovated it beyond recognition to erase all traces of his past?
You didn't know.
And you didn't want to know.
The information about him that Tigris gave you when you met her at your house when Coriolanus was at the university for classes was sufficient.
Just because it didn't work out with her cousin didn't mean you would abandon your only real friend. And just because things didn't work out with her cousin didn't mean she would stop (more or less subtly) encouraging you to go back to him.
"We talked about you." she says, making adjustments to your dress that she made for your birthday party thrown by your parents. Another one of the unpleasant responsibilities.
"You and your grandma?" you ask, trying to avoid HIM as a topic as much as possible.
"No. Me and Coriolanus." she says, pinning something to your waist—some decorative strip of fabric or something—you're not sure; you're too focused on the window and the bustling city as you are trying to ignore her words. "You know… I think… I think I saw in his eyes… the old Coryo. For a brief moment, but… maybe if you came back to him, he would come back to himself too."
"I'm sorry, Tigris, but I think he went too far on his path to simply go back to who he was. Surely not because of me."
"I understand… I just really miss him." she says it in a soft, broken tone, and your heart breaks at it. You hug her with all your strength, uniting with her pain that you also felt so deeply.
"Me too." you whisper in her ear as she cries into your shoulder.
Tigris was a very strong woman. She always impressed you. You wanted to be as strong as her. But even the toughest had to cry sometimes.
After all, there comes a time when even the snow melts... even if only for a little while.
You held him tightly in your arms as Corio cried into your chest.
His grandmother fell ill. Hard. Without a doctor, she definitely wouldn't be able to get out of this on her own, and they didn't have the money to pay for one, let alone the medicines.
Your boyfriend spent the whole day planning, thinking, and getting any money, but it was not enough even to buy the cheapest antibiotic.
However, you didn't expect that after you found out it all from Tigris and ran to him as fast as you could with the chicken soup prepared by your servants and all your pocket money, he would start crying.
Coriolanus Snow cried like a little baby.
You handed the money and soup to Tigris, who, after feeding up their grandma, quickly ran out with her to the doctor. At that time, you were holding your boyfriend in your arms in the other room, who simply fell apart from his helplessness.
"Shh… it's going to be okay, Coryo. She will live, falsify that stupid hymn and hate me for not being enough for you just as she used to." your attempt to comfort him didn't help. If anything, he only cried more, holding onto you tighter and tighter.
"I should be able to take care of them... I should be the one taking care of you, not the other way around. I'm pathetic and weak. I'm not worthy of being called Snow."
"Hey, my sweet boy, look at me. You are strong. You are the strongest man I know. You are looking after me all the time; you literally give me everything you have, the last piece of your food, to keep me happy, safe, and full when I forget to bring a damn second breakfast from home or don't have time to eat something. You love me, and I love you, and that's how it works. We care about each other. And I have never, ever regretted being with you. Because what we have… is more valuable than anything else in this world. I trust you implicitly, and I will always be by your side. You are not alone with your problems and suffering. Not as long as I am here."
"But for how long will you stay? For how long will you endure with me?" he asks, and after one look at those a little red from crying, beautiful blue iris, you answer without a shadow of hesitation.
"As long as you love me and I can trust you. As long as I breathe. As long as I am in your mind and heart. I am not going anywhere, Coryo. Money can be earned, but what we have... you can't buy it. What I feel for you is more dear to me than any treasure in this world and I will never exchange it for anything else." you promise, stroking his hair tenderly to help him calm down.
You should've then wondered why he doesn't agree with you then. Why doesn't he say that he also feels this way and that he also values you more than money, glory, and honours?
But he blinds you by telling you for the first time that he loves you.
And you cling to him, wiping the tears from his face with your lips and foolishly believing that your love is pure and eternal.
Like a driven snow.
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You knew this day would come someday. The day you let your guard down. But you hoped it would take a little longer before you came face-to-face with Coriolanus.
You are completely unprepared for this. You just freeze like a deer in headlights when you see his face at the end of one of the university's corridors as he walks forward, looking for something in his bag. Before you can even think about running away, he looks up, probably feeling watched, and his blue, icy eyes meet yours.
You both stand there transfixed, looking at each other, taking in the changes in your appearance since the last time you saw each other, which was after you broke up with him, when you saw how tenderly he treated Lucy Gray and how comfortable he was around her. And after someone politely informed you that he had kissed her.
"Y/N!" Coriolanus calls out to you and takes a step towards you, but you quickly step back and run through the crowd of people to get away from him. Unfortunately for you, he doesn't give up that easily. He never does. "Y/N! Wait!"
You have no intention of doing so. You run as fast as you can, bumping into several students along the way. You don't even bother apologising; you just run, hoping that Snow will stop being hot on your heels. Which, by the way, was a miserable dream after how fit he was after his training and the time he spent as a peacekeeper.
On the way, you notice a woman's bathroom and immediately run into it. You lock yourself in a cabin, thanking God or whoever is up that you managed to get an empty cabin and hide in it. You hear his quick footsteps and the door opening, followed by the screams of other women in the bathroom. You sigh in relief as you hear him obediently leave the room.
You're not leaving, though. You are not stupid. You know he's waiting at the door for you to come out. You decide to wait here until the end of the break between classes and hope that he will drop the idea of continuing to chase you and talk to you, and he will attend the lecture instead.
As the bathroom begins to empty, you realise that the next lectures must be soon. You stand silently on the toilet seat, listening carefully, waiting for the right moment to emerge from your miserable hiding place.
Just as you are about to reach for the doorknob, the bathroom door opens. You shiver as you hear heavy footsteps echoing off the tiles of the empty bathroom. And you think that you can smell the subtle scent of roses in the air.
"Come on, Y/N. I know you're here. I just want to talk."
Said the snake moments before eating the bird alive.—you think, mentally mocking how gentle he was trying to present himself. As if he could still be your Coryo.
"I have time. I can play hide-and-seek with you, if you want to. After all, you always liked to play this when we were kids. And you always lost."
You roll your eyes, listening carefully to his footsteps. He was opening the first cabin. You were in the middle one—the one a little closer to the door (and him).
"We'll have to talk eventually. You can't avoid me and ignore me, no matter how good you are at it lately. Let's stop this ridiculous, childish behaviour and go talk over coffee and some of your favourite cookies at the cafe near the academy. Just like the good old days. Well, this time all your orders are on me. What do you say?"
You would have snorted if it hadn't immediately revealed your hiding place to him. How dare he invite you to the place where you, he, and Sejanus spent the most time? To the place where your first unofficial date was.
He wanted to manipulate you, to make you believe that your Corio is still there and lives behind the façade of the rich, arrogant asshole he has become. But you knew better. His eyes told you everything you needed to know.
Even without Tigris' help, you realised that he... was a completely different person. He turned into somebody you only used to know in the past.
"Seriously? Still nothing? So you prefer the hard way, then..." he says, opening another cabin. You wait patiently for him to come to yours.
You breathe as quietly as you can, trying not to let him know which cabin you're in. You listen to his slow, measured steps as, with the incredible confidence and calm that is typical of him, he opens each cabin door, moving inexorably towards you.
Your heart quickens, beating madly, when you see his shoes in the whole, under the cabin's door. He reaches for the door handle, and before he can open it, you push the door against him with all your strength.
You hear him curse, taking a few steps back in a daze and holding his nose. You take the opportunity and run to the exit of the bathroom as fast as you can, not looking back.
"Fuck! Y/N! Are you insane?!" he shouts, running after you.
You reach the door just in time and slam it behind you, sprinting out of the university. You get in your car and drive away with your tyres screeching. In the rearview mirror, you see him leaving the building and following your car with a furious glare.
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"I can't believe you invited Snow." you huff, fixing your makeup in the mirror. Your father is buttoning his cuffs, and your mother stands next to you, also putting the finishing touches on her appearance. "You hated him when we were together."
"He is an ambitious and clever boy. Plinth did well to make him his heir. You should reconsider whether he really is that bad. This match would have opened many doors for us. Not only among Plinth's allies but also among Dr. Gaul. God knows how she favours this boy. Who knows? Maybe one day he will be president of Panem."
"If so, I will run away abroad." you say it bitterly, putting your lipstick back in your purse and adjusting the necklace around your neck to make yourself look perfect.
"Don't be stupid. Snow wouldn't be so bad for you. Since you are our only child, we must marry you well. Make sure your husband doesn't blow our fortune in a week. And Snow is a thoughtful boy. He wouldn't let you live below the poverty line."
"And he's quite handsome." your mother adds, straightening your father's tie. "Still, he's not a womaniser. I heard he turned down the... special attention of Crane's daughter and a few other Capitol's girls. I guess he's been alone since your breakup."
"Hmm. Great. He wouldn't cheat on me with other snobs in the capital, but he would fuck with whores in the district. The perfect candidate for a husband." you scoff, walking with them to the next room, where the photographers were waiting to take a photo of you together.
“Language, Y/N. You are a lady. Besides, it is not certain whether he and this Lucy Gray actually had something between them. After all, she's a woman from the district.” your mom says this, smiling for the cameras.
The flashes blind you a little, but with your father's and mother's hands on your shoulders, you somehow manage to keep your pose, fake, pretty smile, and opened eyes.
Your father thanks them and leads you out of the room and into the corridor leading to the great hall where the ball was to be held.
"And even if he did, it's good that he had some fun. It will make him appreciate the treasure that you are and see that you are irreplaceable." he says, taking the box out of his pocket. He hands it to you with a warm smile. "Happy birthday, my treasure."
"We've already given her..." your father shushes your mother. You send them a confused look as you open the medium-sized box.
You find a tiara there. A small diamond tiara.
"It will match your dress perfectly." your father says proudly. You nod and walk to the mirror to put it on, despising the object in your hands with all your heart. You may look like a princess, but you've never felt so... disgusted with yourself before.
This feeling intensified even more when, after a toast and receiving wishes from several of your friends and more powerful families, you managed to sneak out to the balcony. Not long after you, all the single, young men of the richest family on the Capitol entered, with Coriolanus among them. They each took a cigarette and started smoking, gossiping about the events of the week…
And their topic of conversation was exactly what you were afraid of when you got that fucking tiara.
"Have you seen this? I bet they're pure diamonds. Old Y/L/N wants to marry her off so much that he's using every trick possible."
"He doesn't need to do much. She is beautiful in her own right. But this character… it's easier to train a dog than such a stubborn cow."
"What Snow? Are you now regretting that the Capitol's Diamond slipped from your hands? I heard she wants nothing to do with you. How unfortunate that it happened at the moment when you started to count in the eyes of the elite, and now you really have any chance of grabbing this precious gem for yourself."
The Capitol's Diamond. You shudder, thinking about the nickname you've been given.
That's what they called you. The sole heiress to your parents' fortune. Diamond of the Capitol, the best match in the city, with a dowry greater than any other woman. Anyone who won your hand was guaranteed to reach the top and success with your family's connections, your charm, beauty, and brain. And these vultures knew it perfectly well.
You were curious how the new Coriolanus would react.
Your Coryo only took advantage of your position in society when he had to. He didn't ask you for money or for you to convince your father to whisper a good word about him here and there. Maybe it was because of his pride; maybe he really didn't care. You have no idea. But Coryo despised that term as much as you did. You wondered if that had changed as well.
"I'm still in the game." he replies evasively, sipping his drink. The others laugh and he frowns in displeasure.
"Sure. Because the way she ran away from you today when you approached her with a gift says exactly that." they mock him. You see him clench his jaw, glaring at them coldly as he considers his next move.
"Enjoy it while you can. Your good mood will end when our cat-and-mouse game is over and the Capitol's Diamond hangs proudly on my shoulder." you huff, shaking your head in disbelief. You come out of hiding, and all the men on the balcony tense up and look at you in surprise.
Especially Coriolanus. Suddenly everyone is staring intently at the garden of your estate, too shy to look at you. Except Snow. He drills a hole into you with his gaze as he thinks of a way to undo what he said.
"Gentlemen." you scoff, walking past them and ignoring Coriolanus' glare. "For your information, I would rather live in one of the districts than marry any of you. Enjoy the party." you add sweetly, walking back to the ballroom.
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The party is in full swing. You are talking to Thomas, using a sweet boy in a shameful way—to scare other men away from you. Just as you expected, they started flocking to you like flies to a fire.
So you chose the least spoiled of them. Thomas was nice and funny; you had a good time talking to him, and dancing with him was even better.
He wasn't rich; he wasn't part of the cream of society. You were really starting to enjoy spending time with him. And most importantly... he looked nothing like Coriolanus. He was nice for the eyes, but his dark hair, eyes, and sweet, shy personality made him drastically different from your ex. So he was the perfect break from your dramatic love life. Boring, nice change.
You danced to a waltz with him. He held you gently, close but respectful, not invading your personal space. He was a perfect gentleman. The man of your dreams.
If only Coriolanus' icy eyes weren't focused on both of you like a predator waiting for its prey to stumble, you would be able to enjoy Thomas' company to the fullest.
You are with him at the buffet, sipping drinks, when suddenly the last person you expected to meet here approaches you.
"Mrs. Plinth." you whisper in shock as he stands in front of you.
She looks—probably the way she feels. Nice on the outside and devastated on the inside. The dark circles under her eyes cannot be fully covered by makeup, and the deep black of her dress is a clear reminder of what she is still going through.
You can't imagine the pain he's going through right now. And you wonder why the woman decided to join her husband for your birthday party. Since Sejanus' death, she has rarely left their apartment.
"Y/N. Can I steal you from this young man for a moment?"
"Of course." you say, not even looking in Thomas' direction as you and Mrs. Plinth walk to one of the empty living rooms in your mansion. You close the door behind her and point to the couch. "Can I get you something to drink? Or to eat?"
"No. There is no need, darling. I just… I just came here to give you something." she says, pulling a thick letter out of her purse. "I… the letters from Sejanus are still reaching us. The flow of information between the districts and the Capitol is… very heavy and long. Especially when the peacekeepers are now checking every one of his correspondence. He sent it to you. Or rather, he wanted you to send it to him. Or rather, he wanted you to have it, just in case he couldn't… I'm sorry."
Your heart aches with sadness, seeing her on the verge of tears. She probably has no one to talk to about her son except her husband. After all, Sejanus was a traitor of Panem…
"He was a wonderful friend. The best one somebody could have. I could always count on him. Thank you for... taking the trouble to give me a letter from him. That... means a lot." you say, fighting the urge to hug the woman. The Capitol is not famous for acts of tenderness, mercy, or compassion. You had to keep up a facade. Always.
You take the letter from her and walk her to the exit. You give her one sympathetic look—everything you could afford in your position—and close the door behind her.
You sit on the couch and open the letter with trembling hands, trying not to look too closely at the way he wrote your name on the envelope. You know that will remind you of how you taught him how to decorate letters in his first days at the Capitol. Because everything here had to be perfectly beautiful. Even the fucking handwriting.
A bracelet falls out of the envelope and onto your lap. It is not particularly beautiful or sumptuous. It is a simple strap holding a peg-shaped pendant with some black, crushed stone placed behind a piece of glass.
You place it on the coffee table and open the letter with trembling hands. You already feel that after all this you will have to fix your makeup, which you will probably ruin with tears, but Sej's letter cannot wait until the end of the party.
Y/N, If you are somehow reading this letter, it means that I am not at your 20th birthday party, which makes me very sad. (You know how I love celebrating in your garden away from these Capitol's snobs.) Coming back, you know that I wish you all the best (along with Coryo. He's too big of a stick up his ass to write to you, even though he misses you and can't stop thinking about you. Take pity on me and write to this stubborn idiot, because I don't think I can stand another tirade about you and your perfection. Seriously. Our boy is getting mad because of this despair. I don't recognise him at all.) So, my dear friend, I wish you the best. I don't have any trinkets, interesting books, sweets, or anything suitable as a gift here, so I hope you'll be satisfied with what I came up with. I am not a poet, so don't laugh at me. I shall hear... or not. I made the bracelet, which you've probably already seen, myself. And that stone that is inside (and I hope it survived) is coal. I wanted to give this to you as a symbol of who you are to me. Everyone sees you as a diamond, something precious and beautiful. But for me and probably other people close to you, you are something more. This shiny diamond facade hides carbon. A simple coal, an ordinary soul like many others. But you made something more out of that ordinary coal. You are a diamond. Indestructible, the most durable of all. The purest form, preserved among the other gems and stones of the Capitol, because that's what all these power-hungry assholes are—coals that have decided not to change, to choose what is easy for them. I hope now you can see why I liked that nickname for you, diamond. So I hope you always stay true to yourself. No matter what. That's what I learned here, and I want to pass it on to you. Although I hope that by then the three of us will meet again in the Capitol. Do not wait for us both, Sejanus P.S. I miss you too.
You fold the letter and put it back in the envelope. You wipe away the tears that remain on your cheeks with your hands and take a few ragged breaths, trying to calm down.
You freeze when suddenly someone's arms wrap around you. The scent of roses hits your nostrils.
You get up from the couch like you've been burned and push Coriolanus' arms away from you. The feeling of sadness quickly turns to anger and pure fury as you stare at Snow.
"What the hell are you doing here?" you growl through a clenched jaw, extremely glad that there's a couch between you, or you'd hit him. And it was easier for you to explain your tears and smeared makeup than your red knuckles.
"Sweet, kind Plinth, giving you thoughtful gifts from beyond the grave. You love the dead Sejanus so much and ignore the living me. It must be hypocrisy on your part, don't you think? You accuse me of forgetting about Sejanus when you treat me so shamefully, worse than a dog. Should I die so that you can finally stop giving me the silent treatment and running away from me?"
"Believe me, you don't want to hear what I have to say to you." you huff, taking the bracelet and the letter. You hide them in the bodice of your dress and go to the mirror to fix your smudged makeup.
"You do not have to do that. Your boy isn't at the party anymore anyway." he says, standing so that you can see his reflection in the mirror.
"What?" you ask in surprise, turning to face him. You both stare at each other. In fact, you're only now getting a chance to take a good look at him. And you notice with dissatisfaction that the bastard found out from Tigris what your dress would look like, and he chose a suite so that both of you would match. "Where is Thomas?"
"Your little boy toy? Do you think he's enough of a distraction? That he can replace me? That he'll make you feel what I feel? Maby, that he can even protect you from me? Only I know you. I'm the only one worthy of your fucking attention and affection." you push past him, but he grabs your elbow.
"Touch me again and I'll cut off your hand and shove it down your throat." you growl, breaking away from his grip.
"Such aggression… I don't remember you from this side." he mocks you and tucks a strand of hair behind your ear. You step away from him and cross your arms, staring at him defiantly.
"I will ask you one last time. Where is Thomas?"
"Let's just say that your mother and I caught him stealing your jewelry. We were merciful enough to solve the matter quietly. You will never see that garbage on the ball or any gala again. Certainly not on yours."
"Were you the one who framed him for this?" his silence and the calculating, self-proud look of the cat that caught the canary (or, in this case, the snake that choked the mouse) tell you everything. "What the fuck is wrong with you?!" you ask furiously.
You want to move past him, but he pushes you back, making you bump into the wall. He closes the gap between you in one step, pressing his chest against yours.
"You're mine. You've always been. You shouldn't lead this loser on or give him false hopes. We both know we will end up together."
"I broke up with you." you remind him, not caring about his intimidating attitude.
"A mistake I intend to fix." he says, leaning towards you.
His nose brushes against yours, and you shiver. You lift your leg, trying to kick him in the groyne, but out of the corner of his eye, he sees your sudden movement and grabs your thigh in a tight grip. If it weren't for the thick layers of material, he would probably leave bruises.
"You... you have nothing to fix. There is no longer us. I don't even know you anymore, Coriolanus."
"Don't." he growls at you angrily. You can see the desperation and madness in his eyes at the fact that you're using his name and that you wrote off your relationship. "It was always you. You were always mine, Y/N, and I was always your Coryo."
"Things are changing quickly. We are not the same, and now we have nothing in common, nothing to talk about."
"We have EVRYTHING to talk about. I still love.."
"DON'T!" you interrupt him. He freezes. You rarely shout, especially at him. That's why he takes a step back before putting on his impassive mask again. "Don't even say that. You have no idea what love is. Sure, you may feel attached and even desire me at some point, but you have no idea of unconditional, true love. So for old time's sake, leave me alone."
"What about you? Do you think you are so holy and blameless? That I'm the only bad guy? You lied to me. You promised you would stay with me, no matter what."
"I promised it to my Coryo. Not to you, Coriolanus. My Coryo died in District 12 with Sejanus—maybe even in the Hunger Games—when you let Dr. Gaul brainwash you in the name of fame, money, and position. You think that old hag didn't tell me why Sejanus is dead? That I don't know that your songbird has disappeared? That I would believe that Highbottom just got high or drank himself to death?" he clenches his jaw and fists at your words. You can see how furious he is, but he holds back, still controlling himself.
"Everything I did, I did for us. For you. For Tigris and Grandma." you laugh, wondering who he's trying to fool—himself, you, or both of you at the same time.
"No. You're doing it for yourself. Only for yourself, Coriolanus." he gets even more angry and pins you to the wall again. His cool blue eyes are raging with rage, and you try hard to push away the feeling of fear he has stirred in you.
"Do you want a reason to hate me? So you and Tigris can still gossip about my madness? Then maybe I should let this old man pursue her and sell her as a wife to one of them for good money."
"KEEP HER OUT OF IT! It's Tigris, Coriolanus! Tigris! The woman whose sacrifice you owe your entire fucking life to! A woman who went out of her way to give your ungrateful, selfish ass something to wear. Who sacrificed the love of her life in the name of maintaining the façade of Snow's wealth?! You can give a damn about me, Sejan, and even that little songbird of yours, but if you fucking ruin the life of your cousin—the only goddamn person who still cares about you—I promise you, in memory of OUR dead friend, that there won't be a fucking hole where you could hide from me."
You stare daggers at each other, both openly expressing your resentment towards the other. You have no idea why he still cares about you—is it because of your money, position, or some sick fantasy he has in his head, or maybe he actually still cares about you?
You don't think about it when a more important issue arises.
Suddenly, he grabs your face in both hands and pulls you towards him, greedily kissing you as he connects your lips after a very long time of separation. He caresses your lips with his and kisses you with such fervour as if he craves you like a hermit starving for water.
And for a moment, you feel like you were with Coryo, when all that mattered to you was the other one, when you could get lost in each other, forgetting about the rest of the world and the worries that were waiting for you.
And that's exactly what he's doing now. He makes you forget about anything but him.
You can't help but moan into his mouth as he presses his body against yours. When he releases his strong grip on your cheeks to grab you around your waist and press you against his body, his leg is between yours.
He kisses you more hungrily, groaning too at the familiar warmth of your body against him and the feeling of your soft, silky skin pressing against him. The scent of your perfume mixes, creating a perfect combination of roses and your favourite flowers. Your hands automatically go to his hair as you hold on to him and press him to you. You don't like the gel on your hands from his hair, but you ignore this new, irritating feeling by biting his lip.
You don't think at all. As well as Coriolanus. You both just kiss each other, your tongues joining, as you both let your desire for one another take control of the situation.
You only come to your senses when your lips break apart. You gasp, trying to breathe again, as he fucks your exposed collarbones with kisses. Your brain comes back to you as he leaves a hickey on your neck. He bites you, making you moan so needily that a wave of shame washes over you with his tongue, soothing the bite. You push him away from you and place your hand on your chest, trying to regain control over yourself.
"See? We belong together. There is no other way, Y/N. We are all we need."
"Bullshit." you gasp, trying to ignore the possessive, smug feeling blooming in your chest when you see his messy hair and your lipstick smeared on his lips. "Since you are that good in losing your memory, then forget about me too."
"I can't. I just can't. You think I haven't tried? That you don't haunt me every damn step I take? Everything I have and everything I know is saturated with you. With the memory of both of us. I forgot about what I had with that songbird and my friendship with Sejanus, but I simply CAN'T forget about you. I haven't spent a single damn day without thinking about you. NOT EVEN ONE. And I know you felt the same way. Do you know why I didn't kill that stupid boy who was clinging to you? Because I knew it would make you hate me even more. I was alone without you at 12, and you know how it ended. You are my conscience. Without you... there's nothing holding me back. Without you, there is nothing to distinguish me from the Hunger Games tributes. I have no borders, mercy, compassion, or anything that makes people human beings. And Gaul knows it. That's why she told you all of my crimes; that's why you're paranoid now that I'm someone completely different. But it's still me. I. Am. Still. Your. Coryo." he says it firmly, taking a step closer to you with each word.
"Don't turn me into a fucking cricket for your Pinocchio. I am not, and I do not want to be your conscience. I will not take part in your lies, games, and manipulations." you say as you both stare at each other, neither of you wanting to concede to the other in any way.
"I will have you. One way or another, but I will. Even if it is the last thing I do, I will have you by my side. Just where you always belonged. I promised you to be my First Lady. And I intend to keep that promise."
"You must become president first. And believe me, I will do everything in my power to prevent that from happening. Maybe you can't forget about me. But I can. I do not need you. I never needed you. How ironic to be able to lose the memories of everyone except the girl who will be the end of you, isn't it, CORIOLANUS?" you mock him, a smirk on your lips, making him a promise.
You walk past him, and this time he lets you go, knowing full well that he won't do anything more with you today. At least he got his kiss and a little taste of you, a reminder of the reward that awaits him when everything finally falls into place. When he finally has you in his arms and is at the top of Panem—his rightful place.
"The game has just begun!" he shouts after you, staring at you as you head towards the bathroom to touch up your ruined makeup. It gives you satisfaction to think that this bastard will probably have to clean himself up after your little make-out session, too.
You think that maybe Gaul was right about the Hunger Games being the whole world. But the reality was that there could only be ONE winner.
And among the people of the Capitol, only you and Coriolanus had a real chance of winning. It has always been like that. And even lost memories that do not want to go away so easily are proof of this.
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Part 2
5K notes · View notes
luveline · 6 months ago
Text
𝐧𝐨𝐭 𝐟𝐚𝐮𝐥𝐭, 𝐣𝐮𝐬𝐭 𝐥𝐨𝐯𝐞 | 𝐚𝐚𝐫𝐨𝐧 𝐡𝐨𝐭𝐜𝐡𝐧𝐞𝐫
When someone hurts you, you and Aaron both need time to get better, and to put things right. fem, 8k
cw canon typical violence, graphic scenes and imagery of assault/battery, recovery, mentions of being sick, issues eating. established relationship, lots of angst and comfort, hotch being vulnerable, jack being sweet 
˚‧꒰ა ✮ ໒꒱‧˚
You lay backward over the luxurious stretch of the couch and sigh as your spine gives a sharp crick. Your head feels heavy after a long shower, your arms ache from a day at work, but the feeling of soft cotton on your legs deters any moping. 
I hope these are more comfortable, his note read, a white post it note stuck to a boutique bag. You wrap an arm around your waist remembering how Aaron’s message had made you feel: spoiled, and considered. 
You’d mentioned in passing that all your pyjamas are old and rough as a consequence, thought nothing of it, and promptly forgot about the conversation entirely. 
When Aaron finally comes home tonight, you’re going to give him a proper thank you. You can imagine his reaction to such a thing, his smile as he says it’s no problem, his eyes shuttering closed as you press a kiss to his cheek. You hadn’t realised how prevalent affection would become in your life after meeting him, but everything he does inspires love. Awful, soft, marshmallowy love where he looks at you and you want to sit in his lap. 
You slide your phone up your chest lazily and click the button on the side to light the display. Aaron hasn’t claimed to know when he’ll be home tonight. All he’d said was to let yourself in. 
It’s odd but not the worst thing in the world to be alone in his apartment. There’s less and less free space each time you visit as Jack begins to outgrow his and his fathers lodgings, but there’s never a stain or bad smell, the Hotchner apartment feels homey. You’re excited whenever you’re invited to spend the night with them. 
Maybe some time soon he’ll ask you to move in, or better, to marry him. You’re not a hundred percent sure how you feel about marriage, about being someone’s wife, but there’s a great well of pleasure to be found in the idea that Aaron would want to marry you. He makes you feel loved already in a hundred different ways but the ring might be nice, like a symbol to signify how much you mean to him. 
You rest your hand across your eyes. It’s silly to think of. Sillier to want so soon. You’ve been together for just under a year, and you have no false hopes about rushing into the future, but it’s certainly a future you want with him (and with Jack, too). He’s taking things slowly for a hundred different reasons but he loves you, and gifts like your new pyjamas cement that. He really listens to you. 
Your phone rings a moment later. 
You smile at the screen. It’s nice to be in love with someone who loves you too. 
“Hey,” Aaron says when you answer, his voice warm even through the phone, “I didn’t think you’d answer.”
“How come?” You sit up with a little start. 
“It’s getting late, honey. I called Jess and Jack was already gone.” He doesn’t say anything further. 
“Are you okay?” 
“I wanted to hear your voice, I think.” 
“Well, where are you?” You struggle to envision him speaking saccharinely like this where his colleagues could hear him. He’s nice to you often, but he’s a reserved man. 
“I’m just,” —a crunching sound of metal, the trunk of his car closing— “about to get in the car. I’ll be home before ten. Can I have you until then?” 
“I don’t see any reason to say no. But do you think you could come home a little faster? I have a crick in my neck.” 
“And you want me to fix that?” 
“You always fix my neck.” 
“How have you done it?” There’s a sound you assume to be the car door closing, but you can’t hear anything beyond that. 
“I have bad posture.” 
“You have perfect posture.” 
“No, it’s quite bad.”
He laughs loudly. It took some time to draw the humour from him but he isn’t as stony as you’d think, and for a while he didn’t have much worth laughing for, anyways. Whenever you hear it, you try to prompt it twice. 
“You don’t have to lie to me, Aaron, it’s just like when you said my weird rash wasn’t weird.” 
He laughs again, to your pleasure. “It wasn’t weird, it was a heat rash, I promise. You act like you’ve never seen heat rash.” 
“One of us goes to hot cities all the time and one of us lives permanently in Virginia.” 
“What are you talking about? Virginia’s far from cold. You’re being argumentative, I can see your smile in my head. I’m never going to fix your crick if you keep acting like that.” 
“No, don’t be like that,” you laugh, tipping back into the cushions. “You’re always such a sore loser.” 
“What did I lose?” 
You can tell from his tone that you’ve promised yourself one of those hugs that borders on a straight jacket tightness, his face tucked into your neck as he asks you to repeat yourself. What did I lose? he’ll ask again, kissing your chin, the line of your jaw. Tell me clearly.  
“It hurts,” you say honestly, “please don’t be mad. I really need one.” 
“I’m not mad… I’m going under the overpass, my signal might cut out.” 
“Okie dokie. Hey, did you eat? I can make you something for when you get home. I got groceries.” 
“I’m not hungry, but you can make yourself hot cocoa, and I’ll drink it when I get there,” he says. 
“Or I could make us both some?” 
“It’s much more fun if I drink yours before you can, honey. You know that—”
You pause in the quiet, then hear a quick beeping. You pull your phone from your ear and find the call disconnected. 
Cruel overpass, you think. 
Sure he’ll call you back, you take your phone into his kitchen and set about finding all the things you’ll need for hot cocoa. One mug, because you should hate when he forces you to share, but you love the feeling of his fingers on yours as he takes it and the thankful kiss he dots on your cheek. 
The kettle is uncomplicated. You toy with the stovetop, set the kettle on the burner, and let the temperature rise. It begins whistling lightly a mere thirty seconds later. 
You click your phone on again. He’ll have passed through the tunnel now and will be calling you back any minute. You stare at the phone, hoping to summon him, slouched over the counter with the tin of cocoa powder by your fingers. The kettle whines with growing heat, but cool air kisses your back. 
Goosebumps rise. Up and down the lengths of your arms, the back of your neck—
A sudden chill. 
The lack of air comes before the hand, the pain a rush, a burst to be away from. Leather on your neck creaking without sympathy as a hand tightens and drags your body back against something hard. 
Not Aaron. Your scream comes strangled under cruel fingers as you fight to move forward again, straight for the burner, the kettle shoved across the burner grate and exploding with scalding water, heat of the burner kissing your chest— you scream, only it’s worse than a scream, sound from the deepest part of you forcing itself past the heat at your neck as you try to fling yourself away from the pain. 
You fall with a hard clout. “Stay still!” comes out enraged against the back of your neck. You drop to your knees, the pain lighting flaring up your chest, your gaze frantic as you search for a flame that isn’t there. You’re not on fire, you’re crawling and then scampering up into a standing position when the heavy weight drops itself on you again and smashes your face into the floor. 
All your fight leaves you. Your ears ring. Your panic wanes but the pain stays alert in your mouth. 
A hand grabs you by the back of the head and drives your face into the ground. It’s like light in your eyes and your nose, the brunt of it, the crack of your bone and the hot trickle of blood that swiftly follows. You gurgle in pain, spluttering and gagging against the linoleum, waiting for Aaron to turn you over and say sorry. It’s an accident.
Blood drains from your nose in spurts to match your racing pulse, so much blood you can see your eyes reflected in the dark stretch of it. Water drips down the front of the stove, your breath aches and begs, and your attacker takes a measured breath. 
He flips you over. You can’t slide away, there’s nothing left in you, your head a second body as he raises something. 
Your phone rings on the counter. 
“Please, don’t,” you plead with a sob.
You pass out as the pain connects. Just as quickly as it started, your body takes the reins. 
There’s a strange darkness waiting for you. Like waking before your alarm and stealing those last minutes, body aching, not wanting to get up and face the day. Aaron gets up early every morning, sometimes as early as four AM, and whenever you get up with him your eyes hurt for hours. 
Nothing, nothing, nothing. 
Hey, hey, I think your boyfriend’s coming.
What will he make of my handiwork?
You didn’t stay awake long enough for that one, did you? But you’re waking up now.
The pain is enough to wake you up again, a hot drag down the side of you to your hip and in. You aren’t aware of the sounds you make, but you can hear them. Your panicked squealing as the heat presses further and further in. Your crying, and your whispering, “Stop, stop.” 
“There’s handsome,” the dark voice says. “I’ve gotta go hide somewhere, does he carry after hours? I think I’ll find out.” 
“Oh,” you say, feeling sickly. You attempt to curl into yourself, when did you turn onto your back? “No,” you mumble, lips wet with something hot. 
“Honey?” a voice asks. 
“Honey,” you repeat, woozy again, darkness falling in all over again, where it stays. 
Honey, are you in here?
The window behind Aaron’s shoulder is cold. Rain patters fast like floods, thunder occasionally chewing through clouds, and Jack Hotchner cries sluggish tears into his dad’s shoulder. 
Aaron has his eyes closed. They’ve been at this for a while. “Shh, shh shh, buddy,” he says softly, patting the bottom of Jack’s back. He’d sway him back and forth if his arms weren’t about to fall off. 
Jack squirms closer, no room left between them. 
“I know it’s scary,” Aaron says. 
Jack just cries. This approach of quiet support isn’t working; Jack isn’t a baby that needs to be put to sleep, he’s a panicking little kid, and Aaron needs to change gears. He ushers him away from his chest and crosses his arm behind Jack’s back. Careful, he shifts Jack’s weight to free his other arm and brings his fingers up to the silky brown hair dropping onto Jack’s forehead. 
“She’s okay,” Aaron says, stroking Jack’s hair. His little forehead is clammy. “She’s not hurting. I know it looks scary, honey, but… she’s just resting.” 
Jack looks him in the eyes. “Her face.” 
“I know.” He nods emphatically. “It’s hard to see. Blood isn’t nice. You don’t have to see her again today, not if it’s too scary.” 
Jack lifts a hand to Aaron’s face. Clumsy but with clear attempts to be careful, he wipes at the skin under Aaron’s eye. Aaron bites back a smile. 
“I look tired,” he says. 
“Yeah.” Jack brings his hand back to wipe his eyes. He sobs as he does it. Aaron can’t describe the ache it gives him to see it. 
“Buddy, I’ll do it. Let me wipe your face. I can do it.” 
Jack drops his hands. Aaron turns his hand and wipes the smudge of Jack’s tears from hot cheeks, testing the waters with a little smile. 
“I couldn’t see you under all those tears.” 
Jack does a little smile back. “Yes you can.” 
“I couldn’t! But now I’ve wiped all your face I can see you again. You’re handsome, did we know that?” 
Jack giggles. He sniffles, and he presses his palm to Aaron’s neck. “I don’t want her to be sad, dad.” 
“She’s going to be sad, because something scary happened, but it’s okay. I’m gonna take care of her.” 
Aaron would offer to take him home, but they can’t go home. They may not go home for a long time —the team is still trying to work out how someone made it into the apartment without alerting the building’s security or Aaron’s internal system. And then escaped again without Aaron’s notice. Until then, Aaron has to make a decision about a safe house, for himself, Jack, and Jess, though she's extremely unreceptive to the idea. 
Aaron has to look after Jack, and he needs to take care of you. 
“What do you think, bud?” he asks, cupping Jack’s head in his hand. “Do you want to go home?” 
“You said I can give her a hug.” 
“If it’s too scary, we don’t have to. I don’t want you to get upset again.” 
“I’m not scared. I want to give her the hug,” he says. 
Aaron pulls him in for a hug of his own. “Okay, buddy. Just try to think of it like this. She’s where she needs to be to get better. Everybody here is looking after her. She’ll be okay soon.” 
Aaron looks over Jack’s head down the hospital hallway. It’s a quiet ward, and here between the main ward doors and the hallway that leads down to the individual rooms there’s complete silence. Night is approaching quickly again, and with it comes Aaron’s panic. Your head turned into a puddle, your face lax of expression in the dark. He can’t stop finding the women he loves bloody and on their backs. 
“Ready?” he murmurs. “Can you walk with me? My arms are tired.”
“Yeah.” 
Aaron puts Jack down gently onto his feet. He neatens his hair, chucking him under the chin as he goes to see his smile. He’s so pretty, like Haley was, with shiny eyes. He’s a beautiful kid. Aaron takes his hand and together they make their way down the hallway to your room. 
You’re sleeping. 
Aaron herds Jack through the door and to the plastic covered chair by your side, where he lifts him up and sits him down. He stays between you both. Jack isn’t scared of you, just the blood, but he wants to show Jack that he’s going to protect him from anything he needs protecting from. He also desperately wants to touch you, and reassure himself that you’re still breathing. 
He looks for your hand. Your pinky finger is splinted, but he can take it with care, give the palm of it a squeeze. 
The blood matted in your hair has finally been washed away after a turbulent day, as well as the staining that marred your face. Your nose is broken, and looks it, the bruises so fierce your eyes have turned puffy and your top lip has inflamed. There are second degree burns in multiple places but most affectedly on your chest. There’s a stab wound at your hip, allegedly done with a small blade. It nicked your small intestine. The bandages laid over you are a lump under your hospital gown. 
Aaron looks at you, and he feels a passionate disdain for himself. He wishes he could… be someone else. Someone who doesn’t have such a deep connection to a job that hurts the people around him, over and over. Haley used to say he was obsessed with being the hero, but this doesn’t feel heroic. 
“Do you wanna give her your cuddle?” he asks softly. 
Jack stays sitting. 
He’ll have to give it to you himself. Careful, Aaron leans down over your prone body and presses a half kiss to your ear, the only place that won’t hurt. 
You have an IV drip going into your arm, painkillers, an ECG monitor to the left. The room is white but busy, you’re a burst of colour against it all, your cuts and bruises, the evidence of violence he can’t remove. Aaron’s tired. He perches on the gap of bed by your leg and holds your hand, turning to Jack, who watches with a frown. 
“She’s sleeping,” Aaron says. 
“When can she come home?” 
“In a few days.” He feels the pad of your hand, terrified of your broken finger but needing to hold a part of you. 
“Why is she sleeping all day?” 
Traumatic experiences are exhausting. “I think she might want to be alone, so she sleeps.” 
“Should we go?” 
Aaron shakes his head. “I think we should stay. When she wakes up again she’ll be happy to see us, because we’re not strangers.” 
“We’re family,” Jack says. He’d liked that, when the nurse asked you how Aaron was related to you. Family only.
“We’re her family,” Aaron agrees. 
If he somehow miraculously fell out of love with you, you’d still be family to them. You’ve given so much of your heart since you met them. Aaron wants everything you have to give. 
You wake in a slow, slow upheaval. It takes effort on your part, the opening of sore eyes, the dreary decision to face your pain. Your hand jumps in his but relaxes when he shushes you, your slimmer fingers stilling under his rubbing thumb. For a split second, you keep your gaze half-lidded, jaw soft, like you’ve been indulging in a stolen nap. 
Then your breath catches and you screw your eyes tightly. 
“You’re okay,” he says, quietly, and not as lightly as he means to, “you’re okay, you’re okay, you’re okay,” in quick succession. 
“Hurts,” you say, and gasp, a whine stuck in your throat. 
He doesn’t know what to do. Jack shouldn’t watch this but he can’t leave you alone. “It’s okay,” he says, holding your wrist to stop it climbing up your bruised face. 
You were worse the first time you woke up. Catatonic, then sobbing. You mumble and whimper now, pain threading goosebumps down your arms. 
“It hurts too much,” you say. A sob falls out of you like you’ve been ripped open. 
Aaron doesn’t think, but an instinct sparks. The pain, to hit you right out of the gate like this, to make you say something like that when you’ve always always made your problems small, must be torture. It must feel new and sudden all over again. 
Aaron checks that Jack is alright and leaves the room. He looks down one hallway and then the other, but there’s no nurse around —he races to the reception desk and begs the two nurses there for help with you, “She’s in intense pain,” he says, grasping the desk. 
The nurse he’s more familiar with clears her throat. “Mr. Hotchner, she’s already had enough motrin for two people at your request, she really shouldn’t need–”
“Pain is just as important to treat as the injury.” 
A second nurse puts her salad down with raised brows. “Do you want to overdose her?” 
“Excuse me?” 
Aaron has always seen himself as a gentleman, but the argument that ensues is tricky to navigate while remaining respectful, and he’s no closer to better treatment for you by the end of it. He gives each nurse a disapproving glower and takes his phone from his pocket, turning on the spot, ready to call whoever it is he needs to call for a second opinion. He’s not gonna listen to you cry when there’s no need. 
He pushes the door open with the phone still clutched in his other hand. Jack’s climbed onto your bed. He cuddles your face, sitting by your pillows and bent over you protectively. 
Aaron lets out a breath. 
“It’s okay,” he says, his arm behind your head and his arm on your shoulder. “W’gonna take care of you.” 
“I know,” you say, crying without sound, shaking under his arms.
His cheek smushes against your forehead. Your eyes are closed and your face braced for contact Jack doesn’t make, careful not to hurt you as he rubs his cheek into your skin. Your blankets are falling off of you from the squirming and your bruises shine with tears in the light, but Jack has calmed you down some. 
Aaron shouldn’t have left Jack with you. He’s been so scatterbrained since he found you when he should be the opposite, but Jack is doing better than Aaron managed alone. 
“I’m sorry for crying,” you say slowly. “I’m hurting, but it’s not bad. I’m okay.” 
“That’s good. You have a big scratch on your face, and bruises.” 
“I know.” 
“Dad says you have a bruise on your tummy too.” 
“I got lots of bruises, but it’s okay. Don’t worry about me.” You bring your hand up injured and uncaring to rub his leg. “You’re being a really brave boy, thank you.” 
A tear rolls down your cheek. 
“It’s teamwork,” Jack says. “I hug you and you hug me.” 
“Is that what you want? You want a hug?” 
“I want to go home,” he says, hugging you harder. 
You grasp his arm loosely where it’s just under your chin. “Jack, can you move your arm?” you whisper. 
Your breath comes quickly, but Jack moves his arm away from your bruised neck and you try to calm yourself down. 
Aaron jolts himself back into action. “Sweetheart,” he says, rushing to sit Jack back and give you more space. “Are you okay?” 
“I’m fine.” 
He watches. Not sure what to say. Not sure saying anything is wise. You squint at him through your lashes, eyes opening slowly, your mouth a line pressed hard to stop from crying. 
“I think it's time for Jack to go home,” he suggests gently. 
“Yeah,” you say, eyes swimming with tears. 
“No.” Jack squeezes your head again, to your panic. 
“Jack, buddy, please don’t touch her neck,” Aaron says, grabbing Jack from your pillow. 
He erupts into tears again. Frantic and vying for you, Aaron tries to calm him and he kicks against his chest, tears turning to disgruntled sobs at not getting what he wants. You wince, pressing your face completely into the pillow. 
Aaron carries Jack from your room, phone in hand. 
Is she breathing? Can she talk? 
I don’t– I don’t know, I don’t– She’s breathing. Honey, can you hear me? I don’t know what to stop. I don’t know where it’s all coming from. 
Where’s the worst of the blood? 
It’s everywhere. 
Abdominal? Chest? 
I can’t tell. I can’t tell. 
Mr. Hotchner, you can’t panic. Does she have a chest wound?
Yes. Yes, but– 
Is she conscious? How’s her pulse? Be ready to start chest compressions. 
Honey, can you hear me? 
Your name said clearly. 
“Hey, can you hear me?” 
“Yes,” you murmur. 
“If you need a minute, that’s okay.” 
You cover your mouth with your hand. Emily Prentiss has a soft voice like your boyfriend’s when she wants to have it. She’s never spoken to you like this, none of his colleagues have, but since the incident, everybody treats you like you’re made of glass. 
Cognitive interviews are meant to happen immediately after an accident, but you weren’t up for company. Aaron promised this would be on your terms, that Emily is the most practised, and that she’s reaped the most information from them than the rest of the team. So far, it’s worked to drag bad memories to the surface. 
“Maybe we should start from the beginning.” 
There isn’t a beginning. There’s just conversation. Aaron’s hand on your heart and his shaky voice, so unlike him.
“Okay.” 
Emily reaches for your hand. She smiles, and her nice features get nicer. That’s another thing they all share, good looks. “Okay. What did you notice, in the kitchen? It’ll help if you close your eyes,” she reminds you. 
You close your eyes. 
“What stuck out?” 
“Nothing,” you murmur. “I’ve been in there lots of times, and nothing ever changes.” 
“Nothing? Not even the drawings on the fridge?” 
“Jack’s particular about his best work, even if I think they should all be on display.” 
Emily’s voice turns to a shard of itself. “What did you do? Can you take me through it step by step? Make yourself a cup of hot chocolate.” 
“I never got that far.”
“What did you do?” 
“I filled the kettle.” 
“What kettle?” 
You don’t understand the need for specificity, but you answer. “Aaron got it for me, when he… he told me he loved me, and when we got home he’d bought me a kettle and a bunch of stuff to make my being there easier. The kettle, because… he said something about superheated water. How the microwave can be dangerous, and this would be easier than a pan.” 
“Alright. Okay, and what did you do after that?” 
“I put the kettle on the stove.” You lit the burner, and heat kissed your palm, and suddenly the room had felt cold. “I got goosebumps.” 
“When?” 
“The kettle started to whistle, and it was cold.”
“And then–”
“Then he grabbed me.” 
“Yeah,” Emily says softly. 
You touch your nose. “I tried… He didn’t feel like a person. He didn’t feel like someone I was fighting, it was just painful.” 
“Like he was quick on his feet?” 
“He was silent. I didn’t hear him until I made him fall.” 
“How big did he feel?” 
Your stomach churns. Big. He’d felt big. 
Where’s the worst of the blood?
“He said he was going to hide,” you remember. 
“He said that? He said ‘hide’?
“Yeah. And he asked me if Aaron carries after hours.” 
“When was this?” 
It’s a headache. You try to remember more, because that’s what they need right now. If you ever want to go home, if you want Jack to go home, you need to remember more. The BAU are good, but nobody can make a map out of slivers. 
“That was at the end,” you say. 
“After he stabbed you?” 
You wince. “Yes. After.” 
“You’re doing so good,” she praises, “I just want to fill in the gaps.” 
“I can’t remember. I was unconscious.” 
“When Hotch found you?” 
“No, before.”
“Before?” she asks. 
You’re sick of sitting there with your eyes closed. Sick of your hands shaking with nowhere to hide them, and sick of feeling sick, your nausea as present as the stinging pain of your burned wrist against your sleeve each time you move. 
You open your eyes and look around the conference room for something interesting. How nice would it be to think of something else for a few minutes?
“He called it handiwork when he cut me. Asked if I thought Aaron would like it,” you say, bordering monotonous as your gaze fizzles, unfocused, across the room. 
“Okay, Y/N. Okay. I know you’re tired.” She reaches for your hands to squeeze at the same time. “You did really well. Any details at all are details we can use to find him.” 
You’re not in the mood for talking anymore. Tears burn your eyes, waiting for a blink to set them loose. 
“I want to see Aaron,” you confess quietly. 
“I’ll find him for you.” Emily stands but bends, the dark of her hair a contrast to her pale face. She’s lovely, and her hand is gentle on yours. “Are you okay? Can I get you something to eat?” 
So Aaron’s not keeping that to himself. “I want to see him, please.” 
“Yeah. Okay.” 
This is a horrible room. It’s not their fault, but the big white board is tacked with bad photos of grisly cases —currently your own. You stare at a photograph of your blood in the kitchen and don’t know what to do. Should you look away? You hadn’t realised you bled so much. 
You turn your chair toward the door. Emily looks back as she leaves and smiles at you softly, but your eyes are already moving to the smaller dry erase board by the doorway. It’s ‘Hotch’s turn to clean up on Thursdays. How strange that they make the boss clean the conference room. 
You can picture him picking up coffee cups and wiping down the table. You can always picture Aaron. 
You can see him hovering over you, his hand pressed to the bloody mess of your hip to stop the blood. 
“It’s okay,” you whisper to yourself, wanting to break from the memory, following Aaron’s example. “It’s okay, it’s okay, it’s okay.” You repeat it into your hands, head tilting down. You sink until your knuckles touch your knees. 
That’s all he says when you panic. He’ll say it over and over again until you can breathe right. I have you, I have you, you’re okay. 
He’s much quieter this time. You hear his footsteps, his familiar gait, your head pounding too hard to move. Aaron makes a sound between a sigh and a hum, like he’s saying a sorry hello as he kneels in front of you. His hand takes your face, rubs softly over your ear. 
“My head’s just hurting,” you murmur. 
He doesn’t respond. You sit together for some time as your mind races with bad memories, your fear a rush of goosebumps down the lengths of your arms and thighs. It’s hard not to think about what happened, mostly because you’re still a walking bruise, your stitches sting when you move, the blisters on your chest ache, all of it inescapable. But it’s your anxiety that plagues you most. You’re in a constant state of dread. 
You had no idea someone could hurt you as badly as they had until it happened, and now you’re desperate not to be hurt again. 
“You have to look after me,” you say eventually, throat sore with how awful it feels to say. 
“Yes, I do.” 
“Please don’t let me get hurt again.” 
Total silence. You sniffle at his lack of an answer, only slightly comforted by his hands at your wrists now, pulling them from your face. “Let’s sit up,” he says, standing himself. “Come on, let’s sit up. You shouldn’t be putting so much pressure on your abdomen.” 
You lean back and everything aches like a stretch after a long run or a bad night’s sleep. 
Aaron pulls a chair next to yours. When he sits, your knees are pressed in between one another’s thighs, so close he could hug you. You might need one.  He’s given you a ridiculous amount of them each day, some for him and some for you. 
He has with him a takeout box and a bottle of water. 
“Here,” he says, popping the seal of the drink. “Three sips.” 
You feel like crying, but you drink. He opens the takeout box to reveal a normal looking sandwich already cut into two halves, but he takes a plastic knife from his pocket, peels away the wrapping, and cuts the sandwich again into quarters. 
“I’m gonna be sick,” you say. 
“No, you’re not. You won’t be.” He presses the sandwich flat with his hands and holds it to you until you take it. “Please, Y/N. You only have to eat what you can.” 
“I don’t want it.” 
“Please.” 
“Did Emily tell you about my interview?” 
He reaches for your thigh. Mildly unlike him when you aren’t at home. You assume it to be a tether for your sake. “No. Is there something you think I should know?” 
“I don’t want to say it again.” 
“Then you don’t have to. Someone will tell me when I get back.” 
You pinch the fluffy bread in your hands, eyeing wearily at the wet insides. “Can I come with you?” 
“You’re having trouble in the cognitive interviews, you won’t want to hear what we have to say.” 
You split the sandwich in half again, watching as salad and mayonnaise ooze from the bread. 
“If you don’t eat, you won’t get better,” he says, a touch stern. 
“I can’t eat when you won’t let me come with you.” 
“I’m not the only person capable of protecting you. I…” He circles your wrist before you can make a mess. “Can you please eat it?” 
You take a bite to appease him, your stomach roiling, food wet and cold on your tongue. You eat the whole quarter queasily, a lump at the back of your throat begging you to stop. 
Aaron takes an empty hand and rubs it tenderly. “Thank you,” he says, that rubbing turned more forceful, his hand journeying to your elbow and back again. 
It’s sweet how attuned he is to your needing his touch, but mortifying. This entire experience had been embarrassing from start to end. Couldn’t defend yourself, can’t get to grips with it, and can’t keep anything down. Aaron looks at you and your bruises and you wonder if he’s seeing you with blood matted in your hair, or hearing you beg for him to get you something stronger. All you’d wanted was a sedative. 
“I’m far from the only person capable of protecting you,” he says. 
“You saved me,” you say. You mean it in every sense of the world. 
“…This is my fault.” 
“I want to be with you,” you say honestly. “I don’t feel okay by myself right now, I just need you, or I feel so sick I wish that I died.” The anxiety is marrow deep. 
Aaron looks gutted. “Don’t say that.” His hand goes back to yours, back to tenderness. “I know you're scared.” 
“Then why won’t you listen?” you ask weakly. 
“I’m listening to you,” he says, his tone a dulcet, pleasing softness you’ve never ever heard before, “I need you to be safe, and I need Jack to be safe, and I can’t do that while he’s still out there.” His brows pinch together, agonised. “I’m sorry you’re scared. I didn’t protect you. But I won’t let anything happen to you again.
“I love you. Please believe that I’m doing what’s best for you right now.” 
You turn your head away. He cups your cheek regardless. 
“I love you,” he says again. 
“I know.” 
“No, I love you.” 
He’s saying sorry.
“I love you,” you mumble back. 
“How are you feeling? Is anything hurting more? Weeping?” 
Your eyes are heavy at his touch. “You only looked at me a couple of hours ago.” 
“Alright. Can I kiss you? I need to go.” 
You don’t answer. Aaron kisses your chin, your jawline, the type of roving, teasing kisses he’d give as he squeezed your sides, only he doesn’t squeeze you, he can’t without hurting you. His hand hesitates just above your deepest wound. 
His bright kiss works to spark a modicum of life back into you. Not a lot, but enough. It was likely his intention, some quick prodding kisses to remind you of something happy between you both. 
You curl your fingers over his hand and turn your face for a chaste peck. He smiles, the curve of his lips evident and relieving against yours. 
“Someone will take you back to the safe house, okay? Give Jack a kiss for me,” he says. 
You nod. Aaron strokes your cheek. 
Your assailant could have killed you while you were vulnerable, but he didn’t. “He assumes he’ll have another chance,” Emily surmises. 
“That’s cocky,” JJ mutters. 
“It’s telling,” Aaron says. “But he won’t.” 
The coaching has been extensive. You, sick, a breath from tears and hurting, your shoulders in his hands and his grip too tight. If someone tells you I’m dead, you wait. If Morgan tells you I’m dead, you ask Rossi. If he says I’m dead, you ask Emily. You can’t believe the first thing someone says. No one is going to move you from this safe house to another without seeing me first. If I do get hurt, you and Jack will be moved separately. You will always get my confirmation before you’re moved. 
I’m not gullible, you’d said, wincing at his sharp tone. 
It’s not about that. People will lie, and they will lie well. They will talk their way into the house if you let them. You can’t let them. 
I won’t. 
He’s racing against a countdown, because no matter what he says, what you know, or how many agents wait outside your house, sometimes it’s a force of will. 
Foyet didn’t need much more than that. 
He admittedly feels on surer footing knowing where you are. The decision to guard you without putting you in WITSEC is aching and scary but better, too. He knows where you are. He can be there in ten minutes. No guessing games, but no hiding for you either. 
Your dread is taking over everything you do. Today’s the first day since you came home almost two weeks ago that you could function without a live-in nurse or Jess there to look after Jack, and already he’s worried, because he’d convinced you total honesty was what’s best for the both of you, and so your texts are candid. 
One an hour for his sake, more if you're up to it.
Threw up my beta blockers. Jack misses you, he wants to make you a Lego boat and fishing rod, but I’m not sure how to do it. Please make sure you eat dinner. 
Your next message makes him smile, thankfully. I’m kidding about the dinner thing. Ha. I had one of those gels you got for me, and Jack wants fries, so I’m making waffle fries. 
He texts back quickly. Eat dinner. Please tell Jack I miss him too, and don’t worry about the boat, he’ll work it out. Then, feeling awful, he adds, I love you
Aaron should go home. He’d feel better if he knew he was there to help you keep your medication down, but if he leaves… He knows his team will give you everything they have, but he has more. He can fix this. 
He can’t fix this, god, his head hurts badly. You’re covered in cuts and bruises and burns and he thinks he can make up for that? You’ve been brutalised. Aaron can’t believe this is happening again. 
He rubs his brow. 
“You okay?” Emily asks. 
When he looks up, JJ is gone. 
“I’m fine.” 
“It’s okay if you’re not.” 
He’s not fine, but he knows what she’s asking. “I’m okay enough to do this,” he says. 
It’s hard not to confuse you with memory, your hurting similar to his own, your situation one that he’s already lived. Haley will haunt him for life. It doesn’t usually feel as punishing as he fears he deserves: he gets to remember the best parts of her everyday. He sees her in Jack all the time. He sees her in you, occasionally —you’ll touch his hair or rub his arm like she would’ve done, and it doesn’t make him miss her any more than he does, he’s not in the business of wishing you weren’t yourself, he loves you, but he remembers her. Aaron remembers how he failed her every day. 
He can’t fail you, too. 
“Is it ever easy?” Emily asks. 
Aaron looks around for a bottle of water. “Is what?” 
“Being in love.” 
He thinks about it. “I must make it look hard.” 
She laughs softly. “Sometimes, yeah.” 
Maybe that’s not fair, then, to you. For him to make it seem difficult to love you. To fail to correct Emily when she asks. 
He chooses his words carefully. “Loving her is the easiest thing in the world. But… I continue to work a job I know makes me hard to love in return.” And that puts you in danger. 
It doesn’t feel wrong to be sincere. Perhaps it’s easier with Emily. She saw so much of him during Foyet, and she’s family, truly. He can tell her how intense it’s felt. 
“Well, it doesn’t seem hard for her,” Emily says. 
He shakes his head. 
She continues regardless, “Even during her cognitive, she mentioned the first time you told her you loved her. When it was over she wanted to see you over anything else.” 
But I put her here, he wants to say. Or doesn’t want to say at all, but instead knows with surety. 
“She can’t eat if I’m not home,” he says. What a thing to do to someone. “It’s my fault.” 
Emily smiles, hair slipping off of her shoulder as her expression turns to playfulness. “I think you’re seeing it all wrong. Something bad happened to her, and you’re so safe to her that you make it better when you’re with her. That’s not fault, Hotch. Just love.” 
He turns his attention back to the board without another word. 
When the day comes, when they find the man who hurt you, you’re sitting at home with Jack Hotchner in your lap. You’re laughing at his laughing, cartoon fish on the TV, and Aaron’s got a gun in his hand fifty miles away. You both giggle, nearly in hysterics as the safe house living room glows pink and red, Jack’s favourite character swimming hurriedly across the screen, as Aaron negotiates the arrest. 
Usually capable of mediation, Aaron finds his patience completely unravelled. He offers the UnSub two choices: he surrenders now, immediately, and he keeps his life, or he deliberates and Aaron kills him. 
He has reason to believe the UnSub will try again, of course. Will keep hurting you until it sticks. 
He goes home satisfied.
“Dad’s home!” you say excitedly, your movie long finished, your thighs numb and stitches stinging where Jack has leaned against you. You encourage him off of you as the front door closes, the cold air from outside rushing in. 
“Honey?” Aaron calls. 
“Yeah!” You stumble into a standing position, sure you look about as disgusting as you have since the situation began, promptly sitting back down as head rush hits. 
Jack races for the door, meeting Aaron in the hallway with a whoosh. “Hey!” 
“Hi, buddy, what are you doing?” 
“We watched Finding Nemo,” Jack says, “and now I’m hugging you, duh.” 
“Duh. Well, I need to talk to Y/N for five minutes. Can you wash your hands for dinner?” 
“Yeah.” 
“You okay?” he asks. 
“I’m fine.”
You hear the sound of a light kiss, and then Jack rockets across the hallway and up the stairs. Aaron walks into the doorway, tie still knotted but with no suit jacket, and you know what he’s going to say before he says it. He wears a strange expression.
“You got him?” you ask. 
He puts a white bag on the coffee table, looking down at you fondly. “I got him.” 
“How did you find him?” 
He crouches down in front of you. He’s so careful to be harmless to you now, so tentative. “You’re not the only woman he hurt. We dealt with him in the past. From the information you gave Emily during your interview, and the information he left behind, we found him… If you weren’t as brave as you are, I couldn’t have kept you and Jack safe.” He holds your knee. “Thank you.” 
You stare at him. Staring, wondering what he means. “Brave?” 
“Brave.” 
“I’m a coward.” 
He shakes his head. “No. You’re not.” 
All you've done for days is cry and throw up and bleed, literally. You’ve ruined clothes and sheets, thrown up in his lap, terrified and aching. Each time was met with the same gentleness. A kiss on the cheek, or a hand rubbing your back. Is that bravery? You feel like a baby. 
Aaron’s brow is relaxed. He takes your two legs into his hands, and he looks at you with a reverence that leaves you breathless. 
“You’re hurt forever because of me,” he says quietly, you strain to hear him, “because of who I am, and what I choose to be.” 
“How can you say that? It’s not your fault.” 
“It wouldn’t have happened to you if I hadn’t missed his MO the first time.” 
“You’re not putting the knife in anyone’s hand,” you argue. 
“But it keeps happening.” 
His hair shines dark and wet. It must be raining outside, the safe house walls are thick, the windows shuttered permanently, you haven’t heard a peep. You stroke it back from his forehead. 
“Remember… when we first got together, and you told me you were sorry for how hard being with you could be. And I said it was okay, that it wasn’t hard, and you said it would be?” 
“I remember,” he says, practically mouths. 
“I was so afraid when...” You swallow roughly. “I still am. But not– not of you. Not of what you can do. When you told me it was going to be hard, I thought, well, it’s worth it, because I really liked you then and I love you now.” Tears collect in your eyes. Safe. I’m safe. “And you look after me, so– so–” 
You stop as your voice turns to glass, worried you’ll make a fool of yourself and cry in his hands. 
“I didn’t want this for you,” he says. 
“Nobody wants this. Bad things happen to everyone, but who has someone like you to look after them?” 
He breathes out heavily. “Please… don’t cry.” 
You wipe your cheeks, taking a lengthy pause before you say, “I’m okay now.” 
He looks at you in silence. 
“Come and sit with me,” you say, scrubbing your cheeks, hot tears cooling on the backs of your hands. “Your knees.” 
He actually smiles. It changes his entire face. “What about my knees?” 
Aaron sits on the couch next to you atop Jack’s blanket, a bag of pretzels tipping between your leg and his. You attempt to rake his damp hair into submission as his fingers run against your thighs, fishing for pretzels to put back into the bag. 
You’d like for him to grab you and kiss you harshly, give you one of his straight jacket hugs, some roughhousing, but you won’t get that from him until you're better, and even then, it’s up in the air. So much has changed. 
But not everything. 
“I love you,” you murmur, fingertips scratching down behind his ear to the back of his head. 
He turns to you, sagging with relief and exhaustion. “Kiss?” he asks quietly. 
You nod. He holds your cheek, and you close your eyes at the same time for a kiss. It’s not a lot, but you have time. He can give you another one when you’re both better recovered. 
He pulls away. You open your eyes, finding his closed, his face downturned. “I love you.” 
“I love you, too.” 
“Was Jack good?” 
“Jack’s always good.” 
“Did the nurse have anything to say about your chest?” 
“She said it’s healing okay. That I need to use, uh, scar patches when they start to scab.” 
“I can get those.” 
“I know, I knew you would.” 
He gathers you up for a hug. For a moment, you think he’ll move on, that the end of your nightmare will kill his remorse, but he breathes in, nose wedged against your cheek. 
“Do you think that tonight, we could pretend it didn’t happen?” You’d like to just sit with him, press your hand to his chest and doze. It’s the first night in a while that you’ll feel completely. 
“Yeah. I can do that.” He hugs you rather tightly. “Do you want to see your present?” he asks, relaxing his grip. 
“My present?” 
He grabs the bag on the coffee table and places it in your lap. “I’m worried it’ll remind you of bad memories, but I wanted you to have nice things then, and I still do.” 
In the bag, there’s a pair of pyjamas. Very different to the ones you’d been wearing when you were attacked, they were girly and sweet, soft in your hands, these are sturdy. Still soft, but thick. The shirt is short-sleeved and the pants cuffed at the ankles, a hoodie tucked underneath them, and a packet of minky socks. 
“Thank you,” you say. 
Thanks for everything, for saving you twice, for taking care of you at your worst, and for wanting you to have something comfortable to wear at the end of it. To have experienced an abjectly cruel battering will leave its marks in your forever, but you meant what you told him. He looks after you, and you love him. 
He kisses your shoulder. “You don't need to say that.” 
He doesn’t add anything else, his nose pressed to your shoulder, his hand on your hip. Whatever goes unsaid can be felt in the other’s touch. 
˚‧꒰ა ✮ ໒꒱‧˚
thank u for reading!! it’s been a long time since I wrote a fic for hotch and it’s hard to write him being vulnerable but I hope this is alright anyways and that you enjoyed :D please consider reblogging if you did enjoy it (cos that way my fics get shown to more people <3) ❤️
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