#if anyone is INTERESTED i do have ‘patterns’ written for these but they have no pictures or instructions

[arosnowflake]

For sure the reason most fanfic has a very similar writing style is because writers are looking to other fanfic; it's very much a feedback loop! And there's nothing inherently wrong with that, but y'know, some variety in the gene pool never hurt anyone.

From what I've seen, first person POV fics used to be far more common a decade or so back. On fanfiction.net, first person pov was pretty common, certainly far more common than it is now on AO3. I think the reason for this is the backlash against first person fics; used to see a lot of hate posts about first person pov. It's less now that there are less first person fics, but I still see them occassionally (especially when people talk about Wattpad, but that's a platform I've never used so I don't know much about it). Even in fandoms for books written in the first person, third person POV is nearly always the most common way of writing. The only exception to this rule that I've come across is the Murderbot Diaries fandom, where the vast majority of fics mimic the canon first person writing style (and that's probably at least in part because of the complicated name situation the main character's got going on).

So while it's possible some people are intimidated by writing in the first person POV, I doubt it's the main reason, or even particularly impactful; if it was, fandoms like Percy Jackson or The Hunger Games would have far more first person pov fics than they currently do.

Also admittedly I am a bit confused as to why first person POV would be that much more difficult to write than third person limited. Third person limited also requires you to get inside your narrator's head and figure out how they think; that's kind of the hallmark of third person limited. Third person limited narration absolutely should also reflect a character's voiceand thought patterns. It's true that first person is more direct and usually more intimate, so I could see why that might be a little more intimidating and difficult, but a lot of this is still going to depend on writing style more than POV. I've read third person POVs with a far more distinct character voice than many first person POVs. First person does lend itself better to more distinct, personalized narration, but that does not mean the writing style always utilizes this. Personally, I find that most fanfic in both first and third person tends to have the same problem: a generic narration style rather than one reflecting character voice. Perhaps I'm just more confident in my characterization than most fanfic writers, but I personally do not see much of a meaningful difference in character grasp required between first or third person. At most first person requires a greater grasp on speech patterns, which you'll have to grapple with when writing dialogue anyway.

That's not to say you're wrong, though! Thank you for adding on; that perspective is not one I'd considered before, and it's interesting for me to consider how many other people find it more difficult to write in first person for characters they did not create. Just because I don't see third person or first person or OC or canon character as meaningfully more difficult to write than the other doesn't mean others don't!

Been thinking lately about the Fanfic Writing Style(TM) and how incredibly restrictive it is because any deviation from a fairly paint-by-numbers third person POV tends to be wildly alienating to the average fanfic reader, and will actively be avoided.

This is especially obvious when you look at how first person POV fics are treated; they are automatically associated with bad quality, and people will immediately turn away from a fanfic the moment they see it's written in first person. There are reasons for this; firstly, it is true that beginning writers will often use first person because it feels a little more accessible than the other options, and most beginning writers are of course not very good yet on a technical level, especially not if they are also children, which many fanfic writers are. So the association between first person and bad quality is not entirely baseless (though, y'know. definitely at least a little mean spirited, if unintentionally so). Secondly, and this is a personal sentiment but one I've seen some people echo: first person can read weird when combined with fanfic, because fanfic often does not benefit from a closer connection with the POV character. We are here to watch blorbo do thing, it can feel a little weird when it is instead I doing the thing, y'know? This is personal preference, of course; no accounting for that.

However, regardless of the reasons, kneejerk avoidance of first person POV fics is probably one of the driving factors behind the homogenization of the fanfic writing style. It's difficult to put into words to me, but especially if you read a lot of fanfic, at some point it's obvious that most of these stories are written in the exact same way, with the same sentence structure, cadence, and metaphors. The often-mocked italicized Oh, usually used in its own paragraph, usually used in a romantic context, is an example of this: a writing quirk turned universal enough specifically in fanfic to be singled out and ridiculed for its frequency.

This style isn't inherently bad, many authors pull it off very well, but it's certainly restricting. Essentially banning the usage of the first person POV alone is already severely limiting, but even just a slightly different usage of the third person POV is discouraged if everyone is writing the exact same way.

This leads to an overarching problem in fandom, namely that all characters tend to sound the same. The style of writing is the same whether writing about a jaded 40-year-old man or a peppy 12-year-old girl. A story set in 1940's France will have more or less the same writing as a story set in 2010's America. Writers do often try to add little details to their narration to distinguish different characters, and success with this varies, but is usually limited. Narration in fandom is rarely personalized to the character, and instead falls into the homogenized fandom style more than anything else.

I don't have a specific goal with this post. I'm not necessarily saying 'we need to STOP big fandom's writing style' or whatever, I don't think that's productive or feasible. I do think that we should all, as readers, be a little more open to stuff like first person POV fics or stranger prose experiments rather than skipping over or closing out of a fic as soon as we encounter them, and as authors (if you actually care about improving your writing) I'm encouraging you to take a look at the prose style used in your fanfic and see if you could diversify it because oftentimes readers do respond positively when they see it, so I guess if there's anything to take away from this post as a call to action, it's that. But mostly this is just me musing on something I've noticed in my own fanworks recently that irritates me.

[handhelld]

Recent Dead by Daylight plushies Ive been workin on :]

[mortalityplays]

there's something I find really instructive about the whole thing with the columnist who was scammed into handing over her savings in a shoebox, that I haven't seen many people talk about.

plenty of people have justifiably laughed at her credulity for just accepting that she was dealing with the cia and doing whatever they said, and she mentions herself in the article the sense of crushing mortification that she was so ready to bow to any perceived authority. other people have discussed the value of the piece being its "it could happen to anyone" message, coming from a financial analyst who has written about avoiding scams, which is fine and does have value.

but what I find fascinating is the way it illustrates the secret power of a good scam artist or charismatic leader: they don't have to look or sound convincing to 99% of observers. they just have to be talented at picking up on the specific cues that work on one person. this is why they move so quickly to isolate their targets from everyone around them, and maintain intense pressure with ticking clocks and regular check-ins. the scam is not designed to hold up under even 5 minutes of close scrutiny, it's designed to bypass scrutiny by hitting emotional buttons on a specific individual. the stupider you feel after you cool off, the better they've done their job.

anyone interested in charismatic manipulation, whether scams, cults, or abusive relationships, has heard people say "I'd never fall for something like that". and every victim, in retrospect, says "I never thought I'd fall for something like that". there is no special pattern of stupidity, intelligence, vulnerability or confidence. the pattern is that the perpetrator recognises a thought or behaviour characteristic they can take advantage of. they're the ones selecting you. and that's why teaching people the underlying social mechanics of charismatic abuse is more effective than telling them about lists of individual scams to watch out for. the thing that works on you won't look like anything you've scoffed at, by nature. survival bias plane dot jpeg.

[usedpidemo]

More than you know (Nmixx Haewon)

“Miss Haewon, please see me after class hours later. I would like to talk to you.”

There it is. A rather predictable bookend to another dull lecture. She saw it coming from the moment she walked into the classroom. 

She absolutely loathes hearing it. 

Despite the comically indignant scowl she shoots you on the way out—and the mocking jeers from her friends that elicit embarrassment—by the time the final bell rings, she couldn’t wait to see you later on.

You’re excited, too—but for all the wrong reasons. 

She’s the only thing keeping your passion for teaching alive.

—————

For the record, Haewon is not a bad student, not in the slightest. If anything, she’s par for the course. She’s not gonna be some summa cum laude, but she isn’t a sorry case, either. And that’s been the pattern with your students for years. They only care enough just to get by. Haewon is the most clear-cut example you can refer to.

Based on the rather intriguing stares she shoots at you, you’d be tricked into believing she’s actually interested enough in improving her future performance in class. Peeking through the laptop, catching glimpses of everyone’s grades. Her name is highlighted on the document, and the scores consist primarily of mid-eighties with some low-nineties. Clearly she’s nowhere close to a flunk or a future dropout. 

Better than the high seventies and low eighties that the rest of your class averages.

“Sir, how many times do we need to go over this. I’m doing well for myself,” she remarks, giving you a look that says I told you so. The evidence is right in front of you, written in bold. “C’mon sir. Just let me go early today.”

And that’s when you make your first of many mistakes—feeding her the attention she craves. Where’s this energy when it comes to your lectures, you wonder?

Before you even entertain the thought, the scene has already gone completely sideways. Here’s a student with zero regard for following rules, and you’ve experienced your fair share of troublemakers. She’s sitting on the desk, pale skin in plain view from the off shoulder cropped sweatshirt that barely qualifies for the dress code. You’re looking—and she’s keenly noticing. 

“Maybe another time, sir?” Haewon reads your mind like an open book. She’s purposely dressing improperly for two reasons: to piss off the higher-ups who hate her guts, and to make it easier for you to rip through her clothes. “I’ve got dance practice with the theater girls and I’m running late.”

“Well for one, you can drop the honorifics,” you reply, plainly, in a particularly weak effort to change the conversation. The attention you give her is short-lived; your focus returns to the unanswered emails and grades you need to fill. “Class hours are done for the day.”

It’s evidently not the response she wanted, because her arms are crossed and she’s pouting. You have to admit, she looks cute acting like that, revealing clothes be damned.

“Sir.” Haewon drawls out into a groan, bothered by the monotony of waiting when she has places to be. She won’t go as far as to knock your laptop down, but she’s considering it as a last resort. “You’re being a bitch right now.”

Anyone else in her position would get it—a verbal lashing that would get your teaching license rescinded and take you to court, but Haewon is the epitome of getting away with murder. You have no idea how she does it—how she manages to escape mostly unscathed from punishment. Even now while you drum on the keyboard, because you’re allowing her to call you a bitch without consequence. 

Maybe because you like her more than you would openly admit.

She sighs. It’s a defeatist tone. A few moments later, you close your laptop and she perks up.

“Take a seat. I do want to talk to you about something important,” you tell her, knowing one hundred percent certain she’s not getting off your desk. 

Haewon can’t help herself to a snarky comment. “Damn. Finally.”

By every conceivable account, this should be awkward, if not outright wrong. She’s still an undergrad, you tell yourself, staring into her sharp, alluring eyes. For as rebellious and as unruly as Haewon acts, she still listens to you. Hell, you’re the only professor she bothers to attend classes regularly for. She’d tell you she cares in her own twisted way. Look at how she dresses, for one. Your thoughts consist of mainly her in some cumbersome position, her lips letting out these desperate, heavy gasps. Your hands squeezing her taut breasts; the way her shirt accentuates the curves of her chest drives your imagination wild. You can spend all day planning how you intend to fuck her—

“Sir, you’re staring again.” A snap back to the present, where she’s grinning and leaning close to your face. So pretty. “I get it—I’m hot, but we’re on borrowed time, sir.”

“Right. I honestly forgot what I was gonna tell you,” you mindlessly drawl, searching through your desk for something. Something to temporarily distract you from the inevitability of the end. The rest of your paperwork lies unattended in the faculty room, you remember, but you’re not gonna step foot inside that place—not when the other professors are still around. Time is money. “But it’s definitely not your grades, that’s for certain.”

“What’s it about, then?” Her eyes continue to follow your every move. 

You place a folded sheet of paper between you. She grabs it and reads through the brief content. The response is concerning. 

“You’re leaving?” Haewon turns to you, stunned and gobsmacked. A rare expression coming from someone who’s usually indifferent toward everything and everyone.

Genuinely, you have no idea how to explain yourself. You had this all planned out since the beginning of the year; these two semesters will be your last, you were completely certain. You could have told anyone in the faculty. They’re decent people—as decent as they can be during the few times you actually interact with them—but they were merely coworkers and nothing more. You could have told your wife, who just so happens to be a fellow professor and colleague, but she’s one of the reasons why you’re leaving in the first place. 

Word spreads like wildfire around campus, so you know to be careful, but this is straight recklessness. You call it mutual trust.

“Been thinking about it for a while,” you say, rather quietly, trying your hardest not to look her way. 

“Let me guess,” she says, breaking the pretense of sympathy and concern for her usual caustic tone. “No one cares about your shitty class?”

You’re not remotely bothered by her comment, even if she’s speaking the truth. Though she could have used a nicer word besides shitty. “Part of it, yeah.”

“I seriously don’t understand why there’s gotta be a religious unit for a business degree,” she adds, fascinated by her own question. Even more so than listening to your lectures. “I don’t get it.”

“I don’t get it either.” Truthfully, you seriously question why you’re even teaching here to begin with.

You’re employed by one of the top universities in the country; every parent would sacrifice everything just for their children to study here. It pays well by teaching standards, but the bar is in hell. Despite the prestige, the overall experience is no different than your time in public high school. Most of the students who do attend come from rich backgrounds; people who use the place as a dick measuring contest to see who is the richer person. These entitled scholars who are always on their phone—one of their many phones—and cheat to get ahead.

It happens so often on the regular that you eventually stopped caring.

“Hmm,” Haewon thinks to herself, running through every piece of information she has to weaponize against you. She knows you better than anyone, mainly because you share personal life details like they’re the daily newspaper. Not to mention the very reason she comes to the classroom in the afternoons: you.

Then she comes to a rather off the wall conclusion. “It’s Miss Myoui, isn’t it?”

You squint your eyes. Haewon glints up. A small opening. 

After a brief pause, she piles on, smirking. “Did I touch a nerve? Poor you,” she says, shooting you a mocking pout that you mostly ignore. “I guess you haven’t had some good pussy in a while. I mean, there’s no reason for me to be here other than the fact that Miss Myoui isn’t letting you clap her ass. Maybe the rumors are true then—”

Before she continues to spill more information that anyone shouldn’t be allowed to know, you fire back with a sharp glare. She cheekily grins. By ignoring the flashing red light right in front of you, you’re purposefully walking towards your own downfall.  It’s a trap; you know this. You know Haewon more than any other student. All her little tricks, all her crafty schemes. 

God, you can already see how this is gonna end.

“So I’m right?” Haewon tilts her head, leaning slightly forward. Her smug expression, word choice, and mocking tone tests your patience—including your blood levels—and you’re failing by the minute. “Trouble at home?”

Your response? Nothing. Going word for word with her ultimately results in a losing effort; previous conversations with her leave you more tongue tied and in a rut by the end. Haewon is so natural at getting under people’s skin. It’s what she gets off on—wrapping professors and superiors around her finger with her mouth. And more often than not, she’s charismatic and charming enough that it’s entertaining, but no one wants to openly admit it except you.

It’s how she’s able to read you like an open book. Let personal information slip so seamlessly. The numerous discussions regarding her underperformance in class lead into intimate sessions where you and Haewon become more acquainted with each other. A little too comfortable at times, but you can see where and why she acts the way she does. And you had come to the conclusion that you can’t fix her. Many have tried—and failed. She does whatever she wants, and she’ll end up getting away with it.

You slide your laptop aside, ready to dance with the devil, going against everything you swore against. “Mmm—not quite, but you’re halfway there.”

Haewon smiles and her eyes flutter. Not in a patronizing, condescending way, but the sweet kind. Genuine. The soft side she’ll only let you see. “Miss Myoui not letting you clap, sir?”

“She does,” you say, dour. And I already told you class hours are done. Please don’t call me sir.”

“Right. Sir.” Haewon’s playful tone trails off with that loathsome word. She can’t help but smirk; it’s second nature to her. She’ll claim that you fell for that bait, but that was deliberate, you’ll say—even if she refuses to believe you.  

After a brief impasse, “So—sir,” she follows, using her eyebrows and cadence to tease, her hands on the edge of her pants, teasing some underwear, “You need to fuck me again? Now? Is Miss Myoui not letting you have some lately?”

Turning your gaze away and to the desk, “About Mina,” you reply, drumming your fingers on the table, deep in thought, “I’m planning to divorce her soon.”

“Huh?” Her eyes shoot wide, her expression rather surprised at the sudden revelation. You’d think by how she teases you about your wife, she’d have a much more subdued reaction. Considering she knows facets of your rather strange relationship with Mina. “Well, I would tell you’d be fumbling big time, but you should know—”

“She’s cheating on me. I know.” 

Now she’s genuinely shocked, completely caught unaware. She’d assume you to be particularly naive and clueless about campus rumblings, especially since she’d never see you outside of the classroom and in the faculty room. “Well damn. I honestly thought you didn’t know.”

“Can’t say it would be the first time I’ve heard about it,” you say, turning to face her again, cold and gloomy. Pointing your finger at her, “And before you say anything, no, I didn’t catch her getting eaten out in the faculty room.” 

You say that with the utmost sincerity—and sarcasm.

Haewon hesitates, before answering, rather  “I figured.” She understands that your poor eyes have seen some things you shouldn’t be seeing.

Truthfully, you’re amazed she hasn’t brought up the subject a lot earlier. Since the end of the previous academic year, you’ve noticed Mina’s sudden changes in behavior. She’s sending more text messages telling you she’ll arrive home later than usual, the frequent faculty outings she chooses to attend, the cancellation of plans scheduled months in advance—the biggest of which, a dinner date at a particularly expensive five-star restaurant on the other side of town that has a notorious 18 month waitlist that you miraculously booked for your anniversary. And that was five months ago.

People change, but Mina is an entirely different person to you now. You can hardly recognize her.

“I guess I should say I’m sorry for what happened,” Haewon says, pretty modest and empathetic in tone, but even during serious moments, she can’t help but remark, “But you were kind of loser material for a woman like her.”

You can only stare back, annoyed. She chuckles, heartily. Seeing your animated, cartoonish expressions only serves to amuse her even further and fuel her addiction of teasing you. 

“Ah, I fucking love you, sir. You’re my favorite professor for this reason.” In an instant, the somber facade falls apart and she’s back to being her usual coy self.

“Among other things?” you question.

“Such as?” Haewon looks confused. It’s a bluff; you’re calling it now. “Such as what, sir?”

Placing a hand on her knee, you’re creating friction so intense that her mouth goes agape and her breaths grow heavier. “Such as the fact that no one eats you out better than I do,” you reply, inflection transitioning from formal to low.

“Oh?” She doesn’t believe what’s happening to you. “Sir,” her cadence dances in such a melodic and sultry way it’s gonna ruin you faster than anything she’s done so far. “You have no evidence to prove—”

Suddenly, Haewon goes tongue tied, unable to finish her sentence. That’s a first. And you didn’t need to lift a finger or use your voice. Your other hand finds solace around her toned waist, exploring her tummy, and it’s thankfully not restricted by any layer of clothing. So much pristine skin to claim as yours, you begin to lose your restraint—and there isn’t much left to begin with.

“I can take you to the faculty room and show you,” you mumble against her belly, the cold breath tickling her flesh that she trembles. Haewon’s senses float off, her vision growing dark as her hands impulsively latch onto your shoulders. In return, you peck her navel, her abs, until you reach her abdomen, a hair’s breadth away from her chest. Between kisses, you continue to feed into her want, “Or I can give you an example right now.”

“Please,” Haewon finds enough clarity to cup your face up and meet her in a lengthy passionate liplock. This is what she wanted from the start. “Indulge me, sir.”

The only thing keeping you two apart is the laptop dangling on the opposite side of the table, almost pushed aside while you were making out. You quickly place it on a random desk before closing the two classroom door curtains.

When you return to Haewon, she’s sitting atop your desk, playfully swinging her legs, smiling modestly. It’s only now that you recognize how pretty she looks. But behind that meek appearance is a demon, a temptress that only sees you as a conduit for pleasure. In her eyes, the only purpose you have to give is sex, and nothing more. 

So push your chair forward when you sit down. Haewon’s legs are already spread wide, but the pants remain on them. She doesn’t like to do it herself. 

“Won’t give me a cheating discount?” you say, looking up at her coy grin, placing your hands around the hem of her trousers.

“Technically—” she trails off, kissing you, “You’re cheating on her with me, sir.” Followed by another. Each one deeper, more intimate than the last. “Don’t act all innocent now, especially when we’ve been doing this for months.”

Then, Haewon consumes you—as in, devours you. Grabs you and makes out with you with a passion you wish she’d present during class hours. You’d be content to remain in this position for the rest of the day, even if the clothes never come off; he’s so passionate and fervent that it’s intoxicating. But it’s all planned. Elaborate. You’re familiar with her more than you ever want to be: how she loves to unbutton your shirt while kissing you, how she mumbles and hums softly against your mouth, how she whispers desires that end up becoming realized after the foreplay. In reality, she’s the one dictating the pace, the one calling all the shots, and you’re merely an instrument she uses to indulge herself.

And she wants it: everywhere, in every position—something you find too much to handle, and she’s already quite the handful. But it’s merely a delay of the inevitable; you’re going to fuck Haewon, you’re gonna pour all your cum inside her, and you can figure out the rest the morning after.

More often than not, your shirt ends up unbuttoned, but not completely undone. One of two layers keeping your impulsive desires in check. As you work Haewon’s pants down her legs, most of your lesser instincts are shown in full display. It takes almost tearing your own fingers off your very hands not to rip through her panties. Meanwhile, she’s lounging on the desk, enjoying the sight of you reverting back to something primal. 

The way you fondle her creamy thighs, never finding their beginning and end, is like beholding a sculpture crafted by the gods. They’re meant to be worshiped, to be handled reverently.

And Haewon guides you through the process, commanding you like she has authority over you. Titles do not matter—they never have. “Keep going,” she says, as you leave delicate kiss marks down her thighs, slowly burying yourself into the inviting presence of her pussy. Peeking through the near-nonexistent layer of fabric, she shifts the lift of her legs, perching on your shoulders as she forces you into her suffocating warmth. 

“Show me,” she gasps, brushing your hair with her hand, and that’s what sets the rest into motion.

Her legs clutch you into a breathless hold. God, she’s killing you slowly, and you don’t mind it one bit. At this point, you have nothing to lose. You might as well treat this as your last supper, your final meal before you have to say goodbye. She can strangle you with her thighs while you drag your tongue up and down her folds, suck on her clit, take in all her nectar—it doesn’t change the fact that Haewon is gonna fucking end you. 

You might as well repay the favor.

And despite throwing caution to the wind, Haewon appears unprepared. Dazed and confused by the overwhelming sensation burning through her nerves, she trembles—and moans. She couldn’t be any less subtle if she tried; hearing her hit notes you never thought she’s capable of hitting only serves to be a minor distraction from her pulsating heat. You’re relentless, slowly picking away at her senses, at her sensitive cunt, knowing that no one can eat her out as well as you do.

“S-sir.” Haewon can only muster up a single word before her mouth fills the room with nothing but air. 

Deep down, you despise the rather obstructive yet comfortable position you’re in. Your tongue brushes against Haewon’s folds, going back and forth to taste of her warmth and her clit. The rest of her frame lays atop the desk, trembling, unable to keep herself steady under your grip. She’s lost you somewhere in between, clinging onto the edges of the table for support. You can only imagine her jaw agape, her expressions twisting in pleasure, wriggling and tossing her head around as she aimlessly tries to find some semblance of control.

Her mouth is the only tool she can use to make some sense of this overwhelming bliss. And even that doesn’t amount to much. ‘Shit,’ ‘so good,’ ‘don’t stop—’ these are only some of the things she groans out as you trap her in a whirlpool of her own ecstasy. It’s still not enough. You want to prove her wrong; you want to remind her what’s important, and the only way you can make sure she truly understands if she fucking cums all over your face.

So while Haewon writhes and makes a damn mess of your desk, you continue to feast on her pretty cunt. She’s making sure every person in the building knows how good your tongue is, and it’s in character with how unabashedly shameless she behaves in front of everyone. Her legs kick sharply against your chair, so you end up where you were supposed to be from the beginning—on your knees. And yet it doesn’t deter you; if anything, you grow more attached to her pussy, savoring every taste and drop, taking piece of every little part of her as yours.

You can’t wait to explore the rest of her body and claim it as yours. On the off chance you’re able to rip her shirt off, your hands roam her tight, lithe figure. You’re met by layers of fabric, frustrated at the inability to grab her breasts in their natural form. She grabs you by the wrists; it’s a miracle she’s able to feel you through the waves crushing her to the desk. You suck on her clit hard. She lets out this guttural moan that sounds violent in nature, like you’re hurting her, when you’re actually doing the exact opposite. 

And it’s how you play off each other for the most part. Your need to get Haewon naked is only matched by her desperation to cum. She doesn’t need to tell you directly how much she wants to. Her hands guide you beneath her shirt, and you press on the underside of her boobs in appreciation. You’re playing a dangerous game; you have no intention of letting go. 

Surprisingly, Haewon holds up well. One look and it might appear that she’s a complete wreck: how her body trembles unceasingly, how she has half her shirt lifted to give you a better view of her chest for when you eventually come up for air, how helpless she is at even the slightest touch. You made her like this. It’s a habit she’s used to by now; she’s learned that a figure like hers is meant to be admired, to be used.

Before you grow comfortable with the habit, the idea that you can eat her out on the desk for hours, Haewon cums.

She keens and shudders through her surprise orgasm. It’s aligned with her playful nature to cum without your knowing, even though the signs were there all along. Your tongue works through the torrent of fluid, then the wave of slick that you drink up. Lap whatever your satiated bud allows. You can see remnants of her climax spill down the desk and to the floor, to her pants. 

Even now, you’re still learning something new about your students. For one, you never knew Haewon squirts.

The wet desk would make for a perfect reference picture for when she questions your legitimacy again—but you have better ways of explaining yourself.

You give Haewon no reprieve; she mewls and whimpers as you lick her folds clean, till you settle into soft, gentle kisses. The situation is all sorts of fucked; she has places to be and friends to meet, but you have her on top of your desk, keening after eating her out and making her cum without a care. It’s gonna take an essay's worth of explaining the glaringly wet patches on her clothes and deep red marks over her skin. 

Truthfully, she’d rather be with you than with her overbearing friends—but you won’t hear it directly from her lips.

Speaking of, you hear a phone ring. Haewon cranes her neck in the direction of her bag. “Sir, I need my phone.” She huffs, gasping for air, each word spaced out between deep breaths. 

Regretfully, it takes every bit of your resolve to release your tongue from her warm cunt. You rummage through her bag and hand the phone over to her. It’s about picking up the pieces now, salvaging whatever you can make of the mess you made, albeit there’s hardly anything to save, even yourself. 

“Don’t.” Haewon uses her loose toes to point at you, shifting herself into a sitting position on the desk. You’re halfway done with the first button on your shirt when she stops you. She’s tapping through her phone, texting some bullshit excuse to her friends. Knowing her, they’re most likely no better than her; they might be playing into your little secret, too. All it takes is one person, one word of mouth, before information spreads around like wildfire.

Like everything else about her, you had mostly left it up to interpretation. Forcing details out of Haewon is a near-impossible task. You were never really a good negotiator. The deal usually ends up like this: her panties for a bonus in her grades, her lips for a signed excuse letter, and if she was really in the mood, her pussy for a cheat sheet. Sometimes, 

She sets her phone aside on the desk, hopping off the table to lay her hands on your exposed chest. Momentarily kissing you, she whispers, “Sir, I told them I would be a little late today. You should know better by now.” 

Her fingers wring around the collar of your button up shirt, eyes ablaze with reinvigorated lust, lips curled  in a pleasant smile. You’re so enamored with her, it drives you crazy. Even when she pushes you onto your chair, even when she rips the already undone shirt off your body, all you can do is pay attention to the stars in her eyes. Her warm, wanton gaze—both charming and alluring in all the right ways. She knows how to use every part of herself to near perfection. 

The rest of your clothes couldn’t come off any faster. Your pants and boxers pool around your ankles, followed shortly by a dark cropped sweatshirt. You’re not given any time to savor the perfection that is Haewon’s naked figure; she’s straddled on your lap, stroking your hard cock with a delicate grip. She smirks, and she has every right to look smug. You’re left breathless, under pressure; if only you can see yourself in the mirror and see how needy you look, and the utter control Haewon has over you.

And you allow her; this is her specialty, this is what she’s built for—to fucking end you.

If your words allow you, you’d command her to get on her knees, suck your cock and take a warm load all over her face; this is the ideal position to make the move. But you can’t. Not when you’re missing the point. 

Haewon is on the edge of your lap, running her hand around your cock, gathering spurts of precum on her nails and finger pads. She’s still winded from before, slow in her movements. The naughty look she gives your body never grows old. 

“I hope you don’t mind if I ask you a question,” she starts, looking down at the little mess she’s making on your thigh. You’re too overwhelmed to breathe, let alone say a word.

“Be honest with me. I’m being serious for once.” 

And she sounds like she means it. You gulp your throat as you enter the unknown.

Her eyes flicker up to meet yours, her expression deep in thought, something she’s not usually seen doing. And you feel the heat gradually building on your lap, but you’re paralyzed by anxiety for the sensation to register. She runs the other hand through hair to take a good luck at you: your rather sweaty face, somewhere between pleasure and tense. 

“Tell me,” she sighs, running a hand down your shoulder to your elbow, before continuing, “Am I the best student you’ve ever fucked?”

“Yes.” The word comes out involuntarily, as if it were muscle memory. Like your body knows, and it knows itself better than anyone or anything else.

It draws a piqued reaction from Haewon. She raises an eyebrow, unconvinced. “And what about Yoona?”

“And what about her?” 

A reply you end up regretting almost immediately. Haewon doesn’t take bullshit for an answer, as evident by the cold, dour stare on her face. If there’s anyone who knows the ins and outs of university, it’s her. 

It doesn’t take long for you to cave in. “She’s so tight,” you admit, sounding like a guilty criminal being interrogated. “But you’re still the best, I swear.”

“And what about Yuna? That exchange student Lily? Miss Minatozaki? You say that to just about anyone.” 

In an instant, she goes from curious and passionate to downright frightening. It’s not supposed to be like this; normally it’s you who has the authority. Haewon can go on and on for hours if she wanted to. She has all the leverage, all the evidence, all the power to cause the end of everything, your life included. But she only wants one thing: the truth.

“They’re nothing compared to you. Promise. You’re still my favorite student.”

To a certain extent, you’re right; Haewon is your favorite, but for all for the wrong reasons. It has nothing to do with teaching her anything other than being a good toy, because deep down, she’s about as irredeemable as your peers make her out to be. Really, it’s about using her body, fucking her, pushing her to the absolute limits—anything to get your mind out of the numbing, monotonous work of being an actual professor. There are many good girls in class, including the names she mentions in passing, but this is a stark reminder that Haewon is yours, and you belong to Haewon.

“Then show me.”

And to drive the point even further, she sinks down on your lap, pressing her weight on your crotch—until her pussy meets your cock and you both disappear into the sea of pleasure again.

Haewon throws her head back, and she’s never looked more vulnerable, not even when you had her laid out on the desk. All this flesh and body to claim, and you have no clue where to begin. But that’s the least of your problems when she begins to glide up and down, rocking your lap with slow, agonizing thrusts. You end up blanking out and caring about the friction in your hips instead. 

The slip of your cock in and out of her pussy when she rides you. Your palms press against her waist while you watch her slowly come undone: the moans, curses, and every sound in between, the rapidly twisting expressions, the hypnotic jiggle of her chest. Soon, you find a steady rhythm to match, and everything becomes effortless. Both of you pushing and pulling against each other’s bodies in an effort to get deeper. You forget you’re a professor and her a student, only two souls in need of sex during some trying times in your lives.

In a way, you’re both meant to be. Fate is a strange entity.

Then Haewon regains some clarity, enough to be kissing you, moaning directly in your ear, demanding your gaze. Even when her hole swallows your cock, she still wants your attention. And even while you have it so deep in her cunt that she’s mewling, struggling for oxygen, she manages to form a coherent sentence.

“Tell me I’m the tightest. Tell me I have the best pussy you ever fucked.” 

God, she’s so fucking tight you can’t fully comprehend it. Perhaps even more, and you’re used to using her. Maybe it’s all that pent-up frustration toward your dead end job, toward Mina, that makes her clench tighter. That’s now how pussy works; you’re just stretching her out really hard, but you have nothing sensible to conclude with. What you can tell, however, is that you needed this—and you needed it badly. 

You’re thankful you closed off the doors and curtains to the classroom, because the last thing anyone needs to see and hear is the sight of Haewon riding you while you both moan about how good the other feels. 

“Love this pussy,” you murmur, breathing against her collarbone, wanting a taste of her taut nipple. She has you in a tight bearhug that binds your hands around her waist. “Fuck—so—fucking—tight—the best—”

And that’s all she needed to hear. Every word—every sound—slips from her lips like it hurts, but she’s in total bliss. She moves her hips against the roll of your cock with deep emphasis, like fitting puzzle pieces together, and it sends you. You’re left even more breathless, more in awe at how fucking well Haewon takes your length. As if it was always meant for her. 

Curses and praise aside, she’s never one to talk during sex. But then she makes the faintest comment about how your cock fits so snug inside her, and you honestly just lose it.

Once in a while, a certain inquiry is brought up. What’s your favorite thing about me, Haewon asks, when it’s supposed to be the opposite. You’re supposed to give out this very question to your students as a way to improve your teaching style and maybe come off as an approachable authority figure. As expected, it wasn’t helpful in the slightest. She then would suddenly come to you at the most random of times with this particular question, and you’d be preoccupied with numerous things—home life, school activities, the usual—to find an answer. 

But right there, right as you spear deep into her tight, needy cunt, is where you figure it all out. It’s all in the little details. Your hand going up and down her arched back. The squelching of her pussy against your cock. The furious sound of your flesh slapping against hers. Her loose, shrilly whines while you bury your face between her chest, begging you harder. Her hands tangled with your hair and nape. All that while she’s bouncing on your lap at such a feverish pace; she’s going to break the chair you’re sitting on.

Before you know it, your tongue has traveled all over the most sensitive parts of her body: nipples, neck, and even pits. 

Everything about Haewon is so ridiculous, you can’t believe how much of a challenge she has been for the longest time that you’ve forgotten how easily she folds. Like she’s meant to be used.

But no punishment is suitable enough; no amount of discipline can change her. If anything, it only fuels her goal to thread the needle even further.

“Gonna fucking cum, Haewon,” you hiss against her ear, blurring the line between kissing and biting her collarbone. Using all the strength in your hips, you have her legs spread as wide as they can over the chair, over your thighs. The squirt she releases as she crashes on your lap serves to fan the flames in your cock even brighter. It’s all but inevitable that you’ll pour it all inside her, and she wouldn’t want it any other way.

If you had any semblance of a spine, you’d never let her hear the end of it. The idea that her pussy isn’t getting its fair share of seed disgusts her. She needs to learn what boundaries are, and how not to cross said lines. At least there’s one lesson you can impart on her before you split, but you’ll save that for another day, because you cum.

You fuck Haewon so hard, she turns into mush that melts in your grasp. Forget the guttural groan you made; the aftermath is alarming. Her pussy drips with a huge load pooling on the chair and trickling down her thighs. You make sure you bury yourself to the hilt and unload inside her. The evidence is undeniable; from the smell to the sight of clothes and cum, there’s no concealing it—if there was even anything to hide, because your salacious activity could easily be heard anywhere in the building. 

And lost in the madness is your train of thought; your body is reeling from the aftershocks of your orgasm, and you simply idle. Let your cock stay in Haewon’s warmth as long as possible. Let the setting sun bathe her pretty face in that lovely afterglow. Let her slowly recover and realize that you’ve been right all along about everything.

“Sir, you came inside me a lot,” she says, a little over a whisper, trying to take record of your work. Her eyes stay glued to the puddle of cum dripping down her leg, running a finger to taste you. 

“For my favorite student, why wouldn’t I,” you tell her, caressing your hand up and down her back. Even through the climax, you never stopped. 

The brief, peaceful respite is interrupted by, you guessed it, another phone. This time, it’s not Haewon’s. She moves gingerly bending down, almost tumbling over in an attempt to retrieve your phone from the depths of your pocket. Your only contribution is ensuring she doesn’t bash her head on the floor. 

“Well, well, well,” she comments, looking at your phone with a familiar, sarcastic tone before handing it over to you. “Speak of the devil.”

On the screen are two missed calls and one new text, all from none other than Mina herself. A grim reminder of the reality you live in.

The message is as predictable as it reads. She won’t be home till late in the evening, which might as well be dawn of the next day.

“Miss Myoui is getting it. A hundred percent sure.” 

She delivers it with such conviction that it might as well be fact. You’d be upset about the very thought—anyone would—but a glance at Haewon gives you an idea. One that leaves her curious.

“Sir? Why are you looking at me like that?”

You can already imagine it: the image of railing Haewon everywhere. On the table, against the wall, under the showers. Maybe if you’re lucky enough, Mina will go through that door and be greeted by the sight of her least favorite student getting fucked by her husband from behind.

You show her the text, and just like that, you’re both one and the same. A look of pride crosses her face, as if she’s accomplished an important milestone—and it’s quite a momentous one.

And what better way to celebrate than inside the comfort of your home.

—————

(A/N: Been down bad for Haewon since December. Also, NMIXX is actually good now! Their latest EP has some bangers, highly recommend Run for Roses and Passionfruit. The setting might be a bit more on the bleaker/less wholesome side, but I hope it's not uncomfortable/upsetting. Thank you for reading!)

[wisteria-lodge]

JK Rowling & the Color Pink

So I'm working on a thing about queer coding in the Harry Potter books... and first I needed to do a sidebar on how the color pink is used. I’ve made a list of every time a character either wears pink, or is heavily associated with a pink object. We actually get some pretty clear categories that are unintentionally very revealing, and say a lot about how JKR sees "girly" femininity.

Let’s start off with the obvious: 

PINK = VILLAIN (FEMME) 

Petunia Dursley: “salmon-pink cocktail dress," "neat salmon-colored coat." Also paints her walls "a sickly peach color."

Gilderoy Lockhart: “lurid pink robes to match the decorations” 

Pansy Parkinson: “very frilly robes of pale pink” 

Rita Skeeter: “long nails were painted shocking pink” 

Aunt Muriel: “feathery pink hat gave her the look of a bad-tempered flamingo.” 

(Aunt Muriel only shows up briefly at Bill and Fleur’s wedding, but then proceeds to insult pretty much every other character, and give Harry an existential crisis by spilling the tea on Dumbledore)

Dolores Umbridge: “a horrible pink Alice band that matched the fluffy pink cardigan.” 

(Also: has pink stationary, and her pamphlet MUDBLOODS and the Dangers They Pose to a Peaceful Pure-Blood Society has a pink cover) 

Cho Chang

(Okay. Not a villain per se, BUT. Cho is the reason the mole gets into the DA in the books (and just is the mole in the films.) And given that she is a sort of Umbridge-aligned sub villain in book 5, at least structurally... it IS interesting that the place she brings Harry for a date has this very pink, Umbridge-coded description. 

It was a cramped, steamy little place where everything seemed to have been decorated with frills or bows. Harry was reminded unpleasantly of Umbridge’s office. “Cute, isn’t it?” said Cho happily. “Er . . . yeah,” said Harry untruthfully. “Look, she’s decorated it for Valentine’s Day!” said Cho, indicating a number of golden cherubs that were hovering over each of the small, circular tables, occasionally throwing pink confetti over the occupants.

Fleur Delacour: “[her wand] emitted a number of pink and gold sparks.” 

(Also not quite a villain, and I adore Fleur BUT… she’s written hyper-femme in an intimidating, borderline threatening way. She’s very opinionated, bordering on rude. She’s “full of herself” as Ginny puts it. And when she gets engaged to Bill and becomes an unambiguously good guy, she has this interesting moment of ~Pink Rejection~)

“. . . Bill and I ’ave almost decided on only two bridesmaids, Ginny and Gabrielle will look very sweet togezzer. I am theenking of dressing zem in pale gold — pink would of course be ’orrible with Ginny’s ’air —”

Hermione Granger: “Wearing a pink bathrobe and a frown”

(Hermione wears pink exactly one time, and it is at her most villainous… during Book 1, when she tries to stop Harry and Ron leaving in the middle of the night to go duel Malfoy.)

A voice spoke from the chair nearest them, “I can’t believe you’re going to do this, Harry.” A lamp flickered on. It was Hermione Granger, wearing a pink bathrobe and a frown. “You!” said Ron furiously. “Go back to bed!” “I almost told your brother,” Hermione snapped, “Percy — he’s a prefect, he’d put a stop to this.” Harry couldn’t believe anyone could be so interfering.

(She literally does the sitting-in-the-dark, villain-lamp thing. Also, in case you were wondering, yes Hermione DOES get a moment of ~Pink Rejection~)

Near the window was an array of violently pink products around which a cluster of excited girls was giggling enthusiastically. Hermione and Ginny both hung back, looking wary.

Which brings us too: 

PINK = SILLY/FRIVOLOUS (FEMME) 

Sybill Trelawney: “after you’ve broken your first cup, would you be so kind as to select one of the blue-patterned ones? I’m rather attached to the pink.”

(She’s a fraud. Also hides empty bottles of sherry in the room of requirement. (I’m going to have to be uncharitable in this section, so am sorry.) 

Parvati Patil: “robes of shocking pink"

(Often described as “giggling,” thinks Professor Trelawney is amazing, the real deal.)

The Fat Lady: “a very fat woman in a pink silk dress.” 

(Often described as giggling. Drinks too much during the holidays. JRK is unfortunately well known for being fatphobic. Also the Fat Lady has a friend named Violet, and Parvati has a friend named Lavender. Not really going anywhere with that, just funny that they’re both shades of purple.)

Hepzibah Smith: “an immensely fat old lady wearing an elaborate ginger wig and a brilliant pink set of robes.” 

(So… almost identical description to the Fat Lady. And I think we should maybe talk about her more, maybe? Because the way she’s framed… I think she might be Tom Riddle’s sugar mamma?)

“I brought you flowers,” he said quietly, producing a bunch of roses from nowhere. “You naughty boy, you shouldn’t have!” squealed old Hepzibah, though Harry noticed that she had an empty vase standing ready on the nearest little table. “You do spoil this old lady, Tom. . . .” 

(Or maybe we… shouldn’t talk about that. Either way, Tom Riddle does kill her, steal her stuff, and frame her house elf so thats… not great.)

PINK = EMBARRASSING 

“Everyone take a pair of earmuffs,” said Professor Sprout. There was a scramble as everyone tried to seize a pair that wasn’t pink and fluffy.

(Pink fluffy earmuffs are adorable.)

“Wash out your mouth,” said James coldly. “Scourgify!” Pink soap bubbles streamed from Snape’s mouth at once; the froth was covering his lips, making him gag.

(The next two example are 'pranks' as well, I think the pink-colored soap is there to add a kind of insult to injury.)

Shocking-pink Catherine wheels five feet in diameter were whizzing lethally through the air like so many flying saucers. 

(This is a bit from Fred and George’s farewell firework show, it's funny that they’re specifically pink fireworks that Umbridge can’t get rid of.)

“Headless Hats!” shouted George, as Fred waved a pointed hat decorated with a fluffy pink feather at the watching students. “Two Galleons each — watch Fred, now!” Fred swept the hat onto his head, beaming. For a second he merely looked rather stupid, then both hat and head vanished.

(also just, pumping up an embarrassing moment)

PINK = OUTSIDER, WEIRDO

Hagrid

Hagrid’s flowered pink umbrella, which contains his broken wand, is brought up a lot. In this case I think we’re meant to see it as a joke. Hagrid’s so big, and so masc, but the pink umbrella makes him non-threatening. However… the pink umbrella, it’s not a totally positive thing, is it? It doesn’t match, it isn’t *him.* Hagrid wouldn't have chosen to carry this around, totally on his own, if he'd had any other choice. It sets him apart, both visually and socially (because it's a constant reminder that he doesn't have a wand.)

Dobby

Dobby, once he is freed, gets pink-and-orange striped socks, and they’re meant to communicate that he’s… kind of a lot. “Yeh get weirdos in every breed,” as Hagrid puts it. JKR has a very strange, honestly antagonistic relationship with Dobby. He’s the victim of book 2, but structurally kind of the villain? He describes the house-elves situation as “enslavement,” but Hermione’s treated as overdramatic for calling house-elves slaves two books later. And then everything is ret-conned and Dobby is… just kind of weird for liking freedom (and socks) as much as he does.

Tonks

Book!Tonks defaults to “bubblegum-pink” hair. Her hair is described as pink a lot. (Movie!Tonks defaults to purple hair, because they were worried that pink would visually align her with Umbridge.) And this is the oddest one on the list to me, because Tonks is such a universally beloved, fan favorite character. But I really do think that *as written*... we’re supposed to put her in a category with Dobby. The two of them leave (unintentional) destruction in their wake. They’re loud, they’re a lot, they take up too much space. Harry thinks they’re both kind of annoying. (and yeah, Harry 100% thinks  Tonks is “a little annoying at times.”)

[easy-there-leftovers]

Magnum Opus Ch. 2

When an MIT prodigy on their gap year is contacted by the FBI regarding potential involvement in a series of murders in Washington D.C., she must now cooperate to uncover how paintings are mysteriously appearing at the crime scenes.(Written with Season 1-4 Spencer in mind, but the timeline could be anywhere pre-season 12. No mentions of past cases)

Pairing: Spencer Reid x Fem!Artist! reader|cw: Canon-typical violence|word count: 2.6k words

Notes: I made up a bunch of chemicals and their chemical properties up so shhhh!! Also, I'm not American, I have no contextual understanding of the distance of one place to another. The US is large enough.

Also on Ao3!!

Series Masterlist

“Anything new?” Rossi asked as he and Prentiss returned from the crime scene, making his way into the space the MPDC made for the BAU. Surveying the area as he does before stopping abruptly.

“Forensics are running tests on her stuff. She brought everything in. Apparently she didn’t know anything about the murders before we interrogated her.” Morgan shifts his weight from leaning against a desk to approaching  JJ who motions for his help across and out of the room.

“And she’s here with us in the room, why?”

 Hotch feels the scrutiny of his friend’s eyes, so he turns his sight away from where you and Reid stood. 

“Reid doesn’t think she fits the profile and wants her insight on the case. I trust his judgment, so I allowed it.”

“You said that?” Emily asks with furrowed brows. 

“Well, non-verbatim, I said that her knowledge on–”

“And you allowed our prime suspect to help with a case?” The unit chief sighs when Dave interrupts Reid but stays firm.

“I don’t enjoy the idea of it either, but she’s the only lead we have.” 

Rossi shrugs, but keeps a watchful eye on the young pair. Only turning away when Emily starts to debrief the earlier crime scene.

She recounts that they had found Jonathan Edwards’ body, aged 28, seated on the previous apartment owner’s couch. One hand across his chest, and the other placed on his lap. A pose that they assume was the closest their unsub could get to mirroring the man in the painting. 

Same M.O. Cleaned wounds, no IDs, sharply dressed. 

The dark haired woman adds the pictures of the crime scene to the growing collage on the board.

 Seeing all of this was like a backstage view, which excited you! But knowing that your work might have inspired someone to kill? Not so much. 

“When you look at the victimolgy, there are no obvious links. Their occupation, race, and gender are all different. Our unsub here seems mission oriented, only targeting people that bear a striking resemblance to Dr. L/n’s subjects and murdering them in their own homes…”

 You sigh as Spencer continues, eyes searching though the unsettling images.

“They’re someone that the victims might’ve been interested in. Someone that could contact them or schedule to meet in a formal setting. The victims weren’t reported missing until they didn’t show up for work, suggesting that they had met in private on their off hours. They’re also highly educated, likely with a background in chemical engineering or a related field with permission to operate in a lab. Or at least a private space like one. This level of intelligence is evident in the precision the bodies were handled with and the synthesized 5-durastelene in the paint.”

“So we’re looking for someone who is charismatic, well connected, and had access to a lab at some point.” Emily simplifies. 

“Their area of activity is concentrated in the east.” You mention, looking at the map and noticing the pattern of the bodies’ location as it crosses three states. “That’s probably their comfort zone. They either live there or are stationed there for their job.”

You assess the distance. “Assuming the place those three were killed and the place they were found are different, he must be comfortable traveling with a body.” 

He shifts his focus from the board to you, but you keep your vision stationary. “Do you know anyone like that? Someone from there that you’d be on unfriendly terms with? A colleague, a mentor?” 

Well that caught your attention.

“...You think they’re trying to incriminate me?” You feel the space between your brows twitch when you ask. Still staring at the map.

He frowns a little at that and responds. “Do you think they’re not?”

“Well–” You start, but then feel nervous feeling all the attention on you. You’re a little overwhelmed, but press on anyway. “I’m not saying that, it just—seems like a few ‘why’s’ are missing.” 

Why bother adding a painting? Why bother even making them? Why bother mixing durastelene, a compound that would definitely alter the paint’s integrity given its properties, to replicate something the public wouldn’t even know you made? All questions you asked with a more steady tone.

“Let’s not get carried away, kid. We’re trying to see the big picture first.” The senior in the room says.

Picking at the skin of your lips, you acquiesce and turn to finally look at Spencer. 

Spencer feels his eyes flick to your fingers first then to your eyes. “I think they’re trying to send you a message.” 

He looks back to the pictures of your paintings on the scene. Trying to see if he’s missed something.

 “They might believe that by recreating your work, they’re challenging you– establishing a level of superiority. You said that no one should have access to your paintings, so this must have been someone that once knew you intimately and is now mocking you to make a point. It’s not just about incrimination—they’re trying to reach out to you.”

You feel the space between your brows twitch again.

You can think of a few people who might dislike you; competition is expected in the academic world. But the obvious signs of fixation on you suggests two possibilities: you're either being seen as a rival or as an idol.

It’s unlikely that anyone sees an unemployed PhD student with burn-out syndrome as a worthy rival. 

And something tells you that if they really wanted to place the blame on you, they wouldn’t go this far, in this way. 

They might as well have left a note with your name on it and that would’ve been more believable.

Then again, you could just be wrong 

You’re in a room full of professionals. You’re speculating based off of a theory that might not be applicable to your situation due to a variety of factors. There’s a reason this is their job and not yours. 

You take this thought in stride with a deep intake of breath and now slackened shoulders before responding with a careful nod.

“If that’s the case, then I think it’ll be a little hard to find someone that meets the criteria. I didn’t really have friends when I graduated from MIT, and even if I did, they wouldn’t know about my art—not because I kept it hidden–! It’s only because I started painting when I left.”

The team looked a bit sad at the revelation of your almost non-existent social circle, but quickly acted like what you said was normal.

“Let’s focus on anyone that you had worked closely with then.” You nod at that and start discussing possibilities.

—-------------

Spencer is thankful for Hotch’s suggestion as it diverts the earlier attention away from him. He wouldn’t have minded it at any other time if he wasn’t too preoccupied with thoughts of you.

Thoughts of you with regards to the case, he finds himself justifying to no one in particular.

Everyone has tells. A gesture, a change in posture, nonverbal cues that give someone away. They’re hard to hide because it's in human nature to have them. Trying to keep them hidden is essentially like holding your breath. Suspending the inevitable will only make the tells much more noticeable.

And you don’t seem to be doing that. 

On the contrary, it’s the presence of your micro reactions that are throwing him off. He has noticed five pauses, four instances of rapid eye movement, three tonal deviations, two quirks in your glabella, and now your previously leveled shoulders have dropped. 

Maybe it’s because he’s spent a lot of time with people who try to hide them, but seeing an overwhelming amount of tells manifest in you has him scrambling to figure out what each one means.

Within the two hours and 33 minutes that have passed since he was allowed into your home, the only thing he’s found out about you through your interactions is that you’re disorganized, you’re insecure about your intelligence, and that you don’t like being called doctor. 

All superficial quirks. Two hours is too long a time for him to have only figured three things out. 

He’s missing something. Or maybe he’s not looking at it from the right angle.

Before he can think more on the matter, his mind refocuses on the team. 

Penelope had called them to say that she had gone through lists of attendees from all the conferences you’ve spoken at, both private and open-house events, at Aaron Hotchner’s request. 

“I was able to pick out a few names that are poking around here and there, but I’m going to need a little more than that, my dear comrades! Sifting through names of geeks isn't really my favorite pastime.”

“Pen, narrow down the list to names from MIT. We’re looking for a student from the Chemistry programs or a lecturer that might have access to a lab.” Emily supplied, leaning onto the table where the blonde was on screen. 

“Doing just that and—oh! Would you look at that! Looks like the tools aren’t as diligent as they claim to be.” The mocking tone in her voice causes a small smile to creep on your face.

“Caltech?” The bubbly woman snorts at that.

“Anyone in their right mind knows it’s the superior choice! Tech geeks hate MIT.”

“Don’t let our tools hear you then, we have a history of going nuclear.” That certainly earned you a giggle from the woman on the other end. 

“There’s a sense of humor I can get behind! We–”

“Garica, focus.” Hotch said with urgency.

“Yes–I will! I am! So focused in fact that I’ve got a few names, but only one is super consistent—Lecturer Dr. Annaliese Andrews! Looking up this nerd as we speak and—!” 

You all heard the hitch in her breath.

“Oh no….”

“Garcia, what did you find?”

The BAU and you were silent for a moment before Penelope composed herself. “Dr. Andrews owned a lab near the Charles’ river.” 

She shows its location on screen and a picture of your mentor, Dr. Andrews with a notebook in hand, posed in front of it. The picture was from her social media update, and it couldn’t have been taken more than a year or two ago.

“She built it herself in the 80’s and maybe she wasn’t keeping up with safety protocols but eventually a fire broke out, and she–” Then you see a news headline of the same lab on fire.

“How long ago was this?” Hotch demanded. This got the attention of everyone in the room. 

“Uh,” Penelope sat in her office, frantically typing until an article showed up. “This happened around nine months ago, but it says here that her next of kin decided to keep the property.”

They’ve found a stressor.

“That’s impossible.” You countered. “Dr. Andrews had no family. No husband, no kids.”

“Who is the property under now?” Rossi pressed. 

Muttering under her breath, she continues to search. 

“Says here a month later, a workshop was built right where the lab was– Aha! It’s under 35 year old Liam Turner, freelance photographer. He’s got a studio on Bay State Road.” 

Penelope pulls up an image of an almost unremarkable looking man on screen along with a scan of his BA in Visual Studies from Harvard.

“What the hell…” You don’t recognize this guy at all. 

“Do you know him?” Hotch asks and you say no with a shake of your head and upturned brows.

“Right now, I’m not seeing a connection between these two either—anything you guys can give me?”

You want to interject. Something about him seems familiar, but you don’t recognize him from anywhere. 

You want to ask— no–it wouldn’t be your right. They can figure this out themselves and you're still a suspect! Besides, you’re not even sure if– 

“Do you want to say something, Y/n?”

Your head shoots to the voice and you see Spencer staring back at you. Mouth slightly open which lets you know the question probably came from.

 Maybe it’s because he used your given name, maybe it’s the heavy feeling in your stomach. But regardless, his question certainly makes space for you to voice your thoughts as the room awaits your reply.

You feel your shoulders tense as you speak. “Was his name in the list of attendees?”

Garcia checks quickly but she shakes her head to say no. You thought so.

You ask a different question. “Then uh, can you pull up surveillance footage at any of the conferences?”

She does just that and presents a split-screen video from a month before you graduated. One camera was stationed at the back of the room, and the other overhead from where you stood. She speeds it up as the team watches not much movement until Spencer points something out with a start.

 He gestures to the upper right corner where a lone camera man stands on the side, and asks their tech analyst to zoom in.

There lied the face of the man from earlier search with a camera in hand. The thing that makes him special though, Spencer says, is that based on the angle he was holding the lens at, he was focusing only on you and not on your projection.

“He was in the room, but not in the list.” He furrowed his brows.

You shook your head. “He probably wasn’t an official attendee, someone that a lecturer could’ve requested the assistance of last minute— anyways, can we see where the pictures he took were used? Like articles, tabloids?”

“Absolutely, just give me a second…” You all watch a bunch of sites pop up as Garcia combs through anything that may be related. 

In no time however, she comes across a website. 

There on the screen, for all of the team to see, was a blog, or maybe a portfolio, that had snippets from interviews, headlines, and pictures that featured you. Nothing out of the ordinary, but it looks like any image of you that would show up if you were googled were credited under him. 

Conferences. Campus surveys. Even candid conversation with school representatives.

Penelope digs deeper until she finds the first upload. A picture of a sunset taken somewhere on a bridge with a notebook and pen on its ledge. Though it might not have been enough for most people to recognize, Spencer notices it immediately. 

“Garcia, can you pull up the picture of Dr. Andrews with her lab?”

She does just that and he only needs one look before he turns to address his colleagues. “The notebook is the same! His initials, ‘L.T.’ are on her notebook cover, and this picture!”

And as much as you wished you could sympathize with Spencer’s excitement, you were feeling very overwhelmed at the moment. 

Case and point; first you find out your mentor is dead, then you find out you have a stalker that possibly hates your guts. Find out that said stalker may or may not be related to said mentor, who may or may not hate you, and now you have to digest the possibility of him being a murderer as some sort of vengeance arc?

You shake the thought away.

The tie between him and the victims is still something you don’t get. Clean wounds,  no IDs, sharply dressed.

 So you ask.

“Any chance the victims visited Turner’s studio before they disappeared?”

Analog photo developers have no problem working with a lot of chemicals, and IDs are commonly taken for legal confirmation, you share with the team. The only reason they’d be dressed like that was if–

“They—-all booked an appointment with him.”

You almost regret asking.

--------

taglist: @littlewolfieposts, @hiireadstuff, @bibissparkles, @honestlyatotalloser, @r-3dlips, @suzysface , @pinkpantheris , @resistanythingbuttemptation , @pastafairyy , @lynnar-moon , @andromeda-kay , @darling006 , @mambolaxa , @potatovoyager , @whenmypartysover , @oi-oikawa-tooru , @kniselle , @astreaaries , @fullsuns-stuff

[tanix-dragon]

Is That a New Guy or Am I Losing My Mind; or, A Beginner's Guide to Finding Headmates

Written by Roger de Camden of the Draconic Wizard Workshop

Hello, everybody! This is an essay for both plurals who might struggle finding, identifying, or confirming headmates, as well as people who are questioning whether or not they’re plural. Certain pieces of advice may apply better to questioners than established systems, and vice versa, but rest assured, it is intended for both!

This essay will be broken into several sections for various “phases” of discovery and working things out, but a disclaimer before we get to that: this is heavily based on our own experiences. This is not a one-size-fits-all kind of guide. I’m going to try to make it such, but, well, I can’t make any promises, because there are infinite ways of being a system out there, and everyone’s a little different. This is just what I’ve found works for us, and, to a large extent, many of our system friends! That being said, if you try to start syscourse or invalidate other systems for any reason in response to this essay, I’m going to block you and that’s that.

Also, sorry if I go between spellings for words. I’m English, but the body is American and that means that I don’t know how to spell certain words anymore.

So! Onwards, towards discovery!

Step One: Getting an Inkling

The first step to figuring out whether or not you’ve got a headmate (new or otherwise undiscovered; I’ll mostly be calling them “new” as in “new to you”) is having an inkling that one might exist. This is mostly a passive process, and you’re probably familiar with it if you’re reading this guide. Maybe you felt something scuttle through headspace (if you have one) or through the back of your mind. Maybe you felt a presence looming behind you, mentally, that bolted when you “looked.” Maybe you had a very strong emotional reaction to something that makes no sense for you to react to, but would make sense for a character you’ve been really attached to in a show. Or maybe you slipped into an unfamiliar accent, had a loss of memories and woke up with nail polish on in a colour you hate, or just felt an opinion about something that doesn’t match your usual one. Sometimes, you may even “hear” comments about things going on in your mind.

There are a lot of little things that can tip you off. Most of them are going to be things that are misaligned with your own perception of yourself, your opinions, and your behavior. This is usually a sign that someone is co-conscious or co-fronting with you without you being aware of it. Some headmates are very sneaky this way, and some may not realise that they exist at all while doing this! Don’t hold being hard to notice or get a hold of against your headmates—many of them don’t realise that they exist, don’t know how to not be this way, or are doing it for what they perceive to be a good reason (this last one is especially common in disordered systems). Maybe they’re scared, or just not ready to be confronted yet. Don’t worry—remember, you have your whole lives to figure out everyone who’s in there, and the time will pass anyways! Take it easy.

One specific thing that tends to tip us off to a new fictive is that we realise that… no one is aware of running a character that we’re playing in a tabletop roleplaying game. Maybe someone started off running them, but they sure seem to be doing their own thing now! That character may be hard to “turn off” or “put on the shelf” when you stop playing them—and they may continue to make comments and have opinions about things in your life. This is a dead giveaway! Sometimes when we think about a character, we feel a “movement” or interest somewhere in our mind that doesn’t match anyone else’s pattern of thinking or interests, which also can be a giveaway that they’re scuttling around somewhere. Also beneficial, for us, is our synesthesia—every headmate has a colour associated with them, and when we get a thought pattern that seems to match someone but the colour is off, it can make us realise that maybe there’s someone else in here. For example, if someone were to be really interested in jellyfish, we might think that it’s Caspian, but if the colour comes back as red and not blue, then we know for certain that it’s not him.

This first inkling of a new headmate may be obvious or it may be subtle. You may question yourself repeatedly, but remember: if you feel like you are “accidentally faking,” that’s not how faking works. Faking must be done intentionally and on purpose. You could be wrong, yes, but being wrong isn’t inherently bad. It’s just that you were mistaken about something. Nothing wrong with that! We’re all mistaken about all kinds of things every day! Be kind to yourself while trying to figure things out.

Step Two: Are You There, Headmate? It’s Me, Your Other Headmate

Steps two and three are interchangeable in order, but I thought I’d put this one first because it tends to be the one that’s hardest and most distressing, rather than step three, which is about identifying who the hell your headmate is. We’ll get to that, never fear!

So, let’s say you think there might be someone in there. How can you tell for sure? How can you open communication? How can you get them integrated okay?

The bad news is that this depends heavily on the system. The good news is that there’s no need to panic, rush, or be afraid, because once again, you’ll figure it out eventually, and it will be okay!

My first suggestion is to take note of everything that’s made you think there might be someone else in there. Write it down, if that helps! Write down everything that seems to get the entity’s attention, if anything. Write down anything that might help you identify who it might be! In some instances, you might have a character that seems a little independent but you can’t tell whether they’re really a headmate or not. In my experience, this is often how many non-disordered systems (but it’s not exclusive to them!) realise that they’re plural. Knowing who it is will make this step easier, but it isn’t necessary! After all, if you know who it is, you can also write down things that might bait them into responding. Interests and friends of theirs are good examples.

Your goal in this step is to try to draw them out into doing things, speaking, or acting in ways that will give away that they are for certain there. For systems with heavy amnesia or dissociative barriers, this might be significantly harder, but my best suggestion there is to jump straight to trying to communicate, however you can—and this isn’t a bad approach for other systems, either. You can try internal communication, although you might get no response, or an abnormal one, if the headmate is new. For example, with us, new headmates usually respond to direct queries with anxiety—which, while not good for communication and not ideal for the headmate in question, does help us key in on the fact that they definitely exist. You can also try external communication, if internal communication isn’t working or is difficult for you. Write a note in a journal or a sticky note, or even in a notes app or a private Discord server. Sometimes, headmates can find replying over text to be easier. If you’re a high-dissociation and high-amnesia system who is trying to figure out if it’s someone old or new who is fronting and doing things while you’re unaware, leaving sticky notes places asking people to write down who’s fronting when they see it (if they even know who they are) might be helpful. Keep experimenting, and do what works best for you!

As a last resort for uncertain, new, or inexperienced systems, you can try something called “puppeting” on a suspected headmate, especially if you know who they are and just aren’t sure whether or not they’re here. A warning: this is rude and not advised under most circumstances, but sometimes it’s the only way to make absolutely sure that someone is in there with you, especially when you’re not used to it. Have an apology ready and mean it. Puppeting is when you try to force a headmate to do something, especially something unusual or out of character for them. For example, if I thought I might have my character Gorka as a headmate, but I wasn’t sure, I might try to call up a scenario involving Gorka and then try to imagine her doing something wildly out of character, that she would never, ever do. If I couldn’t get a response out of that, or if I had no idea who this new headmate might be, I might just try to make them physically do something—strongly imagining them doing a stupid dance or similar! No response doesn’t necessarily mean you do or do not have a headmate, but a strong response—usually of anger, offense, or “slapping” your “hands” away—indicates someone separate from yourself! Apologize immediately and then attempt to engage in communication once they’ve calmed down a little, or try to transition into it through an explanation. 

There are a lot of reasons that a headmate might not respond to puppeting, though. They might be non-confrontational, or hiding their presence from you intentionally for any number of reasons. (Maybe they’re nervous, not ready to exist yet, afraid of how you might respond, afraid of accepting that they’re in a system—it could be anything.) In cases like this, you might just get discomfort instead of a strong response, which is easy to confuse for being your own rather than theirs. Try to sort out whether you just feel strange doing it, or if it’s someone else’s discomfort bleeding through. I know it’s hard, but that’s a difficult thing to give advice for, I’m afraid! Other reasons may be that they just dip from the front when you try (removing themself from your sphere of influence completely), or if they’re a character you frequently play, they might be so used to being pulled around into doing things that it doesn’t bother them, or bothers them so little that you don’t notice.

Usually, if you’re at the point of trying puppeting, there’s enough signs that this person really is a headmate to dissuade you from trying it once you’re a little more used to it. It’s a temporary and unideal tool that should leave your toolbox as soon as you become confident enough to identify new headmates without getting grabby with them. Undoubtedly, trying to establish communication is a better approach, if you can get it to work.

Usually, once we’ve properly spotted a headmate and made it clear to them that we know they’re there, one of two things happens: either they come sit in the front for a few days or weeks to settle in, let us identify them, and get used to being a full active member of the system, or they realise that they exist and have a panic attack. This “new headmate panic” can last anywhere from a few minutes to multiple days, and may fluctuate in strength. Sometimes, a new headmate might seem fine early on, but have this panic after a few days, weeks, or even longer. Be gentle during this time, especially if you yourself have a strong reaction—be gentle with both, or all, of you! Realizing that you’re in a system can be very distressing, as can realizing you have a new headmate, so try to be gentle, let yourself feel what you’re going to feel, and work through it in the best way you have. Try not to direct any anger or negative feelings towards anyone else in your system during this time, and just let the storm pass before really trying to get to know each other.

Step Three: Who Is This Guy, Anyway?

Once again, you can do this step before or after step two, but I put it here because I decided to include some tips for getting to know your headmate, not just identifying them (if there is anything to identify). If your system is introject-heavy, or if you’re asking yourself if you’re just really interested in a character or if they’re a new headmate, this is an important step! Who is this? Are they an introject of some kind? Are they something or someone else? Is there anything to identify, per se, or is it just a situation of getting to know a whole new person? This is a very, very different step depending on your system, and is going to skew very much towards my own experiences. I’m sorry about that, but I will do my best!

If you’ve already established communication with this headmate, even if it’s shaky, you can try to get information from them that way. They might be willing to give you a name, a code name, a colour, an aesthetic, likes or dislikes, something you can use to familiarise yourself with them or identify them from a list of “suspects” if you have such a thing. (We always do, because we’re almost all fictives, and we know our own patterns at this point.) For us, new headmates almost never actually identify, and just sullenly sit while trying to figure themselves out and will only confirm who they are once we figure it out. It’s sort of like playing a mystery game, assembling clues based on a myriad of factors. If you have some suspicions, just like the previous step, you can try to bait out responses by doing things that might interest who you suspect this headmate might be.

Again, I suggest writing things down! Write down likes and dislikes, things that get their attention, interests, even things that make them anxious or afraid. Whether it’s a case of identification or just getting to know them, this is invaluable information for interacting with someone sharing a head with you, and it may even be helpful for them as they get their feet under them.

Another invaluable tool is talking to people outside of your system. They can help you identify when you’re acting unusually, when you might have someone unfamiliar riding co-conscious, and even who that person might be. You may be too tangled up in your own feelings, your dissociation, or the desperation to understand who is in your head with you. It’s easy to get lost in the weeds and lose sight of the big picture, but another friend, especially another system that knows you well, can be extremely helpful! One of our system friends has clocked many a headmate of ours before we were even certain they were there—just “hmm, you’ve been very much like X lately” and they were absolutely right. 

Regardless, taking notes on your new headmate, asking them about themselves, and sharing things about yourself are all important steps to getting to know them! They may be uncomfortable, they may distrust you, they may be afraid—or they could be friendly and excited to be here! It really depends on who it is and their comfort level. Don’t push—if they’re not comfortable talking yet, don’t make them! Let them adjust at their own pace and get to know them as they’re willing to let you. I know it can be distressing to have a totally unknown entity co-fronting with you, but sometimes it’s one of those things that you have to take a deep breath and carry on through until they’re willing to talk. I know you can do it! Talk through it with someone outside of your own head if it’s difficult to give yourself some fortitude if you need to. I know it helps me.

Step Four: Now What?

Let’s say that you’ve confirmed that you do have a headmate, and either have or are on the road to identifying them, if applicable. Now what?

As I’ve said before: be gentle with yourselves! Especially for a new or inexperienced system, and especially for someone who is just realising that they’re a system, this can be overwhelming, distressing, or any other number of emotions. Remember that having or gaining headmates isn’t inherently a bad thing, and while this all might take some getting used to, it’s going to be okay. You’ll figure out an equilibrium eventually, and it is absolutely possible to live a long, happy life with your headmates. Remember that you’re all in this together, and you’re a team.

People may not want you to notice them, may not want to be in the system, or may avoid attention as best they can for a lot of reasons, and trying to make them feel at home, or at least more comfortable, is essential. It can be scary being in a system all of a sudden, especially if they’re an introject or otherwise had a life outside or before this one. Maybe they don’t like the body, or are afraid of another headmate, or are terrified of a negative response from you or someone else. Don’t force these people into situations they’re not ready for! If you’re looking for someone, trying to identify them, or trying to help them, and you’re just causing a lot of distress, back off for a while. Let them calm down and come to you in their own time. Sometimes, you have to do the system equivalent of leaving cookies out on a plate and turning your back to them so that your new headmate can take them without being watched. Take things at the pace that you’re all the most comfortable with, and as always, be kind.

I really do suggest talking to someone about this process, if you can. Journal if you’d like, especially if you can’t trust anyone with this, or don’t feel comfortable doing so yet. Getting your words out of your head helps you sort them out a lot, especially in the case of systems, where a lot of people’s thoughts can get jumbled together. Writing them all down, even if you don’t know whose they are, can be helpful. We find that talking to other system friends is of the most benefit, and our new members are far more likely to speak to them first rather than us, because there’s a degree of separation and that’s more comfortable for them. Whatever works for you, do it! The idea is to get comfortable with each other, and with being here together.

Find things that your new headmate likes doing. Goratrix has a whole panel about this aimed at fictives, but essentially, if your new headmate doesn’t have reason to front and isn’t interested in anything, you probably won’t see much of them, and they may end up miserable. Make sure you engage with them and their interests. Let them make friends if they’d like. Get them snacks. Again: whatever works! This is going to depend very heavily on your system, so follow your gut instinct on this one, I think.

Absolutely essential, though, is to not repress anybody. I know sometimes getting a new headmate can be scary, especially if they’re unfamiliar, frightening, seemingly monstrous, or a persecutor, but remember: they’re probably just as freaked out as you are, if not more so, and they need patience and understanding. Statistically, if they’re doing something troublesome, they’re trying to help and just don’t know how, or are misguided on what “help” looks like. Be kind, and try to find a solution that works for everyone.

Past that… just get to know each other. Figure out how to live together and how to make your combined life the best life it can be. For us, there’s so many of us that someone new can almost always find a fast friend in someone else, and sticks with them for a while until they’re more used to the system and more confident fronting and doing things without their buddy. Other systems may be able to mimic this approach, or may need to do something very different. Again, again, again, do what works best for you! If parts of this guide seem unhelpful or counterproductive, ignore them! This is based on our experience of plurality, not yours. Always do what’s best for you, what helps the most of you, and what causes the least distress while still letting you function as much as you need to.

Being plural is a very personal experience, in a lot of ways, which is pretty funny because sometimes that personal experience is spread across two or twenty or five hundred people. It’s also a very personalized experience, meaning we’re all quite different. Your “now what?” might look very different from ours, and that’s okay. We can only do our best, and that’s always good enough.

I hope this is helpful to someone! If you have any questions, please feel free to ask, and I may edit this guide in the future if it seems that I left something out or think of anything to add. =)

[weirdmageddon]

why i think aradia and john work so well

(with some stuff i’ve been wanting to yap about for ages)

have you guys ever given arajohn / johnradia (idk if its popular enough to even have a standardized ship name) any thought …? i know it seems kind of out of left field. i’ve considered it and i think its. really really good. i have a bunch of thoughts to unpack. come join me. and maybe grab a snack or something because i didn’t realize how much i'd actually have to say about this

(fantastic art by skeletood)

the other day i made a tweet that did rather well where i said, “john and aradia shouldve talked more. its so simple but i like how she actually earnestly answers his questions. so many characters in this comic are so mean to john for just wanting to know more give him a break”

putting it out there now im not big about shipping for the sake of shipping. there needs to be real chemistry. i need to sense that as a reason why two characters would potentially be a good influence on each other. i never knew why i was always so obstinate about this because it’s fictional and not materially hurting anyone, but i think it might be because i’m not sure how to justify it or explain it if not.

i strongly believe john and aradia would have had it made out for them if circumstances allowed it. (what i mean by “ship” or “johnradia” extends to any kind of interpersonal dynamic, even if just a good friendship. it doesnt even have to be romantic, just some sort of dynamic with them.)

unfortunately aradia originally committed herself to staying out of trolling the kids over their timelines, so john and aradia never talked until year 3 on the ship in the dream bubbles but they never had a truly proper one-on-one without outside meddling. i think if john knew aradia better and her story beforehand, she had more time to explain herself and her history, he wouldnt have been unsettled. and also of course if his experience with the trolls didn’t suck so bad because he already had expectations for how antagonizing most of them were.

i found people’s sentiments about johnradia elsewhere too. i remembered that they were both on the song art for ascend, and searched ao3 to see how many fics have been written to gauge how substaintial it’s been in the homestuck fandom. only 17 of them turned up. but the people who do talk about it are either curious about it or really do like it, and that interested me.

clearly it’s pretty niche character relationship to be depicted in any fanwork and i can understand why. despite being so small, from what ive seen it seems universally agreed upon to be nice. i haven’t seen a single person object to it. what ive seen falls into two categories: “wow i didnt think about this before but i actually dig it” or “(starving) finally some good fucking food”

the pattern im seeing is that people think it’s “random”, but i disagree. there is something there substantiating it even if they’re unable to articulate it.

the fanfic these comments are from is chronology of wind. that fic is really, really good, and sadly unfinished. i have more abstract reasons to believe why aradia and john would be good in theory, so actually seeing someone else actually make something with them helped me read it in action, to get a more tangible feel of the dynamic beyond what we have in canon.

i wouldn’t normally make claims about a relationship with regard to homestuck canon by looking at their relationship in a fanfic, because i think you all know by now i am very nitpicky about accurate characterization, and it does not go unnoticed by me when people get it right because for some reason it feels like a one in a million thing (even though it really shouldn’t be?). so this was a special case. the tone was completely consistent with canon. this fic is so in-character i’d basically consider it an extension of canon. to me it’s like they took the same characters and plopped them into this scenario to see how they’d interact. guys… i love that stuff so much. i love fanfiction or fanworks that depict realistic extensions of canon and stays true to the energy and tone of the source, but deepens it. there isn’t enough of it imo. i want to see more of it.

anyway, what i read of their conversations in that fic basically aligned with what i was thinking in my head about what i’d expect it to be like. i was able to compare how aradia and john talked to how aradia and the other characters interacted, their comparative attitudes towards each other—how they’re treated by others compared to how they treat each other.

have you noticed john and aradia’s communication values are both based on sincerity, being in the proper know, treating people fairly, and thanklessly taking on the necessary work that “must be done” in order to have what they really want — a good time that feels meaningful? and they accomplish this without any adjustment in how they talk to each other.

john is always subtly (or not-so-subtly) asking the people around him to answer him soberly and to the point so he knows whats going on and what that means for what his options are. he needs to know to what end he will be applying his absurd energetic drive into making shit happen. aradia honors his time before john can even become uncomfortable with the amount of time being eaten up by conversation. contrast this with rose, who seems to go on for a while with prose-like conversational adornments. in dire situations that need rapid explanation and definitive answers so he knows what to do, this is really the last thing he needs. aradia doesnt waste john’s time. she answers all his questions, and does it politely to boot. his time talking to her doesn't feel wasted.

john's impatience with this sort of nonsense is also why i can’t see something like dirkjohn working out, for example. to me it feels like @entropicbias also deeply understands this on some level because i literally couldn’t have demonstrated what i mean by it any better myself than that. i'm gonna have to to hit him up about how much i genuinely respect that like tbh hes one of the few i absolutely trust to handle writing and depicting these characters in situations and their interpersonal dynamics. and also care about doing their characterization justice as much as me.

of course people are still entitled to like whatever they like, ship whatever they want to. i dont care. but i just don’t think it would work from the perspective of the minds of the canon characters, how they generally think and approach situations. and i can already tell people might ask me how do i know this? what makes me an expert? i’m not more than anyone else is (although i have been called a "characterization expert" from my friends), but i do know that i can pick up on the energetic chemistry between people, including characters, honestly precognitively, without even thinking? like if it’s stiff or tense or awkward, if people aren’t free to express themselves uninhibitedly, if they feel unsafe or uncomfortable. i can sense this almost instantly. it’s something that’s a visceral feeling in my body i cant express and i have to rationalize it after the fact. like i’m doing now in fact writing this big analysis.

> listen to me talk about my special interest boy

for the next section to make sense, you probably want to read this post. i initially started writing it within this post to explain but there was so much brewing i had to explain the context that it turned into something i wanted to post on its own terms.

> okaaaaaayyyyy i read all that

thank you, really. my main point is using the conceptual tools provided by this system to expIain why aradia and john feel nice together and why i’ve seen people positively perceive the idea of a relationship between them even if it seems “random”.

framing them in this system, it wouldn’t be random! there’s a good reason they seem to fit nicely. this is because john and aradia have complementary forms of information metabolism. information metabolism is talked about in this section.

Jung’s psychic types are the types of cognition, or intelligence. But it would probably be easiest to call them types of IM [information metabolism], since the main difference between the types of people lies in their exchange of information with the external world.

Aushra Augusta, Commentary on Jung’s Typology and Introduction to Information Metabolism

aradia megido’s type of information metabolism (otherwise known as a TIM) is LII. john egbert’s TIM is ESE.

aradia and john’s types are duals. you can read more about what that entails here. in theory, their interactions would reflect the duality dynamic. reading chronology of wind, that one really in-character fic that explored their dynamic made me excited because they do!

michael pierce gave an overview of his impression of the characteristics of this intertype dynamic. despite only rough knowledge in socionics while he wrote this, his understanding of duality was spot on to me from my experience and others and i wanted to share it here. (fittingly, i believe he is also LII.)

Now we have the famous duality relationship: in a nutshell, this role is characterized by two traits: 1) a very close psychological distance or intimacy, and 2) a great ease of interacting with each other. It is sometimes described how meeting one's dual can be the event of a lifetime, because it inspires aspects in each party's character that they had never expressed before: the pair may even drop out of society for a time in order to focus on just each other, and to explore themselves through interaction with each other. The curious thing in this relationship is that these parties are rather different in outlook, and when they are not actually interacting as potential friends it's probably more likely for them to dislike or mistrust each other because of how different they are. […] However, when they are able to interact normally, it is a strange and wonderful discovery to realize that the interaction is unexpectedly smooth and invigorating. It's hard for people to describe, but as I understand it: while both parties recognize their differences on the surface, these differences are created by a root structure that coincides perfectly with each other, so that the differences on the surface are entirely complementary and cause no friction at all.

it’s also meaningful to consider that the structure of my own psyche is LII as well. so i’ve got a bit of a bias towards aradia and john.. not in the sense that what i actually say about them is personally biased, but that the bias is moreso my personal attention to people and characters of these two types in particular to see how my own experiences are reflected in them. i really do feel of a reflection of my own thought and work process in aradia and in the more abstract sense she is like an extension of myself. when people say they like aradia as a character i get secondhand joy from that because shares certain specific traits with me. of course i am still my own person though.

these are some of the most apt profiles i've found for these types at a glance. again, think about these characters as you read these descriptions. [from here (ESE / LII)]

ESE (Ethical-sensory extrovert) - john

The trademark quality of this type is a focus on socializing and guiding social situations and interactions so that the people involved can have fun and enjoy themselves. ESEs are typically in the middle of what is happening socially and know about the latest events and what people think and feel about them. They are skilled at bringing people together in fun and interesting ways and making everyone feel actively involved. Their friends know them as people who love life and feel most at home in social situations surrounded by other fun people. In their pursuit of fun-oriented and stimulating social interactions, ESEs typically neglect to structure their own thought processes and views in a way that would help them know exactly what they think and why. They are receptive to others’ attempts to help them introduce more structure and logical consistency in their life and thinking processes. They gravitate most to people who open up to fun and emotional interaction easily, yet are also skilled at systematizing thoughts and views and explaining ideological matters.

LII (Logical-intuitive introvert) - aradia

The trademark quality of this type is a focus on logical, structured thought and generating true assertions and views. LIIs are typically strict thinkers who are concerned that everything fits together in a logical way. They are skilled at understanding, generating, and criticizing logical arguments and instilling their views in the people around them. Their friends know them as people with well-organized thoughts and opinions who know what they think and can elucidate their ideas to others. In their pursuit of logical understanding, LIIs typically neglect their external social interactions and activities that would help them lighten up and experience a connection with other people. They are receptive to others’ attempts to create these fun and lighthearted situations for them. They gravitate most to people who are interested in their opinions and understanding of things, but are also skilled at organizing social interactions and creating a sense of emotional unity.

ive recently consciously experienced the feeling of duality for the first time since i've been communicating with my mom's high school classmate, and it is definitely a real thing. i even remember mom pointing out she noticed when we were all talking on the phone over a year ago that i perked up whenever he said stuff. here is how i explained it:

its bonkers how only once i experience something for myself i’m able to explain in detail what makes it so great based on what my impressions about it were because i tend to have a peculiar way of describing the qualities of an experience. my specialty is deep precision in my analogies for what it’s like. so now i can tell you how conversations with your dual feel… heres the status report. it’s weightless. its so strange. like the topic conversation stretches into infinity that you can pick right back up at any time. it’s hazy and unfocused but still pleasant (unless you’re particularly self-conscious and need to unlearn hiding your true self). but the best parts of it come when you have a specific issue or insecurity that comes with being your most natural self that the world seems to misunderstand about you, or just not give you what you don't even know you’ve been looking for. i think you might mutually intimidate each other at first because you're lowkey both expecting to be made fun of for your inadequacy with certain types of information that the other is nuanced with (and you’re not), but it never comes. you don't feel like what your dual wants in life is wrong. your dual seems so talented in all the ways you hope to shine but you’re always unsure of. for the introvert (me) wishing they felt their own active presence as an object (Se, Ne, Te, Fe) like the extravert does. for the extravert, wishing they felt their own relationships with other objects (Si, Ni, Ti, Fi) like the introvert does. any other intertype relationship (ITR) vs. duality is like the difference between 99% and 100% totality of a solar eclipse, except it’s the level of understanding with another person, like the eclipsing of your own information metabolism with theirs. of course there are other things that influence how well your relationship with this person goes, but i am talking strictly about when it comes to basic communication, the level of understanding you share. sometimes it might feel like you dont have much to talk about or the topic is unfocused, because you two ARE opposites in many ways after all, especially at a glance (domain of interests usually come with specific macroelements. theories about thought structures—like socionics, for instance—are in the domain of intuition, while physical interests and experiences are in the domain of sensorics.) i’m LII in the NT club (researchers) and my dual ESE in the SF club (social-communicative). so they’re constantly providing you with information from their own niche in life that you may be entirely unfamiliar with, but for some reason still interests and relaxes you to hear. you might not feel like you have a lot to say about the topic since but you are fully amazed by this person’s activity. it also makes you feel more sure of yourself and more confident that people truly appreciate and need your natural abilities.

> let’s break it down

here’s some lightly modified descriptions of the information blocks in LII and ESE's information metabolism models from pyatnitsky so you can get an overarching impression of how their type contributes to the informational sphere. i added some of my own adjustments and borrowed some sentences from stratiyevskaya's descriptions. additionally, you can click on the name of the block for an explanation of the role it plays.

i put about a week’s work into these collages but my goal with them was to actually show where i think these information blocks are most pertinent in these characters specifically and where they apply so it’s not just some abstract thing, just as supplementary examples as needed. (for the meaning of these information elements individually you can refer to cysia’s document.)

LII (Logical-intuitive introvert)

EGO (-Ti? -> -Ne!). Analytical thinking. They are well aware of the interrelationships of some objects or phenomena with others, and what laws are in effect or not in effect. On the basis of a comprehensive analysis, they put forward insights about the global essence of specific objects and phenomena, their possibilities. They acutely charge the situation with potential energy. For every situation, there is an archetype.

Super-EGO (-Fi? -> -Se!). Normative ideas about relationships between people and ways to get out of unpleasant ethical situations. Understands ethics as founded on the principles of fairness; to do to one side of the equation that you do to the other. Volitional manifestations in order to protect their living space are carried out only on the basis of personal experience. Because of the limited opportunities to fight back, they react painfully to attempts of any interference in his life. Does not respond to any arbitrary crudeness or volitional pressuring. Does not compromise goals, stubbornly clings to them. Avoids direct confrontation if possible, would rather talk civilly and earnestly. Uses their naturally strong sense of the conditioning of objects over time to avoid collisions with their material interests. Due to this, they may appear as someone with very little weaknesses.

Super-ID (+Fe -> +Si?) Attracts information about a good mood, a specific positive state, or a feeling. They would like to think that they can eliminate serious inconveniences, make the environment around them more comfortable. This skill needs to be evaluated. They are unconsciously activated when there is a need to make the environment more comfortable, which should lead to a better state, raise the mood at least in the immediate environment. In friendly, comfortable, and informal company, their cool exterior thaws and they start lighting up with joviality.

ID (+Te! → +Ni?). Has developed guidelines and methods that relate to specific practical activities, technological effectiveness, and resource use. Spontaneously feels the correct allocation of resources over time, which allows them to effectively solve tasks at an unhurried pace. This pace is deeply rational in nature.

ESE (Ethical-sensory extrovert)

EGO (+Fe! -> +Si?). Perception of the world is fundamentally emotional. Feels the emotional atmosphere well in any situation, knows the relevance of the way of expression, the place and weight (importance) of the internal state in each situation. Flexible approach to solving problems of managing and expressing emotions. They show bright emotionality both negative and positive. Creatively produces around themself comfort, coziness, conveniently arranges space, surrounds others with beautiful things, changing thereby the general condition and mood. Usually opinionated about their tastes.

(wow i really went all out on that this one that tumblr wont even display it in full resolution, so here. john just has so many more lines to choose from, sorry!)

Super-EGO (+Te! -> +Ni?). Practical and technological thinking is tightly based on acquired knowledge and patterns of solving similar problems. Methods of business activity in both general and specific areas are selected based on the opinion of reputable sources, or adjusted to one of the mastered templates. Predicting specific changes in the sphere of their interests is carried out only on the basis of personal experience. He is not able to compare his own method of forecasting with others, so he is sensitive to criticism of poor timing or deadlines, does not like situations that feel like a waste of his time; he is lost in connection with negative events. Guided by purely personal experience, he chooses specific times and deadlines for various tasks with a normative understanding of business activity in general.

Super-ID (-Ti? -> -Ne!). Attracts information about the order, specific logical relationships in the field of activity or interests. Needs someone to suggest specific ways to make connections between phenomena, patterns, and rules. Tries to be reasonable himself, even though he knows that this is not characteristic of him. Sometimes he openly talks of his actions that were poorly reasoned through, as if inviting other people to laugh at his thoughtlessness. The ordering and systematization of thought opens up a new way of understanding of events that are happening around him, as well as new prospects, potential, and capabilities. He likes to think that he understands the essence of a situation and lights up with new ideas. This skill needs to be evaluated. It is unconsciously activated when it is necessary to create order, clear consistency and clarity on a particular issue, especially if their abilities are recognized.

ID (-Fi? -> -Se!). Involuntarily keeps track of communications in their social circle. Without hesitation, they use a variety of ways to establish and maintain relationships that have been developed in his personal practice. Good relationships are important for personal inner confidence in a situation. To prevent unfavorable relationships, they are inclined, often without even realizing it, to act with pressure, forcing a showdown, forcing the partner to change the relationship for the better. Frequently demonstrates his resoluteness, persistence, and purposefulness, as if proposing his behavior as a model for imitation. Usually tells in much detail what obstacles were created before him, and how he overcame them, what he was told in response, and what he replied with, and so on and in the like.

(full res)

you might be able to see already how they would complement each other's thought process nicely. here are some descriptions of what the communication between these types is like:

+Fe! : program function of ESE and dual-seeking function of LII

The ESE periodically tells emotionally charged "program" function stories, telling of how somebody has acted and what they have done. The main orientation of ESE's leading ethical program is: "No one should be offended." The LII carefully listens to these statements, and, demonstrating a full understanding of these issues, develops logical basis for them, e.g. in calm persuasive voice he explains how the ESE has acted justly and fairly. The effusion of turbulent emotions coming from the ESE is counterbalanced by their absorption by the LII, who breaks them down into fragments by asking clarifying questions of the ESE.

-Ti? : dual-seeking function of ESE and program function of LII

The ESE is tuned to accepting information when it's relayed in clear logical form. He issues requests for logical explanations delivered from a point of view of generalized rules underpinning specific life events, which he receives from the LII, who delivers clear unambiguous interpretations, places the dots over all "i's", and demonstrates good understanding of problems that are of concern to the ESE. Not receiving information of this kind, the ESE begins making demands of those around him to be "intelligent" and understand the reasons of his actions.

-Ne! : activating function of ESE and creative function of LII

The ESE feels uncomfortable if he doesn't extend his help to people who are in need of it. His subconscious orientation is: "care and guard the talented", be kind and attentive towards other people. The LII usually meets such criteria by proving in action his aptitude at uncovering hidden capabilities, winning trust, passing on the knowledge. The ESE creates supportive conditions for people who are capable but lacking in assertive "push-through" qualities, among whom the LII finds himself, and a special work regime that protects such individuals from overloads on sensing functions. Newly discovered possibilities inspire and promote the pragmatic and business-oriented activities of the ESE. He can support a new undertaking or initiative with an enormous amount of energy and enthusiasm, light up by new ideas. Only the LII is able to, even having a vague general notion about the subject, construct a developed theory or idea of any issue. This theory shows to be promising in the process of its concrete application within its field.

+Si? : creative function of ESE and activating function of LII

LII tries to take care of their well-being, but may gravitate towards demonstrative asceticism, exhaust himself with work, studies, or exercise. The ESE periodically takes care of creating an environment that "charges" the LII with pleasant sensations: a reception of guests, a good meal, a visit to a theater or a concert, an interesting trip, and so on. At the same time the ESE takes pleasure in this himself.

+Te! : role function of ESE and observing function of LII

The role function of the ESE manifests as business-oriented activity and initiative, supplying interesting information, provision with material assistance to those who are in need, general restlessness and fussy busyness. This function is normative, i.e. the ESE seeks to comply with the norms and accepted ways of doing things. The nuancing of the understanding of these norms, i.e. introduction of activities that go beyond them, is possible only by considering LII's advice and recommendations. The LII serves as a director of this function, adjusting its workings by advocating the necessity of practical application of some beneficial ideas, rejection of useless though spectacular ideas, and the need to ensure standards of life not below average by rejection of equalization.

+Ni? : vulnerable function of ESE and demonstrative function of LII

The ESE poorly feels the flow of time, both physical, which manifests as running late and poor distribution of his strengths over time, and historical, which manifests as poor ability to anticipate consequences of actions and tendency for traditional ways of solving problems. The ESE finds it difficult to make radical choices. The LII fully takes this aspect onto his shoulders. He has an unconscious ability to distribute activities in time, thereby avoiding work stress and overloads, and is capable of making a radical choice. The LII is able to calmly wait and in the necessary moment get to work when the wasteful fussiness of the ESE reaches its critical point.

-Fi? : ignoring function of ESE and role function of LII

On this function the ESE gives advice and makes demands concerning the creation of appropriate psychological distances in form of proper behavior, courtesy and politeness, denouncing rudeness and boorishness. In this manner, the ESE adjusts LII's role function, which in itself contains a set of large psychological distances: a sullen stubborn look, unsociability, etc. With such fine-tuning it becomes easier for the LII to come into contact with people, whereby he becomes more animated, resolves many of his ethical problems that previously frightened him, gains greater insight into human relationships and a more accurate understanding as to whose side to take in situations of conflict.

-Se! : demonstrative function of ESE and vulnerable function of LII

The LII finds it very difficult to exert pressure on other people from his own will and initiative, especially in cases when he needs to attain something for himself. He finds this difficult to do - to press ahead in certain situations, to gather all the required paperwork, to stand in lines and queues, to petition for his own interests, even the ones that are of vital importance to him. He finds it difficult to push a person away, to sharply refuse someone, to quarrel loudly and defend his rights, to put an end to relations that have exhausted themselves. The ESE doesn't directly affect this function, i.e. he doesn't verbally criticize and teach the LII on this aspect, but takes over its functioning completely. The ESE exerts a constant, sometimes intrusive and imposing pressure on other people if there is a need to achieve something, to defend justice and demand fair treatment, to protect interests of those who are close and dear to him. The ESE goes to the right jurisdictions, inspires people around him and directs them towards work and purposeful activity, keeps up a high pace of life himself, and breaks off relations with those who don't deserve trust.

and some miscellaneous excerpts from literature i liked a lot. (i can't remember the sources i used since i've been working on this on and off, for the past week and i was just spilling things onto the post. i think stratiyevskaya?):

Mood - that’s what matters in this dyad - emotions and feelings. Anything that suppresses and overshadows good mood is considered unethical in this dyad and is strongly condemned.

The ESE does not allow the LII to limit him in the possibilities of consuming the amount of pleasures and joys, which he considers to be necessary and sufficient. Fortunately, both partners in the dyad - LII and ESE - are obstinate and unyielding. Both are demanding, unwilling (and not allowing anyone else) to lower the bar of their requirements, unable to give in and make concessions (especially in anything that is of principle for themselves). Both know how to make their partner reckon with their interests and insist on the fulfillment of their demands.

LII is impressed by the emotional generosity of ESE and his spiritual responsiveness. All this finds the deepest understanding in LII, since he is tuned to the same priorities and values. For his part, ESE admires the ability of LII to speak clearly and definitely on every issue. ESE is struck by the harmony of the reasoning of LII, the amazing clarity, accuracy and laconicism of his statements. To ESE it seems that for LII, there is nothing incomprehensible in this world; he can give a comprehensive explanation on every issue. And everything that ESE thought about before is gradually being built into a definite and clear system of views, which he can now very freely and naturally present. Confusion and chaos in his worldview gradually gives way to a stable logical order, as if someone patient and careful was sorting all his thoughts into shelves. Such clarity inspires and activates ESE; he begins to see some prospects for himself, new opportunities. His energy and activity, in addition to emotional and ethical expression, also receives sensory realization: ESE begins to take care of LII and carefully looks after him. If LII is a colleague with whom ESE is especially pleasant to communicate with, he begins to treat him with something tasty, homemade; will make some small, but beautiful and necessary gift (for example: new cologne or a warm scarf).

> okay that's great and all but when are we talking about john and aradia specifically?

yes, that was the point of this post. i just had to build all that up first so i could walk you through my thoughts in a fully substantiated way.

considering chronology of wind again, john doesnt realize it but he needs aradias frankness and insight. even if she’s unable to explicate on vague things, she states the reason why instead of making him feel stupid (it would create a doomed timeline) but thats all john needs to hear. she is self-effacing and only tells him the truth, and we know other people can take advantage of john’s suggestibility in this way. aradia tells john who is or isnt trustworthy, what actions would be useful/necessary and which ones wont, without any selfish personal motive a la vriska or terezi.

^ (juuuust the record my nitpicky ass doesn’t agree with the truth of the classpect interpretation on behalf of the author in the last bit BUT that is beside the point here. the point is that she is answering john’s question in a way that is meaningful for him)

aradia doesnt realize it but she needs john’s friendy goofiness to brighten her up because she is surrounded by people who antagonize her when she’s literally not even trying to get under anyones skin. everybody gets frustrated at her “spooky nonsense” because theyre afraid of their own mortality, basically telling her to put a lid on it because thinking about hard truths makes THEM personally uncomfortable. but to her it’s always just been a fact of life. plugging your ears to reality is ignorance, but at the same time that doesn’t mean there’s no meaning in anything. she wants to help people see this and she dedicates herself to becoming a psychopomp for the deceased and earnestly trying to make people feel emotionally and physically comfortable in their situation through exploring their memories.

john isn’t hostile towards her. by being herself she is immediately able to earn john’s trust when they initially talk. this is also true in canon; the one time they talked when john initially comes up to her, saying “can i ask you something? seem reasonable, and pretty nice.” unfortunately he asked her the one question she didn’t have much to say about, and i can’t blame him for expecting all the troll girls to be basically insane at that point. but i don’t think aradia is insane. yes she is odd, but i think it’s evident that she has a good head on her shoulders with knowledge of the way the universe around her works, and in the end wants to simply bask in watching it play out. i think she deserves to get childishly excited about it, especially considering she was dead for most of her developmental years.

aside from getting his answers answered, john shows curiosity about her and her species and even care about her well-being and state. this naturally comes from their conversation’s ebb and flow. aradia tells this straightforwardly, without bells and whistles and without trying to trick him, unlike the other trolls who seem keen on well..trolling him.. and providing him with unclear answers to those sorts things. maybe aside from vriska, but she did have a little bit of an attitude about it wherein her and john’s dynamic felt uneven or off-rhythm, with a large psychological distance. it’s a different feeling with aradia, however. they exchange information on the same rhythm and so are able to achieve a closer psychological distance in communication.

there are no judgments coming from aradia about john being “stupid”. she doesn’t underestimate him. it’s not just that john wants to understand (although he does), but he needs to understand what he is doing. aradia compliments john about the traits he possesses that allow him to be effective. i guess in a way i’m doing the same thing with john right now.

john is so mobile and strung along by being the action hero going from place to place as a can-do deliveryboy that he never has time to reflect on his losses, think through them, and accept them.

literally who else is more qualified in all of homestuck than aradia for talking to john about these things?

on top of all of this, they have objectively significant connections beyond just mutual self-realization in a way i think could've been fleshed out. there is potential here.

for a story, i can think of a way that a conversation between them could plausibly happen using the systems established in homestuck's mythology. in canon, we see that john never met aradia until year 3 on the golden battleship in the dream bubbles when he goes to sleep.

but john still dreamt out in the furthest ring. that means during those 3 years it was possible for john to have had a dream with her in it, or at least aradiabot. i know john didn't know aradia's name beforehand but let's just explore the possibility that they could have had met before that. remember that all these aradiabots were once this person.

aradia had obtained john's crosbytop, his dads hat, and his wallet quite a while before their sgrub session. theres your entry

imagine john seeing that

memories of dear old dad get stirred up through the link of seeing those items

the dream bubble transforms

john is forced to stand in his memories and explore grief and the meaning of life with aradia

physically being in the space around him would definitely help john reflect easier i think because it will force him to actually exist within the space and talk to someone, taking some time out for this. he wanted to know if anything could've been done or if he was just too late to save them. i know aradia would be able help him slow down and introspect. don't forget the opportunities created by the properties of these spaces that are glubbed out in the furthest ring by the horrorterrors that meld the labyrinthine time and space of their surroundings to the memories of the people and finding others through common points in memory. i would imagine that objects known by multiple people would provide a common point in memory to bring them together.

The bubbles allow the players of Sburb/Sgrub who have lost a life to continue dreaming. The reality constructed in the bubbles is a combination of the memories of everyone inside the bubble accessible to any who has learned the bubble's nature. According to Aradia, it would be quite difficult to exit a bubble to get into a new one, however someone inside a bubble can travel to another one through common points in memory, taking their own memories with them to be integrated into the new bubble. These memories mix and combine, but in general, no new memories are created. Additionally, the bubbles store the consciousness of a player who has lost their dream selves and their original selves, making them double as a form of afterlife; the player is then capable of accessing the memory of anyone else who has gained access to the bubbles. Living players, who have lost or become their dream selves, appear in the dream bubbles when they are asleep. It is in this fashion that the bubbles can be used as meeting places between the dead and the living; even those from alternate universes and doomed timelines can be found in a bubble. Furthermore, in addition to memories, the bubbles can to some extent reflect the thoughts of a player. Beyond that, the bubbles can also behave similarly to Skaia's clouds, showing things that are in some way relevant to the player - such as when coin-flip Dave saw alpha Dave grieving over Bro's corpse - something he was not aware of before being shown it by a bubble.

physically reflect the thoughts of the player…… rubs hands

john and aradia share points in memory related to those objects, and to top it all of they are directly related to john's dad on the same day he died, while aradia grew up with them as bizarre alien artifacts from an archeological dig. the memories are more emotionally charged for john, and i think that distinction would probably be relevant to them both.

to be honest i think after speaking with him for a bit she would readily tell john that she regrets not talking to the kids from the universe her team created sooner before she died, but is glad that she can in the afterlife. in canon, alpha aradia told a doomed dave, "i think its absurd i never introduced myself to you in all that time i spent moping around the lab. guess i wasnt in a very good mood".

now not all the aradiabots would know who john is, because the trolls only found out about the humans once they created the genesis frog and hid out in the lab in the veil from jack who infiltrated their session. the aradiabot in the lab was the last one that survived. so if any one of them would know who john is, it would be the aradiabot that exploded. aradia's dream self ascended to god tier in jack noir's rampage on trolls' derse and took those memories with her which we can assume is what made the last aradiabot explode. its known that any original copy that dies when another rises up becomes a ghost and lives on in the dream bubbles, which would include her. a doomed aradiabot we see in the comic, which was the one that originally landed to alternia in the past, becomes more lighthearted after she dies, a bit more like her alive counterpart.

oh yeah, and the more obvious surface-level connections to top it off? ghostbusters? john ain't afraid of no ghost girl. john would be genuinely interested in what aradia living as a ghost irl on her planet and not as a gaming abstraction in the furthest ring would be like. i imagine she would be able to explain the subjective experience and that she had to prototype herself into the kernelsprite order for her server player to see her. there's also no way john hasn't seen a movie as classic as indiana jones and judging from her poster i can imagine he probably thinks it's sweet that aradia's strife specibus whipkind is a reflection of her own personal tastes, interests and hobbies.

so yeah i've just been chewing on all of this and thinking about it but i know i needed to just get this out there somehow. obviously since i spent two weeks putting this post together i'd be happy to hear your thoughts

[zvdvdlvr]

If youve read some of my revent work, i think you can understand my fascination with vampires (or vampyres). Butttttt i realized i hadn’t written any vamp!reader for anyone in cod or harry potter

So this is my official vamp!reader x tom riddle shit post.

I like to think that Tom realized somethingwas different about you when he couldn’t read your mind using Legilimency. It was sixth year at this point and you were a kept-together, quiet student. As a Slytherin, Tom knew your name but nevr paid attention to you until sixth year: people whispered about you when you passed by, teachers were noticeably more lenient with you on almost everything, your magic was extremely powerful and you were well practiced, and how striking your features were.

Professor privilege (or ‘special treatment’) consisted of you attending most classes but ignoring everything that was going on. You never slept- Tom noted- but were always doing somthing else. The differing activities you preformed didn’t disrupt the class, but the fact that you always did something else in every class was definitely an eyebrow raiser.

Your magic was powerful. Powerful, honed, practised, strong, and memorable. Tom was intrigued by how fluid your wand movements were, how quickly you could cast a spell, how lethal your movements were, and your ability to cast spells without a wand. As a sixth year, wandless incantations were growing more and more popular. But the fact that you could preform duels without your wand- strings of spells- without so much as a twitch of the hand was extraordinary.

Tom didn’t want to say you were pretty, but in all honesty, you were incredibly attractive in Tom’s opinion. Your sculpted eyebrows paired with the stony stare in your eyes? The way your cheekbones hung over your guant face was further enhancing Tom’s interest in you. Your chin and jawline were prominent, a perfect mix of sharp and piercing.

Going more in depth in the people gossiping about you wasn’t really necessary. Some people- boys- were attracted to your facial and body features, ‘spcial treatment’, and just wanted to have sex. Other people- girls- were jealous of the interest many of their boyfriends gave you, were jealous of your smarts, and didn’t like you. You were powerful and you knew it. People didn’t like that.

These traits led Tom Riddle to the jarring conclusion that you were a vampyre. town further prove his theory, Tom often caught a glimpse of you wandering the corridors at night, paying no mind to the prefects and head boys and girls that saw you. You conversed easily ith the portraits and spirits- even befriending Peeves.

Evan Rosier was the one to bring up your existence during a Knights of Walpurgis meeting. Tom had listened to Rosier’s ideas- involving you with their agenda and bringing you into their organization. 

Tom had his doubts. He believed that you were not the right person to try to convince. Tom protested for no real reason. He himself didn’t even know why he was tensing up around your name, growing defensive as the conversation continued. Why?

Coincidentally Tom Marvolo Riddle came across you striding into the Forbidden Forrest that very same night.

He didn’t know why he followed you. Tom didn’t know that, for some reason, you intrigued and infuriated him to no end. Why must you effortlessly best him at every activity? Why must you look so unbothered after singlehandedly destroying three seventh year Quidditch players after making a bet that you couldn’t win against them as a 3 versus 1? Why, pray tell, were you the only person on Tom’s mind after seeing your sly smirk when you stumbled across something undeniably inappropriate in your book? Why you? Why-

“Stop thinking so loudly.”

Tom stood- frozen- as you moved into an open clearing. You clicked your tongue a few times and whistled. After doing it a few times in a pattern, Tom realized you were summoning something.

“What did you follow me for?” Your voice was crisp and audible despite the distance between the two of you that was closing slowly. Tom inched forward, hesitating for one of the few times in his life.

“Why did you sneak out? I could report you to the headmaster for this. You’ve done this before, so I could get you in trouble for a long time.”

You showed no reaction as you tilted your ear up. You whistled again. “Step back, please.”

Tom didn’t know why he complied but he did. A second later, a large winged animal emerged from the trees. A hippogriff, Tom realized. “Did you hear me? I said-“

“Do even know my name, Tom Riddle?” You finally turnd around. Your face was even more haunting in the moonlight. “If you have seen me sneak out numerous times before, why haven’t you already told anyone? You have nothing to blackmail me with, so I am confused by your reasoning for following me.” You watched Tom for a second. The hippogriff whinnied shyly behind you and you immediately turned your sharp gaze away.

Tom realized that he liked your sharp eyes on him. He liked when you looked at him like you could crush him- knowing that you could, in fact, crush him. But then Tom realized that you knew his name.

You cooed and murmured something to the hippogriff that was inaudible to Tom. You patted the animal’s side and mounted the beast. You cooed a few more words at the animal before turning to Tom. “If you come with me, I can answer some of your questions. You’re an awfully curious fellow, Tom. Very smart…”

“You can read my thoughts?”

“Like an open book,” you snickered. “I’m leaving in ten seconds- as does your opportunity for answers.”

The hippogriff’s feet stamped anxiously, eargerly awaiting departure.

Tom’s jaw set. Did he really want to? He couldn’t answer the question as he took a step forward.

“Bow first,” you commanded quietly.

Withholding a scoff, Tom scoured the animal’s eyes before bending down at the waist. The blasted animal waited until Tom’s entire core burned to caw and return the bow. 

Tom struggled to mount. He couldn’t quite wrap his arm and get his leg up to the beast. He glowered, hearing your breathy chuckle. “Help me.”

Your eyes seemed to smile. You reached out a hand and waited impatiently for Tom to take it.

Despite how impressed Tom was at how easily you lugged him up, he grumbled. “Where are we going?”

“To eat,” you replied simply. “Better hold on, Tom, I ride fast.”

Tom grumbled. He didn’t want to hear the coyness in your tone at the last sentence. “I don’t need to hold on.”

Suddenly, the hippogriff lurched forward and Tom’s throat let out a choked cry. He wrapped his arms tightly around your waist and scooted further into you as the beast rose into the air. He grumbled some more after prying his forhead from your shoulder and opening his eyes.

“There’s food at the castle,” Tom whispered with a ragged voice. “What are you going to eat?”

“Not the kind of stuff I need,” you chuckled. “They don’t keep fresh blood for me there.”

[skullchicken]

How to crawl out of a deep dark hole of loneliness

In no particular order - and you might have to re-do some steps over and over until they take. This is written in a way I would have put it if I would address my past self. If you take umbrage with the tone, know it's not necessarily you I am talking to.

Take what applies, leave the rest.

Part 1 - Mindset

Understand the difference between being alone and being lonely

Being alone is being by yourself. Loneliness is a feeling of lacking social connections or lacking in social connections. You can be alone and peaceful and content, you can be lonely amongst people.

Grieve the abandonment you have received.

No-one deserves to be lonely. Not you, not anyone. Whatever the reason for your loneliness may be, that remains true. Process your feelings, have compassion with yourself.

Realize that social connection is something that you want from other people.

Realize that other people don't owe you connection.

No-one deserves loneliness, but no-one is owed connection either. It is a harsh truth, but one that must be understood.

Come to terms with the fact that since you want social connection, it will probably be on you to reach out and put yourself out there until relationships have been established (and maybe even then - some people are wonderful, but they aren't good at reaching out and never will be).

Give yourself space to feel afraid. Have compassion with yourself. Reaching out is hard. Putting yourself out there is hard.

Keep in mind that your threat response might be higher than the average person's.

If you have been lonely for a long time, chances are your social skills are dusty and your threat response is high as a result (or maybe due to past trauma or maybe that's just how you're wired).

Chances are good you are perceiving other people's reaction towards you more negatively than they intend it to be. This will slowly, slooowwwwwly vanish with practice. And I'm sorry that this is how it is right now. I recommend looking into getting a CBT app - e.g. MindShift. It's free and it really helped me. (Note: the app is for dealing with anxiety and focuses specifically on helping you to re-evaluate your thinking patterns)

It helps to approach people with curiosity and love in your heart

Misanthropy is understandable. It's also not helpful in the slightest. If all of humanity sucks, what use would it be to try and strike up a conversation with any one person? Why would I try to talk to them if I assume that they have nothing interesting to say?

You have had love in the past, there is no reason why there can't be love again. There is something good out there and it is on you to find it.

[distant--shadow]

The witch and the widow chapters 1-4 author’s notes

Ok, so first off I feel I gotta preface this by saying I am absolutely not a history buff. Kinda the opposite of one really. I was one of less than 10% of the kids in my year of 300 or so that didn’t take history at GCSEs, mostly caus a subject taught and based around names and dates etc is the definition of something not suited for my type of brain, also I hugely lost interest in it caus we moved past the fun trebuchet eras and all that real fast and it became of slog of me falling asleep in lessons caus I had a teacher whose method was putting on movies and shutting the blinds (I’d always fall asleep and he was later jailed for being a p*edophile, so that’s a thing.) Anyway, all that to say I’m not good at this shit, but as ive gotten older I have taken a bigger interest in queer history in particular, and that often if not always links into other areas such as fashion, women’s rights, religion,the arts, class, and race etc. (I’m still not good at names and dates though!)

They are outfitted and arsenalled - the stones of the wall - in a manner to rival any army; tapestries of red and gold perhaps once brandished on battlefield as banners promenading around death now retired and indoor-still-air-still as taxidermy giving colour between all of the shades of metal, burnished and polished and in some cases rusting, some still purposefully left blood-stained, swords and pikes and maces arranged in wallpaper patterns as though flowers or fans, sword-sheath beams spreading from chest-plate armour suns.

Let’s start with something easy and recent. The Baron’s armoury was inspired by a few castles I’ve visited, these rooms are always so bizarre to me. I don’t know if this is at all of the time/how they were decorated or a more recent thing, but either way it’s pretty wild but I do love the visual and metaphor of it. In this one castle I found out from talking about the carpentry to an attendant that the decorative ceiling work around the chandelier above the dining room table actually hid a trapdoor - and there was other hidden doorways for passages and to secret rooms in this castle, that’s not that unusual - but this particular trapdoor was to allow for the chandeliers to be switched out. Why? Caus they had them in multiple colours of glass, and the lady of the castle liked the chandelier to co-ordinate with her dress if they were having guests round. Aint that such a flex? Definitely some food for future thought.

Aight. Clothing. So anyone that chats fic/au to me or is in my server has probably heard me yell to go watch Kaz Rowe’s videos many times. As I’ve said this fic aint meant to be historically accurate but it does kinda straddle histories, one of which being our own; so women wearing trousers and the like at this time would still be a crime, and draw a lot of attention . Imogen in men’s clothing genuinely isn’t meant to be much of a gender thing but a thing of practicality, and she has mostly lived in the countryside or in the outskirts, so she does not get into the trouble she would should she go into the towns and cities (another reason to keep away past the potential noise, but this Imogen will happily don a dress or skirts if she needs to, she’s just usually working – and maybe it’s a bonus that dressing as a man acts as a sort of flagging for any women who might be interested lol.)

I guess here I should mention how I think this version of Imogen's powers and how they’ve manifested (along with everyone else being unaware of them) will have somewhat changed her disposition and personality, it is a lot more aligned with later campaign Imogen who has more confidence and empowerment, she hasn’t been ostracised for her abilities or particularly bombarded by them, think more like when she has her circlet on, she chooses to listen in (mostly), although of course she has still heard many terrible things (and her life has still been pretty brutal but that’s to be written still).

(it’ll be really fun in this regard getting to explore and explain this version of Laudna, but early days for giving much away on that yet!)

Her skirts are full and structured and plumed by many layers of petticoats that hide the movement of her feet across the wildflower lawn, causing her to appear to be drifting like the bees do from petal to petal, pollen dusting her pleats though ghostly her skin in contrast to the fine fabrics that she dresses for the part, black in mourning, still, bodice tight and sleeve leg of mutton, an ornate decorative layer of black lace laying over each yard of textured textile like spider webs on porcelain patterns, her husband's tableware collecting dust in the kitchen cupboard.

real impractical for how tending towards practical the Lady dares to be, hands on, too busy for errant hairs in piano key ivory and ebony windswept and loose from the high bun she pins in place with a cameo broach, a memento mori engraved in silver and inlayed with ruby eyes and tied with red ribbons. Her skin also proudly displays the age and perhaps trauma that her hair does, lines from laughter and furrowed brows and the feet of the crows that cry from the top of the chimney pots

A little note as to say that Laudna’s appearance is heavily influenced by Victorian mourning wear, with some of the clothes cuts altered to be a little bit more regency and earlier in places. (her  attire is a little outdated, further suggesting her distancing from society and fashion)

A couple of days ago Imogen happened upon a bird with an injured wing, crying helplessly and rolling in circles, feathers taking flight away from the bird that could not, settling around it as it panicked itself bald-

The bird could not live without the use of its wing, and it didn’t, whether that was by Prosciutto or a fox, only its feathers were left in a pile.

Imogen had gathered them into an empty burlap sack; taken them to one of the maids downstairs to clean, repurpose them for filling pillows.

Here’s a silly little easter egg for my p(r)oof reader. Last time he visited we was enjoying a cinnamon roll from the local bakery by the city river (as you do) and a cyclist hit a seagull. It was real distressing, the seagull was distressed too. A handfull of middle aged women stood around it not wanting or knowing how to intervene as its wing was twisted at a crazy angle and it flapped about in a pile of its own feathers, there’s still bird flu about so it is wise to not touch wild birds, and as bleak as it is I was saying to freshy that a wild bird who’s wings broken like that is gonna die, and probably slowly and painfully. Some man came along and lifted up the bird to take the bird off the path and laid it to rest behind an old bridge building, I think he must have mercy killed it too as the bird was already dead when we walked past 10 or so minutes later after finishing our cinnamon roll and giving a cautious glance. So there’s a nice happy memory thrown in there for him.

what appears to be driftwood breaches the surface, then another point, then another

the water belches

Ceviche scares, whinnying as he rears onto his back legs, the Lady leaning forward and clinging to his harness. Imogen stands in her stirrups, leaning across the gap over to the black stallion, grasping his reins and cooing

“All good, boy, all good-”

What had appeared to be driftwood lands on the surface with a slap, looking like the carcass of an old boat left to rot in the muddy bed of a dock, timber ribcaged and leathered skin cladding.

A femur surfaces, followed by a jaw.

Second easter egg for the p(r)oof is a quick one (I’m such a considerate writer, I know.) On a train ride to a loch we went to for a day out there is a stop that is on another lake/body of water, and right by the train tracks (which are at water height) there are 4 or 5 old ships stuck in the mud, most of them just the frames/structures of the old boats, mostly wood and some bits of metal, but they’re pretty big boats! It really looks like whale carcasses. I’ve always wanted to get of there and check it out, and we were gonna stop by on the way back but my health being what it is was giving me some grief that day so we missed 2 trains and then soon the daylight, so hopefully next time buddy.

There’s alotta meat and gore talk and Imogen being a vegetarian without the label for such is just another way of me playing round with all of her complex feelings about what the Lady might be doing, her feelings towards Angharad butchering and nourishing the women with these communal stews and all of that. I’ve been vegetarian myself for 20 years now, and it was all triggered by an existential crisis in my mid teens (still a huge fan of leather and blood though) – Imogen greatly cares about animals, struggles with the thought of anything being slaughtered, she is in some ways more empathetic than most because she knows those she does on so much more of a personal level, really feels how someone is reacting to a situation they are in, but also because of this she knows humans are often corrupt and vile and she is spared such thoughts from animals, only knows their instincts and the love and comfort and service they bring – and yet she will obsess over the Lady’s (potential) tooling on that saddlework leather that’s really fucking brutal if she thinks about it one way and beautiful if she thinks about it another hmmm what if everything’s not black and white.

Oh, and the stew is a homage to @picturesofthegoneworlds’ pre-campaign fic Intertwined which I am lucky enough to co-parent and her writing is hugely influential on mine.

There’s a few things being bread crumb trailed here that I can’t explain in the author notes yet, but I’m looking forward to when I can. One small detail I will give away is just a silly thing about the chapter headings. They are something of significance from within the chapter, given in its ‘proper’ name – maybe someone gets access to some books to do research at some point?

anyways, thanks @astoriacolumnstaircase for enabling me. will do another post like this for future chapters if folks find it interesting.

[pensbridge]

I think the view that the Bridgerton women have to be some evil witches and to make a point on your personal stance, you must pit their faults against each other, acting like one is an angel and the other has manipulative motives is just WRONG on so many levels.

Marina tried to trap a man and she said some horrible offensive things to Penelope, who did nothing wrong at that point.

Marina was an alone pregnant woman, driven to desperate measures in an attempt to protect herself, AND she was an 18 year old who thought that she was mature and used her words against her cousin who she felt couldn't understand in her times of stress.

Eloise sticks her nose into other people's business and she was also getting herself into trouble seeing the worker at the print shop.

Eloise is characterized as headstrong, so thinks she knows best. She is 19 and teenagers think they can do, say, and know everything more than anyone else.

Penelope is manipulative. She's just bitter and she could have handled the situation better. Why didn't she?

Penelope is a 19 year old, who didn't know who to turn to for help (at 17), so tried to take matters into her own hands. She's someone who we know has difficulty speaking up so it makes sense her inability to do so as she tried to tell Colin.

Edwina is so dumb. How could she not see what was right in front of her face? She's wrong for going forward with Anthony when she did not know anything that was happening between them. Unknowing, she's keeping them apart; I hate her!

Blame the writers, blame the producers; I don't know. This one is crazy to me how someone who did nothing wrong gets blame as if this plot called for her to be some conniving mastermind. guess 2 South Asian women of color can't be built up. Also she is 18!

See a pattern? These are teenagers! They are naive and in belief that that know more! Everyone is this universe is morally wrong at times. Everyone does things based on their personal beliefs at the time and individual motivations. Everyone has been selfish. That's what makes them humanly written.

Also as a note, the way female characters are written on this show seems to be based on an interest in complicated female relationships and how they can break apart but come back together, while having no contrary feelings to love toward one another.

-Edwina and Kate

-Eloise and Penelope

-Penelope and Marina

(I see it as there can be fights; there can be jealousy; there can be betrayals, but these in-universe characters would not hate the other the way some fans feel angry for them).

[cpericardium]

Compilation of Megafire's Wildbow Essays (Imported)

I haven't read all of them myself, but the few I did were always worthwhile and interesting, so I thought I'd index them here for anyone who hasn't heard of them or checked them out. As I recall, these were written by Megafire as the chapters were coming out.

CHARACTERIZATION OF CAROL IN WARD

REDDIT INDEX

Chapter 3.6 

The Warden's HQ, or, Playing With Time

Chapter 4.6 

Natalie, or, Working Through Proxies

Chapter 5.9 

Power Dynamics, or, Why Carol Love(s/d) Mark

Chapter 6.3 

Trust, Safety and Control, or, General Opinion

Chapter 7.4 

A Glimmer of Hope, or, Victoria and Carol have an Actual Conversation!?

Chapter 8.2 

Meeting the Parents, or, Never mind, Carol is Back to Being Carol

Chapter 8.9 

Baby Steps, or, Carol Manages to Respect Boundaries for Once

Chapter 9.12-9.13 

Bonus Damsel Interlude, or, This Will Pay Off Later, I Promise

Chapter 10.1 

The Diner, or, I Yell a Lot

Chapter 10.y 

Bonus Chris Interlude, or, This Has Nothing to Do With Carol, I Just Really Like This One

Chapter 12.1 

Ruminating on New Wave, or, Why Mark Loves Carol

Chapter 12.2 

Carol vs Damsel, or, I Told You It'd Pay Off

Chapter 12.f 

Ryan and Cradle, or, What It Means to be Good, and, Competing Access Needs, or, Why the Dream Room is the Worst

Chapter 12.9 

The Bubble, or, Making You Feel Even Worse About Carol Getting Hurt

Chapter 14.5 

The Greenhouse, or, Carol Brought Low

Chapter 14.6 (Sort of) 

Drawing Similarities, or, What's Left for Carol

Chapter 14.7 

Chris' Crossroads, or, Screw It, I Guess I'm Talking About Chris Too Now

Chapters 14.9 + 14.10 

Her Mother's Daughter, or, What Amy Learned From Carol

Chapter 14.12 

Piecing Together Chris, or, What Do Monsters Mean?

Chapter 15.7 

Slaves to Fate, or, Predictions and Responsibility

Also Chapter 15.7 

Ultimate Agency, or, Who Is Contessa?

Chapter 16.4 

Mockeries and Funhouse Mirrors, or, Paths Not Taken

Chapter 16.y 

Attempted Therapy, or, Amy Is Not Doing Well

Chapter 17.1 

Family Issues, or, Confrontations Vis-a-Vis Parentage

Chapter 19.1 

The Curious Case of Sarah Pelham, or, A Basic Overview of the Shit That Happened to Sarah

Chapter 19.9-19.10 

The Talk, or, How To Screw Up Your Kids In One Easy Conversation

Chapter 20.e6 

Carol: Final, or, What Has Carol Learned? (Hint: Not Much)

---

PALE ANALYSIS

REDDIT INDEX

Verona and her Dad, a Transactional analysis

Why Verona's Dad is a Literal Manchild - mostly about Out on a Limb 3.1, but with references to 3.4

Adults, Parents and Children

Lucy is Verona's Only Good Parental Figure (and That's Kind Of Sad) - Leaving a Mark 4.2

Pale: Justice

The Cast Of Law And Order: Kennet - Cutting Class 6.z

Practitioner Supremacy

Boy There Are Some Real World Parallels Here - Gone Ahead 7.1

Practitioner Parenting

Regular Old Bad Parenting - Vanishing Points 8.4

Abuse

Brett is an Absolute Bastard - Shaking Hands 9.9

Avery's Games and Gimmicks

Breaking Patterns Is Hard - Dash to Pieces 11.10

Transgressive Acts

Why the Mussers are like the Spartans - Break 5

Practitioners and Others, a Binary

The Binary is a Lie! - Gone and Done It 17.x

Judging the Judiciary

What About the Judges? - Crossed With Silver 19.z

Hostile Environment

Power Plays for the Future - In Absentia 21.12

[max1461]

What does this question even fucking mean?

I apologize to this random reddit user, who I'm about to put on blast, but this question is such nonsense and it's nonsense in a way that is extremely common, especially on r/askphilosophy (where this was posted) but also just in general, and I want to talk about it.

First of all, as the top commenter points out, a "philosopher king" is a hypothetical type of ruler discussed by Plato, not a real category of king that actually existed. But I can forgive this user for not knowing this is where the term comes from, because it's just a piece of factual knowledge that they might not have. That's fine. The reason I find this question so dumb is because, like... suppose that "philosopher king" was a real category of ruler that existed in antiquity. What the fuck would it mean? Like, did this asker ever stop to think "what question am I asking? This category that I'm inquiring about, what defines it?"? No, they did not. They just heard a term and started using it without thinking about what it actually refers to. This is the ur-problem of like 80% of all bad thinking: speaking first and figuring out what you mean by it later.

Is a "philosopher king" just a king who happens to also be a philosopher? If so, then surely you can answer your own question about the existence of "philosopher presidents" by just googling around for world leaders who happen to also have philosophy degrees or whatever; I imagine that information is easily available. But if this is what you mean by "philosopher king", then the question doesn't seem very deep or interesting, right? I mean a king is just a guy, and a president is just a guy, so of course it might be the case that sometimes these guys happen to also write philosophy.

I suppose if the question was framed this way—"are there any recent world leaders who are also philosophers?"—I wouldn't find it so silly. But the way it's phrased sort of suggests that the asker believes there's some kind of like, underlying pattern they're noticing, or deeper meaning they can ascribe to this. Like a "philosopher king" is some special ontological category of ruler, beyond just "king who also happens to have written philosophy", and so the existence or not of "philosopher presidents" is like a fascinating and puzzling topic to ponder instead of just an incidental question about whether any world leaders who use the title "president" also happen to do philosophy.

Right? Do you see what I'm saying? It's like this user heard king Solomon or whatever the fuck referred to as a "philosopher king" once, and didn't even bother to try to parse what that means. Just went "I guess there's a special type of king called a philosopher king, I know this piece of information know". It's like an abdication of actually thinking about what anyone is saying to you.

Of course I'm inferring wildly based on a small amount of information here, but this is the general type of error that I see all the time, so I'm not really concerned with being appropriately epistemically cautious about whether this exact thing is what lead this user to ask their dumb question on r/askphilosophy. I'm riffing on this guy's question to articulate a broader point, and pattern matching it to a common thinking error.

I will say, though, r/askphilosophy seems to attract people who say shit that is dumb in exactly this way (as opposed to all the other ways you can be dumb), and so this has served me well as model for what these people are doing wrong.

Anyway, this is actually the root cause, one suspects, of the asker's knowledge gap that I mentioned at the beginning of the post. A "philosopher king" is not in fact some special category of king that really existed, but an idea discussed by Plato in the Republic. It's fine that this person doesn't know this, but if they had tried to figure out what "philosopher king" actually means before saying it, they probably would have learned this fact.

If I could give one piece of advice to everyone on Earth and have them really take it seriously, it would probably be "think about what you mean before your say it".

[explodo-smash]

Are you one of the people expecting bkdk to be canon? I just learned that there are people that sincerely believe Hori would have Deku and Bkg have an explicit confession of love. That he's going to be the first popular mangaka to have a endgame gay ship. I am in so many mlm ships of shounen but I've never had the delusion that the author would make them canon despite the evidences otherwise. Like I thought it's fine to ship mlm as long as we stayed in our lane and never harassed the author.

After speaking together, we do believe based on the evidence in the series that BakuDeku being canon is not an even vaguely unreasonable conclusion to reach. We think the story is written in a way you can reach that conclusion easily, so much that even casual viewers who aren’t shippers are questioning the nature/potential conclusion of their relationship.

One of the most consistent and convincing lines of evidence for us has been Katsuki taking on roles/positions traditionally reserved for female heroines/love interests (if you’ve seen anyone call him “narratively androgynous,” this is what they’re referring to). In the context of Jump magazine, we have a number of shonen heroines and love interests to compare Katsuki to. The similarities are so striking that many notable people (including the VAs for the anime) have taken to calling him the heroine of the series.

However, we do think things like homophobia (whether it’s the writer or the audience/consumerbase at large– in this case we’re primarily referring to the audience), the safety of everyone involved, and timing are all unpredictable factors people have to take into consideration when writing/reading a story of this magnitude. Needless to say, if Horikoshi is indeed planning an endgame for bakudeku, he’d also have to take these factors into consideration.

Horikoshi has a record of being pretty in-tune with his fanbase. He definitely keeps some eye on bnha’s reception–for example, he mentioned a while back that both the people who love Katsuki and the people who hate him will have something to look forward to in this finale (we can now see what he meant lol). He’s very likely aware of the people who love bakudeku and the people who loathe it. 

Taking into account that he tends to be very intentional with his writing choices, he’s written this story in a way that not only centered bakudeku’s relationship over others (notably Izuku + Ochako’s, the character he’d presumably end up with if things were going predictably?), but also went the extra mile to distinguish their relationship as unique, closer than all their other relationships, the “biggest pillar of the story” (x, x). He didn’t have to do all of this. This extra push is what’s giving bakudeku that undeniable chance at an endgame right now, because it’s come to a point where no one can ignore the implications of scenes like this:

On the flip side, we don’t think people’s hesitation is unreasonable. It’s scary! If bakudeku were to fall flat of all this buildup/our expectations, it wouldn’t be the first time the romantic implications between a pair of boys in a story like this was ignored. Hell it wouldn’t be the first time a popular pair in general, (gay or not) got ignored in favor of what the author just felt like doing, regardless of what any previous developments in the story or interviews or official artwork would have us believe. There’s enough written evidence that canon bakudeku wouldn’t be surprising, but there’s also (at the time of writing this response) still room for things to go another direction, for all of this to be recontextualized and passed as something else. 

As per social norms/patterns of behavior, this would be disappointing as hell but not surprising. Especially for people who have been let down before, we completely understand the need/impulse to distance oneself from the idea/hope that bakudeku may become canon.

In all honesty, if it turns out bakudeku isn’t canon or left open-ended (say, an ending where they’re partners of some kind/the closest to one another without that explicit romantic confirmation), we would be frustrated/heartbroken. Not because we feel like Horikoshi shouldn’t do what he wants, he should. But because there’s been a clear effort to bring LGBTQ+ readers into the fold, and tell and portray our experiences in MHA. Horikoshi has done a beautiful, incredible job of writing various LGBTQ+ and marginalized experiences as a metaphor in his stories. Toga is a prime example. This is something that readers around the world have noticed, and it’s something MHA is special for (see this data x, and the further context/commentary on it given here x). 

We think it’s intentional. This story and the relationships in it have invoked experiences close and personal to many of us. Things are in a state right now where we wouldn’t just feel baited, we feel like readers would have a right to feel unsatisfied.

That being said, feeling unsatisfied doesn’t equate to feeling empowered to harass or bother others. Especially not Horikoshi himself, and also including other readers who had differing expectations. This is really the case across the board. We should all be able to control our anticipation/expectations without becoming assholes. 

It’s not just the shippers, by the way. People who work on the series or work closely with Horikoshi have rooted for bakudeku to go beyond. Izuku and Katsuki have already done what a good chunk of the readerbase thought impossible and became friends. People see their writing, their potential, and they want more. The voice actors (x, x sorry for the crunchy pic it's all i've got atm), academics (x), musicians (x, x) , editors (x) and more have all kind of rallied around Bakugou and Deku’s bond, with a particular sensitivity towards the deeply and uniquely intimate nature of it + how it evokes romance.

We’d like to see MHA exist free of the burdens previous popular shounen series have had placed on them. But that’s a conversation for the ending. As far as the fanbase goes, I think it’s super important people practice humility and caution when speaking to others. We have NO way of knowing what will happen. People who have been traumatized by situations like this in the past have a right to be anxious, people in general are allowed to withhold judgment until we have all the information we need. However, we don’t think having hope or confidence that this narrative might lead us to a canon bakudeku is unwarranted or delusional.

At the end of the day one thing is true, and this was something we had to fight to “prove” much longer than we had to prove Bakudeku had romantic potential - it’s that Kacchan and Izuku’s lives are going to be forever intertwined in this new era of their world that births from the finale. 

They’re forever intertwined in a way that’s not replicable for any other character in the series, and that’s amazing all on its own. We’ll just have to wait and see how far they take it! Thanks for reading if you got this far, and Happy Holidays!

[lemotmo]

Ask box is still closed but they commented on the deleted scene. First activity from them in days.

Technically I'm still on blog sabbatical but that deleted clip was a wild choice. There's a lot to unpack in that very short scene and none of it is very flattering for Tommy. The medal comment when Hen and Karen asked about his intentions was immature and blatant deflection. It was also cringe, the wtf facial pout he added didn't help. What I don't know though is if the lines are meant to come across as cringey or if his delivery is what's off. And that was just the first cringe moment. He only made it worse after that. Saying they're going slow, and he's letting Buck set the pace was good, he should be following Buck's lead, but then he immediately made a sexual innuendo joke, and yet another wtf facial expression choice. I know the rule tends to be that since it was deleted we can't count it as canon, but knowing that he saw the way Hen and Karen reacted to that conversation, and still followed it up by turning another meaningful conversation attempt, this time by Buck, into another sex joke, an even more immature and gross one, is certainly a writing choice. And clearly a deliberate one.

That wasn't even the most alarming part of that scene though. The diet comment about Buck is a warning siren if ever there was one. That line was concerning because it is absolutely a call back to Buck 1.0 who believed the only thing he could offer anyone was his physical appeal and he was obsessed with keeping his body to a certain standard. The fact that we now have Tommy making multiple comments about their physical relationship, and Buck's appearance, is not good. Especially when you couple those comments with the other scenes of him dismissing Buck's excitement and overzealous personality. None of that spells a healthy relationship for Buck, the character the show cares about. It continues to show Buck's very unhealthy dating pattern of settling for people who are physically attracted to him but don't seem to genuinely like the person he actually is. It's actually kind of fascinating.

I genuinely liked the Tommy of episodes 1-4, probably not coincidentally the length of his originally planned arc. He was written well in those episodes, he worked. I'm also now pretty convinced that those first 4 scripts were kept pretty much intact to when Eddie was the plan. They clearly put effort into him originally. Everything that came after 7x4 went increasingly downhill, and that's because they hadn't actually planned anything for him after that episode. If they had been able to stick with the original Eddie plan he would have been gone after episode 4 because the kiss would have been all that was required to initiate Eddie's spiral. Once they had to swap Eddie for Buck they had to change their plan because Buck was already searching for something so the kiss wasn't going to be enough to make Buck spiral. Which means they still need to get Buck to whatever the plan for him was but now they have to do it through Tommy. They're not going to put effort into Tommy because after 7x4 he became a textbook plot device. His scenes and dialogue are now strictly to move the story forward, and nothing more. It's why he seems so different now. What's interesting is if Buck's spiral is now going to result from him back sliding from all the personel growth he has had since Buck 1.0. All the work Buck has put into growing himself as a person and working on himself. That's why the diet comment was so concerning. It's the old Buck. If he thought figuring out he was bi was the last piece of the puzzle and he should feel 'fixed' now, but Tommy and their relationship still feels mostly physical he may revert back to believing he really doesn't have anything else to offer. A return of Buck 1.0, and a version of himself that Buck has referenced frequently he believes Eddie wouldn't have liked. I'm probably giving the show way too much credit but this would work and it would be fascinating to watch.

Thank you so much for sending this and the next one to me Nonny! :)

A day after the first one, the anonymous OP made another post about the deleted scene. I will paste it here as well, so these two posts can be read together.

I put it under a cut to save all your dashboards from clogging up. :)

All right, so first of all, I agree on so many things in these two posts. In the beginning Tommy was 'okay'. I didn't love him, but he was an okay character and love interest for Buck. But as the show went on he just became worse and worse as a character. To the point where a lot of people who liked him in the beginning actively started disliking and hating him. And most of it is tied in with the way he treats Buck and talks about Buck.

And ultimately I do think this is the whole goal of the show. They are doing their absolute best to show us that Tommy is NOT a good guy and definitely not a good match for Buck. By posting this deleted scene they are once again trying to make that point.

Unfortunately this message just flies over some people's heads and all they see is a this fantasy headcanon Lou told them about. They aren't watching the show as it is, they are actively trying to mold the show and BT into something it isn't.

I can't possibly explain any of this better than the OP, especially the part about Buck's body image. So I'll let them speak, but I agree so much with what they say.

One last thing I personally want to add is this:

Whenever Tommy opens his mouth, everything gets reduced to sexual innuendo and/or a dumb sex joke. And when it isn't about sex, it's him being extremely dismissive and negative in anything he says to Buck or some of the other characters.

This is also a thing that got transferred to the BT fandom in general. Everything Tommy does or says is over sexualised by a lot of the fans, in posts, messages, pictures and fics it quite often boils down to sex.

Now, I have nothing against sex. I realise sex is a part of the human experience, even for fictional characters, but to make it so that all that ties this couple together is sex? That is not what Buck is about. We know that about him. He has canonically been established as someone who is looking for love, a connection, a family...

So, why don't they talk more about the real deep canon love connection BT have on screen? I'll tell you why. It's because there is no canon love connection between them whatsoever. Tommy has no depth as a character. He is there for a specific purpose, a plot device to help Buck navigate his way through a new phase in life. That's it. The only emotional connection Buck and Tommy have is fabricated in, yet again, a Lou cameo headcanon that probably cost 200 dollars.

In the deleted scene between Tommy and Henren we see him at his worst and it's clear that Henren do not like or trust him. And yes, I kinda get why the OP would have wanted that scene in the episode, because it would have shown us -once again- that Tommy's intentions for Buck are mostly just about sex. This isn't anything serious. This is about sex. He tried with Eddie, realised it didn't work so he moved on to Buck when he saw how confused Buck was about whose attention he was trying to get.

I have no doubt he probably likes Buck, but he has no deeper intention beyond the sexual aspect of the relationship.

I said what I said. Don't come at me. This is my blog and I can respectfully blog about my opinion here. No ship hate here. Just common sense.

Remember, no hate in comments or reblogs. Let's keep it civil and respectful. Thank you.

If you are interested in more of the anonymous OP’s posts, you can find all of their posts so far under the tag: anonymous blog I love.