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fozmeadows · 4 years ago

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race & culture in fandom

For the past decade, English language fanwriting culture post the days of LiveJournal and Strikethrough has been hugely shaped by a handful of megafandoms that exploded across AO3 and tumblr – I’m talking Supernatural, Teen Wolf, Dr Who, the MCU, Harry Potter, Star Wars, BBC Sherlock – which have all been overwhelmingly white. I don’t mean in terms of the fans themselves, although whiteness also figures prominently in said fandoms: I mean that the source materials themselves feature very few POC, and the ones who are there tended to be done dirty by the creators.

Periodically, this has led POC in fandom to point out, extremely reasonably, that even where non-white characters do get central roles in various media properties, they’re often overlooked by fandom at large, such that the popular focus stays primarily on the white characters. Sometimes this happened (it was argued) because the POC characters were secondary to begin with and as such attracted less fan devotion (although this has never stopped fandoms from picking a random white gremlin from the background cast and elevating them to the status of Fave); at other times, however, there has been a clear trend of sidelining POC leads in favour of white alternatives (as per Finn, Poe and Rose Tico being edged out in Star Wars shipping by Hux, Kylo and Rey). I mention this, not to demonize individuals whose preferred ships happen to involve white characters, but to point out the collective impact these trends can have on POC in fandom spaces: it’s not bad to ship what you ship, but that doesn’t mean there’s no utility in analysing what’s popular and why through a racial lens.

All this being so, it feels increasingly salient that fanwriting culture as exists right now developed under the influence and in the shadow of these white-dominated fandoms – specifically, the taboo against criticizing or critiquing fics for any reason. Certainly, there’s a hell of a lot of value to Don’t Like, Don’t Read as a general policy, especially when it comes to the darker, kinkier side of ficwriting, and whether the context is professional or recreational, offering someone direct, unsolicited feedback on their writing style is a dick move. But on the flipside, the anti-criticism culture in fanwriting has consistently worked against fans of colour who speak out about racist tropes, fan ignorance and hurtful portrayals of living cultures. Voicing anything negative about works created for free is seen as violating a core rule of ficwriting culture – but as that culture has been foundationally shaped by white fandoms, white characters and, overwhelmingly, white ideas about what’s allowed and what isn’t, we ought to consider that all critical contexts are not created equal.

Right now, the rise of C-drama (and K-drama, and J-drama) fandoms is seeing a surge of white creators – myself included – writing fics for fandoms in which no white people exist, and where the cultural context which informs the canon is different to western norms. Which isn’t to say that no popular fandoms focused on POC have existed before now – K-pop RPF and anime fandoms, for example, have been big for a while. But with the success of The Untamed, more western fans are investing in stories whose plots, references, characterization and settings are so fundamentally rooted in real Chinese history and living Chinese culture that it’s not really possible to write around it. And yet, inevitably, too many in fandom are trying to do just that, treating respect for Chinese culture or an attempt to understand it as optional extras – because surely, fandom shouldn’t feel like work. If you’re writing something for free, on your own time, for your own pleasure, why should anyone else get to demand that you research the subject matter first?

Because it matters, is the short answer. Because race and culture are not made-up things like lightsabers and werewolves that you can alter, mock or misunderstand without the risk of hurting or marginalizing actual real people – and because, quite frankly, we already know that fandom is capable of drawing lines in the sand where it chooses. When Brony culture first reared its head (hah), the online fandom for My Little Pony – which, like the other fandoms we’re discussing here, is overwhelmingly female – was initially welcoming. It felt like progress, that so many straight men could identify with such a feminine show; a potential sign that maybe, we were finally leaving the era of mainstream hypermasculine fandom bullshit behind, at least in this one arena. And then, in pretty much the blink of an eye, things got overwhelmingly bad. Artists drawing hardcorn porn didn’t tag their works as adult, leading to those images flooding the public search results for a children’s show. Women were edged out of their own spaces. Bronies got aggressive, posting harsh, ugly criticism of artists whose gijinka interpretations of the Mane Six as humans were deemed insufficiently fuckable.

The resulting fandom conflict was deeply unpleasant, but in the end, the verdict was laid down loud and clear: if you cannot comport yourself like a decent fucking person – if your base mode of engagement within a fandom is to coopt it from the original audience and declare it newly cool only because you’re into it now; if you do not, at the very least, attempt to understand and respect the original context so as to engage appropriately (in this case, by acknowledging that the media you’re consuming was foundational to many women who were there before you and is still consumed by minors, and tagging your goddamn porn) – then the rest of fandom will treat you like a social biohazard, and rightly so.

Here’s the thing, fellow white people: when it comes to C-drama fandoms and other non-white, non-western properties? We are the Bronies.

Not, I hasten to add, in terms of toxic fuckery – though if we don’t get our collective shit together, I’m not taking that darkest timeline off the table. What I mean is that, by virtue of the whiteminding which, both consciously and unconsciously, has shaped current fan culture, particularly in terms of ficwriting conventions, we’re collectively acting as though we’re the primary audience for narratives that weren’t actually made with us in mind, being hostile dicks to Chinese and Chinese diaspora fans when they take the time to point out what we’re getting wrong. We’re bristling because we’ve conceived of ficwriting as a place wherein No Criticism Occurs without questioning how this culture, while valuable in some respects, also serves to uphold, excuse and perpetuate microaggresions and other forms of racism, lashing out or falling back on passive aggression when POC, quite understandably, talk about how they’re sick and tired of our bullshit.

An analogy: one of the most helpful and important tags on AO3 is the one for homophobia, not just because it allows readers to brace for or opt out of reading content they might find distressing, but because it lets the reader know that the writer knows what homophobia is, and is employing it deliberately. When this concept is tagged, I – like many others – often feel more able to read about it than I do when it crops up in untagged works of commercial fiction, film or TV, because I don’t have to worry that the author thinks what they’re depicting is okay. I can say definitively, “yes, the author knows this is messed up, but has elected to tell a messed up story, a fact that will be obvious to anyone who reads this,” instead of worrying that someone will see a fucked up story blind and think “oh, I guess that’s fine.” The contextual framing matters, is the point – which is why it’s so jarring and unpleasant on those rare occasions when I do stumble on a fic whose author has legitimately mistaken homophobic microaggressions for cute banter. This is why, in a ficwriting culture that otherwise aggressively dislikes criticism, the request to tag for a certain thing – while still sometimes fraught – is generally permitted: it helps everyone to have a good time and to curate their fan experience appropriately.

But when white and/or western fans fail to educate ourselves about race, culture and the history of other countries and proceed to deploy that ignorance in our writing, we’re not tagging for racism as a thing we’ve explored deliberately; we’re just being ignorant at best and hateful at worst, which means fans of colour don’t know to avoid or brace for the content of those works until they get hit in the face with microaggresions and/or outright racism. Instead, the burden is placed on them to navigate a minefield not of their creation: which fans can be trusted to write respectfully? Who, if they make an error, will listen and apologise if the error is explained? Who, if lived experience, personal translations or cultural insights are shared, can be counted on to acknowledge those contributions rather than taking sole credit? Too often, fans of colour are being made to feel like guests in their own house, while white fans act like a tone-policing HOA.

Point being: fandom and ficwriting cultures as they currently exist badly need to confront the implicit acceptance of racism and cultural bias that underlies a lot of community rules about engagement and criticism, and that needs to start with white and western fans. We don’t want to be the new Bronies, guys. We need to do better.

#race #racism #c-drama #fandom #fan wank #fandom wank #microaggresions #culture #the untamed #bronies #whiteness #ficwriting #fanwriting #cultural bias #discourse

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twstarchives · 4 years ago

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Fanbook + Interview Notes

Someday I want to make a post that covers only the Easter Eggs but, here are some tidbits from the fanbooks & Yana’s interview in Magical Archives. I added in sources if you want to find them in-game too.

Twisted Wonderland Laboratory

These are official notes written in the fanbook by Disney Fan.

📖 According to Vil, Pomefiore is the dorm with the oldest history at NRC. Snow White was Disney’s first full-length animated feature in color—in other words, the oldest. (Vil Ceremony Robes)

📖 Vargas states that he built his muscles by eating raw eggs everyday. In the Gaston song sequence, you can see him eating raw eggs while singing “When I was a lad, I ate four dozen eggs ... And now that I’m grown, I eat five dozen eggs so I’m roughly the size of a barge.” (Main Story 1-5)

📖 Prince Riale’s name is an anagram of Ariel.

📖 In the Atlantica Memorial Museum, there is a photo honoring the visit of the court composer Horatio the 12th. The court composer in The Little Mermaid is Sebastian, whose full name is Horatio Thelonious Ignatius Crustaceous Sebastian. (Main Story 3-27)

📖 The pattern of the curtains in Crowley’s office are based off the Sorcerer’s Hat from Fantasia.

📖 When Kalim and Silver had to make a sleeping potion, one of their ingredients was “dawn-weed.” Princess Aurora’s name is Latin for “dawn.” Additionally, dawn-weed is said to grow in a far-off forest-- Aurora also lived in a far-off forest. (Silver Lab Coat)

📖 Chenya’s lines when he first appears at Heartslabyul are a close variation of the lyrics to ‘Twas Brillig sung by the Cheshire Cat. The EN dub’s lyrics are nonsensical, but they match the JP dub nearly exactly. (Main Story 1-18)

📖 Vil casts Silver to play the role of “The Headless Horseman” in one of the Film Studies Club’s independent films. There was also a Headless Horseman in Ichabod and Mr. Toad. (Silver PE Uniform)

📖 The Scarabia students who chase down Grim after he escapes in the night call him a “street rat,” just like the guards call Aladdin in One Jump Ahead. (Main Story 4-12)

📖 Jack brings up a story about a lion, hippo, giraffe, and monkey who could all talk with each other. In the I Just Can’t Wait to Be King song sequence, there’s a scene where Simba plays the telephone game with a hippo, giraffe, and monkey. (Jack Chat w/ Leona)

📖 Jade’s interest in raising terrariums is a reflection of Ursula’s garden of souls. She would turn anyone who didn’t hold up their end of the bargain into a polyp. However, she referred to them as “flowers in her little garden.” (← JP dub only). Sea anemones are also a type of polyp, and these sprouted on the heads of all students who didn’t fulfill their contract with Azul.

📖 According to Silver and Lilia, there’s a superstition in the Valley of Thorns that any clothes hung on trees will be stolen by animals. In the Once Upon a Dream scene, the forest animals steal the wet cloak, cap, and shoes Prince Philip had hung up to dry and dress themselves as a “prince” for Aurora. (Silver Chat w/ Lilia)

Notes from Yana

📖 The idea for the birthday sashes on each birthday card came from the sashes each princess is given when they get a makeover at the Bibbidi Bobbidi Boutique. (x)

📖 “Growing boys are always hungry, so Western boarding schools have fruit bowls left out for anyone to eat from in the hallways and lounges.” This is what Yana used as a reference for putting fruit bowls in NRC’s cafeteria. (x)

📖 The green lighting around the concept illustration of Leona’s scale figure is supposed to resemble the lighting in Be Prepared. (x)

📖 When a student first joins Heartslabyul, the dorm leader decides their card suit and applies it with magic. After that, they use magic to paint it on or apply it themselves with makeup.

📖 Before deciding the setting of the game would be a school, the creators considered making it a “showbiz world” or a Makai-esque world. (I guess ‘demon realm’ could be used to describe that?) The title of the game was also almost “Villains School Story” (Villains Gakuen Monogatari) until Aniplex brought up the name “Twisted Wonderland” that was used in early drafts of the worldbuilding.

📖 Timewise, personal stories and events are considered spin-offs from the main story, but they dig deeper into each character + their daily lives + how they react when trouble occurs. They’re meant to be written from individual characters’ perspectives rather than MC’s, and so the way a character is depicted changes depending on their relationships.

📖 The characters were specifically designed to look like fans of the Disney villains. “I’m sure everyone has at least once bought something that a celebrity they idolized liked, or dressed in a character’s signature colors”—similarly, the Twst characters style themselves after the Great Seven & their sidekicks that they respect so much.

📖 In order to reflect the very different tones, themes, and settings shown in each of the original Disney films, Yana wanted each dorm to look “mismatched” when lined up together. The difficult part was the creating the characters, since they are supposed to only be 3-4 years apart in age (for the most part) and their original films take place in scattered time periods. This was solved by replacing the “time period gaps” with differences in values and customs, depending on their dorm, homeland, and species. The different themes for each dorm are:

Heartslabyul - Card soldiers serving the Queen of Hearts

Savanaclaw - Beasts racing through the wilds

Octavinelle - Employees of a jazz lounge

Scarabia - Arabian and dancing

Pomefiore - Traditions and poison

Ignihyde - Lifeless and high-tech

Diasomnia - Dragons and bodyguards

#twisted wonderland #twst notes

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shihalyfie · 3 years ago

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Shihanne’s guide to watching (or rewatching) 02

I have been very open about advocating for 02 and analyzing every bit of nuance I can get out of it, but the thing is that so far all of my analysis posts have been written with the assumption that those reading it have already seen it at least once. Despite how passionate I am about doing these, I have to admit that there are a lot of asterisks and caveats surrounding the idea of actually recommending someone watch the series if they haven’t yet (or if they haven’t seen it in a while and don’t remember much about it but are interested in giving it another round, especially in light of an upcoming movie apparently centering around it and its characters). It is a very polarizing series for good reason, and I completely understand that it’s not going to be everyone’s cup of tea.

That said, I find it to be a very fascinating and unique series, and one that is very often underestimated in terms of how much depth it has and how much it tries to convey. I figure that if anyone is considering taking the step into watching a 50-episode series like this, they should ideally be able to enjoy it as much as they can, so I decided to put together a guide to the series, what to look out for, and what to expect from it.

While, for the sake of accessibility, I won’t be assuming anything about what the reader knows and doesn’t know already, note that I’m going to “soft” spoil this series a lot, in that I don’t think there’s much benefit to going out of my way to hide certain major plot points, especially since I don’t think the appeal is much in the plot twists themselves as much as it is the method of execution (see below on why). That said, I do link to some articles and some of my prior posts for the sake of cross-reference, so please be warned that the pages being linked may be much bigger on spoiling.

Overview

Digimon Adventure 02 (the “02″ is pronounced “zero two”) is the second TV anime series in the Digimon franchise, having originally aired in 2000-2001 and running for 50 episodes. Due to the heavy impact of Adventure and its immediate successor series, Digimon has generally been known as a character-focused franchise in terms of storytelling, and the general premise of the Digimon franchise is that each human character in the main cast will have a “partner” Digimon and fight together with them, with the Digimon “evolving” into higher forms as a metaphor for human’s own mental and emotional growth.

Although Digimon entries distinguish themselves as almost always taking place in different universes and settings, 02 is, as of this writing, the only TV series that serves as a chronological sequel to a prior series, Digimon Adventure (1999-2000, 54 episodes); 02 takes place three years after the events of Adventure (Adventure takes place in 1999, 02 in 2002, very easy to remember by the name). While I definitely also recommend Adventure for being a fantastic series, it is not strictly necessary to watch Adventure to understand 02, as while 02 inherits many aspects of Adventure’s writing style and follows up on its characters, its core narrative is completely independent from Adventure’s; only a very small handful of plot points are particularly dependent on Adventure, all of which are explained for both the new characters and the viewer, and the emotional core of the story is completely distinct from Adventure’s. Several Adventure characters return in “mentor”-esque roles, but specifics of their prior adventure are only alluded to (and properly described in-series) when strictly relevant, and it’s perfectly possible to watch 02 first and then treat Adventure like a prequel if you’re interested in what they’re talking about.

In mainstream media, Adventure and 02 airing so closely to each other means that there are uncommon occasions when people will mix the two series up, but for the most part they are treated as separate narratives (especially since Adventure is the one that gained iconic status that exponentially dwarfs just about anything else in this franchise). Most 02 fans agree -- and, generally, official has taken the stance, with only some exceptions -- that 02 should be treated as a sibling of sorts to Adventure; it’s ideal to take them together as two sides of one coin to a wider Adventure narrative (and they were originally written that way, too), but 02 also differentiates itself so much from Adventure that it has its own identity as a series. Generally speaking, which of the two you prefer will largely boil down to a question of personal taste, and on the flip side, if you’re coming into 02 from Adventure, I do not recommend going in expecting something narratively structured or presented like Adventure, because you’re just going to set yourself for disappointment while trying to compare apples and oranges.

Compared to its predecessor, which was predominantly a “trapped in another world” isekai narrative with a very linear and straightforward “boss rush” plot, 02 moves the setting to the real world and relies more on plot intrigue, with more opposing forces at play. While both series heavily center around an isekai known as the “Digital World”, 02′s setting involves the kids having to juggle their daily lives at school with fighting in the Digital World after school hours, and bearing increasingly heavier emotional burdens trying to juggle both sides of their lives and hide their exploits from their families.

That said, the biggest distinction between Adventure and 02 is that while the former was largely about individualized character arcs and the importance of self-awareness, 02 is a story that centers heavily around interpersonal relationships, which means that it no longer focuses on the characters as individual units and rather focuses more on their overall dynamic as a group. As a result, the Digimon partners have a much more individualized presence (not as much compared to some later series, but somewhat moreso than Adventure, where they were more likely to be treated as extensions of the human partner), and character arcs are more intimately psychological, with depictions of many things that may be immediately recognizable to those familiar with various forms of depression or anxiety (including, at one point, a depiction of trauma-induced dissociation). The series also is very heavy on implicit criticism of overly unhealthy pressures being placed on children that take away their ability to express themselves as children (including ones that seem ostensibly "helpful" on the surface, such as loading uncomfortable expectations on children for being talented or smart). Because of the importance of mutual emotional support in coping with these problems, relationships and dynamics between characters are given much higher weight than they had in Adventure, and are here treated as just as important as, if not more important than, individual character arcs.

While there are a number of smaller themes in 02 that can be summarized in various ways, I would say there are two major themes that most of everything in 02 can be said to call back to in some way:

the meaning of finding happiness and personal fulfillment in one’s own way, even in the face of societal pressure, and

the meaning of “moving forward” with one’s life in the face of past trauma, shame, or adversity.

(Of course, even then, both are related, but it’s naturally the kind of complex topic that’s hard to really encapsulate in one sentence, isn’t it?)

While not to the same degree as its predecessor, 02 is still considered to be heavily influential on the rest of the franchise that followed thereafter, especially ones that make use of a heavy real-world premise; in particular, Cyber Sleuth was directly stated to have one of its core premises inspired by 02′s computer lab.

Caveats about 02′s writing style

Both Adventure and 02 have a sort of writing style that can be immensely arcane, in that they both love to convey important nuances about their series in some frustratingly subtle ways -- ways that can often be dependent on single lines of dialogue or reading very closely into context. Because of this, both series can be read completely differently simply depending on whether you’re watching it casually or whether you’re actively thinking over every single plot point (which, honestly, might be a bit overboard in how much it expects out of its audience), meaning that they become series that outright demand you pay close attention and be patient with them. On top of this, both series are hellbent on portraying realistic human behavior in all of its messy, haphazard ways, meaning that on one hand they can be terrifyingly relatable, but on the other hand, its characters can act so realistically human that it’s easy to think their behavior doesn’t make sense if you’re used to the more straightforward way media characters would act.

Adventure managed to offset this to some degree because of its aforementioned linear, straightforward plot, which explained a bit more clearly what it was doing, but due to 02′s higher degree of complexity, and the fact it’s even less clear-cut about what the take-home point is, the intent behind certain writing choices can come off as downright incomprehensible if you’re not willing to sit down, hold its hand, and think really hard about the meaning of each element. In short, while 02′s lack of straightforwardness means it can have an unusual amount of depth and nuance for a 50-episode kids’ show, it also somewhat backfires in that it requires a lot of patience to get the most out of, so how much you get out of it is going to directly depend on how much you’re willing to give it that leeway. There are times it’s going to feel like it’ll take two or even three watches to get what it was going for (which is why I’m capable of running a whole analysis blog aimed at people whom I assume have already seen it once), and that’s great when you want to enjoy the experience of getting something new out of it every time, but not so great when you’re just trying to casually enjoy something for the first time.

The second major asterisk when it comes to recommending 02 is that its concept of plot progression is treated as utterly secondary to its character drama and theme narrative. As far as “events of the plot” go (in terms of how climactic a Digimon battle will be in terms of power level, or which “enemy” they’re fighting at a given moment), there are times when the series has no shame about being anticlimactic or introducing elements that seem completely out of place. The thing is that almost every single element of the story does have a narrative purpose...in terms of either a given character’s story arc or in terms of the overall narrative theme, and so enjoying this story to the fullest means adjusting your expectations in such a way that you basically have to rewire your head to effectively stop caring about anticipated plot elements, instead reframing everything in terms of what relevance it has to each character or series theme. On top of that, the final quarter of 02 is infamously very “crowded” in that it cycles through subplots at breakneck pace to the point it can get disorienting (mainly due to the production staff deciding to not make a third Adventure series at a very late point and the writers being encouraged to get everything out of their system), and while it doesn’t leave any major plot threads hanging, some of them will be resolved unnervingly abruptly as soon as their contributions to 02′s overarching character narratives and themes are finished.

For new viewers, I don’t know if it’s fair to expect this degree of patience out of someone who’s just trying to get into a simple 50-episode kids’ show, and so since this is a series that often feels “inaccessible” at times, despite my love for it, I don’t actually tend to recommend 02 to new viewers very often (especially new Digimon viewers trying to pick where to get into the entire franchise) and usually redirect them to Appmon instead, on account of Appmon hitting several of 02′s appeal points (emphasis on group dynamic, real world setting, high thematic depth, high character focus, among many, many other things) while still delivering it in a generally much more straightforward and palatable manner. However, both series are still unique and distinct series with their own unique and distinct strengths, and in the case of 02, as said above, a lot of its overcrowded nature also allows it to have an incredible and unusual amount of depth not present in much other Digimon media, nor perhaps even kids’ shows as a whole. So, in other words, if you are willing to be patient with this series, sit down, and take a lot of time to walk step-by-step through with an open mind, there is a lot you can take home and relate to from 02, and it’s likely to be well worth the time and effort spent on it in that case.

(And hey, I write analysis meta on this series a lot specifically because there’s so much that doesn’t tend to be apparent on a single watch.)

I will also mention that 02 has a very infamous timeskip epilogue that may well be one of the most controversial things in this entire franchise (yeah, it’s one of those). Although I (and a lot of other 02 fans) have generally taken the stance that a lot of its choices weren’t as out of nowhere as they may initially seem, just really poorly communicated, it is still understandably going to rub a lot of people the wrong way, and even 02 fans tend to be very split about it. That said, if you do end up in the camp that’s not a huge fan of it, I do ask that you please try not to hold what ultimately amounts to three minutes of footage against the rest of the 50-episode series too much, and that this horse has been beaten so badly for the last twenty years that a lot of people (even those who don’t care for it) tend to start feeling dread around the surrounding controversy being brought up, so trust me, we know. (It is considered generally very socially acceptable within the 02 fanbase to make AUs if you don’t like it, especially if it’s for shipping reasons.)

Altogether, 02 is a narrative that is written with a lot of kindness in its character writing and sentiments (I mean, especially in this one, the word “kindness” is literally a key word in it), which means that best appreciating it requires approaching it with a similar open-minded sentiment and a desire to get something about the human condition or about life out of it. If your purpose in coming into this series is simply to gauge which Digimon series are superior to it, I’m afraid to say it’s very likely you will never get anything worthwhile out of this series, but if you’re willing to hear out what it’s trying to say, there is a lot that you can take home.

Things to look out for

Personally, I think it’s best to view 02 in roughly three parts:

Kaiser arc (episodes 1-23): Centers around five “Chosen Children” (Daisuke, Miyako, Iori, Takeru, and Hikari) and their partners gathering together to fight an effective territory war against “genius” child Ichijouji Ken, styling himself as the “Digimon Kaiser” trying to take over and dominate the Digital World. While the Chosen Children and their partners get to know each other and understand what it takes to be a Chosen Child, we also learn more about the social pressures and traumatic conditions surrounding Ken that pushed him into the Kaiser persona in the first place...

Jogress arc (episodes 24-37): As new threats appear on the horizon, a reformed Ken must come to terms with his past as the Kaiser and atonement for his deeds, but doing so requires opening his heart to the other Chosen Children, who all carry differing stances on how much they’re willing to forgive him and what it would take for him to prove he’s changed his ways. The question of whether they should accept Ken causes a massive shakeup to the group dynamic, forcing each kid to reexamine themself and bringing to the forefront deep-seated personal issues that had been built up in earlier episodes, culminating in each member of the group getting paired up with the person who is best suited to helping them tackle their worst emotional problems.

Oikawa arc (episodes 38-50): The kids meet up with other Chosen Children around the world and contend against a human enemy who may be much more tied to the concept of a Chosen Child than it seemed at first glance. As the kids are forced to confront higher and higher stakes that start taking larger emotional tolls on them, the question of what it means to find personal happiness and move forward comes even more to the forefront.

You’ll notice that I didn’t strictly organize the arcs by which enemy is the predominant one, mainly because, as I said before, I honestly think it is better to go in reading this as a character and theme narrative than it is thinking in terms of who’s the bad guy (especially in terms of the finale, episodes 48-50, where the actual identity of the mastermind is significantly less important than the huge number of theme statements it whacks you over the head with).

As said earlier, the narrative is largely carried by the arcs of its character cast, so let’s introduce them briefly here:

Daisuke: A fundamentally pure-hearted and incredibly friendly boy who unfortunately tends to be too transparent about his feelings and too carried away by his emotions that often runs circles and is too simple-minded for complex things (very much like an overly excited puppy), but as the series progresses grows from someone constantly getting dragged around by others to someone with the strongest will to push forward without getting wrapped up in unnecessary things. Generally billed as 02′s lead protagonist, and the character who is undoubtedly most central to the major series themes. Partnered to V-mon, who has an excitable and friendly personality just like his own.

Ken: The central character behind a lot of the story’s plot intrigue. A boy recognized as a “genius” by society and pushed to mental breaking point by its relevant pressures in many ways, who also is forced to contend with shame and responsibility, and the need to heal with the help of support from others. (Frankly speaking, it is so blatantly obvious that he’s eventually going to reform and join the team that I see no merit in hiding it as a spoiler, so enjoy the process of how it happens.) Partnered to Wormmon, whose obvious loyalty and kind nature is immensely revealing about Ken before and after his turn.

Miyako: An affectionate and bubbly girl who also has a huge case of foot-in-mouth syndrome and a tendency to panic over things, struggling between her constant desire to do something helpful for the group and her messy personality often messing things up. Spends the series dealing with some very bad self-worth issues and coming to terms with the way she is. Partnered to Hawkmon, whose more upright nature and steadfast loyalty helps keep Miyako in check when she’s running all over the place.

Iori: The youngest in the group with the most ostensibly mature demeanor, constantly trying to restrain his emotions to be a polite and collected child, but also dealing with an overly black-and-white view of the world and morality, often struggling with a tendency to stubbornly cling to his view of the world instead of being more reasonably flexible about it, which he slowly gets around by being willing to question things when they don’t make sense to him. Partnered to Armadimon, whose easygoing personality helps Iori learn to chill a bit, and also asks well-placed questions that allow Iori to question his position.

Takeru: A friendly and ostensibly easy-to-get-along-with boy who sometimes has a tendency to be a bit unnervingly evasive about certain topics, or, at times, to completely blow up emotionally when something hits him too emotionally close, leading to difficulty reading his intentions at times. Partnered to Patamon, who, in contrast to Takeru’s moderate demeanor, acts more ostensibly childish, but can be a bit of a troll at times.

Hikari: A girl who ostensibly seems assertive, bright, and friendly, but seems to be somewhat hesitant about talking about more intimate personal feelings, and, in matters that mainly have to do with her own personal well-being, suddenly finds herself unable to speak out or do anything for herself. Spends the series with others reaching out to her to understand she has people to depend on during such times. Partnered to Tailmon, the most ostensibly mature of the main Digimon partners of the serires, but enjoying herself playfully much like Hikari does.

There are six returning older human characters (and their partners) who are returning from Adventure; they serve in supporting “mentor” roles for the younger ones with their own varying mentor-mentee relationships between them, but their character stories are not central to the plot, and for viewers returning from Adventure, they help catch the viewer up on how they’ve been doing since the first series. Takeru and Hikari (and their partners) are also returning characters from the first series, but on top of their character arcs having major unresolved notes at the end of Adventure (especially Hikari, who didn’t join the Adventure group until very late), they were the youngest in the Adventure group and therefore had a very limited range of influence within the 8-person group; their respective character arcs are more prominently brought to the forefront and resolved in 02, especially as they’re more active participants in the group dynamic with more kids around their age. (While knowing Takeru and Hikari’s backgrounds in Adventure helps contextualize their positions better, the key points are fully reiterated and recapped in 02, especially for the benefit of the other group members, who are just as new to it as a potential new 02 viewer would be.)

Again, the most important thing to keep in mind as the series goes on is how the relationships and the overall group dynamic change throughout the series, especially since (as per 02′s ridiculously subtle writing style) many of the above points will not be laid out in explicit words but rather be presented purely through words and actions that have to be rationalized together. This is especially important in terms of the Jogress arc, when the question of why the relevant pairs are paired up is heavily dependent on where each kid stands and how each member of each pair complements each other. In addition, the Digimental traits assigned to each kid (named after various virtues and based off the “Crests” concept from Adventure) are helpful guides to understanding where the character arcs are expected to go, although I warn against sticking to them too tightly, especially if you’re coming from Adventure and expect them to play out the same way, because they’re not going to (protip: Courage, Love, and Knowledge become significantly more important in the second half of the series, despite showing up at the beginning).

Also, if it means anything, as of this writing, it currently has the highest number of vocal insert songs in any Digimon TV series (with only Xros Wars beating it out if we include Hunters). No, seriously, 02′s music is good.

Japanese version or dub?

Well, firstly, we need to get on the table which dub, but generally speaking, for the majority of Western-language dubs produced for 02, you can put them in one of two categories: ones translated directly from the Japanese script, and ones based off the American English dub script, so if you’re looking into a given dub you may want to check which category it falls under (and be extra careful; several dubs use the American English dub character names and terminology but the Japanese dialogue script, and there’s also a Southeast Asian-produced English one that’s based off the Japanese script and not the American English one). This is an important distinction, because the American English dub is extremely derivative, to the point that unless

you have a particular longtime attachment to the dub for emotional reasons -- childhood memories, etc. -- to the point that watching with it is non-negotiable (at which point I honestly don’t think I have any place in trying to convince you otherwise), or

there are accessibility reasons with the Japanese version or any dub based off of it (difficulty with subtitled media, difficulty in accessing footage, etc.)

I do not recommend the American English dub version of 02, nor any dub based off of it, to new or returning viewers. This is probably going to be taken as a very extreme opinion, so please hear me out for a second while I explain my rationale.

Not every Digimon series was dubbed similarly, especially since Digimon localization has changed company hands a few times, and there are series (including even the original Adventure) where I’m willing to be much more lenient with this recommendation or consider it more to be a question of preferences. Unfortunately, 02 fell victim to a number of factors in the dubbing process that put it in a very negative position: not only does it have the above-mentioned excessively subtle writing style to the point where even small changes would have a massive effect on the nuances it was presenting, 02′s American English dub also has the most aggressive changes out of any Digimon series. (This is not just me projecting because this series is a favorite of mine; doing an actual count of significant changes that substantially affect plot or characterization in a given 02 episode will be something around 1.5x your average Adventure episode and 2-3x your average Tamers or Frontier episode.) These are also not minor changes; they’re ones that substantially impact characterization or plot to the point where characterization and character arcs will often contradict themselves or go against series themes, especially in regards to lead protagonist Daisuke.

In effect, many of the changes eat away very significantly at many of 02′s strongest points, especially the consistency of the group dynamic and Daisuke’s role in it, which removes a lot of what 02′s appeal was in the first place and turns an already rather polarizing and obtuse narrative into one that genuinely becomes difficult to make sense out of no matter how hard you look into it. There’s a lot of testimony where it often feels like people are not even talking about the same series because of just how different it is, and to a certain degree, it’s definitely misleading to treat them like they’re the same, especially in light of potential post-02 canon material that’s very much intended to be based on the Japanese version.

I don’t think it’s impossible to enjoy 02 with said dub; after all, there are many kids who were able to enjoy it and get into the series nevertheless, and I honestly give my regards to those who enjoyed or are currently able to enjoy 02 by catching onto the substance beneath it. However, it’s also conversely true that among Digimon series, 02 probably has the highest rate of people going from outright disliking it to loving it just from the sheer act of changing from the American English dub to the Japanese version, due to how many make-or-break points said dub impacted (and I’m afraid to say that I haven’t heard many cases of the reverse, if at all). So even taking personal feelings about 02 or about dubbing/localization in general out of the equation, you might understand why it’s hard for me to recommend it to a new or returning viewer; especially in the current day and age, it’s much easier for me to imagine new viewers getting turned off this series with the American English dubbed version than it is the Japanese version, and for returning viewers who disliked it the first time and are wondering if they’ll like it more on a rewatch, it’s very possible that a lot of the dub-induced things they disliked about it are still going to be there.

That being said, the (legal) availability of the Japanese version of 02 is not particularly great; for Europeans and some other territories, it’s available on Crunchyroll with a somewhat decent translation, but anyone else will have to resort to either a VPN or some (cough) unofficial means. (If you do the latter, I recommend PositronCannon’s release.) For those who are able to watch dubs besides the American English one, if they’re closer to the Japanese script, everything I’ve heard about them suggests they do make changes, but not ones that pose such a significant detriment to series consistency like this. Ultimately, since I fully acknowledge that this isn’t a great position to be in, if for any reason you decide to go with the American English dub version, please simply keep in mind that it’s still very different from the original and many things that don’t track might be specifically dub-induced instead of originally intended to be part of the story -- and since this guide is mainly just intended to help more people enjoy the series as best they can, I do hope you enjoy it either way.

(Although I do have to say that this is a reason why I’m much more quick to recommend Appmon to newcomers -- its Crunchyroll release is at least available in far more countries, and its translation is much better.)

Movies

02 has two theatrical movies that were released around its run. The first is Hurricane Touchdown, which is known internationally as “the third part of Digimon the Movie” (actually three Adventure/02 movies that were mashed together due to restrictions on movie format releases, and the only American English dub product that also was used for dubs that normally would use the Japanese script, due to said limitations). This was the most aggressively changed out of all three parts to the point you can’t really call it much of the same movie anymore (in particular, the movie’s main theme of “the dangers of clinging so unhealthily to the past that you can’t move on” is heavily obscured, and its feature character Wallace’s personality turned into the complete opposite of what it was in the original Japanese version). The original Japanese version is an incredibly polarizing work, even more so than 02 itself, due to its presentation involving a lot of acoustic tracks and unusual editing that makes it often commented as being “like an acid trip”, also not helped by the fact it had poor luck with translations until very recently, but as a theme narrative it’s solid and its feature character Wallace is very popular. (It also was apparently a favorite of the Kizuna director enough that Kizuna is very blatantly a spiritual sequel to it.) Narratively, it takes place around the summertime and is altogether detached from the 02 series narrative, so there’s no particular place it has to be watched within 02 series context if you plan to do so.

The second movie is Diablomon Strikes Back, which takes place three months after the finale of 02 (March 2003) and is mainly just a single fun and silly movie meant to have fun with all of the twelve Chosen Children from Adventure and 02 and their partners before the Adventure canon narrative came to a close (or, at least, as it seemed to close until things changed fourteen years later, but that is a can of worms on its own). Notably, its American English dub was done in 2005 by a different company from the original 02 dub, and it’s therefore much more accurate to the original Japanese script than other dubbed 02 material -- which means it’s also the only 02 work I’m personally comfortable recommending with said dub without much reservation.

#digimon #digimon adventure 02 #shihameta #dubbing discourse

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writingwithcolor · 3 years ago

Text

Jurassic period alien interacting with key cultures and historical figures in Middle East & Asia throughout history

@ketchupmaster400 said:

Hello, so my question is for a character I’ve been working on for quite a while but wasn’t sure about a few things. So basically at the beginning of the universe there was this for less being made up of dark matter and dark energy. Long story short it ends up on earth during the Jurassic Period. It has the ability to adapt and assimilate into other life animals except it’s hair is always black and it’s skin is always white and it’s eyes are always red. It lives like this going from animal to animal until it finally becomes human and gains true sentience and self awareness. As a human it lives within the Middle East and Asia wondering around trying to figure out its purpose and meaning. So what I initially wanted to do with it was have small interactions with the dark matter human and other native humans that kinda helped push humanity into the direction it is now. For example, Mehndhi came about when the dark matter human was drawing on their skin because it felt insecure about having such white skin compared to other people. And ancient Indians saw it and thought it was cool so they adopted it and developed it into Mehndi. Minor and small interactions though early history leading to grander events. Like they would be protecting Jerusalem and it’s people agains the Crusaders later on. I also had the idea of the the dark matter human later on interacting with the prophets Jesus Christ and Muhammad. With Jesus they couldn’t understand why he would sacrifice himself even though the people weren’t deserving. And then Jesus taught them that you have to put other before yourself and protecting people is life’s greatest reward. And then with the prophet Muhammad, I had the idea that their interaction was a simple conversation that mirrors the one he had with the angel Jibril, that lead to the principles of Islam. Now with these ideas I understand the great importance of how not to convey Islam and I’ve been doing reasearch, but I am white and I can understand how that may look trying to write about a different religion than my own. So I guess ultimate my question is, is this ok to do? Is it ok to have an alien creature interact with religious people and historical events as important as they were? Like I said I would try to be as accurate and as respectable as possible but I know that Islam can be a touchy subject and the last thing I would want is to disrespect anyone. The main reason I wanted the dark matter being in the Middle East was because I wanted to do something different because so much has been done with European and American stuff I wanted to explore the eastern side of the world because it’s very beau and very rich with so many cultures that I want to try and represent. I’m sorry for the long post but I wanted you guys to fully understand what my idea was. Thank you for your time and hope you stay safe.

Disclaimer:

The consensus from the moderators was that the proposed character and story is disrespectful from multiple cultural perspectives. However, we can’t ignore the reality that this is a commonly deployed trope in many popular science fiction/ thriller narratives. Stories that seek to take religious descriptions of events at face value from an areligious perspective particularly favor this approach. Thus, we have two responses:

Where we explain why we don’t believe this should be attempted.

Where we accept the possibility of our advice being ignored.

1) No - Why You Shouldn’t Do This:

Hi! I’ll give you the short answer first, and then the extended one.

Short answer: no, this is not okay.

Extended answer. I’ll divide it into three parts.

1) Prophet Muhammad as a character:

Almost every aspect of Islam, particularly Allah (and the Qur’an), the Prophet(s) and the companions at the time of Muhammad ﷺ, are strictly kept within the boundaries of real life/reality. I’ll assume this comes from a good place, and I can understand that from one side, but seriously, just avoid it. It is extremely disrespectful and something that is not even up to debate for Muslims to do, let alone for non-Muslims. Using Prophet Muhammad as a character will only bring you problems. There is no issue with mentioning the Prophet during his lifetime when talking about his attributes, personality, sayings or teachings, but in no way, we introduce fictional aspects in a domain that Muslims worked, and still work, hard to keep free from any doubtful event or incident. Let’s call it a closed period: we don’t add anything that was not actually there.

Reiterating then, don’t do this. There is a good reason why Muslims don’t have any pictures of Prophet Muhammad. We know nothing besides what history conveyed from him.

After this being said, there is another factor you missed – Jesus is also an important figure in Islam and his story from the Islamic perspective differs (a lot) from that of the Christian perspective. And given what you said in your ask, you would be taking the Christian narrative of Jesus. If it was okay to use Prophet Muhammad as a character (reminder: it’s not) and you have had your dark matter human interacting with the biblical Jesus, it will result in a complete mess; you would be conflating two religions.

2) Crusaders and Jerusalem:

You said this dark matter human will be defending Jerusalem against the Crusaders. At first, there is really no problem with this. However, ask yourself: is this interaction a result of your character meeting with both Jesus and Prophet Muhammed? If yes, please refer to the previous point. If not, or even if you just want to maintain this part of the story, your dark matter human can interact with the important historical figures of the time. For example, if you want a Muslim in your story, you can use Salah-Ad-Din Al-Ayoubi (Saladin in the latinized version) that took back Jerusalem during the Third Crusade. Particularly, this crusade has plenty of potential characters.

Also, featuring Muslim characters post Prophet Muhammad and his companions’ time, is completely fine, just do a thorough research.

3) Middle Eastern/South Asian settings and Orientalism:

The last point I want to remark is with the setting you chose for your story. Many times, when we explore the SWANA or South Asian regions it’s done through an orientalist lens. Nobody is really safe from falling into orientalism, not even the people from those regions. My suggestion is educating yourself in what orientalism is and how it’s still prevalent in today’s narrative. Research orientalism in entertainment, history... and every other area you can think of. Edward Said coined this term for the first time in history, so he is a good start. There are multiple articles online that touch this subject too. For further information, I defer to middle eastern mods.

- Asmaa

Racism and Pseudo-Archaeology:

A gigantic, unequivocal and absolute no to all of it, lmao.

I will stick to the bit about the proposed origin of mehendi in your WIP, it’s the arc I feel I’m qualified to speak on, Asmaa has pretty much touched upon the religious and orientalism complications.

Let me throw out one more word: pseudoarchaeology. That is, taking the cultural/spiritual/historical legacies of ancient civilizations, primarily when it involves people of colour, and crediting said legacies to be the handiwork of not just your average Outsider/White Saviour but aliens. I’ll need you to think carefully about this: why is it that in so much of media and literature pertaining to the so-called “conspiracy theories” dealing with any kind of extraterrestrial life, it’s always Non-Western civilizations like the Aztec, the ancient Egyptians, the Harappans etc who are targeted? Why is it that the achievements of the non West are so unbelievable that it’s more feasible to construct an idea of non-human, magical beings from another planet who just conveniently swooped in to build our monuments and teach us how to dress and what to believe in? If the answer makes you uncomfortable, it’s because it should: denying the Non-West agency of their own feats is not an innocent exercise in sci-fi worldbuilding, it comes loaded with implications of racial superiority and condescension towards the intellect and prowess of Non-European cultures.

Now, turning to specifics:

Contrary to what Sarah J. Maas might believe- mehendi designs are neither mundane, purely aesthetic tattoos nor can they be co-opted by random Western fantasy characters. While henna has existed as an art form in various cultures, I’m limiting my answer to the Indian context, (specifying since you mention ancient India). Mehendi is considered one of the tenets of the Solah Shringar- sixteen ceremonial adornments for Hindu brides, one for each phase of the moon, as sanctioned by the Vedic texts. The shade of the mehendi is a signifier for the strength of the matrimonial bond: the darker the former, the stronger the latter. Each of the adornments carries significant cosmological/religious symbolism for Hindus. To put it bluntly, when you claim this to be an invention of the aliens, you are basically taking a very sacred cultural and artistic motif of our religion and going “Well actually….extraterrestrials taught them all this.”

In terms of Ayurveda (Traditional holistic South Asian medicine) , mehendi was used for its medicinal properties. It works as a cooling agent on the skin and helps to alleviate stress, particularly for the bride-to-be. Not really nice to think that aliens lent us the secrets of Ayurvedic science (pseudoarchaeology all over again).

I’m just not feeling this arc at all. The closest possible alternative I could see to this is the ancient Indian characters incorporating some specific stylistic motifs in their mehendi in acknowledgement to this entity, in the same vein of characters incorporating motifs of tribute into their armour or house insignia, but even so, I’m not sure how well that would play out. If you do go ahead with this idea, I cannot affirm that it will not receive backlash.

-Mimi

These articles might help:

Pseudoarchaeology and the Racism Behind Ancient Aliens

A History of Indian Henna (this studies mehendi origins mostly with reference to Mughal history)

Solah Shringar

2) Not Yes, But If Ignoring the Above:

I will be the dissenting voice of “Not No, But Here Are The Big Caveats.” Given that there is no way to make the story you want to tell palatable to certain interpretations of Islam and Christianity, here is my advice if the above arguments did not sufficiently deter you.

1. Admiration ≠ Research: It is not enough to just admire cultures for their richness and beauty. You need to actually do the research and learn about them to determine if the story you want to tell is a good fit for the values and principles these cultures prioritize. You need to understand the significance of historical figures and events to understand the issues with attributing the genesis of certain cultural accomplishments to an otherworldly influence. 1.

2. Give Less Offense When Possible and Think Empathetically: You should try to imagine the mindsets of those you will offend and think about to what degree you can soften or ameliorate certain aspects of your plot, the creature’s characteristics, and the creature’s interactions with historical figures to make your narrative more compatible. There is no point pretending that much of areligious science fiction is incompatible with monotheist, particularly non-henotheistic, religious interpretations as well as the cultural items and rituals derived from those religious interpretations. One can’t take “There is no god, just a lonely alien” and make that compatible with “There is god, and only in this particular circumstance.” Thus:

As stated above by Asmaa and Mimi, there is no escaping the reality the story you propose is offensive to some. Expect their outcry to be directed towards you. Can you tolerate that?

Think about how you would feel if someone made a story where key components of your interpretation of reality are singled out as false. How does this make you feel? Are you comfortable doing that to others?

3. Is Pseudoarchaeology Appropriate Here?: Mimi makes a good point about the racial biases of pseudoarchaeology. Pseudoarchaeology is a particular weakness of Western-centric atheist sci-fi. Your proposed story is the equivalent of a vaguely non-descript Maya/Aztec/Egyptian pyramid or Hindu/ Buddhist-esque statue being the source for a Resident Evil bio weapon/ Predator nest/ Assassin’s Creed Isu relic.

Is this how you wish to draw attention to these cultures you admire? While there is no denying their ubiquity in pop-culture, such plots trivialize broad swathes of non-white history and diminish the accomplishments of associated ethnic groups. The series listed above all lean heavily into these tropes either because the authors couldn’t bother to figure out something more creative or because they are intentionally telling a story the audience isn’t supposed to take seriously.*

More importantly, I detect a lot of sincerity in your ask, so I imagine such trivialization runs counter to your expressed desire to depict Eastern cultures in a positive and accurate manner.

4. Freedom to Write ≠ Freedom from Consequence: Once again, as a reminder, it’s not our job to reassure you as to whether or not what you are proposing is ok. Asmaa and Mimi have put a lot of effort into explaining who you will offend and why. We are here to provide context, but the person who bears the ultimate responsibility for how you choose to shape this narrative, particularly if you share this story with a wide audience, is you. Speaking as one writer to another, I personally do not have a strong opinion one way or the other, but I think it is important to be face reality head-on.

- Marika.

* This is likely why the AC series always includes that disclaimer stating the games are a product of a multicultural, inter-religious team and why they undermine Western cultures and Western religious interpretations as often (if not moreso) than those for their non-Western counterparts.

Note: Most WWC asks see ~ 5 hours of work from moderators before they go live. Even then, this ask took an unusually long amount of time in terms of research, emotional labor and discussion. If you found this ask (and others) useful, please consider tipping the moderators (link here), Asmaa (coming eventually) and Mimi (here). I also like money - Marika.

#alien character #historical fiction #science fiction #pseudoarchaeology #Middle-Eastern cultures #South-Asian cultures #Islam #writing with Islam #mehendi #cultural appropriation #areligious perspectives in writing #asks #WWC

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hwrryscherry · 4 years ago

Text

The one where the reader meets Harry as Jack

characters: HARRYxREADER!FEM

blurb: Harry is filming Don't Worry Darling in Palms Springs while Y/N is moving in in her new house in the neighbourhood where the movie is being filmed. Turns out the fate wanted to cross Harry and Y/N's way as a box full of books is very intriguing to Harry and Pride and Prejudice becomes Harry's new favorite.

word count: 2.7K

author's note: Heyy guys, it has been SO LONG and honestly I don’t think this is best work yet lol but anyway, I had the worst writer’s block of my life so it was so hard for me to write a single word. Honestly, I felt kinda pressured to write. I felt like I was pressuring myself for that so I had to take advantage of this block and take this idea out of my mind. I want to say something important too; I really want to say that the only story of mine that I’ll keep the face claim is HARRYxMODELY/N, just because I like to use the photos to make instagram posts sometimes. I will no longer describe types of hair as I used to say ‘’long strands of hair’’, it will be neutral for you to imagine yourself in the story. It’s all about you guys and how you can visualize the story and the character, if you want to imagine a face claim that’s cool but if you don’t want to it’s cool too. Feel free to read and visualize, it’s all about you. Thank you for the support on my account and my writing. I’m aware that I’m not the best lol, but I also think that I have so much to learn from you just as I have to teach. I’m so grateful for everyone who reads and like my stuff. Never forget that you’re unique, you’re loved, you’re so golden and treat people with kindness always.

"Why is it so hot in here? It's fucking December!", you'd think to yourself as you drove your new car through the streets of Palm Springs. The thing is that after you moved from Columbia to reside so many years in New York while you were studying English Language and Literature in Yale, you just got so used with the usual colder weather from NY and it's just a different vibe from California. You had such a hard time to decide what you wanted to do after graduating, though. And after a few weeks and some long conversations with your family, you decided you would go to California. Palm Springs, to be more specific. You decided that because you remembered all the times you went there when you were a kid because your grandmother lived in there before she passed. You remember spending your summer vacation with her and how cool it was. It was in the early 2000′s and there was many kids on your age that lived on her street. You remember playing with them all day and then getting back into your grandma’s house and feeling that cinnamon scent that for some one only her house had. It wasn’t a usual cinnamon scent. It had something special in it. It made you feel so warm and welcomed. You remember helping her to bake the most delicious cookies, brownies and cakes in her kitchen. You remember the kitchen had a yellow counter, but the entire kitchen was white. All very pale and then the cheerful yellow in the kitchen that colored everything. You remember going to play bingo with her and how it made her happy to having you around. You both were so close and you had such a hard time when she passed, but the most important was she taught you so many things during your time together, and you’d never forget those things and her.

As you drove, you’d remember those streets vaguely. You’d pass through the soccer court you typically used to go with the other kids and spent hours playing in there. You were vibing with the song in the stereo as you started getting closer to your new house’s street. It was Carolina by Harry Styles; you have to admit you’re not the biggest Harry Styles fan in the world, but you were definitely a One Direction fan when you were around 16, but you couldn't be considered a directioner either. You just listened to a few songs and thought it was good. But anyway, this specific song is one that you particularly like. It may have something to do with the fact that you’re from Carolina, of course. But it’s more about the vibe and the melody that by being animated it could actually cheer anyone up and the lyrics were undeniably good though, a little sexual, but good. It’s more about the vibe and the melody that by being animated it could actually cheer anyone up and the lyrics were really good though, a little sexual, but good.

When you turned the right way into the street of your new home, you came across much more than you expected to see on your moving day. There were, as it seemed, paparazzi. Apparently they were shooting a movie right in your street, and it had also many people with many cameras and trailers that probably were dressing rooms. Naturally, you knew that thousands of films were shot in California, that’s obvious. But you didn't expect one to be shooting exactly on your moving day and specifically in your street, let alone that the street would be this crowded since the world is experiencing a global pandemic, ironic. You observed some of the people walking down the street, or should you call it a set? You don't know, but there were many people and many cars, at least they were all wearing masks. It had many classic cars, probably in the 40s or 50s style. They were colorful; vivid colors, though. Colors like yellow, blue and lilac was really present. To resume, the whole street looked like a movie from the 50s and for sure that was the intention because you could notice some extras walking around the set dressed up as 50s people used to.

As you carefully drive through the street, you’d notice that from what seemed like a divine miracle, there was a vacant parking spot right in front of your house and you can’t help but smile when you see it. The first time you came here to see the house. You were with your family, and that was about four months ago. You just loved the house completely as it had such a different vibe from the place you used to live in New York, and honestly, just the thought of the house made your creativity activate as it had some really cool colored walls and you bought some colored mobile as well. Anyway, you stopped the car right in front of your house finishing the engine and grabbing your mask and putting it in your face as you'd use your hand to get rid of the seat belt and your other hand to open the car door and get out of the car.

After closing the driver's seat door, you go around the car walking to the trunk where you use the car key to open it. When you open it, you are faced with two cardboard boxes. One was full of books. Books of all kinds, books of period novels, books of suspense, books of investigation and etc. Books that piqued your curiosity and made you want to finish reading it as quickly as possible. The other box was already full of clothes, those last clothes that you would finally be taking home. Your mother has done the biggest job in the moving issue; she was the one who was bringing the furniture and your things while you finished packing the rest of your things to leave New York. You try your hardest not to pay attention to the set of recordings and the people who walked back and forth, at the same time that you tried hard not to make any noise, because if you accidentally disturbed a scene, you would feel extremely embarrassed and would probably not even show up at the gate until the end of filming, but that was not the case. You removed the two boxes from the trunk just before closing it completely. You chose, perhaps, to enter the clothes box first. You bent down taking the box in your arms and walked to the door of the house where you used the key you received from the real-estate agent to unlock it before entering. You immediately noticed that some sunbeams reflected on the living room floor due to the white linen curtain that covered the glass windows. You observed the contrast of the sofa in such a light tone with the lilac wall just behind it. You walked with the box in hand by the door extension to the room where you placed the box on the small coffee table in front of the sofa. Returning out of the house, you can see the figure of a tall man dressed in a brown suit crouched in front of the box of your books. He had brown hair and properly cut. It didn't look like he was messing with your books, but he was definitely looking at them and it seemed like he was trying to read the covers of it for some reason. You slowly got closer to the man's body without making too much noise while you analyzed him, you crossed your arms upon your chest as you noticed the book cover he was looking at: Love is a mixtape by Rob Sheffield.

— This one is amazing! — You said, surprising the man that stand up fastly with the book in his hands connecting his green gaze with yours. He was tall, really tall by the way. His suit seemed perfect, just as his hair. He had a black mask on as a protection but the 16 year old teenager inside of you could never mistake those eyes. It was Harry fricking Styles. You considerated being quiet as you, yourself were pretty surprised now, but then you took your gaze to the book in his hand and then back at his face — It's like comparing love to a popular song that we usually search to define love. Just to find out that love is like oxygen, or love is a kind of drug, or a battlefield for some... — You said referring to the book with a tender smile on your face that Harry couldn't essentially see, but talking about a book that you loved caused this on you. And as you talked you didn't notice that Harry had a smile on his face as well. Maybe it was because you completely ignored the fact that he is Harry Styles and he was messing up your books as he's on the set filming a movie, or maybe it was the fact that he loved this book just as much as you did. He'd use to say this is probably one of the books that if he had to read just one book to the rest of his life, he'd chose this one and he usually had so much to talk about this book and so much to put on an argument about it but now he was completely speechless. He was just tongue tied. He was tongue tied about your reflection of one of his favorite books and how it looked so identical to his own personal reflection. He was tongue tied for the number of great books that he always wanted to read that was on that box. He was tongue tied at the owner of those books and her beauty, her intelligence of her voice and her voice as well so he just chuckled. A nervous chuckle as he leaned his head to look at the floor for a second before looking at you and holding out the book in his hands to you that calmly took it from his hands.

— I know! It's one of my favorite books! — Harry'd ultimately manage to say it as he observed you admiring the cover and running your fingers through it as a truly book lover would do — It's very interesting the interpretation you have of it.

— Don't you agree? — You'd interrupt him rising your head to examine at his face. He seemed paralyzed by some way, little did you know that Harry was mesmerized. He enjoyed the informal way you were speaking with him, and it genuinely felt like you already knew it each for years.

— That's the intriguing part. We have the same interpretation! — He'd say serenely, and then running his hand through his hair as he frown a little because of the sun that just hit on his glowing eyes.

— Well...Maybe you're just trying to imitate me to impress me! — You'd joke, with a mocking expression on your face making Harry giggle at your words and your face. It was the sense of humor to him.

— Oh really? And what makes you think I'm trying to impress you? — Harry'd say back with the same mocking tone that you formerly used. He'd observe your face go from playful to thoughtful in just as you to come up with a response.

— I mean...you were the one looking through my stuff, mister! — You say raising your eyebrows as you utilized one of your hands to take some strands of hair out of your face.

— Right... — Harry said with a defeated voice before as he compressed his lips together and moved his suit away from his shirt a little as he places his hands on his waist — I'm sorry about it, though. There was this box hanging here and I guess I was just intrigued! — He said shyly making you start walking towards the box walking closely to him causing him to feel a hot warm from your body as you passed. You'd bend over to grab the box but was stopped by Harry taking the heavy box from your hands — Let me help you with this! — Harry said as he held the box on his arms.

— There's no need for that. It'll ruin your splendid suit! — You'd say gently to him as he was standing up in front of you carefully holding the loaded box. Legitimately, he looked hot. He properly looked like a 50s husband helping with the moving with this outfit — And if you piss off your costume designer because of me I'll die! — You'd complement receiving a loud laugh from Harry's lips that shook his head while looking at you.

— She’ll be fine! — Harry'd argue back, then get a sigh from you before nodding at him as a statement.

— My house is right there! — You'd say using your right hand to point at your house, watching Harry turn his back to you and start walking towards it. You followed him through the door that was already open. Harry looked at the house immediately. It had a good vibe, and he wouldn't deny it. The choice of colors was exceptional, but he also noticed it was not very tidy, which would probably indicate that you were moving today.

— Where do I leave it? — Harry asked, referring to the box as he went farther into the living room.

— You can just leave it on the floor — You serenely said crossing your arms together and watching as he left the box on the floor and turned around to face you, but then deflecting his gaze to the ceiling before staring at your face again.

— It's a beautiful house! — Harry said as he moved his gaze through the room. He observed everything. He likes to observe. He likes to notice things that maybe other people didn't — Just like the owner, if I might say — Harry said cheekily and charming hearing your giggle invade his ears as you started walking towards the box of books that he previously set on the floor.

— The owner says thank you — You said bending down and starting to take the books out of the box and place it on the coffee table beside you as Harry watched your movements. You shyly looked at him thinking for a second and them smiling under your mask — For both compliments! — You said getting your attention back to the books. It's not that you don't want to give him your attention. It's that you genuinely think that he's just being nice, and he's probably not even interested in anything that you say.

— So... I have to go back to the film now but maybe you can give me your number so we can talk about your interpretation of my favorite book — Harry said shyly. His words took you by surprise actually but you couldn't hold back the smirk you had under your mask as you stand up again turning to face his green eyes. You noticed that he had his phone on his hand, hoping and waiting that you'd give him your number even though both of you knew that the book excuse was nothing more than an excuse as he was truly interested in knowing you.

— Well, it depends... — you said slowly as you took a deep breath before actually saying anything — If you agree to read my favorite books too, I'll give you my number!

— I'd be honored! — Harry chuckled after letting a sigh out feeling relief that you asked for something so simple that he'd love to do if that would make you happy — What's your name? — Harry said as he unblocked his phone screen and started to save your phone number.

— Save it as Elizabeth Bennet in there! — You said fastly with a proud smile on your face as Harry giggled and did as you ask and then looked at your face as he put his phone back on his pocket.

— Only if you save my name as Mr. Darcy when I call you! — Harry said knowing that after this, Pride and Prejudice would definitely become one of his favorite books ever.

#hwrryscherry #harry and y/n #harry styles and y/n #harry x reader #harry styles x you #harry styles x reader #harry styles x y/n #harry styles au #harey styles blurb #harry styles fanfiction #harry styles blurb #harry styles one shot #boyfriend harry styles #harry styles imagine #harry styles imagines

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just-whatever-ig · 4 years ago

Text

The Museum HC

Refers to this post (wolffe and his pack)

Plays post-war, fixit

If you find bad spelling, pls inform me

it's a discarded star cruiser. It's name was The Solar Storm and it served for a young Jedi who has been knighted and promoted to General shortly before the war ended.

Some walls were replaced with glass walls. The rooms behind the transparisteel show the daily life of the clones aboard a republican cruiser such as the sleeping rooms or the cantina (each room has a scene set with realistic looking (nonblue but colored) holograms of clones interacting with each other in a stilled frame, like their lives were frozen in a moment

it is guided with an audiobook: it's the voice of a clone (actually it's multiple clones but nobody but the Jedi can tell them apart) who tells stories of how they lived together. He tells how the rules were and what they usually did to occupy themselves.

there are pictures of important men, mostly Generals or Admirals but there are some clones as well who got their picture, such as the 10 Marshal Commanders of the GAR.

Cody has his own little space where they out all of his personal belongings out on a shelf, his Gun, his helmet, a small bone flute that General Kenobi has carved for him on a long campaign. Next to it is a small necklace with a small golden pendant in the form of the Jedi symbol. His picture above the shelf shows him and two ARC troopers that are tagged with ARC-23-1666 and ARC-4169. They all carry the tint of a smile on their serious faces.

in the cantina you can actually order food and eat alongside the holo exhibits of the troopers.

the screens and holo projectors on the command bridge show fake plans and star maps, there is a hologram of a vague Jedi figure on the bridge, discussing a strategy on the holoscreen.

every 3 hours an alarm goes off, indicating the attack of a separatist's fleet. (I actually do know a museum about submarine that does that and it's dang cool)

the medic station shows a clone with bolts buzzcut into his hair that does a physical exam on a brother who has a five tattooed to his temple.

some stations in the ship are accompanied by the audio of a Jedi explaining detailedly how they perceived the clones from the outside.

there are free to put on clone armor pieces. They are especially exciting for little kids who want to be heroic as well. They have a helmet there that most of the kids choose, it has an antenna scope on the right ear and blue eyes drawn on it's forehead that look a little like flowers. The designation on the HUD says CT-7567.

the training rooms have become a playground for children where they can try to lift the weights that clones used to train with or where they can play a simpler form of Lasertech to practice to shoot blasters like Clones.

there is a corridor in the ship where there are designations printed down. Tiny and almost unreadable. The wall of numbers, it is called, and it is on both sides of the longest hallway going from the front to the ship to the back, to honor the clones

Now for the creepy or sad facts about the museum:

Trigger warnings: mentioned suicide, mild horror, major character death

If you are sensitive to the topic DEATH, then you should probably skip the next part. This is a serious warning!

The Solar Storm was found drifting in space with no power. The entire crew was lost to starvation or suicide, including General Tano

the holograms are not holograms. They are real bodies of real clones just preserved and prepped like stuffed animals. It's a graveyard.

had anyone known the clones who talked on the audio books they would have recognized the undertone of fear and dread in their calm voice. A vivid indicator for grief and fear for their own life.

anyone who pays attention can see that the pictures if the admirals and Jedi are professionally taken in a studio with neutral grey or white background whereas the pictures of the clones are all pictures taken somewhere on ground or battlefield. Not a single one looks like it has been made after the war.

The audio on Cody's place is spoke by Rex who reads out from Cody's logbook. In his log he describes the sound of the flute as the sweetest and most angelic sounds he has ever heard in his life - scientists, however, confirm that this flute is physically unable to produce any sound as it has no hole to blow through. The Jedi symbol pendant looks a bit melted on one side, carrying the clear signs of blasterfire.

There is one trooper in the cantina with a giant GAR symbol on his face. He looks like he is waiting for someone to show up, as he has his head tilted to the side slightly, eyes open as if searching.

the Jedi figure has no face, their hood is drawn deep into their face so it is too dark to see, and they are not tagged with a name. The audio book entry for the bridge is spoken by Admiral Tarkin and his voice sounds evil and gloomy.

if you are in the right places, when the alarm goes off, you can hear voices of clones. In the hangar you can hear someone screaming "i'm hit, where's the backup" in the armory you can hear someone shout "blast him!" In one of the freshers, if you are unfortunate enough to need one, you can hear someone screaming a an indistinguishable name that sounds a lot like "Echo". Inside of one of the tanks you can hear a short commlink conversation between soldiers on the ground during an ambush. If you are in the commanders quarters you will hear "Move it, soldiers!" If you are in a certain specific 10×10 inches position in the training rooms you will hear a quiet sob of a grieving soldier.

there is a fake bacta patch on Five's bare chest, right over his heart. If you touch it (which you can't because they're behind a transparisteel wall) you will feel the dent of a blaster wound.

if you listen closely enough you will hear that the Jedi on the audiobooks sound more like machines than living beings. Their words are stuttering st times and sometimes they missplace the natural stress on words. Their audios are stitched together from records of reports and holocalls.

the HUD of Rex's helmet is cracked thoroughly

there are a series of distinct blaster shots on the wall in the training room playground. For no reason. With no explanation.

some of the designations on the wall of numbers are smudged or scratched out with a vibroblade.

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masterhandss · 3 years ago

Note

Hello! Uhm… there’s something I’ve been wondering about for a long time now regarding Nicol. And I figured I may as well ask now, since S2 has started airing.

I’ve seen his wiki page. And it says and I quote: It was later revealed that his emotionless face and quiet nature is a result of extreme trauma. From a young age, people of all genders and ages would tend to do absurd things, as well as assaulting him.

I’ve been so fixated on this probably since S1 had finished, yet I haven’t really had the time to read all the light novels to know where this specifically comes from or even be sure if it’s actually true. The only thing I managed to find was a scene (I think in one of the later volumes) about Katarina pointing out this creepy guy that took Nicol’s used utensils and stared at him a lot, but she didn’t do anything about it because Sophia saw nothing wrong with that guy’s behavior and told her it was okay.

I’m not sure if the wiki was referring to that scene, or something else. And since I know that you read the light novels, I was hoping if maybe you could check that info and confirm/deny it for me. If it is true… then it really puts a whole different perspective on Nicol. People in the series have been shown to faint if Nicol smiles, but it was also mentioned how he was one of the only second year students in the student council because people would fight over him.

And to think their behavior possibly had escalated to the point of traumatizing him as a child makes me very heartbroken to think about. Especially when the wiki also mentioned how he feels very uncomfortable when he’s the center of attention… makes me wonder if the anime will even touch upon any of that.

Hello! I'm sorry if answering this one took such a long time. This one definitely caught my interest so I wanted to take my time in writing a response for this.

// trigger warning: brief mentions of assault (nothing too graphic I swear)

I'm an editor for the wiki, so I admit that I have seen that description on Nicol's page too. I don't know who wrote it (and I never bothered to edit or adjust the wording), but that doesn't really matter since it's not exactly something I can deny.

Before that I just want to make it clear first that the "assault" mentioned in the wiki is probably not sexual or physical assault, it's likely referring to a simple assault, aka any unwanted advances that is done without consent. Whether or not any advances on Nicol while he was growing up were leaning towards sexual assault or physical assault (unwanted physical contact from men and women, sexual invitations, groping etc.) has not been mentioned by the books. It used to be a very popular headcanon for the more darker and realistic depictions of the hamefura or fortune lover world to give Nicol that kind of backstory, which is why I still feel like clarifying just in case anyone might get the wrong idea.

Hamefura is a very light-hearted series so I doubt it would put Nicol is such a tough dark position. While it's played for laughs, thankfully Nicol's beauty makes him so dazzling that people can't get close to him rather than being so handsome that people would try to initiate physical contact at every opportunity lmao.

Rather than the wiki pertaining to a specific scenes, I think it might be written in hindsight instead. It could very much be referring to the guy from Volume 6 who keeps staring at Nicol and stealing his uetnsils, but I feel like it could also be referring to the possibility/likeliness of such events and advances happening regularly. Like we don't really need to be told that men and woman throw themselves at Nicol for us to know about it. I mean if its frequent enough for Nicol to be unbothered by it, then it must happen a lot (as gross as that is). Regardless, those advances can still be classified as assault (since Nicol is not a fan of it at all) and the only reason he doesn't do anything about it is because it happens so often that it might be not worth the trouble anymore. At least we do know from the StoryMe hamefura game that Nicol will act in the face of an unfavorable position if he can, so hopefully he isn't just sitting around like an animal in the zoo if he were to receive unwanted advances.

I wouldn't deny that all of these interactions hadn't traumatized Nicol though. They never really mention in the books word-for-word why Nicol is so emotionally stunted/incapable and silent, they only really mention that he doesn't talk because he doesn't want to receive any unwarranted pity. In the first hamefura anthology (whose canonicity is up for debate), they do say there that the reason why Nicol doesn't talk a lot is because people would twist his words in order to turn it around and make him sound more tragic and pitiable than he actually is. I'm no expert on what is or what isn't considered as trauma, but that sounds like a source of trauma to me. The idea of Nicol being so fed up of people misinterpreting his words and expressions in order to fit what they want to hear must have been so hard on him, to the point where he decided to just not speak at all. It can be easily link to his emotionless-ness too, since any positive reaction like a smile could be twisted to mean other things.

Realistically, having people constantly fight over you, whisper things about you behind your back, constantly ogle at you and be constantly flirted on regardless of gender sounds terrible. If that was me I'd be traumatized too. He definitely hates being in the center of attention for all the reasons previously discussed and other well-known variables; he's always in the eyes of every noble around him which makes him hate being in the spotlight (from his perspective, maybe he always feels like the spotlight is on him, like it'll just never leave. he'll always bothered by the eyes of other people even maybe when he's at home... eyes watching him with desires and expectations, haunting him even when he's alone...). It really makes you think about what kind of life Nicol had been living in without Katarina's positive influence. He would have to bear the burden alone, without being able to say a word about it because he needs to act tough for the sake of Sophia.

Like geez, Nicol is even aware that he has stalkers but isn't doing anything about because "they aren't harmful". He never even really clarified what he meant by that (at least I don't remember anyways, feel free to correct me), like is he already doing something to stop the stalker, is it happening so often that he doesn't care anymore or is he fine with it because the stalker hasn't done anything dangerous (yet)???

If you want an /objective/ answer to whether or not the wiki description was referring to the stalker man from Volume 6 or something else, that line on the wiki was added on April 27, 2020; while the JP release of Volume 6 was on March 20, 2018 vs the EN ebook release which was on June 28, 2020.

The editor is likely a JP reader, or it was just an interpretation based most-likely what-if scenarios/interpretations. That's a fun fact for ya :DD

—and since you mentioned that you haven't read all the volumes of the light novels yet, let me help you by listing chapters in the books with a Nicol POV (that I can remember, as of Volume 9)

Volume 1 Chapter 5 (Encountering Katarina) Volume 2 Chapter 4 (Remembering Katarina's Positive Influence) Volume 3 Chapter 2 (School Festival Various Vignettes - Nicol Ascart) Volume 4 Extra Chapter (The Troubles of Nicol Ascart) Volume 5 Chapter 4 (A Lady for Nicol) Volume 8 Chapter 2 (Nicol's "dream")

With this, hopefully it'll be easier for you to cross-reference if you want to look into Nicol's character on your own :DD

TLDR; the trauma and assault mentioned in the wiki is definitely real, although the extent and severity might depend on the reader('s imagination). There's no particular scene to point to as the source, explanation or example of Nicol being given uncomfortable treatment, but it's not hard to imagine given the kind of character Nicol is. He is a silent beauty who caries himself smartly and politely, which in the eyes of many carnivorous nobles is the perfect kind of prey. Whether or not he was assaulted in any way or if people's behavior towards him can be considered as assault depends on the reader, since we still have yet to get a deep dive on Nicol's life outside of his friend group.

If there's any confirmation or deconfirmation to anything I said that I have missed during my skimming on the light novels, feel free to tell me! If I got the definitions and examples of trauma and assault wrong, feel free to tell me and I'll edit this post as fast as I can!

I know this might not exactly be the response you were hoping for, but I hope it was good enough to read qwq. There's so much I could still say but I know I'll go too deep into interpretation (I kinda already did though...), which I want to avoid since the question is asking for in-canon proofs and instances.

Thank you for the ask!

#mh ask #hamefura #my next life as a villainess #hamehura #bakarina #destruction flag otome #nicol ascart #sophia ascart #mhmmm this question makes me nervous because I feel like I could have said something incorrect or triggering #HELP ME AGSJHGD

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musicalorder4869 · 4 years ago

Text

General Servamp headcanons - Envy and Lust pairs

Just some random headcanons me and my sister (Ani) have about our favourite Servamp/Eve pairs xD Hope they’re ok, and sorry for the long post 😅

Mikuni Alicein

Mikuni used to be very skilled at playing the violin, although he gave it up a long time ago. On occasion, he would pick it up again and play for himself but if he catches anyone listening, he would stop immediately.

Because of a certain person, Mikuni doesn’t like strawberries or pasta in tomato or meat sauce.

When he is not working at the Land of Nod or gathering intel, Mikuni often plays chess or card games with Jeje to pass the time.

Despite smiling a lot when talking to people, it is actually rare to see Mikuni give a genuine smile. However, there are times when he will let one slip, such as when he’s looking pictures of a small Misono, star-gazing at night or making something for Abel.

I’m still not sure of Abel’s connection with Mikuni other than being involved in “My Fair Lady”, but I like to think that she is somehow key to his mental stability. When she is with him, Mikuni acts ‘normal’: calculating, rational and confident but without, he’s either like a scared child or completely loses his mind.

Once, Mikuni lost Abel in a shopping mall and went to the information desk to report a lost person rather than a lost item. Jeje had to stop him and apologise to the confused people at the desk.

Both Mikuni and Misono are strong strategists, and with recent events, Mikuni sometimes refers to their actions as “playing chess with real people as their pieces”. He is like a mirror of Misono: whilst his brother wants to protect everyone, is loved and always has people by his side, Mikuni is willing to sacrifice anything to reach his goals, was erased by his family and forgotten for a period of time and wanders alone with Jeje.

Like Misono, he is scared of the dark, thunder and lightning as it brings back bad memories for him.

Mikuni doesn’t forgive himself for what happened at the Alicein Manor and feels like he doesn’t deserve to be forgiven either. This is part of the reason why he is jealous of Tsurugi; whilst the latter started off with nothing, he was gaining more as he went and was accepted despite what he did under Touma. Mikuni, on the other hand, had everything but ended up losing it all.

Jeje

When trying to contact him, it is rare that he would actually reply but messages would be on ‘read’. The only people he would respond to is Lily on very specific occasions or Mikuni if they weren’t together. Even then, it is usually a sentence at most.

He cares about each of his siblings equally but gets along with Lily the most. It hurts him when something happens to them or if he was ordered to hurt them, but he would never show it.

Jeje is surprisingly good with children, even though he sometimes finds them noisy. Back at the Alicein Manor, Lily would persuade him to leave the basement on occasion and play with his Subclass. As he was good at making things, the kids would love to sit and watch him make his bottled ships or origami ornaments.

In his snake form, he is not only coiled around Mikuni because it’s convenient, but also because it offers a sense of security from other animals.

Most of Jeje’s Subclass were people who had been executed after being falsely accused or framed for a crime. After turning them into a vampire, he usually leaves them to live their life and only keeps in contact with a few. Good B and Bad B are examples of this (I headcanon that Bad B was accused of being a witch and Good B was a butler who was framed for murder or something idk).

His favourite season is Autumn, where it is neither too hot or too cold and finds the atmosphere relaxing. Despite hating the cold, he also likes certain aspects of winter such as staying indoors with a hot drink and warmth as he works on his bottled ships. Like watching the leaves fall in Autumn, he views the snowfall as beautiful and peaceful. Until Mikuni comes and dumps snow down his back.

Speaking of Mikuni, there are times when Jeje worries about him. Since leaving the Alicein manor after that incident, he often wonders how his Eve handles it beneath the confident and cheerful exterior he puts on. For this reason and his own guilt for Mikuni’s family falling apart due to Envy, Jeje chose to remain by Mikuni’s side despite his Eve’s questionable decisions.

I feel like Jeje might have been someone who was trained to take orders without question or expressing their own opinion on it when he was a human, which is why he follows Mikuni’s instructions regardless of whether he agrees with them or not.

Misono Alicein

He tries, but he is not very good at cooking.

Tsurugi sometimes nicknames him “Ube-chan” or “Taro-chan” due to his purple colour scheme.

He is a fan of classical music, usually listening to it as he studies or if he is deep in thought. However, he has been trying more modern songs too but dislikes rock and metal.

After leaving the garden, Misono tries everything that he had missed out on; hanging out with friends, travelling on public transport and staying over at either Mahiru or Tetsu’s, being supported by those around him.

Animals like him and whilst he may seem annoyed, he actually likes it and is good with them.

He is confused with pop culture references but is slowly learning.

Misono is better at board games and puzzle solving than he is at video games though when he does play with Mahiru, Kuro and Tetsu, he likes multiplayer and party games despite not being very good at them.

I feel like if there is anyone who could save Mikuni from whatever he is up to at the moment, it would most likely be Misono and Tsurugi. The latter is a lot more perceptive than people realise and with Misono’s planning, they’ll probably be able to figure something out.

Snow Lily

If any of his siblings find or make subclasses that are children, they usually send them his way. He is happy to care for them and seeing them get along well with his own Subclass.

He has a talent for baking and finds joy being in the kitchen making treats for Misono or his Subclass. Sometimes, he would make snacks for them to have during the lessons or when the group decides to have a movie or game night.

I can imagine Lily being good at dancing, especially at the waltz or ballroom and sometimes teaches Misono. When working, he would subconsciously hum classical tunes to himself with a fond smile on his face, although he doesn’t realise he’s doing it.

Lily is skilled at sewing, often mending any tears in clothing to the point they look new again. He would also make clothes and dolls or accessories for the children, Misono and the other Servamps and Eves on special occasions like their birthdays and Christmas. Some of the Easter and Halloween costumes they own were also made by Lily.

Although he likes being around others, there are times when he enjoys the quiet and just have a bit of time to himself. When he does, he likes to light a few scented candles and sit down with a book.

It is very difficult to get him angry.

Just like Jeje does for him, Lily cares a lot about his older brother too. He doesn’t blame him for what happened in the Alicein Household and like how he wishes Mikuni and Misono would reconcile, he wants to be able to talk things out with Jeje too.

He didn’t used to be friendly and cheerful, instead having a past of being unloved which left him resenting the fact that he was turned into a vampire. He initially didn’t want to interact with his siblings and questioned his existence but it wasn’t until Jeje raised his voice at him about the latter issue that he gradually started changing. Now, he’s the one who’s afraid of being rejected by the people he loves.

#servamp #servamp headcanons #mikuni alicein #servamp jeje #snow lily #misono alicein

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ask-whitepearl-and-steven · 5 years ago

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Alright alright alright

You’ve all been asking for it, so here it is!

This will be (edit: HELLA) long and obviously spoiler-y, so everything is under a cut.

Are you ready?

Before we get to it, I want to mention that for the sake of keeping things organized, I will NOT be talking about my AU (@ask-whitepearl-and-steven) in this post. I want to just analyze the show as a viewer and a fan first. I’ll make a seperate post for AU-thoughts a bit later.

Without further ado:

EP 1: LITTLE HOMESCHOOL

This is a great way to open up the episode and show the changes through the lens of someone who has been a bit out of it for a while (we are all Cherry Quartz, fresh from the hiatus, aren’t we?) but I’m sorry, this post still takes the cake:

Okay, okay, back to the program.

“That used to be a loaded question...“

Right off the bat, Steven is SO much more confident about saying that he’s... HIMSELF! What a good feeling. I’m very proud of our boy.

I love the name “Gemglyph” for the gem language! I’ll need to know who wrote these, though. And who the heck drew the diamonds? Hopefully it was BP.

And I’m not the first one to point this out, but MORE ANIME REFERENCES!

Which can be seen as either a reference to the Chill Low-Fi Hiphop Beats to Study To OR Whisper of the Heart.

And absolutely no one cares but something that caught my eye is the fact that they have an EARTH FLAG at Little Homeschool! How cool is that!

Earth 4ever!!!

Off-note - I love how INVESTED they are in this conversation Pearl is having with Holo-Pearl.

Peak entertainment.

I love Professor Amethyst and I love the random human who snuck in to apparently take lessons on Not Giving A Single Shit About Anything, Ever.

And here we FINALLY are in the FUTURE

Where we FINALLY get Jasper as a functioning character

And

She’s

SO DRAMATIC, I LOVE HER.

This is literally SO funny like she... she was just... laying on top of her house... under a blanket..... FOr WHAT? To stand up dramatically and throw it off when Steven inevitably paid a visit?

Is that just what she dOES?

“It’s FINE I don’t need any HELP, I’m FUNCTIONING, I’m just having a SELF CARE DAY OK”

Also I’m sorry but

Jasper: “It took forever to yank those puny green earthlings out of the ground.”

Steven: “You mean grass...?“

THIS. RIGHT HERE. is peak Jasper.

It’s also curious how INVESTED Steven is in this:

“I’m TRYING to give you [a purpose]!“

Why are you... trying to do that, though? Isn’t the whole idea for gems to surpass their ‘purpose’ and just kinda... do whatever? Isn’t Jasper just kinda... doing whatever?

I mean, sure, it’s not useful to anyone, but she seems relatively happy. Aside from. You know. The whole laying on rocks under blankets until she’s disturbed thing and-- okay, you’re right, maybe an intervention would be healthy.

I’m not gonna talk at length about the rest of the episode - although I think it’s really good, I don’t know what I can say about it that hasn’t already been said. Jasper is definitely poking Steven’s buttons and rephrasing a LOT of what WHITE has said to Pink: “You surround yourself with inferior gems because it makes you feel better.”

And Steven REACTS to this. The taunt WORKS.

And yes, he gains some extra powers for it, but something tells me this AIN’T the only thing he will get. It feels like a two-edged sword. Like it’ll be his own downfall somehow....... maybe at the end of the series.

Ashes to ashes.... hole to hole.

And oh wow I thought they were gonna bond but LMAO

“Consider your fight back there your first and ONLY lesson.“

Basically:

I love you Jasper.

EP 2: GUIDANCE

I LOVE YOU AMETHYST.

sHE’S doing SO much and she’s SO good at it!! Look at her!! Organizing stuff!!!!

RUBIES IN SUNGLASSES. IN SQUARE SUNGLASSES.

I need 20.

And I also need 20 of Larimar because holy shit that’s hilarious.

Larimar: “I want to hear the human screams forever.”

Steven: “Okay that’s kinda troubling.”

I love the reference to Monsters Inc here and I love the callback at the end of the episode when Larimar switches to Human Laughter to get her fill of that particular erm... need.

And honestly the ensuing chaos is equally predictable and entertaining.

I’m SO glad to know that Rubies are just... Like That and that actually Navy is not a deviation from the norm but rather a different flavor of the chaotic energy all Rubies naturally seem to possess.

Amethyst is also super relatable:

“Ah yes, the fool comes crawling back. Come to beg for forgiveness, have you?”

In fact, the episode’s WHOLe HUMOUR is just very much My Brand

“Sometimes you save all the people but the rollercoaster still crashes into the ocean...... and that’s okay.”

Including the Running Gag that is Onion. Who... does not appear to have aged. At all. And that’s okay.

EP 3: ROSE BUDS

Okay where do I even begin with this one. Um.

I have to openly admit that I spent the majority of this episode wheezing with laughter. Let’s start with the Zoomans:

Who are CLEARLY STILL SUPER SALTY AT GREG ABOUT REJECTING THEM??? Which is hilarious.

And also this paradise is fascinating in and of itself.

But the next scene is basically where I started losing my shit.

Okay, okay, alright so. Uh. I have... a few questions.

Like Why. WHY. Does she look. SO MUCH like Rose?

Clearly Rose Quartz differ in coloring and etc. But She literally looks. Like THE Rose. VERY explicitly.

So here’s several options here:

1) Pink made Rose Quartz way before any of the Rebellion happened and Pearl just basically pigeonholed her into THIS specific Rose Quartz appearance because she (???) had a crush? Or somehow saw this specific Rose, thought ‘hot, i can make my sympathetic Diamond wear this exact costume and that would be EXCELLENT fanservice for ME’

2) Pink didn’t have any Rose Quartz until the Rebellion, and thereafter quickly decided ‘I need these gems as an alibi, so we’re just gonna make them” and she and Pearl basically inclubated Rose Quartz like a pokemon trainer hatching for a Shiny until they got one that looked Exactly Like That.

3) There was no Thinking involved because this is Pink we’re talking about, and it was all just a huge coincidence for the sake of this Very Hilariously Uncomfortable Episode.

While we ruminate on that, let’s look at some Relatable Reactions.

And here we have the holy trinity of “I have just seen the clone of my deceased parent/parental figure/lover.”

Featuring: Bonus ‘I’m Almost Over It’ Pearl

Also, I need y’all to make this into a meme:

For example:

Anyway, alright, alright.

That relatable feel when your (hot) dead lesbian lover’s clone asks you if you’re okay after another one of the (less hot?) clones offers you a whole ass stick of butter to eat.

And then you and your friends all hide in the bathroom to talk about your feelings:

Okay, the rest of the episode gives me FEELINGS and I love how hard Steven is trying, so I’ll just close it off with:

I LOVE THEM. Unironically, they are EVERYTHING I had hoped Rose Quartz would be. They’re SO MUCH like Rose herself - did she model her personality after them? Or are they just like her because she WAS like that, and they’re made from her essence? WHO KNOWS?! They’re adorable!

And the conflict between them and Steven is honestly so gooD! I don’t know if it’s completely relatable but I’m glad they ended up talking it out.

I wonder if we’ll ever see Her again... you know who I’m talkin’ about.

Her....

I’m madly in love with Rose, ok, I don’t need a callout post. Just leave me be.

EP 4: VOLLEYBALL

Alright, alright, alright.

OKAy,.... It’s fine. It’s FINE. I’m fINE.

Confirmed: 8000 years. That’s. UH. A LOT? That puts our timelines quite a ways back. We kind of estimated as much, but still, it’s so jarring to think about. And PP is VERY casual about it.

She’s also VERY casual about the injury.

“This is all Pink Diamond!”

It doesn’t seem like it bothers her to talk about it at all. She’s not even trying to keep it a secret. So I’m almost wondering - was there a connection to her being taken by White and the injury at all or not?

She came to Steven to get healed - she clearly wants it gone. At the time she was injured, did Pink not even attempt to heal the injury?

Follow up question: If she DID care, why didn’t she try to heal it?

Follow up to the follow up: Was it because she didn’t know she could? Or did she simply not have the time to (White removed her before she could)?

When Steven goes pink, she gasps - but makes no further comment. It’s presumably because she’s seen this happen before. She doesn’t try to move away, weirdly enough - she asks him if everything is alright. Perhaps the context is too different for it to be triggering for her. Perhaps there’s more layers to it? HMMM.

What follows is, perhaps, the SALTIEST we’ve seen Pearl since Greg rolled around.

“Did you come to compete?”

This is doubly curious to me because Crewniverse has previously explicitly stated that Pearl was NOT in love with Pink Diamond. She was in love with Rose. So if this is true, why would Pearl care about her place as Pink’s Pearl? She is supposed to be past all that, isn’t she?

And yet as time goes on, the salinity grows exponentially. Alright, you two, I know you’re Pearls but tone it down with the sass.

(Also, I’m sorry but I will NEVER call her Volleyball. That’s all. Bye.)

Also it’s worth noting that... PP is clearly VERY much in love with Pink.

This is, perhaps, where the lack of a grudge plays into it. She’s completely enamoured.

Moreover, she’s VERY casual about how she talks here. This isn’t exactly how one talks of their Diamond. This is how people talk about their romantic partners. She calls Pink silly, calls her ‘funny’. That’s not exactly a term of respect - it’s way more intimate than that.

Also, did anyone else notice how, although CG Pearl’s gem is usually shaded in teal, it’s in Pink in this episode? VEEEERY subtle, Crew.

Also, we can’t quite see Pink Pearl’s expression fully here because her working eye isn’t visible, which makes it hard to get a read on things like

“I’m older than you.“ Is she just saying it casually? Or is she fully aware that she’s poking fun at CG Pearl?

HI SHELL. ISN’T IT FUNNY HOW YOUR VOICE AND YOUR NAME ARE A SUBTLE NOD TO PORTAL, WHICH IS FORESHADOWING HOW BADLY THIS IS GONNA END.

Meanwhile, Pearl continues to be in character.

“No need to be overly... attached.”

And this has nothing to do with anything but

she cute

Aaaand now it’s creepy again.

The rest of this is super important so let’s get to it:

“Oh, no. Pink did this.”

“What did you say?”

“It’s a funny story, really. Once, Pink got tired of asking Yellow and Blue for her own colony, so she went straight to White. Of course, White told her she wasn’t fit to run one... and well! That set her off.”

“Set her off? What are you talking about?”

“You remember how she was! With her destructive powers, throwing tantrums left and right! She had a scream that could crack the walls. She didn’t mean to hurt me! (giggle) I just happened to be standing too close to her that time and--”

And then Steven interrupts.

We get more CG Pearl arguing for how wrong this image of Pink is to her. What CG Pearl knew was a totally different (or, well, same, but VERY changed) Pink.

But what we have to prove our point is Steven himself. He rolls into the EXACT same state as Pink presumably did - and begins to over-use his powers.

(This isn’t the first time we have seen him use this attack.)

The reactions from the Pearls are telling - this is clearly not Pink Pearl’s first rodeo with this type of Mood.

And it’s important to note that Steven clearly didn’t direct any attack AT them. He simply yelled - and the whole dang place literally started to crack. There’s weight to the argument that possibly, Pink really DIDN’T mean to hurt her Pearl - that she was just collateral damage.

Which doesn’t make it any better, obviously. Even if Pink had no direct intention of hurting her Pearl (and there are theories that Pink purposefully hit or threw Pink Pearl or somehow physically acted directly to damage her, which I was skeptical of) the result of it is still the same.

If you raise your voice and yell, even if you’re just yelling because YOU are hurt/have feelings, you might still hurt the people around you. If you throw a tantrum, even if your direct goal was just to let off some steam without aiming to harm anyone, whoever gets in your way is still the victim.

And this is all very much On Brand for Pink’s timeline as we know it. We already knew this about her - we KNEW she tended to throw tantrums (like in the flashback on Jungle Moon) and that she was childish. The fact that she accidentally hurt her Pearl in the process because she had no self-control at that period in her life comes as no surprise.

(Although it’s important to mention that perhaps hurting her own Pearl WAS the breaking point during which she finally realized how her emotional outbursts could have negative consequences on those around her.)

And this is a very beautiful message - even if Pink Pearl still doesn’t want to blame Pink for what was done to her (”But... she didn’t mean to!”) Pearl brings the point of it back around to her (”But you were still hurt!”) The point isn’t the person who did the hurting - the focus is on the victim and how they were affected.

And the rest, I daresay, is history.

I like the fact that they managed to still bring it back around to the main message:

It isn’t about just “Pink was bad”. It’s about how she did bad things. And there were multiple sides to her - multiple stages. And the Pearls who knew her knew different sides of her - the side that didn’t know how to be a good person, who was selfish and childish and unrestrained... and the side that was, arguable, too restrained. Who hated her own past, her own character and her own mistakes so much that she would rather bury them and keep secrets from everyone.

And neither of those things were good, and neither were healthy, but they are a GREAT contrast to a GREAT character arc that is, arguably, still being unearthed. And we have so much more context for it all now.

I, for one, can’t wait to see and discover more of Pink through Pink Pearl - no matter how ugly that side of her might be. I think it gives great perspective to her later growth.

And if you ship the Pearls.. .well, I get why.

Personally I’m not interested in it that way. Call me unromantic - I don’t think their relationship NEEDS to be shippy in order to be satisfyingly deep. I love the idea of them having a deep bond over this - a shared past, a shared experience, and gaining confidence through one another.

Cheers and thanks for listening!

#steven universe future #steven universe: future #steven universe future spoilers #su:f spoilers #suf spoilers #su spoilers #steven universe spoilers #spoiler warning #pink pearl #volleyball

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crescentfool · 3 years ago

Photo

since 2021 is almost over, here’s my art summary + some other fun compilations (hue circle + #/faceyourart2021)! reflection under the cut, for anyone interested in hearing bits about my art journey or wants to know what resources i like to use 🤧

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2021 has certainly been quite the year for me. it’s been a year where i’ve been drawing a lot of the same subjects (i’ve been like this for a long while 😂), so it’s given me a chance to directly compare my development. i’m a lot more fond of my color usage these days, but there’s still a lot i’d like to work on!

i’d definitely say that output-wise, this year was really productive! i drew a lot and had fun. i even made two animatics and a good few comics this year (19 pages of em!). but i definitely think there’s a lot i could work on.

i think my biggest area of weakness, at least for a majority of 2021, was posting too many things on twitter (aka before i came here to tumblr). i tried focusing on consistently posting without having much basis in practicing the foundation. trying to hustle and make three art posts per week led to me not having enough time to reflect between my work, so a majority of my works felt same-y without much advancement. lack of self awareness am i rite!!!

but i think ever since i got into p3... it kind of signaled my life to go in a different direction from what it used to be? i take my art at a slower pace now, and i’ve started to practice fundamentals... which is something i’ve needed to do for awhile, haha.

i don’t think i’m certified to give proper/technical art advice as i’m still learning, but my personal motto that i go by, at least these days, would be: enjoy the journey; make the process of art and learning fun for you. and don’t rush yourself- take breaks. when you come back to art, look at your previous works and reflect on what you could’ve done better- then try and work on that as you can.

ANYWAYS. i promised in the tags that i would provide some learning resources, so here are some places you can go to if you want to learn more! i’ve watched/referred to these before and i can definitely say they’ve helped me out:

FREE RESOURCES

ethan becker - ethan becker has a ton of tutorials on shape language and developing your style! probably one of my favorite ways to learn anatomy. warning that he has a very specific type of sarcastic humor, so if you don’t jive with that, he may not be for you.

sam does arts - sam’s paintings are gorgeous! if you’d like to know more about coloring and whatnot, i’d suggest looking at his channel. he also has paid tutorials on gumroad/patreon!

marco bucci - if you are interested in learning how to paint, definitely check out marco bucci’s channel! i love how he discusses color theory and those types of concepts.

marc brunet - marc covers both anatomy, line art, and coloring. if you like the way he teaches from his free videos, you may be interested in checking out his paid course!

mohammed agbadi - mohammed has some tutorials about both lighting and anatomy on his channel! check it out!

adorkastock - formerly known as senkshi stock, there’s a great assortment of references available! while some of them are in packs, the pictures available for free are great!

unsplash - this website has SOO many good and free stock photos available! i’ve gone here a few times i wanted references, including textures and environments.

line of action - this website encourages people to practice reference/gesture drawing! has options for figure drawing + animal drawing + hands/feets + faces/expresisons + environments!

pixiv - pixiv has a great section on how to draw, with different categories! if you didn’t know that pixiv had this section... well now you know! (tutorials are of varying quality but it’s a very nice collection!)

PAID RESOURCES

Complete Beginner’s Guide to Anatomy and Figure Drawing Pt 1 by Rich Graysonn - i’ve been taking this course for the past month and i can definitely say it’s beginner friendly! it teaches you the basic shapes you need to draw human figures. the course can go as low as $10 USD when udemy hosts sales, so i’d say it’s definitely worth your money as it provides 38 hours worth of videos!

udemy has a LOT of good sales in general lol so if you wanna learn smthn u should look through their site!

---

ANYWAY. that’s all from me, for real this time. if you read this, thank you very much! cheers to 2022 being a great year

#lizzy does art #UHH this is just a personal post!! and also just me loving the archive that is tumblr #to anyone who's ever sent me support through likes/reblogs on tumblr... thank u very much!! and if u knew me on twt too... thank you too!#im putting some art learning resources under the keep reading bc i like sharing the educational resources i've learned from!!#if you wanna ask me abt art stuff in my inbox feel free to do so!! i like linking to tutorials and things that i've watched/read #im not the best artist and that's okay!! but im the best version of me and that's what counts <3 #lizzy speaks

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sakuatsu · 4 years ago

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YELL 2 ME ABT SAKUATSU FIC RECS PLS

oh boy. oh boy do i have much to talk about

here’s a list of my sakuatsu must-reads under the cut! complete with links, word count, ratings, and occasional commentary because i’m incapable of shutting up. this isn’t in any particular order either

(keeping this sfw and organized into canonverse/AUs. a * means i am on my hands and knees begging for you to read this)

i’ll try to update this somewhat regularly :]

most recently updated august 25, 2020!

canonverse:

*your highs and lows (series) by astroeulogy

a post-time skip canonverse series born from these two questions:

1. what if sakusa kiyoomi, known too-blunt jerk, is equally straightforward about his soft, tender feelings?

2. what if miya atsumu, resident big fat jerk who doesn't care if his teammates hate him, is too emotionally stunted to notice when his one of his teammates actually likes him?

this is like the sakuatsu series but it’s blasphemous to not recommend. the first fic in the series is all that you were (4.6k, T). mind the ratings on a few of the fics, but my personal favorite is #3: a masterpiece of domesticity called you have tamed me (5.7k, T). these make me ACHE

*sakuatsu domesticity simulator by pseudoanalytics (T)

a vaguely interactive mixture of fic, art, and html, where you too can experience the inherent romance of a big fat jerk and a too-blunt jerk attempting intimacy

this fic...this fic...op is literally one of my favorite artists of all time but Did You Know that their writing is also off the charts. what a wonderful use of second person and the pacing is so good. too much skill in one person

*The MSBY Black Jackals Read Thirst Tweets by isaksara (11.4k, M)

Sakusa’s eyes are very dark naturally, sucking in all surrounding rays of light and crushing them in his pupils. For an athlete, he is rather pale. His lips look very pink in comparison. Atsumu is suddenly catastrophically aware that in this instance, ‘accent’ is a euphemism. “Good enough for your Olympic-size ego, Miya?”

(In which Atsumu realizes that he is attracted to Sakusa Kiyoomi in the most inconvenient way possible.)

i think this is the fic that got me into sakuatsu in the first place lol i was looking very specifically for msby socmed fics and now here we are. this fic is unbelievably funny

*liminal spaces by hhatsuna (25.9k, T)

Fuck you, Atsumu thinks, pointing at the pixelated Sakusa in the grainy team photo on his bedside table.

It’s easier than you’d think to ignore loving your teammate.

*Better For Us Both by abrandnewheart (15.7k, M)

Where “You already make me the happiest guy alive, babe," gives way to, “I’ve not been happy for a while now.”

Alternatively known as the ‘mug fic’.

yes this is a breakup fic. yes im going to recommend it anyway. breakup fics usually scare me a lot but this one is too good for me to not say anything about. nuanced and delicious. i look at the mug on my desk and feel pain

dog eat dog eat dog world by perennials (8.4k, T)

You are your first and only line of defense against the universe.

Koi no Yokan; 恋の予感 by ymra (15.3k, unrated)

Wherein Sakusa dreams of his future selves and discovers a little something along the way.

autumn ends, but we remain by wolfsbvne (5.3k, T)

atsumu stares at his ceiling at 2am. he stares until he can make out designs in his popcorn ceiling. a cat there, an onigiri here, and then something that suspiciously looks like a mop of hair, triangle eyebrows, and oh those two bumps are moles right above what atsumu just mapped out as an eye.

(or, atsumu is in kind of in love. sakusa is maybe in like.)

your fingertips, branding irons by Ceryna (5.8k, T)

Between the accidental touches he's reconciled, the deliberate ones he's endured, and, from those he's built years of trust with, obliged– Kiyoomi has never wanted to let someone indulge.

Never, until Atsumu.

take what’s yours and make it mine by claudusdiei (5.9k, T)

atsumu falls in love four times in his life

(or: in which atsumu gets his heart broken twice, has the self-awareness of a sober mule and really likes yellow tulips)

every action has an equal and opposite reaction by akanemnida (10.4k, T)

Miya Atsumu gets a modeling contract with Calvin Klein, which sets Kiyoomi's heart in motion.

(Or: Sakusa Kiyoomi realizes that the rules governing the universe are absolute rubbish at explaining matters of the heart.)

*where i want to be by tookumade (8.8k, G)

In the time they’ve been teammates at the MSBY Black Jackals, Sakusa has never been to Atsumu’s place, and Atsumu has only been to Sakusa’s a few times. There’s an unspoken understanding here: that Atsumu knows him well enough to know that nobody’s house or apartment would ever really meet his ridiculously high standards, and he is most comfortable in the home he’s made for himself.

That, and, Atsumu being over at Sakusa’s means that he has to host him and do the cleaning afterwards, while Atsumu can just flit off back to his own place. So. There’s that.

Tonight. Tonight is not business as usual. Tonight is not familiar.

*san'yō expressway, 6:17 pm by yamabato (8.1k, T)

Atsumu tilts his head to watch a slice of orange light bend over the impassive planes of Sakusa’s face. He is absolutely, ruthlessly beautiful. It makes Atsumu want to punch something—put his foot through the windshield—scream, maybe.

Kiss him again, maybe.

They have 344 kilometers to figure this one out.

parallax error: angle of inclination by min_mintobe (10.8k, T)

But now there's the one person Atsumu'd promised himself never to touch. His eyes leave Atsumu breathless with guilt at seventeen, and he spends the next six years safe in the satisfaction of making things right.

Feelings, of the physical kind, and one kiss.

ft. competitive spirit, childishness, and late night conversations.

Atsumu POV.

four leaf clover by vicari_us (5.9k, T)

Once, Ushijima claimed that they ‘got lucky’. If properly honed, their body types could become near invincible weapons.

However, unlike Ushijima, Kiyoomi’s weapon required a bit more care over the years to reach the condition it had become. He was born iron, not yet forged into steel.

Exploring what it might have taken to turn a genetic mistake into an athletic miracle.

*the 28 postcards you left me by wheelspokes (8.3k, T)

Atsumu takes texting your ex to a new level by sending Sakusa postcards in Animal Crossing instead.

such a unique premise & this is so beautifully structured. stunning flow and who knew animal crossing could convey so much longing...

AUs:

Pas De Deux by hhatsuna (dancer!sakusa au: 19.0k, T)

The mystery athlete gives Kiyoomi a once over in the mirror. “Yer pretty tall,” he observes, and the twang of an accent rasps low in his throat. His brazen eyes drift to Kiyoomi’s legs, and something like exhilaration glints gold in his gaze. “Good quads, too. Ya ever played volleyball?” Ah. So it’s volleyball.

“I’m a dancer. Ballet and contemporary, mostly.”

*my love, take your time by bastigod (archaeologist!sakusa au: 9.0k, T)

There was something sublime about wandering around an empty museum. Nothing could compare to the sound of his shoes clacking against the marble floor, the morning sunlight gently streaming through the lofty windows and the peaceful solitude of ancient stone kings overseeing their silent kingdoms.

A day in the life of Doctor Kiyoomi Sakusa, Archaeologist.

i’ve literally been thinking about this fic every day since it came out. you will not find a story like this anywhere else, i guarantee you. what a clear labor of love this fic is it’s truly something so special

three roses and a smile by strawberrycitrus (surgeon!sakusa & microbiologist!atsumu au: 19.7k, T)

“I just got this job, I’m not givin’ it up for some moral boost ‘cause I actually need to pay my rent, ya insensitive -” Atsumu waves his hands around, trying and failing to come up with the right word to convey the amount of injustice that this gaunt motherfucker has brought into his relatively simple life thus far.

“If you can’t pay your rent, go get a job at the McDonald’s over by 8th Street,” Sakusa growls, “it’ll pay more than your researcher position.”

If you even attempt assault on a coworker, forget teaching about cells - you’ll fucking be in one, Atsumu.

*Dance of the Parallax by astroeulogy (ogre spirit!sakusa au: 6.7k, T)

For the last twenty years, Atsumu’s done all that he can to break his betrothal to the ogre spirit Sakusa. If he can just make it through one more night, he’ll be free.

honestly, just read everything by astroeulogy. i’m recommending this fic in particular because it has such an ethereal voice to it. magical

across oceans, across centuries by starstrikes (pacific rim au: 20.0k, T)

Six days ago, Osamu died and left Atsumu with this: Atsumu, you have to—

(Namikira rises with the tides and rips Osamu and Vulpis Empress away in one fell swoop. Six days later, Atsumu wakes up alone in a hospital bed and learns how to swim.)

you don’t actually need to know pacrim to appreciate this. a wonderful exploration of grief and recovery. also it’s exactly 20k words which is both satisfying and terrifying

*Notte Stellata by awkwardedgeworth (ice skating/dancing au: 20.8k, T)

"Your partner doesn't need to hold anyone's hand other than yours," Sakusa's father crouches, "And you can wear gloves."

Sakusa ponders. He hears the other skaters of rink two whiz past as they launch themselves into lifts.

"Alright," He looks up from the ice, not knowing how he'll dedicate the next couple of decades to this sport, this partnership, this boy.

what a stunning fic. a beautiful progression of sakusa & atsumu’s relationship, rife with references to real skating programs, beautifully written and structured. so full of longing i’m in mild physical pain

#if anyone else has recs feel free to drop them in the replies mwah #sakuatsu fic is SO high quality you can literally just look at the tag and blindly press and find something stunning #these are just my personal favorites #basically just my ao3 bookmarks and then some #sakuatsu #sakusa kiyoomi #miya atsumu #sakuatsu fic #haikyuu fic #ask #reynegades #thank you for asking.....ive been dying to make a fic rec post i just needed a push lol #fic

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floralovebot · 4 years ago

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I often don't make things for poc because I'm scared of whitewashing them. Can you link to the tutorials that show how to go about this or could you explain it yourself? I'm always too scared of making things with poc in them and I don't want to whitewash anyone so advice would be amazing!

hi! i guess i could share the things i know about it but i do want to clarify that i’m not an expert at editing! so, if you want really indepth help, it would probably be best to ask someone else!

as for tutorials, these are the ones that have personally helped me! this one by @fadenet (specifically pale/pastel gifs including characters with dark skin), this one by @blueshelp (specifically about east asian and southeast asian celebs), and this one by @kispesan (specifically about edits). this is a post with a ton of resources for gif making, including things about coloring and other anti-whitewashing tutorials (highly recommend!).

when it comes to what i do, it really depends on what i’m making! i’ve made a couple of edits specifically about unwhitewashing characters of color which you can find here for examples, but overall what i do really depends on the kind of edit i’m working with.

i’d also like to quickly say that i use photoshop! while the basic coloring will cross into other programs, some of the tools/names might be different.

lets use an edit of the character aisha from winx club as an example! in season 8 of winx club, the characters aisha and flora (both having dark skin) were whitewashed. the following pictures are a screenshot from the series, showing the whitewashing, and the same sc but edited to reflect her original skin tone and hair color.

in this edit, i actually went in and recolored her skin using the brush tool (yes, it takes a hot minute to do, but you get faster the more you do it). the reason i do this for picture edits, is purely a personal preference. i like having the control of only editing the parts i want to edit and keeping the rest of the picture the same as before. personally, i don’t love using the selection tools so when i don’t need to,, well, i don’t.

if you have the time, patience, and ability to physically recolor still pictures, i’d definitely recommend it! it allows you to use the eyedropper tool on the original skin tone which makes for a much more accurate edit. taking advantage of the selection tools and paint bucket tool can make the process a lot quicker too!

now, lets use a different method, one that i personally use for things like videos and gifs (basically, anything moving)!

these gifs come from the same season as the above example and as you can see, aisha is heavily whitewashed in the first one. now, this is where coloring becomes your best friend!

so, you have your gif ready for coloring, maybe you used a psd/filter or you did your own thing, regardless, the person in the gif is whitewashed and you want to fix it. so, what do you do? (now, obviously this is just one example. there are many others ways to do this!). what i do, is almost exclusively use the hue/saturation and the color selection layers (i will occasionally use the brightness and curves layers depending on the scene)!

^^this little “guide” or whatever shows what you need to find for this tutorial.

the first thing you should do, is figure out which colors primarily make up the person’s skin tone. a good way to figure this out is by using a hue/saturation layer. click the hue/saturation, which will show a menu similar to the one in the picture, and go through each color and turn the saturation all the way down, so it says -100. don’t mess with the hue or lightness levels yet, just the saturation. this will show which colors make up the person’s skin tone! as an extreme example, if someone’s skin was green and you turned the saturation of greens all the way down, that person’s skin wouldn’t look green anymore, it’d look like someone put on a black and white filter specifically for the color green. just keep a close eye on what changes! now, this saturation change is just temporary! after you know which colors are in that person’s skin tone, you can just delete the hue/saturation layer. (you really only need to do this if you aren't used to coloring darker skin. once you get used to it, you likely won't need to, but it can still be a good reference point if you're lost on what to do)

so, after figuring out what colors you need to focus on, go to the selective colors layers, so you can edit just those colors! for our example here, aisha’s skin tone is mostly made up of reds and yellows while her hair is mostly reds and magentas. when i’m editing her skin tone and hair color, i only focus on those colors. in the selective color layer menu, you have four other colors to control; cyan, magenta, yellow, and black. although it would help, you don’t need to know everything about colors or color theory for this! just mess around with the colors sliders until you get something close to their original skin tone. you may need multiple layers of selective colors to get this right! don’t panic if it doesn’t happen right away, just keep going.

something i think is incredibly important during this step, is having a picture of that person/character open! that way you can actually go back and forth to see if what you’re doing is close. another tip, having another file open with a completely white background with a colored circle of that person’s base skin tone on it really helps. this way you can use the eyedropper and brush tools to see how close what you have in the edit is to the original (basically, use the eyedropper tool to select the skin tone in the edit and then use the brush tool to color it next to the circle of the original skin tone. this helps you see up close how similar they are!). here's an example!

the first example is from the gif and the second is from the still picture edit! you'll notice that the gif example doesn't match up exactly because in that specific scene aisha was directly in sunlight, making her skin slightly brighter than usual, while the photo i used for reference has normal lighting. remember to pay attention to things like lighting and shadows!

now, at this point you might be thinking, “this tutorial only shows what to do for animated characters and i make edits with real people :(”. don’t worry! the second method still works! here’s an example using a real person, kim taehyung from the group bts.

obviously, this isn’t perfect because i spent like. two minutes on it. so the skin is blotchy, the lips are too red, and the background changed. but the way i edited it is mostly the same as the gif example i used! the only difference being that i also used a color balance level to darken up the whole picture. however, besides that i did the exact same things as i did with the gifs of aisha above. if you're making edits with real people, then just do whatever you usually do to make sure it looks more realistic.

i hope all of this made sense? i’ve never done a tutorial before and basically all of what i’ve said has already been said! but here are some more tips for the road:

-when editing black people/characters, don’t make their skin red

-when editing indigenous people/characters, don’t make their skin red

-when editing east asian and southeast asian people/characters, don’t make their skin yellow

-pay attention to lighting! if a scene has darker lighting, skin will look darker than it is!

-on the flip side, if a character is right in front of a very bright light, their skin will look lighter

-don’t avoid the colors red and yellow, especially for people with tan/darker skin. those colors are always essential. they won’t look bad in your pastel edit.

-don’t be afraid to ask for help! if you have mutuals who make edits you can try asking them. or even making a separate post asking for help from any followers that edit! basically, if you truly don’t know what to do, either look it up or ask for help.

-do not just post the whitewashed edit/gif/art with the excuse that it’s, “just the filter” or “just the psd”. take responsibility for what you’ve created.

-if you’re using a filter/psd and you really can’t figure out how to unwhitewash someone.. use a different filter! ik you might really like the one you picked, but that doesn’t excuse racism. there are lots of filters/psds out there that don’t whitewash. use one.

i’m gonna be honest, unwhitewashing is really easy as long as you know how to work whatever program you’re using. and even if you just started, it’s still pretty simple! if you’re scared of making edits with poc because of whitewashing, learn how to not whitewash.

anyway i hope this helps? let me know if something doesn't make sense or needs more explaining! but i'd really recommend looking at the tutorials i linked as they're more in-depth and offer a lot of insight!

#hnng let me know if something doesnt make sense im a little stupid #photoshop #photoshop tutorial #coloring tutorial #anti whitewashing #anonymous #answered #mine.edits #(kind of?)

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shihalyfie · 3 years ago

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About the Adventure: reboot, the likely reason why it exists, the question of target demographic, and whether I would recommend it or not

I think this reboot has been kind of a strange outlier in terms of Digimon anime in general, in terms of...well, just about everything. I also feel like everything surrounding it has kind of been giving us mixed signals as to what the intent and purpose behind the anime is -- well, besides “cashing in on the Adventure brand”, but looking at it more closely, that might be a bit of an oversimplification.

I’m writing this post because, having seen the entire series to the end for myself and thinking very hard about it and what it was trying to do, I decided to put down my thoughts. This is not meant to be a review of what I think was good and bad, but rather, something that I hope will be helpful to those who might be on the fence about whether they want to watch it or not, or those who don’t want to watch/finish it but are curious about what happened, or those who are curious as to why this reboot even exists in the first place, or even maybe just those who did watch it but are interested in others’ thoughts about it. I'm personally convinced that -- especially in an ever-changing franchise like Digimon -- how much you like a given work is dependent on what your personal tastes are to the very end, and thus it’s helpful to understand what kind of expectations you should go in with if you want to watch something.

With all of this said and done, if you want to go in and best enjoy this series, I think it is best to consider this anime as a distinct Digimon series of its own. The relationship to Adventure is only surface-level, and by that I mean it’s very obvious it’s doing things its own thing deliberately without worrying too much about what prior series did. Of course, I think everyone will have varying feelings about using the Adventure branding for something that really isn't Adventure at all, but we are really talking about an in-name-only affair, and something that’s unabashedly doing whatever it wants. So in other words, if you’re going in expecting Adventure, or anything that really resembles Adventure, you’re setting yourself up for disappointment. But if you’re able to approach it like yet another distinct Digimon series, and the other aspects of it fit your fancy, you’ll probably be able to enjoy it much better. And, conversely, I think it’s also important to remember that this series seems to have a writing philosophy with a fundamentally different goal from most Digimon series, and since it’s understandable for most long-time Digimon fans to have their tastes built on those prior series, it’s fine and completely understandable that this reboot may not be your cup of tea, for reasons that probably don’t actually have much to do with whether it’s an Adventure reboot or not.

There are no spoilers in the following post. (Although I use some emphatic language for the duration for it, these are mostly just my personal thoughts and how I see the series and the overall situation.)

On what exact relationship to Adventure this series has, and why it’s an “Adventure reboot”

If you ask why they did an Adventure reboot, the easiest answer to come up with is “Adventure milking, because it’s profitable”, but that’s kind of an oversimplification of what the issue is. This is especially when you take into account a key fact that official has been very well aware of since as early as 2006: most kids are too young to have seen Adventure, and therefore have no reason to care about it.

That’s the thing: Adventure milking only works so well on today’s children, and Toei and Bandai know this. This is also the reason that the franchise started going through a bit of a “split” starting in around 2012 (after Xros Wars finished airing), when the video game branch started making more active attempts to appeal to the adults’ fanbase with Re:Digitize and Adventure PSP. (Although they were technically still “kids’ games”, they were very obviously aimed at the adults’ audience as a primary “target”.) The generation that grew up with Adventure and other classic Digimon anime was getting older and older, and targeting that audience would require tailoring products more specifically to them -- ultimately culminating in 2015 and the solidification of “very obviously primarily for adults” media in the form of both games (Cyber Sleuth and Next Order) and anime (tri.). Note that Appmon ended up getting its own 3DS game, but since it was targeted at kids, it seems to have been developed by a completely different pipeline/branch from the aforementioned adults’ games, so even that had a split.

So if we want to talk about full-on nostalgia pandering, that’s already being done in the adults’ branch. In fact, Appmon development specifically said that they felt free to not really care about the adults’ audience because that was tri.’s job. Of course, the hardcore Digimon adults’ fanbase is still keeping an eye on the kids’ shows, and it’s good to not upset them -- and, besides, even if we’re all suffering under the hell of capitalism, people who work in kids’ shows still tend to be very passionate about the content and messages they’re showing the kids, so they still put an effort into making good content that adults can enjoy too. But, nevertheless, adults are still the “periphery demographic”, and a kids’ show is not a success if the kids (who have not seen and do not care about Adventure) are not watching it or buying the toys. Appmon ended up being extremely well-received by the adults’ fanbase, but that all meant nothing since the kids didn’t get into it.

Most kids are not super incredibly discerning about so-called writing quality (it’s not like they don’t at least unconsciously know when something is good, but they’re much less likely to be bothered by little things adults are often bothered by), so there’s a certain degree you have to get their attention if you want things to catch on with them. Critical reception does matter a lot more when we talk about the adults’ audience, but for the kids, the more important part is how much you’ve managed to engage them and how much fun they’re having (especially in regards to the toyline). Moreover, there’s the problem of “momentum”; Digimon’s sister shows of PreCure, Kamen Rider, and Super Sentai have sometimes had really poorly performing shows (critically or financially), but have managed to recover it in successive years to avoid getting cancelled. Digimon never managed to get to that point, with sales nearly dropping to half with Tamers and again with Frontier. So in essence, Savers, Xros Wars, and Appmon were all attempts at figuring out what was needed to just get that “kickstart” again -- but things just never lined up for it to work.

So if kids don’t really care about Adventure, why would they do Adventure nostalgia pandering? The answer is one that official has actually openly stated multiple times: they want to have parents watch it together with their children. Both Seki and Kinoshita said this in regards to watching the reaction to Kizuna, and it was also stated outright as a goal for the reboot, but, believe it or not, there’s reports of this having been stated back as early as Savers (followed by an admission that maybe 2006 was a little too early for people who grew up with Adventure to be old enough to have their own kids). So the little nostalgia references in Savers, Xros Wars, and Appmon aren't really meant to magically turn the series into Adventure as much as they’re supposed to be flags waved at the parents to get them to pay attention, so that they can introduce their kids to Digimon and watch it together with them, until the kids eventually take an interest on their own and they don’t need to rely on that kind of standby as much. (I say “as much” because of course PreCure, Rider, and Sentai all are still very indulgent in their anniversary references, but they’re not nearly as reliant on it to the point of life-and-death.)

This is also why Kizuna’s existence and release date two months prior to the reboot is a huge factor in this. The reason tri. wouldn’t have done it is that it never actually reached a properly “mainstream” audience. It’s a huge reason I keep emphasizing the fact that tri. and Kizuna are two separate things with completely different production and release formats, because tri. being a limited OVA screening released in six parts over three years means that, although it was a moderate financial success that did better than the franchise’s other niche products, in the end, it didn’t actually reach the “extremely casual” audience very well. We, as the “hardcore Internet fanbase”, all know people who watched all six parts, and the difference between tri. and Kizuna’s release formats doesn’t hit us as hard because of international distribution circumstances, but even on our end, if you talk to your casual friends who barely remember anything about Digimon except what they saw on TV twenty years ago, you will almost never find anyone who got past Part 1, maybe 2 at most. (That’s before we even get into the part where a good chunk of them got turned off at the character design stage for being too different.) Sticking with a full six-part series over three years is a commitment, and if you’re not someone with a certain level of loyalty to the franchise, you aren’t as likely to put aside the time for it!

Kizuna, on the other hand, was a full-on theatrical movie with full marketing campaign that was aimed at that extremely casual mainstream audience, including a lot of people who hadn’t even heard of tri. (due to it being too niche) or hadn’t bothered to commit to watching something so long, and thus managed to “hype up” a lot of adults and get them in a Digimon mood. (Critical reception issues aside, this is also presumably a huge reason Kizuna isn’t all that reliant on tri.’s plot; Adventure and 02 both averaged at around 11% of the country watching it when it first aired, but the number of people who even saw tri. much less know what happened in it is significantly lower, so while you can appeal to a lot of people if you’re just targeting the 11%, you'll lock them out if you’re overly reliant on stuff a lot of them will have never seen in the first place.) We’re talking the kind of super-casual who sees a poster for Kizuna, goes “oh I remember Digimon!”, casually buys a ticket for the movie, likes it because it has characters they remember and the story is feelsy, and then two months later an anime that looks like the Digimon they recognize is on Fuji TV, resulting in them convincing their kid to watch it together with them because they’re in a Digimon mood now, even though the actual contents of the anime are substantially different from the original.

So, looking back at the reboot:

There’s a huge, huge, huge implication that the choice to use Adventure branding was at least partially to get Fuji TV to let them have their old timeslot back. Neither Xros Wars nor Appmon were able to be on that old timeslot, presumably because Fuji TV had serious doubts about their profitability (perhaps after seeing Savers not do very well). This isn’t something that hits as hard for us outside Japan who don’t have to feel the impact of this anyway, but it’s kind of a problem if kids don’t even get the opportunity to watch the show in the first place. While there’s been a general trend of moving to video-on-demand to the point TV ratings don’t really have as much impact as they used to, I mean...it sure beats 6:30 in the morning, goodness. (Note that a big reason PreCure, Rider, and Sentai are able to enjoy the comfortable positions they’re in is that they have a very luxurious 8:30-10 AM Sunday block on TV Asahi dedicated to them.)

Since we’re talking about “the casual mainstream”, this means that this kind of ploy only works with something where a casual person passing by can see names and faces and take an interest. This is why it has to be Adventure, not 02 or Tamers or whatnot; 02 may have had roughly similar TV ratings to Adventure and fairly close sales figures back in 2000, but the actual pop culture notability disparity in this day and age is humongous (think about the difference in pop culture awareness between Butter-Fly and Target). 02, Tamers, and all can do enough to carry “adults’ fandom” products and merch sales at DigiFes, and the adults’ branch of the franchise in general, but appealing to the average adult buying toys for the kids is a huge difference, and a big reason that, even if they’re clearly starting to acknowledge more of the non-Adventure series these days, it’s still hard to believe they’re going to go as far as rebooting anything past Adventure -- or, more accurately, hard to believe they’ll be able to get the same impact using names and faces alone.

This advertising with the Adventure brand goes beyond just the anime -- we’re talking about the toyline that has the involved character faces plastered on them, plus all of the ventures surrounding them that Bandai pretty obviously carefully timed to coincide with this. One particularly big factor is the card game, which is doing really, really well right now, to the point it’s even started gaining an audience among people who weren’t originally Digimon fans. Part of it is because the game’s design is actually very good and newcomer-friendly, but also...nearly every set since the beginning came with reboot-themed Tamer Cards, which means that, yes, those cards with the Adventure names and faces were helping lure people into taking an interest in the game. Right now, the game is doing so well and has gained such a good reputation that it probably doesn’t need that crutch anymore to keep going as long as the game remains well-maintained, but I have no doubt the initial “Adventure” branding was what helped it take off, and its success is most likely a huge pillar sustaining the franchise at the current moment.

Speaking of merch and toys, if you look closely, you might notice that Bandai decided to go much, much more aggressively into the toy market with this venture than they ever did with Savers, Xros Wars, or Appmon (Appmon was probably the most aggressive attempt out of said three). They put out a lot more merch and did a lot more collaborative events to engage the parents and children, and, presumably, the reason they were able to do this was because they were able to push into those outlets with the confidence the Adventure brand would let them be accepted (much like with Fuji TV). Like with the card game, the important part was getting their “foot in the door” so that even if it stopped being Adventure after a fashion, they’d still have all of those merchandising outlets -- after all, one of the first hints we ever got of Ghost Game’s existence was a July product listing for its products replacing the reboot’s in a gachapon set, so we actually have evidence of certain product pipelines being opened by the reboot’s precedent. (The word 後番組 literally means “the TV program that comes after”, so it’s pretty obvious this was intended for Ghost Game; in other words, the reboot’s existence helped ensure there be a “reservation” for this kind of product to be made.)

I think one important thing to keep in mind is that Toei and Bandai have as much of a stake in avoiding rehashing for their kids’ franchises as we do. Even if you look at this from a purely capitalistic perspective, because of how fast the “turnover” is for the kids’ audience, sustaining a franchise for a long time off rehashing the same thing over and over is hard, and even moreso when it involves a twenty-year-old anime that said kids don’t even know or remember. Ask around about popular long-running Japanese kids’ franchises and you’ll notice they practically rely on being able to comfortably change things up every so often, like PreCure/Rider/Sentai shuffling every year, or Yu-Gi-Oh! having a rotation of different series and concepts, or the struggles that franchises that don’t do this have to deal with. And, after all, for all people are cynical about Toei continuing to milk Adventure or any of the other older series at every opportunity, as far as the kids’ branch of the franchise goes, this is only capable of lasting to a certain extent; if they tried keeping this up too long, even the adults and kids would get bored, and there is some point it’ll be easier to try and make products directly targeted at the kids’ audience instead of having to rely on the parents to ease them into it.

So it’s completely understandable that the moment they secured a proper audience with the reboot and finished up their first series with this, they decided to take the risk with Ghost Game right after. And considering all that’s happened, this is still a risk -- they’re changing up a lot (even if not as much as Appmon), and there’s a chance that the audience they’ve gathered is going to shoot down again because they’ve changed so much and they no longer have the Adventure branding as a “crutch” to use -- but they’re taking it anyway instead of going for something at least slightly more conventional.

Which means that, yes, there’s a possibility this will all explode in their face, because the Adventure branding is that huge of a card they’re about to lose. But at the very, very least, Ghost Game is coming in with the “momentum” and advantage that Savers, Xros Wars, and Appmon all didn’t have: a brand currently in the stage of recovery, all of the merchandising and collaborative pipelines the reboot and Kizuna opened up, a fairly good timeslot, and a premise somewhat more conventional than Xros Wars and Appmon (I’m saying this as someone who likes both: their marketing definitely did not do them many favors). There are still a lot of risks it’s playing here, and it’s possible it won’t be the end of more Adventure or reboot brand usage to try to keep that momentum up even as we go into Ghost Game, but it’s the first time in a long while we’ve had something to stand on.

Okay, so that’s out of the way. But the end result is that we now have 67 episodes of an Adventure “reboot” that actually doesn’t even resemble Adventure that much at all, which seems to have achieved its goal of flagging down attention so it can finally going back to trying new things. This series exists, we can’t do anything about the fact it exists, the period where its own financial performance actually mattered is coming to an end anyway, and we, as a fanbase of adults hanging out on the Internet keeping up with the franchise as a whole, have to figure out how each of us feels about this. So what of it?

About the contents of the reboot itself

One thing I feel hasn’t been brought up as a potential topic very much (or, at least, not as much as I feel like it probably should be) is that the reboot seems to be actively aimed at a younger target audience than the original Adventure. It hasn’t been stated outright, but we actually have quite a bit of evidence pointing towards this.

Let’s take a moment and discuss what it even means to have a different target audience. When you’re a kid, even one or two years’ difference is a big deal, and while things vary from kid to kid, generally speaking, it helps to have an idea of what your “overall goal” is when targeting a certain age group, since at some point you have to approximate the interests of some thousands of children. Traditionally, Digimon has been aimed at preteens (10-11 year olds); of course, many will testify to having seen the series at a younger age than that, but the "main” intended target demographic was in this arena. (Also, keep in mind that this is an average; a show aimed at 10-11 year olds could be said to be more broadly aimed at 7-13 year olds, whereas one aimed at 7-8 year olds would be more broadly aimed at something like 5-10 year olds.) Let’s talk a bit about what distinguishes children’s shows (especially Japanese kids’ shows) between this “preteen demographic” and things aimed at a much younger audience (which I’ll call “young child demographic”, something like the 7-8 year old arena):

With children who are sufficiently young, it’s much, much more difficult to ensure that a child of that age will be able to consistently watch TV at the same hour every week instead of being subject to more variable schedules, often set by their parents, meaning that it becomes much more difficult to have a series that relies on you having seen almost every episode to know what’s going on. For somewhat older kids, they’re more likely to be able to pick and pursue their own preferences (the usual “got up early every week for this show”). This means that shows targeted at a young child demographic will be more likely to be episodic, or at least not have a complex dramatic narrative that requires following the full story, whereas shows targeted at a preteen audience are more willing to have a dramatic narrative with higher complexity. This does not mean by any shake of the imagination that a narrative is incapable of having any kind of depth or nuance -- the reboot’s timeslot predecessor GeGeGe no Kitaro got glowing reviews all over the board for being an episodic story with tons of depth -- nor that characters can’t slowly develop over the course of the show. But it does raise the bar significantly, especially because it prevents you from making episodes that require you to know what happened in previous ones.

The thing is, the original Adventure and the older Digimon series in general didn’t have to worry about this, and, beyond the fact that their narratives very obviously were not episodic, we actually have concrete evidence of the disparity: Digimon has often been said to be a franchise for “the kids who graduated from (outgrew) a certain other monster series”. Obviously, they’re referring to Pokémon -- which does have the much younger target demographic. That’s why its anime is significantly more episodic and less overall plot-oriented, and Digimon wasn’t entirely meant to be a direct competitor to it; rather, it was hoping to pick up the preteens who’d enjoyed Pokémon at a younger age but were now looking for something more catered to them. This is also why, when Yo-kai Watch came into the game in 2014, that was considered such a huge direct competitor to Pokémon, because it was aiming for that exact same demographic, complete with episodic anime. When Yo-kai Watch moved to its Shadowside branch in 2017, it was specifically because they had concerns about losing audience and wanted to appeal to the kids who had been watching the original series, but since they were preteens now, they adopted a more dramatic and emotionally complex narrative that would appeal to that audience instead. So you can actually see the shift in attempted target demographic in real time.

Adventure through Frontier were aimed at 10-11 year olds, and here’s the interesting part: those series had the protagonists hover around the age of said target audience. We actually have it on record that Frontier had a direct attempt to keep most of the kids as fifth-graders for the sake of appealing to the audience, and so that it would be relatable to them. You can also see this policy of “matching the target audience’s age” in other series at the time; Digimon’s sister series Ojamajo Doremi (also produced by Seki) centered around eight-year-olds. Nor was Seki the only one to do this; stepping outside Toei for a bit, Medabots/Medarot had its protagonist Ikki be ten years old, much like Digimon protagonists, and the narrative was similarly dramatic. The thing is, that’s not how it usually works, and that’s especially not really been how it’s worked for the majority of kids’ series since the mid-2000s. In general, and especially now, it’s usually common to have the protagonists of children’s media be slightly older than the target age group. This has a lot of reasons behind it -- partially because kids are looking to have slightly older characters as a model for what to follow in their immediate future, and partially because “the things you want to teach the kids” are often more realistically reflected if the kids on screen have the right level of independence and capacity for emotional contemplation. Case in point: while everyone agrees the Adventure through Frontier characters are quite relatable, it’s a common criticism that the level of emotional insight sometimes pushes the boundary of what’s actually believable for 10-11 year olds...

...which is presumably why, with the exception of this reboot, every Digimon TV series since, as of this writing, started shifting to middle school students. That doesn’t mean they’re aiming the series at middle school kids now, especially because real-life 13-15 year olds are usually at the stage where they pretend they’ve outgrown kids’ shows (after all, that’s why there’s a whole term for “middle school second year syndrome”), but more that the narrative that they want to tell is best reflected by kids of that age, especially when we’re talking characters meant to represent children from the real world and not near-immortal youkai like Kitaro. In fact, the Appmon staff outright said that Haru was placed in middle school because the story needed that level of independence and emotional sensitivity, which is interesting to consider in light of the fact that Appmon’s emotional drama is basically on par with that of Adventure through Frontier’s. So in other words, the kind of high-level drama endemic to Adventure through Frontier is would actually normally be more on par with what you’d expect for kids of Haru’s age.

But at this point, the franchise is at a point of desperation, and you can see that, as I said earlier, Appmon was blatantly trying to be one of those “have its cake and eat it too” series by having possibly one of the franchise’s most dramatic storylines while also having some of the most unsubtle catchphrases and bright colors it has to offer. Moreover, one thing you might notice if you look closely at Appmon: most of its episodes are self-contained. Only a very small handful of episodes are actively dependent on understanding what happened in prior episodes to understand the conflict going on in the current one -- it’s just very cleverly structured in a way you don’t really notice this as easily. So as you can see, the more desperate the franchise has gotten to get its kids’ audience back, the more it has to be able to grab the younger demographic and not lock them out as much as possible -- which means that it has to do things that the original series didn’t have to worry about at all.

Having seen the reboot myself, I can say that it checks off a lot of what you might expect if you tried to repurpose something based on Adventure (and only vaguely based on it, really) into a more episodic story that doesn’t require you to follow the whole thing, and that it has to break down its story into easy-to-follow bits. In fact, there were times where I actually felt like it gave me the vibes of an educational show that would usually be expected for this demographic, such as repeated use of slogans or fun catchphrases for young kids to join in on. That alone means that even if the “base premise” is similar to the original Adventure, this already necessitates a lot of things that have to be very different, because Adventure really cannot be called episodic no matter how you slice it.

Not only that, even though the target audience consideration has yet to be outright stated, we also have interviews on hand that made it very clear, from the very beginning, what their goals with the reboot were: they wanted the kids to be able to enjoy a story of otherworldly exploration during the pandemic, they wanted cool action sequences, and they wanted to get the adults curious about what might be different from the original. Note that last part: they actively wanted this series to be different from the original, because the differences would engage parents in spotting the differences, and the third episode practically even goes out of its way to lay that message down by taking the kids to a familiar summer camp, only to have it pass without incident and go “ha, you thought, but nope!” Moreover -- this is the key part -- “surprising” people who were coming from the original series was a deliberate goal they had from the very beginning. They’ve stated this outright -- they knew older fans were watching this! They were not remotely shy about stating that they wanted to surprise returning viewers with unexpected things! They even implied that they wanted it to be a fun experience for older watchers to see what was different and what wasn’t -- basically, it’s a new show for their kids who never saw the original Adventure, while the parents are entertained by a very different take on something that seems ostensibly familiar.

On top of that, the head writer directly cited V-Tamer as an influence -- and if you know anything about V-Tamer, it’s really not that much of a character narrative compared to what we usually know of Digimon anime, and is mostly known for its battle tactics and action sequences (but in manga form). In other words, we have a Digimon anime series that, from day one, was deliberately made to have a writing philosophy and goal that was absolutely not intended to be like Adventure -- or any Digimon TV anime up to this point -- in any way. And that’s a huge shock for us as veterans, who have developed our tastes and expectations based on up to seven series of Digimon that were absolutely not like this at all. But for all it's worth, the circumstances surrounding its production and intent don't seem to quite line up with what the most common accusations against it are:

That it’s a rehash of Adventure: It really isn’t. It’s also blatantly apparent it has no intention of being so. The points that are in common: the character names and rough character designs, some very minimal profile details for said characters, Devimon having any particular foil position to Angemon, the use of Crests to represent personal growth, the premise of being in the Digital World and...that’s it! Once those points are aside, it’s really hard to say that the series resembles Adventure any more than Frontier or Xros Wars resembles Adventure (which are also “trapped in another world” narratives) -- actually, there are times the series resembles those two more than the original Adventure, which many have been quick to point out. The majority of things you can make any kind of comparison to basically drop off by the end of the first quarter or so, and trying to force a correlation is basically just that: you’d have to try forcing the comparison. The plot, writing style, and even the lineup of enemies shown just go in a completely different direction after that. So in the end, the base similarities can be said to be a marketing thing; if I want to criticize this series, I don’t think “lack of creativity” would actually be something I would criticize it for. (Of course, you’re still welcome to not be a huge fan of how they’re still guilty of using Adventure’s name value to market something that is not actually Adventure. We’re all gonna have mixed feelings on that one.)

That they don’t understand or remember Adventure’s appeal: Unlikely. All of the main staff has worked on character-based narratives before, which have been very well-praised while we’re at it. The producer, Sakurada Hiroyuki, was an assistant producer on the original series, and I would like to believe he probably remembers at least a thing or two about what they were doing with the original series...but, also, he’s the producer of Xros Wars, which definitely had its own individuality and style, and, moreover, was more of a character narrative that people generally tend to expect from Digimon anime. (Still a bit unconventional, and it has its own questions of personal taste, but a lot of people have also pointed out that this reboot has a lot in common with Xros Wars in terms of its writing tone and its emphasis on developing Digital World resident Digimon moreso than the human characters.) All signs point to the idea they could make a character narrative like Adventure if they really wanted to. It’s just, they don’t want to do that with this reboot, so they didn’t.

That they misinterpreted or misremembered the Adventure characters: There’s been accusations of said characters being written in a way that implies misinterpretation or lack of understanding of the original characters, but the thing is, while I definitely agree they have nowhere near the depth of the original ones, there are points that seem to be deliberate changes. (At some points, they’re actually opposites of the original, and certain things that operate as some very obscure references -- for instance, Sora complaining about having to sit in seiza -- seem to also be deliberate statements of going in a different direction.) The lack of human character depth or backstory doesn’t seem to be out of negligence, but rather that this story doesn’t want to be a character narrative to begin with -- after all, we’re used to seven series of Digimon that are, but there are many, many kids’ anime, or even stories in general, where the story is more about plot or action than it is completely unpacking all of its characters’ heads. In this case, this reboot does seem to have characters that are taking cues from or are “inspired by” the original, but, after all, it’s an alternate universe and has no obligation to adhere to the original characters’ backgrounds, so it stands to reason that it’d take liberties whenever it wanted. (Again, the head writer outright stated that he based the reboot’s Taichi more on V-Tamer Taichi than the original Adventure anime Taichi. He knows there’s a difference!) Even more intriguingly, the series actually avoids certain things that are common misconceptions or pigeonholes that would normally be done by the mainstream -- for instance, the Crest of Light (infamously one of the more abstract ones in the narrative) is fully consistent with Adventure’s definition of it as “the power of life”, and, if I dare say so myself, Koushirou’s characterization (emphasizing his relationship with “knowledge” and his natural shyness) arguably resembles the original far more than most common fan reductions of his character that overemphasize his computer skills over his personal aptitude. In other words, I think the staff does know what happened in the original Adventure -- they just actively don’t want to do what Adventure did, even if it’s ostensibly a reboot.

That it’s soulless or that there’s no passion in its creation: Well, this is subjective, and in the end I’m not a member of the staff to tell you anything for sure, but there are definitely a lot of things in this anime that don’t seem like they’d be the byproduct of uninspired creation or lack of passion. It’s just that those things are all not the kinds of things that we, as Digimon veterans, have come to develop a taste for and appreciate in Digimon anime. That is to say, there is an incredible amount of thought and detail put into representing Digimon null canon (i.e. representing special attacks and mechanics), the action sequences are shockingly well-animated in ways that put most prior Digimon anime to shame, and the series has practically been making an obvious attempt to show off as many Digimon (creatures) that haven’t traditionally gotten good franchise representation as they can. Or sometimes really obscure “meta fanservice” references that only make sense to the really, really, really, really hardcore longtime Digimon fan (for instance, having an episode centered around Takeru and Opossummon, because Takeru’s voice actress Han Megumi voiced Airu in Xros Wars). If you follow any of the animators on Twitter, they seem to be really actively proud of their work on it, and franchise creators Volcano Ota and Watanabe Kenji seem to be enjoying themselves every week...so basically, we definitely have creators passionate about having fun with this, it’s just that all of it is being channeled here, not the character writing.

So in the end, you can basically see that this series is basically the epitome of desperately pulling out all of the stops to make sure this series lands with the actual target demographic of children, dammit, and gets them into appreciating how cool these fighting monsters are and how cool it would be if they stuck with them even into a series that’s not Adventure. The Adventure branding and names to lure in the parents, the straightforward and easy-to-understand action-oriented narrative so that kids will think everything is awesome and that they’ll like it even when the story changes, and the merchandise and collab events booked everywhere so that they can all be reused for the next series too...because, remember, they failed with that during Savers, Xros Wars, and Appmon (I mean, goodness, you kind of have to admire their persistence, because a ton of other kids’ franchises failing this many times would have given up by now), so it’s a bit unsurprising that they went all the way to get the kids’ attention at the expense of a lot of things that would attract veterans, especially since the veterans already have a well-developed adults’ pipeline to cater to them. This does also mean that this series is more likely to come off as a 67-episode toy commercial than any previous Digimon series, but it’s not even really the toys as much as they’re trying to sell the entire franchise and the actual monsters in the hopes that they’ll stick with it even when the narrative changes.

Nevertheless, here we are. The series is over. Ghost Game -- which, as of this writing, is looking to be much more of a conventional Digimon narrative, complete with older cast, obviously more dramatic atmosphere, and pretty much everything surrounding its PR -- is on its way, presumably thanks to the success of this endeavor. It’s hard to gauge it; we have it on record that they also intend it to be episodic, but remember that this doesn’t necessarily prevent it from having an overall dramatic plot or nuanced drama (especially since the abovementioned Appmon and Kitaro were perfectly capable of pulling off this balance). Nevertheless, it seems to be a lot more of the conventional kind of Digimon narrative we usually expect, so, as for us, adult long-time fans of the Digimon franchise (many of whom don’t have kids anyway), what exactly should we make of this? Well, as far as “supporting the franchise” goes, you’ll get much more progress supporting Ghost Game than the reboot; I highly doubt view counts and merch sales relative to an already-finished series will do nearly as much for the franchise’s health as much as the currently airing series, and, besides, it’d probably do us all a favor to support the endeavor that’s actually new and fresh. So when it comes to a “past” series like this, it’s all just going to come down to a question of personal preference and taste: is this a series you, personally, want to watch, and would you find it entertaining?

For some of you, it’s possible that it just won’t be your cup of tea at all -- and since, like I said, the majority of us here have based our expectations and preferences on up to seven series of Digimon that were not like this, that’s also perfectly fine, and in that case I don’t actually recommend you watch this. Of course, I’ve never thought that it was ever fair to expect a Digimon fan to have seen all of the series released to date; the more series we get, the more inhumane of a demand that’ll become, and I think this franchise becoming successful enough to have so many series that most people won’t have seen it all is a good thing. (It’s actually kind of alarming that the percentage of people who have seen it all is so high, because it means the franchise has failed to get much of an audience beyond comparatively hardcore people who committed to it all the way.) But I think, especially in this case, with a series for which adult fans like us were probably lowest on the priority list due to the sheer amount of desperation going on here, it’s fine to skip it, and if you’re someone who lives by a need for character depth or emotionally riveting narrative, the fact this series is (very unabashedly and unashamedly) mostly comprised of episodic stories and action sequences means you won’t have missed much and probably won’t feel too left out of any conversations going forward. That’s before we even get into the part where it’s still completely understandable to potentially have mixed feelings or resentment about the overuse of the Adventure brand for something like this, especially if Adventure is a particularly important series to you.

But for some of you out there, it might still be something you can enjoy on its own merits. I’ve seen people who were disappointed by the limited degree of Digimon action sequences in the past or the fact that the series has gotten overly fixated on humans, and had an absolute ball with the reboot because it finally got to represent parts of the franchise they felt hadn’t been shown off as well. “Fun” is a perfectly valid reason to enjoy something. It’s also perfectly possible to be someone who can enjoy character narratives like the prior Digimon series but also enjoy something that’s more for being outlandish and fun and has cool Digital World concepts and visuals -- and, like I said, it does not let up on that latter aspect at all, so there’s actually potential for a huge feast in that regard. I think as long as you don’t expect it to be a character narrative like Adventure -- which will only set you up for disappointment, because it’s not (and made very clear since even the earliest episodes and interviews that it had no intention of being one) -- it’s very possible to enjoy it for what it is, and for what it does uniquely.

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