#if a character has a death scene/execution they're dead
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Reblog if your favourite danganronpa character is dead (let's see how far this reaches!)
#this counts for the victims/blackeneds of sdr2 even though they're just in a simulation btw#if a character has a death scene/execution they're dead#this includes nekomaru in chp.3 and mechamaru in chp.4 btw :)#nerd cat rambles#danganronpa#dr1#thh#drv3#ndrv3#v3#sdr2#dr2#spoilers from here:#leon kuwata#tsumugi shirogane#danganronpa spoilers#danganronpa spoiler#spoiler#spoilers
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I wonder often why Deathly Hallows as a book is so fascinated with wandcraft and wandlore, especially after the series has spent six volumes being more or less disinterested in it (with the exception of the Twin Cores plot in Book 4). A weirdly high % of the plot depends on who owns whose wand and why: the wand mixup with the Snatchers, Harry's wand being broken, Draco's wand, Bellatrix's wand, and of course, the final rigmarole over who's the "rightful master" of the Elder Wand, which ends up being a weird combination of killing/disarming/fist-fight to disarm someone who... wasn't even wielding the Elder Wand at the time he was disarmed, which begs the question of what it counts to "disarm" someone of a weapon they're not technically wielding? Also, are we to assume that Dumbledore was not disarmed once in the N years since his fight with Grindlewald? Or — here's a harder one — that Draco wasn't disarmed once between Dumbledore's death and his fight with Harry? That's plausible, but it's kind of weird that I need to believe it for the rest of the plot to make sense.
And like, I can think of a few Doylist reasons for this to be the case. The first is that JKR wants Voldemort to kill Snape in the boathouse, which allows Harry to get Snape's memories and retroactively justify why Snape's acted this way since PoA (and explain where the sword comes from in the lake in DH, too). I can think of better, more character-driven reasons for him to kill Snape (just... blow Snape's cover? reveal him as a double agent? have him try to kill Nagini? idk), but let's suppose, for subtextual reasons, she wants Voldemort to think Snape was loyal to the end. Having him die by Nagini's hand muddies the already-opaque water of what constitutes "disarming," because Nagini is a living creature. What if I drop someone into a pool of piranhas? Do I get their wand? Yeah, Voldemort commands her, but then — okay, what if I Imperius someone and make them disarm someone else? I get that it's not like DH has time for Harry to sit down with Ollivander and go through all of the tiny procedural rules for wand usage, but also, are these not relevant questions? Is this not the central mechanic of the final battle, this one piece of magic? Am I not supposed to wonder how it works?
The other reason I can imagine is that Harry wins a duel against Voldemort 1v1, which is not terribly believable unless there's some kind of magical advantage working in his favor. We know the Elder Wand's failure to execute the Cruciatus means Harry can't be harmed by spells the Elder casts, because it's his "true master." This is a really weird quirk in wandlore — why does it work this way? Is it the only wand that works this way? By that logic, shouldn't everyone Harry disarms be incapable of casting spells on him? — that emerges in Book 7, apparently for the purpose of giving Harry a buff in the final duel. Functionally, that's weird, because on a technical level it works the same way as Lily's protection — it's a reason that Voldemort can't hurt him. So why get rid of Lily's protection at all? It's not like he duels Voldemort between Book 4 and Book 7. The graveyard scene artificially hikes the stakes for Harry by making him physically vulnerable, pretty much only so he can die at the end of DH... except again, not for real, because Voldemort only ends up killing the piece of Harry that's a horcrux, so it doesn't even count!
And then Harry replaces the wand in Dumbledore's tomb. Which would be a nice moment if the lore hadn't established that anyone who disarms Harry, ever, will become the master of the Elder Wand by default. Harry knows this. He also knows that this knowledge is out there in the world; sure, Grindlewald's dead now, but do we think that Grindlewald never told anyone else about the Elder Wand? And he learned about it from somewhere, didn't he? So Harry might naturally assume that someone else would eventually come looking, in which case Dumbledore's tomb is far from the safest place to put this equivalent of a wizarding nuke. (Not that it seems to be all that powerful anyway; the coolest thing it does is fix Harry's other wand, and we're left wondering why the Elder Wand is considered "unbeatable" when people who own it seem to be getting disarmed all over the fucking place.)
Also, in retrospect, this makes it incredibly odd that Dumbledore allows Draco to disarm him, because he's giving the Wizarding Nuke to a 16-year-old servant of Lord Voldemort. Suppose that he's trying to prevent Snape from getting the wand, because he doesn't want Snape to be a target: okay, fine, but does he know Draco's going to give Snape credit for the kill? What if Draco lies? What if LV just... accepts the fact that the wand recognizes Expelliarmus as a point of transfer, and either disarms or kills Draco? And in any case, no matter what the answers to these questions are, why didn't he just ask Harry to disarm him before he went to the lake?
I'm usually not one to be an asshole about plot holes — mostly because, taken by themselves, I don't find them that interesting — but they become interesting to me when I see several of them in the same vein, because they tell me that the author's trying to do something. And they want to do it so badly they're willing to strain other parts of the story to make it happen.
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The way I see it, how things played out in the episode indicated that Beau, Caleb, and honestly even Keyleth were never in any danger of dying.
Beau and Caleb roll so poorly, and they're captured completely unharmed, then largely ignored by the villains for the rest of the scene. Yes, Ludinus says he wants them to witness their failure, but that's just the story excuse. The classic Bond villain traps him instead of the smarter move of killing him because Bond has plot armor—and so it is with Beau and Caleb. Ludinus harmlessly traps them and then leaves them alone instead of killing them immediately and permanently remove them as threats because he actually isn't allowed to kill them by the meta concerns.
Keyleth gets wrecked, yes. She isn't protected from being harmed, but she was never in danger of dying. The narrative surrounding her for that moment is that Vax will appear to protect her from Otohan and prevent her death—whether that's at the end of the turn or, I imagine and feel, at any moment that would've knocked her out or killed her. The story itself RELIES on preventing Keyleth's death, so while it's A Lot, from a narrative mechanics perspective, she was never actually at risk of death because there is a narrative trigger to stop it from happening.
Vax, well, he's already dead and can't get much deader. Don't really understand what precisely happened to him and what it means for his personal status, but he is well established to be in the territory of "you can't kill me in any way that matters".
These failsafe and mechanics don't protect these characters from setbacks, general harm, pain physical and emotional, failure, grief (and it would be weird if they weren't allowed to experience these things anymore), but it does protect them from death. It's a harrowing series of events, but there was no real threat of death from a narrative perspective. The former PCs who are susceptible to death were always going to survive this scenario because table etiquette and respect around the cast demands it. The way everything unfolded really felt like it highlighted the (well executed) mechanics of the story in place to guarantee that they did.
And, going forward, I'm sure they'll continue to be fine in the end.
#Critical Role#Beauregard Lionett#Caleb Widogast#Keyleth#Vax'ildan#CR spoilers#Critical Role things#CR meta
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It’s very amusing that Condal clearly wants to adapt AFFC, and how people eat it up despite it not being earned. AFFC was the fourth book of the series, after the beheading of Ned, Winterfell falling, Jaime losing his hand, the Red Wedding, the Purple Wedding. All the reasons for why the War of the Five Kings is over, all those people are either dead or scattered to the wind, and yet the war rages on. It’s a pointless war that characters we have grown to know and love undergo intense changes in, notably Jaime and Brienne as they wander through the Riverlands, Arya in Braavos, Sam on the edge of despair as he journeys south. Frankly? Considering that the Dance hasn’t even properly started yet and no one cares about the deaths that have occurs (Luke, Jaehaerys, Rhaenys) the sheer fatalism feels unearned bc no one has gone through gut wrenching tragedy yet. “War is pointless.” Great, but we got another two seasons of this and if the characters think this story is dumb and pointless and are just going through the motions, why should we watch? It’s frankly just too early for everyone to lose their shit bc they haven’t even begin to truly lose everything yet. The characters themselves thinking it’s pointless robs them of motivations bc we still got more than half the story to go! Criston’s monologue in the finale is good but that’s because it’s directly cribbed from Jaime’s “honor is mist” speech but it’s not nearly as earned bc we don’t have any idea how or why he started sleeping with Alicent or even why he became a kingsguard in the first place! Daemon’s Harrenhal arc ended with him somehow obsessed with a prophecy and connecting it back to Rhaenyra without him coming to terms with Viserys not trusting him with the prophecy which is what he was mad about in the first place!
We never actually see anyone react to anything, and the limping plodding along of character development happening off screen so we never see how or why anyone changes is not good! Episode 7 actually gave me some hope bc Rhaenyra seemed to be embracing her role as a leader of there’s dragonriders the gods have given her, but in the next episode she’s literally saying the exact same lines “what would you have me do” and “who will pay the price” which she said at the start of the season! Even Alicent’s about face is unearned bc we don’t actually see her truly fight with her children about anything, really. She just lets them talk in her face and then limps away to camp in a scene that’s “all about rebirth bc baptism and water” without ever getting to the core of anything. It’s a beautiful show full of empty symbolism without a narrative actually underpinning it, borrowing from a better story without understanding what makes that story so good.
You said it more eloquently than I could at the moment. It's not just one or two badly executed points, nothing gets built up, nothing gets resolved or even discussed, we just skip past A TON of vital characterisational changes and are expected to "fill in the gaps". No, they're just bad at writing. You wouldn't be reading a book or watching a show that is so bad at these elements - people are watching because it's ASOIAF.
Why is Alicent so mad? Aegon has barely done anything as king, he's actually tried to help the smallfolk in his audiences! Aemond dismissed her from the Council, sure, which I found a dumb political plot hole, but she hasn't done much to address it? And what exactly has Criston Cole done all season that he is the most reprehensible male character on the show? He didn't vote for Alicent and called her by her name. Does he deserve to die for that? Has Alicent ever been portrayed as the type of character who would react so disproportionately? That's Aemond-level writing. Is Alicent = Aemond now? (She isn't even shown being mad at Criston for sending Arryk after Rhaenyra!)
What Alicent is shown to have a problem with is Aemond burning Aegon. But then again why abandon Aegon to be executed by Rhaenyra? Just overdose him on milk of the poppy and let him die, ffs. Alicent also suspects Criston is not telling her about Aemond's crime, but they part on okay terms? She gives him her favour? How do you go from that to dooming him by revealing his coordinates?
I would really like to pile on-to the AFFC copycat accusations* with Succession rip-offs (my followers are probably tired of hearing me mention it, but it's truly what prestige television should be and it's what we should be comparing HotD to!). First it was teenage!Aegon wanking in the window à la Roman Roy, then Alicent suddenly gets water symbolism this season like Kendall and "I do not wish to hear it"? Do they think they're being cute here?
*not just with Criston, but with Rhaena, too, although you could at least argue there that GRRM himself is also mirroring Jaime and Sansa there
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How are you feeling about the aaa finale? idk I’m loving this show so much and I’m so afraid of being disappointed by the ending. I was still hoping for everyone to come back but now I’m accepting that they are gone, gone and the way it’s going Agatha’s coven will only be her and Billy and I like him but not nearly as much as I love everyone else
And then there is Rio, hopeful I’m just being too pessimistic but I fear the show will just end with her still being the antagonist, they will fight, there will be a truce and she won’t kill Agatha and Billy and they will part ways. The only way we will get that kiss is in the flashback which will be worth it but I still wanted more. idk the interviews usually makes me excited for what’s next but this time it made me conflicted
but Jac saying the show will be all about Agatha to the very end was nice to read. I can’t stand all this talk about where is wanda??? who knows but not in this show hopefully!!!
Hello Anon! Well, I would say my emotional state towards the finale has been about the same for the past few weeks, which is a mix of absolute excitement and nerves.
Probably not the best for my emotional and mental health so maybe I should be glad this is a limited series! My body certainly will be.
I was entertaining the thought of dead coven members possibly coming back but Lilia's death was so beautiful and her choice despite it being also her destiny, and her arc was about accepting the life she had and making the best of it and embracing her power.
As for Alice, it's possible she comes back, but it's also possible her character gets closure and moves on, given that we do know there's a scene with her post-death coming up. And Jac Schaeffer seems big on delivering emotional satisfaction at the end of her stories (not to say she's guaranteed to deliver, but it's her goal at least).
Putting the rest under a cut because omg this got long
I have some meta thoughts brewing about this episode's take on destiny and fate and time and death (alongside other death personifications in media) and as hinted at in the latest Schaeffer interviews, there's definitely stuff the show wants to say about it.
On another note, I've mostly processed my feelings about the tragedy of these two as star-crossed lovers in this post if you haven't read it it may help. For me it's still hard to get a read on Rio as they're building new lore with this version of Death. This is definitely not the same Lady Death from Marvel comics.
But I do think that it's actually a good thing that Agatha and Rio are getting into open conflict, the same way Agatha and Billy are having it out in the open, because the characters need to deal with their shit.
And I feel like... especially from the last episode, the show isn't setting up Death to be evil, or necessarily bad. Death is Agatha's antagonist because – as Schaeffer puts it – she refuses it, she refutes it. Lilia ran from her visions because she wanted to avoid seeing death but ultimately embraced it. Agatha's a rule-breaker, a trickster but witchcraft is inherently rooted in nature.
There isn't a simple or clear answer here on what's right or wrong, which is why I'm really interested to see how the finale unfolds. Schaeffer genuinely seems to love ambiguity and the discussions around her shows.
Like yes, Agatha and Rio are going to fight. That's not really new for them? Okay maybe the scale of this will be. But as we've seen with all these reveals, what really matters is how and why and all the details in its crafted execution.
And again, Schaeffer has said that she's aiming for an emotionally satisfying conclusion. Even if the stories for these characters continue beyond, this series is designed to stand on its own. And the Agatha-Rio relationship has been important to the show, from the very first episode.
I'll also be making a predictions post for the finale for funsies, if you want to see what my guesses and expectations are.
#agatha all along#agathario#tv: agatha all along#aaa meta#asks#anon#whoops i did not think my answer would be this long
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I'd like to specify a request for good Thai shows that just finished. They're my favorite for many reasons, and I also enjoy getting to learn more Thai words.
Good 2023 Thai BL That Recently Finished (to Binge!)
(I actually held off answering this one until a few had ended this week because I didn't have many for 2023. It's not been great year for Thai BL so far IMHO. Now South Korea is KILLING it. So is Japan.. in a different way.)
My School President
9/10
GMMTV gave us a classic high school set Thai BL with tropes like messy boys singing their feelings that made this one Love Sick for the modern age with all the gentle sweetness and pining ache, but none of the dated damaging tropes or issues.
Yes, we’ve seen it all before, but I still ADORED this. And there is a lot to be said for the classics being re-executed perfectly. Who let my BL be this wholesome and funny? This show was fantastic, it’s only flaw was the singing (and that’s my baggage).
My favourite GMMTV BL offering to date. And yes, I've watched them ALL. (YouTube)
Step By Step
9/10
This was Thailand’s answer to The New Employee, and everything I loved about that show I loved about this one.
This was an office romance between stern boss and sweet subordinate that felt more authentic to an office environment than previous Thai BLs of this ilk. And that authenticity added tension to the narrative and character development (how novel). Now that might be because it has western source material, or it might be because it is actually kind of old-fashioned (it’s been years since I worked as an office grunt). I also really enjoyed the brothers’ relationship, and kinda wished they hadn’t attempted (and failed) to give said brother his own side BL.
(Gaga & YouTube & Viki)
La Pluie
9/10
This BL takes to task the fated mates trope and what it means to have love chained intimately to predestination. It’s about how faith in destiny before choice diminishes the authenticity of emotion, relationships, and connection. This is a high concept to examine through the lens of a BL.
By activating + examining the soulmates trope this show is challenging a foundation of romance: the idea that there is one person meant to be your one romantic partner all your life. This means that we, as viewers, spend much of the show worried about it having a happy ending, and that’s the source of both its brilliance and tension: would the narrative have the strength to truly challenge its own romantic core?
But, ultimately, all this elevated complexity was executed in a somewhat shaky manner with the narrative derailing into some serious pacing issues and characters manipulated by miscommunication. However, with good chemistry and decent acting all around, plus some excellent high heat and representation of consent and a few other rare tropes, this one has to (like it’s sibling show My Ride) earn a 9/10.
I enjoyed it even as it made me think. (iQIYI)
Make a Wish
8/10
PNR (from Sammon: Manner of Death & Triage) about a doctor who can see the dead and strikes a bargain with a wish-granting irreverent tree angel - naturally they fall in love.
Stars Fluke Natouch opposite not-Ohm, but who cares bc Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but still satisfying and with nice little twist). I like that the doctor is just gay af and has a fag hag bestie and everything.
The cast is excellent but the comedic stylings are too overblown and tonally off. It had sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency. (grey)
Moonlight Chicken
8/10
I enjoyed this complicated little show, even though it’s spectacularly messy gay with lots of shrapnel and authentic pain.
I thought EarthMix turned in their most compelling performance to date. But it was GeminiFourth who stole my heart.
That said, the most interesting central relationship was that of Jim & Li Ming, their father-son angst mixed with evident affection made me tear up.
This was more slice of life than it was BL, but it ended happily so I’m not mad at it. (YouTube)
Never Let Me Go
8/10
Bodyguard romance where poor boy must watch over rich boy for family obligation reasons. Simple premise well executed with a few bumps that made it feel like it was trying to tackle too much (when it wasn’t).
Still, an enjoyable show that benefited from being handed to PondPhuwin who did a stellar job with their roles and chemistry. Is it going into permanent rewatch rotation? No, but a solid GMMTV offering. Of GMMTV passing out new series to established pairs this has been the most successful IMHO. PondPhuwin were about 10000x better in this than FUTS (and that's FUTS's fault, not theirs).
It's typically Thai in that its a bit bloated and has a confusing plot, but at least it HAD a plot and the central relationship is solid and loyal. Their Our Skyy 2 follow up is great. And very much adds to the cannon in a fun way rather than feeling superfluous - making this show ultimately 14 eps rather than the usual 12. (YouTube)
Destiny Seeker
8/10
A darn near perfect pulp featuring 3 likable grumpy/sunshine pairings with uncomplicated iterations of enemies to lovers. At least one half of each does a decent amount of pining and there’s good chemistry, classic tropes, and communication rep. It’s fun and full of linguistic jokes.
Sublimely cheesy but a good rainy day offering with tons of rewatch potential. (WeTV)
Bed Friend
8/10 (Triggers include: child abuse, attempted rape, family abuse)
Office frienamies transition a flaming hot one night stand into a f-buddy relationship that is built on a puppy/cat dynamic (and kinks into it at one point). Our puppy is loyal, smitten, and protective with endlessly longing eyes, while our cat is snarky, prickly, and deeply damaged (ALL THE TRIGGERS).
NetJames give lovely high-heat with excellent chemistry and tuned-in performances of surprising depth, unfortunately the story ultimately failed them. Had the show had the strength of its convictions and kept to a tighter, darker, harsher 8 eps it would have been the first high heat to earn a 10/10 from me, but once they fussed with it, it dropped to a solid 8/10.
Could have been great but was overworked. Still if high heat is your thing, this one will not let you down. (YouTube)
Between Us
8/10
Featuring the hugely popular side characters from 2019′s Until We Meet Again, Win Team (played by Studio Wabi Sabi's most popular, and commercially viable, pair BounPrem - Long Khong, You Never Eat Alone, Seven Project, Even Sun), adaptation of the y-novel Hemp Rope.
It’s a serviceable series about hot swimmers flirting and dealing with family drama in a sweetly earnest manner, but ultimately it squanders the talent in play. I would’ve preferred a cleaner narrative arc, less angst and more plot, fewer couples, and a shorter series.
That said, there’s nothing objectively wrong, sub-standard, or off-putting about this show. And it has lots of consent and other good qualities.
It’s fine. Watch along here. (iQIYI)
This list dated July 16 2023, not responsible for anything that came after, that'll probably be in end of year wrap ups.
#thai bl#Studio Wabi Sabi#recommended bl#recommended thai bl#best bl 2023#best thai bl so far#Between Us#WinTeam#BounPrem#Bed Friend#Bed Friend the series#NetJames#Destiny Seeker#Never Let Me Go#gmmtv#PondPhuwin#Moonlight Chicken#EarthMix#GeminiFourth#Make a Wish#La Pluie#gagaoolala#Step By Step the series#My School President
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I love this RoyAi art. Not because it looks amazing: The artstyle, the colors, poses(even when Riza's right arm looks weird lol), it is beautiful. But because of the meaning, which I don't know if it was intended or accidental.
The first time I've seen it I was like: „wouldn't they kill themselves if they decides to shoot the other?“, and yeah that's true. And that's what makes it beautiful. Both exist in an unhealthy dependency. They can't live without the other. Their hearts will always beat for each other. Though, they wouldn't hesitate to kill each other if one gives into their madness(example: the iconic 'don't go where I can't follow' scene ; in the game prince of dawn, Roy was ready to attack Riza, if she actually was going to kill the prince of Aeurgo.). I think the reason for this dynamic is that, even though they both love each other so much, they're not blinded by that feeling. Both are tactical, rational and have their own moral. Unable to be shaken by anyone. Also I think the guilt is driving them forward. Riza feels guilty for the actions of Roy in Ishval, she was the one that gave him the flame alchemy after all. And Roy? He feels guilty for dragging the woman he wants to see happy into hell.
Roy is an idealist, wanting to change the world. It's his purpose in an otherwise meaningless life. He couldn't be happy with a family with an other woman than Riza, but for this he has to give up the promise between these two. The promise that gives Riza her purpose in an otherwise meaningless life. (Who could guess that I'm a nihilist?)
Also, the series shows us that this promise is the only thing that could stop Roy from madness. From making an second Ishval, when the wrong people have to much power. He's a lapdog of the military after all.
Roy wants to get high up, just not without Riza.
And since they're so depended on each other, they couldn't live with the other dead.
So if Riza would've killed Roy, she would've killed herself, like she said.
And if Riza would've gotten killed by the weird doc, Roy surely would've gone crazy, more than when he executed Envy. No one who could lead him on the right part again. Finding his death maybe by the hands of father? I'm 100% sure that Roy could've burned Bradly, if he was in his rage mode he showed earlier. But I stop going into this maybe-thing.
This dependency isn't something that a real humanbeing should crave. Nevertheless it's my favorite trope, since even though I'm aromantic, I've fallen in love with the idea of love. Only needing that person, I'll never have. That's why Hannigram and RoyAi are my favorite ships. Both are unhealthy, both are destructive, they're beautiful. But only as long as you aren't a part of them.
When your love is killing you, is it a good death?
If you've read until the end: thank you for listening to my pointless thoughts about two fictional characters lol.
#fma#fma brotherhood#fma manga#fma 03#fmab#fullmetal alchemist#riza hawkeye#roy mustang#fma fanart#royai au#royai#royai fanart#fma royai#young royai
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The problem with Lost's final season (full spoilers btw) isn't "unanswered questions" (after all the episode set aside to answer all the stray unanswered questions is one of the worst ones), it's that the flashsideways are bad. They're a bad idea that's not executed well
They don't feel organic to the story, but feel like they're there bc it's the final season and in final seasons you revisit old characters, and because the writers can't just remove the flash structure even if there's nothing to flash to anymore.
But the problem is that...okay. The flashbacks did hint at larger lore and connections, but each one also told a complete story about the character's life before the island, and more importantly, who they really were before the Island. It's important that Locke was in a wheelchair, but it's equally important to learn that Locke was a LARPing office worker with a desperate need to feel special. The flashforwards were pieces of a larger puzzle, but also told complete stories about how each character's life fell apart after leaving the Island.
But the flashsideways are...an AU version of everyone's first season character, running through familiar beats with some unexpected connections, but no clear reason why it matters? I remember the discussion at the time, and there was relatively little discussion of the content of the flashsideways, just a lot of discussion of what cool explanation will eventually make it all matter in retrospect. People did discuss the bigger picture of the flashforwards, but they did also discuss the character arcs to a larger degree. I guess there's the ~thrill~ of dead characters returning, but uh. Lost already had a half-dozen devices to do that and did that regularly. Lost did unexpected character connections in flashbacks since day one.
Because there's just no momentum to them. Because they don't introduce a character who knows what's going on until two-thirds of the way into the season, and deny us any explanation of what's going on until the penultimate scene of the series. At least in the flashforwards we knew they escaped the Island, even if we didn't know how. Here we have nothing
But when they do reveal what it is, it's...odd for a couple reasons. The surface level are the absurdities, like Sayid's soulmate being Shannon, Aaron entering the afterlife as a baby, and Ji-Yeon entering the afterlife as a fetus surrounded by people she never met.
At a bigger level, though, the afterlife is a place where people are drawn to work through their issues and then move on, with the people they're tied to by destiny.
That's...the Island. That's what the Island is. Did the Island fail to improve anyone but Frank and Mr. Eko? Why do they get drawn to the Island to undergo character development with everyone, then get reset to do it all again after their death?
The answer is so they can have the requisite finale warm and fuzzy ending where they all move on together, all in a church with all the other people they've spent six seasons screaming and pointing guns at.
The writers talked about story arcs and character arcs they cut from season six for lack of time, but half of each episode is devoted to a plot line that only gains emotional resonance in the finale, and that gains no real energy or interest when you do know what's going on, since the way it's set up is designed to invite theories before it's designed to lend emotional weight. Bc why should I care about a character reliving season one's flashbacks, when I uh, saw season one?
Like. Everyone complained about how repetitive Kate's flashbacks were, even in season one. Kate's on the run, she does something that shows she cares, goes back on the run. Kate has by far the thinnest backstory of any of the "major" characters. And what's the first solo flashsideways? A season one style Kate On The Run episode. They ran out of material for the basic flashbacks fairly early, and spent season four doing flashforwards, and spent season five doing flashbacks to everyone's life in the timeskip, and then the final season brings them back, but uh, she meets Claire! So it's different enough now
In the afterlife Jack has a son named David, and his arc is about his afterlife son David, because after the show made Jack interesting again in the last couple seasons by giving him new arcs we really need to go back to the "Jack's daddy issues" well, and then halfway into the finale he's just never mentioned again, and anyway, the writers later said that David was just a psychic projection of Jack's younger self. Which would've been a neat storyline to allude to in any way, instead of having the end of his storyline be everyone just kind of leaving and forgetting him
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first time using this ask thing heh and i don’t rly know what to say, but, as a casual tntduo lover to another tntduo lover, i desperately kindly ask what are your favourite fics? dont rly mind if its suggestive/smut, id still like to show dem authors love and support. as a trade offer, ill leave some fic recs on my next ask hehe :]
anyways been following u for a while now (on insta) and id like to say ur art brings me immense joy and never fails to inspire me. hope u and your partner have a nice day! bubye !
i know this aint a prompt or idea or concept but u just seem like a cool person that i want to interact with :]
Hiiiiii
My guy, I am so sorry, but I hardly have any recommendations...
Why? Well, I went to my AO3 account, and like a solid 1/3 of my history was completely deleted - as in the works were deleted. Additionally, I haven't been reading much lately, so I have no newer titles, unfortunately. But here's the couple I have:
there's always this thing that we're becoming. Brilliantly written, genuinely gorgeous, in character, etc - it is smut though (top notch smut, though)
I'm pretty sure I enjoyed TntDuo Content I Don't Want To Attach My Username To too - also smut lmao
Agape - NOT smut, for once, but never finished lmao
There's also this fic I am completely not connected to ha ha it's called Losing Face and while it is unfinished I heard that the author is doing this like kinda rewrite kinda reimagining sort of thing where tldr it's the same concept just executed better ha haa👀👀👀
Another one is real life au - it's VERY heavy though. Like, I had to stop reading it at some point cause it was legitimately just hitting too hard. It is well written, and it's supposed to evoke those emotions, but just be VERY careful with it. VERY tldr is that it's about Schlatt - Q's abusive ex - becoming Wilbur's sugar daddy. It is VERY dead dove do not eat, and deals with SA and s-cidal ideation. The fic is called Sugar Lips, but I won't put the link here cause seriously, it's fucking heavy - and in a very realistic way, not the fantasy "eating someone's heart while they're alive" type of thing, but in a "this happens to real people in real life" type of way. Idk if you still want to read it dm me for the link but yeah, just please stay safe, guys
And then there's one work which I cannot find for the life of me - I don't know if it got deleted or something but if it wasn't, tntblr please help me find it It was about Wilbur coming to Quackity when his stitches break. Once the guy stitches him up, there's a whole scene when Wilbur has a breakdown and Quackity helps him through it. Then I believe it's kinda this sort of "montage" of how Wilbur and Q kinda grow closer, and (spoiler alert) it ends with some event during which Sapnap and Karl show up and there's arguing and at some point Wilbur and Sapnap start fighting (physically) and Wilbur ends up beating Sapnap to death. It was so well written, and it was one of the earliest fics i've read, and i haven't been able to find it for a long, long time now
Anyway send me asks about absolutely anything, don't worry about it being "right" or anything - all asks are welcome, be it HCs, prompts, ideas, or just some appreciation, sharing something you like, a question to me, etc :]
#ask#asks#ask fern#fanfiction recommendation#recommendations#tnt duo#tntduo#c!tnt duo#c!tntduo#c!wilbur#c!quackity#c!quackbur#losing face quackbur#quackbur fanfiction#tntduo fanfic
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Mashle 2 Episode 2
Other Episodes-> ep1 ep3 ep4 ep5
This episode was a riot. It was so much fun.
SO many random HP easter eggs and we get some new fun characters!!
Specifically, Margarette Macaron!!
I love them. Non-binary, music magic, and a love of tartar sauce (and a motorcycle in the ending credits!). (It me? maybe.) Despite seeming like an overused Okama-trope, I have hope based on the spoilers I went searching for. I'm so hype for more of them in the next episode.
VA Squee: They're voiced by Koyasu, Takehito!!! The voice of Dio Brando! Touji Fushiguro! Faust VIII from Shaman King! and Clayman from TenSura!!! A very masculine voice that can also take on feminine tones and a perfect fit for Margarette. Manga Spoiler: I wonder if they'll have another va...
Ep 2 Spoilers Under the Cut! Warning IT'S SO LONG THERE'S SO MUCH.
We open in the middle of the decision to execute Mash or not, and Dumbledore, Harry, and Draco having a stand off lmao
We learn that Whalberg/Dumbledore is a famous wizard because he fought with Innocent Zero in his youth.
Does this mean the shadowed Innocent Zero who was called father by Cell War is the equivalent of Grindelwald, and Evil Jesus(Cell War (or cell wall if you wanna be a pun) is Voldemort? (Also is it father or Father lololol)
ALSO, ARE ALL THESE NAMES FROM A RNG OR PUNS CAUSE I CAN'T TELL YET lmao
We get a little speech from Wahlberg reminiscent of one of Dumbledore's speeches, but more importantly, WHAT IS THE SIGNIFICANCE OF RAYNE ALSO BOWING???
Also his protecting the headmaster is a cute touch
I get that he is one of the Divine Visionaries, but is he more important than the others? He's still a student, wait, HOW DO STUDENTS HAVE THIS MUCH POWER IN THE GOVERNMENT?? NO WONDER ITS FUCKED UP??? Did I miss something??? (His reasoning for not wanting Mash dead also being the flashback to Rayne thanking him for taking care of his little brother?)
And of course Mashle can't be executed, so they set they give him a task to delay his sentencing...
The original goal Mash had in the first place, so ABSOLUTELY NOTHING HAS CHANGED.
Them backing the fuck up as Mash punches the floor is fricken hilarious. The best parts though...
1) Innocent Pero / Innocent Gyro - Thats a great subtitle translation choice, because they can't do a straight translation. Mash calls them Innocent Pero, with pero being the onomatopoeia for LICKING something in Japanese (WHATS THAT IMPLYING :EYES:), so Innocent Gyro is a good choice XD
and 2) the scene cuts to the bad guy's lair... which also seems to be shaking...
(I went and installed a gif maker for this >.>)
DON'T TELL ME. IS THE CHAMBER OF SECRETS UNDER THE BUREAU OF MAGIC????? (This is my theory and I'm sticking to it. Season 1 semi-stuck with random Philosopher's Stone plot points and the secret rooms, so it can be a semi-safe bet that season 2 might follow Chamber of Secrets?)
We then jump to an outing at the near by town to celebrate Mash Avoiding Death.
↓ ↓ ↓ ↓ The normal one ↓ ↓ ↓ ↓
Finn is the only actual normal one, WITH STYLE AT THAT, and I love him for it. (However he might also be the target of a Brother Complex and end up on the receiving end if Rayne can get over himself>o>)
The fucking Koalas...
What The Fuck Lmfao. That's all I have to say (but also this is a common gag for Japanese comedians and high school boys so... Still WTF. (This had my Beetle killing himself with laughter))
3 Wizards and a Macho walk into a wand shop and...
And the Macho is the one to get a wand. I'm so fascinated by this. How much damage is this thing going to do when Mash finally yeets it at someone???
The entire second half episode is so cute. Mash is so happy to have friends... I'm so happy for him....
But Also. Poor Finn. Look at these Freaks (affectionate).
YOU'RE ONE TO TALK. But Also Poor Finn.
The last bit. Our introduction to Margarette Macaron.
The fucking... shrimp.
Literally
It took Too Much Time for my ace-ass to realize they're THRUSTING the shrimp into the tartar sauce.
I love them? I love tartar sauce too. It's delicious.
They are so over the top. I love everything about them.
I've added too many photos to this post and tumblr is yelling at me.
So I will leave off with my hype for Rayne vs Margarette in the next episode!!!
↑↑↑↑Imagine me making this same face in anticipation↑↑↑↑
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Just finished Dead Boy Detectives
Thoughts under the cut
So as a filmmaker(yes I know I'm annoying about that lol) I do have a lot of critiques about the execution of the production but honestly I do not care
Not everything you like has to be perfect and not everything perfect is something you need to like. Recognizing that keeps you normal.
DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE DESPAIR APPEARANCE
DEATH APPEARANCE DEATH APPEARANCE DEATH APPEARANCE DEATH APPEARANCE DEATH AP-
Can we talk about how fucking strong Crystal is??? Like she had her EX living in her HEAD and almost died SEVERAL TIMES and lost her powers but was still up for beating up a witch like !!! Unstoppable, we love to see it.
Also Jenny?? I only hope to someday have even a fraction of the PATIENCE she has. Like girl I would've lost it 😭
Some of the coloring in the scenes were gorgeous. Specifically the scene with Crystal's ancestors aaa the purple tree was such a cool piece. Also the scene with Despair's mirror room?! I should learn how to gif. I need to learn how.
Cats <3
I was thinking while watching ep 7, I wonder if something happened to Maxine to make her act all weird?? I know the thing about obsessors (I can't think of a better word. I also don't think that's a word) is that they don't see what they're doing wrong but I'm still curious because that seemed unnatural. Open to discussions.
Edwin being the least charismatic character ever and still having a lot of pull is hilarious to me 💀.
I already miss Niko :(. (Ik she showed up at the end but idk what that means)
Uhh so honestly I can't tell if it's hinting to possibly another season but I hope so because I feel like there's more to see.
#i have a lot of thoughts rn. this is mostly a me post 💀#(id love to hear others positive thoughts though 👀)#dead boy detectives#man tumblr is fucking broken. it keeps posting without my permission#I'll just stop fighting with it now
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... Damn.
Its been a bit time since I started shoveling coal into the rage train.
But the reason I started on this path, still stings.
I still get hit with Tech's Death. Usually in depictions of wind, sky, and falling, from art, to picture, to music. It was a helluva scene. Impactful.
So impactful, that its very existence, destroyed the lead up to it, and retroactively turned the entire show to shit, all the little problems went from small stones in a shoe to an entire gravel path one takes bare foot.
Its a beautiful and tragic scene for a deeply unpleasant, horrible piece of "art", whose concept calls me to comfort, but whose execution demands my rage.
In my personal set of stories, whether I'll get to writing them or not, he's not dead.
( In one set of these metaphorical stories--they're all dead. Because that's the only way you stop the metaphorical super duper squad from outbesting Luke Skywalker. )
One person or team's depiction of character death, no matter how budgeted and published, no matter how impactful, doesn't mean one has to accept it.
And I don't.
( Just because the lunch ladies served folks grit slop, doesn't mean that Lunch automatically means droopy grey grit slop with overboiled fruit bits (that might've been blue berries at some point maybe) all the time. It doesn't meant that I'll accept grit slop. I prefer classy garbage--like pepperoni pizza. Not stuff that melts the spoon to the bowl. )
( One can absolutely say that what one is given was horrible and wrong and that one doesn't have to accept it. Even if its just a shit star wars show. We can in fact tell them to take it the fuck back, and redo it. Art deserves that much, and Corporations must learn to Answer for their transgressions.)
It was, and still is, a meaningless fucking death and no amount of streaming services and merchandise and nice words, is gonna get me to accept it--its a beautiful thing that shouldn't exist.
( Dare not to go gently into the good night. Dare not to fall gently into the clouds below. )
#star wars#star wars the bad batch#star wars the bad batch season 2#sw tbb s2#tech's death#criticism#i was listening to finnagan tui's Once I'm Gone#And now here I am#throwing my rage into the void of telecommunications and magic picture boxes
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I've been on a YA Horror kick lately, reading what I can, and I'm STILL pissy about the book I finished yesterday. It's got like, close to 4 stars on Goodreads and I DON'T KNOW WHY! The horror is non-existent for the first half of the book, it doesn't hint at the horror to COME, the multiple perspectives add nothing to the story, the characters feel annoying and one dimensional, the location IN THE TITLE OF THE BOOK isn't ACTUALLY the place where scary things happen??? They GO TO A DIFFERENT, SCARIER PLACE! The fictional horror movies that form a major part of the story are half-baked and REEK of "I came up with a bunch of fictional horror B-movies in detail and I have to mention all of them!" And the one movie that DOES matter is a fucking. Child's Play type ripoff with what sounds like, for all intents and purposes, an Elf on the Shelf.
When the horror does happen, there's no dread because more than half the cast loves horror and thinks this is part of it! When the killing starts each death plays out so... Stupidly? The spooky scary setting doesn't play into it at ALL and every character more or less goes "wow this is scary. Oh fuck, I'm legitimately scared! Something feels wrong! I'm gonna --" and then they die! Presumably! The scenes cut in such a way that they COULD be alive but I don't particularly care either way? And they're supposed to have the chance to escape, but there's no clear sense of how they could??
But listen, I can handle a mediocre story. I can put up with annoying characters and boring plots, because I expected... That at the END... I would get an ANSWER.
There are no answers. Who was the killer? Why did they kill these kids? Were they targeted or was it random? Was this supernatural or real life humans? Are the victims alive or dead? Why did one teen run away? Was any of this legitimate or was it always just for murder?
I just need SOMETHING. I need... "The police found drugs in the food we ate", that's something! "There were blood stains from where I stabbed that guy but DNA testing didn't turn up anything" that's something too! Or alternatively, "I swore I stabbed that guy but there was no blood"! Or "They found the chauffeurs but they said they were just hired and had no idea about this!" But there's no resolution, no answers that bring more questions, nothing.
Apparently, it's the first book in a duology and apparently the second book also does not say who the killer was. I feel straight up insulted, particularly after reading a bunch of other horror that ranged from genuinely terrifying and dread-inducing to pretty good with some okay scares! And then to end on something so disappointing? Ugh.
I should name names, so this was "Welcome to the Dark House" and if it's your favorite... You can do better. Sorry. This just... Isn't a well written book and while it has all the trappings of horror, it executes its ideas so poorly that it feels hollow.
Our main guy's worst nightmare is getting bitten by eels. He gets bitten by eels. He dies (maybe) (because he can't run properly) (because of the eel bites). Come the fuck on.
#long post#look i KNOW this is petty but I was on such a roll with solid reads and this was a fart of a nothing!#there was never a moment... where I felt the slightest HINT of fear#not even for the characters! I'm not afraid something bad will happen to them!#Because the entire set up makes clear they will live until they go to The Amusement Park Ride That Will Kill You In Particular!!#where they get killed! exactly in the way you would assume based on information given!#thanks for letting me rant. don't read it yourself.
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The Dream Saga
It really do be like:
The Dream arc is my personal least favorite of the Sailor Moon manga. On a technical level it's stronger than the Dark Kingdom arc, but the addition of Codename Sailor V does wonders in making that arc hold more weight, whereas this one feels the fluffiest of all the arcs. The main characters receive more development and the lore is deepened, but otherwise there isn't that much to offer beyond serving as the requisite bridge between Infinity and Stars. In some way I prefer the Eternal movie adaptation, which makes concepts like Pegasus, Elysian and the Dead Moon Circus pop with vibrant movement and color. On the downside, some scenes had to get cut in order to meet a designated runtime (where'd the Shitennou go!?)
Sailor Moon SuperS, directed by Kunihiko Ikuhara with Yoji Enokido as head writer, has many of the same problems that S suffers from, and in certain areas it's even worse....but.....
.....I personally enjoy it better than S. And while the Dream arc of the manga / Eternal is far better written, the SuperS version sticks in my memory more whenever I think "Dream arc".
There are three reasons for this, so hear me out
1.) As we all know from the show Ikuhara would go on to do after this, Revolutionary Girl Utena, he is very skilled at directing a surreal, enchanting and sometimes frightening atmosphere based in dreams and fairy tales. So much of that exact style is present here, and it leaves a lasting impression. This was the story arc he was practically destined to direct.
2.) Yoji Enokido isn't a bad writer, but he isn't the best fit for Sailor Moon. We saw that in S and we see it again here, where most episodes follow a banal kid-friendly formula and the majority of plot advancement is squeezed into the back half, all while characters feel like Flanderized shadows of their former selves. However, at least SuperS has consistency. Unlike S, where Enokido took the reigns halfway through and the drop in quality was obvious, SuperS is Enokido's from start to finish, so you never feel that kind of dramatic whiplash.
3.) Remember how in S, Professor Tomoe remained an excellent villain from start to finish? Well, in SuperS, the entire villainous group is like that. The Dead Moon Circus was just OK in Takeuchi's version, whereas here they really shine as exceptional villains. Unlike the Daimons, the Lemures remaining campy Monsters-of-the-Week from start to finish works because they're circus freaks so you fully expect the wackiness. The Amazon Trio go from one-note ciphers to richly humanized (ironically enough) antagonists who are both creepy and despicable yet also funny and kind of relatable, and who achieve a very well-executed redemption. The Amazoness Quartet retain their lovable childish fiendishness and sisterly closeness while being made even stronger characters with an arc about grappling with Peter Pan Syndrome. Zirconia almost gives Tomoe a run for his money in being a lead villain who is both creepy and hilarious, while Queen Nehelenia is the most foul and ominous endgame threat since Death Phantom. And all of them have such great, memorable musical themes! SuperS is a show I will gladly watch the whole way through, warts and all, solely for them.
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Something something Jiang Cheng and Jin Guangyao as foils to each other, specifically in terms of their experience of family.
Jiang Cheng starts out surrounded by family. It's not perfect, certainly, and he's got a lot of understandable doubts about how much his father really loves him, but he is AWASH in open love and care from every other member of his family unit. And that all gets chipped away, piece by piece, tragedy after tragedy, until the only thing left to him is his dead sister's baby son.
Jin Guangyao was very well-loved by his mother. But both of them were mistreated, and once he was thrown out into the world, all of the hopes he had for his father's family were crushed under the heel of even more overt mistreatment. He finds a place with the Nie Sect, and his peers exploit and mock him. He's elevated to a position of authority, but then, uh, things happen. His father finally recognizes him, but even as part of the family, the overt mistreatment continues. He finds a wife, he finally gets his father to allow him to marry, and then the revelation--
That's not even close to an exhaustive list of the setbacks in his life's game of chutes and ladders, and there's some real variability in terms of like... personal culpability, incident to incident. But much like Jin Guangyao is also a foil for Wei Wuxian, there's a clear and tragic path for what led him to the point where he would make those bad decisions. And most tragically, to me, his life seems like... a search for safety and stability. In this world, that's easiest to achieve through family and/or sect structures, and it is genuinely heartbreaking how often he tries to reach for happiness or security and gets viciously slapped down.
(is there good jin guangyao & mianmian fic? because that would be a fascinating pair of characters to put in a blender)
By the time of story present, Jiang Cheng's lost everyone who ever loved him before the sunshot campaign, and Jin Guangyao has managed to claw out a safe place for himself, but his marriage was poisoned for him before it ever happened, and his son is dead and he absolutely refuses to try for another. And the link between them, of course, is Jin Ling.
There's some quiet bitter flavor to both those relationships, how Jin Ling's parents died is still an open wound for Jiang Cheng, and he was right there for his big sister's death. Jin Guangyao knows exactly who set off events leading to those deaths, and is directly present to see the ways Jin Ling is still very much hurting from that loss. But I still will die on the hill that both Jiang Cheng and Jin Guangyao are genuinely attempting to account for the shortfalls in their own childhoods with him.
Jiang Cheng goes behind the scenes to set him up for success, and doesn't scold him for not being good enough, like his mother did with her children. And despite the loud threats, Jin Ling is offended that anyone would think his uncle would ever lay a hand on him. Jin Guangyao grew up poor, and perhaps he doesn't address the emotional root causes of Jin Ling's tantrums, but he gives him an expensive spiritual dog. His father gave him impossibly difficult tasks and then punished him for failing, and Jin Ling is not given any consequences ever for being a bratty little shit. Instead, Jin Guangyao steps in to cover for him when Jiang Cheng arrives at Jinlintai after Jin Ling broke out his prisoner and ran away. These are not necessarily good executions of parenting techniques, but it's so clear to me that they're trying, and specifically trying not to pass along the ways they themselves suffered as children.
And in that sense, it's so fascinating that he's also the intersection for their two very small family units. He's the one person Jiang Cheng has left. Jin Guangyao has finally managed to get high enough that nobody else can stomp on his fingers as he climbs, and he's finally got a small little family that loves him. Jin Ling is a crucial pivot for the mdzs cast as a whole, nobody has ever nephew'd this hard in all of recorded history. But when these are the two adults most involved in raising him, he really puts their differing perspectives into sharp relief. For the two uncles he's closest to, on the one hand, 'this is all I have left', and on the other 'at least, finally, I have this'
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This week we have twenty-three amazing fics to share involving Essek and another member of his family! Due to the nature of this theme, we have expanded our list this week to include some gen fics, along with fics where shadowgast is technically the secondary pairing. Read more under the cut!
what luminous worlds await by essektheylyss (midnightindigo) (178674, Mature) Warnings: Creator Chose Not To Use Archive Warnings, tags include: Violence, Minor Character Death,Implied/Referenced Self-Harm Set a milennia after c2, Essek-the champion of the Luxon-wakes up to a world he's not familiar with anymore. But he's not facing things alone and may just find possibilities he does not expect. Reccer says: Specific to this week's theme: inclusion of a wonderfully complex Deirta in particular! As well as Verin who helps Essek on his journey. Overall a wonderfully touching story with complex characters and relationships, countless gorgeous scenes and a wonderful flavor of shadowgast
A Family Affair, or The Arrival of Verin Thelyss and All That It Entails by Dragonslaeyr (21471, Teen) Warnings: None 5+1 times Caleb encountered Verin Thelyss, and maybe misunderstood who he was to Essek Reccer says: Absolutely hilarious misunderstanding and mutual pinings fic
Get Help by professor (515, Teen) Warnings: no warnings Post canon, the M9 have been captured. Essek enlists his brother Verin to help rescue them. Reccer says: It's a meme shitpost in ficlet form but I always laugh when I read it.
some things time can't fix by Chrome (25930, Mature) Warnings: None A Daemon AU, Essek is captured by the Dynasty, Caleb manages to rescue him before they execute him, but not before Essek gets severed from his Daemon. Caleb has to race to find a way to reconnect Essek and his daemon before they fade away and die. Reccer says: Another wonderful, heart-rending hurt/comfort fic by Chrome; it's also maybe the only fic I've ever read that depicts Deirta as 100% a good and loving mother to Essek. It's not the main focus of the fic (she doesn't show up until the last chapter) but it's a refreshing change of pace after reading a billion Bad Mom Deirta Thelyss fics.
the last true mouthpiece by hanap (35722, Teen) Warnings: None Essek has been chosen by the Luxon, but all Verin sees is his brother being corrupted by the light Reccer says: Heartrending take on the Thelyss family relationship and Essek's faith
No One by that Name Lives Here Anymore by Operafloozy (13138, Teen) Warnings: None Caleb and Essek run into a reincarnated Essek's Father in Uthodurn. Reccer says: It's a beautifully written fic about a complicated relationship that delves into what consecution might be like. Comes with a commentary track and a sequel I haven't read yet.
The Secret Romance of Essek Thelyss by Cardinal_Daughter (18629, Explicit) Warnings: None Essek wants to celebrate his and Caleb's anniversary and his mother has other plans. With a sprinkling of Verin at the end. Reccer says: I love this and the fic it's a sequel for (you don't have to have read the first one but they're both great)
Rendezvous with a Ghost by kaeda (12344, Teen) Warnings: None Verin thinks Essek is dead until he shows up to invite him to his wedding. Verin spends most of the fic confused. Reccer says: Nothing
the wreck of all we burnt by essektheylyss (midnightindigo) (6617, Mature) Warnings: None Essek's mother has died and Essek has never learned how to mourn Reccer says: a wonderful exploration of grief or lack thereof
OPERATION: HOT BOI LIBERATION (or: How I Spent My Spring Break in Rexxentrum, by Verin of Den Thelyss) by CatgirlTheCrazy (6404, Mature) Warnings: None Verin thinks Caleb is holding Essek hostage, chaos ensues Reccer says: Verin discovers what a cat is
interim by vagabondfirefly (995, General) Warnings: None Verin witnesses a private moment Reccer says: It's so soft your honour
The Governess by Professor_Rye (13826, General) Warnings: None Essek and Verin's childhood through the lens of their nurse maid Reccer says: So sweet and touching it made my heart ache, I fell in love with the boys alongside their nanny
That's why it's hotter under the water by professor (3231, Teen) Warnings: no warnings The Thelyss brothers find out firsthand that sometimes genetics are really fucking weird. Reccer says: So many hijinx and shenanigans. Verin is peak himbo, and Essek is facepalming forever.
jam and noodles by royalgreen (allyoop) (2578, General) Warnings: No warnings A magical mishap brings two brothers closer together. Or, Essek runs afoul of some Aeorian magic, and the M9 call in Verin for help. Reccer says: Excellent brotherly bonding, the chaos of Verin meeting Jester, and a fun cameo from Long Essek.
The Chosen AU by Anonymous (90296, Explicit) Warnings: Incest, cannibalism, violence, mental illness and trauma A dark AU where Essek is the chosen of the Luxon and Verin is a paladin. They have left the dynasty and found a home in Port Damali. There they meet friends, both OCs and the M9. Caleb soon becomes a part of their relationship. Reccer says: The language and storytelling is smart and witty. Both horrible and cute things are described with a raw and unforgiving tone, in a way that makes me hungrily gulp down the text. Essek's powers are horrifying and mysterious and the story is told non-chronologically in a way that really works. The glimpses of calm, love and friendship are so sweet when they come. A warning though: the brothers have a sexual relationship. However, it's not overtly explicit.
Family Resemblence by firefright (1289, General) Warnings: None Verin meets his niece. Reccer says: Tooth-achingly sweet, this fic is an adorable look at shadowgast and their family post-canon.
the loudest voice in my head is my mother by hanap (2800, Teen) Warnings: None A pregnant Essek is visited by his mother and has to face conversations he tried to avoid Reccer says: Delicious choice of a POV that will have you rereading the fic to catch all the subtleties
and after the scripture (your mother beside me) by SaltCore (9531, Mature) Warnings: Canon typical death and resurrection, grief/mourning Essek has died, but don't worry, he gets better. When the m9 goes there to get his body they meet Dierta. Reccer says: This is the best Dierta I have read. She is incredibly complex and human, in a way that made my heart ache.
the edge of the blade by jaskofalltrades (56205, Teen) Warnings: None Essek and Caleb are forced to fake an engagement, to get out of one Deirta had arranged. Reccer says: Very interesting read, the political machinations make the story very tense, and the oining between Caleb and Essek is delicious!
And two recs each for
how language fills the cracks by hanap (5027, Teen) Warnings: None Essek discovers he's an uncle, to his shock. Reccer 1 says: It's very sweet, for a lot of reasons, and keeps you surprised! Reccer 2 says: It's so sweet.
All Things in Perspective by firefright (20729, Mature) Warnings: None Verin has a lot of questions about the supposed "death" of his brother in Eiselcross. He eventually finds the Mighty Nein and gets the answers he's looking for, but some are a lot harder to swallow than others. Reccer 1 says: This fic is perhaps my favorite "Verin meets his brothers new friends and finds out what he did" fic of all time, and written by one of the best Verin writers in the whole fandom. Verin is the peak Lawful Good himbo to complement Essek's formerly-neutral-evil-war-criminal, and they are the perfect balance of "would die for each other" and "constantly give each other shit." Also uses outsider POV brilliantly to highlight just how drastically the Mighty Nein changed Essek. Reccer 2 says: It's heartfelt, it's comedic at times and the brotherly bond feels believable. Bonus points for Verin's POV - we get to see his reactions to the Nein.
Lay Your Bones by LadyOrpheus (53587, Teen) Warnings: Small, nondescriptive flashback to a miscarriage After Essek is captured and turned over to the Dynasty, Verin has to pick up… the pieces? No, not quite, but he does have to pick up Essek's daughter. A race against time as Verin tries to save his brother's life. Reccer 1 says: This is THE verin fic for me. You fully buy into his anger and his forgiveness. Dierta is also so complicated and tasty. Reccer 2 says: Lovely Verin-centered fic with incredibly cute moments with Essek's child and a lot of interaction with the Nein
And then three recs for
path of the traveled sun by mousecookie (6008, General) Warnings: None Verin is invited to Rumblecusp with the Nein and Essek, and is amazed by how much Essek has changed. Reccer 1 says: SOFT. Reccer 2 says: It's incredibly warm, but it doesn't shy away from complicated feelings. Nice characterisation. Cute baby. Reccer says: Nothing
Aeor is for Lovers is an 18+ Shadowgast Discord server. The above fanfic recommendations were pulled from our community for this weekly event. All fics, unless otherwise specified, will primarily feature Shadowgast.
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#critical role fan fiction#fan fic recs#shadowgast#Verin Thelyss#Deirta Thelyss#aeor is for lovers#cr fic recs#fan fiction rec list
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