#if I felt like it I would make this a whole analysis but In ways I feel like it speaks for itself

[franki-lew-yo]

Mouthwashing and fandom discourse as a whole.

So I recently explored the tag for Mouthwashing after watching two no-commentary lets plays of the entire game. I'm seeing a lot of posts pointing out how annoying it is that this game has a fandom and that this fandom is doing fandom things and stanning/"uwu-ing" characters from this incredibly nuanced, raw and not-fandom friendly piece of art. To paraphrase someone I just saw "you don't want mouthwashing; you want Among Us ocs but darker". And

for a moment I wanna talk a bit about how I absolutely agree with this statement while also talk for a moment about how and why fandom and catharsis fan fics exist and shouldn't be shamed inherently. Or, I guess, not in theory.

The "come on! Stop trying to make everything shippable/cutsey/memey/have a happy AU and face unpleasant emotions someone's trying to tell you about!" is SUCH a vibe with me. I felt this way in the 9 fandom a lot as a kid and that was just 9. Mouthwashing is like 9 on bathsalts emotions and theme-wise. It's a game where you play as both the flawed but caring captain of a doomed ship who's life becomes a Johnny Got His Gun-nightmare, and also a deplorable, hateful piece of garbage who got himself and his friend in that nightmare situation to begin with. Both characters, moreso Jimmy but Curly too, are the causes of their own misery. They're complex dealing with one of the two committing SA and doing nothing really about it/dodging the responsibility and humanity needed to support the victim whom they've wronged.

I fully admit it's groan-inducing seeing people be shipped up Anya with anyone on the ship considering what happens to her. On a pure pr level I think it would be illegal even since romance between coworkers in a workplace is considered conflict of interest/harassment as it so often is. (NOT that what Jimmy did to Anya is 'romance'. I'm talking about the shipping of Anya with the other three guys. I know there's people out there who do ship Jimmy/Anya; you don't have to tell or show me I believe you and also I already hate it.) It's ALSO groan inducing to see people ship Curly and Jimmy considering all Curly does to him- and just the fact that this incredibly tragic, toxic one-way-gone array friendship is reduced to "toxic yaoi teehee". It's annoying AT BEST.

I get the hostility towards fandom-tastic stanning and fandom behavior in general...the issue is it's still hostility and I wish some of you guys got that. Like it or not (you don't have to like it) fandom culture is inevitable to some degree. You can and should complain about your hangups but that's all you can do besides avoiding tags and just not engaging with that side of the fandom at some point. Save your call-outs and rage for when you see active deplorable bs being committed that people are excusing for dumb fandom reasons, like lolicon, hatespeech or harassment. I'm sorry but you can not actively go after and try and take down the innocent people involved in your trigger that aren't directly hurting you by liking the thing that triggers you; ie. people who get all shipping and fandom-brained about Mouthwashing's characters which you find offensive to do at all.

This type of convo is the crux of most 'antifandom' v profandom discourse in general; for Antis I think there ought to be a difference between the people that set you off bcuz of fandom nonsense vs sociopathic 'got mine'-creepiness. There's a difference between someone who draws r34 v Shadbase. For profandom types you out to face the fact that yes- maybe NOT EVERYTHING is meant to be shippable/memed. Maybe try practicing that a bit. Yeah it's most harmless and makes you feel happy, but considering how people outside of your hyperfixation-of-a-hyperfixation is a thing. The thing about the "don't like, don't read" argument is it goes both ways. If you're truly a "good fan" like you say you are than you have to realize that people will not like your problematicisms. Learn to interact with characters and stories without the possibility of shipping sometimes- or at least understand that that's the crux of what makes a story like Mouthwashing engaging, even if you also partake in the fandumb and AUs on the side. You can call Curly your babygirl and ship him or make him happy all you want but PLEASE acoknowledge that the game doesn't woobify him or excuse what he did to Anya as well. You can make some kind of AU scenario where Jimmy gets out somehow and becomes/is a slightly better person for all I care...so long as you PLEASE remember that he is canonically a r@pist and awful. Also, even if I'm okay with your fan decisions, note that myself and others are still going to be critical and be upset that you wrote it at all because of what kind of character Jimmy is. 'Critical' =/= declaring something evil.

Fandom behaviors are not souly a destructive parasocial outcome of brainrot; they're also a natural reaction to what happens canonically and the emotions you have to experiencing a story. It's normal and rational to sympathize and love Curly and despise and hate Jimmy. You can love/like/enjoy a problematic-to-DEEPLY DISTURBED-character based on their complexity in canon. They are fiction. They are not real. The reason you are so invested with them is because of that complexity and yes because they are fiction they are your 'toy' and you can doll them up in any kind of speculative AU crap you make. That's fanfiction, baby. Make yourself a fixit fic if you really want

BUT-

remember: it stays as a fixit fic. DO NOT cross the streams, or insist that your active misreading of the text is the same as the text itself. EVER. You should care about your special interest's escapism as a means of self-care. What you shouldn't do is demand that EVERYONE ELSE LOVE your coping mechanism and that any complaints by people on their own terms on their own blogs is #badfaith or an inherent attack against you. It isn't. You'll know when it is an attack against you and that's when you, the profandom-type, need to be prepared and save your call-out posts and blocklist for.

To me that's the fragility to fandom debates and fandom as a whole. You can not/should not police or control an entire group of people and how they perceive or interact with media. That's not fair and it's definitely not sporting or decent of you in a community. You have to share your community -your fandom- with people who hate ur fav and people who love your least fav. Agreeing to disagree means not tagging your nOTP as their shipname or by tagging your shipname loud and clear. It means filtering out posts with those topics but enjoying and/or reblogging the fandom takes you do share with your fellow fandom-mite that obviously posts abt those topics.

When schmit REALLY goes down and some assface reviewer/fan/SOMETHING is being an assface or doing something amoral under the guise of fandom-ing, that's where you out to put your foot down. Callouts and complaints are for people who did an egregious thing and refuse to take responsibility(lol) for it. They're not for "soandso likes the thing that triggers me, kill them"/"so and so is hating on the thing I'm kinning because it triggers them, kill them". Be an adult.

Your DNI lists should consist of "lolicon defenders" not "proshippers", as those ARE NOT one in the same. Same goes the other way around. List off "bigots, purity culture bs", not "antis and critics". These positions ARE NOT interchangeable. If you make them interchangeable than you're making things a lot harder for yourself.

-sincerely, a message from autistic ADHD/OCD woman who likes horror and media analysis as much as she loves popcorn fanfic schlock.

We don't all have to be friends and buddybuds. I just hate us hurting each other over being different kind of fandom-folk rather than for when someone sincerely mucks up and does something bad. Can't we all stick to our guns and just boycott Harry Potter like god intended?

[ricketycr1cks]

Something about that quote from The Perks of Being a Wallflower, “we accept the love we think we deserve” and something about it connecting to Macden…

[swampjawn]

Dungeon Meshi just keeps getting more consistent as we get closer to the dragon.

(^Another beautiful cut from Kai Ikarashi, who did the childhood memory sequence from the living armor fight, as well as a bunch more from that episode)

The first half of episode 8, focusing on Marcille and Falin's magic school days, can't help but feel very reminiscent of TRIGGER's past work on Little Witch Academia.

In fact it was a fitting crew for this episode, because episode director Yuuichi Shimodaira, storyboard artist Yuuki Yonemori, and of course series director Yoshihiro Miyajima all had significant roles on Little Witch Academia (Shimodaira and Miyajima directing several episode each, and Yonemori doing key animation).

Yonemori even mentioned on Twitter that it felt nostalgic.

This whole section is all about character acting, and draws a stark distinction between the body language of Falin and Marcille.

This straightforward little cut of tiny Falin carrying her dungeonium illustrates her whole essence through simple character acting. You can infer that she's carefree and whimsical from the way she bounces up and down with each step, and that she's physically kinda weak from the way she sways a little as she lifts the jar onto the desk.

And same with this walk cycle when they enter the tiny dungeon! She wobbles clumsily back and forth and her cheerful confidence shows that she's done this dozens of times before,.

If you were to draw a straight line from her head through her spine, it would rotate back and forth, pivoting at the feet rather than the hips, which makes it feel like she's not really bending her legs as she walks.

Meanwhile, Marcille carries herself in a way that's much more reserved.

But she sees an openness in Falin that she hadn't considered as a possibility, and in the modern day, we can see that she's influenced by her. She's mostly dropped the air of importance and dignity, and now allows more of her own clumsy, energetic nature to shine through.

In fact you could see this burst of energy (the type of frantic jerky movements that we see her do all the time in the modern day) earlier as the first instance where she was inspired by Falin and momentarily couldn't contain her excitement.

There's more yummy animation analysis juice where that came from, because I broke down the whole episode in this video! (and the second half is where the animation really starts to be off the proverbial chain) Thanks for reading and watching if you're interested!

[violetrainbow412-blog]

Day 17: "I hate it" "No, you don't"

Masterlist flufftober 🎃

Reblog if you liked it!

It was late when you received the call from your boyfriend. It wasn’t unusual for him to call and ask if he could spend the night at your place after work (when there wasn’t a case that took him to another state), and of course, you gladly accepted, eager to see him for a bit longer. Your relationship was relatively new, just past the six-month mark, but Spencer’s noble and chivalrous character had allowed you to trust him quickly enough to let him into your space.

You had met in a book club, and he had captivated you with his analysis of "Man's Search for Meaning" by Viktor Frankl. His eloquence, the way his hands moved, that whole vibe of an intelligent college student... it was inevitable that you would approach him to talk. That’s how you both started chatting occasionally, and as the months passed, what was meant to happen, happened.

“Good night,” you murmured softly as you saw him standing at your door. “Come in.”

He smiled widely when you took his hand to guide him inside, and he made sure to respond to your greeting. The first thing he did was take his briefcase off his shoulder and place it on one of your wooden chairs, accompanied by his checkered scarf.

“Were you already asleep?”

“No, I’m just finishing some things. You know, my thesis work and all that,” you exclaimed, lacking much enthusiasm.

Not everyone was a genius like him, so if Spencer wanted to hang out with people his age, he had to endure the academic struggles of a college student.

“Poor you.”

You enjoyed his compassion, and it was at that moment that you moved closer to hug him, a contact he reciprocated with great pleasure. You didn’t want to be rude enough to say it out loud, but from the very first moment you formalized your relationship, you realized how starved he was for touch. And not explicitly in a sexual sense, but simply to be caressed in any way. To someone from his usual circle, it would have seemed extremely strange that Dr. Reid, so well known for his aversion to germs, constantly sought out someone’s hand, asking for kisses on the lips or pleading for a warm hug.

When he told you, slightly embarrassed, that you were his first girlfriend, some things started to make sense in your mind. But it was sweet if you thought about it because it meant he was choosing you to teach him many things about love.

To be honest, you were willing to give him whatever he wanted. After all, he was a good-hearted guy who devoted himself to adoring you, a type you don’t find easily. And it had to be said that his intelligence wasn’t the only trait you had noticed, as his physical attributes were also quite (too) appealing.

Once you both felt satisfied with the contact, you separated, and then you looked at him with a smile.

“How was work?”

“Same old,” he expressed as you guided him to one of the dining chairs where you had been working. “Today we did reports and reviewed some cold cases, just in case we could still help in some way.”

“That must be so exhausting. I wouldn’t have the willpower.”

“For what?”

“To endure so many cases. To know how horrible humanity can be and keep going as if nothing’s wrong.”

“Everything leaves its mark, even if it doesn’t seem like it.”

There was a hint of pain hidden behind those words that made you feel compassion for his work. He tried to keep you at a distance from everything that was happening to him, and he still didn’t dare confess many of the things that troubled him at night. He didn’t want to scare you, of course; that’s why he thought it prudent to wait a little longer in the relationship.

After all, if you truly loved him, it would be with all those flaws and traumatic events that his life entailed.

“Well, I admire you for helping capture those despicable people.”

Your sincere tone was pleasant to your boyfriend’s ears, and he thanked you with a smile that spoke volumes.

Suddenly, your gaze drifted to the laptop on the table, and he hurried to murmur:

“Do you want to continue? I don’t mean to disturb your schedule.”

“Doesn’t bother you?”

“Not at all.”

“I have to submit a progress report this week, analyze some data, strengthen the theoretical part…” You sighed, letting yourself drop into the chair, ready to continue with the task. “Have you eaten yet? You can go to the kitchen and prepare whatever you like. The place is yours.”

Spencer took you up on your offer, and while you continued typing away on your laptop, he took the liberty of preparing something light for dinner and serving it on two separate plates.

When he finished, he brought them over to you, placing your plate beside you in silence. You murmured a small thank you, and he ate while seated in one of the adjacent spaces, watching you from time to time simply because he liked you so much.

At some point, he gathered your empty dishes and carried them to the sink, washing them himself. He was so sweet.

“Do you need help with anything? You know I don’t mind,” he offered.

At that, he stood behind you, able to embrace you since you were sitting in a rather unnatural position in your chair, and the wooden backrest wasn’t a hindrance.

“I need a new brain; this one’s dried out.”

Spencer laughed at the exaggeration, knowing that it was impossible, and shortly afterward, he left a kiss on your cheek. A small giggle escaped you as you felt his hands sliding toward your waist, knowing what was coming next.

“Spencer…”

“Yes?” he replied innocently, as if he didn’t know what he was doing.

Doing that had become a constant habit since he discovered that you were extremely ticklish. Literally, every time he placed his hands on you, you would burst into laughter.

“Spencer,” you repeated, more seriously this time.

But in the smile you wore, he saw that your threats didn’t really carry any weight. Carefully, the tips of his fingers began to drum against your waist, your belly, the area of your ribs. Simultaneously, his lips began to leave fleeting kisses on any skin they could reach: your cheeks, neck, jaw, shoulder.

The room filled with laughter from both of you as a sort of game ensued, where he tried his best to tickle you, and you desperately attempted to escape him. His face was buried in your neck, and you had lifted your legs onto the chair in a futile attempt to defend yourself.

It wasn’t until you gasped for air, complaining that you couldn’t breathe, that he finally showed you mercy and stopped. You inhaled heavily, trying to catch your breath, and even though he stopped touching you, he didn't move away.

“I hate it!”

“No, you don’t.”

It was obvious that you didn’t hate it. You both knew it, and it was a silent pact that this kind of playfulness was part of your love language as a couple. Every time Spencer held you in his arms, he felt he was holding the world —his world— because after so much time, he felt he had something to love and to be loved by. You were his treasure.

He kept hugging you from behind, exhaling warm air into the crook of your neck. When you were finally able to calm down, you turned slightly to ask for a kiss on the lips. He gladly obliged.

“You know? I think I’ll leave this for tomorrow. For now, I just want to rest…” you continued, closing your eyes and stealing another kiss. “Take a bath, spend time with you…”

“But you have to work on your research.”

“And how can I do that if you’re here? Everything about you distracts me,” you complained, raising one of your hands to hold his cheek and receiving a kiss as a reward.

“What if we do it together? It’ll be good for both of us; I want to distract my mind.”

“Only a brainiac relaxes with data analysis,” you huffed playfully, and he scattered another kiss before pulling away. “But I accept, with the condition that afterward we only focus on sleeping.”

“Deal.”

You didn’t know how lottery winners felt. But you assumed it was something similar to what you experienced every time you looked at Spencer.

[lady-buggerinton]

Ok I’ve seen the Fingering Gate Analysis but can we also consider how Penelope most likely isn’t simply a “never been touched” pure virgin who hasn’t known any pleasure before: an analysis

1. She’s not Daphne, she was deeply lonely and had lots of time to daydream and explore her own mind, desires, and interests (Whistledown being an example) I don’t think she needed to be taught by a rakish man how to get off on her own, PLUS she’s been yearning and pining for Colin who lives right across the street, so she’s had plenty of time to RUMINATE being within close proximity to the object of her desire.

2. She didn’t seem that shocked by the pleasure Colin was giving her, more just overwhelmed by it as it’s something she’s likely dreamed about and wanted for years. The consensual nod reads to me that she knows where exactly he’s planning on going with this, what is going to happen, and she wants him to do it to her.

3. What do we know about Penelope? She’s an entrepreneur and self-made woman, I think she would have definitely developed a deep curiosity about sex and relationships and would have worked out what sexual pleasure is and how to achieve it solo style! She’s a people watcher and an avid reader, she clearly wants to participate and not just watch.

4. Clues from past seasons. In season 1 she and Eloise announce their curiosity about sex and specifically conception, and Penelope is clearly inexperienced at that time, similar to Colin being inexperienced with women. After her discussion about love with Marina, I believe her interest was peaked and it started her on her own path of self discovery, parallel to Colin’s but obviously hindered due to her role in society.

5. She was ready. If you are brand new to pleasure you are not prone to sound making or expressions such as moaning/sighing. If she were completely inexperienced the process would definitely have been more clunky and would’ve taken a longer time to “warm her up”, this is the case often for women in the early stages of sexual awakening. Clearly, Colin was taking her lead on some things, and would’ve probably slowed way down if he sensed fear or inexperience. In the carriage, she got into it RIGHT away and was keyed up and ready to go, that reads to me a woman who is familiar with her body and what it can do.

5. Story wise I want this to be the case because I was annoyed with the “women can’t work out self pleasure on their own and need a rakish man to teach them” and was glad with Kate it just wasn’t addressed/implied she was experienced in some form. Women in every era figured out how to self-pleasure despite societal silence on the matter in the higher classes and I’m a fan every time that is explored.

In conclusion, the fact that the carriage scene felt so natural and passionate is because Penelope is an Experienced virgin with a capital E and was just waiting for the opportunity to express her sexuality and I believe this to be the truth the whole truth and nothing but the truth!

[rynbutt]

pierced. pt. 8 | spencer reid.

When you told Spencer you loved him, he didn't know how to react. JJ helped him see what he was missing... but what if he never got to tell you himself?

you can find the other parts on my masterlist.

cw: fem!reader, angst, guns, criminal minds shiii, mentions of murder, being shot, etc.

a/n: re-upload cus i was unhappy with the previous one >:(

You and Spencer had been together for seven months.

Seven months of impromptu late night visits to your apartment when he got back from trips, watching his favourite documentaries while he talked the whole way through them, your surprise visits to the bureau with a box of pastries, seven months of proving to Spencer that he was worth every ounce of happiness he felt. 

Spencer didn’t believe in miracles or signs, but just your pure existence was enough for him to ponder such things. You understood him, you were patient with him and his demanding work, you were kind to him and let him ramble about whatever was on his mind, even if it took him far too long to get to the point. You never got angry with him when he shut down or had a hard time verbally communicating his problems, you were just there and that was enough.

You knew you loved Spencer, it was hard not to. You knew how Spencer felt about the ‘chemical and hormonal reactions of affection’, if anything it made you love him more, how technical and literal he was about virtually everything. You loved him nonetheless and you knew you wanted to tell him, even if you would never hear it back or you would be met with an analysis of why you felt ‘love’ for him. How it was all technically just your vast attraction and affection towards him and the bond you’d created. You’d roll your eyes and tell him you loved him anyway.

“You got your keys?” You called from the bathroom as you combed your hair.

Spencer had slept over once again. He basically lived with you, many of his clothes and books were packed into your cupboards and shelves, some pairs of his shoes sitting in the bottom of the closet next to yours. He even spent time going over case files while you were still at work, making sure to feed Tofu and have dinner ready for you. You had fallen into a domestic routine and you knew how much Spencer liked routine. 

“Yeah, what time will you be home?” Spencer called back from the living room, gathering case files and books into his satchel.

“Maybe five? I have an early finish,” you replied, leaning close to the mirror to comb mascara through your lashes. You heard Spencer’s footsteps nearing as he approached you in your ensuite, pulling the door open to kiss you goodbye.

“Okay, I just have paperwork to do today, maybe we can go out for dinner tonight?” He suggested, leaning his head against the doorframe.

“Sounds perfect, Spence,” you smiled.

“Okay,” he grinned, “I’ll see you tonight. Call me before you leave?”

“Yup, I will,” you turned to look at him. Spencer leaned down to kiss your cheek.

“Okay, angel,” he smiled, turning to leave your bedroom. “Bye!”

“I love you!” you called out, grinning at yourself in the mirror when you heard his footsteps come to an abrupt stop. You knew he hesitated for a moment before the footsteps continued and your apartment door latched closed.

Spencer wasn’t one for proclamations of love, cringing at the scenes in rom coms before over analysing every detail. You would always remind him that it was just a movie, and that it’s nice to tell people you love them. Spencer always dismissed the idea, but you weren’t going to sway on telling him you loved him, you felt like he needed to know that someone loved him and that in a room full of people, he’s the only one you would look for.

You weren’t offended when he didn’t say it back or come running back into the bathroom to confirm what you said. If anything, you expected it. You just wanted him to know how you felt.

Spencer drove in silence, both hands gripping the wheel as he replayed your confession in his head. Sure, his parents had told him they loved him when he was a young kid, but Spencer knew it was because of maternal and paternal instincts. But you. You loved him because you knew him, because you understood him, learned his flaws and loved him anyway. 

He walked into the bullpen in his own little bubble, barely registering that other people had greeted him as he made a beeline for his JJ’s office. Spencer shoved the door open, startling JJ who was on the phone to Will.

“Spencer? What- Hold on,” JJ said.

“Y/N told me she loved me,” Spencer almost yelled, his hands gripping the strap of his satchel.

JJ stared at him for a moment before bringing the phone back to her ear, “Hey, Will. I’ll call you back, okay?” She hung up the phone, turning her attention to Spencer, “...what’s wrong with that?”

“I don’t know! I just- I didn’t expect it, and I’m not sure how I feel or if she’s mad because I didn’t even say it back and I don’t even know if I should say it back-” he rambled, pulling a chair out to sit at JJ’s desk. 

“Do you love her?” JJ asked, eyes narrowing at Spencer who seemed entirely too worked up.

“What?” Spencer asked.

“Do you love her?” JJ repeated. Spencer opened his mouth and JJ held up her hand, knowing he was going to ask an overly analytical question, “When I ask if you love her, I mean do you miss her when she’s not around? Or do you get excited when you see her? Do you look forward to seeing her at the end of the day?”

Spencer stared at her a moment, thinking about it, “I do… But feeling affection toward someone you care about is entirely normal-”

“What you feel is love, Spence,” JJ replied. “It’s probably something new to you but you don’t have to fight it.” “I’m not fighting it,” Spencer retorted, “I’m thinking about it factually-”

“You’re fighting it,” JJ said blankly. “You’re probably afraid to lose her, afraid that it’ll all go wrong somehow just because you say you love her… In my opinion, it’s important to remind the people you hold close that you do love them, before it’s too late to tell them at all.”

Spencer didn’t say anything as he thought about it, his lips forming a tight line.

“Loving her looks like it comes naturally to you,” JJ said honestly.

Spencer spent the rest of the morning thinking about it, thinking about you and how irrational he felt when it came to you. He wanted to make you happy, wanted you to be proud of him. He wouldn’t care if he had no one else as long as he had you. 

The case they were working on was local to the area. Spencer didn’t anticipate working on a case at all, no one did, but after Hotch called them in, they realised they had little time to act. Three women had been abducted over a week, all turning up dead within 24 hours. The most recent victim they were looking for had maybe 12 hours before she would be found the same way.

They worked the case all day, Spencer and Rossi stayed behind to set up a geographical profile while Emily, Hotch and Morgan visited the morgue to establish victimology. It helped Spencer take his mind off the guilt of not returning your confession. He knew he was definitely thinking about it more than you were, it’s the type of person you were. You were honest and you were never ashamed of your feelings, he always wished he could be like that.

By the four hour mark, Spencer and Rossi were sure they had established the UnSub’s comfort zone and with help from Garcia, they had found where he was keeping the last victim.

It all moved so fast from there.

The house was secluded, a large shed in the back and surrounded by mostly forest. Hotch sent JJ, Morgan and Spencer to cover the shed while he stayed back with Rossi and Emily to cover the house. Spencer held his gun close as he rounded the shed, searching for a way in. He suddenly thought of you and he didn’t know why. 

Spencer heard the victim before he saw her. He called for JJ the moment he saw her hunched in the corner, duct tape over her mouth and her wrists and ankles bound. Spencer put his gun away, gently peeling the duct tape from her mouth.

“You’re okay,” Spencer said, peeling the tape from her ankles.

The girl began crying, “thank you,” she hiccuped, tears streaming down her bruised face, “thank you.”

“We found her,” JJ said into her mic, putting her gun away as she helped the girl to her feet. “Where’s the UnSub?”

“I don’t know,” Spencer muttered, wracking his brain.

They walked outside, Spencer helping hold the girl up as she stumbled on her weak legs. Morgan jogged over to them, “Where the hell is he?”

“Help Hotch and Rossi,” JJ suggested.

Spencer frowned as he looked around, “he could very well be watching us-”

Spencer felt the pang against his abdomen before he heard the gunshot. Before he knew it, he was on the ground, a splitting pain surging through his body from his right side. He heard the victim scream, JJ diving to the ground with her. 

His chest felt heavy, like a weight had been dropped on him. He blindly reached his left hand down, feeling the warmth oozing from his abdomen, not the best place to be shot. He lifted his hand, crimson blood covering his skin. His ears were ringing, he couldn’t hear, could barely see. All he could think about was you. You, you, you.

“Spencer!” JJ yelled, crawling to his side, “oh my god.”

“We need an ambulance!” Morgan exclaimed. Two of the local officers escorted the UnSub out of the house in handcuffs. 

Spencer looked up at JJ, her hair hanging down in front of his face, blocking the bright sun, “Can-Can you do me a favour?” His voice was weak, every word hurting his chest as he spoke.

“Just- shit! Hang on a minute!” JJ pressed her hands against the wound, Morgan falling to her side to press his over shirt against the wound, trying to stop the bleeding. 

“Can you tell- Can you please tell Y/N I love her,” Spencer muttered out, breathing heavily.

“You can tell her yourself, kid,” Morgan replied, his hands covered in Spencer’s blood. After that, Spencer felt himself growing more and more tired, his eyes falling closed as JJ and Morgan yelled for him to stay awake. He couldn’t do it, he was so tired, he just needed to shut his eyes. Just for a minute.

You felt like a weight had been lifted off your shoulders when you told Spencer how you felt. It was always important to you that the people you cared for knew how much you appreciate them, Spencer was no exception. But you knew Spencer probably wouldn’t say it back, at least not right away, and you were okay with that. You were sure he would come around eventually. Eventually was good enough for you.

You sat at your desk for most of the day, only getting up to refill your mug or get on the ass of one of your coworkers who hadn’t submitted their project yet. You hadn’t heard from Spencer all day, which upset you a little given that Spencer was always calling or texting you about something. You understood it probably had something to do with your love confession.

By the time five o’clock had rolled around, you still hadn’t heard from Spencer. So you decided to call him. Your phone rang for a short while before you heard his voicemail, you assumed he was probably still busy with work.

“Hey, Spence. I’m on my way home now… Call me when you can,” you said before hanging up. You leaned against the elevator wall, wondering if maybe you frightened him a little too much.

As if on cue, Penelope’s name blinked across your screen, you answered the call, “Hey Pen-”

She sounded frantic, “Y/N, thank god! Y/N, Spencer’s in the hospital-”

“What?!” You stood bolt upright, your hand death gripping your phone.

“He was shot! We-We were working a case and he was just-”

“Where is he?” You ran as soon as the elevator dinged open, fumbling for your keys in your purse as you ran to the car garage.

“We’re at the hospital, he’s in surgery and I-”

“Send me the address, I’m coming now.”

You weren’t sure how you didn’t get pulled over with how fast you were driving. You couldn’t think straight, all you had on your mind was Spencer. You pulled into the closest car park outside the ER, not even bothering to check if you were supposed to pay or not. 

You bolted inside, your heart in your throat the moment you saw everyone sitting in the waiting room. Hotch was pacing back and forth and Penelope looked like she had been crying. You didn’t even realise it but you had been crying too, hot tears streaming down your face. Penelope saw you first, darting up from her seat to meet you halfway.

“You’re here,” she muttered into your hair, holding you tight.

“W-What happened?” Was all you managed to get out.

“We were tracking an UnSub and we found one of the victims on his property and he just- he shot him. I don’t even-” Penelope let out a deep breath.

“Fuck,” you breathed, feeling as more tears began streaming down your face, ruining your makeup.

“Y/N…” JJ came to hug you, wrapping her arms around your shoulders. You held JJ for a moment as you cried, sniffling into your hand. 

“Where is he?” You asked as JJ pulled away.

“He’s in surgery,” JJ replied, guiding you over to sit down with the rest of the team. You felt numb as you sat down next to Emily, your hands held tight in your lap. JJ was talking to you but you couldn’t hear her, you couldn’t hear anything. Emily rubbed your back, letting you cry softly as she comforted you.

It was hours before you heard anything. You had cried so much that it made you exhausted, falling asleep against Emily. Rossi draped his coat over you, letting you rest until the surgeon came out to the waiting room. Emily gently shook your shoulder and you shot up once you noticed the surgeon.

“He’s okay.”

You felt like the weight of the world lifted off you.

“Can I see him?” You asked. “He’s on a lot of pain medication-”

“Please,” you sounded pained.

“Of course,” the surgeon said, “he might be out of it for a few days, but for now he’s stable.”

One of the nurses guided you to his room as the surgeon briefed the rest of the team on Spencer’s condition. You would ask JJ to give you the details later, all you wanted right now was to see Spencer, hold his hand, just be with him. 

Your heart squeezed when you saw him, cords hanging around him everywhere, an IV in his arm and his eyes closed. He would have looked like he was peacefully asleep if it weren’t for the beeping, the needle in his arm, the sterile smell of the hospital ward and the thin tube under his nose. 

You pulled a chair next to him, sitting down by his bedside and reaching for his hand. His hand was still warm despite the coldness around him. You let out a sigh of relief, bringing his hand to your lips to press a kiss to his knuckle.

No one could get you to move after that. Penelope and Morgan tried to get you to come get food with them, Hotch and Rossi both offered to drive you home so you could get some sleep. You refused. You couldn’t leave him, not now. Not when he needed you.

a/n: i'm a degenerate when it comes to mgg

taglist: @crazycat-ladys-blog @cillsnostalgia @secretly-tumb1r @33-81 @elissanatok @outrunangelss @cultish-corner @666-gothic-bat-666 @evvy96 @littlemarvelstan8 @sarai-ibn-la-ahad @meg-black @dreamsarebig @anuncalledbridge @fioletowelowe @ladylincoln @spencereidsgf420 @bollzinurmouth @scarlettssub @ipseitydelrey @donttrustlove @mcntsee @ruziazyn @valinherfantasyworld @khxna @maybe-not-this @shardsofmarxx @danadinosaur3 @justsarahbella @ah-blossom @lorelaireid @btskzfav @reidsdoll @pinkpantheris @violetvsworld @readergf @pangirl-fangirl @emideadpoets @blackbeautyiloveyouso @feyresqueen

[innaillus]

Drawing Ryōmen Sukuna

Development notes

This post has been in the making since last year, before the manga has reached its current arc. My aim was to respond to comments that pointed out that my version of that time didn't look like the one in the anime. I calculate everything I do and the way I do it. My current goal is to share my thoughts on the development of my take on him - simply because I'm a nerd when it comes to anatomy and I love figuring things out. It involves a lot of thinking, questioning, analysis, dissecting information and building theories. So I totally understand if it's not anyone's cup of tea.

MANGA SPOILER WARNING

The very beginning

I used to have a serious case of lack of self-confidence. My earliest art of Sukuna dates back to 2021, but it always felt like my skills are not worthy of this particular character. I never shared my art. I was also struggling to find my artistic voice. I was obsessed with the idea of semi-realism, but even if I managed to pull it off after weeks of stylisation practices, I didn't like the results.

Due to personal reasons, I stopped trying to draw him for a long time.

The development of "my" version

It was an entirely conscious decision to draw him differently.

The top reasons for the change was that I didn't want to sexualise him in his host, Yuuji, who is a minor. Back then I thought he inflicted the deformation on himself (extra limbs, eyes, etc), for the sake of efficiency, and I was curious what he looked like before that - or what he would look like in a civilised environment.

During the process, I considered a number of factors:

the beauty standard of the other JJK men - I wanted him to fit the lineup - his original appearance made him stand out quite much

in a setting where he adheres to the rules of society, more or less, I believe his MBTI personality type (ENTJ) would dictate a lot of his choices when it comes to appearance, at least to a certain extent. I thought he would choose to have an appearance that fits the beauty standards of the era

I kept his tattoos because it's a very distinguishing feature of him, but I also exercise freedom in the way I draw them, to make them as stylish as possible

Reincarnation

I used to believe once he reincarnates, his proportions would be closer to that of a "normal" human, even if he has some extra limbs. However, his size and features are above and beyond of what we are used to, and even the story emphasises their malformed appearance. So a a whole new era of Sukuna started in my art. I chose my favourite manga panels of him and mix-and-matched the most attractive features into a figure that I consider on the fine edge of monstrosity and unconventional handsomeness.

Even when I draw him with a regular number of limbs, I keep his usual mass and proportions. I dubbed this form "true gains" form.

I also realised that some of the tattoos Yuuji's body displayed was a product of the partial reincarnation stage, like we see it on Tsumiki's forehead.

NOTE: Did anyone notice that Sukuna is getting progressively more and more human/handsome in the manga? When he took over Megumi's body, I also noticed that as the story progressed, he started to look older and more mature. I'm curious of it was a conscious decision.

Twin dilemma and speculations

According to the Japanese wikipedia page, the mythical figure Sukuna could have been a conjoined twin. Despite my extensive digging in the matter, I was shocked by the recent lore drop.

My question: what does Sukuna look like in a universe where he did not absorb his twin in the womb during development?

It hasn't been confirmed, but I find it very possible now that he was born with his extra limbs, eyes and mouth, as well as the deformed, wide features. (...as opposed to my first theory about him altering his own body for the sake of efficiency)

This, however, would mean that in a universe where both him and his brother are born healthily, he would look different. There is the obvious lack of extra arms, eyes and mouth - but I believe he would also be closer to the JJK beauty standard of men, as far as proportions go (eg. more narrow face, anime-esque nose, larger eyes).

At first I was hesitant to accept this idea, as I'm very attached to the 4-arm hulk / "true gains" form now, but then I realised: this would mean that "my"version of him actually has logically explainable place in at least an alternate universe.

Thank you if you got this far.

I may edit this post later. Let's see where the story takes us.

[room-surprise]

Analysis of Laios and how he hugs/interacts with people, pre and post-manga.

Reading body language in real life is basically pseudo-science most of the time, however, these aren't candid photographs of real people I'm analyzing, they are drawings purposefully made by Ryoko Kui to tell us something about Laios and his relationships with other characters.

These illustrations are designed on purpose to communicate information. So what do I think they say?

Here's the illustration of how things are at the start of the manga:

NAMARI AND CHILCHUCK

They're both rough towards Laios, expressing displeasure with him, using violent physical touch to get his attention or punish him for something.

TOSHIRO

His reaction to Laios is totally passive. He isn't turned towards Laios, but he isn't turning away either. He's staring up into space with a look of discomfort, suggesting he wishes Laios would leave him alone... But that he is too polite to openly reject him.

We know this is partially a cultural issue: because Toshiro is Japanese, he considers it catastrophically rude to tell someone "no" in a blunt way. He is trying to communicate his discomfort and disinterest to Laios, but Laios isn't understanding Toshiro's signals.

Meanwhile, Laios is turning his whole body towards Toshiro, his eyes are wide open, he's smiling. He's very eager to interact, in a way that he isn't with any other character on this page except Falin.

MARCILLE

They are having a neutral interaction. Neither of them seems excited or interested in each other, but they are talking seriously. Marcille is gesturing at Laios in a way that seems scolding, they are standing at a polite distance, and Laios is standing at his full height, perhaps even leaning/straining away from Marcille slightly. There is a physical object (Marcille's staff) acting as a barrier, and it's physically pushing Laios away from her.

But it is worth noting that he has his hand on the staff, suggesting that he's not letting himself be pushed away any further, that he's having a reciprocal interaction with Marcille, not a passive one where he just stands there and gets lectured. Laios is participating and engaged.

FALIN AND SENSHI

The only people having unambiguously positive interactions with Laios on this page, which makes sense since they are the two people who are the most friendly towards him at the start of the manga.

Laios and Falin are touching hands, smiling and their bodies are turned towards each other, showing enthusiasm and a mutual interest. This is less intense than the hug in the post-manga illustrations, which maybe suggests that there's something distant and unresolved between them here, like resentment and guilt.

Laios and Senshi are closer to each other than Laios and Marcille. Laios is sitting or crouched down to get closer to Senshi's height, and they are both smiling and turned towards each other. Senshi may even be laughing!

Here's the "post-manga" image...

What a huge difference!

All of these interactions are basically positive, so I'll just go left to right, top to bottom. Also for some of these, we can't see Laios' friends full reactions, so I'll focus on what we can see, and how Laios is behaving.

SENSHI

They share a gentle hug. They both have their arms wrapped around each other, so the desire to touch is mutual. Laios bends to reach Senshi, and has a calm, content smile on his face while they hug. Laios rests his head on top of Senshi's head, showing trust and intimacy and a desire to be physically even closer to Senshi than just hugging. Senshi isn't pulling away, so I think that's a good indicator that he doesn't mind it, and possibly even likes it!

Which is a big change from how he felt violated by Laios touching his chest earlier in the manga, even though Laios was trying to heal him... I think Senshi isn't someone that easily lets others touch him, so this is a big improvement.

CHILCHUCK

The size difference makes this hug awkward, but that's not the only reason! Laios has both hands on Chilchuck and he is bending down in order to reach him, suggesting that he wants to embrace his friend, however Chilchuck is not straining to reach Laios, and he is only using one hand to touch him, suggesting that Chilchuck doesn't want to embrace too closely. Chilchuck is willing to allow a hug, and he is willing to touch Laios back, but he doesn't want it as much as Laios does.

I think Laios is aware of this, because he isn't trying to push the hug to a higher level of intensity. He's holding back to the level he thinks Chilchuck is comfortable with.

MARCILLE

They share a happy, but not overly intimate hug. Their chests and bodies are pressed together, but they are turning their heads away from each other.

Laios' hands are resting side by side on Marcille's back, and it seems like she is hugging him back in a similarly loose way. His arms are not overlapping, and they aren't squeezing or grabbing each other, just holding on lightly while pressing their chests together.

TOSHIRO

What a fascinating set of drawings!

I'm going to assume that the color drawing is what happens first, and the black and white line drawing is what happens afterwards, solely because if the black and white drawing is meant to just be Laios' fantasy of hugging Toshiro, then surely he would imagine Toshiro hugging him back enthusiastically, and not a more passive reaction like Kui drew.

Kui wrote a note here to remind readers that hugging is not considered normal in "the East", where Toshiro is from, to give context to why the character seems so uncomfortable.

Laios is approaching Toshiro at high speed, arms open and reaching for Toshiro, eyes wide, with a happy expression. He clearly wants to wrap Toshiro up in a big, enthusiastic hug.

Toshiro is sweating with discomfort, and he has a hand pressed against Laios' chest, attempting to stop him… However, the arm is not extended and his elbow is bent at an acute angle, and it looks as if no force is being applied. Toshiro perhaps feels a need to offer a token protest, but he isn't really trying to stop Laios.

In the black and white hug drawing, Laios has both arms wrapped tight around Toshiro, much tighter than Senshi, Chilchuck or Marcille, and he's pressing their bodies together and resting his head on Toshiro's shoulder. He's turning his face towards Toshiro's neck, and smiling serenely.

Toshiro's body is stiff, he's sweating, and his arm is held at a rigid 90 degree angle… But he isn't using it to push Laios away, just holding it uselessly at his side. Perhaps he is half-way towards returning the hug, thinking about lifting his arm a little higher and resting his hand on Laios' back, but he isn't sure if he wants to do that yet.

Toshiro is bending his body towards Laios, and allowing himself to be pressed against the other man. He's staring out into space with a neutral expression that suggests either discomfort or surprise. I think we're meant to understand that he has given up fighting against the foreign, offensive hug, realizing that it isn't offensive for Laios, and therefore it might be okay to allow it...and it might actually be more offensive if he rejected the hug.

FALIN

Falin has thrown herself at Laios with considerable force, and Laios has his arms overlapping across Falin's back. They are both squeezing each other tightly with their arms, and even Laios' hands are gripping Falin tightly. There is an overjoyed look on Laios' face, and I think this embrace shows how Laios has healed through the course of the story.

KABRU

Since Kabru is one of Laios' newest friends, it makes sense that the hug would be the least intimate.

The two of them have a complicated relationship in the manga, but the complete world bible shows that Laios has finally accepted that Kabru is genuinely his friend and not just trying to use or manipulate him. He's made an effort in the post-canon to reach out and try to be Kabru's friend in return, and Kabru has forgiven Laios for not listening to him in the past.

Kabru is turning his body away from Laios, which puts his shoulder towards Laios' shoulder at a perpendicular angle, forcing distance between them. Laios is fully facing Kabru, and has one arm behind his back, a hand resting on Kabru's shoulder, and another hand resting on his chest. The hand on the chest is attached to an arm that is bent at an obtuse angle, holding Kabru at a distance, with no indication that he is trying to pull Kabru in. Both hands are relaxed, like in the Marcille hug, indicating that Laios' grasp is loose.

This arm position is pretty unusual for an embrace. It allows Laios to keep Kabru at a distance where he can see him, and control where he moves, and how close he's able to get to Laios… and Kabru isn't returning the hug in any way, instead allowing himself to be touched and held in place.

Their bodies aren't pressed together, and Kabru's arm is down at his side, neither encouraging Laios nor pushing him away.

Laios has a big smile on his face, and he looks enthusiastic. Kabru on the other hand has a calm smile. In my opinion his expression is less enthusiastic than Marcille's.

I think Laios can't tell how Kabru feels about the hug, and so he's holding himself back. He's not blinded by emotion like he is with Toshiro, so he's not flinging himself at Kabru… And because Kabru is such a new friend, Laios is also probably hesitant to get too close to him.

There may also be some lingering trust issues, if Laios still isn't completely certain if Kabru genuinely likes him or not. Laios has often had trouble telling if people really like him, or if they are just being polite (Toshiro), or using him (former party members), so it makes sense that it would take awhile for him and Kabru to become truly comfortable with each other..

[themoonchildwhofell]

the elevator

pairing: Spencer Reid x reader

content/warnings: fluff!!, soulmate!au

summary: an AU where you'll see color once you meet your soulmate.

note: hey!!! really wanted to have this written since I've been obsessed with Lizzy Mcalpine's recent album.

"Fuck!" You curse at yourself for sleeping off the 5 alarms you set today. You we're set to meet the head of the Behavioral Analysis Unit for a job opportunity. I mean it wasn't everyday the FBI would offer you a job especially since all you did was login to their server. Okay. I guess "logging in" was a better way of saying it. More like you hacked your way in to gather some information about this weird unsolved crime you listened to in a true crime podcast. It's not your fault you we're wickedly good at coding and that their firewall was ass.

You ran as fast as you can, navigating your way through the horde of people coming and going. Since the world started having soulmates, it was kind of a bummer for you. It started when you just got a pretty mini cooper that you bought with your own savings and was so excited to drive it. Suddenly, the world turned black and white. Everything was dull. You we're kinda expecting it to come when you turn 18 and was shocked that it was 3 years early. Your mom had already told you what will happen and what you needed to do to get back the colors. Since this was an established thing now, a lot of laws were also placed to make sure everyone is safe. One of that would be driving. Since you're now not able to see color, you we're not allowed to drive until you see your soulmate. 10 years later, you still have to push your way through the horde of soulmate-less people the same as you are.

You finally get to the FBI Building in Quantico. As you open the doors, you notice that the elevator was slowly closing in. "Wait!" You shout. Trying to see if the person inside the elevator would stop the doors and wait for you. You sigh a breath of relief as you see the elevator slowly open. You quickly grab your things that you didn't notice fell on the floor when you ran towards the elevator. And ran inside the elevator. You check your phone for the time and see that you still have at least 5 minutes before the meeting starts. You breathe out the air stuck in your lungs not noticing you were holding your breath. You turn to the person who stopped the elevator to thank them.

As soon as you look at the guy beside you, you feel warmth surrounding your whole body. Everything felt like a blur however you didn't feel dizzy. Your eyes start to focus on the most beautiful shade of brown eyes you've ever seen. You try to look around to see if you we're just having a stroke or if this was just a dream. But everything seems to be a lot more vibrant. You we're seeing color again.

"Hi." The man greets you. You turn your head towards him to see the prettiest man you've ever laid your eyes on. He had light brown wavy hair, beautiful eyes, and the nicest smile. "I'm Spencer. I guess we're souimates?"

You smiled back at him and introduce yourself. I guess this wasn't such a bad day after all.

[miwiheroes]

Full Airport Scene Analysis

I've seen like, a lot of people do analyses of the airport scene, but they often do it in parts when I just want to fully hone in on the whole ass scene and give it a full run-down. So, get ready for this post to be extremely long.

So, the camera pans across from Argyle and Jonathan looking super bored and tired to both Will and El, and I think this is actually very clever. Before this scene, you're not really sure who Will is in love with or who he made the painting for. The fact that the audience may remember El saying 'i think there is someone he likes' and then see how Will is holding the painting so proudly means that they subconsciously realise, oh the painting is for Mike meaning -- Will has feelings for Mike. Note how the juxtaposition between Argyle and Jonathan's demeanour and Will and El's demeanour further showcases how they feel the same way about him (supposedly).

Also this is random, but watching this scene over and over again made me realise that Will's is literally shaking so much in this scene. (WATCH HIS HAND WHEN EL IS LOOKING FOR MIKE)

Now let's talk about Mike's outfit (yes this isn't just talking about how ass it is)

So in the amazing GQ video on youtube, the costume designer talks about how Mike probably bought this outfit at the airport. He's dressing up how he thinks he should in California -- the double meaning being that he is trying to 'be more normal' as Finn Wolfhard says in another interview.

In this scene we know that Mike's trying really hard to push down his feelings about Will, he's trying to seem like he fits in, and in the GQ video, Amy Parris talks about how 'it's bright, it's not a colour Mike normally wears'. Orange and purple? Mike usually wears blue..... and yellow........... i mean what

I guess you could say that in a more surface-y way, he's trying to fit in by wearing something less edgy than he would normally wear, but if you look deeper into the colour coding of byler, he's trying to disconnect himself from Will because of him trying to deny his feelings. Will is wearing blue in this scene, but Mike's wearing orange, showing the disconnect between them in the scenes with these outfits on. I know a lot of people say he's wearing yellow, but nah, it's orange and that's actually more proof that he's trying to hide his feelings for Will.

Also this is another quote from Parris: 'he's worn teal before, so it felt like orange was the best colour that was different from his closet that felt like he was trying to make it work in california.'

And it's not like they just forgot the colour coding for byler. I mean, there's blue and yellow in this shot of Mike when we first see his outfit.

Can you spot it?

Okay moving on

In the first and last Milkvan kissing scene, it is important to note that the directors of the show are very intentional with the extras and where they move to during the scenes. During the shot of them kissing, the camera is focused on them, yes, but it is very busy. Watch the shippers try to edit this scene, the duffers really said.

Firstly, Mike is wearing a visor, he's holding a bag so he can barely hug her, he's also wearing sunglasses inside?? You can't see his facial expression, further showing this season is not in his pov. Not only that, but people are moving in front of the camera, it's very very busy. It's supposed to be a little overwhelming. I could barely take a screenshot without someone walking in front of the camera... like that is not a coincidence, they aren't filming in an actual busy airport. So so many extras walk in front of them during the whole scene, not just the kiss, but while they are speaking as well.

When El goes to hug him, as soon as she does, he makes a little noise of protest or something and is like 'careful, careful' almost like he put the flowers in front of them on purpose so there's like an excuse for them to stop hugging? They then stop hugging and he finally takes off his glasses so we can see his face.

He is wearing sunglasses only in the parts where he's being slightly intimate with his girlfriend -- eyes are windows into the soul, no? Without them being seen, you wouldn't be able to tell what he is thinking, and he needs these in these intimate moments especially, in case anyone notices something's wrong.

Okay now we go onto the flower theory thing, and there are many things to unpack here, and stuff that I personally don't believe, and some theories that I do.

What is super clear to me is that these flowers are the exact same dead flowers that El picks up at the end of season 4 to signify that her relationship with Mike is.... dead (sorry if that's kind of on the nose). However, it is also key to note that Mike says that he 'handpicked' them for her in Hawkins, which on the surface makes it seem like he made more effort, but really this actually sets up the fact that they are the same flowers that can be found on the field. If he bought them in the shop, they may not be the exact same flowers in the last scene.

So Mike says 'I know you like yellow, but now I'm realising it's too much yellow'. The writers of the show did not have to put that in, let's just think about that for a moment. What was the reason for putting this line in? And the '70-30' split line is also very very specific.

Will's colour in the byler colour coding is yellow, it has been subconsciously put into our minds ever since they started colour coding them, for example the s3 netflix icons, the shirt he wears for the majority of s4 and the lights over his head in Rink-o-mania.

Personally, I think this might be a bit of a reach, but could Mike just simply mean that he was thinking too much about Will, in his opinion? Like subconsciously he kind of added lots of yellow because he was thinking of Will when he was thinking of El.

As for the 'So I sort of did a 70-30 split thing' line, I'm not really sure what this means. It could mean that he's putting in 30% of the relationship because he also added 30% purple flowers which symbolises what he's putting into the relationship. Meanwhile, El's favourite colour of flower has a 70% weight in the bouquet, meaning she's putting more into the relationship.

It's also worthy to see that El looks at the note which has 'From, Mike' on it right as he's saying all this stuff about the yellow flowers, and the music dies down from this joyful tone to a sombre one, kind of showing how the yellow flowers are a symbol for something.

Now, before this ^^, the only problem that we think is going on in Mike and El's relationship is the fact that El's lying to him about having friends and not being bullied. But now we have a possible reason. She is insecure about their relationship and how real it is. Her face says everything, she notices it, she then tries to ignore it and tells herself everything is fine.

The audience notices this, obviously, and is like??? wait what's going on? Why does it say 'from Mike'?

They get the answer real quick.

Because right after this, is when Will bounds over.

They shot it so that he's kind of in between them, subconsciously placing a thought or idea in the audience's head about what the problem is between Mike and El, even though it's very implicit at this point. The audience should also have the slight idea in this scene that Will has feelings for Mike, and they get reminded of this fact when they see Will in the background. They're then like.... oh so that's why they having problems? Damn....

Before El even stops speaking, Mike sees Will. We can tell from the way that he literally takes his eyes off El and goes 'oh,' before doing the second 'oh!'. I bet if this was shot so you could see his face, this would be way more obvious, but they shot it so that we could see Will's initial happiness at seeing Mike instead.

Awkward bro hug... um yeah so this is one of the biggest byler proofs to me. I mean, why would you need to hug your best friend like that? When you are perfectly fine at hugging your other male friends? (He hugged Dustin in the first episode btw).

Given everything that we know so far, that Will has feelings for Mike because he made him the painting that El said is for someone he likes; that there must be problems going on in the Milkvan relationship; that Mike is hiding his face and dressing unlike normal.... yeah he's trying to repress something. He won't let himself hug his best friend. Will is acting normal, they could have made him the one not to hug Mike because he is in love with him, but they didn't.

Also, unlike the Milkvan reunion, his face and his reaction can be very easily seen here. They literally zoom in on both their reactions to seeing each other because it is more important than Mike and El's reunion. This is what the scene is about!! It's main focus is on the development of byler and the breakdown of Milkvan. There are like very little extras passing across the camera because the directors want you to focus on their reactions here and how Will and Mike are feeling.

Obviously, Will is dejected but Mike's reaction is more telling. On the right gif, he looks down. Maybe he sees Will's painting and remembers what El told him, which was that it was for someone that Will likes. In my opinion, Mike does not know that it is for him. In Finn's words: 'I don't think he knows'.

After seeing that painting, he instantly looks to other people for their reactions to the hug, maybe being like, hey guys was that normal enough? Did anyone see that? Showing how he cares about the opinions of those around him or maybe that he doesn't want to look at Will for much longer idk.

After that...

Okay so now he's ready to ask about the painting. There's a beat, then he asks 'Uh, what's that' in this kind of breathy, panicky voice. It's not a casual tone at all, it's very tense, and the audience can tell, because this makes the audience tense too. When I first watched it I was like AHHH because oh shit. He asks it like he knows something is up with it, he knows that Will made it and it's significant.

The next shot is a slide-up from the painting to Will's face. This could be in Mike's pov to show that he was looking Will up and down, and this shot is inherently kind of romantic in that way. Either that or it's simply just to focus on the painting before showing what Will's going to say so that the audience know he's talking about the painting.

You can kind of see the cogs working in Will's head in the very little time between 'um' and 'it's nothing', as he realises that he probably shouldn't show Mike the painting based on how Mike didn't hug him.

Also notice how in the gif, an extra walks by the camera as soon as Will is not entirely truthful, so why would this not be done with El and Mike's reunion scene??

Now, this further pushes the agenda that Mike didn't hug Will because of his feelings for him. The audience already knows that this painting is supposed to be a gift for someone that Will 'likes' based on El's letter to Mike at the beginning. The fact that Will no longer feels comfortable with sharing that painting means that he is more unsure of Mike's feelings now that he's seen him irl.

However, the way that Mike goes cool is supposed to be weird. It's supposed to show the audience that he's pretending. I honestly don't know whether it's bias or the directors or the writers or the actors somehow made it this way but the speed at which Mike says 'cool' kind of just implies that he was not ready for that kind of confrontation. He was not ready to confront his feelings or enter into an interaction with Will about the painting. Because it means he can't deny the fact that he's jealous of Will having a crush on some girl. So he quickly shut it down.

He doesn't want to feel the disappointment that Will just basically confirmed the painting isn't for him.

In season 3, he is very interested in knowing who Suzie is, Dustin's girlfriend, but when he knows that Will has made a painting for a girl he likes, he doesn't bother asking at all what it is or who the girl is. He doesn't want to acknowledge it.

Also, the fact he wasn't ready to feel like this and is so focused on Will is shown by how startled he is by other people breaking the moment.

Now this next part is so funny given what we have already been presented with. We already know that Mike is self-conscious about hugging his supposed best friend, and that he does not want to confront his feelings about the painting. He is trying to be someone else because he is wearing unusual clothes for him, trying to seem like a normal person in California. He didn't want to hug his best friend because he wants to seem normal. He's out of character.

"Oh no, no. It's a shitty knockoff."

Laughing my whole ass off.

This ties the whole scene together. It makes the audience go OHHH right he's just been pretending this whole time (if they have any sense). It's genius writing. Without Argyle saying this, we might never really have full confirmation on whether he is really out of character or whether this is just how he has always been. NO, he is lying to himself. He is pretending.

They did not have to make Argyle say this. Ever heard of double meanings folks?

And Mike's reaction?

This reaction has always kind of been interesting to me. How would you assume how Mike would react to someone insulting him? Usually he would scowl or look annoyed but here he doesn't, he almost looks worried. Like oh no he's just been found out lmao

After this there's an awkward moment spurred on by Argyle Mike's like 'yeah this is so awkward'.

Now, since I'm literally Mike and he is me, I know what he's doing here by saying this.

I've done it before, it's where you kind of say that it's really awkward in order to make it seem like you're not the one making it awkward, like you're blaming other people (which he always does).

But Michael, it's kind of your fault?? Like, you didn't have to do the bro tap, you also didn't have to act that way around Argyle.

BRO WE ARE HALFWAY THROUGH NOW LMAOOOO THIS IS SUCH A LONG POST

Now onto the next part, where El is talking about Rink-o-mania and she starts lying again. I have watched this scene over and over and literally Mike barely looks at her once, while he glances at Will multiple times. I feel like audience members don't catch this explicitly, but subconsciously, they can sense that there is tension between the two because of the way that Will is placed during this scene…

I counted them up in this video and Mike glances at Will..

6 Times

Just want to say before we talk about each glance, this scene is extremely telling. It tells you exactly, through subtext, what the atmosphere between Will, Mike and El is going to be like throughout the season/ the beginning of the season. It's textbook foreshadowing.

Will is standing off to the side while Mike has his arm like really tightly around El. They could have had this scene be a cute scene between Milkvan because of how close they are, but instead this scene is about Will's sadness, about how he was ignored by Mike. He's still holding the painting, so the audience are still aware of its existence and what it could imply for Mike and El's relationship.

This scene is also about El lying! Not about how 'cute' Mike and El are.

Okay so here is me talking about every single glance <3

"Wha- Really?" -- Could Mike make it clearer if he tried? I think this is the most obvious one that the audience could easily catch, if they are watching without distraction. Which is important, because it is the first one. He stutters over his words when he realises that Will is looking back at him. Sound familiar? In a much more obvious scene, he does this with the triple take in the desert... It's also kind of clear that they looked at each other because Mike and Will look down/ away straight after Mike goes 'wha-'

"Trust me" "No I trust you" -- So this one's a little more subtle and maybe to the audience it could seem like Mike's looking at El, but then the camera turns to focus directly on Will and him looking at Mike with disappointment. I don't think he's upset about Mike completely ignoring him, but he's upset about this weird little awkward dance they're doing. The reaction from Will is because of the uncertainty. The fact they focus on Will with a single shot at all instantly makes this scene about his emotions primarily. This becomes a pattern.

"Rink-o-mania..." -- This one's also super subtle. I'm not even sure why Mike looked at Will here, but it is clear that he's not looking at El, if you want to slow it down then you ig. Maybe he sensed that Will was staring at him just a few seconds prior.

"Are your friends gonna meet us there?" -- Even though he is speaking to El, he looks at Will. This kind of shows that even when he is supposedly thinking about El and what they are going to do together, subconsciously, his mind is still on Will. This can then be seen in the Rink-o-mania argument when it is revealed that he has been focusing on Will's reactions all day when the audience believes originally that he was ignoring him: "You were! You were rolling your eyes, you were moping, you were barely talking, you basically sabotaged the whole day!" Mike, Mike, Mike. Your girlfriend being bullied didn't ruin the day, Will being pissy to you did? ANYWAYS THIS ISNT ABOUT RINKOMANIA JHDGASJHDG

"Friends what friends?" -- So this fifth one is kind of ambiguous because he has his visor on, hiding his expression and where his eyes are looking. But you can see with the way his head turned, that he was looking at Will because of the way he said "Friends what friends?" This is probably just Mike being confused on what's going on, then. BUT it is another thing that makes this whole scene not about 'uwu mike and el awww' but about Will's feelings or the fact that El's lying and the unstableness of their relationship.

"Angela?" -- This one is very notable. Firstly, here is what we know: Mike knows about the fact that Will has probably done the painting for a 'girl he likes'. Mike thinks that this 'girl' isn't him because Will says 'it's nothing'. Mike maybe thinks that El's friends are also Will's friends. AND Mike does not want to ask Will about the girl he likes because he doesn't want to know about Will liking someone else/ he does not want to confront his own feelings. So, The way that Mike looks at Will with that kind of dead expression, (and he actually does a little double take) is super duper telling. You don't know what he's thinking but if you read into it, he could be thinking that Will was feeling hopeful that Angela would come and is kind of nervous for it.

Finally, El says "I want this day to be about me and you!" which is meant to be ironic. The showrunners would not have put this little line in if it wasn't supposed to be funny tbh..... like this whole scene was about how El was lying and she's suddenly saying it's just about them.

Because of what she says as well, Will rolls his eyes and crushes his painting a bit. (HEARTBREAKING)... The fact that he rolls his eyes is probably just him being annoyed about what she said, because it further makes him feel like the third wheel. The scene ends with his eye roll, emphasising how this whole scene was about how Will is feeling, not the "Main Couple Of The Show tm??" But alsoooo, he crushes the painting :(((( meaning he was also feeling heartbroken a little by the fact that they are acting very coupley and Mike doesn't seem to care about him oops, since the painting is for him.

OKAY IM DONE LMAOOOO

In conclusion, this scene is about byler in the first half, and the flaws of Milkvan and Will's feelings in the second half. This scene is meant to foreshadow the arc between Will, El and Mike which transpires in the rest of the season. The bro tap is the gayest thing I've ever seen, and did not have to be included in this scene. It could have been Will that was awkward. It shows that Mike has changed. He has changed ever since Will moved away and he had that realisation. In season 3, Mike seems confused, unaware of his feelings. But now, in this scene, in only 2 minutes, we know for sure that Mike is in denial. He knows.

Anyways

Byler Endgame.

[jazminetoad]

Okay, I know there's like this whole debate and theorizing about what is going on with Alastor in episode 5

After rewatching the scenes, listening to the rap battle multiple times, watching analysis videos, reaction videos, theory videos, and reading people's thoughts on Tumblr, I've come to a conclusion

Alastor felt threatened by Lucifer because he thought Charlie was looking for powerful assistance from her dad, and if that was the case, it would mean Alastor would be replaced

I mean it doesn't help Lucifer gave that intention at the start of the song, quite literally dissing Alastor, blatantly saying Why do you need this guy when you have me now?

Lucifer shows off his power to Charlie, stating how much of a help he can be, and that Alastor isn't needed

This pisses off Alastor

People who theorized Alastor is pissed because he's no longer the most powerful person in the room, they're on the right track

Alastor saw Charlie's advertisement for the hotel on the news (people seem to forget that when pointing how he just shows up after Charlie calls her mom), then he came to help Charlie out, being there since day 1 of Charlie announcing it to her people.

His reasons of why he is helping are all over the place, but he is a powerful entity there to assist Charlie regardless

Lucifer showing up by Charlie's invitation irritates him because the way it looks to him, Charlie is seeking someone powerful to help her, it is an insult to Alastor because he is powerful and Charlie seems to forget that fact

So Alastor decides to remind Charlie of his presence and how he is here to help her

"Who's been here since day one? Who's been faithful as a nun? Who makes you chuckle with an old-timey bun? Your executive producer~"

"I'm your guy, your day-to-day, your chum, your steadfast hotelier. Remember when I fixed that clog today?"

These lyrics is Alastor showing he has been dedicated to helping Charlie, proving his worth, he wants to show Charlie is he a valuable asset to her team, yet he realizes that labeling himself as just an employee isn't enough since an employee is easy to throw away, therefore he pushes further. He states he's happy to have connection with her, calling her a daughter and how he cares for her like one, labelling himself as a dad

Alastor does this because if Charlie is seeking assistancest from Lucifer 'cause he is her dad (wanting familiar support), painting himself as a father figure opens the door for Charlie to acknowledge him and go to him for support, thus being irreplaceable

Alastor even brings up the rest of the hotel cast to state they have been a better family toward Charlie than her own father, coloring Lucifer as someone not only useless but worthless as well

However, Alastor dropped his beef with Lucifer when it is made known to him that Charlie is requesting her dad to set up a meeting with heaven, she is not asking for her dad to help the hotel or to work for the hotel, meaning Alastor's position is not threatened (Hence why he never interrupted the second song of the episode)

[shiiro-arts]

Thank you so much for replying to my previous ask in such detail (I loved it and really, really appreciate your efforts 🙏)

I just started rewatching the anime and I saw the focus they kept on Lisanna hence my doubt. From Erza I felt it was more of a sibling type dynamic (that Erza sees Natsu and Gray more as her younger brothers) but they really pushed the Lisanna narrative in the beginning. And given the way he reacted differently to Lucy and Lisanna like becoming flustered with Lisanna I wondered.

Please do talk about the killing himself part too.

I love reading your analysis!! Thank you so much for your hard work ❣️ (Feel free to push in NaLu scenes that show it their bond more obviously)

Hi!! I'm happy you liked it, I'm going to try and talk about Natsu and Lisanna a little bit more and then I'll start with the whole killing himself thing. (following this post)

I think the reason they focused on Natsu and Lisanna at the beginning is because a lot of studios/mangakas have the need to create a couple, even better if it's an MC. And pairing Lucy and Natsu up from the beginning doesn't make any sense, they just met and didn't know each other.

Lisanna is a really important person to Natsu, although they hardly interact anymore.

She supported Natsu when he first came to the guild and became his first friend. Not only that, she helped him with Happy, hence the whole wife and husband thing, they represented a family.

Natsu is not as stupid as they make him out to be, he knows what marriage is, exclusivity to a partner

and things only adults are supposed to do.

He knew what Lisanna meant by "we'll get married in the future," and if she had never "died," NaLi would have made sense.

But it happend, Lisanna "died" and Natsu had to get over her. This doesn't mean forget her tho, as I said, Natsu LOVES his family and friends, forgetting about lisanna just because she died would not make any sense. It takes time to accept death, and after Igneel's disappearance, the death of lisanne hit him, HARD.

The only thing he could do was getting over her, but not forgetting her.

And that's when Lucy comes into the picture.

She keeps bumping into him, buys him food for "no reason" and talks all mighty and good about his family, basically, she gives him good vibes. He takes her to FT and for some reason she follows him everywhere and before he knows it, he wants to partner up with her.

This is development by natsu's part, he is ready to open up to new people (Lucy) and pretty much they become attached to the hip, because "she is nice", yeah, that's his reason.

Lisanna wasn't meant to come back, mashima himself said so, the only reason they brought her back was because the animation staff preasured him to because they liked her. NaLi is not happening because Mashima never had anything planned for her, and I'm not saying this because I'm a NaLu fan, it's just facts. Thats why she is so useless in the manga, because mashima doesn't know what to do with her. She is just there.

-.-.-.-.-.-.-

Let's beging with the whole suicide thing

I want to clarify that this is MY PERSPECTIVE, you might agree or disagree with me and thats completely fine.

Let me beging with one thing, and that is that natsu IS NOT SUICIDAL.

He wants to live his life at the fullest and he looks forward to the future.

Then why do I say he wanted to kill himself? because when lucy "died", he was so full of grief that he just didn't care any more.

One thing that they make clear is that the demons of zeref, once awaken, have only one thought in their minds: KILLING ZEREF

Lucy's "death" is what awoke END, Natsu felt so desperate and he was so full of grief that he literally abandoned his humanity.

She was gone and he blamed zeref, because if he had never started the war, she would be alive, that was enough for him to abandon his morals and look forward to kill someone.

Now comes the important part: his confrontation with grey

This part is really important because it shows that Natsu is aware of his actions.

If he really was completely possessed by END, then he would not have hesitated and warn grey about getting out of his way, he would have just killed him and keep going, but Natsu warns him several times

Until he doesn't give a damn anymore and attacks him.

Natsu was adamant about going after zeref and killing him, but he is also aware that if he does so, he will die. Zeref told him so himself.

But lucy is dead, so he just doesn't care anymore.

Igneel talked to him about looking at the future

But Lucy wasn't in that future anymore, so he can't look forward for it, because it died the moment Lucy did. if she wasn't in it, why bother? He knew that killing zeref was killing himself.

Gray literally saved Natsus life confronting him

This whole panel is foreshadowing to Lucy dying and Natsu wanting to die because of it

[mapoeggplant]

skip to loafer chapter 65 analysis // spoilers

the girl who's chasing the sun and the boy who's finding a way to walk by her side: how much kindness is needed for one to forgive themselves and finally listen to their heart?

for this month's review, i wanted to do something a little different: i'm going to divide it into two parts. the first part will be about the chapter, of course, and address some points that i think are worth discussing. the second part, i'd like to focus much more on the message of kindness that skip to loafer brings to its readers. so, here we go.

finally, the long-awaited date is here. i confess that i always felt a little uncomfortable when people demanded so much for this date to happen faster, to sensei “get over with it”. i know, i was also looking forward to it, but the whole build-up that led us to this moment made it even more impactful and even stronger. to build a story, you need not only a beginning and an end, but a middle that supports both events. the story of shima and mitsumi had its beginning and now we're facing the middle. no, the breakup didn't bring the end, it was just a complement. an event as big as this one needs to be sustained with enough strength to have the necessary impact. so yes, the “delay” that many complained was extremely well used and made their night together even more special.

now, about the actual date. it’s beautiful to see how they managed to find a space in all this confusion to make their friendship prevail and the discomfort that they both felt before dissipate. of course, their relationship didn’t go back to what it was before, but i don’t think that would ever be possible: relationships change, no matter if good or bad things happen. the way we relate to people grows at the same speed as we grow. and, to keep it alive, it takes a lot of humility, kindness and, of course, love.

since the chapter is slightly more focused on shima, his insecurity and fear are much clearer and more palpable. shima is a character who still carries a lot of regret for everything he did, even for things that weren’t his fault, like his past and the mistakes he made along the way, guided by people with ill intentions. the breakup with mitsumi left a huge scar on him, since he still firmly believes that he is the one most to blame for their friendship almost falling apart. mitsumi is one of the few people who genuinely wants to be with shima and he knows it — but that doesn't change the fact that he is still very afraid that she will never really get to know his "real self" and to like him for who he is, specially because shima himself doesn’t really know what all of this mean. shima feels disappointed that mitsumi has "fallen" for his false kindness because he feels that he is not only deceiving other people, but also one of the most important people in his life. lying to mitsumi not only brings a pain to his heart, but also an enormous insecurity that he will never be able to convey his feelings for her, because he will never be able to overcome this wall that he himself created. when he himself admits that his feelings for her are much deeper, he finally get in touch with the desire to be completely exposed to her, to be accepted by her and that he could finally stop using the facade he hates so much against her.

what he doesn't know yet is that mitsumi can see beyond his mask — and much more than he even imagines: mitsumi sees the real kindness within shima. as much as he insists on saying that this is just a way of protecting himself, mitsumi can indeed find in shima's actions a kindness and affection that are far from being fabricated. it saved her so many times before so, if what she felt was real and valid, why wouldn't his intentions be truthful as well? mitsumi sees shima for who he is, and respects all the past that he is still afraid to show, that’s why she never pressured him to open up and respected every time he changed the subject. there was no need for her to dive deep into something that didn’t involved her, so all she could do was show that she would be there for him when he needed and when he find the right time to tell her all about the little shima she never met. mitsumi sees the kindness he holds in his heart and all the good intentions he had when he helped her before, something he lies to himself and say it was “only a facade”. he still can’t see how much he wanted to protect her and be by her side all guided by his own heart and good faith, not the lie he made up. the real shima was the one who wanted to do all that, not the “fake” he created. when mitsumi chooses to end their relationship, she’s truly thinking about his feelings and a way to save their friendship before both of them came out completely hurt by it (but i want to point out something very, very important: they are both teenagers. of course they will act impulsively and end up hurting each other without realizing it. shima doesn't know which of his actions hurt mitsumi, just as she doesn't know which of her words might end up hurting him. they are at the beginning of a long life and a long journey, so why not give them the kindness they so deserve?). 

shima finally manages to take a step forward, getting closer and closer to walking side by side with mitsumi. as he becomes more in touch with his own feelings, shima sees a huge need to change and start being more sincere. in order for him to become a better person, in his own eyes, he now needs to start putting the mask aside and embrace who he truly is. no longer listening to others or fulfilling desires that are not his: now is the time for him to look inside himself and, above all, listen to his own heart. from now on, the path he will follow is his and his alone.

now, for the second part: i really want to talk a little about how skip to loafer has an extremely delicate writing style that focuses so much on kindness, whether it is the kind we export to the world or the kind we internalize.

those who usually follow my analysis must be tired of hearing how much i talk about the message of “i love you for who you are” that skip to loafer values ​​and explores so much. but it’s no use: the more i talk about it, the more i admire the dedication that the sensei puts into writing completely real and human characters. it is always a great joy when people come to me and say how much they saw themselves in one character or two, and how that made them feel embraced. it warms my heart that people can see, thought these characters, the kindness they deserve. It’s very clear to me how sensei is always so worried with showing the reality of their journey of loving themselves in a way to bring the reader closer and learn from it. 

of course, shima and mitsumi's friendship and relationship could end with the breakup. or, from another angle, it is clear that they could have started a relationship much earlier and maintained it despite all the challenges they still have to face with themselves. but... is that valid? is that fair to them? is that kind to both the characters and the readers?

by opting for a gentler writing style and a story more focused their lives rather than taking a romantic road trip (after all, it is a slice of life), skip to loafer delves into a great lesson about compassion and acceptance that no one is perfect. we will all make mistakes during the course of our lives, but it is up to us to get up and move on, building other stories and sharing beauty with whoever is by our side. we may not see how kind we are to others, but there is certainly someone by our side who admires us and is grateful for everything we have done for them.

and i'm grateful for you for reading my analysis 💛 thank you. don't forget to support sensei and send her lots of kindness!!!! skip to loafer will be on break next month, so see you in december :)

[mitfloya]

𝐋𝐨𝐯𝐞 𝐚𝐧𝐝 𝐃𝐞𝐞𝐩 𝐒𝐩𝐚𝐜𝐞 𝐘𝐚𝐧𝐝𝐞𝐫𝐞 𝐇𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬: 𝐙𝐚𝐲𝐧𝐞

pairings. Zayne x gn!reader

wc. 7K (yes, I like to torture myself)

synopsis. He was believed to be devoid of emotions, until you unveils his chilling secret. His hidden obsession with you has ensnared you in his icy sanctuary. You were blind to his fixation until it was too late, and now you find yourself trapped in his clutches, unable to escape.

warnings. The following content contains elements of obsessive behavior, yandere thoughts, stalking, possessive behavior, and may include poorly written narratives. Reader is referred to as 'you'. Proceed with caution, as this writing may be unsettling or uncomfortable for some individuals.

a/n. Hello people of the internet! I’m pretty new on this writing community so I hope I bring you guys some good crumbs to munch on! and excuse my horrible grammatical errors, English is not my first language. I may or may not have spend my time throwing up this whole ass detailed (press x to doubt) HC out of my mind, I tend to go overboard with my analysis and writing. Get some snacks and I hope you enjoy reading it as much as I enjoy making this HC.

p.s. this is a reupload ver. the original of the post is accidently deleted

♡ Please reblog and comment on this post are much, much appreciated ♡

Ah…the ice king himself, known for his emotional detachment and seemingly heartless demeanor. His motives and intentions remain shrouded in mystery, as he builds impenetrable walls around himself. Yet, somehow, you managed to slip through those barriers, like a delicate flower pushing through the cracks in concrete, planting the seed of love without his knowledge.

Does he act upon it? Certainly not at first. He ignores it. Pretend that is was merely a sign you were someone he tolerated.

His acts of kindness are always subtle and unexpected. He treats you in a way that evokes certain reactions.

At first, he might seem out of reach. But you never know that he is always there for you. Always observing and studying your responses.

As you both transition into adulthood, he becomes your primary physician, a role that only intensifies his growing obsession with you. He never considered himself capable of falling in love at first sight, but his feelings for you gradually took root. He is always there with you, from childhood and in adulthood. Fate must have bestowed him with great luck to be your guardian, the one who monitors your health and controls your existence.

The time when you both went on your separate ways before you met again, he feels a void, a sense that something is missing. Maybe you meant more than he thought. The loss of you kills him. But does this heavy feeling affect his daily activities? no.

The thought of not knowing about your health and safety gnaws at him, like a splinter lodged in his mind. Have you eaten yet? Did you eat enough? Did you get enough sleep? Did you stumble upon an accident? Just a single scratch of wound on your skin would infuriate him.

You, on the other hand, dismiss it as the instinctual concern of a physician, and your own health condition made it even more difficult for him to let you go. You were far too precious to be released or, worse, left alone and broken.

Even when you’re away on your mission, he always ask about your being and whereabouts. He just wanted to know how you’re doing and it shows how much he cares for you, not monitoring you! That’s ridiculous, right?

However, whenever you were around him, you never felt like you were in control of your own bodily autonomy. Maybe you’re seeing things but have you realize how much you’re changing your lifestyle?

Zayne intelligence is no joke. You were far too naive to look back over your shoulder to notice he is manipulating you. He wants you to be completely dependent on him. But is it really that bad? After all, he was providing you with a healthier lifestyle, not to mention preserving your beauty. Or so it seemed.

Oh, but when you became his, everything changed. He became more open, more loving and caring, the kind that makes you melt to the ground and swallow you whole. Always attentive to your needs and wants, he has no problem with you buying expensive items, the money isn’t his concern. Your happiness is.

His actions become more evident, sometimes you notice it in the way he always makes sure you’re fully geared up and energized for the day, or the way he tries his best to brighten up your day in rainy days.

And when the time came for you to move in together, almost imperceptibly, it felt natural, that’s when he brings the real authenticity of himself, the carnal desire to claim over you starts to show.

He adorned you with the finest fabrics, adorned you with the most exquisite gems and jewelry that accentuated your beauty without overshadowing it. He always gives you the best and never less.

No one would question how many pictures he has of you around the house, as they simply depicted a man deeply in love with his partner…wait, you don’t remember taking this picture..how did he get this picture? 

Caleb gives it to him. As always he has answers to everything, it makes you think he is expecting that kind of question, which is an odd behavior.

Even the windowsill display those seals and trinkets he has given you over the years, customized to your liking.

You saw it as a preservation of memories and the time he had spent with you, when it’s clearly a growing sign of obsession with the abundance of things of your own possessions, or things that reminded him of you were around the house, to the dark corners of his secret room you were unaware of. 

You don’t realize you were brainwashed, did you? Or maybe because he is telling the truth from the start, he loves you very much and his actions serve as undeniable proof!

Until you try to resist or argue with him. It would be best for you to stay obedient and let him lead, he is the man in the relationship, you are his good girl, right? He never wants to hurt you, he is doing it for the better sake of you.

You learned your lesson when you got your first punishment. Each mistake or letdown adds a droplet, gradually increasing the intensity. When the glass finally overflows, it serves as a stark warning to never hurt or disappoint him.

Your life revolves around him. You want to buy groceries? Wait until he finish work. You want to go to the park? Let’s go together and don’t forget your coat, he doesn’t want you to get cold. You want to have some time alone outside? Sure.

Ah, the innocence of those early stages of dating, when the idea of tracking your partner's whereabouts seemed endearing. Little did you know that innocent app you stumbled upon on a social media platform would become the chains that bind you. In the beginning, it seemed like a cute way to track the distance between you and your partner.

That app, like a digital spider's web, silently weaves its threads around your every move. From the moment you installed it, it became his watchful eye, tracking your every step, monitoring your every move.

How naive and compliant you are, unknowingly making it easier for him to watch over you. 

He doesn’t react much when a guy approaches you, no one will be brave enough, because you will always stay glued to his side. He often uses his sharp tongue to highlight their flaws and insecurities. Give them a judgmental stare at the guy as if he was nothing and brings nothing good in life like a mosquito.

Resorting to violence or criminal acts were never his first choice to get rid of those pesky nuisances, his jealousy always remains hidden and possibly close to nonexistent.

Because he knows, you will always comes running back to him. Even if you manage to slip from his grasp, he holds the power to reclaim you, by any means necessary. In dire circumstances, he does not hesitate to resort to violence, to eliminate anyone who dares to steal you away. He doesn't care if he has to hurt you or isolate you, nobody could ever love you like he did. 

Once you are married and start a family together, your life will be forever intertwined with his. That's the end of you or maybe a better version of you that you never envisioned or hoped for, nevertheless it was all because of your love for Zayne that you willingly let him take control, it’s the best life you could ever live in, right?

You will never leave out of his sight forever.

© 2024 mitfloya — all rights reserved. kindly refrain from altering, translating, or repost my works on any platform without my consent, do not claim my content as yours.

[the-crows-typist]

Time to get back into things

(Hi everyone, it's me! And it's been a really long time since I've touched this place. Still, I hope to continue what I started even though 2 years had passed since. Without further ado, hope you all enjoy!)

Wordcount: 700

A Little Story For You

Back then, Jamil didn't feel that it was likely he would wake up next to someone, yet here he was. His eyes scan the person before him, face half buried in the heavy blanket they shared and lashes long and curling naturally. The prefect of the once defunct Ramshackle dorm became an unlikely partner to Jamil, one he didn't expect to ever bear his heart to. His firm fingers reach out, tracing the skin of their cheek and near their eye. The prefect saw him at his worst, heard him at his lowest and felt him when he allowed the darkness of his heart to consume him. His thumb brushes their brow and he lets out a huff when they make a sound, stirring awake. 

“Good morning.” He whispers. 

Those hands of theirs, ones that never felt the hardships he did held onto him so tightly that he could still feel the marks of their nails on his palms. His gaze meets their moonstone eyes, opening blearily and searching for clarity. That gentle gaze held the desperate hope that pulled him out of his blot, the murmurs those lips screamed his name. 

“You may not value my life!” They screamed, their body dirtied by broken marble and powdered cement, hands pulling at him in a desperate attempt to pull him out of the sand that threatened to swallow him whole. The blot sticks to them like tar, tainting them with its heavy poison, entering their veins like snake's venom.

“But I still value yours!” Those words shook Jamil's core, how someone was able to be so compassionate despite the treatment they faced. Despite the betrayal, the wounds, and the fact he was willing to hurt them just because his heart yearned for freedom. 

“Jamil!” 

“...Jamil?” 

He blinks, their eyes beginning to shine once they come to. He huffs a laugh, pressing his forehead against theirs and their hands cupping both of his cheeks. “Yeah, it's me.” He says and the prefect makes a contented hum. “Mmn. Today's your special day.” They say, curling into his touch. “I wanna spend it with you but…”

“But?” 

“Bed's too comfy.” They murmur. “Need more sleep.” 

“C'mon, spending all day in bed is boring.” He lightly collides their foreheads together but not in the way that it hurt. “But…sleeping in does sounds nice.” The prefect lets out a tired but victorious laugh and assumes their next sleeping position. “Hyu-hyu-! ‘Told ya so.” 

Jamil was morning person, at least that's what his aching back was telling him. He sat by his mirror, twirling his magical pen to get his hair into a decent look. 

“Hey Jamil, Ortho from Ignihyde is here to see you.” Said one of his juniors, popping his head into his bedroom. Jamil pauses, thoughts searching.

“Ortho? Ah, right. Let him in.” 

Not soon after, the little android boy from Ignihyde floats all excitedly. “Jamil Viper, happy Birthday once again!" He says, moving towards him with a box in his hand. "Are you ready for part 2-Oh! did I come in at the wrong time?" He spies the prefect still sound asleep on Jamil's bed, their hand out peaking out of the blanket.

"No, it's fine. I'm just letting them be for now." He reaches out, intertwining his fingers with theirs and squeezing it. "You said something about a part 2?"

"Yes! I did some analysis and surveying and managed to pinpoint what you really wanted for your birthday! And it's specially made by my big brother." Ortho pounds his chest with pride. Jamil lets out a small, amused laugh and takes the box. It definitely was not a commercial grade refrigerator but he'll take what he can get.

"Thanks Ortho." Jamil says and opens up his gift. The small, compact 3-way mirror was exactly what he needed. "You've got good timing too. I needed something like this right about now."

"Hehe, I'm glad you found good use for it so quickly!"

The prefect stirs, their body moving as the noise rouses them from their sleep. Jamil smiles at them before looking back at Ortho. "We should move this to another room. But tell me, what else can your big brother do?"

[trashyjester]

Btw, me and my friend were talking about Deadpool &(×) Wolverine bcs we both liked it a fucking lot and I'm in brainrotting and he's the only one who actually listen to me while I yap about Wade and Logan and this is what came out of it after I said that the fact that Vanessa is with someone else and Wade seems to totally respect that and he is not trying to go back with her means that they are both in new stages of their lives where they are just friends (thanks to @/charcubed for the analysis on that)

"I mean, in the ending Logan kinda acted like a wingman for Wade, telling him to talk to Vanessa, (maybe bcs he likes him but he doesn't think that he is good enough for Wade?) but yeah, Wade and Vanessa sure as hell are not back together, it's more of a "I am now at peace with you". Also Wade introducing Logan to Al had quite the romantic vibes, even though I'm not sure Logan is going to stay with him, as he said he wanted to part ways when they wasted the shawarmas (the pain I felt seeing them throwing the food...my lord lol).

But the super soft expression that Logan had while looking at Wade yapping about them and dogpool to Al makes me guess they didn't really parted ways in the end.

It's kinda left in the air. Probably left to interpretation.

It seemed like Logan wanted to go, but then you see them together and Wade introduces him to Al and they literally look like someone who is definitely gonna stay together from now on.

Wade frames it as "let's do this one last thing before you go". But Logan doesn't really have a place to go actually...

Also he's still there for the party, which I don't think happens on the same day as the Al scene.

Also also, I see a clear parallel between Logan's backstory and his current situation with Wade, in particular the whole "I didn't want them to know I wanted to stay with them", and also also also Logan said he wears his suit because it reminds him of his comrades, so the fact that it got destroyed in the finale has the clear symbolic meaning of him overcoming his grief and finally becoming part of a new group (other than being an excuse for showing off his muscles), which would also be the ending of his redemption arc, which in turn would not really sound that redemptive if he were to go back to the exact situation where he was at the beginning of the movie.

So yeah, narratively speaking, everything points to Logan and Wade staying together."