#idk what would be the right tag for this

[screaming-cicada]

spot let me inside your holes 🥺

[hinamie]

thank u canon plant nerd megumi for my life

bonus:

[bedforddanes75]

im not american but some of you guys are just fucking stupid ong what do you MEAN youre not gna vote because you disagree with like one part of what youre voting for. like okay me when im fucking thick

[nihtscada]

shout out to Jason Peter Todd for consistently reminding me I am gay as FUCK

LOOOOOOORD

[copia]

"It. Is. Going great, now. Innit."

PAPA EMERITUS IV and SISTER IMPERATOR in RITE HERE RITE NOW (with ASHLEY MCBRIDE and KEVIN "JESUS" KAUFMANN)

[kaiserouo]

if ordan karris wanna complete that sentence does that mean he also likes us?

[cheriboms]

i think they would be friends :]

[tickletails]

They got me

[arolegos]

im way too scared to say this on main but icl i love lloyrumi n' i love ur lloyrumi art ... can u draw them more for me ... maybe dr harumi meeting sora and jordana like 'damn lloyd they js like us fr fr ???'

i love when the relationship dynamic is "kiss marry kill? all of the above"

[albireon]

When it fired, I felt it die... like I was dying. I was scared.

[harrowharkwife]

thinking thoughts about how nona was so obsessed with crown, and crown specifically- not coronabeth. crown, with her boots and her cargo pants and her guns and her hair tied back, with all her charm and strength, all her rage and determination.

was that really just nona? or, walk with me here- is there a chance that that was actually alecto, too, bleeding through and rising to the surface?

alecto, seeing a kind of kinship in crown- in this big, tall, strong blonde with a sword strapped to her back, hot and lovely and kind and awful and powerful and perfect. this woman who refuses to give up- on her sister, on saving jody, on BOE's resistance. who's unafraid to throw one hell of a tantrum, if it means being listened to, for once. crown, who everyone thinks of as dumb, who everyone underestimates, who no one ever takes as seriously as they should, even though she's clearly capable of plenty of atrocities in her own right. this woman who's been described over and over again as someone who positively radiates life, and energy, and vitality, and strength. this woman who wanted nothing more than the chance to be herself, to be free, to serve as cavalier and guardian and protector, but was instead sentenced at birth to a life of being a princess and wearing dresses and looking pretty and loving less and staying out of the way and keeping her mouth shut and playing second fiddle to a necromancer obsessed with power and glory. familiar, no? this woman who was betrayed, left behind, left alone, and left utterly in the dark by the one person who's supposed to love her the most- only to then be told that being abandoned was in her best interest, really, for her own safety.

thinking about all the times we've seen ianthe insult crown's intelligence and praise her beauty in the same breath. you big dumb bimbo, what can you do? of all the times we've seen ianthe fussing over crown's appearance. thinking of the sister-lyctor makeover-montage ahead of dios apate minor, and how harrow hated every second of it, and how ianthe treated it like nostalgic second nature. thinking about the third house: fucked-up planet gossip-girl with all its betrayal and espionage and flesh magic and debauchery, three for the gleam of a jewel or a smile. thinking about the pressure that must have come with keeping up the double-necromancer ruse, about ianthe having successfully played the part of two necromancers from the age of six. exactly how much practice must that have taken? thinking about the casual, automatic, possessive, offhanded, violating nature of ianthe playing god and giving harrow a full head of fast-growing hair without asking, without even telling her, just to make harrow prettier, just to piss her off, just because she could. how she did it so easily, and without hesitation, almost as though she's maybe done that sort of thing before.

thinking about preservation. about a perfect body frozen in ice for a myriad, about ianthe spending all her downtime on the mithraeum figuring out how long she can keep an apple core in perfect stasis before the rot sets in.

thinking about corpse puppeting: a deceased world leader here, a trusted cavalier and friend you've known from the cradle there. about i picked you to change, and this is how you repay me? about she took babs. and who even cares about babs? babs! she could have taken me!

thinking about alecto, and hollywood hair barbie, and you have made me a hideousness.

thinking about crown, who's by her own admission boobs and hair and talk and a hell of a swordhand.

thinking about something as simple as stud earrings, and about how much grief ianthe gave her for daring to wear them.

nona loved crown.

something tells me that alecto might, too.

[greatgoddyke]

time to make your choice only you can be the one

[korkiekenobiconfirmed]

I see your "people say they are a monster, but I am the only one who knows the truly kind soul beneath" dynamic and raise you "they are exactly the monster everyone says they are, but I see it and I don't flinch away"

[specialtysacrifice]

If macden were to actually happen I'd want it to happen in a way that it's not actually happening. Like, the joke was that Mac was gay and didn't know it. That Mac and Dennis were/are in a committed open relationship without knowing it. That Dennis is very obviously ignoring some blaring signs, but doesnt know it. That's been the joke with their identites and relationship through the whole show.

Mac is gay, someone points it out, he gets weird about it, then represses the shit outta it and pretends like thats not what it is. They're in a relationship, someone points it out, they get weird for a bit, but they repress repress repress so they can still do what they're doing without having to actually deal with it. That's the joke right?

So if macden were to go cannon it'd have to be "subtle", like, to them. It would be very very obvious to literally everyone else. Thats the joke. A scheme - that was purely their own ideas, no one pushed them into it - got them sleeping in the same bed. Out of his own want, Dennis vibrated Macs ass with remote anal beads. For months. If it happens, a scheme is gonna get them to kiss and a scheme is gonna get them to fuck. And it looks like it'll be their own damn fault too.

[1doesnotsimplyhavejust1fandam]

We as a fandom do not talk about Buck’s whole “agonizing over not telling Eddie he’s bisexual” crisis enough. He felt like he was lying to Eddie because he didn’t tell him something new he’d discovered about himself! Tommy dismissing him for not being able to tell Eddie he’s bi yet certainly contributed to Buck’s panic about it, but the whole “lying to my best friend” part came entirely from Buck himself. And he goes to Maddie about his crisis because his big sister has always had good advice for him, and he trusts her with his relationship with Eddie. This tells us two things:

1. For some reason, Buck was worked up about not yet having told Eddie, specifically, that he is bisexual. He goes to Maddie and omits half the truth from her, even though it could help him figure out why he’s so anxious about hiding the truth from Eddie. But he doesn’t panic about his sister either finding out he’s bisexual, or attempting to hide it from her until the pronoun slip. His panic is clearly and explicitly devoted to the thought of lying to his best friend. Not even his sister, who has known and loved him his whole life, was like his mother for much of their childhoods, and was his greatest and sole champion for most of his life, elicits such panic from Buck. He’s nervous about telling Eddie, but everyone else in his life, he comes out to essentially with ease at the Madney wedding.

Now, for some people, this might make it seem like Buck is aware, even subconsciously of his feelings for Eddie, but I’m not sure I agree. And that is because of the second thing:

2. Buck is 100% incapable of not telling Eddie everything about himself and/or his life. Time and again, we have seen Buck using Eddie as a confidant, a safe space, and a comfort for himself when he’s in crisis or feeling particularly reflective. We see this in the og kitchen scene, when Buck, with a rather shaky segue, apologizes again to Eddie for abandoning the Diazes during the lawsuit, in a scene that feels like Buck’s been holding his words in and they’ve suddenly forced their way out to be heard by Eddie. We see it when Buck tells Eddie all about the first dinner with the Buckley parents, notably, the only on-screen conversation Buck has about the dinner and Buck’s feelings about it before the dinner is immediately overshadowed by the Daniel of it all. It’s all directed towards Eddie. And then we got Buck coming over to Eddie’s house after the lightning strike, asking for space from questions and concerns, and then later opening up about how conflicted and confused he feels after dying for three minutes (and seventeen seconds). And yes, even Buck eventually coming out to Eddie, the only scene where Buck is shown to be 100% intentionally coming out (yes, this is me admitting that I’m still iffy on the soot being on purpose or just an accident that Buck was fine with using to come out to everyone else he loves).

All of this to say, Buck cannot be aware or even subconsciously suspicious that he is in love with Eddie. Yet. This is a guy that thought taking his time to come out to his best friend comfortably constitutes as lying. He is honest with Eddie, and he clearly hates hiding things from his best friend because he gets all weird and uncomfortable about it. If Buck knew that he is in love in with Eddie, we, the audience, would know too. And that’s including the general audience. This isn’t a case where Buck could admit it to someone else and feel a little better that it’s out there, even though Eddie still doesn’t know. This is a man who is incapable of lying to his best friend, or keeping a secret from him. Not only is he incapable of it, he hates it! He doesn’t care about over sharing, he is just desperate for Eddie Diaz to know every part of him and love him anyway.

All I can say to that is, if we see a Buck love realization first, we’d better hope Eddie gets knocked into shape very soon after, or we’re in for a very angsty arc where Buck is “rejected” until Eddie realizes his own feelings. It won’t be a sweet and goofy sequence of Buck avoiding Eddie for a few days once he’s realized, and then telling Eddie magically makes Eddie realize that he feels the same in that very moment. It’ll be Buck accidentally running into Eddie the moment he walks into work the morning after he figures out his feelings, and immediately spilling his love out on the operations floor in front of Eddie and the entire team if he has to. Some sort of gentle rejection on Eddie’s part, and then the boys both shutting down instantly. Then multiple scenes of Buck believing he’s destroyed everything, while Eddie speed runs his gay crisis straight (heh) into a love realization regarding his best friend that he just rejected not three days ago.

So. Do we want the angsty “rejection” route? Or do we want an Eddie realization first, which would contain no less screaming, crying, and throwing up by Eddie, but would spare us the secondhand embarrassment of a Buck so in love that he simply can’t lie to the man he loves’ face for more than a second. Since it would be incredibly cheesy and adorable for their love realizations to happen at the same time, and for them to be ready to admit their feelings in the same scene/episode, I don’t think that’s what’s going to happen. It’s 9-1-1. If there is angst and pain to be had, before leading to a beautiful, fulfilling love, then they’ll be going that route over the simultaneous love confessions.

[idk-bruh-20]

Irondad fic ideas #154

CW: this one's pretty gruesome. read at your own risk 

Peter is a young child who's been kidnapped. His parents and/or his aunt and uncle were killed and he was taken. Along with a bunch of other little kids, he's been held captive and experimented on.

When the Avengers suddenly bust the kidnapping operation, the kidnappers try at the last second to destroy their research. They gas the small room where the kids are being held.

It's Iron Man who ends up blasting through. What he finds is horrifying. All but one of the children are dead.

The one who's left is just sitting among the bodies, crying, shocked, terrified. Iron Man carries him out of there, then once they're safe from the gas Tony steps out of the suit to comfort the kid while he's given oxygen.

Little 5-year-old Peter Parker imprints on his savior hard.

He just went through an unimaginable amount of trauma, then Iron Man burst through like an avenging angel. This is the first time he's ever felt protected in his memory. Tony holds the crying kid, and the kid can tolerate no one else near him.

This becomes a slight problem when they get back to base. But Tony can't find it in him to let SHIELD take the kid away, let them strip him of this one tiny bit of comfort. He keeps seeing all those other kids when he closes his eyes.

This one needs him right now. And if "right now" eventually becomes "this is my son," well. Who could've predicted that.