#idk what point i was talking about...oh well

[street-smarts00]

in omnia paratus

Spencer Reid x fem!reader

Summary: Spencer's been on the fence with his feelings for you. Due to his past traumas he’s decided to keep his feelings hidden. Until you’re caught in a dangerous situation at work

WC: 3.5 k

A/N: I am SO SORRY this took so long. I’ve been sitting on this for two months because I was being a perfectionist and had writer's block. Thank you so much to the person who requested this idea and I hope ya’ll like it! beta read by @whats-yesterday00

Tags: Hurt/Comfort, Angst, Fluff, Protective!spencer, Friends to lovers, age gap (25 and idk 33 or 34), during season 9 (sadly no post prison Reid, I refuse to watch the show after Derek & Hotch leave), Maeve is implied 

Warnings!: mentions of murder, stalking, gunshot wounds, hostage situation and incorrect info about hostage situation cause Idk I'm not in the FBI

Everyone knew Spencer Reid had a soft spot for you. Well, everyone except for you. 

Since the moment you met you’ve been on his mind. 

“Do you know how old she is?” 

“No, how old is she?” 

“25!” Penelope squeaked before being shushed by Rossi. 

“Wow, she’s gotta be the youngest person to ever be in the BAU. Well, second to genius over here,” JJ commented while pointing to Reid. 

“That’s if she gets the job,” Morgan added. 

They were all crowded around the desks in front of Hotch’s office. The blinds were cracked and they could just barely make out the woman seated across from their boss for an interview. 

Due to the increase in caseload after Alex joined, Hotch made the request to add an additional member of the team. After interviewing a few people that didn’t pan out, he heard quite a bit about you from your supervisor saying how well you’ve done with the FBI and you’d be an exceptional fit for the team.

Then of course Penelope looked up everyone who was interviewing with Hotch. You being her most recent victim. 

“How long has she been with the FBI?” Alex questioned. 

“Three years,” Penelope answered 

“What? Did she join right after college?” 

“Not right away. She graduated early and got experience with law enforcement first.” 

Spencer sat at his desk quietly while everyone was peering into Hotch’s office. Not to say he wasn’t nosy as well. You were already behind the blinds when he arrived for work. 

“Oh they’re shaking hands! That has to be a good sign,” Penelope cheered. 

Morgan turned to the window, “It’s definitely not a bad one.” 

Her eyes widened before loudly whispering, “Oh no they’re leaving. Disperse.” 

She scurried off in her heels towards Derek’s desk while he followed behind with a grin. JJ, and Rossi averted their eyes from Hotch’s office and found Alex’s desk far more interesting. 

All while Spencer’s attention was brought to the woman led down the stairs by his boss. It felt like his heart stopped beating when he saw how beautiful you were. He was brought back to earth as Hotch introduced you to the rest of the team. 

“This is Dr. Spencer Reid,” he gestured to the man sitting at his desk. 

You offered him a small wave and a kind smile, “Nice to meet you.” 

It became quite obvious you two would get along very well. From very early on conversation flowed incredibly well between the two of you. There were very few people that he felt were easy to talk to because of his niche interests and the way he would ramble spitting facts left and right. 

But he never had to worry about saying the wrong thing or talking too much with you. You often were a content listener or you would even match his passion on certain subjects. Most were topics Spencer already knew about. 

When you first met Spencer you didn’t know the Dr in his name meant he held 3 PhD’s or that he was quite literally a genius. 

So you were often telling stories or facts you found interesting that he already knew. In fact, almost every “fun fact” you brought up, he knew about already.  

But he never interrupted you. He always was listening intently to what you had to say. Like he was hearing about it for the first time. 

At some point you learned of his eidetic memory and how vast his knowledge was. It was during a case where you found out and mentioned it to him. 

“Reid, remember when we were at the harbor and I mentioned that thing about sharks?” You hesitated, “did you know that already?”

“Yes,” he guiltily admitted. 

You partially deflated suddenly feeling that the whole tangent you went on was pointless. “Why did you let me go on and on if you already knew?” 

His eyes softened, “because I wanted to hear you talk about it.” 

That was when his feelings started to peek through. As the months went on it only grew and grew. And you were none the wiser.

To the average person, it might not seem like much. Perhaps you were just good friends. But to a team of profilers (and best friends) it was painfully obvious. 

It was almost painful the way he looked at you with a longing in his eyes. Or when his gaze immediately turned to you to catch your reaction or smile. 

It was obvious by the way he found any excuse to bring you up in conversation. Or how in conversation with you he would mirror your mannerisms and lean closer to you. 

As well as the things he remembered about you or the little things he did for you. Like the countless coffee cups he bought for you from his favorite coffee shop before work. And when he saw you struggling to find something or open something he was always right there to help. 

Spencer Reid had feelings for you. Feelings so deep that he couldn’t pull the roots out even if he tried. 

He didn’t know what to do with his feelings exactly. He hadn’t felt this strongly for someone since … well for a while. He was terrified of history repeating itself. 

He couldn't lose you. He’d seen first hand what this job did to him, what it did to Hotch. Their loved ones ripped away from them too soon.

So for now at least, he kept his feelings to himself. 

Well, until your last case. 

The BAU was called in on a case that just turned serial. They found the unsub to be a man named Mark, who started killing because his girlfriend cheated on him. The first two victims reminded him of the man she cheated with. When that didn’t satisfy him, he hunted down and killed the other man. 

Now the team and SWAT was stationed outside a bus that Mark was holding hostage. He stalked his ex-girlfriend and tracked down the new city bus she took. 

The officers couldn’t get a clear shot of him because of where he was standing and he kept using the passengers as shields. Rossi was currently on the phone with him trying to make negotiation terms and get some of the people off the bus. Mark however was incredibly stubborn and didn’t want to let his leverage go. 

So Rossi asked about the children on the bus and if Mark would be willing to let them off. They were met with silence on the other end of the phone, contrary to his previous behavior where he loved to hear himself talk. 

After a short pause the phone spoke. “I’ll only send out the kids if you send in an agent.” 

Rossi shifted his weight and crossed his arms. “Are there any other circumstances you’re willing to send out the children for?” he asked. 

“Nope,” he said with a pop at the end of the word. 

A look of concern was quickly exchanged between Rossi and Hotch. While their faces didn’t reveal much, their eyes spoke volumes. 

“How about this,” the unsub continued. “I’ll send out their moms too.” 

Rossi’s eyebrows furrowed slightly at the eagerness to comply from the criminal. “You’ll send out the children and their mothers if we send in one of our agents?” 

“I promise.” 

Rossi returned his eyes to Hotch who stood rigid and tall with his arms folded. He was met with an approving nod before returning to the call. 

“Alright, we can agree to those terms.” 

“Oh and agent Rossi?” Mark perked. 

“Yes?”

“Send in a girl.”

There was a tension that quietly branched out between the agents listening to the phone call. 

“Why do you want a woman?” Rossi asked, clearly changing the dialogue used.

“I’m losing too many ladies sending out these moms. I want one back,” he replied with a cockiness to his voice. 

Ross confirmed they could send in a female agent. Almost immediately after the unsub hung up, you volunteered to be the agent going on the bus.  

“I’ll do it.”

Spencer’s head shot in your direction. “No you're not.” His voice was laced with concern and a hint of demand.  

“Reid-”

“He specifically asked for a woman. We don’t know what he’s planning, he’s devolving.”

“And I’m willing to take that risk to make sure those kids are safe,” You defended yourself. 

You turned to your boss waiting for his thoughts. Hotch knew you’d been exposed to enough high tension scenarios to know what you were doing. But just like any member of his team, he silently hesitated, worrying for your safety. 

He took a breath before meeting your eyes again. “Send her in.” 

Right before you were led to the bus, Hotch took off the holster on his ankle and handed it to you. “Some extra protection in case something happens.” You couldn’t hear the concern in his voice, but you saw it clear as day in his eyes. 

You made your way to the bus and saw through the window Mark holding a gun to the driver and telling him to open the door. You stepped on and the doors closed quickly behind you. The unsub took a long look at you, panning up and down. 

“Well how about that. Aren’t you a beauty? He said with a cheeky grin. 

You tried your hardest not to look disgusted with him. Instead you kept your composure and spoke with courage and a confident demeanor. 

“You this flirty with all your hostages?” you asked plainly.

As he gazed down at your legs his eyebrows furrowed and lips pursed. He bent down and with the gun in his hand, pushed away the bottom of your pants leg. When he saw the gun in the holster, he tsked. 

“You always carry this much dead weight on you?” 

He stood back up and put his hand out, “hand it over, I told them no weapons.” 

You reluctantly took off Hotch’s holster and placed it in the unsubs hand. Your one line of defense was gone. 

The longer you were on the bus, the more anxious Spencer got. He knew you were an exceptional profiler, and you had enough experience and skill to handle yourself in situations like this. 

But that couldn’t stop the ache in his stomach or the fact that his heart rate could power a car by now. 

He stood closer to the bus now to get a clearer view of the windows. They managed to successfully get the children and moms off and to safety, but you weren’t safe. Spencer figured you were trying to negotiate with the unsub, but that was going nowhere. This was confirmed when Rossi tried calling him again but every call was ignored. 

This unsub was stubborn as hell. He knows he trapped himself, but didn’t want to back down. At least he didn’t want to go quietly. 

Spencer was talking with the rest of the team trying to devise a plan when the gunshots were fired. The team immediately ran back to the cacophony on the bus. 

More shots were fired, he didn’t know where from. He didn’t care. 

He just needed to get to you. 

When he got a decent view through one of the windows that hadn’t shattered he saw you. Your hand over arm in pain but still standing in front of the civilians to protect them. The unsub stalking over to you, gun in hand and smacking you over the head with it. You slammed against the chairs and fell to the floor. 

Spencer's face paled. He swore he was going to throw up. 

Through the fog of his mind Spencer saw Morgan escorting Mark off the bus, his hands now behind his back in cuffs. 

He rushed past them, clambering through the door and up the stairs to get to you, calling your name. 

“Reid?” he heard your small tired voice through the crowd. 

He followed it to you, laying on the ground struggling to open your eyes and clutching your left arm. 

He crouched down to your level with a gentle hand on your uninjured arm. 

“Hey, I’m here. I’m right here,” he comforted. 

“My head hurts,” you mumbled.

His eyes softened, “I know. I think you might have a concussion, you need to go to the hospital.” 

You slowly started to fade out of consciousness. Spencer’s heart dropped and his hand moved from your arm to your face. 

“No no no no stay with me okay?” he caressed your cheek with his thumb.

“Stay with me sweetheart,” he consoled.

Your eyes stopped struggling to stay open and finally made their close. His other hand rushed to your pulse point as he called for a medic.

Time seemed to stand still while Spencer sat next to your hospital bed waiting for you to wake up. He couldn’t leave your side. He didn’t want to. 

You were okay. You were laying in the bed in front of him. But of course in his mind he ran through all the possible scenarios of how things could’ve gone worse, how things could’ve gone better. What would’ve happened if you didn’t have your gun taken away, or if the unsub got angry that you tried to bring a gun in. What if he didn’t lose his cool and start firing. What if you never went inside in the first place. 

And with all of those possible scenarios, the same thought plagued him. 

He was wrong. 

Before he was too scarred from past traumas to reveal just how much you meant to him. Not wanting to repeat the past and lose yet another person he loved cared for. 

But now, after seeing you in danger right in front of him, now he was terrified at the thought of you never knowing. He was now more scared you would never know how much he loved the way your nose crinkled when you smiled. How he thought the sound of your voice could cure any ailment he had. How he admired your strength and desire to protect others. How you could light up anyone's mood by just being you. How he could listen to you for hours, even if you were lecturing him on things he’d known like the back of his hand.

To him it was a whole new experience hearing it from you. 

Spencer was pulled from his thoughts as you stirred awake. He saw your eyes adjust to the bright fluorescent lights ahead. He quickly got up to dim the lights for you. 

When he returned to his seat you smiled at him, “hi.” 

“Hi,” he smiled back.  

“How are you feeling?” 

You sighed. “Like shit,” you complained with a hint of humor. 

“The doctor said you have a minor head injury, bruised ribs, and the shot to your arm thankfully didn’t break any bones.” 

“Fun,” you said sarcastically. 

A moment of silence passes between you two. He doesn’t exactly know what to say. How do you casually tell your friend and coworker you have a crush on them? 

There is no casual way. 

“You called me sweetheart,” you broke the silence. 

He furrowed his eyebrows, “What?” 

You fidget with the blanket, “earlier, when I passed out on the bus. You called me sweetheart.”

He searches his mind for the memories of the day. When he finds the memory he realizes in the heat of the moment the term of endearment slipped out. 

He wasn’t aware you heard it. 

“I did,” he confirmed as his ears flushed.

“Why?” you asked curiously. 

He didn’t know how to tell you that he’s wanted to call you that for weeks now. So instead he settled with-

“It just … felt right.” 

“Oh,” you replied quietly.

Spencer tensed up at your response. 

“If I crossed the line-“ 

“No. Of course not,” you interrupted with a comforting voice. 

The corners of your mouth lifted and cheeks dusted pink. “I thought it was sweet. You don’t normally say stuff like that.”  

His heart warmed at your confession and a smile spread on his face. 

“You thought me calling you sweetheart was sweet?” he lightly teased.

“Shut up,” you chuckled, rolling your eyes. “You know what I mean.” 

Your laughter was cut short by a sharp pain in your abdomen. You bit down on your lip and gripped the side of the bed in pain. 

The reality that you were injured on the job was rushing back to him. 

He licked his lips, his nervous unconscious habit. 

“I was really worried about you.”

“I know.”

“No, you don’t,” he interjected. 

“The entire time you were on that bus I was sick to my stomach. Terrified that something bad was gonna happen and it did,” he started to ramble. 

You leaned closer to him. ”But I’m okay Reid.”

“You still got hurt. He shot you for christ sake!” his voice raising in pitch and volume. 

“Reid-”

“He lashed out at you! You could’ve died!” 

“Spencer,” you said firmly, pulling his attention towards you. 

He never heard you say his name before. No matter how many times he said you could call him Spencer, you still called him Reid. Hearing his name fall from your lips was like the consistency of honey.

You placed your hands on his face caressing his cheek. His golden eyes meet yours. 

“I’m alright. I’m still here,” you consoled. 

“But if-“

“Spencer.”

“Please,” he pleaded. “It’s important.” 

You nodded your head, signaling for him to continue. He gently grabbed your wrists and brought your hands in his. He took a deep breath before he decided to spill the thing that had been eating away at his heart. 

“I have feelings for you. I have for a long time. Almost as long as you’ve been at the BAU,” he started. 

With your hands in his he started tracing his thumb over your knuckles. 

“If we don’t have work I count down the days until I can see you again. When I do see you I desperately want to see you smile, see you happy. And if I’m the one that causes that smile, it makes my whole day. That’s why I never interrupted when you talked about something I already knew. The way your face lit up when you talked with such passion was the highlight of my day.” 

“For months I was scared of my feelings and I kept them to myself. I was too scared to admit how much I liked you because I-” his hold on your hands tightened.

“I know what it feels like to lose someone. This job takes so much from us; I never wanted it to take you.” 

Spencer let out a breath he didn’t know he was holding in. 

“Today I realized it would be more painful if I went the rest of my life not telling you, than having even a fraction of a moment with you.”

A moment of silence danced between you two. Your head reeling from his confession, heart beating so hard you could feel it in your bones. Your palms sweaty from holding onto Spencers, but still neither of you let go. 

The silence was deafening, plaguing him. 

“Please … say something,” he begged. 

Your lash line was collecting tears that you simultaneously tried blinking away. Your eyes found his tie less intimidating than his gaze.

“I never thought you would like me back,” you said with a soft tone. 

Spencer's cheeks turned red as his heart started melting. “I do.” 

You brought your eyes back to his. That precious smile on his face was infectious. 

“Listen,” you squeezed his hands. “I’m not going anywhere. So you have as much time with me as you want.” 

Spencer's eyes softened at your words. He raised your hands and placed a loving kiss on your knuckles. 

The two of you were too lost in eachother to notice the footsteps towards the room. 

“Hey, I found some Jello for her if she-” Alex abruptly stopped once she noticed what she walked into. 

You both awkwardly pulled your hands away from each other; you fiddling with the hospital blanket, him rubbing his palms on his slacks. 

“So, feeling better?” she asked hesitantly. 

“Much,” you answered, still a bit flustered. 

“Good, good to hear,” She tried not to sound too smug, but the small smile on her face said otherwise. 

She raised and shook the jello container in her hand. 

“I’m gonna leave this here,” she placed it on the table. “I’ll be back in a bit.” 

“Thanks Blake,” you thanked as she left. 

Once she was gone you quietly giggled and mumbled “oh my god,” under your breath. 

“You know, she kept teasing me asking when I was going to ask you out. And don’t even get me started on Morgan,” he chuckled, shaking his head. 

Your jaw dropped and eyes furrowed. “Did everyone else know but me?” 

He pressed his lips in a thin line, “pretty much.” 

“I must be a shitty profiler,” you half joked.

“Absolutely not,” he said in the most comforting voice. He brushed the hair that had fallen in front of your face behind your ear. 

“You’re an amazing profiler.” 

You smiled that smile he loved so much. The one where you couldn’t hide your joy and your nose crinkled. 

“So, how do you think you’ll spend all those moments with me?” you inquired with a bit of a teasing tone. 

“Doing anything sweetheart,” he answered seriously. He looked at you with awe written all over your face. “I'm ready for anything with you.” 

“in omnia paratus” - ready for anything

Tag asks: @adrienneleclerc @ladybirdbeetle7

[slamminslamminmcgill]

all im saying is ✨Logan with a knot✨ and Wade overstimulating you bc you cant get away -🦐

shrimp anon more like shrimp COLORS bro your vision is INSANE!!!!!!

soooo idk conventional a/b/o rules and i kinda don't care so im picturing a heat cycle as once a month endeavour. and bc you're on T you're a HORNY motherfucker and you're angry and violent so it's basically whoever can get their hands on you or knot in you first will take care of you. then as long as you get bred at least once you're fine. then you calm down and it's big aftercare hours bc your post-heat clarity endorphins are going CRAZY

now since your heat only comes once a month, wade treats it as a special occasion. and it wouldn't be fair of him to do the honors EVERY month, now would it?

so even though he's home with you, and logan's not, and won't be for a while, wade wilson will refuse to fuck you. it's not his turn. he did it last month.

and your heat is MISERABLE. imagine the worst period cramp you ever had, combined with hot flashes, searing rage, and it gives your cunt the sensitivity of a fucking bear trap. you'll clamp down on anything that touches you.

so no matter how much you suffer. no matter if you scream, cry, beg, grovel, bite, or commit acts of gratuitous violence against him.

he will hold out.

he will hold out until logan gets home and finds you naked, cuffed to the bed by your hands and ankles, a chewy ball-gag in your mouth getting crushed by your gritting teeth, and wade's holding a wand vibrator to your cunt.

he waves gayly at logan, "hey pinkie pie, merry christmas! wanna come open your gift?"

"jesus christ, are you fucking torturing him?! the hell is wrong with you?!"

"with ME?! where's your holiday spirit?"

logan just stares at him blankly, puzzled by what this psychotic dipshit could possibly be talking about. in response, and in the spirit of the season, wade sings him a song.

"🎼it's the mooost wonderful tiiiiime, of the mooonth~!🎵"

now he gets it.

"oh... okay. so then why did you tie him down like that?"

"well, we had a little INCIDENT earlier..."

--

you had managed to grab one of wade's guns and shot him in the chest

"OW!!! you RESOURCEFUL little shit!!! GRRR, oh~ mysweetboybabydarling i'msoproudofyou, butnoi'mnot, BAD BOY!!!"

--

"no, i mean why didn't you take care of him your-fucking-self, wilson? you really gotta make this my problem as soon as i walk in the fuckin' door?"

"your PROBLEM?! i hand you some prime-time, limited-edition, hot and bothered, ripe for the breeding, tranny boy BUSSY on a silver platter, and that's somehow NOT where your dick wants to spend its evening? am i hearing that right? please tell me i'm not. please tell me you're not this stupid, pookie bear."

instead of arguing back, logan goes quiet. he's thinking. and then, he laughs. that low, husky laugh that you have when you're marveling at the nerve of whatever dumb motherfucker is talking to you. or maybe, when that dumb motherfucker is making a point.

"heh... y'know what? fine." logan angrily strips his clothes off, one by one. his tanktop, "you want me to be the one to knot him? huh?" his belt, his jeans "can't do anything yourself, can ya?" and lastly, his boxers. then he grabs his cock and shakes it at wade.

"so then get me hard, you faggot." he clicks his tongue twice. "c'mon."

wade throws himself at logan's knees and gives him that gawkgawk4000turbotyphoon treatment to get him up. logan sighs in relaxation, grateful that wade was putting his mouth to such better use. once his eyes flutter open, he nods at you, finally giving you even a modicum of attention while you're under intense distress, and he merely waves at you nonchalantly, like how a pedestrian does to a car that lets him cross.

"hang tight, bub. be with ya in a second."

wade works him over until his knot is just barely starting to swell. he then takes his fattened cock and slaps wade across the face with it.

"take his chains off."

"hm... are you sure you want me to do that, princess? he's feisty, y'know. might get yourself bit, if you're not careful."

logan slaps wade again, but this time it's a bitchslap, using the back of his hand. and his claws.

"take. his fucking. chains off."

"mmm, right AWAY, your majesty~!"

[sluttylittleslashers]

Then he was revealed skinny white boy with mommy issues but we still love him

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[uhbasicallyjustmilex]

quotes from alex turner's favourite authors that make me want to put my face through a wall:

"although i have never been an actor in the strict sense of the word, i have nevertheless, in real life, always carried about with me a small folding theatre" - vladimir nabokov, despair

"there is a terrible emptiness in me, an indifference that hurts," - albert camus

"there is no trap so deadly as the trap you set for yourself" - raymond chandler

"at eight, he had once told his mother that he wanted to paint air" - vladimir nabokov

"no man ever understands quite his own artful dodges to escape from the grim shadow of self-knowledge" - joseph conrad

"everything i've ever let go of has claw marks on it" - david foster wallace

"we're all lonely for something we don't know we're lonely for. how else to explain the curious feeling that goes around feeling like missing somebody we've never even met?" - david foster wallace

"i turn over a new leaf every day, but the blots show through" - keith waterhouse

"the truth will set you free. but not until it's finished with you" - david foster wallace

"curiosity is insubordination in its purest form" - vladimir nabokov

"i'm me and nobody else; and whatever people think i am or say i am, that's what i'm not, because they don't know a bloody thing about me" - alan sillitoe

"we live as we dream; alone” - joseph conrad

"i liked, as i like still, to make words look self-conscious and foolish, to bind them by mock marriage of a pun, to turn them inside out, to come upon them unwares" - vladimir nabokov, despair

"whatever you get paid attention to for is never what you think is most important about yourself" - david foster wallace

"i continued to stir my tea long after it had done all it could with the milk” - vladimir nabokov, despair

"i remained too much inside my head and ended up losing my mind" - edgar allan poe

"all the information i have about myself is from forged documents" - vladimir nabokov, despair

"how odd i can have all this inside me and to you its just words" - david foster wallace

"you will never be happy if you continue to search for what happiness consists of. you will never live if you're looking for the meaning of life" - albert camus

[lightbulb-warning]

so has anyone figured out WHY there is the Need To Share our Artworks™ or is it just the vibes and our Soul apparently

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[waywardsalt]

with my phantom hourglass replay, there are two things i noticed;

a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.

linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.

[godblooded]

fucking love being forced to take accountability and apologize for having emotions in a situation where my aunt is dying because evidently it’s never excusable to get angry when you’re pushed. it’s never fine to get upset when someone literally says to you ‘well we’ve all lost people’ when you mention that you’re losing your second mother.

[i-am-church-the-cat]

Okay no one talk to me bc I haven’t watched the race yet but I just finished Nightbane by Alex Aster and am currently Losing It. I need the third book rn.

[lord-squiggletits]

I need to reread the comics again to have specific arguments/evidence for this, but like

I feel a bit like I could've been sympathetic to the way other Cybertronian colonies view Cybertron, if it weren't for the fact that at least several of them (as in, ones that get notable dialogue/screen time) are so low-key self-righteous?

Like, idk... there's a lot of criticism of Cybertronians because they're so "warlike" and how their obsession with violence and vengeance is just dragging the whole galaxy down with them, but uh. The Autobot-Decepticon war was basically a product of societal ills bubbling over for like 6 million years beforehand and then finally boiling over into a 4 million year war that lasted as long as it did because the people involved had immense social/psychological trauma from being "raised" in an oppressive society.

So when the colonists come in being all 'omg you people are so violent and uncivilized why don't you just like, stop fighting' it kind of pissed me off a little bit as a reader/person like. Idk the colonists really came into this society of people full of massive amounts of trauma where even before the war society was super oppressive and no one has any experience of living "normal" lives unaffected by violence and bigotry. And the colonists were like "ummm wow why don't you guys just??? stop fighting???." Like idk it wasn't EVERY SINGLE MOMENT, in fact I think that when it was played for laughs it's quite a funny "fridge horror" type element. It was just annoying because like.... IDK???? It's just really annoying to watch a bunch of people who lived relatively sheltered lives on their own planets come to a different planet full of traumatized people and be like "omg why are you people so fucked up" IDK BRO MAYBE BECAUSE THEIR SOCIETY WAS OPPRESSIVE AND THEY LIVED THROUGH A LIFELONG WAR???

It also doesn't help that the colonies were literally founded based on imperialism and conquest so like, it's fucking rich to hear colonists scolding Cybertronians for their violence ruining the whole galaxy while literally sitting on planets that their Primes colonized from others. The hypocrisy of this is briefly mentioned in Unicron (literally the FINAL STORY OF THE SERIES) but like, that's basically the only time Cybertronian characters are given a reprieve of sympathy from other characters in universe and it's so tiresome.

I've talked to other people who didn't like the colonists and thought they basically (narratively speaking) existed just to shit on the existing characters, and it's actually really easy for me to sympathize with/outright agree with that assessment of the story considering how much of exRID/OP seems to be preoccupied with "Cybertron/the Primes/Optimus sucks" with very few reprieves for anything positive happening and even fewer chances for characters to get to explain themselves and experience a little bit of justice? Like, as the audience, it's just very frustrating to see the characters you spent hundreds of issues keeping up with get shit on by a bunch of "literally-who"s and then not really get a chance to ever defend themselves, either by literally defending themselves in conversation or having some sort of narrative thing happening that vindicates them at least symbolically

[rearranging-deck-chairs]

danny talking about how resentful she became when nobody who she self-sacrificed for cared when she died and then leaving kirsch with laura and carmilla bc "if he stays with me i might lose control again and kill him" kinda confirms my thoughts abt both newly-turnedness and anger making vampires more vampiry

but also makes me think that in more usual circumstances, when the dean turned vampires like carmilla and mattie, that shes really nice at the start to temper any of that unruly anger

[lesbiansanemi]

I am so fucking sick of living with my roommate and his fuck ass boyfriend. Also watching my roommate burn every single one of his (already rather minimal, I might add) bridges for this guy is also kind of painful but also his relationship with me is one of said bridges so I'm almost past the point of even feeling bad for him lmao

[ciderjacks]

Can we kill the whole “no attention on artwork is sad and means it was a waste of time” thing? Like Seriously can we kill it. I put a fuckton of effort into my art and it usually gets like, 10 likes, and that doesn’t really matter to me bc I love making it. I’m grateful for nice comments, but I’m gonna keep making the stuff I make regardless.

Like ok I’m not trying to sound all holier than thou here, but the amount of artists online who say stuff like “this artwork was a flop, so I’m feeling really discouraged” is making me go crazy. Is that all it is for you guys? Content? When you’re making artwork are you just making content for an audience? No offence but I feel like that’s a huge fucking waste of time, way more than making art you like and getting minimal attention on it.

[quietwingsinthesky]

what if. Amy “fix-it” because hallucifer makes sam so paranoid about dean leaving for no reason that sam gives in and follows him and is witness to the whole thing

[graham--folger]

okay the thing about alien 3 is it's so grimdark in comparison to the other two. there's no real sense of hope. ripley's convinced she has to die. all the prisoners have no way out and their best possible ending is in taking the alien with them. just thinking back to alien 1979 and how even though nearly everyone was dying there was still a chance for ripley (and jonesy) to escape and get a "happy ending". in aliens there was a chance of ripley surviving alongside hicks and newt. but alien 3 erased that possibility and took all the hope with it. idk it just feels so resoundingly hopeless even though ripley "wins" by killing herself and the alien with her. but even then we know that wasn't successful either because of alien resurrection. it's just kind of funny how they like to totally throw away the previous movie plot for the sake of a reboot but in doing so thematically butcher the franchise