#idk it’s weird as fuck to me

[jellogram]

On my first day in Germany I got to my hotel and I couldn't get the lights to turn on. And I was like "Eh, fuck it, I'll just take a shower in the dark." And then the shower wouldn't get hot. I waited and waited and it stayed ice cold.

So I go down to the front desk and I'm like "My lights won't turn on and my shower won't get hot" so they send this guy up with me. We get into the room and I flick the switch and nothing happens so I'm like "See?"

And he goes "You must put your card in the slot."

"I... what? I have to put my room card in the light switch?"

"Of course!"

Now I have been in many hotels in the US and never encountered this concept, but apparently it was something most of their guests already knew. So I'm looking like a fool at this point. I feel like an idiot. The dude is fully grinning at me. I put the card in the slot and voila, the light turns on.

Then he's like "Ok, let's see if the shower works. You know you must wait for the hot water?" and I just know he's thinking I'm an idiot who also can't use a shower. This stupid American can't wait for the hot water! She can't even use a light switch or a shower!

And I guess he was distracted by these thoughts of my stupidity, because this dude fully stepped into the shower. In his nice dress shirt and slacks. He just. Gets into the shower.

And turns it on.

Have you ever seen a playing field get leveled instantaneously

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[nat-20s]

Ten and Donna end up on a fucked up deadly space newlyweds show despite uh. Not being newlyweds but they get almost all the questions right. They start to sweat when the final question is "what's one secret desire you have involving the other?" And Donna writes "sometimes I wish I could occasionally shrink down the doctor real small so I could carry him around in my pocket and make sure he doesn't get lost' while Ten writes "sometimes I wish I was small enough that Donna could carry me around in like a cat backpack or maybe a shirt pocket" and they look at each other like AYYYYYY because not only are they deeply drift compatible they're also fuckin weird about it 💖

[meatgrinder-0]

me at the interdimensional ramen bar of past regret

[honestlyitsjustsam]

favourite moments of bg3 -> (5/?)

[bixels]

I watched Starship Troopers tonight.

[beastlyidiocy]

my sweet old man who is genuinely too kind for the world he lives in :(

[idontmindifuforgetme]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[dreamyluigi]

something something luigi doesn't remember the final events of spm or dimentio at all after he's defeated (but mario remembers everything)

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[pencilscratchins]

if there’s one wisdom i can leave you with its smoke weed, eat local, and fuck often

[anime-villian-irl]

"id let the world burn for you"

"I'd kill for you"

"id die for you"

"I'd sacrifice the world for you"

BORING!

Yawn snore snore. Honk shoo honk shoo.

I got twelve other guys ready to that for me. You already do that. You already destroy the world I would just happen to be there while you did.

The real question is.

Would you save the world for me?

Would you put aside your hatred for humanity and put my love for it Infront? Would you save the world because I love the world? Would you stop killing because I hate killing? Would you find a way to live because I want you alive?

Death and destruction are easy as hell. Do you know how fucking easy it is to kill someone? To blow up a building? Shure security is in the way but if it wasn't there it would be easy as hell.

You'd do the basics Shure. But would you do the hard thing and save the world because I asked you to?

Would you push aside your hatred of everyone but me because I asked you to nicely?

Would you?

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[linddzz]

Jayce is literally a guard dog from the moment he met Viktor and I just know that he can be wayyy worse in fics if people weren’t playing it safe

So small disclaimer that I can't say much about how he's portrayed in fics or if I have any thoughts there. Tbh when I'm first getting into writing my own stuff for a ship I don't read or seek out a lot of other fics for a mix of weird brain reasons. A mix of a lot of doubts from comparing myself, but also I like getting a solid feel of my characterization without too much general fandom influence getting in there or end up accidentally stealing a concept/dialogue that just sticks in my brain.

(exceptions tend to be made for mutuals who I know are excellent writers already in which case I will psych myself up to not fall into the self comparison issue dkdjdkdk)

ANYWAY!!! Tbh I'm not surprised that there's not a lot that goes super dark on the possessive Jayce OR possessive Viktor just because they are such a weird little mix of legit fun and goofy and dreamy eyed for each other, AND canon pretty much laid out the dark side of their relationship I think. Jayce had already been confronted with Viktor's impending death, they already had their conversation where he had to promise to destroy the hexcore, which was them both in a way accepting Viktor's death. And he immediately broke that the second he was actually confronted with that death.

It's not dark to me as in "grr no one can touch you but me I'm going to lock you up in the lab to make sure you can never leave me and nothing can ever hurt you" which is how most dark possessive fics/romance lit tend to go. And I guess it can be hard to tap into what IS very dark and fucked up about Jayce and Viktor's codependence in a way that doesn't erase how wholesome they can and do come across in canon.

The dark is in the devotional romance of it, the almost instant codependence, it's in how beautiful it all is (like how Viktor's evolved forms are both beautiful and deeply unsettling for all their elegance). It's in thinking for just a liiiittle bit and realizing that Mage Viktor is knowingly dooming timelines by sparking Jayce's fascination with magic (and by making himself the thing that starts Jayce's obsession).

The dark possessiveness for Jayce is best captured when the partner he broke his biggest promise to, whose heart he replaced with the hexcore, stumbled out as something metal and inhuman. The dark side of Jayvik is; when Viktor's voice came out warped and mechanical as he stared at his own hand with confusion and fear, asking "What am I?"

Jayce smiled, laughed with that bright loverboy earnestness, and said "You're alive!"

[keferon]

Hey, guys, quick question. Can you tell me whose human version this is?

I wonder if I succeeded at making him recognisable🤔

[lazylittledragon]

Please ignore if this is too personal but IIRC you were/are dealing with caffeine addiction? I hope you're doing Ok, as a former addict I know how hard it is so wishing you the best xx

thank you for checking in!!

i'm doing very well!! i haven't cut out coffee completely bc i really don't think i can (it's been one of my daily pleasures for SO long), but right now i only have 1-2 espresso shots and i don't even have it every day anymore

also remembering that i used to have 4-6 shots per drink, sometimes multiple times a day, makes me want to throw up now which is probably a good sign ajkdhdsh