#idk if this even makes sense tbh

[edsbacktattoo]

hey. so what if

“i love you. i love you.” “i know. i know that.”

is the new

“you came back.” “never left.”

like the first time it was stede admitting his relief. he was in peril and his world was ending but he's stoked because someone he cares about chose to come back to him, even knowing what it meant. knowing that it meant losing everything, knowing that it meant death. he still got to look at someone he loved with the time he had left.

and the second time it’s just reversed. this time it’s ed admitting his relief and it sounds like it! “i love you. I love you,” sounds exactly the same as “i'm so grateful to have the chance to tell you how loved you are. i'm glad we're here together.” and it's the same as last time. they chose to come back to each other, even knowing what it meant. knowing that it was going to be hard and scary and it might end in heartbreak one day but making that choice anyway.

the difference is just that this time they didn't submit. this time they fought as hard as they could for what they love the most. they saved each other. goodbye

[hinamie]

someone asked if i had ever drawn gojo with his scars, now i have :>

[notsocooljess]

sometimes i am stunned when i remember that not only are katniss and peeta the youngest people going into the quarter quell but also that they are still literally KIDS. they are children facing 22 adults with not only years of friendship between them but years of mentorship to learn the best strategies of the games.

katniss is a 17yo girl who was malnourished most of her life that only had months to try to prepare to catch up to her competitors. peeta is a 17yo boy who is likely still going through puberty! facing fully grown adults.

sure some of the victors are in their early 20s like finnick or johanna, but the maturity difference between early 20s and 17 is huge.

they are kids forced to play in an adults’ game.

[xxplastic-cubexx]

How would you redesign Headmaster Magneto? Just out pf curiousity because while he served it didn’t feel like… Erik.

i have to keep it 100 i have no idea without just. rerunning his original design but with a palette swap LOL but we try around here

[sunsetsover]

i went back and watched first ep of thk again this time without being psychologically flashbanged every 2 seconds (which was only semi-successful tbh) and my biggest take away out of everything was that bison really gets off on power.

you can see it clear as day in that very first scene with the guy that they're targeting. this is clearly someone who has money and power - he's picking men out of line up like they're nothing more than clothes on a rack. but the reality is that bison is the one who's really in charge. bison is the one who has all the control. bison literally has this big, powerful man's life in his hands, and he really, really likes that.

you can see it in the look on his face when he shoves the guys face into his chest - he's disgusted, clearly, but he's also smiling. he looks so deeply satisfied, and why would he in a situation like that if not for the fact that he knows he has all the power in the world in that moment and is almost a little turned on by it. it doesn't matter that the other guy thinks bison's some weak little guy to be bought and given commands. it doesn't matter he's sitting there all smug thinking he's in control. bison knows the truth. that's enough. it's probably why he can so easily play along - that knowledge. that power. because really, what does it matter how rich or powerful someone is now that bison has him in his clutches? and what is that if not complete and total power?

you can see this desire for power and control bleed into other dynamics too. i think it's why he's so 'difficult' with fadel. fadel clearly loves and cares about him, and his concern is well meaning, but he does treat bison like a child. and to a certain degree it's probably warranted (i mean look at what happened at the karaoke bar). but at the same time between him and the little bit we know so far about their mother, bison's completely smothered. and sheltered (the guy doesn't even know how to cook a burger. they literally run a diner). and i think that has less to do with bison being inherently untrustworthy or reckless, and more to do with the fact that he just doesn't want to do what he's told. and i imagine in turn that made his mum - and by extension fadel - tighten the reins on him.

because bison, at least so far, seems to have really no control or even any say over his own life. he just does what he's told, either his mother or by fadel. he has no other choice really - it seems he has nothing and no one else. he's effectively trapped (which i think will be the catalyst in his and kant's relationship, bc kant is also trapped in a situation he can't get out of, but i digress) so he's rallying against their control over him in whatever little ways he can - causing problems, being difficult, being purposefully obtuse. i think bison is someone who knows he doesn't have any real power, and so uses what he does have to his advantage. he plays dumb and weak and naive and sweet to manipulate people and situations so he can get what he wants for a change. that's his power. and it seems effective enough, and he probably likes the little things that it can get him, but i think what bison really likes is the fact that he can make people bend to his will. sure he has to work for it, but the fact that he can have people dancing to his tune while being completely unaware of what he's doing is what he really likes. i think that's where bison's true power lies. and i think that that power goes straight to his head.

which brings us to kant. kant, who - at least in my opinion - bison thought was just another guy with a big ego who just expected bison to lay down and take it. like idk i just got the impression that bison was not super impressed w kant at first. and bison does try briefly to wrestle kant for the dominance/power that kant obviously thought was his to take (like the tapping to see who was going to go to who, and getting in each others face to see who was going to break and kiss the other first) but soon enough bison just lets him have it bc ultimately it's not that important. they weren't supposed to ever see each other again. he was gonna get off either way. but even so bison gave as good as he's got, making sure kant knew he wasn't just gonna lie down and take it. and i think that at some point bison kinda realises hey this guy is actually listening. hey he's kinda malleable actually. hey he's kinda putting on a lil show for me, taking his shirt off nice and slow. hey this is a lot more fun than i thought it would be. but at the end of the day he doesn't get his shit rocked by kant the way kant clearly gets his shit rocked by bison. bison literally put that man to sleep. kant's lying on his sofa all but twirling his hair afterwards. in comparison bison doesn't even seem particularly bothered about the whole thing until kant shows up at the diner.

but anyway my point is we pretty much know bison's desire for power is going play out in his dynamic with kant bc of the whole bdsm thing. imo this is going to be even more important if it does turn out that he knows/suspects kant's motives - which, after a second watch, i am a lot more likely to believe. it was just so obvious. of all the things bison could've been doing right then, he just so happened to be cleaning the windows? with a big mirror right next to him? yeah ok sure. but don't expect me to act surprised if we find out down the line that bison was behind the scenes puppeteering this whole thing with kant - and with his family too.

because really the question is if he suspects kant's intentions - which he clearly did, no matter how briefly - why would he not tell fadel? why would he not seek help? and i think the answer to that lies - again - in the fact that bison wants power. any thread of it he can grab onto he does with both hands, whether that be that killing or domming or pissing people (fadel) off. playing games with people's minds and lives in that way - even those of the people closest to him, even his own - really doesn't seem like that much of a stretch judging by his behaviour so far. i think he'd probably be rubbing his hands together like an evil little fly at the thought of everyone thinking he was dumb or naive or a liability when the whole time he's the one pulling all the strings. he's the one who has everyone's lives in his hands. he's the one keeping all of their asses out of prison while at the same time he's got the guy who's supposed to be his downfall tied up in knots (both literally and metaphorically)

and even if that isn't the case and bison really does have no clue what kant's up to, i still think he's loving the fact that kant is so desperate and eager to win him over. bc ulterior motives or not kant really was sooooo dickmatised by bison. even before chris got on his ass he was telling his bestie abt it like 'i didn't even get his name 🥺️ it's like i slept w a ghost 🥺️ he only exists in my memory 🥺️' like he was down horrendous for bison the moment he got him in that hotel room, and bison KNOWS it. he knows the power he holds over kant, and he loves that shit. he loves that kant ate that shitty burger just to stay on his good side and he loves that kant is so doggedly persistent in trying to be his boyfriend and he loves that when his big brother tried to scare him off kant didn't run or give up but instead asked him 'well how can i get him off our backs?'

and sure we know why. but does it really matter? bison just loves the fact that he can tease kant and not give him what he wants and still kant will just grin and continue to chase him, drooling like a cartoon dog who's just caught scent of a freshly cooked steak. it doesn't really matter why: bison loves power and he loves how eager kant is to give it to him. that's why it's really not that shocking their relationship veers into bdsm territory. kant already seems more than willing to give bison whatever he wants, and what bison really wants is power (and freedom, but we haven't really seen the depth of that particular want just yet). of course kant's going to give him that power, no matter what that looks like.

(but while we're on the topic, i'm really interested to see the dynamics kant and bison adopt the next time they have sex. we know they venture into bdsm territory eventually, but if bison introduces that into their sexual relationship right away (excluding their first time obv) i'm gonna be really side eyeing that little guy bc it's like oh? why are so desperate to be in charge? is it bc you know that guy thinks he's playing you and you wanna see how far he'll go to get what he wants? is it bc the idea of you having this man - this man who thinks he's playing you for a fool - blindfolded and tied to your headboard makes you feel drunk with power? is it bc the idea of hurting this man who's trying to hurt you and him wholeheartedly LETTING you gets you off like nothing else? bc if that really is the case we're reaching unprecedented levels of horny i fear)

anyway this post was just supposed to be a little thing about bison getting off on power i didn't meant for it to turn into a character study/ted talk on his relationship dynamics but here we are lmfao anyway i love bison already i wanna dissect him in a lab <3

[upsidedog]

i was gonna do this meme with the original format then a much better came to mind

[turtleblogatlast]

Something I think is cute is that - y’know how Raph’s eyes are more on the yellow side?

Well, you know who also has slightly yellowed eyes? Donnie.

While Raph’s are more yellow, I think it’s cute that this is something that they share and I don’t see it pointed out too often?

It’s also something they both share with Draxum and Splinter’s current form (though again, these two have much more yellow sclera than the boys do.)

But yeah, I like that there’s this little detail that ties Raph and Donnie together, even if it’s small.

[im-normal-about-everything]

See, I understand that people will write Pony as an oblivious kid, and I gst that, but here's the thing.

Pony is only oblivious when it comes to himself. He's actually pretty perceptive when it comes to other people. Let me paint you and example:

"Darry never goes out anymore, he never dates anyone either" -some member of the gang (prolly soda or two-bit)

'wdym?? He went on a date with Tim like yesterday??" -pony, one of the only ppl who noticed the tension between the oldest Curtis and oldest Shepherd

But on the flip side:

"I'm like literally in love with you, you're like the most amazing person I've ever met." -curly

"what?" -pony genuinely has no clue how this happened or even what IS happening tbh

[beanghostprincess]

Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.

And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.

That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.

Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.

[cl-0v3r]

I was rewatching the s1 trailer and heard silco say this as it shows Mel.

so I see.

[thief-of-eggs]

Was talking with my coworkers today, and I forget how it came up, but one of them was like “Wait, are you gay?” (I’m bisexual)

And instead of just saying that to him, I panicked and replied “Yeah, sometimes”

[eros-ghoulette]

What if Copia actually asked Ifrit to tour with him? And Ifrit couldn't say yes, because that meant leaving Zephyr behind (even just for a few months). Just the thought of leaving Zeph behind for only two weeks makes Ifrit feel bad, so no, he didn't want to tour again. He just wanted to be Zephyr.

[iheartbookbran]

this is the face of the you make when you realize the bloodiest civil war in westerosi history was started over a misunderstanding the writers made up in order to give one single character something to do over the seasons

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[moeblob]

They're soulmates in every single universe and I miss them at the most random times.

[wonderlandsakura]

The gods won't make the same mistake twice

There's one hero Percy Jackson is similar to, someone the gods broke, and they regretted it

Someone kind, that they made ruthless

Someone loving, that they made brutal:

Odysseus