#idk but YEET
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V1 finds a weird looking dog in hell
#idk man what if there were teacup earthmovers#tiny shiba sized war machines#that can railcannon you#yeah consider this thing hissing and yeeting its thor lightning at anything that moves#and v1 has to +chargeback to deflect the shot#i see anything remotely animal like and im just#its just a lil guy#ultrakill#ultrakill spoilers#v1#ultrakill v1#v1 ultrakill#earthmover#earthmover ultrakill#krita#my art#lyss art
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Her Astrophel and Sterling
hmmm
Hmmmmmmmm
You know what.
You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.
Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.
DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!
YES.
Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.
"Ellie! I thought I said do not answer the door my Sterling."
"But Daddy, yous was busy fighting the hotdoggys!"
Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.
and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."
#danny phantom#danny fenton#crossover#dp x dc#blue rambles#danny phantom dc#writing ideas#random idea#dpxdc#good mom Talia?#Good mom Talia. Yes#Astrophel means Star Lover btw#Sterling means Little Star or Excellent#Deaged Ellie#Deaged Dani#Danny either faked his death or got yeet from the Pits to Amity#does he remember? Idk leaving it open ended#if he does remember he chose not to return cause he knew he'd be punished#Talia comes to Amity after so many years because the League finally got reports of 'Lazarus' like creatures/waters being used/seen#Is she League leader now? Idk again leaving it open ended for anyone to play with#does she kept it a secret when talks to Danny about everything? I think so if he asks her not to say anything#Talia is happy to see her son again after so long. She isnt happy about how Ellie came into his life but is happy to have a granddaughter#she totally holds Ellie everytime she visits and promises to teach her how to make the world fall into her chubby little hands#Ellie loves her Granmama Talia cause she tells stories of all the places she's been#Eventually though I can see someone. Maybe Damian or Bruce. Needing to speak with Talia about something#and they track her down when she's on a visit to Danny and Ellie. And well the secret is out.#dani phantom#danielle phantom#Dani is Ellie
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Submission from moss boss
#submission#thrifting#shiftythrifting#shoes#ballista#yeet#lol not the artichoke keds#hops#idk man I am going blind from this blog
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so like, do you ever think about the similarities between Gwaine and Will (from Ealdor)? And their respective friendship with Merlin? Because, dude, I’ve been thinking about it all week.
These two would've been friends, I'm sure of it.
Gwaine makes the most iconic character introduction of the series, gets stabbed, continues to be a menace, and then he and Merlin bond over their fathers, and lack thereof.
Gwaine is cynical about nobility, especially Kings. As we know, his father was a knight who died in battle in Carleon’s name, and the King repaid his family with nothing.
Then you’ve got Will. Will - the most iconic man from Ealdor, which is a tall order when your mate’s Merlin, Mr “Greatest Sorcerer To Have Ever Walked The Earth” who is also from Ealdor. He greets Merlin like “your kind ain’t welcome here….. lol jk bring it in”, and then immediately squares up with Arthur, who’s kind - as far as Will is concerned - is definitely not welcome here.
Merlin reveals that Will’s issues with Arthur run deeper than how they first appear. Will, too, had a father that died in battle in service to, most likely, a King. The majority of it is inferred to the audience and we’re encouraged to make our own conclusions.
It’s very likely that Will and Gwaine share very similar backgrounds. I’m not sure that Will’s father was a knight, it’s more probable that he was a soldier of some kind and not of noble birth. Regardless of whatever rank he held, there’s overlap: a father was in service to a king, died in service to that king, that king left the family with nothing as thanks, and the son is left a cynic with no trust for people with fancy titles.
Another parallel is that in both 1x10 and 3x04, Will and Gwaine leave. For different reasons, of course. Will leaves because he refuses to fight for Arthur, a noble, and Gwaine leaves because he stood up to “nobles” bullying Merlin and was banished by Uther for it.
And then they both come back, to Merlin’s delight. Will comes back, risking his life, because it’s not about fighting for Arthur; it’s about fighting for Ealdor, his village, and to fight beside Merlin. Gwaine comes back, risking the consequences of his banishment, because he knew Arthur was in danger and Merlin likely would need some help.
But like, do you think Merlin, after Will’s death and since meeting Gwaine, sees these similarities between his two friends? Not just in experiences but personality? We only got one episode with Will, and we met him during a really desperate time, so the guy was probably stressed to the roots of his hair; and it was also after Merlin returned after moving away. So, Will - though happy to see him - was still cross after feeling abandoned. We didn’t get to see more of Will’s personality outside of that, but we know he was fiercely loyal, cynical, considered people’s lives worth more than material wealth or glory, outspoken and unafraid to tell a prince to fuck off, and one for banter (i.e. how he welcomed Merlin home).
Do you think Merlin saw Gwaine’s joking nature, his fierce loyalty, his criticisms of nobility and how he considered titles unimportant compared to who a person was on the inside, and thought of Will?
And, what if Merlin, late at night and lying in bed, thought that - if they’d ever gotten the chance to meet - Gwaine and Will would’ve been good friends.
…. anyway, that’s what’s plagued me for 6 days.
#idk anyway have this *yeet*#bbc merlin#merlin#merlin meta#meta#will of ealdor#gwaine#sir gwaine#bbc gwaine#ren rambles#scheduled
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But this is how it must be.
#as you can see patch 6 left me feeling very sane#im doing SO well#this took me 3 days btw#behold the world's slowest artist#the dark urge#enver gortash#bg3 spoilers#durge spoilers#baldur's gate 3#bg3#durgetash#blood#blood tw#blood cw#gore#death#idk how to tag this without it getting yeeted into oblivion#durgetash is its own warning isn't it?#my art#bg3:Ezra
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more 'emmet in france' musings from this post :>
some notes:
- woke up in kalos after falling asleep in his chair doing paperwork
- wants to return to Gear Station ASAP, working on inventing a time machine with the help of his pokemon. Emmet considers this a 'slight delay'
- ingo has been a missing person for 3 years
#idk what era za is going to be yet but emmet gets yeeted back 200 years for this one#also emmet has no idea about hisui or anything. ingo just went missing and the case went cold immediately#submas fanart#myart#submas#pokemon#subway boss emmet#pokemon fanart#eelektross#chandelure#submas au#hatless au#pokemon legends za#pokemon spoilers#if the setting is a spoiler
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I might actually draw epic fanart more often than expected, I thought it'd be just a short phase but apparently not. Not that I mind, haha
Here's the original
#This is how it went#Right?#epic the musical#epic the musical fanart#epic the circe saga#hermes#epic hermes#Gramps knows best#I saw the meme and then idk haha#my art#I actually have one version of Ody yeeting the infant but I am afraid that it might be too much to post
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
#aurora comic#aurora webcomic#comicaurora#art analysis#...I hope those are the right tags???#new fandom new tagging practices to learn ig#much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY#also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down#idk how to format those tho#...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so#oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY#made an incredibly complex program into something comprehensible <3#synapse talks
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had a dream dan got cancelled so he and phil hard launched in his apology video for damage control
#i’m not even on hard launch hill idk how much harder they can launch and frankly i don’t want to find out#i already know too much i wish i knew way less about them#we should all know less about each other#but the idea of dan getting cancelled and#phil going “maybe we can just distract them by acknowledging we’re a couple really casually while you’re apologising” is so good#phil so would he is damage control king#dnp#dan and phil#phan#dan howell#daniel howell#amazingphil#phil lester#danisnotonfire#yeet my deenp#yeet my deet#d&p#danandphilgames#schrödinger’s hard launch#phannie dreams#hbdnell#tmogar
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Random mustachello update lets go
Time to start the butt krang arc
Prev, next
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt donnie#rottmnt krang#mustachello#rottmnt au#future donnie#i wonder#if now tumblr will let me post this#or yeet it somewhere idk where#for the...5th? time#i don't know#all I know is that tumblr wants to toss mustachello into abyss#honestly thats where he belongs#lmao
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House having his eureka moment (which could amount to nothing)
#or does it? idk seriously i havent watched beyond this#i love how house can't meet his eyes and then just yeets from there#house md#gregory house#james wilson#hilson
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I’m not sure how I got here but I’ve been thinking about the intimacy and devotion of washing another’s hair, the hair of someone you care for (how unconditional a gesture it is) and I then thought of Merlin doing it for Arthur.
It’s not in the job description (a lot of what Merlin does for Arthur is not in the job description) and it’s unlikely something that started his first day as Arthur’s servant. Nor the second or the 20th or by the 6th month. Arthur may be a prince, a prattish one at that, but when it comes to his baths he only expects of Merlin what he expects of any manservant - call for the tub, draw the water, lay out a towel, place fresh clothes close by and so on. But, naturally, he’s also a prince that commands the knights and with training comes injuries. Perhaps an arm was dislocated and he’s on strict orders from Gaius not to utilise it, and definitely not to reach above his head. Later that same day Arthur sits in the bath and realises too late he can’t tend to his own hair. But he doesn’t call Merlin over from where he’s making the bed. He tries to do it himself. He’s still got one working arm, after all.
Arthur only knows how to command things be done. He doesn’t know how to ask for things. He doesn’t yet know that asking isn’t weakness.
But he can’t hide his struggling from Merlin, who’s more mother hen than manservant.
“Here, let me,” he says, suddenly behind Arthur, “before you lose all the bathwater and your arm, both.”
“I don’t need your help, Merlin.”
“Of course not, sire. Now, pass me the hair oil.”
“Excuse me, who is it that gives the orders here?”
“You, sire. The hair oil.”
“…”
“Thank you. Right, hold still. I said hold still���“
After, Arthur will wonder why he ever thought Merlin would be anything but gentle. After, Arthur will wonder when his eyes closed and why they feel a little wet, especially as Merlin took great care to catch anything before it fell in Arthur’s face.
Over time, a stool begins to sit beside the bath, whenever it’s drawn. Over time, Arthur will notice Merlin’s fingers never grow any less gentle (even when he knows his manservant is angry with him). Over time, Arthur will want to ask why Merlin added washing his hair to his list of jobs indefinitely, long after his arm healed, but is afraid he’ll only prompt Merlin to stop because it’s not a job at all. Over time, Arthur will wonder what oils Merlin uses on his own hair, if he has access to hair oil at all, and how his cropped hair might feel to touch.
#is this a ficlet#idk how I got here#or where this came from#listen the devotion of washing hair got to me alright#merthur#bbc merlin#merlin#merlin x arthur#merlin emrys#arthur pendragon#Merthur fic#ficlet#fanfic#merlin ficlet#merthur headcanon#ren writes#IDK WHAT THIS IS JUST TAKE IT (yeets this at the Merthur fandom and skedaddles)
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florida man
#rvb#red vs blue#agent florida#butch flowers#rvb florida#mine#*24#art#og faceclaim hc by toastyglow!! ty yeets-you-out-the <3#i have no strong feelings abt florida but i do love this moment lol#i said i'd draw him for 0 likes but i did get 1 like on that 🔥 fuck perspective btw all my homies hate it#idk why but tien päällä joka päivä was the anthem for this. has fuckall to do with florida but the. vibes? i guess?#but now i do have the random hc that florida had a (space?) trucker older brother + he left home young + that he used to smoke so. lol#... do not become a florida stan based off of your own unfounded headcanons. do NOT. grrr im fighting it off
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Commission for @fizziepop! Rambling under the readmore!
The concept for this one was that Y/N has, some-way, somehow... perished. The boys have lost them. And so here they are - torn apart yet brought together, in rage and fear and grief.
But, if you wanna be silly with it - maybe it's just that they tripped and fell down and the boys are acting like its the END OF THE WORLD. Might work with gala again later and do a follow up on this with y/n in the family guy death pose haha! (might even do it on my own if it strikes me!)
This piece took me. MONTHS. And it was a challenge, and I VERY much struggled at times. But Gala has been WONDERFUL through the whole thing, and honestly I had a BLAST working on this piece. (Also Gala idk if I ever mentioned - you gave me WONDERFUL refs and had super vivid ideas, it was awesome.) I learned a lot of fun new techniques, and improved a LOT while working on this! Finished it up last night on stream, and I'm super proud of it! Gala, I hope you love it just as much as I do!!! <3
In particular I am the most fond of the bio-lights on Eclipse, and the shading on moon. Though I do like the patterns for the lights on sun, I think the glow on Eclipse looks just a taaaaad cooler. I ALSO got SUPER carried away with the clouds in the bg - it was meant to me "simple" oopsie. But! It was fun and dang??? I really like how they turned out! (thank you, gouache brush my beloved <3)
#fnaf sb#fnaf sun#fnaf moon#fnaf eclipse#mer au#fnaf au#mermay#no its not mermay but IDK ANYMORE#its almost OCTOBER#*yeets the fish at u*#funky little jester boys#my art#comm#sinna comms#gala comm#stream art#fuck yeah yall i FINISHED IT!!#YIPPEE!!!!!!!!!!
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*in the car*
Logan: *giving directions* You’re going to ‘yeet’ off at the next exit-
Virgil: *driving* I’m going to WHAT?!
Roman: *in the back seat* Gimme your vocab cards Specs-
#he’s still trying#although Roman would be concerned now that yeet is dating him a bit lol#do you still say yeet?#idk I don’t see anyone use it anymore lol#thomas sanders#sanders sides#roman sanders#logan sanders#ts roman#incorrect sanders sides#virgil sanders#ts virgil#ts logan
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Did this at the start of the week but RAAAAH NEW OLI SKINS
NameMC rlly providing for us while we wait for Oli to finish his SOS episode
#theorionsound#oli orionsound#idk if these are for SOS or not but YEET HERE U GO#rhaps art#mcyt#mcyt fanart#mcytblr
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