#id like to thank my day ones
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yutamayo · 2 months ago
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Kill yourself
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Ngl I'm kinda getting a lil turned on
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Believe it or not this is actually my first ever kys anon!! I finally made it y'all. We in the big leagues now boys 🙏🏽❤️
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vlasdygoth · 8 months ago
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going ham with these crayolas recently
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27thfirefly · 9 months ago
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all the pigs are all lined up... as well as we could make them, anyway.
individual pigs under the cut
Trent and Attipork Ross
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Piggy, Danny Swiner and Squealan Rubin
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Charlie Snouter and Hogin Flank
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Chris Vienna Sausage and Alessandro Porcini
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eff-exor · 2 months ago
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i <3 substances she’s like a wife to me
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jash-updates · 7 months ago
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Most normal energy drink consumer
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buwheal · 8 months ago
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We can't hear it Spam, but it's real to you. I get auditory hallucinations a lot, and usually what helps me is a distraction. Maybe... name 5 things you can see? Or make paper airplanes with old messages, or draw some pictures. Otherwise, I'm sure someone has a crossword or story they can send you to help you out!
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shkika · 1 year ago
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Finally done with my map part! Phew
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eggbagelz · 1 year ago
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telling your brothers ur a girl now: motorbaby edition
[ID: Four digital sketches of the Girl and the Fabulous Four. Each of them are drawn in different colors: the Girl is purple, Fun Ghoul is green, Kobra Kid is red, Party Poison is yellow, and Jet Star is blue.
The first sketch shows Ghoul kneeling down to be at the Girl's height and they're high fiving. Ghoul says "Fuck yeah little lady up top". Over their hands are blur lines in the trans pride colors.
The second sketch shows Kobra looking over at the Girl sitting next to him saying "Rad" and she looks very happy. She has three small stars in the trans pride colors over her head.
The third sketch shows Party holding the Girl up in a hug saying "いもぉとちゃん!!!", written out in the trans pride colors, with a translation underneath. The translation says "imouto-chan: 'little sister' + affectionate honorific". Both of them are smiling widely.
The fourth sketch shows Jet holding the Girl to his chest saying "Estoy tan orgullosa de ti, mi preciosa niñita" with a heart in the trans pride colors. The translation underneath says "I'm so proud of you, my precious little girl". end ID]
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mitchmotch · 1 year ago
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day 3 of 30 minute sketch mondays with @revalito! this time with jack zimmermann ^^ (he's 100% looking at bitty)
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syn4k · 10 months ago
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I WON'T ANNOUNCE MY SHEER DESCENT BUT HOLY FUCK THERE WILL BE SIGNS
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moeblob · 6 months ago
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Amazing, take some of the side character demons from Evil Bound.
Vincie is a menace to Chuck and Chuck alone so in Hell, Chuck hexes his hand behind his back so that he isn't grabbed as much (and it's harder to pet him). Chuck is like the most irresponsible older sibling ever to demons though so Kelvin recruits him (as an older sibling vibe) to go help him get his ACTUAL older sibling from Earth. Chuck agrees. And then drags Vincie from Hell with them because no one else wants to babysit him and he refuses to unbind the hex just to re-hex when he returns to Hell.
In Hell, Kelvin actually doesn't appear much different than his human form! Like Kronos, the lines under his eyes are red in Hell but black on earth. Chuck however? In Hell he has wolf-ish ears and has a fur lining his neck (note the neck scars in human form). In addition to that he has four eyes in Hell (note the scars under his eyes in human form). Vincie just has horns in Hell. And! In Hell the hex doesn't have a silly looking "tied up" look, it's invisible unless Vincie strains it with movement and then its red text. But it shifts on earth to be visible.
Vincie's biggest agony for the entirety on earth is "dude it's colder here than in Hell I want a jacket to slip my arms into BUT I CANT BECAUSE IM BOUND".
#my characters#amazing show stopping rng wheel thanks#i have my oc plots on a wheel - thats 80 different options! wow! - and spun it#i spun twice and the first time it was the bodyguard plot that i drew a few days ago#the second time was evil bound#i genuinely think it new its a bad day and im not doing well so it took it easy on me with things id done recently#anyway ive never colored kelvin before which i realized today#i only have pencil art of him#also fun fact about their lil earth adventures#they fucking fail horrifically the first time they go and kronos doesnt go back#then they go back to try and get him to forcefully bring him back and theeeeen shit hits the fan#and so vincie is vibing with tolliver since hes basically useless without hands and then oops!#no more hex! and so he starts to get really super scared and tolliver is like uh isnt that a good thing your hands are free now#and vincie is horrified because the only way to break a hex from a distance is if the caster is near dead or dead#and if thats the case chuck is probably dead and that means what if kronos and kelvin are dead#how is he gonna get back to hell alone and is HE going to get punished for it#but then kronos and kelvin show up and take vincie back to hell with the not breathing chuck#but its fine in the end bc the succubi bring him back to ... life ? question mark? anyway hes revived#but vincie does have a part where hes just crying in tollivers apartment bc he thinks hes gonna be punished#for not helping the other demons and then they died#but chuck dying is basically why kronos goes back to hell - he feels responsible (hes at fault so good for him to own up)#vincie is one of the very few demons who doesnt have dark sclera#chuck vincie and kronos all have black sclera while the succubi have gray#i dont think there was ever a reason for it tbh i should make up a reason#time to go lie down and not exist the rest of the night if i can avoid it
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xxplastic-cubexx · 28 days ago
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cherik as that one pink nightgown and blue pajamas holding a candle picture
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this is so rushed but like. but like i see the vision and i needed to share it with all of you ok. pov you got caught raiding the fridge at 3AM
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grymghoul · 5 months ago
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Showing roger my tattoo and him touching it and smiling and saying "high honor, huh?" Literally has been in my head. on REPEAT.
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astroxnot · 1 month ago
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this genre of yuchan pose
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blorb-el · 1 year ago
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Don’t know if you made a post on this but what’s your opinion on DCAU Clark and how unapproachable(?) they made him in the later JL/JLU series without ever resolving it? Like I know the Cadmus arc hinges on him never considering himself a possible threat but it seems there was room for no much introspection outside a couple moments (that were later backtracked).
I've had like 6 half finished posts about this buried deep in the drafts for a year because I have capital B Brain Rot about this, but every time I tried to write it out I got six sentences in and wanted to rewatch the entire DCAU in order to get my facts straight. This time I'm resisting the urge, so forgive me if I forget specific episodes
Also, unfortunately for you, it’s nanowrimo, which means my brain is in Type All The Words Mode, and not Communicate Effectively and Succinctly Mode, and also I need a break from WSBF chapter 8, so. You’re getting a 3.5k essay sort of answering this question but not really. you will see
Thank you to my fellow lawyer for the defense of Rectangle Clark @januariat for helping to put this together
I do rewatch STAS and JL a fair amount, but much less JLU, so I actually don’t have much to say about the specific execution there. I’m planning on rewatching it soon. But for now…
To me it boils down to two answers. The Doylist answer, and what I think the writers really did have in mind, is that they came up with the Cadmus plot, knew it was an absolute banger of a storyline, and decided that it was worth compromising Superman's personality in order to write a good story. which is not something I can fault them for - as a fanfic writer, I make the same calculated tradeoffs every time I set out to write a fic. Characters are tools for narrative, even if these particular characters come with an additional weight of the tradition of collaborative storytelling that their most effective stories honor.
However, I do think it’s possible to, post-hoc, cobble together a Watsonian, narratively satisfying (if fucked up and sad) character arc for DCAU Clark if you also take STAS and JL into account. I think the key to understanding his character arc is his relationship with control. Throughout STAS, JL, and JLU, and then one more time in Batman Beyond for good measure, over and over again, he's manipulated and his powers and body are used as resources for other people. Obviously that’s not much of an excuse for becoming more authoritarian/overbearing/etc, Fascism Is Bad and I personally think a more IC superman would retreat more than double down (as in Kingdom Come), but looking at the totality of things that have happened to him before Cadmus, it's a little more understandable why he'd get close to snapping under the strain. Here's my personal reading of his arc, and the events that might have led to Clark behaving so irrationally in JLU.
cut for sheer length, but also mentions of manipulation, sexual assault, victim blaming, that sort of thing
One of the recurring themes in the DCAU is villains dehumanizing, depowering, and/or manipulating Clark. In STAS, Parasite, Lex via Bizarro, Talia and Ra’s al Ghul use him as a source for their own power. The Preserver and Maxima treat him like some exotic prize, disregarding his wishes. Jax-Ur and Mala use him and then betray him. But the most impactful, by far, is Darkseid.
In Apokolips Now, Darkseid defeats Clark, puts his bleeding body into public stocks, and drags him through the middle of Metropolis. Clark’s only rescued by the last minute intervention of the New Gods, and as a parting shot Darkseid murders Clark’s friend in front of everyone. Even though Clark prevents Earth from turning into Apokolips, it’s a huge emotional loss, and they don’t shy away from showing his rage and helplessness. But it’s when Darkseid returns in Legacy, the finale of STAS, that Clark’s life truly takes a turn for the worse.
Forgive me if this is all plot recap to you, anon, but I feel like a lot of people don’t know that STAS ends with Clark being mind controlled, heavily implied to be sexually assaulted, and forced to try to take over the Earth, killing god knows how many people in the process. When the military finally brings him down with a Kryptonite warhead and imprisons him, they nearly kill Supergirl in the process. Then Lex almost gives him a lethal injection, with a US general looking on, implying that the government approves of killing him. Lois breaks him out, he tries to get help for Kara from Dr. Hamilton, and then goes to Apokolips. Most fights in STAS have him shrug off blows. He ends this one bleeding from his mouth, looking almost dead. When he finally casts down Darkseid, tells the Hunger Dogs (the slaves on Apokolips) that they’re free… they turn away from Superman. They cluster around Darkseid to protect and heal him.
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Those universal truths of a lot of Superman stories, that goodness and liberty and the American Way* always win? They don't in STAS. A representative of the US government (as far as he knows) has tried to kill him. He lost his temper and spoke in a harsh tone of voice once, because Kara was dying and he was hurt and desperate, and now his friend Dr. Hamilton, the man he trusted to repair the Kryptonian ship, study his body and his powers, one of the people who knew him best in STAS, is afraid of him - and, as we find out later, takes immediate, drastic, and violating action against Kara and against him. The series ends with the small town man standing on the roof of the Planet, hearing people hate and fear him, wondering how people will ever trust him again.
*I hate this phrase personally when used as a Superman Motto, but it's used here as a contrast to the fascistic imagery of Apokolips Now and Legacy (as well as Brave New World, which, hoo boy, we aren’t even getting into that one).
Six months (iirc) after the STAS finale, in Secret Origins, the US government has agreed to let a visibly older and wearier Superman help disarm the nuclear stockpile - only for this to backfire on him because it was a Plot by the White Martians. Clark’s let down the country again. He’s helped aliens invade again, and to make matters worse, he sped away in the middle of an attack to break into an official government facility to free J'onn. Clark founds the Justice League beginning from a place of personal failure, as a check on himself. Clark has power and wants to help people with it, but he’s been turned against people he cares about, and has twice now failed to protect the world. It’s worth noting that Legacy put him into the world stage; before, in STAS, I can’t think of any true worldwide threats besides maybe Jax-Ur and Mala.
Most of the rest of season 1 of JL isn’t particularly Clark-focused, although he does appear in a lot of episodes, but the themes of some of these episodes are potentially relevant to understanding his character later, so: brief bullet point summaries.
During In Blackest Night, Clark sees his respected colleague turn himself into an authority that turns out to be incompetent investigators looking for a scapegoat. Interesting. Surrendering to governmental authority/oversight didn’t turn out too well here. 
During The Enemy Below, on Clark’s advice, Aquaman tries to solve his problems peacefully with diplomacy and is immediately shot in a life threatening assassination attempt.  Peaceful diplomacy doesn't work so well for him.
During Injustice for All, Lex is dying of cancer. Clark tries to reach out and is rebuffed, with Lex going on to try to found a team to kill him and the rest of the League.
During Paradise Lost, Clark sees his respected colleague turn herself into the authorities and immediately get banished from her home for the crime of trying to save it with all the resources she had at her disposal. Interesting. Surrendering to governmental authority/oversight didn’t turn out too well here, again. 
During War World, Clark’s again captured for exploitation. This is essentially a retread of The Main Man from STAS, doubling down on how some people see him as a thing to be exploited.
During Fury, Clark’s completely ineffective at preventing an attempted genocide of half the world’s population.
Season 2 opens with Twilight, one of the most important episodes for understanding Clark’s mindset during the Cadmus arc. Imagine, if you will, the above happening to you. Darkseid shows up at your workplace. And the man you’ve worked with the longest, your friend, your ally, tells you to cry him a river, build him a bridge, and get over it. Tells you to get over being brainwashed, manipulated, and humiliated. Tells you to get over having your broken and bleeding body paraded around the streets of Metropolis, tells you to get over having your friend killed in front of you for trying to defend you, tells you to get over almost getting your cousin killed. Sure, Brainiac is a planetary-scale threat; Darkseid and Apokolips are in real trouble. Clark was wrong to write off Apokolips and its people, and the League should absolutely have intervened in the situation. But the way Bruce went about it was… one of the harshest things DCAU Bruce has ever done, and one of the only times the narrative seems to actually agree that he was an asshole about it. And even then, you really need the context of STAS to understand why Clark is so furious and hurt in this scene.
Clark relents and goes along with Bruce’s plan to trust Darkseid, only to end up betrayed again, the whole ruse just another ploy for Brainiac to gain control of Clark, torture him, and use Clark’s body to upgrade himself. Clark had spared Darkseid back on Apokolips at the end of Legacy, on Kara’s advice. But now Darkseid’s come after him, again. Used him again to put not only Earth but who knows how many other worlds at risk, now that Brainiac’s even more powerful. It’s the downfall of Krypton, over and over again. And when Clark goes to end it, I think he doesn’t care that the base is about to go, as long as Darkseid goes down with it. That isn’t a price Bruce is willing to pay, so he teleports Clark out. And he’s wrong, again. “No one could have survived that.” Well… no, Bruce. Darkseid does, and Clark knows it.
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During Tabula Rasa, Lex manipulates Amazo the exact way he tried to use Bizarro. Clark once again fails to guard against a terrible, potentially world-ending threat, and in fact makes the situation worse by his very presence.
Then we come to Only a Dream, another key episode in understanding this version of Superman. Clark’s deepest fear is that his powers will keep on growing beyond his ability to control them, eventually destroying everything around him. In his nightmare He kills Lois and Jimmy, destroys the Daily Planet, and grows into a brutish, hulking, clumsy figure, first crying out for someone to help him, and then losing hope. He doesn’t want to hurt anyone. He goes back to the Kent farm and curls up in the spaceship in the fetal position, convinced that he’s only going to hurt anyone who tries to help. Is it any wonder, since that’s literally what’s happened to him in Legacy? Is it any wonder that he’d want to give up, to retreat? If we’re to take the World of Cardboard speech literally, he’s already having to focus on this restraint every day, in every interaction. This is my personal explanation/hc as to why in every single fight he lets himself get knocked around a bit first; he’s calibrating how hard he can hit back without doing irrevocable damage. Anyway. Deeply fucked up 2 minutes of horror. Wish they’d explored this a little bit more in later seasons.
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Then, directly after this, it’s A Better World. After we’ve just seen that his worst nightmare is hurting people by being unable to control his powers, we come face to face with a world where he’s hurt people by the precise and controlled application of his powers. Justice Lord Clark uses the same Superman Robots we saw Kara use in Legacy. He’s become quite adept at his lobotomization techniques. Later on in JLU, we see ‘our’ universe’s Clark attempt to lobotomize Doomsday the exact same way Justice Lord Superman did. Again, Clark fails to protect the world from himself, and to make matters worse, the guy to save the day is Lex Luthor. I’d be a little miffed if the maniac who wants to kill me so so bad turned out to be instrumental in saving the world and now I owe him some unspecified favor in the future. Clark’s met with failure and distrust trying to fix things his way, now he tries to do things in an uncharacteristically sneaky way and… gets met with more dislike and distrust.
Eclipsed continues this trend of hurting his friends; he’s temporarily mind controlled and hurts Wally.
In The Terror Beyond, he fucks up and puts the world in danger again, all because from his point of view, he tried to prevent Solomon Grundy being manipulated and used (like he himself has been used over and over again).
In Secret Society, his frustration comes to a peak, amplified by Grodd’s telepathic manipulation. He’s been trying to do his best, but he snaps that he’s had better luck fighting armies alone (dubious plural there, but he did pretty much evaporate an army in Legacy, so at least once, ok) and that he’s had to hold back his abilities in order to be on the League. Again if we take the World of Cardboard speech at face value, this is true, and we see it in the episode when he accidentally hurts Shayera with heat vision despite shouting a warning beforehand. It’s also telling how other members of the League have the ability to constantly voice doubts about its usefulness and cohesiveness as an organization (hi Bruce) but when he expresses the same doubts everyone gasps. When he expresses his doubt and frustration, when he steps away, the organization that’s collectively saved the world several times falls apart; they’re reliant on him, and he has to be aware of the entire existence of the League as an extra burden of responsibility.
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Since both this episode and the Cadmus arc as a whole are meant to show his flaws as a leader, it’s worth examining the foundations of that leadership as established in the DCAU. Clark’s the leader of the League, but narratively, Bruce is its brains and its ethics and Wally is its heart. As a result, Clark is filling the role of leader of the League without the narrative scaffolding that gives him the respect comics incarnations of the character are generally accorded. (I’m admittedly only drawing here from the JLA runs I’ve personally read, Morrison/Porter 90’s JLA and the early Fox/Sekowsky 60’s JLA). Superman might not technically be the First Superhero according to these continuities, but he is respected as though he is (and as we comic book nerds know him to be). The League in these comics treat him as something of an ethical standard bearer, a primus inter pares, as well as being the muscle. In the DCAU, Batman, having founded the DCAU with BTAS, is the First Superhero, and the entire plotline of the Justice Lords centers Wally as the emotional anchor of the team. Clark doesn’t have that pre-established stature. What really qualifies him to be the leader, besides the fact that Bruce doesn’t want to do it? His position seems precarious, relying more on Superman’s pre-established reputation than his actual onscreen characterization. Centering Bruce and Wally are legitimate creative choices I don’t even necessarily disagree with, but it means Clark-as-leader functions quite differently than more traditional JL structures.
Hereafter is something of a healing point for him. It’s a little fucked up that Superman almost bashes Vandal Savage’s head in with a rock, but you take what you can get at this point. He comes out of it fine, but everyone else is forced to reckon with what he means to them. Hereafter coming directly after Secret Society is a very good reunification for the League. Shame about what’s gonna happen in three episodes.
In Wild Cards, he’s useful to address the immediate threat but ineffective to stop the real, countrywide (worldwide?) threat. (I should note that of course I don’t expect every episode’s threat to be solved by Clark; I’m just pointing out a trend that I think his character would perceive as failures on his part. If the writers ever let him reflect.)
JL ends as it began, with another massive alien invasion that Clark helped facilitate in Starcrossed, by working with the Thanagarians during the first part of their plan. As a fellow exile, a fellow alien, he’s hurt and angry with Shayera’s betrayal… even though, in the end, in probably one of his best moments, he votes to allow her to stay in the League.
(Sidenote: almost every interaction Clark has had with other aliens have been despotic societies or individuals: Jax-Ur and Mala, Apokolips, Maxima’s planet, War World, and now Thanagar. The Guardians built robotic police/foot soldiers to enforce their will. Even New Genesis is ruled by a benevolent dictator. Martian society is nearly extinct, overrun by… more alien despots, surviving only with J'onn. Argoan society is nearly extinct, surviving only with Kara. At least Lobo isn’t a fascist? Small consolation.)
JLU begins after a short time skip. I’m not as familiar with JLU episodes since it’s been a while since I’ve watched them, so I’m not going to attempt an episode-by-episode breakdown. Also this post is already way too long. But the point of this post is to look at Clark’s overall arc until this point, and see how it informs his decisions in JLU. For a more JLU-specific informed point of view check this post by januariat!
What we have is a man who naturally wants to take responsibility on his own shoulders, a doer and a fixer who wants to get into the ring and solve problems, who wants to use his abilities to help, being confronted over and over again with a string of personal failures, manipulation, and betrayal. When he tries to set a boundary about not being willing to help the man who took over his body and forced him against his home in Twilight, he’s told to get over it by his most trusted ally. When his deepest fears are revealed in Only a Dream, we see them having been already realized in Legacy. And when he’s presented with his dream of a peaceful life farming, a family that loves him, and no responsibility to save the world, it’s ripped away from him in For The Man Who Has Everything.
Ultimately, I don’t have a good answer for exactly how he doubles down in JLU S2, because I need to rewatch all of it with this understanding of the character. But I think you can see the shape of a traditional Superman character in there, trying and trying again and again to do the right thing, putting himself on the line - only instead of learning from his experiences and letting them inform his actions, he’s carrying the weight of years of suppressed trauma while trying to hold up the entire Justice League. This long, long run of failure, manipulation, betrayal, and distrust adds up. And there’s only so much weight one person can hold on their shoulders, even if they are a Superman.
(And then as the nice little capstone to his story, in Batman Beyond's The Call, he’s kept under alien mind control for years! With the way Starro clings to his chest, he probably hasn’t been touched in years! Trapped in his own mind, forced to watch as yet another alien species uses him as a tool to hurt his own teammates and invade the Earth! And that’s the last we see of DCAU Clark! What a fun little ending to his character arc that doesn’t make me go insane whenever I think about it. Very very very normal about this.)
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sketchy-tour · 8 months ago
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hello!! just dropping by to say... Dandy is so cute 🍏
🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺 /pos
Hello augh it's still so crazy that you followed me back! Your traditional work is so captivating like I don't even know how to describe the mood you manage to capture.
I saw you even did art of Stefano Valentini!!!! I LOVE the evil within! The second game being my favorite only because I have a soft spot for the ridiculous villian Stefano! Seeing an artistically driven villian drawn in SUCH a way was such a delight to see!!!!!!!!!
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