#id be trying to fuck him the whole time

[ilovemesomevincentprice]

Vincent Price and Carol Ohmart

House on Haunted Hill (1959) dir. William Castle

[carnivalcarriondiscarded]

thinking about Eddie & hyacinths again

[puppyeared]

fake ep idea + doodles

[pleasedontcareaboutme]

It's missing my father hours rn so imma just dump a bunch of pictures here and cry

( sorry i don't know the source of anything I just had them on my phone)

(also dont read the tags i just need to let it out lol)

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[capricioussun]

ohhh glitchfell???

Glitchfell!!! It's funny you mention that specifically, because originally it had just been to separate Dos specifically, but I've actually been developing it on its own on the back burner...

Dos is still sort of the star of the show, since, well, he’s the reason it's glitchfell. Dos is [REDACTED]. However, his creator made a fatal flaw when trying to fix a previous mistake and it completely fucked Dos' code. At first, it was just minor glitching and stat instability. But as he got older, and the attempts to fix the mistake only continued making it worse (sort of), by the time he was a young teen, the glitching was causing problems in the Main Code, so when a particularly bad episode hit, he unintentionally collapsed the timeline and threw himself to a "neighboring" au.

...or so he thought (and how I'd initially written it lol).

But I've been working with, at least an alternate "timeline", where the au didn't actually collapse when Dos was thrown. Rather, it became corrupted. It wasn't too bad at first, more like Glitchedswap, where there were new tics here and there, but things could continue on as normal.

Unfortunately though, a tree cannot grow from a severely damaged trunk. At least not well. The damage was done, and as time went on, the corruptions only continuously worsened. There's a good likelihood it would have collapsed on its own by the time Dos met Void, there's just no way an au like that could sustain itself after a point, but it's incredibly interesting to think about how far it could've fallen before that point, and if it's possible anyone from it could've been saved before then...

Or if anyone would've put them out of their misery before it got so bad.

[purpurussy]

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[faaun]

ok let's catch up quickly

[toxooz]

omg i literally love wheelbitten as a comic and ur art is amazing

random question but how long have u been drawing as an artist and do u have advice.............

thank uuuu and I've been drawin my ass off since I could hold a pencil and I'm 24 (25 next month) now so this shit wasn't overnight by any means lmfao idk the way i did it was have A Thing that you like drawing and just draw the fuck outa it and eventually you'll get better for sure whether it be the desire to get better at drawing said thing makes you do research and study something to become better at it or just literal muscle memory from drawing said thing so much. I had lil spouts of taking time to get better at specific things like anatomy, shading, ect. by studying it but overall i just subconsciously got better by mentally picking up new things everytime i draw and analyzing the world around me. Even recently i got to see that with drawing tactical gear (that ive never really drawn before and never wanted to draw in my life) soley bc i just REALLY fukkin love Ghost and Konig

i went from being terrified and intimidated of drawing tactical gear (even trying to put a gun in front of it as if that was any better lmfao) it used to be vague as hell and my brain would shut down just trying to look at the references(i remember having a ''shit man am i even gunna be able to draw these characters???'' moment of dread the first time i was drawing Konig pffft) to absolutely loving drawing tactical gear and seeing how much more detailed i can make it with every new drawing, so a complete 180 but that's bc im just totally obsessed with the characters and drawing is how i express that sO thats mainly what i mean by just have a thing that you love and want to draw and the rest should follow with time, patience, and practice. I think it's about training your brain and motivation to pick up on details or a certain way something looks in lighting (or lack thereof) bc my brain is probably wired a certain way after art being like a centerpiece of my development to the point to where drawing is just What I Do and at this point if i dont draw for even a few days i start getting vaguely antsy and fidgety it's crazy lmfao SO idk if this is worded like i need it to but yeah art and the act of drawing can be frustrating as hell but it should be enjoyable and rewarding above all else at the end of the day!

[vypridae]

i just beat 4/20 mode in fnaf 1 in TWO ATTEMPTS. why is that so easy

[bangcakes]

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[orcelito]

Ykno the suckiest thing about being broken up with for someone else is that like. Well I'm doing generally fine, all things considered, but I Am kinda sad thinking about the things I've lost and all the casual affection that I can't have now.

But she's out there having all the affection she wants from her coworker, and it's just like. Damn this feels so skewed and SO unfair.

[nihiltism]

I know I've infodumped this before but not as its own post so let's go. what I'd do if I was in charge of making a live a live anime. I am ignoring the fact that I desperately want it to be a musical because that's not going to happen so ask me about my Separate thoughts about what I'd do if I was in charge of making a The Day The Night Slept The Album-ening of live a live.

ok so my Basic Idea is I'd let the show have a 13 episode (maybe 14? does that happen?) first season. I assume each of the first 7 chapters would need about 2 episodes, but I can see some that end in one like wild west or Definitely present day. I could also see some taking longer though, like distant future and near future. it'd even itself out I think to average to 2 episodes each.

it'd be an anthology series basically. a bunch of non-connected stories, but tied together by one key point. a narrator. see I have a Framing Device idea here and it's that we know odio from the very beginning, but never see his face or know who he is. this is very inspired by princess tutu here but here the stories are actively being Read by somebody outside of it, and occasionally he takes the reins to bend the retelling a bit, likely in the chapter boss' favor. note that while the anime is actually Playing and showing the characters, if the narrator does decide to kick in the characters will likely not be doing what he says they are, and they Definitely cannot hear him. it's an unreliable narrator story, but to the point where it's pretty easy to tell that he's biased. in practice how this probably would go would be like in princess tutu, occasionally when a character reaches a point that justifies his own philosophy in some way he'll cut in and monologue about The Nature Of Man Bringing Only Tragedy or whatever the fuck. also maybe cutting in to give the chapter villains some sympathy for the devil, maybe at the end to close each story out as he turns the last page? I dunno I don't want to be Too obvious but like. odio does sound pretty damn evil by default so maybe it'd be obvious anyway.

anyway! that's season one. anthology of short stories. on the final episode I'd leave it hanging on him picking up one last book or something, but I'd let that be told in either a short season (again, do these happen?) or a movie ??? anyway that would start out with the middle ages chapter, which I don't think will have any narration? I'm iffy on this? it'd be cool to see his retrospective thoughts on his own story but also, that's a bit heavy-handed, I'm not sure. anyway the thing is that around the end, when oersted breaks into his soliloquy at the archons roost. there I think we'd get a sort of cut-in, as halfway through our narrator starts reading it out himself. shut book camera pan Blonde Man Jumpscare I think that's the best way to go about the "oh shit the villain is the protag of that story" reveal. also it'd be fun. anyway that'd be either the beginning chunk or the first two? episodes?

from here I'm not Exactly sure how to frame it because all of the endings are Very important, but also kind of. happen at the same time? I do not know how to do this. the easy way would just be to have it remain anthology-ish, and have say the boss rush version of the dominion of hate be one story while the rest is another, but I don't think that fits into the framing device well. mm?? I have no idea. I think we're good without the bad ending of the dominion of hate happening as long as the "if you kill this dude you'll end up just as fucked as him" message gets conveyed in some way or another but I don't think we can skip the whole other version of the DoH.

maybe we can play it less as Actually Happening and more a what if scenario?? more odio just. Fucking Talking Alone Again about what Could be if not for Man's Folly^tm. I think that'd get the point across, be a good intro for the rest of the dominion of hate and stay in universe but it would Not have the added bonus of "ok you kicked around a bunch of jrpg protagonists now what. did that make you feel any better" unless we tried to hammer that home in a different way. and oh boy do I not have a single idea what to do with the armageddon ending. maybe instead just have him mention how if he and the other odios were Still denied he'd have the page burnt entirely or something. maybe at the end. shrugs. there's not a ton I can do here.

eh. anyway the actual dominion of hate would likely be more based in the protagonists than anything, likely picking a main character (Probably Akira) and not having a Narrator as much as just being in the mc's head from time to time. though I Do like the idea of odio still being there Attempting to nudge the protags and them being actually able to hear him this time, it'd have to be used infrequently. or not at all. there is a certain merit to them not knowing anything about him until getting to the archons roost but Us knowing a lot. I dunno. anyway I think this adaptation would have a lot more interactions between the protagonists (desperately needed) and I think that'd take up most of the runtime there, we can incorporate the trials if we want to (trial of heart is necessary to be sure but the rest really aren't, so it can be a good dungeon for the whole team to go through and have some more plot-motivated character moments) but I think Getting The Band Together might already take a good amount of time if we don't rush past good chances for character building or interaction. I want it to feel like the mcs Do actually start to be a team that is the thing I have the Most problems with about the game, though in doing so that will mean we're gonna have to do away with the 4 character party thing unless we want to have them split up sometimes. that's details. the point is that it's going to be All the mcs together most of the time and hopefully it doesn't feel crowded.

anyway from there it kind of goes as expected, except with the aforementioned (we don't need to have the bad ending be its own thing but we do need to mention the consequences). maybe somebody of the team Does try to grant oersteds wish before being held back or something. for similarities reasons I say oboro but this can be wiggled. anyway I also think around the actual Ending ending you'd get more than just one monologue from the mcs, you'd probably get more of like. an actual Conversation I guess? the mcs building off of each other's points to oersted? I dunno I'm spitballing here I do think it would Start Off with akira's ending though and then somebody scruffs him and continues off from there. I dunno the important thing is that everybody should get a word in or perhaps a hug in in the case of pogo. I think that's it though? I probably won't return to the plot device to show like another book being closed or whatever that is purely A Plot Device so it'd be weird to have it come back after oersted was Thoroughly Dead. I will say though if the live a live anime has an ED it's gotta have sin of odio in the A that's the law.

[sad--tree]

well shit. just checked out the lineup 4 bluesfest this year and i may have 2 actually brave the crowds 4 once. there might just be enough ppl id wanna see to make it worth it, altho tbh matthew good is almost enough for that on his own lol coz like. matthew good!!! that's the music of my freakin childhood man!! (*the most canadian sentiment ever)

[girlthativealwaysbeen]

im so tough when im alone and i make you feel so guilty and i fantasize about the time you're a little fucking sorry do you think i deserved it all your flowers filled with vitriol you have everything but you still want more and

[navree]

if fictional interpretations of the historical time period surrounding the ides of march and philippi and all that insist on going with the shakespearean framing of brutus and caesar having an almost father-son sort of relationship, they need to put their money where their mouths are and make the core emotion of the narrative be about octavian-caesar-brutus, sons who aren't really sons of the father who are on diametrically opposed sides of the conflict with two different versions of not only what they think is the right call but also of who caesar should have been. that's the only way.