#icons drain core

[moonfairys-stuff]

Olá como vcs tâo? Então gente eu to começando a vender ícone desenhado do que vc quiser e também banner de rede sociais, se quiserem algum so me chamar vendo por;

20 banner

10 icone

30 desenho inteiro

Ta ai um pouco do meu trabalho! Obrigada gente, seu reeblogue sempre ajuda ♡

[manchaeluv]

giselleㅤㅤ icon ㅤㅤㅤ draingang

[lonvelymoon]

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡜⠁⠀ 𓆩 𓆩⠀⠈⡄🦇 ꜜare you a dream or a memory?

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀like or reblog

[lucidwounds]

not the usual, but kind of my whole year right here, if you even care.

[asphericals]

[bananaactivity]

Im not finished with Carlos fully but he looks good enough for right now ( he’s 22 in this picture here)

I changed Carlos and Evie up, so now Evie is a vain witch like her mother who is fashionable but she doesn’t sew her own stuff. ( which is for the better cse wtf was that ugly ass dress she made for Mal in D2???)

Carlos considers himself to be a very expensive person and can be pretty big germaphobe. He hates getting anything on his clothes and he refuses to wear the school uniforms at Auradon Uni because they’re ugly. He wears lots of black white grey and red, with gold accents usually. He does theme around dog associated items like gold bone cutlets, paw print lapel chains, and a tennis ball brooch. He often wears red gloves and his favorite shoes are his collection of red bottom dress shoes. He likes hiding red on the interlining of his clothes too, such as his jackets and hats and vests.

A lot of his own person style is derived from 1990s London fashion ( as the artist that means I get my references from the 1996 101 Dalmatians live action movie, the styling of Cruela in that movie is ICONIC AND IMACULATE, and I MUST reference her for Carlos.

PURRRR

Of course he wears REAL animal print. And he’s not a weak touch me not prick like some think. He’s still tech savvy and does Anyalitics and specs for the core four. He also loves GUNS 😄. Think of him like a sharp shooter who stays in the back of turf wars and snipes people. The isle doesn’t have many marks men ( they all really like swords for some reason) so he’s pretty dangerous. He builds his own weapons too.

His passion started out as a way for him to collect his own furs but Harry gets him most of what he needs plus he always needs Carlos to redo his wardrobe ( he gets… messy… after a couple days work) Carlos hates that Harry ruins his creations so fast but he pays him well and gifts him rare fabrics and samples from Auradon.

Because Carlos has no magic Mal always underestimates him. She sees him as only a stylist and ranged weapon specialist. Even tho she acknowledges him for his wit and tech skills she still doesn’t listen to him. Sometimes he wishes he could stay with Harry but then he’d have to do more work up front. Harry understood what Carlos was capable of and respected him a lot. What Harry doesn’t understand is that not everybody likes to be covered head to toe in hot sticky blood 24/7. Harry had also promised him a suite on his boat that nobody else was allowed to occupy, but even if Harry’s crew feared HARRY they wouldn’t mind having an attitude with CARLOS for preferential treatment, even if it is what he deserves 🙄

Harry and Carlos’s relationship is the definition of there are two wolves inside you. Carlos smokes and drinks but he’s more of a Marlboro and Merlot type of guy and Harry’s a Rum and Cigar kinda lad. ( I’m using cartoon logic and say that those habits are purely aesthetic based of iconography from the original Disney moves, Cruella smokes and Capt. Hook smokes two cigars at once)

Carols isn’t really scared of dogs anymore but when he arrives at Auradon he “befriends” his roommate Chad ( now an animal lover like his mother) who has pet rats and a entourage of wild animals constantly in their dorm, and threatens to shoot and skin them all every single day to make a new line of coats ( when Chad rebuttals that his rats are too small to make coats, Carlos says they’d make the perfect fuzzy gloves 💀) He also uses Chad as a living mannequin for his designs. They have a goofy relationship with each other, Carlos does make Chad do all the dirty work of skinning and draining the animals he hunts but despite how traumatic that is Carlos is a fun sweet guy so it’s okay 💀💀💀.

Jay is jelly of Carlos due to his closeness with Harry. ( I guess the way to Jays heart and respect is by holding him at sword point and threatening to gut him and hang him by those very guts over shark infested waters and watch them nibble away at him 💀)

Next I’ll find up Carlos and do some fit designs then I’ll redesign Jay and tell that gutting story 😛

[missjukebox8bit]

(Lost media YouTuber voice) Number 15: The Proto Man. Dr. Thomas Light’s Robot Masters have revolutionized the world of robotics. It’s understandable to think that DLN. 001, commonly known as Mega Man, was the first one ever made, but what you may not know is there was a prototype that came before him. Designed under the codename Project Blues and given the serial number DLN. 000, this robot was the first with a fully functional IC chip, and was equipped with a shield and a primitive version of the Mega Buster. However, it was built with an unstable core that was slowly draining its energy. Shortly after this revelation the Proto Man disappeared under mysterious circumstances. For this reason, many people believe that this prototype must have been destroyed at some point, either by its manufacturer or a result of its faulty core. Still, some believe it might still be somewhere out there. Though the original prototype is missing, Light’s later robots took many design cues from it, especially Mega Man and the iconic “Joe” line of military drones.

[aloevhello]

For the past two Spiderverse films, Miles uses the shoulder touch to venom blast his opponent away and win the battle. It’s likely that Miles would use this technique on the Spot to drain his dark matter and turn him back into his human form. However, I wonder if in BTSV, this expectation gets subverted where instead of Miles using his shoulder touch to create distance, he uses this technique to connect with his adversary by talking things out with the Spot.

At the end of ATSV, the Spot has amassed so much dark matter, he lost all semblance of his human form and is becoming this large, monster-like being who creates destruction in its wake. Considering how much of a threat the Spot has become, Miles can’t simply fight his way out, but instead he must think smarter, something he learned from his battle with Miguel and the Spider Society. This means that Miles would have to appeal to the Spot’s rationality by having a conversation with him, likely in the Spot’s Liminal Space.

There’s also how Miles and the Spot share the same struggle of feeling like they’re not being taken seriously, not being treated as an equal. For Miles, he’s constantly treated as a kid and had his Spider identity be reduced to being an anomaly. For the Spot, he’s been bullied for his inhuman appearance and has his nemesis status being reduced to “a villain of the week,” a diminishing that Miles contributed towards. With Miles undergoing the same treatment, it would lead to him revealing how much he empathizes with the Spot, which would allow the Spot for the first time since his transformation to feel seen. Through this openness, the Spot would realize he doesn’t need to become this large force of nature to be respected, thus allowing Miles to use the shoulder touch and absorb his dark matter to become human again. In turn, if Miles says his iconic “hey” line, it wouldn’t be an act of defiance like he did with Kingpin, but rather a place of connection where it’s more like: “Hey. I see you and understand you.” In a way, it harks back to the original intention of the shoulder touch, founded by Uncle Aaron. While Aaron, admittedly used this technique for flirting, at its core, it’s meant to break the tension and form connection.

Another thing that is poignant about Miles choosing to talk with the Spot is how it acts as a way for Miles to confront his fear of expectations. Expectations is something that haunted Miles since ITSV, as he’s always felt beholden to the expectations of his family, friends, and other Spiderpeople. This fear is best encapsulated in his mural that has the word “expectations” and is overlaid by a rough silhouette of himself. The silhouette is significant as its a blank slate that represents all the unfathomable amount potential Miles holds and the unknown person he’ll become if he’s further shaped by these expectations. It also bares a striking resemblance to the Spot’s dark and sketchy form at the end of ATSV, along with his ability to create holes to other dimensions being reminiscent of the infinite possible people Miles could become. In a way, the Spot is his mural come to life and is now seeking vengeance on its creator for carrying such a burden by destroying those who imposed these expectations in the first place, namely Miles’s dad.

However, ATSV shows how the mural evolved, since it now includes Gwen, Uncle Aaron, Peter B, and the rest of Miles’ Spidey friends. This symbolizes Miles’s mindset on expectations evolving as he now sees this idea as something to live up to, since they’re held by the people who love him. This new mindset is applied to Miles’s parents who, while not on the mural, give him the unconditional support he needs for becoming the person he wants to be. Thus, with Miles getting support from the people imposing expectations on him, he gains self-determination and is not only able to stand up to the Spot, but also has the strength to make amends with him. After all, the Spot lacks the support system Miles has as his parents and colleagues all laughed at him after his transformation. Coupled with Miles not taking his villainy seriously, the Spot is fueled by his own internal expectation to advance his prowess as a villain by furthering his vengeance and losing himself in the process. It’s only when Miles finds the humanity in the Spot by releasing his dark matter, he finds Johnathon Ohn and saves him from this burden. In turn, by finding the humanity in his fear, that’s when Miles finds himself, which fills in his silhouette as he conquers his fear of expectations.

[art-that-fucks-you-up-tournament]

SET THREE - ROUND TWO - MATCH FOUR

“Cat in Obsolete Bath” (? - Theodor Seuss Geisel) / “Salvator Mundi (Savior of the World)” (c.1499-1510/2006-07 - Leonardo da Vinci)

CAT IN OBSOLETE BATH: This painting (and a lot of Seuss's darker artwork) give me the feeling that I can only describe as "a child learning that adults/their heroes are human beings". We are so accustomed to seeing him as an icon of children's books/art, that when we see these darker reflections of his mind (often using similar characters and creatures as his children's work) that makes me realize that this man is a human being that has gone through periods of despair. In this painting in particular, the background elicits emotions of emerging darkness. The titular cat having its top half hidden with its legs and tail looking so pathetic on the bottom, the water drops possibly being tears. What is he doing hidden away? Just bathing? Or crying. The wonkyness of the shower drain contributes as well. (princeoftheroses)

SALVATOR MUNDI: When I look at the scuffed up and damaged wooden panel, while I see the image of Christ gazing at me through five hundered years, I also see the Object and all the ways in which it seems to drive people to a sort of rational delirium. 500+ years ago, some guy attempted to convey the idea of Jesus as sacrifice and world saviour - the core of Christian theology - by use of paint and brushes, into a single picture for a single customer. It survived wars and revolutions and reformations and while I know the image and the story of the object intimately, I have never actually seen it and I probably never will, it is paint on a wooden panel and it is quite likely to outlive me by centuries. (skeppsbrott)

("Cat in Obsolete Bath is a painting by Theodor Seuss Geisel (Dr. Seuss.)

"Salvator Mundi" (Savior of the World) is a oil on walnut panel painting attributed to Leonardo da Vinci, but possibly by another artist. The submitter specifically requested the post cleaning and pre-restoration version of this painting. This painting measures 45.4 by 65.6 cm (25.8 by 19.2 in) and is privately held.)

[allyouneediskilly]

The thing that really gets to me about Malenia vs Radahn discourse, aside from the extreme misogyny directed at Malenia, which is its own can of horrible worms, is that the game literally tells us the answer! Neither of them won!

The game is very clear about the fact it was a stalemate, they fought to a stand still. Radahn is a husk of his former self, roaming the wasteland of their battle eating the corpses of his friends and enemies. Malenia is so drained from the fight and finally not holding back the scarlet rot that she is comatose afterwards. Findlay had to drag her back to the Haligtree by herself (iconic) to make sure she was safe. Neither of them are the same after their battle.

Malenia and Radahn were both considered the strongest for different reasons. Malenia was an Empyrean, the best swordsman in the Lands Between, host to a fucking Outer God, and had the undying devotion of her soldiers. Radahn was a titan of a man, a master of gravity sorcery, arresting the cycle of the stars themselves, and was beloved by his soldiers too. I still get shivers facing either of them.

The arguments about who won completely misses the very obvious point, so obvious that they literally just tell you in the game, that nothing was to be gained by this war. It was a power squabble between a fractured family that destroyed the Lands Between, leaving no one left to rule, leaving the Tarnished to pick up the pieces of the Shattering.

FromSoftware have never been subtle about the fact that these conflicts do way more harm than good, that these institutions like the Golden Order or Gywns kingdom of Anor Londo are rotten to their core, and do nothing but make the people forced to serve under them miserable, caught in a never ending cycle of violence.

No one won in the fight between Malenia and Radahn, it never should have gotten to that point.

[grimfox]

potentially lost

the sun once rose from between your lips and set dwindling lower our dawns the echos of of purpose and i represented the startling void i was tidal embrace felt as coiling serpentine to slither ever after your warmth you leave me twilight you leave me dusk dust, the only thing that twirls anymore no more wings for soaring only core hollow silver eyed drained and desiccated linen bound and starwept Eden burning black as promises your Gomorrah seeking Holy Land bitter pilgrim paling from glory more icon, no lustre all vermin, squirming tight in balls to touch tails and vomit excuses into the scree some failed profit marginally closer to the end your scavenger hero mind ferreting eternal but to a lesser degree no barred gate bold holding strong against no stone's throw cause to pause my own events no hope-broke maws of straw defence only moon at my shores only mistshine, no wandering wayward whimsical wraith just silence and me and the one and the only tempests strewn like blessings scattered in gardens rampant but only potentially lost

[manchaeluv]

aespaㅤㅤ drainㅤㅤgang

[autistictaylorhebert]

Just backgenned this for a power idea I thought was funny, curious what you'll make of this:

You are the leader of a minor unpowered gang. Circumstances being as they are, you have a lot of trouble keeping control of your territory, but you’re a fantastic leader- the core of your gang implicitly trusts you, and you have full confidence in their abilities. Unfortunately, between the more powerful parahuman gangs and the threat of the cops, you’re hemorrhaging money, and you’re constantly threading the needle between solvency and bankruptcy. You spend most of your time juggling confidence schemes and protection rackets, and each one requires the skills of both you and your gang, but no matter what, you cannot escape the specter of insolvency. After years of chasing after enough money to keep your gang running, you finally catch on to a massive lead- you hear the location of where a bank is temporarily storing a huge amount of gold. You immediately jump on it, and when the operation begins, everything goes smoothly. But just as your gang is about to take out the last of the gold, the cops report to the scene. You can stop right there, distract the cops and get your gang out of there, but that would be the end of your career, even if it means you keep their respect forever. Or you can sneak out, jump into the getaway van, and make out with enough gold to make you filthy rich, but that would mean abandoning most of your gang. You trigger as you frantically puzzle over your options.

ooooooooo 👀

This definitely feels like a tinker trigger. It's a problem over a long period of time that is treated like a puzzle that the triggeree can't solve. Resource and binary/multi-threaded tinker makes sense, but to me it's interesting to view the choice at the end as a continuation of a lose-lose situation they were facing over the longer period of time as a gang leader?

So maybe it's a conflict of "take on more dangerous jobs and step on more of the toes of heroes and more powerful criminals/take the van and betray your friends," vs "take the L, take the smaller payout and don't take risky jobs (while slowly going bankrupt)/distract the cops and lose out on a personal level in return for respect and social standing"?

Which in other words could mean a mastery/social focus and a more violent focus with risk/reward mechanics built in? So maybe emotion/"esteem"-affecting speciality (with a big power drain), and a cutting weapon/small vehicle speciality that can blow up randomly when overheating or pushed too far.

The resource they need is gold, or alloys similar to gold/coloured gold. When they have it all their gear is better, they can build tech that fits both specialities extremely well. But, when they don't have it each of their builds can only fit one of their specialities, and the drawbacks of both sets of tech is worse (bigger power drain from the emotion effecting tech, and higher chance of dangerous explosion in the cutting weapon/vehicle tech).

Alternatively...

...if you were interested in a non-tinker read, I could see this being a breaker power? They know that distracting the cops is the right thing to do, but their body is fully of fear and an animal need for control over the gang. From mind vs body incongruity, they trigger as a breaker with mover and master capabilities. In breakerstate they're a kind of 2d image or icon of themself (that looks the same whatever angle you view it from), slightly exaggerated and larger than life, able to fly and pull attention (and some emotions/attitudes) towards them.

However the form has an energy resource mechanic: spending time in breaker-state (or using the powers the state gives them) requires spending from a measure of energy that they are aware of at all times, and that energy can only be recovered through the gang "winning" territory and money, with the shard deciding what counts.

[lucidwounds]

i desire violently — and i wait.

[asphericals]

[abramsbooks]

RECIPE: Jacques’s Boeuf Bourguignon (from Fake Meat by Isa Chandra Moskowitz)

Is Julia Child smiling down on us for this one? Probably not. But damn, it’s delicious. All the wine-kissed smoky satisfaction that you want in boeuf Bourguignon. Jackfruit is grilled and charred to rep the meat, along with its trusty sidekick, porcini mushrooms. Lentils add beefy body and smoked paprika brings that bacon kick that vegans love so much. Toasting slices of garlic for this stew creates big, garlicky bites that really make it, so don’t you dare mince it instead. Pearl onions are an iconic component to Julia’s recipe, so I use them here. They’re cooked on the grill right after the jackfruit so that you aren’t using too many dishes. But if you leave them out, no big deal. Julia is already disappointed in us so it can’t get any worse. Serve over ridiculous amounts of mashed potatoes.

Serves 6 to 8

2 (20-ounce/570 g) cans green jackfruit, packed in water

6 tablespoons (90 ml) olive oil

Salt

2 cups (260 g) pearl onions

2 cups (230 g) sliced shallots

¼ cup (35 g) sliced garlic

2 cups (280 g) peeled and sliced carrots, in ¼-inch coins

3 tablespoons chopped fresh thyme

4 bay leaves

2 teaspoons smoked paprika

1½ cups (360 ml) dry red wine

Freshly ground black pepper

½ cup (95 g) uncooked green or brown lentils

1 ounce (28 g) dried porcini mushrooms

5 cups (1.2 liters) vegetable broth

2 tablespoons tomato paste

¼ cup (30 g) all-purpose flour

¼ cup (13 g) chopped fresh parsley, for garnish

HOT TAKE Double-check that the jackfruit is canned in water, not in syrup. You don’t want any sweetness here; even if you wash it off, it would still be super weird.

Drain and rinse the jackfruit. Pat dry. Remove and discard the core from the jackfruit pieces; it looks kind of like a seed. Toss the rest in a bowl with 3 tablespoons of the olive oil and a big pinch of salt.

Preheat a cast-iron grill over medium heat. When the pan is hot, place the jackfruit in as much of a single layer as possible. You will need to do this in two batches. Grill for about 5 minutes, until charred and smoky, then use a thin metal spatula to toss and grill again for 3 more minutes. Transfer to a bowl and set aside to add back later. Repeat with the second batch.

In the same bowl used for the jackfruit, toss the pearl onions in 1 tablespoon olive oil and a pinch of salt to coat. Place them on the hot grill. Let cook until softened and charred in some spots, flipping occasionally, about 15 minutes.

In the meantime, preheat a 4-quart (3.8 liter) pot over medium-high heat. Sauté the shallots and a pinch of salt in the remaining 2 tablespoons olive oil until translucent, 5 to 7 minutes. Add the garlic and carrots and sauté for about 5 more minutes. Add thyme, bay leaves, smoked paprika, and 1 teaspoon salt and toss around for a minute.

Pour in the wine to deglaze the pan, scraping the bottom with a wooden spatula, and bring to a boil. The liquid should reduce in about 3 minutes. While it’s reducing, grind in ample amounts of fresh black pepper.

Add the lentils, porcinis, broth, and tomato paste, cover the pot, and bring to a full boil for 5 minutes or so. Lower the heat, leaving the lid ajar for steam to escape, and simmer until the lentils are tender, about 30 minutes.

In a measuring cup, mix the flour into ½ cup (120 ml) water with a fork until no lumps are left. Slowly add the water-flour slurry to the pot, mixing it in well. Let cook for about 10 minutes, stirring often. If it appears too thick, thin with a little water.

Mix in the reserved jackfruit and pearl onions and heat through. Shut off the heat and let the stew hang out for about 15 minutes, for the flavors to marry. Serve with mashed potatoes and garnish with parsley.

Bestselling author Isa Chandra Moskowitz shows you how to create your own vegan meats, like deli slices and ground beef, that will satisfy every craving

“I’m an animal lover and that love doesn’t end when I get hungry. Do I miss meat? Not really. But here’s what I do miss: Aromas. Experiences. Methods. Traditions.

“I remember all the tastes and sensations from my omnivore days, even though they were so long ago. My grandmother’s meatballs, burnt on one side. Slurpy seafood pasta at a café along the bay, my teeth scraping against the hard oyster shells. My favorite pizza burger from a diner underneath a Midtown office building, the feel of the vinyl seat as I bounced with excitement at the sight of the melty mozz arriving at the table.

“These are the moments you could say I miss. Maybe you do, too. But we don’t have to.” —from the Introduction

Fake Meat is packed with 125 recipes that will satisfy every kind of meat craving, from a vegan Philly cheesesteak and a basket of wings to a rich, gooey lasagna.

For more information, click here.