#i..... am so sorry he is such an asshole

[abnomi]

EVERY REASON (that i can think of) AS TO WHY TURBO/KING CANDY IS NEURODIVERGENT 💥💥

i would like to make a disclaimer first and foremost about the obvious, being that Turbo/King Candy is heavily implied to have narcissistic personality disorder (NPD) and antisocial personality disorder (ASPD). Very often, characters with these disorders are portrayed as villains, and Turbo is no exception to this. There's nothing wrong with antagonistic characters having said disorders, per se, but when the only representation available for people with these conditions are found in characters you're not supposed to root for, it can be really disheartening. i won't be erasing these parts of him because i feel it would be in poor taste to gloss over those core elements of who he is, but plz keep in mind that having any kind of personality disorder doesn't make anyone inherently evil!!!🌞 your ACTIONS make you, not your brain

Also if anyone has any suggestions or other ideas for his neurodiversity, i would love to hear them! please do share!! I LOVE PSYCHOANALYZING CHARACTERS AND HEARING OTHER PEOPLE PSYCHOANALYZE THEM !!!! YAY🎉 if u agree or disagree with any of my points I'd love to discuss them further :-]

without further ado... click read more to find out…😈 be ready for a lot of reaches

💥 ADHD 💥

STIMMING

Turbo's constantly moving around in some way; he's a very expressive character! even as King Candy, he can't seem to conceal his frequent giggling. it's a big habit of his; he seems to do it involuntarily to regulate himself, including when he's nervous or uncomfortable.

he seems to display other repetitive behaviors as well, like doing his iconic thumbs-up pose, sticking out his tongue, or hopping around gleefully. he is but a jovial court jester..

i personally like to think that his phrases, "Turbo-tastic!" and "Have some candy!" are vocal stims of his, although i equally really love the interpretation that these (and the aforementioned stims) are tics :-]

another headcanon; i think it would make a lot of sense for him to have an oral fixation of some sort (ignoring the whole sigmund freud part of the term ermm...); just lots of biting, chewing, needing to have something in his mouth. It would align with the whole idea that he smokes, too

HYPERACTIVITY

we can clearly see throughout the film that Turbo has a lot of energy, made abundantly clear by his mannerisms and general behavior. he's constantly moving, using exaggerated expressions and gestures to communicate + express himself. He's one of the most animated and bouncy characters in the movie, next to Vanellope! it's silly how a character not very grounded in reality is such a threat, but i suppose that's what makes him so threatening in the first place...

another factor in this is how he is very adrenaline-seeking, craving activities that give him a rush (sugar rush...😂😂). more on that in a bit!!

HYPERFIXATION

Turbo's fixation with winning is all-consuming for him; it's an obsession. he doesn't appear to care about much else, if anything besides it. this could be interpreted as a hyperfixation for him (or special interest if ur all about that autism lifestyle), as it overtakes all of his focus and impedes every process of his mind.

it's clear that racing is much more than a passion for him, and while that fact is due to how he was programmed, it's a major character trait of his regardless that could be correlated to neurodivergence.

HYPERFOCUS

There seems to be a big theme of "all or nothing" when it comes to Turbo. he will either be fully dedicated to something or brush it aside without a second thought. it can't be denied that he fully wraps himself up in what he wants, whether it's a conflict he can't let go of or a new pursuit he's hungrily chasing after. 

ultimately, his dedication varies depending on if it is relevant to him and his interests or not, but this aspect of him still shares patterns with neurodivergent thought processes.

INSTANT GRATIFICATION

Seeing as he has a tendency to cheat in his use of code to spawn in whatever his heart desires, it can be assumed that this could do with Turbo wanting instant gratification to fill that bitter, empty void inside of him. while this could simply be brushed aside as greed and his belief that he is obligated to have access to whatever he wants, this trait is consistent with his generally dopamine-seeking behavior and wanting to be instantly rewarded by his actions. His obsession with needing to feel good directly relates to his need for another buzz, constantly after the next rush. (a sugar rush if you will☺☺☺)

ADRENALINE-SEEKING

Closely related to the previous speculation, Turbo always seems to be chasing his next high. he loves the thrill of action and being surrounded by crowds of people below him. it's why his big thing is racing! people cheer him on, he can do whatever he wants, he can go really fast and look cool..

it's possible that a big aspect of why he does this is to distract himself from any kind of pain, because pain = vulnerability. bro does NOT know how to independently cope with his own problems.. HE MAD AS HELLLLL!!! 😂😂

STRUGGLE WITH SELF CARE

(i know this is reaching but bear with me... 🐻) going off of his appearance and tendency to make poor decisions, it can be gathered that this man lacks skill in the self care department. his yellowing teeth and sunken eyes not only serve to complement his design, but also give way to the idea that he neglects himself in favor for whatever weird scheme he's up to.

of course, Turbo does prioritize himself above everyone else, but he doesn't strike me as the type to care much about how others think he smells. him being a bother to anyone isn't a concern of his. he cares about whatever gets him the most praise and attention from as many people as possible, which is winning and racing. Who cares about how clean he is when he's up on a podium holding a shiny, golden trophy, anyway?

It's likely that he had to step his game up when he went under disguise as king candy, which is why he looks well-groomed in comparison to his more corpse-like appearance. Ugly hoe. it can also be assumed that he's had more time to focus on himself because everyone loves him without question... Well, except for Vanellope, but who cares about her, right?

also, i know he makes a condescending comment to Ralph about how bad his breath smells, but it's made abundantly clear that Turbo is a massive hypocrite. his comment doesn't erase the possibility that he has suffered from such "halitosis" as well.

💥 ANXIETY 💥

GENERAL ANXIOUS BEHAVIOR

i know, i know, this could technically be chalked up to be "Turbo is nervously giggling and shit because he's scared of getting caught," but guys. g

even in the flashback scene, we can see how easily stressed he can become in an alarmingly short period of time. he is extremely insecure, therefore i am led to believe he is not only emotionally dysregulated, but also by extension, anxiety ridden.

yes, this is purely speculative, but who's to say that he wasn't like this before? being high-strung and intense are significant facets of his personality consistently portrayed throughout the film. as long as he is getting exactly what he wants, he is happy; the moment he loses even a blip of control, however, he immediately grows extremely tense.

if Turbo wasn't anxious about his disguise as King Candy before, he was anxious about how much attention he was receiving on a given day. if not that, then he'd be anxious over how he presents himself. He hates how he can't control how other people perceive him, which is why he is constantly trying to act like he's better than he is.

its why he justifies his behavior to himself, proudly making others refer to him as the "rightful ruler" of sugar rush and relishing in the attention of his countless underlings. Any secure and stable person would NOT ACT LIKE THIS!!!!😭😭😭

FIGHT OR FLIGHT

As we can see a handful of times on screen, Turbo's instinct to protect himself is very easily activated.

 his fear manifests in anger and aggression. we can see at multiple points how easy it is to upset him or fluster him; his anger is one side of the same coin, the opposite end being his fear and paranoia.

Going off of this point, have you noticed that Turbo is either satisfied or furious without much of an in-between? how the second something isn't under his manipulation, he lashes out and fights back? I'm led to believe that this is how he responds to fear (AAUAAYAUUUUGGHHH 🐡🐡🐡🐡🐡🐡🐡). This guy is so against the idea of being vulnerable, that even when afraid, he will utilize violence to regain his dominance over the situation at hand.

CONTROL + PARANOIA

Turbo's always trying to writhe or fight his way out of uncomfortable situations, unable to exist outside of his comfort zone for seconds at a time.

his defensive, paranoid, and controlling behavior are all reflections of how deeply insecure this man is. He feels such an intense need for everything to go exactly how he expects it to go that the moment he senses any kind of threat, he instantly jumps to defend himself and what he feels that he has "earned," regardless of whether there truly is a threat or not.

this could potentially be a coping mechanism for his anxiety and sense of stability; can't forget to mention how territorial he is!! he jumps to conclusions about what others' intentions are before they even get a chance to reply, as seen with his first encounter with Ralph in the movie. 

the racer is so internally discombobulated that he seeks any sense of stability on his environment, including on those around him. his sense of self is so warped that he copes with constant distraction; being under the spotlight, being actively racing, having to be showered with attention, having others make him feel good because he doesn't know how to do it for himself. he needs to feel like everything is under control, lest everything falls apart.

"...if there's ONE thing I can't abide, it's ANYTHING out of order!"

💥 NPD 💥

INFLATED SENSE OF SELF IMPORTANCE

Turbo's most in-your-face trait above all else. It's made more than crystal clear in every scene he's in that his arrogance is a determining factor in how he interacts with others. This is exactly what drives him to desperately crave admiration, to chase after others he's envious of because he thinks he is obligated to take what they have.

he seems to genuinely think he is entitled to get whatever he wants, just because he is inherently "special" or "better" than everyone else. Why else would he have made himself a king, a step above princess?

EXCESSIVE NEED FOR ADMIRATION

Turbo's self worth is COMPLETELY dependent on the opinions of children and teenagers. I think i don't need to say any more than that, but i will. (Evil).

As cartoonishly massive as his ego is, i think that it's fair to assume that Turbo has a very unstable sense of self, distorting his perception of his own worth down with it. his near-constant flaunting and need to be the best is a dead giveaway to his deeply-ridden self-doubt. The foundation of his stability is built around how "good" he is (at racing and winning), how powerful he is, whether or not he is being prioritized above everyone else, whether or not he is the absolute best, etc. etc.

The racer outright manipulates others to shower him with admiration and undeserved appreciation. He is incapable of forming a true sense of internal value, instead heavily and codependently relying on others to form it for him. if he isn't the best, he may as well just be nothing.

INTENSE JEALOUSY

He reacts so severely to what he perceives as others taking away what is rightfully his that it only goes to solidify my previous points even further. the second someone else is getting more attention than him, Turbo will bend over backwards to rip back the praise he believes he so rightly deserves.

being extremely competitive, he will one-up against anyone he thinks of as a threat, dedicating himself to taking them down to the best of his ability, and making sure they STAY down to top it all off.

INABILITY TO HANDLE CRITICISM

if we really dissect the entire one-off joke with Turbo insisting that his stolen pink castle is actually "salmon," along with all of his other domineering behaviors, we can garner that he is very persistent in how he wants others to view him. i wholeheartedly believe that this would translate into him not only being defensive over his supposed "ownership" of Sugar Rush, but also over himself and his own insecurities.

He needs to feel good about himself or else he will die and quite literally try to kill everyone.

LACK OF EMPATHY

He appears to have a fondness for making jokes in very poor taste. Turbo has a big sense of humor, but it's always at the expense of others. Be it a pun about a "fungeon," or jumping to protect himself with a joke about "hitting a guy with glasses," he has a tendency to take serious situations very lightly. It's not that he's unaware of the weight of it; he simply doesn't take it Seriously.

its admittedly impressive how he was able to feign empathy so well for Ralph; it goes to show how he is very capable of understanding that what he's doing is wrong, but ultimately does nothing to change his behavior because it doesn't impact him personally. 

i would like to honor this part of him, because even in the possible alternate path of a redemption arc, his struggle with empathy can be explored in a variety of interesting ways :-] he can understand complicated emotions and situations on an analytical level, but he doesn't feel for them unless it has to do with him specifically. (this obviously doesn't make him inherently evil, his ACTIONS make him evil)

💥 ASPD 💥

LACK OF REMORSE/GUILT

One of Turbo's core characteristics is just how far he is willing to go for his own self-interest with lack of regard for how it impacts everyone else. he has absolutely no concern for how anyone else feels besides himself, willing to go so far as to attempt to mutilate a 9-year-old to achieve his petty goals.

Turbo is shameless when it comes to how he goes about getting his way. While I'd like to believe he isn't fully incapable of feeling regret, he doesn't showcase feeling it in the movie itself. The most regret he'll feel is when he slips up and exposes himself. anything else is the fault of everyone else; he is untouchable in his eyes.

DECEITFUL TENDENCIES + LYING

Where do i even start with this one.

well, first of all, let's acknowledge the... erm, horse? in the room? 🐎😅(Please someone help me there is a horse in my room help helphel) being that Turbo went under disguise as King Candy for at least a decade. Even before this, there's a good chance that he's already had plenty of experience with lies and manipulation. i'd be willing to bet on this!!

one of his specialties is being proficient in manipulation, be it the code of games or the minds of people. theyre basically the same thing to him, anyway... I'm sure you all know the scene where he uses 16 manipulation tactics against Ralph and wins. this was Obviously not the first time he'd done this.

REPETITION OF HARMFUL BEHAVIORS

Time and time again, Turbo can't seem to help himself when it comes to poor decision-making. he never internalizes that his bad choices aren't JUST bad for others, but also for himself, continuing to escalate further and further into very dangerous behaviors until he literally dies.

Here's a list of bad decisions he has made! (at least, that we know of)

Pinning himself above his peers

Harassment + stalking

Carelessly charging through GCS with his car, endangering countless civilians

Attempting to take over a game that isn't his x2

Vehicular manslaughter

Implied mass murder + attempted murder, attempted mutilation

Mass endangerment

Breaking and entering, theft, usurpation, plagiarism

and more!!!!!!!

AND HE LEARNS FROM ABSOLUTELY NONE OF THIS!!! with some of the items listed here, he's attempted to do multiple times! Absolute buffoon.

RECKLESS DISREGARD FOR SAFETY OF SELF AND OTHERS

Considering how he was willing to charge into a game that wasn't his own with the awareness that it could permanently kill him, going as far as to recklessly crash into another car (albeit it's possible this was unintentional), it's easy to gather that he doesn't seem to consider anyone's safety at all in the spur of the moment.

IMPULSITIVITY

his impulsivity and disregard for safety both go hand-in-hand. When it gets to a certain point, Turbo's emotions will boil over and blow up in a cold rage, thus causing him to spiral and act on impulse, becoming a detrimental force to himself as well as everyone around him.

What's interesting is how much restraint he is capable of; he typically is very strategic in how he orchestrates his plans! but once he reaches his breaking point, he snaps and leaves all of his hard work behind in favor of something that calls for his immediate attention.

💥 ETC. 💥

extra tidbits i didnt have enough energy to fully delve into :-]

BPD

Fear of abandonment

Blurry sense of identity

Feelings of emptiness

Self destructive tendencies

Emotional instability

Explosive anger

ODD (oppositional defiant disorder)

He seems so infatuated with his own autonomy that he gets to the point of being resistant and defiant

Resisting against the rules of the world that he directly caused as a result of his own actions, being that one shouldn't "go Turbo."

Enjoys upsetting/getting a rise out of others. this is more speculative as i am going off of the assumption that he thinks pissing people off is funny, based on his other behavioral patterns. (cruel sense of humor, wanting to feel above others via control & manipulation, enjoyment of inflicting pain onto others)

Forcefully defends himself and refuses any kind of criticism

Lashes out when he feels slighted

Excessive persistence despite all odds, whether it's beneficial to him or not

ok bye!! thank you if you managed to read this far ^^ peace and love take care of yourself! all in all turbo is so neurodivergent ok please Okay <3 get this thing his meds

[cybertron-smash-or-pass]

Cyberverse Grimlock

[stormyoceans]

LINE READING SO DEVASTATING I NEED TO DIE ABOUT IT

[canonfanon]

Rewatching Pacific Rim right now, and there's this tiny moment between Mako and Raleigh that I really love

Toward the beginning of the movie, before any of the main action, Mako is showing Raleigh around the shatterdome, introducing him to the newly-renovated Gipsy Danger

Directly after this, Mako shows Raleigh to his quarters and the two of them have this conversation:

They talk a little more, Mako reveals her amazing simulator score, but also confirms that she is not one of the pilot candidates. They then discuss Raleigh's abilities. He asks Mako for her opinion - she thinks he is skilled but too unpredictable and reckless. She ends with this:

Raleigh thanks Mako for her honestly and says she may be right. Then goes on to say this:

And the tiny detail in this scene that drives me crazy is right here

He says when. Not if, when. Mako has just explicitly confirmed that Marshal Pentecost is not considering her for Jaeger pilot. It has already been established at this point that there are only 4 Jaegers left anyway, and that the program is nearing its end, one way or another. In all likelihood, they have very little time left until the end of the whole damn world. Hell, Mako herself just criticized Raleigh, and he could very well wish to get back at her for that, were he a different person. AND YET, despite all of that, he says when. Raleigh has faith in Mako from the very, very beginning, before they even drift together, before he even sees her fight.

And that drives me crazy! I love their relationship so much

[venusmage]

i think im over astarion but then someone draws him really hot and im so back

[quartermoonconvergence]

Ok i think im really sick of this so i'll say it - it is very obvious how much of a higher standard people here hold max up to compared with the rest of the cast and im really sick of people pretending they don't do this.

You are not smart for saying constantly "oh max is an asshole" and not providing any other further explanation for that same statement. You all will ignore the times that other, worse written characters have been rude in the show in favour of reiterating the same point over and over and over and over and im really sick of pretending otherwise. Like no shit max is an asshole id be a dickhead too if my entire worldview was based on the fact that my parents are too busy to give a fuck and i have only myself to rely on in this world.

And if i said this is also heavily because of the fact that max is an indian child and a lot of people have issues with seeing children as people by themselves along with how poc are adultified socially id be the bad guy. I'll likely elaborate on this more in a later post but I simply have so many issues with how this fanbase treats max and im really sick of this

[metukika]

ill say it before and ill say it again. hc that teru doesnt like serizawa at all.

[thekittyfox2999]

d

I don’t like bbc

But for some reason the idea of John going for Jim instead of Sherlock is stuck in my mind

what dumb shit would they get into?

what challenges would they face?

and most importantly

would Jim be better at keeping a veteran with ptsd from committing heinous crimes that aren’t a part of their scheme?

[hall0wedwyrm]

okay guys im gonna need some input because i think about this everytime i go to listen to any Shadow theme song and it drives me insane

Shadow has a lot of songs that could be 'his theme song' but no one (SEGA) can decide which... so im putting it to the fandom.

Little do you all know i have a very strong opinion about this and i will be judging your choices /hj

also drop your opinions in the reblogs or comments im genuinely curious

I was gonna add Throw it All Away but these two are the ones everyone loves to use to its out of these ones lol

[spicyicymeloncat]

Idk if this is a hot take but why is it always “Kai slaved away and worked his ass off to raise his sister” and never the other way round or them working hard together?

Like, I know he’s older but in the show, does he really… act older? Like if you think about Kai and Nya’s dynamic yknow? Because from my understanding:

When Kai and Nya are introduced we see Kai fail at making a sword and Nya being the one to chide him for it. Kai makes an overconfident statement about wanting to be a better blacksmith than his father. This suggests that one, Kai is rather rash as well as inexperienced (something that lines up with the rest of his character arc in the pots and also generally), with Nya being the more mature figure in contrast

Also just a note but in the shorts: “I can handle it!” “No you can’t, stupid”

Kai frequently being very good at neglecting people or things: leaving Lloyd at an arcade whilst being focused on finding samurai x, not even knowing samurai x was Nya or that she only did it because she felt left out by him, completely abandoning both Nya and Lloyd in s3 (and Ik he was going through it at the time, but in line with the fandom’s characterisation of him)

Kai in season 5: “After I lost my dad, I lost my way. But I was lucky to have my sister watch over me”

Generally, their dynamic isn’t one where Kai really provides for Nya at all. In fact, judging by the fact that Nya can make entire mechs and Kai struggled to make a sword, Nya was probably busting her ass to provide for Kai. And judging by the s5 quote, that’s probably true. I’m not saying Nya raised Kai, it just rubs me the wrong way when she’s treated like a decorative flourish to a narrative that paints Kai as a burnt out child who was forced to grow up too soon especially since that is such a mischaracterisation of him in the first place.

[rmorde]

Trigun Manga Reaction

Here we go! Chapter 8 Volume... Huh?

Voulme 2? I thought this is still Volume 1. Am I tripping?

Anyway! Just a moment of appreciation for this parody page of he cover.

This while thing is so "busy" yet it still make sense. There's so many elements layering on top of each other. It should be a confusing mess. However, I can still easily pick out the four components that tells a story.

Component 1: Vash as a happy salary man being served a drink by a geisha (judging from the hairstyle and accessory) with shadowed eyes on the opposite end of the page.

Component 2: BDN at the dead center. The text makes it a bit difficult to confirm if he has a top knot, but he definitely is rocking a traditional Japanese look. He looks menacingly at Vash as he drinks.

Component 3: Meryl and Milly running in a hurry but for two clearly different purposes. Meryl looks like a traditional restaurant staff frantically trying to serve a lot of guests. Meanwhile, Milly doesn't look she's working anywhere near the food service industry with her get up and the tool that she has on hand.

Component 4: The Bad Lads drinking in celebration while an ambulance seems to be sounding its sirens as it parked near them.

Look. I may seem to be too obsessed with this gag page but it's crazy how its a fucking busy mess that still works at telling a cohesive story!

With just this two page drawing, I can infer easily that someone is in danger and may need to be hospitalized - so the ambulance was called and asked to stand by. Milly is probably the heroine about to save the day with the overworked yet eager to help Meryl. The party the Bad Lads are having is a big distraction at a possible murder attempt starring Vash as the victim, the geisha as the accomplice, and BDN as the mastermind.

I'M SORRY BUT HOW THE FUCK?!!!

And don't get me started on the scaling of each figure and the silhouettes. Just... I'll just repeat, Nightow is amazing for how pretty AND technical his drawing is. It's so clean. Wow...

Sorry for getting derailed. So, back to the chapter.

Ok. I lied. Let me just appreciate Winter Mery and Milly here. I love them so much and they so fucking cute here with their dynamic pose... solid silhouette... Clean fucking lines... Sorry... Give me a minute!!!

Sigh~

Interesting. So, '98 rearranged the sequence of events here. This happened a bit later... which I think is better. It adds more impact on Vash's duel against BDN.

These guys are no stormtrooper shooters. They having really good aim!

They didn't hit Vash. Okay. Maybe the tails of his coat now have fresh bullet holes, but aside from that, Vash is fairly intact. The Bad Lads have great accuracy.

This is an intriguing way of drawing a spinning gun. It's simple but effective in visually communicating that that is what BDN is doing. A good choice. Thinking about it... If three twirling guns in a blur of circles were drawn, it would be too distracting and BDN will be overwhelmed in the panel.

Cool foreshortening. Incredible detail on the filigree. And a bonus Goofy Face Vash!

So so fucking glad '98 was faithful to the manga with these scenes. Meryl and Milly were such badasses here.

Huh... Well that's a huge difference. There's not much:

GASP! It'S VaSH tHe STampeDE!

vASh ThE StAMpEdE?!

VASH THE STAMPEDE!!!

It can get a bit much... sometimes in '98. So, this is refreshing.

WHAT...

WHAT THE FLYING FUCK?!!!

So, those lines by Miss Purple Avenger from the filler episode were originally from BRILLIANT DYNAMITES NEON?!

I-

Oooohhh.... Pretty art... Wait no... I can't distracted. I'm mad!

I'M VERY VERY MAD!!!

OML! This is much more intense! IT ADDS SO MUCH WEIGHT TO THE DUEL!

Oh my goodness... This nuance... WHY WAS THIS CHANGED?!

Not to say that Miss Purple Avenger and the episode featuring her was bad. It was actually great! Her version of July was nightmare inducing... and her confrontation with Vash was truly tragic too but.... Uhm...uh... AAHHHH!!!! I CAN'T CHOOSE! THEY'RE BOTH GOOD!

Oh... break my heart into fucking pieces will you huh?!

LOOK AT THESE! Manga Vash getting cheered on by the people! People were supporting him! He is being treated nicely as he deserved.

Even in '98! It was not as overt at this page. However, that scene of the captain from the beginning of this chapter replaced these panels instead and is just as effective. '98 Vash has people believing the good in him.

TRISTAMP VASH WAS ROBBED!!! HE NEVER HAD THESE!!! That poor precious boy! The few precious people who supports him only showed up near the end... and... and...

Now getting even more upset again with the Jeonora Episodes in Tristamp!

It's so not fair!

Oooh. A cinematic page!

HOLY SHIT!!! THESE PAGES ARE AMAZING!

I can't believe this. This fight is better in the manga!

I am not dissing Studio Madhouse for what they've done tho. The '98 Duel was epic too! They did great! But all these crazy angles and perspectives in the manga just elevate the overall awesomeness of the gunfight. It's just more immersive.

Tbf to the '98 anime, this is a nightmare to animate faithfully. With the technology and techniques at the time, this would be so difficult to pull off beautifully - going topsy turvy in one smooth motion for two characters at the same time in a fight scene with a complicated moving background? Yeah... The animation staff would go insane. It's totally understandable that they simplified this duel into extreme close ups and strong facial + gun drawings instead.

I hope Studio Orange re-hashes this fight in some way tho... or does the Episode 1 duel count?

Sigh... With the my discovery that Miss Purple Avenger's lines were actually BDN's, and that the outrage towards Vash for not remembering anything about July belongs to the Bad Lads', these words have become so much more meaningful.

It's also now more effective at convincing me that Brilliant Dynamites Neon have hidden depths.

Oh... Ow... The detailing here is just ow for the hands of an artist. Perhaps I overreacting, but those fine lines in the crooks and crannies make me wince.

Once again tag responses:

@revenantghost

Yeah. The more I see his work, the more I'm awed by his skills. That's a cool detail that his design incorporate realism. I thought the glasses are for the light tho? But maybe it's like those the Olympian gunners wore during the competition?

The dead REALLY haunting the narrative? Looking forward to it!

@takeshidude

Ok. Monthly publication are still grueling but at least its not as nightmarish with weekly mangakas. No wonder the quality is consistent with the art. Nightow was allowed to breathe.

You make a good point. '98 did have a bit of a mystery woven into it. We know Vash the Stampede - we follow his misadventures and people kept saying who he is ad nauseam in every episode. However, we don't really know know him for quite a long time. It's a different, but no less interesting, spin to the story.

Which kinda explains I'm misremembering some scenes and characterizations? The last third of '98 made a long lasting impression that I kinda forgot about Vash's horn dogginess.

[insurged]

villains will never get the endings they deserve.

[hella1975]

we may have lost another one to the bisexual hotgirl and straight loserboy agenda but trust i am fighting it comrades 🫡

[starwarsanthropology]

i need to know more about tomo pls i love 'dog with separation anxiety' characters

Ok ok I gotta put this under a cut because hes. rotating inside my head always. Going to put a link to his whole little page i posted bc this gives you Some basic information as to his Vibes.

Tomo is a Corrie medic! He’s got a few different like. personas he puts on depending on context. I talk a lot about his Weird Little Unhingedness persona bc thats when he’s letting is all out without hesitation or shame, which is really fun, but he’s a brother first, then a medic, and then a pathetic little creature.

As a vod and a brother, he is very, very loyal and committed to his siblings. His core guiding motivation is to make things better for them, but because of how he thinks this tends to be an individual focus rather than a group focus; he’ll individually get everyone a blanket before pushing for a new project to get everyone blankets, etc. 

When he’s off duty and relaxed, he tends to be a friendly, nice guy. Will bend over backwards to help a vod, even one he doesn’t know, with minimal questions asked. Not a whole lot of respect for rules and authority; if you can’t indicate the practical reasons behind a standard or regulation, he will probably ignore it at his convenience. HOWEVER, he is also Definitely younger sibling coded and can be a bit of a shithead as a treat. Kind of a doormat and seems easy to bully but once he realizes he’s being teased or bullied he’ll go from the NOOOO!!! NOOO!!! younger sibling tears to I’m A Medic And I Can Tolerate And Shut Down So Much Bullshit on a dime. Likes people, likes to be around people in general, will worry and fret and scold if you’re being a bit reckless but also the biggest enabler in all of the med corps tbh. Believes in happiness and autonomy as a primary element of wellbeing and this drives a lot of that enabling; is the most likely corrie medic to go out of the way to let u keep a scar you want even if it makes his job fixing underlying structures more difficult.

He’s actually quite good at being professional when hes Being A Medic, and honestly can be a little ruthless, in terms of not hesitating to make calls (because that’s how you get people killed). His specialization is in orthopedic and reconstructive/plastic surgery, which in practice means he’s NOT out of medical much when on shift; if he’s called onto site, things are really bad. On a good day he has no emergency cases, but most of his emergencies are cases where there needs to be immediate and dramatic surgical intervention to prevent fatality. Amputations, skin grafts, major muscular trauma, broken bones; he sees a lot of really nasty shit, in his emergency capacity. In a non-emergency capacity, he still sees a lot of unpleasant and upsetting things, because he’s, yknow. reconstructing things and overseeing recovery from skeletal trauma, but it’s much much safer and less stressful. As a result of all this, he has a really strong stomach and a skewed sense of when gore, blood, or guts gets upsetting.

Also in his capacity as a medic, but off-regulation, Tomo provides a lot of suppourt to trans vode with gender-affirming care! He’ll do just about anything that’s not hazardous; he refers for tracheal shaves and bottom surgeries that require significant specialization or more advanced/specialized equipment than he has. But fillers, FFS, top surgery, horomone access? He’s gotchu.

Also; he knows he's cute. He knows people see him kind of as a pathetic little creature. He ABSOLUTELY weaponizes the shit out of this as a medic. he can cry on command because he learned the magical efficiency of just BURSTING into tears on someone avoiding the medbay. If you aren't guilted/made uncomfortable enough to comply he'll just get someone to drug you and haul you off lol

He’s a really affectionate, friendly, and easygoing guy overall, but the part of him that i talk about most often is his Little Freak setting. This is a manifestation of extreme seperation anxiety. He’s good at respecting verbal boundaries but is a Stage 5 Clinger. He will follow you into the bathroom if ur having a conversation and not notice until ur like excuse me that its weird. He’s really scared of loosing people, either to death or just to the vast distances of the galaxy, so he really really wants to be like. tangibly tied to people. This is where his cannibalism schtick comes from like he cannot imagine a closer intimacy than the physical substance of one’s self being intergrated into the other through consumption…. carry him with you forever and vice versa….. woah…..

@mamuzzy also pulled a GALAXY BRAIN take putting him w Mereel in that one art. Rotted my brain hard for them as a cringefail couple where their respective toxic traits slide off each other like water off a duck. I have a Lot of meta for that im not going to elaborate on too much beyond tomos tendancy towards clinginess being satisfied by mereel pinging him when he’s away, mereel being unbothered and indulgent of his weirdness, and tomo being game enough to help mereel that mereels habit of social engineering and manipulation to get what he wants doesnt have a chance to get toxic bc tomo is already willing give mereel whatever he wants with the ironclad exception of endangering his patients, which he is too stubborn and protective to be manipulated directly about anyway.

I decided that they met bc mereel needed to change his apperance for smth, hooked up w tomo (convenient emotionally vulnerable mark! yippee!) to gain access to medical supplies, was asking about a kind of filler (intended use for joint injuries but off-label use as a filler) to figure out if he can self-administer it and Tomo was immediately like oh i can administer it if you want to try! It’s easy to dissolve if you don’t like it! Mereel agreed, Tomo put in the temporary fillers, and they both walked away from the encounter satisfied and with each other’s contact information in their pocket.

It is very important to note that while Tomo IMMEDIATELY recognized Mereel was interested in the filler’s capacity to change facial structure and apperance, he did not realize Mereel wanted apperance-altering interventions for a mission until months later when someone pointed out he is a black ops specialist and got together with Tomo to use his skills n specializations.  He had fully been working on the assumption that Mereel had just been interested in gender exploration even after they had an established pattern of Tomo administering temporary cosmetic procedures for Mereel’s missions

ANYWAY thank u I love him he is so deeply strange. just an odd little dude.

[boxwinebaddie]

hi uncle nina! it's my birthday today and u don't have but will u pretty plz consider reposting that part of ch6 of rm where raven in on the phone with kenny b4 his hate with jers? i thought it was super cute and i really wanted to read it :3

awwww, happy birthday, darling! i hope it's as lovely as you are!

and i--sigh.

okay.

i hate complicated feelings surrounding chapter six ( aka the introduction to the iconique ravesey hate that i deleted from stress ) because i actually did love it...i just rushed the hell out of it, didn't plan it out very well and it was a mess. it could have been a lot better.

part of why i deleted it was actually because of that ravenstan/kenny phonecall because i felt worried that i revealed too much about how not cool and actually boy-failure-y stan was too early and could have kept the suspense going longer but aaaaaa i just wanted y'all to see how CUTE he was, like??? and how nervous! AAAA!!!

buuut considering the cat has been out of the bag, or rather, the raven has flown the nest for some time now...and it's the beauteous day you were born...i will humbly present you with this b-day present in the form of my incompetent idiot girl ramblings/writings, though, i fear it is not at all as grand the gift of your life is.

so, without further ado darlings, here is the endearing, embarrassing phone call ( it was over discord actually ) that ravenstan had with kenny prior to showing up to blondie's for his little hate-date with jerseykyle. it's a mess and unedited, but regardless, please know that from whatever hurts or harms you, i hope you heal, please rem(ember) to smile, pendejos,

and to now, as always, angels:

please enjoy the very, very...

worst part of your day. ;)

-uncle nina <333

[sleepingfancies]

hello it is the uninvited you said u can talk about Raphael's complexities for hours. please do i want to know about this GUY <3

hiii i'm late to this but YAYYYYY thank u sm for asking about My Guy >:3 complexities under the tag for length

Raphael (23) is the eldest of six children. Since Raphael was six years old, he's helped take care of his younger siblings one by one. He does love them dearly, but a large part of him also resents how his life was dedicated to being the "third parent." He's held his tongue out of gratitude, given the hardships his parents fought through trying to raise them, but that's really only served to let his resentment simmer. His relationship with his parents is tense at best because of it. It hurts his mother in particular to see him distance himself, and truthfully Raphael hopes it keeps hurting. Despite that, whenever his siblings - or indeed anyone around him - needs help or comfort or protection, he will always be there at a moment's notice. By now, it's an instinct he can't ignore. Being of service to others while also being their guiding or protecting hand is the way he was taught how to love.

Raphael's mother Rikke became a household name when she exposed new biotechnology being quietly developed in her home country (Nattenheim) to the neighboring country (and planned future recipient of said biotechnology) of Teothe. The developmental methods of the technology kickstarted a civil war in Nattenheim, and the scandal ended all trade and diplomatic relations with Teothe. Her partner Florian helped her flee to his home in Teothe for refuge, but they remained unsafe from assassination attempts for a decade afterwards all the same. Raphael was both conceived and born during this timeframe, making his first five years of life deeply unstable and full of uncertainty. He does not remember having a safe home in which he could just be a child until he was six, by which time he became the "third parent" almost immediately.

Raphael, being his mother's spitting image, cannot escape association with "Rikke the Traitor" or "Rikke the Savior" no matter where he goes. Every person he meets is immediately aware of his connection to Rikke, and judgments frequently follow that awareness. As a result, he bases his presentation largely around what people think of his mother. If they believe she is a traitor, then Raphael plays up being dishonest, selfish, even outright cruel. If they believe she is a savior, then Raphael presents himself as selfless, honorable, and gentle-hearted. This might seem like loyalty to his mother, but in actuality, he just throws on whatever veneer "validates" any one person's judgment of him. Very few people actually "know" Raphael, given how much of his public behavior is a front.

To the above point: Raphael is, at his core, desperately attention starved. He craves recognition like his life depends on it. If someone believes his mother is a traitor with no morals, he will lean into that belief to guarantee that he is equally reviled, because that promises attention. He does not fear being disliked, because he can always get some measure attention from people who find him annoying or unlikable. He pursues goals, passions, and people he believes can satiate his attention needs with obsessive fervor. If he fails to achieve them (or god forbid loses them to another's efforts), he can become deeply bitter and even violently jealous. Raphael wants to be lauded, wants to be wanted, wants to be cherished, wants to be noticed, wants to be the specialest person in the room to something or somebody at all times. He does not care how he gets that or who or what he gets it from. He is someone prone to insanely toxic relationships that he charges headlong into, or corrupt workplaces where he can undercut others to get recognized. By the same token, though, he is also perfectly at home in a deeply loving relationship with a steady partner, or in a workplace where he can feel fulfilled helping others and be regularly thanked for it, such as emergency medical services. He has made his personality and standards very malleable in order to slot into whatever niche best rewards him with attention.

Whether an acquaintance or a close friend, everyone knows that Raphael is vain. Of course, he wouldn't describe it that way so much as that he's "meticulous" about his appearance. He takes great care of his hair in particular, but preens quite diligently in general. The point of this (though he isn't aware of it) is still an attempt at recognition. Styling himself is the easiest way to get attention, after all. If he can be the prettiest man in the room, the most fuckable person at the grocery store, the cleanest and shiniest person in the chapel, then people are paying attention to him exclusively. In fact, calling Raphael "plain" or "boring" or "dull" are probably the most surefire ways to making a permanent adversary of him. He will never, ever accept the implication that he is in any way mediocre or average. He can't accept that in others, let alone himself.

In Nattenheim culture, the number, style, and fastener-of-choice of braids a person has are all communicative of various social aspects such as marital status, profession, and class. Raphael almost exclusively wears his hair in one long, singular braid fastened with a dull tie at the ends. Due to its simplicity, this style has no translation in Natten culture. It is essentially communicating that the wearer has no identity.

Raphael's insecurities get the better of him in ways he can't always control. His fear of being replaced, forgotten, or growing irrelevant constantly gnaws at his subconscious, and it is a powerful beast. If he feels that his companionship or work is slowly being edged out of relevance by another's, he can fly into irrational and accusatory behavior in a blink. Without intervention or reassurance, it can become devastating fallout. Raphael never wants to hurt or scare people he cares about, but he just doesn't have the skill to calmly communicate how terrified he is of being replaced, forgotten, or made irrelevant. He has burned quite a few bridges this way, all of which he deeply regrets. He knows all he can do is apologize when he comes down from his state of panic, and accept if or when that apology doesn't grant him forgiveness. He genuinely wants to be a better person, but he has no idea where to start. A part of him thinks it's probably too late to improve.

Raphael would not be able to answer the question of "who are you" with anything besides his name. If asked about hobbies, passions, even personality traits, Raphael would struggle to provide an answer. If asked about childhood memories, he wouldn't be able to describe any that did not include his siblings or watching his parents fear for their lives. He has spent most of his life either playing the role of the responsible eldest child and protective big brother, or being a mirror of others' perceptions of him. He refutes vulnerability on instinct. He doesn't necessarily fear it, but he cannot afford to risk it with the wrong person. Not when his family relies on him, and not when "being himself" could also risk losing the invaluable attention that catering to people's expectations brings him.

Raphael is also, to some degree, a stanger in his own career. He joined a faction not because he believes in their beliefs or even cares about the work, but because it put the most distance between himself and his family. His joining was controversial and he was very nearly rejected, due to his mother's infamy. To avoid more scrutiny, he interacts very little with his coworkers. He is comfortable in his own company, which is perhaps the only saving grace for the situation. Isolation leaves him alone with his thoughts and feelings, isolation makes him bored, isolation makes him crave attention more and more. Most of his coworkers don't know him as anything beyond "the guy who stays out of the way," but Raphael's more destructive tendencies are always just around the corner.

Though very few people have seen it, Raphael is remarkably - even startlingly - different in private vs in public. His fronts in crowded public spaces are often loud and flirtatious, impossible to ignore and easy to be annoyed by. He brushes off criticism as easily as he charms strangers into becoming friends, all while ensuring he's the focal point of every eye in the room. One-on-one in public, he comes across as anything he wants you to believe he is. Shallow, generous, vapid, mean, funny, shy. Whatever he thinks you want him to be. In private, though, the facade drops. He's far more subdued, softspoken, and patient. He seems exhausted, even if he manages to keep up appearances with a smile at least. Particularly if he's caught off guard in private - if he wasn't expecting company - the difference seems like night and day. If asked about it, he won't acknowledge the difference. Depending on who he's speaking to in private, he can recover the facade quickly, though it's never quite the same as when he's fully prepared for a crowded room.

Despite it all, Raphael does very much want to have his own children someday! Aside from simply wanting to be a father, he wants to "do it right" as far as raising a child goes. He wants to be able to do it on his terms, with a person he chooses, with a home he establishes that is safe and quiet and comforting. He wants to give his kid the childhood he didn't get, the love and attention he just couldn't be provided, and the security he lacked in his early years. This is something that's deeply important to him, and not something he's ever discussed with anyone. He isn't sure he'll ever get it, or if he'd even be any good at it. He's worried he'd be too selfish, too insecure, too shallow. He's afraid he would end up traumatizing his child. These are worries he's never voiced aloud. Not even his parents are aware he wants to be a parent someday. He quietly mulls over whether or not he could do it - and whether it would just be kinder to let go of that desire rather than risk his problems overwhelming a kid - alone.