#i've thought about it and i think if it was a one-off the fun of feeling wild in a very specific way would outweigh the lack of attraction

[theactualsunshinechild]

Seeing this post always immediately reminds me of a fun story from early on in my relationship that my partner and I affectionately refer to as

The Can Opener Incident

This was back in my college days. That semester I was living in a dorm that was more like a collection of small apartments on the very fringes of campus territory. My partner had come over to spend the night at my dormroom, and we were going about making some pasta in the little kitchenette. The pasta was already fully cooked and strained when we suddenly encountered a problem:

The canned pasta sauce I had bought was not a pop top, and rummaging around the kitchen for a can opener revealed that I had neglected to bring one.

Not one to settle for miserable, dry pasta on a cozy home date, I ran over to the dorm room next door and asked to borrow a can opener. They're a little startled to find someone knocking on their door at 9 PM, but they let me borrow it with no resistance. Upon bringing it back is when the problems truly began.

You see, all of my life I had used a can opener which you latched to the side of the can and twisted the knob to make the sharp ring cut into the top of the can vertically, parallel to the side of the can. This one looked similar, all the right parts were in the right places, so I gave it a shot... but nothing happened. My partner comes up and tells me I'm using it wrong, and I think to myself "oh, okay, so maybe he's used this kind of can opener before, I'll let him at it," and I hand it off to him.

The can opener my partner has used his whole life is the kind that you latch on to the TOP of the can, so instead of holding the handle at the side, you're holding it horizontally over the top of the can. I didn't know that kind of can opener even existed, so when he tried using this one his way, I looked at him like he was insane. This look quickly intensified as this method also didn't work. Things rapidly went downhill from there. He defensively explained the way his can opener at home worked, and I started pointing to the structure of the can opener and arguing why this one wouldn't work that way. We're a little frustrated, but it's nothing some pasta can't fix, so I propose I simply go over next door to the people who I borrowed the can opener from and ask them how to use it.

As I reached over to take it from him, he held it out of my reach.

"No! I'll figure it out myself!" He announced.

"What? Why? It's easier to just ask the owner," I argue, jumping around trying to get at the items.

"Because I can figure it out!"

Okay. Fine. I guess he wants to solve this like some kind of puzzle for enrichment. I give up and I wait. The fiddling begins. I'm standing there watching him try increasingly improbable methods of getting that thing to work over and over. The pasta is getting cold. He's testing methods that have already proven not to work, trying new methods that physically couldn't work, then trying the ones that have already failed us all over again. My stomach growls.

"We should really just ask," I grumble, hungry and frustrated.

"No, I've got this."

He does not fucking got this. I want my goddamn food and I do not have time for this puzzle solving.

"Give it here."

"No."

"I'm just gonna take it to the owners and ask them to show us how to use it, you can come with."

"No! I want to figure out out myself!!"

"And I want my food god fucking damn it!!"

This went on for a bit. The pasta was drying to the side of the pot and getting crusty. At some point during this yelling match I got so pissed off that I stormed out of my own apartment into the cold with no coat on.

'I need to make him see reason!' I thought to myself, making my way through the snow. One building over was where two of his friends were rooming together. I knock on their door, boiling with rage. It is 10 PM.

"Hey, can you come over? [Partner] is being completely unreasonable and obstinate over figuring out how a can opener we borrowed works and won't let me take it to the owner to ask. Please help me convince him to hand it over, I'm literally too short to wrestle it from him."

"Alright, let me grab my coat."

We head back over to my place to find my partner Still Messing Around with that godforsaken can opener.

"Let me see that for a second," says his friend, taking his coat off. I experienced a moment of relief, thinking to myself, 'Finally!' as my partner pouted for a second, but relinquished the can opener.

This peaceful glorious relief fizzled out into horror as his friend began to try to open the can the same way I had.

"That's weird. It really looks like it should work this way..." he mutters.

"Try it from the top, that's how my parents' works," my partner suggests.

"No no, that won't work, just give me a second to figure it out."

Oh my fucking god.

I stared blankly, watching them study the can opener and turn the can this way and that, both completely absorbed in finding the solution to this hour long problem. I was going to lose my fucking mind. Perhaps in that moment I really did. Shellshocked, I stood, wondering how it had come to this. I just wanted some fucking pasta and a relaxed night in, and instead I've gotten these goddamn STEM majors milling around in my kitchen at 10:25 PM arguing over how to use a can opener that isn't even mine. So I went and did what, in retrospect, I should have done ages ago: I went next door for help.

I can't imagine what my neighbor must have thought of me, showing up over an hour after borrowing their can opener, looking as if something inside of me had died, and, with a hint of desperation in my eyes, begging them tearfully to come next door and show us all how to use their can opener. Over an hour after borrowing it.

Well, whatever they thought of it all, they did oblige my pleas. Their arrival thankfully broke up the debate, and as all three of us watched intently as hawks over their shoulder, they cracked open that can of pasta for us.

Using it the exact same way I had tried at the start of it all.

It was just dull.

"I don't need a shopping list; with effort, I will remember that I need this item"

Okay but will you be able to remember that you already bought it? Because apparently I can't.

[heartfullofleeches]

PLEASE ELABORATE PELASE

Shout out to you and the anon who wrote this:

[Please elaborate about consensual intox play with Sammy, I miss my masochistic guard dog of a boy <3]

For enabling me-

-

[ (consensual) Drugging, Submissive Yan, mentions of alcohol and weed]

He plays it off as a passing thought- A reoccurring fantasy he knows will haunt him until he hears your opinion on the idea.

"I don't really drink... Everyone I've drank with says I'm a lightweight which some think is funny due to how tall I am.. One beer is enough to get me tipsy.."

Sammy bites his lip hard enough to make them bleed- It's so embarrassing, almost humiliating to speak about his desires aloud. You're the only person he'd ever want to play them put with, so it's better out than in.

"Would you ever be interested in... using me while I'm under the influence?"

There's nothing Sammy yearns for more than being under your complete control. Eyelids drooping as you inch closer, encouraging him to take just one more sip. His fingers unable to properly suction to the glass as his weight slumps against the couch, motor skills lose to a battle he had no hope of winning as whatever you gave him hits his system.

"Having a little trouble, Sam? It's okay, I'll take good care of you. Why don't I help you get out of that stuffy sweater? You're burning up, sweet boy-"

Teasing him more, strip him bare and ravage him to your heart's content. Call him useless, useless without you there to pick up the pieces. He can't do a thing without you in this state - so hopelessly dependant as his lips struggle to form the sentences needed to beg you for all you can give.

All this, but with a Stoner Darling instead-

Sammy writhing in anticipation waiting for the edibles Darling gave him to kick in. Watching them take a puff from their smoking method of choice, wishing they'd force it down his throat in the next breath. Poking fun at him for being so out of his mind from one heavy hit when it takes a trained professional like them several to be as totaled as Sam is. They'd never do that to him, but a man can dream-

"Out like a light, already? We're gonna have to build up that tolerance of yours a bit, Sam. Think you can take another kiss?.... Haha, what am I even asking for? I know you can, Sammy..."

Sammy and Darling having a cute date together with consent established prior- Sam's hanging onto their every word, wondering when they'll make their move when he suddenly begins to feel the effects of whatever they slipped into his drink without him noticing. Darling smiles and laughs like nothings out of the ordinary as they drag their flustered, slurring boyfriend back to the car-

I'm feral for this man.

[deoidesign]

Ray of sunshine

(pre-launch page for their comic)

[transfem-tomgirl]

Yo wanted to ask a bit more about your experience in the transhet community there’s a lot of animosity towards transhets and t4t relationships that aren’t…idk how to describe it but y’know what I mean. Wanted to hear your thoughts on it. Didn’t wanna DM off the bat but if you’re down to chat I’d love to!

I'd love to chat! I revel in the chance to talk with people.

in my experience there's a lot of kindness from other trans people but it does sometimes come with a distinct feeling of "We feel kinda bad that you're only into guys." Which can get exasperating.

Like. Other trans people flinch when you say you're het, in a way that they wouldn't if you were a lesbian, not because they think less of you, but they're just kinda surprised by the outcome. Het trans people just, aren't really thought of as something that happens, outside the context of your right wing grifters who try to be one of the good ones.

And, when you talk to Bi trans girls, there's a sort of unspoken idea that men are a fun little treat compaired to the default of sapphic relationships. which is a little exasperating. [In my mind I've joked about waiting for the monthly boyliking phase so i can get the chance to finally talk about guys.]

And it always feels like there's a worry, even within transhet spaces, of getting *too* het. just like how I've seen a worry in transmasc spaces of getting *too* masc. this usually stems from a desire to not want to recreate the oppressive power structures associated in both, but, in a great twist of irony, often ends up expressing both in their vehement refusal.

That's not to say that you can't be a transmasc femboy or be in a st4t relationship where the guy is small and subby and the gal is strong and dommy and have it be a healthy outlook and engagement with the facets of oppression, far from it. But if you seek those things out as escape from engaging with oppression, you tend to fall into it trying to square the circle so to speak.

these are mostly just personal outlooks and feelings on the subject, but i think they're important, because they're a real persons feelings, ya know?

[jamiepaige]

Constant Companions Closeup #11: MACHINE LOVE

(also on bandcamp and spotify!)

Welcome back to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was the title track, My Darling, My Companion, which means today is the final track on the album - a song about the truths that lay in hiding within artifice, and a computer falling in love - Machine Love!

Before we get started on this particularly long closeup - I'll be doing a follow-up post after this one, answering various miscellaneous questions I've gotten over the course of writing these! If you've got anything you wanna hear more from me about, album-related or otherwise, feel free to reply to this post or send me an ask! It may very well end up part of the bonus closeup :~)

---

Let's circle back to the very first track, Dyad.

In that track's closeup, I mentioned the main sonic touchstones of this release relative to my previous ones being guitars and vocal synths. The whole guitar rock thing I think I've gone into detail enough about, what with all the inspirations I've rattled off in other posts, but there likely is still a burning question for some long-time listeners.

Why vocal synths? Why am I not singing on like half of this album? I thought you were a singer, Jamie Paige, so what is this Hatsune Miku robot Vocaloid crap?

Truth be told, the Vocaloid scene and community has always been a massive source of inspiration for me. So much of my favorite music ever, music that inspires me or touches my heart or makes me go apeshit, has been sung by synthesized vocalists in a language I don't even speak. I grew up with it, and it's grown up with me - music just as intricate, mind-boggling, twisted, fun, and ridiculously creative is being put out every single day by vocal synth producers, and nowadays it's coming from English speaking musicians in droves!

Before this year began, I'd made at least one major contribution to the culture, but in spite of my genuine adoration of everything vocal synth related, I felt like I was just looking in from the other side. Caught between worlds, existing outside of any communities, simply gesturing vaguely towards what I wanted to do.

But I wanted more! I wanted to make the same kinds of things that stirred my heart and made me want to write! I wanted to sing with those same voices! I wanted it to be true - to be like you!

---

I won't lie to you and tell you Kasane Teto has always been my favorite vocal synth. That title used to go to GUMI, and in general, I wasn't particularly attached to any UTAU voicebanks as a younger vocal synth fan. (Nowadays, I genuinely open up OpenUTAU just as much as SynthV because I've fallen deeply in love with Adachi Rei, but that's a story for my next album.) Obviously, I knew of Teto, and found her presence in things like Triple Baka delightful, but for the most part, she was mostly something of an oddity, a wayward piece of vocal synth history that had her Fans like any other.

However, there was one Teto song I've been inexplicably attached to since the moment I first heard it - Song of the Eared Robot, by nwp8861. I was introduced via this particular cover, which I love, but I quickly gravitated to the original. Something about the warbly, childish nature of her very first voicebank, the ambitiously orchestrated and unabashedly digital instrumental, the lyrics referencing fundamental frequencies and Markov chains and compiling code all just spoke to me!

That song stuck with me, laying in a part of my heart that had been collecting dust, all the way to April of 2023.

Now, yes, Teto wasn't always my favorite, and I had other vocal synths I was attached to, but I don't live under a rock, and I still understood how monumental the announcement of Kasane Teto's Synth V voicebank was - to the point that I interrupted a call full of FFXIV-playing friends who knew barely anything about vocal synths and gave them an impromptu TED talk because I was so excited.

(An excerpt of a summary of that night's events, written the morning after. i was up my own ass a little bit but in my defense Kasane Teto had just been announced for Synthesizer V)

I was watching, in real time, a dream made manifest. It's literally one of the Bits with Teto! That she'd be a Vocaloid one day too! And here she was, on the fan favorite engine, sounding genuinely fucking incredible. Especially in hindsight, it's such a beautiful and perfect twist of fate for her.

I saw myself in her. A weird little outcast, explosively reborn and thrust straight into a community's open arms with love. I wanted it to be true - To be like that, too.

It didn't fully hit until later, hearing another cover of a song I'd almost forgotten.

Machine Love, my love letter to the entire world of unbridled creativity and artistry surrounding vocal synths filtered through one sentimental little song, was fully written by the start of May, maybe 4 days after I had gotten my hands on Teto SV and long before a certain compilation album was even a glint in my eye.

If you haven't heard DAEMON/DOLL yet, you really, really, really should go listen to it - yes, I mastered this album, many of my friends and collaborators are featured, and I have two entire songs on it, but I genuinely mean it when I say I believe it's some of the best fucking music that's come out this year in general. In many respects, it also feels like a companion (hah) to Constant Companions.

I had finished writing Machine Love by this point, but it was working on this album in its entirety - discovering artists like Anh Duy, Eggtan, and beat_shobon through it, and hearing everyone in top form making this twin-drilled chimera fucker sing her heart out - that not only made me confident in my decision to go down this artistic path, but that made me fall completely in love with Kasane Teto. And honestly, how could I not? She feels like a microcosm of everything that makes vocal synths so special, this community of creatives all leaving their marks and touchstones along the trail of a great big shared folk mythos. Yeah, maybe the folk hero we're all collectively mythologizing is an anime girl, but yknow maybe Odysseus could take some branding cues from hatsune miku idfk

Basically, even if he says he wants to kill me, I owe fucking everything to rice for inviting me to work on DAEMON/DOLL.

---

On that note, my vision for Machine Love's MV was pretty clear from the beginning.

the actual factual setup for the above shot, which was done entirely in-camera with my laptop, a tv, and two video files manually synced using VLC

The fundamental idea was always there - live-action shots of animation playing back on various screens, edited together to feel somewhat seamless. However, I really struggled with what exactly was going to be on said screens for a while; Big commissions were very far out of my budget, but I knew this song needed something grandiose.

Ultimately, what I arrived at was exactly the kind of scrappy, DIY bullshit it was always meant to be.

I asked my Twitter mutuals for help. And spent a couple months in Final Cut Pro and Apple Motion hell turning all the Teto art I got into a bunch of tiny little mini MVs, some of them parodying real vocal synth MVs, some of simply just evocative of vocal synth MVs, all of them painstakingly edited by yours truly and filmed with the help of some friends over the next couple months across two states and many more cities just to be painstakingly edited and synced up again by yours truly.

THE NEXT MV I DO WILL BE SMALLER IN SCOPE

---

And with that, I believe that's the album!

There's a reason it ends with Machine Love, and not with the title track. I do think that in some respects My Darling, My Companion would have made a better closer, but that song only really resolves one of the thematic strands running through the album.

There isn't really a definitive answer to the specific question "Baby, do you know what you wanna hear?", but it evokes a theme running through the entire album - wanting something, knowing that you want something, and simply needing to find the courage to do it or say it or be it. My Darling, My Companion is in many ways a declaration of intent, an acceptance of what needs to happen, but Machine Love, to me, is that action being done. The words being said!

And now, if I may give this a somewhat selfish tint - with the explosive response my works from this album have gotten, my contributions to things like DAEMON/DOLL and Flavor Foley, the collaborations I've done and that I still have in the pipeline, the friends I've made and the community I've found a spot for myself in, and the newfound voices that I can lay my heart bare with -

Well, shit, I know what I wanna hear, and I've gotten to hear it. I'm a vocaloP. It's real!

Thank you all so goddamn much for reading and listening. I'll see you back here either tomorrow or Monday for the bonus AMA post thing!! Make art and be gay, motherfuckers.

❤️💚

[azaharinflames]

Will you share your theory on what you think is happening behind the scenes of 911?

Hi, Nonnie!

Sure! As long as everyone is aware this is purely speculation, and nothing I say should be taken as proof of anything, I have no problem.

I've gone over a few things in my head, to be honest. I thought that JLH having filming conflicts could've been a major factor, and I still don't exactly disagree with that initial idea, but overall I think it was one of the things that threw TM for a loop.

Now, I've seen a lot of people theorize that perhaps Angela is leaving and that is what is causing so much chaos in BTS, but I am on the fence about this. I do think she might've asked to not have such a big role moving forward, especially if they get a season 9 (which I am also on the fence about ngl), like perhaps retiring, or just having a more laidback position training new recruits. The seeds are planted for that, not so much for her fully leaving. And it would give Angela more free time to dedicate to other projects (which, yes please. I need her in new projects ASAP).

So... (and please don't kill me for this, it's just a theory).

I think it all comes back to Ryan. And that he perhaps is leaving, or actively wants to leave. I will try to explain myself as concise as possible:

A couple of months ago there was already speculation about this. In all of his individual interviews (which were a lot, to be honest), Ryan made a point of talking about his work beyond 911 and talking about what he would like to do after 911.

On top of the individual promo, there was an uncharacteristically high amount of BTS dedicated to him and the godforsaken mustache. To the point where they threw a mustache party. And in the pics of that party, the vibes were that it was a party for Ryan, not in general.

Small thing, but Josh randomly dressing up as Eddie for Halloween. Perhaps unrelated, but I wanted to add it.

The 911 account reposting and celebrating Ryan's 100th ep, when 1. it wasn't his 100th (if we count the eps he was actually in) and 2. it was also JLH's, and yet they didn't say a thing about it. Ryan reposted that as well and the message he reposted it with was more nostalgic than anything else. Very much giving 'it was an honor to work with you, what a journey'.

I could be wrong, but I do think his contract ends this season. So, that just adds to it.

The timeline of the move to Texas. By the reactions alone I was fully expecting Eddie to leave for Texas at the end of 808, and then to be back with Chris (in a lazy way of solving their conflict off-screen) by 809-810. But the way he's currently thinking about it makes it very sus for me. As in, it can be a thing for the end of the season, and an actual goodbye for Eddie.

Of course, nothing of this has to actually happen, and it's quite possible it just exists in my brain. But this makes sense in my funny brain because then it explains why BT had to break up so soon... because they wanted Buck to feel completely isolated.

We know 809-10 will deal with Maddie being kidnapped. That alone will make Buck spiral. But if on top of that his best friend is also leaving... well, being alone just adds to the isolation and the angst. Because if Tommy was still around he'd be able to lean on him, and have him help him through this. But it seems like the writers wanted Buck fully alone for this, because sure, seeing a character never learning and being completely isolated is so much fun.

If this ends with BT getting back together, I honestly don't know. It wouldn't surprise me if Tim doesn't know. But, all in all, I wouldn't be surprised if RG deciding he's done is the thing that kinda created the domino effect.

(Also: I do not believe Oliver was telling Tim to fire Lou and end BT. Sorry. I just don't really see it. Nor do I think there were actual conflicts between actors BTS, as much as everything they're doing right now does feel a bit weird)

Anyway, thanks for letting me rant, Nonnie! My inbox is always open for ranting, venting, or discussing

Take care <3

[foodtruckery]

I've been having crazy Stancest brain rot thinking about an AU where they don't have the portal incident and instead have crazy marathon hate sex instead (Inspired by some amazing art by @CoreArde on Twitter) and I thought it'd be fun to share that with you.

They start off arguing in the lab and then oops they're fucking on the lab floor, and they really should be thinking this through but nope now they're upstairs fucking on the kitchen table and okay maybe now they'll finally talk about it nah, they're fucking in Ford's bed now.

It starts off as rough hate sex getting out years of frustration, but by the time they make it to the kitchen its become insanely desperate and cloying because they missed each other, and their bodies fit so well together, and GOD how could they have not been doing this all time? They're going at it so long that they basically end up passed out in Ford's bed by the end, and Stan's not going to be sitting down for a while after this. He's probably just happy to be sleeping in a bed, but Ford is trying to figure out how he got so far from the initial plan.

Even better if the two of them have been harboring feelings for years and never acted on it, because they get the one-two punch of all the weight of their time apart and processing the fact that OH GOD I JUST FUCKED MY BROTHER (which of course they both wanted to do but still).

I have no idea what would happen after that, but both of them waking up sore, sweat soaked, sticky with cum (some still inside Stan because of course Ford didn't use a condom this wasn't supposed to happen) after having gone at each other like rabbits in heat despite never having expressed their attraction to each other before is a hilarious and hot idea to me. What do you think?

HI THERE ANON. i am so fucking sorry that i left you waiting for so long about this, but i need you to know it's because i was FUCKING OBSESSED with this. like just absolutely beside myself over it, and i refused to respond until i had a chance to sit down and respond PROPERLY.

cause uh YEAH FRIEND i know the exact fucking piece of art (explicit) you're talking about, because it's INCREDIBLE. and in case you didn't know, the artist is over here too and shares some fucking fantastic writing and headcanons also! (seriously, go check out @/cartoonsinthemorning if you haven't. and cart, i hope you don't mind that anon and i both kinda lost our minds about your art over here! i genuinely have no idea what tag etiquette is on this site and didn't wanna bombard you, but you did this. again.)

i'll be honest, anon, this kinda got away from me (fucking shocker) and i am too tired to do any legit editing of it right now, so please forgive any typos or weirdness! i'll try and clean it up before it eventually goes up on ao3. but thank you for such a LOVELY ask because this was so hot, and so inspiring, and i hope i did a little justice to your idea and cart's gorgeous art!

--- Ford isn't entirely sure how it had started. His memory, his perception of time, his ability to follow a linear order of events -- all if it is less than reliable at the moment, so he can't entirely blame himself for losing track of things here and there. But the jump between trying to wrestle his journal out of Stan's hands to trying to wrestle Stan out of his dingey jeans is a jarring transition to lose in the dull static that's been edging around his awareness for weeks now. 

Not jarring enough to stop him, though. 

He thinks, vaguely, while he's blindly tugging at Stan's denim, that there's a concerningly high likelihood that he's hallucinating. His head is swimming in so much caffeine and adrenaline that he doesn't even feel the rough concrete of the lab floor under his knees -- maybe that isn't where he is? Maybe he'd nodded off without realizing. Maybe he's going to come to with another lapful of polaroids and a new humiliating tattoo. 

Maybe, maybe, maybe -- he can reckon with a probability model later. For the first time in what feels like months, the stability of his perceived reality is not actually at the forefront of Ford's mind.

Pressing in on him harder than the doubt, harder than the disassociation from his physical body, and harder than the threat of the creature lingering in the depths of his subconscious is anger. It feels like a beacon in the muddled, fuzzy mess inside his head, something bright and real and his. It's searing through him, slicing away all the frayed edges of his paranoia and doubt like a hot blade through so much butter. 

Ford clings to the sharp edges of that anger and feels more alert than he has in weeks. 

He can't remember how their bickering had taken this particular turn, but if he's liable to lose his eyes and his life in the next few days, Ford will be fucking damned if he squanders the opportunity. He knows he's made a mess of things, that he's made the sorts of mistakes that can't and frankly shouldn't be forgiven. 

But he also knows with blinding, white hot certainty that he's only here, now, because of Stan's mistakes.

Ford may not deserve absolution, but he does deserves this. 

Laughter cuts through the lab, rough and mocking, and Ford's attention finally falls, properly, on Stan. He has a bruise blooming on his cheek and a snide smirk twisting his lips. He's also on his back, his jeans and a threadbare pair of boxers bunched in Ford's fists and pulled so low he can see the tight curls of his pubic hair and the root of his cock. 

"What's wrong, Poindexter?" Stan asks, mocking, and it's only then that Ford realizes he's paused halfway through stripping his twin's lower half. The bite of the cold concrete under his knees still feels far away, but the rough material in his palms, and the heat of Stan's body so close to him are sharp, clear details. "No hands on experience with a dick that ain't your own? Afraid you might actually be bad at somethin' for once?" 

Ford narrows his eyes, feeling the hot point of anger cutting through him, steadying him, and he jerks Stan's clothes hard enough that he gets the material past his knees in one tug. Stan laughs at him again, but it stutters into a little 'oof!' when Ford flips him onto his stomach. 

He doesn't care that Stan's pants are still caught around his calves and his boots. He doesn't care that Stan hisses something that sounds like pain when he's yanked onto his knees and dragged backwards several inches across the concrete. He doesn't even care that, once upon a time, he'd dreamed of this, of crossing this line with the only person he'd ever really loved in any way that mattered, and it's nothing like the softer, sweeter picture he used to imagine. 

Stan's hips are soft, and the skin gives easily under the iron grip Ford has on them, holding him in place as he grinds against his ass. Even through his slacks, the heat of Stan's body is intense, addictive, and he grinds forward again, harder, watching the friction rub a pink  patch against his skin. 

Stan, shameless and selfish as always, pushes eagerly back against him. Ford has barely done anything beyond rocking the outline of his cock against his hole, but he can hear Stan panting against the ground, can see his hands curling into fists. He remembers how many times Stan had called Carla McCorkle "easy" in high school and thinks, now, that the easy one had been his brother. 

"You gonna keep humpin' me, or are you gonna fuck me?" Stan demands, rocking as firmly back as he can with the bruising grip Ford has on him. 

"What makes you think you deserve that?" Ford bites out. It would serve Stan right, he thinks, if he got himself off exactly like this, no different than grinding against a particularly firm couch pillow. Just a conveniently warm object for Ford to release some tension with. 

Stan looks back over his shoulder and flashes teeth at him. It isn't a smile. "Oh, I get it. Cold feet? Well, we can just chalk it up to one more thing ya promised and then backed out of as soon as you actually had to make a choice. Good to know some things never change, Stanford."

He's being goaded, and Ford knows that. But the anger boils in his chest, and he thinks, why should he care about what Stan does or doesn't deserve from him? This is about what Ford deserves.

And what Ford deserves is to have his dick so far up Stan's ass he'll be able to feel it in the back of his throat. 

"Do you ever shut up?" he snaps while he releases one of Stan's hips to yank his slacks open. The bruise of his fingerprints already forming against Stan's skin thrills him, almost to distraction, if it weren't for Stan laughing again. 

"'Course not," he says, shifting his center of balance to dig into the pocket of his dirty red coat. The little packet he tosses over his shoulder bounces off his own ass to land by Ford's knee, the word LUBE printed in large, bold letters across the front. He should be surprised to see it, and part of him is. The word "easy" comes to mind again. 

Ford rips the packet open with his teeth. 

"F-Fuck!" Stan curses, turning his forehead against the ground when Ford presses his slick cock into him a moment later without warning. 

Ford grabs him roughly by the waist when he twitches forward and yanks Stan back until his ass hits the open fly of his slacks. He makes a choked sound at that and turns his face into the crook of his own arm when Ford pulls back and rocks hard back into him. 

"What's wrong, Stanley?" he parrots. He pistons his hips at a punishing pace, watching his cock pumping in and out of the greedy, grasping ring of Stan's hole. "Nothing to say?" 

Stan makes a noise that's too muffled by the sleeve of his coat to understand, so Ford reaches down to take a fistful of his stupid mullet instead. The hitching gasp that escapes his twin when his head is forcefully jerked up makes him groan. "What was that? Come on, Stanley, use your words." 

"F-Fuck off," Stan says, his voice strained, almost whining. 

"I see you haven't gotten anymore eloquent since you left," Ford scoffs around the breathlessness in his own voice, feeling the anger and pleasure coiling harder in his gut. "What was it you said? Good to know some things never change." 

When he pulls Stan's hair again, just because he can, Stan moans. And when he shifts his hips, driving in just as hard at the new angle, Stan shouts. With his own knees bracketed on either side of his, Ford can feel the way his thighs tremble when he clenches around his cock, and he can feel the sweat beading up under his palm where he's digging darker bruises into Stan's side. 

Ford feels like he's on the edge of delirium again, consumed by every sound Stan makes, every twitch of his hips, every ounce of his heat. He thinks, a bit wildly, that Stan may have been made for this, made to take his cock, for how well he does. 

It isn't until Stan jerks under him, going hot and tight around his cock and making a strangled noise in the back of his throat, that Ford realizes he may have said part of that out loud. That Stan came over it. 

He groans low in his throat and thrusts half a dozen more times into Stan's clenching hole before he comes as well. 

It's quiet for a few minutes other than their ragged panting, but it's Stan who eventually reaches back and swats at Ford's hand until he lets go of his hair. He takes the hint and pulls out, watching with no small amount of satisfaction as his come trickles down Stan's thighs. It strikes him suddenly that he wants to follow the wet trail back up with his tongue. It's enough to make his cock give a feeble, appreciative twitch. 

He isn't sure if he's just terribly distracted or if he loses time again, because when Ford next lifts his head, Stan is on his feet, pants pulled up around his waist but still open, and he has his journal in hand. This might be more jarring than the last transition he'd lost. 

"What are you doing?" he demands, shoving himself back onto his own feet. He doesn't bother to tuck his cock back in, and he spots the moment Stan's eyes flick down. It's brief, but he'd seen it. 

"What does it fucking look like I'm doing? I'm taking your stupid diary and disappearing like you begged me to," Stan says. His voice is still a little raw, and Ford has a moment to realize how much he likes that, before the words catch up. 

He scoffs. "Oh! So now you want to actually help?! Is it always this easy to fuck the sense into you?" 

Stan's expression does a few things Ford doesn't understand before his brows ultimately slam down and he turns his back, storming towards the door with Ford's journal still in hand, and Ford himself hot on his heels. "You're fucking unbelievable, Stanford, you know that?!" 

"Me?! You're the one who came all over my lab floor and then decided he was ready to be reasonable!" 

Stan jams his thumb against the call button for the elevator several times in quick succession, despite the car already being on their floor and the gate sliding open. "Most people would just say thank you when someone agreed to help them out, but not you! What does Stanford Pines have to be grateful for? We're all just fucking lucky to get a task from ya, huh?" 

Ford crowds into the elevator with him before Stan can try to pull the gate or call the doors shut behind him. He punches the button to take them up himself, before making a grab for the journal, snarling when Stan leans back and holds it up above his head. 

"You're the one who threatened to destroy my work twenty minutes ago, Stanley! Why would I trust you with it now? Hell, I can't figure out why I trusted you enough to bring you here in the first place!" 

"Oh really? You can't?" Stan sneers, leaning in close. And when Ford takes a step back, Stan follows, backing him into a corner of the car. "I don't think you fuckin' trusted me to do shit, Stanford. I think you were all outta options cause nobody else could stand to put up with you anymore." 

Stan doesn't so much as hit a nerve as he takes a sledgehammer to it, and as soon as the elevator dings, Ford shoves him as hard as he can out into the study. Stan yelps when he stumbles, nearly tripping over his own feet, and it's only knocking into a cluttered desk that keeps him from falling on his ass. 

Ford doesn't give him any time to right himself, storming in after him and grabbing him by the front of his jacket. Stan flinches, like he'ex expecting a punch, but Ford yanks him in and crushes his mouth against his instead. 

There's a dull thump that Ford only realizes was the journal being dropped when he feels both of Stan's hands on his shoulders. They curl briefly, grasping at him, and Ford feels his mouth starting to go soft and slack. But as soon as he presses in, runs his tongue along that loosening seam, he's suddenly being shoved backwards. 

If he weren't so damn confused, Ford would probably appreciate the picture Stan makes, lips slick and pants open, leaning back against one of Ford's desks. 

"What are you doing?!" Stan demands, like he's the one who doesn't know what day it is, and keeps losing track of events. 

"I would think even you could figure that out after what happened downstairs, Stanley."

Stan flushes, visible even in the low light of the study, though Ford isn't sure if it's embarrassment or anger. The scowl on his face doesn't help clear things up, either, though the fact that he isn't actually looking at Ford is...telling.  

"That ain't happening again," Stan states, and there isn't anything convincing about the way he says it at all. But when Ford steps forward, Stan sidesteps him and the desk. He makes a wrong turn in the dark, in a house he isn't familiar with, and flinches when Ford flips on the light in the kitchen he's walked into.

"I don't know how you expect to leave and hide my journal after leaving it in the study," he points out, frowning at the back of Stan's head. 

He isn't surprised when Stan whirls on him. He is, however, stunned still when he realizes Stan's eyes are wet. 

"What the fuck do you want from me, Stanford?!" Stan shouts, his voice cracking over his name, and it makes something feel like it's cracking inside his chest. 

Ford has to wet his lips when he finds them and his throat dry. "...I told you what I wanted," he says.

"Yeah, you did! And when I finally agreed to do it, you threw a fucking fit about it! And now you're pissy because I'm not?! What do you want?" 

The anger sparks sharply inside him again, and Ford grasps at it like a lifeline, willing to bloody his hands for that bite of stability. 

"You tried to burn it! My life's work! And you only decided you would help me after we--"

Stan cuts him off, looking towards the cabinets while he raises his voice and waves his hands. "Jesus Christ, I'm sorry about the fucking lighter, all right?!"

Ford frowns. He takes a step forward and, still without looking at him, Stan takes a step back. It's the elevator all over again, but this time Ford is pressing in, backing Stan into the cabinets. He grabs the counter on either side of his hips when he tries to side step him again. 

"Stanley, look at me," he demands, frowning harder when Stan sets his jaw and stars determinedly at his shoulder. "Stanley--"

"What do you want, Ford? Just...just fucking tell me and I'll leave, all right?" Stan says, his voice tired and soft as he reaches up to rub a hand over his own face.

He wants a lot, honestly. And hasn't that always been the problem? He's always wanted -- to be normal, to be respected, to be the best, to be special. 

To be wanted. 

To be enough.

To fix things. 

"You," he realizes, watching Stan jerk his head up. His lashes are still wet, and Ford can't stop himself from reaching up and pressing his palm to Stan's cheek, skimming his thumb gently under one of his eyes. 

When he leans in to kiss him again, Stan makes a small, wounded little noise under his mouth, but he parts his lips for Ford's tongue this time. Stan's lips are chapped and he tastes vaguely of stale cigarettes, but Ford is still struck by how soft and sweet he is. 

More than anything else that had happened that evening, this is the moment that Ford knows he should suspect most of all. The way Stan relaxes between him and the counter, the almost tentative way he lifts his tongue to meet his, the careful fingertips touching the edge of Ford's coat and brushing against his loose tie. It's tender in a way Ford didn't think either of them were capable of, and it should be setting off warning bells and red flags in every part of his mind. 

It isn't. 

Ford is more certain of  the reality of this single moment, the gentle slip of Stan's lips against his own, than he's been of anything in a long time. 

And then Stan sighs between them and murmurs, warm and hopeful, "Ford," against his lips, and he's done for. 

It doesn't matter that they just fucked, that Ford's come is probably still drying between Stan's thighs -- he can't keep his hands off of him. Ford is suddenly frantic and desperate in a way that he hadn't been downstairs. He needs to relearn the new, wider shape of Stan's shoulders and pecs. He needs to feel out every new scar and take stock of all the old ones he remembers Stan collecting for him as kids. He needs to be surrounded by him again, soaking in the warmth of him. 

Ford doesn't deserve absolution, but he thinks he may be able to find something close to it in the low, shaky way Stan moans his name. 

And there's familiarity in the way Stan grabs at him in turn, tugging at his jacket and tie and surging into another, harder kiss. Ford thinks he may not be the only one looking for expiation. 

Then Stan drops to his knees between him and the cabinet, and Ford stops thinking so much. His cock is still out, and Stan wastes no time in getting his fist around the shaft and his lips around the head. He suckles and swirls his tongue, and Ford shoves the beanie off of his head to get his hands in his hair. 

"Stanley," he gasps, stroking his fingers along his scalp and fisting the strands between them. 

Stan moans around him and shuffles closer, sliding the seal of his lips further down the length of Ford's cock. All he can do is groan and try to keep from rocking his hips as more of him is greeted by the warmth of his mouth and the wickedness of his tongue. 

He keeps waiting for Stan to reach his limit, to back off and give himself room to breathe. He doesn't. He keeps leaning in, keeps taking him, and then Ford feels his cockhead slip into Stan's throat, sees his lashes are wet again, and he has to put one hand on the counter to keep himself steady. "Fuck, Stanley, you're so good at this."

Stan makes a horribly sweet sound around the girth of Ford's cock and reaches up to hold his hips as he swallows, and Ford is suddenly afraid he's going to embarass himself.  His hips twitch despite his best efforts to keep them still, but Stan simply relaxes his jaw and his throat and tugs a little to encourage him to do it again. He does, of course, how could he not? 

Despite the heat clawing its way through him and the pleasure mounting dangerously high, Ford almost feels outside of himself again. The picture Stan makes, with his eyes damp and heavy lidded, his lips wet and stretched around Ford's cock, his hair fisted in Ford's fingers and his own clinging to Ford's hips -- it's lewd, debauched, and so horribly sweet that it makes Ford's chest hurt. 

Stan gasps raggedly when Ford pulls him off. "I was go-gonna...I mean you can--"

Ford kneels down to kiss him, tasting stale cigarettes and himself, cock throbbing over the rough state of Stan's voice. "Not done yet," he manages, before tugging Stan onto his feet. 

They lose clothes and time on the journey upstairs, tripping over the steps and Ford's discarded pants, and stumbling into his wreck of a room. If Stan notices the state of things, he doesn't comment, mouth latched onto Ford's shoulder and hands all over his back and hips. 

The back of Ford's legs hit the bed and he sits hard on the mattress. Stan doesn't hesitate to crawl up into his lap. He'd lost his boots in the kitchen and his jeans and boxers somewhere on the way to the stairs, giving him ample opportunity to rub his bare cock against Ford's. 

Cursing, Ford rolls his hips and only belatedly remembers to reach up and tug the hideous red coat off of Stan's shoulders. 

"Oh, fuck, hold on. I think I have another one," Stan says, panting softly as he digs into the pockets of his coat. Ford takes the opportunity to run his hands across Stan's thighs and ass, squeezing whatever skin he can until Stan makes a triumphant sound and pulls another little packet of lube free. 

Only then does he let Ford toss his jacket aside and tug him further up the bed with him. He doesn't protest when Ford takes the packet from him, lowering his head to work open mouth kisses up Ford's throat instead, and he rolls his hips distractingly while Ford fights to get the damnable thing open. He ignores the snickering against his skin in the process. 

It stops anyway, hitching into something warm and startled when Ford sinks two slick fingers into him. 

"Oh, fuck," Stan breaths, reaching up to grab Ford by the shoulder, holding himself steady. "Y-You know you don't have to do that, right? Pretty loosened up already."

He is, to be fair. His hole is still soft and loose and fucked open. But Ford enjoys petting his fingers against the tender muscle and stroking them inside anyway. He likes watching Stan bite his lip and push himself back onto his hand. When he slides a third in after the first two, Stan's thighs tremble on either side of his own, and he makes a low, throaty sound. 

When Ford curls his fingers just right, Stan yells and grips his shoulder hard enough to hurt, and it makes warm satisfaction curl in his middle. So he does it a few more times, alternating between spreading his fingers and rubbing the tips against Stan's prostate until he's squirming in his lap. 

"I-I'm gonna come if you don't knock that sh-shit off," he gasps, slumping a bit when Ford chuckles and slides his fingers out. 

"I think I'd like that," Ford says, squeezing his slick fingers against Stan's thigh. 

He snorts and straightens back up, finding the discarded lube packet to squirt the remainder onto Ford's cock. "Yeah, I bet you fucking would," Stan agrees, but there's no malice in his voice, just warm amusement. 

His fist is warm and wonderful when it curls around Ford's cock, spreading lube, and then Ford is being held steady, Stan adjusts himself on his scuffed knees, and there's nothing else to do but hold on as Stan lowers himself into his lap. 

It feels as good as it had earlier to be inside of him, and Ford squeezes the thigh under his hand tightly, fighting against the need to buck his hips. Stan is panting softly, his head tilted back and a pretty, pink color is crawling up from under his t-shirt to flood his neck and face. 

Ford groans and leans forward, finding a nipple through his thin shirt to get his teeth and tongue against.

"F-Ford!" Stan gasps, fumbling the hand not clawing at his shoulder up into his hair, and Ford sucks hard on the firm nub,  rubbing spit-soaked cotton against it with his tongue until Stan rocks in his lap. 

Fuck, he likes that, the way his name sounds in Stan's voice, especially warm and rough after fucking his throat earlier. 

He squeezes Stan's thigh and his hip, giving him a little tug, and that's all the encouragement Stan needs before he's bouncing on his cock. Ford has that thought again -- that Stan was meant to be filled by him, that they're a perfectly matched set. But it isn't just feeling good and hot while Stan fucks himself in his lap. It's feeling like he's been missing something and he finally has it, like he's finally complete again. 

He's missed this, Ford realizes. 

Not the fucking his brother part. He'd fantasized about that for years but it still feels like a dream that it's happening, like something that's too good to be true. 

But being able to put his arms around him? To be this close to him again? 

Ford rocks his hips up, hard, and Stan says his name. He wraps his fingers around Stan's cock, and he gasps his name. He bites the same swollen, pink nipple through his shirt, and Stan shouts his name. 

He snaps his hips up to meet him a few more times and rubs the sensitive glans under the head of Stan's cock, and then there are teeth digging into his other shoulder and his fist and stomach are being striped in Stan's come while he shudders and jerks overtop of him. 

Stan goes easily when Ford rolls them over and pins one of his wrists to the bed. And despite the way he squirms and how his spent cock twitches and leaks, blatantly overstimulated, he hooks his ankles behind Ford's back and urges him on. 

"C-C'mon, give it to me. Fuck, just like that, Sixer!" 

The nickname hits him with all the subtlety of a truck and all the heat of a volcanic eruption. 

He doesn't even remember coming so much as he remembers every synapses in his brain trying to fire at once. Coming back down to reality is a little clearer, with his head spinning and pulse racing as he flops onto his back, but it still takes several long minutes before he feels fully cognizant again. 

Something makes the bed shift, and he looks over to see that Stan has rolled onto his stomach. Ford wonders if he looks half as fucked out as Stan does, with bruises blossoming across his body, his shirt rucked halfway up his stomach, and come staining his ass and thighs. Ford realizes Stan still has his socks on, and he can't figure out why that makes something twinge, hot but exhausted and halfhearted, in his gut. 

"Gonna...gonna get up in a minute," Stan says, his voice slurring and his eyes already closed. Ford watches him rub his cheek against one of Ford's pillows, and the soft sound of snoring follows soon after. 

The reality of the situation starts to settle in shortly after that, and Ford stares wide eyed up at the ceiling as if he'll find some sort of answers there. Unsurprisingly, there are no secrets etched overhead for how to reckon with the fact that he had just fucked his brother, twice, while the fate of the world was still very much hanging in the balance between his fraying sanity and Bill's looming threat. 

".....Fuck," Ford murmurs.

When the adrenaline finishes seeping out of his system, Ford expects to crash. The exhaustion certainly climbs back into his bones, but he's surprised to find himself still clear headed. Focused. 

The sound of Stan sleeping soundly beside him is as soothing as it is mocking, but he doesn't want to separate himself from it even though he knows he needs to get up. There's soft, gray light starting to creep in through the windows, and distant birdsong calling for the start of the day. He needs to readjust, to come up with a new plan, find some way to explain to Stan what's going on so they can buy themselves a little more time. 

Against all odds and his better judgment, there's a tiny, optimistic voice in the back of his head reminding him that there's strength in numbers. He isn't surprised that it sounds like Stan.

[pottersfia]

I love your work and I’m wondering if you can make a Harry Potter x reader! Where the reader is a Slytherin and she’s all cocky and shit and she’s enemies with Harry. They get in a argument and out of frustration Harry kisses her and then they Have rough sex?

harry x fem!reader

smut

a/n: sorry this took so long! it was a fun write :)

out of all the people you could've been partnered up with for your DADA assignment, it had to be harry. you despised the so called "chosen one" but you wanted a good grade so you had to get through it.

you and harry agreed to meet in the library, but this particular evening you both happened to be busy after your classes and the library closed before you could get there. you decided to meet in your dorm instead. your roommate was gone for the night and you had a desk in there so it would have to do.

"wish me luck, pansy. hopefully i don't end up punching this guy." you said. pansy snickered.

"have fun." she said as you walked towards harry who arrived in the common room.

"hello potter." you said.

"y/l/n." he replied.

"ok let's get this over with." you lead him to your dorm.

as you began to pull out your notes and textbooks harry spoke up,

"just so you know, i already started. i thought i'd do most of it for us." he said. you scoffed. who did he think he was?

"no." you crossed your arms.

"no?" he raised his eyebrows.

"i already have ideas for this assignment so i'll do it. i don't need you doing anything for me."

"that's not really how this is supposed to work." he pushed his glasses up which sent your stomach churning. with annoyance of course.

"well you're trying to do all the work too."

"i said most!"

you furrowed your eyebrows and stared at him. harry always managed to get on your last nerve. this grade was important, yes, but you were in no mood to put up with his attitude.

"can you stop being insufferable for once so we can get this done." you said.

"i don't see how i'm insufferable when you won't listen." he said. the two of you glared at eachother.

"you can leave you know. we don't have to do this today." you stood up and walked towards the door.

"you know that i'm busy all week. unlike you i have other important things to do." he walked towards you.

"then stop acting like you're better than me!" you practically yelled in his face and moved your hands up to try and push him away from you but he grabbed them before you could touch him. "let go." you said but his grip was strong.

"no." he replied, holding your arms against the closed door. you two stared each other down until you noticed him look down at your lips. you raised your eyebrow in a questioning way about to say something until he leaned in and kissed you. you froze for a second confused by his actions but then you kissed back just as he broke away. he let go of you.

"woah, i'm sorry y/n, i uh-"

"shut up." you kissed him again and this time it was longer. your lips synced together perfectly and harry let his hands roam along the sides of your torso. you pushed him to walk back towards your bed and climbed on top as he laid down. you parted your lips to pull your shirt off and he stared hungrily at your body.

"like what you see, potter?" you smirked at him.

"come here." he pulled you against himself and flipped you over so he was on top. he then took off his own shirt and moved down to pull your bottoms off. he rubbed your thighs and slowly moved his hands closer and closer to where you needed him most.

"stop teasing." you whined out. he laughed at you making you whine again.

"you know what? i've always wanted to shut you up. i think i'll use that loud mouth of yours instead." he pulled his underwear off revealing his hard erection and moved up to straddle your chest.

"stick your tongue out." he said. you looked up at him and furrowed your eyebrows.

"you're not making me suck you off like this." he grabbed your face roughly and replied, "i said stick your tongue out. i'll use you how i want." you rolled your eyes and did so, ignoring the wetness pooling in your own underwear.

he slapped his tip on your tongue before pushing himself inside your mouth. he moaned as your lips wrapped around him and he buck his hips in and out of your wet mouth.

"fuck. you feel so good like this." he groaned. you gripped onto his thigh with one hand and began rubbing yourself under your underwear with the other. harry only noticed when he felt the vibrations of you moaning around him and saw your arm moving.

“i knew you were a dirty slut. rubbing yourself while is use your throat.” his word made you moan even more as you squeezed your thighs together to feel more pressure. “you’re way prettier like this, you know.” he let out small whines and groans from the sensation of your lips and wet tongue on his cock.

you loved having him use you and his noises only brought you closer and closer to the edge. you shut your eyes as you took in the feeling but suddenly your mouth was empty. you looked up and watched as harry climbed off of you, grabbed your hips, and turned you over.

“stick that ass out.” he said. you arched your back and showed off the wet spot on your underwear, slightly spreading your legs.

“you better fuck me good, potter.” you said, rubbing yourself over your underwear. harry felt like he was dreaming. the sight in front of him made him throbbing as he pumped himself, still wet from your mouth.

“fuck.” he pulled your underwear to the side to see your dripping pussy and replaced your rubbing hand with his. “i will, trust me.” and with that he pushed himself inside you making you gasp from being stretched. he instantly started pounding into you, chased how good it felt to finally have you.

“so tight.” he groaned. his hands were gripping you and you were moaning louder than you ever have before. you reached back to rub yourself again making harry smirk.

“slap me please, harry.” you moaned out. he slapped your ass making you groan from the sting.

“making so many pretty noises for me.” he slapped again. “i want you to cum on my cock, y/n. i know you can do it.” his words only got you more wet and you grew tighter around him as you reached your orgasm.

“harry, i’m so close.” you said. he fucked into you harder, feeling himself get closer too.

“i’m gonna cum too, fuck.” he relished in the moment, grabbing your hips and pulling you closer with every stroke. finally, you felt your release as your legs shook, letting out loud whines.

harry came soon after, pulling out and pumping his cum on your ass and back.

“that is crazy hot.” he said staring at the image in front of him. you relaxed your legs to lay on your stomach trying to catch your breath.

harry quickly grabbed a towel to clean you off. he sat next to you and wiped your body.

“that wasn’t too bad, potter.” you said turning towards him with a smile.

“glad i could make you feel good.” he smiled back. you sat up as soon as you were clean.

“i could do a better job fucking you if i were on top, though.” you said. harry’s eyebrows raised and suddenly he felt his cock twitch at the thought.

[writingredrose]

for a good cause | Rollo x reader

summary : While having fun at the festival with your friends, you're oblivious to your own guilt and grudge. Luckily, he's here to show you the truth.

warnings : reader is Yuu and she's implied to be a girl ; swearing

a / n : HAD LOTS OF FUN WITH THIS ONE Y'ALL WO!!! Yuu betraying the NRC my beloved. Also I was definitely NOT writing this AND watching the event at the same time and that's definitely NOT why is it so short haha...

A TOAST TO @pomefioredove FOR INSPIRING ME!! Hope you like it <3 🫶🏻🩷

P.S : maybe some grammatical mistakes or weird wording, sorry, English ain't my first language :')

The horrors, the stress, the neglect about every single thing involving your mentality and your body... all of these curses that came upon you when you first set foot in the halls of Night Raven Collage could never be cured, could they? That's what you thought before you met him. He said he can save you...

Can he? Please, you have to let him save you...

The beautiful scenery in the main hall of Nobel Bell Collage never failed to catch your eye. The way the light of the sun illuminated the beautiful stained windows could never not be pretty. Compared to the dark halls of NRC, this school was twice as pretty, that's what you thought since coming here, but you'd never dare tell anyone, you didn't need another reason for people to look down on you as they always do.

“Something must've caught your eye for you to stop in your tracks like that, no?” The voice coming from behind you was as calm and neutral as ever. You caught with the corner of your eye the figure stopping right next to you, looking where your eyes did just a moment ago. “Well, you're never wrong are you?” You let out a silent laugh, at which the figure moved his eyes in you. “The glass...is beautiful. It never fails to amaze me. You don't see this at Night Raven” Your eyes went up to look at the glass again, the one next to you looking in the same place you were. “Hm, your comments make me think that Night Raven Collage isn't that amazing of a school that everyone would die to go in” You snorted at his snarky remark right before covering your mouth. You'd think he hates everyone from that school, but again, maybe he is, at how is looking at them, who can say he doesn't? “Didn't take you for the humorous type, Rollo„

Ah there it is again. Ever since you came here, Rollo can't seem to get tired of the way his name rolls off your tongue. He's heard about you, the magicless prefect who's came from another world. And goodness, you're... perfect. Everything about you, is absolutely perfect. Your face, your voice, your silhouette, everything about you... and on top of all you're so... pure. So pure, he can sense it, the essence of it right in your soul, he wishes to keep it to himself forever, he'd never let anyone touch something so pure and beautiful. Stain it with their dirty magic.

He looked at you again, your form snickering oh so close to his body. “Was it really that funny? I was simply saying what is on my mind...” Your laughing came to a stop, now having your attention fully on him. “I know, it's just the way you said it is all. It was funny. And I mean, you are kind of right. Sure Night Raven is a big school, no denying that. But! I guess you could say the inside is a bit... boring” At your words Rollo let out a laugh himself. “Hmph! Boring? I've known you for a day and I'm sure you can find a better word than boring„ “Meh, I don't wanna be mean is all” Your kindness was also something Rollo adored about you. He can see who you are under all that fake kindness you put on for your little friends at NRC. Right under all of that, the essence of your soul is naked under his praying eyes. He knows you're tired, tired of that school. Maybe he can use that for himself.

The songs and happy voices of the many people surrounding you were loud but not entirely unwelcome. After each group that was made earlier today finished their stroll through the busy streets, it was now time for everyone to gather in one place for the big show. You were currently sitting next to Rollo, watching from far away the boys who were having fun creating fireworks for the townfolk.

You couldn't help but scowl at the sight. It was so irritating, but why exactly...? “Are you alright?” Rollo's voice snapped you out of your thoughts. “Judging by that scowl on your face, I'd say you're ready to rip everyone's heads off” You looked at him, he was looking at you from the corner of his eye, and just for a second, you caught a glint of amusement in them. He was joking. How is it that he only does it when he's with you? You've been observing his actions ever since you came here and he seems to be a totally different person when he's with you. The handkerchief that always seems to be present when he speaks with other people, he never has it when he's with you.

Isn't it weird?

You gave him a reassuring smile. “I'm ok. I just...well...” The silver haired boy turns his head to fully look at you, waiting for an answer “I just... don't like the loud music, at all. It always gives me the biggest headache” Rollo let out an almost silent hm, and looked in front of him again. A minute passed before he spoke again.

“Who are you trying to lie to? Me or yourself?”

...what?

The weight of his glace almost crushes you. You could feel his sharp emerald eyes looking at you, no... looking through you, you knew damn well that right now the one called Rollo Flamme was looking straight into your soul, ready to burn it to ashes at any moment.

You turned your head away from him, unable to return the gaze. “I... don't know what you're talking about, Rollo. I'm not lying to myself at all. I told you the truth” He didn't stop looking through you. “Is that so? Because when your eyes are directed exactly to your little friends over there, it's hard to think that it's just the music that's bothering you” You were at a loss of words.

He was right wasn't he?

He knew

Of course he did

After all why bother hide it anymore?

You hated their guts...

You HATED that school

You hate THEM

YOU HATE IT

YOU HATE THIS DAMNED WORLD.

This time, you looked him straight in the eyes. And he knew, Rollo finally realized he got it. He was almost shocked at how easy it was to crack your fake facade. You were like him weren't you? You hated magic just like he hated it. You loathed the evil-doers of this world, the magic users. He knew he was right, he knew he was right to fall in love with you.

He couldn't help but smirk when he saw your eyes. So much hatred. My, how he loved that look of yours. “And what do you plan on doing now?” Your voice took a much more serious tone than earlier. He simply let out a laugh. “Me? Why nothing at all. All I need you to do — Rollo fully turned his body to you, slowly leaning to look into your eyes — is to listen to what I have to say”

The music of the festival could be heard even from the depths of the wall of the waterway tunnels. Rollo was guiding you, with a lantern in his hand, through what seemed like an endless darkness. And after what seemed like an eternity, you were the first one who spoke. “So what exactly do you plan on doing? You haven't explained anything to me at all Rollo” He kept walking, not saying a word. More minutes passed and you were getting more and more annoyed, when was he going to- “Why is it that you hate your friends so much? When I first saw you I could hardly tell you hated their guts” You fell silent at his question, why is it that you hate them? After all ever since you came here- ...oh, that's right. You know don't you? “You want the truth? I'll tell you. I simply hate their guts. Ever since I came here I have been nothing but an obedient little dog to them. Cleaning all the mess they did after every overblot I was the one to clean the mess. Trouble? That idiot Crowley has me going to solve it. Students fighting? Of course, I'm the one to blame. I'm fucking tired, I'm so damn tired of all of them. No one, not a single one at that school has ever cared to check on me, because who cares?!? I'm a magicless student aren't I? I don't have feelings or anything right? I'm just a damn MAGICLESS HUMAN WHO LISTEN LIKE A FUCKING DOG!”

Rollo didn't flinch at the sudden punch you landed on the wall next to you. You stopped walking a while ago, fully turned to you, Rollo watched your actions carefully, seeming to enjoy how you slowly became a victim to your own hatred, sinking deeper and deeper into the dark hole you made for yourself ever since stepping into this world. Stepping closer to you, Rollo raised your chin to look him in the eyes, the light of the lamp allowing you to see his beautiful yet empty emerald eyes. “See now? That's exactly why I guided you here. Your hatred for them is exactly what I need. So beautiful and so dangerous it is” Moving closer, he grabbed your waist and pulled you closer to him, burying his face in your hair. “What are you?-„ “So pure and so beautiful you are” You widened your eyes, your face growing warmer at his somewhat bold statement. He let go of you, grabbing your face once again, this time his being closer than it was before, the lamp illuminating half of his face as you saw the look in his eyes.

Predatory admiration. You could see it in the way he looked at you. Eyes burning with an intensity that sent shivers down your spine. Raw hunger that felt almost otherworldly.

“Tell me now, Y/N. I can save you, get rid of all those dark thoughts from your head, give you a better life. I can protect you. All you need to do, is give me your word. Let me be your sanctuary” Your breathing became heavy...can he? Can he truly save you? You'd wished to escape this for so long, you're so tired. You'd let him-

“Please, Rollo... — you grabbed onto his clothes, afraid that if you'd let go he'd abandon you just like the others — I'll- I'll let you. Please, be my sanctuary” Rollo's eyes flickered with raw desire. “Very well then”

The lamp in Rollo's hands dropped on the floor as his hand held your chin so you could look in his eyes. His other hand entangled into your hair, finally pulling you for a long awaited kiss. The moment his lips touched yours, every ounce of self control disappeared. He'd been waiting for this longer than he dared to admit. If only you knew what you were doing to him. You eagerly returned the kiss, your hands diving into his hair, careful to not let his hat slip off his head, lips moving in perfect harmony as you've done this hundreds of times before. And when you parted for the first time, your panting echoed through the dark halls.

You looked at him with red cheeks, and before you could stop it you let the words “I love you„ spill from your mouth. You knew your confession came out in a trembling voice, even if you didn't know why. Rollo looked at you and once again he kissed you, this time harder and urgent. He knew you knew he was telling you the same, that what he can't put into words he'll put into this kiss.

A long while passed until you two parted. Damned oxigen, you thought. The silver haired in front of you brought you closer to his face so that your foreheads touched. “How can you be magicless when I can swear that you bewitched me somehow. I'm not myself when I'm with you, did you know that? The things you do to me...” You giggled at his remark, kissing him once more which he happily returned. “Yeah? Well, I'm glad it's me. I'm glad you chose me Rollo” He smiled softly at you, placing a kiss on your forehead.

Picking up the lamp from the floor, he took your hand and guided you now towards the light that shot up at the end of the tunnel. “Come now my dear, I'm sure you'll like what you're going to see”

The many candles in the Nobel Bell Collage hall illuminated brightly. The students who came for the symposium were all gathered in the hall, waiting for whatever was to come. Suddenly, the loud sound of the bell echoed through the whole school. “The Bell of Salvation? At this time of the night?” Silver looked around him surprised by the tolls of the bell. “If I recall, we were told that the bell tolled there times a day no? Once in the morning, then evening and night. And I'm pretty sure we heard the toll for the night some hours ago. So what could the reason for this one be? Riddle's face twisted in confusion, his brows furrowing trying to figure out what's going on. “U-uhm, am I the only one who's seeing t-that?” Upon hearing Idia's voice, everyone looked in his direction.“What's that? A flower??” In front of them, growing from the ground, there was a beautiful crimson flower, one that had its petals beautifully colored just like wild flames. “What's a flower doing in the middle of the-” *crack* Another one made its way through the floor, cracking the tiles in the process. And then another, followed by thousands slowly covering the whole hall. “WHAT IS THE MEANING OF THIS?” Sebek's voice echoed through the hall now full of crimson flowers. “Evreyone! They-they passed out!” In the blink of an eye, every single student who got close to the flowers had passed out cold and they couldn't be woken up.

Fire Lotuses. Dangerous yet beautiful flowers that supposedly went extinct centuries ago. These flowers grew by feeding themselves with magic, sucking it out of people leaving them with no ounce of magic to live with. The methods of extinction were not revealed, therefore there was no way to stop them.

“Standing in this hall while everyone else is passed at your feet is quite pitiful. Don't you think?”

Fighting and fighting, the students tried but there was no end to those flowers, if they can't use magic then they can't do anything. “Y/N! Make sure you stay beh-...what?” Deuce had called for you, but he now realized...you were nowhere to be found. “Y/N?!? NO! SHIT! WHERE ARE YOU?!” Hearing his calls, the others looked around them, you were nowhere in sight. “GRIM! Did you not see where she went?!?” Sebek picked up the panicked cat, who had thought you came back with him, your quietness being a normal thing at school so he didn't bother checking if you were truly there, blaming himself for your disappearance. “I-I don't know! I thought she was behind me I swear!” On the verge of crying he started shaking in Sebek's arms, the boy putting him down taking pity on him. “WE NEED TO FIND THE PREFECT NOW! AND SEE TO WHAT CAUSED THESE FLOWERS TO APPEAR!” Next to the loud green haired boy, Malleus was looking up the stairs in the hall. “Hm, perhaps, we should ask him” Sniffling, Grim looked in the direction of Malleus' eyes. “Him? Him who?” And just after, steps could be heard on top of the stairs, indicating who was watching from afar.

And there he was. The students looked at the stop for the stairs that now revealed Rollo's steady figure stepping out of the shadows. “YOU HUMAN! DID YOU DO THIS?” Sebek's voice boomed once again in the halls, at which Rollo merely laughed. “Why? Well it's quite simple. I did so I can rid this world from this magic of course” “Riding the world of magic? THAT'S ABSURD!! You damn wicked villain!” “SHUT IT! — the first time Rollo's voice was raised, the halls trembled at the sound — ME?! I'M THE WICKED VILLAIN?? What about you? You mages tricking the world with your stupid little magic tricks?! You mean nothing but trouble! But I!- I will rid this world of your kind, making it a better place!” He laughed as he talked, the looks of the ones amongst the flowers now flaming with anger. “You're a coward! Come the fuck down and face us if you're so determined of getting rid of us!” “No time for that Deuce! — Riddle grabbed the first year's shoulder — we need to find a way to get rid of these flowers before their thorns find a way into the soil” Another laugh from Rollo could be heard. “Too late for that! Just as we're speaking, the whole city is getting covered in flowers, and soon enough the whole island! You've got nothing left to do!” The flowers slowly started getting closer to them, leaving them helpless, just then, Deuce had realized what was missing from Rollo's speech. “You- WHAT THE HELL DID YOU DO TO Y/N?!” Rollo's calm and collected eyes met Deuce's angry ones, smiling at his expression he let out a silent laugh. “Hah! Ask her that yourself won't you?”

Step step step

One by one, the expression of the students went from anger to shock. You. It was you who was now next to Rollo standing straight and looking down on them from the stairs, the same flowers that were now surrounding them, was present in your hair. “Y-... Prefect...?” Deuce couldn't believe it, what were you doing, what-what are you doing with him? “Prefect?! What do you think you're doing?!” Sebek's voice boomed once again. “You're with the enemy you filthy traitor?!” Looking right back into Deuce's eyes seeing his despair, that didn't sit right with you, Deuce has never done anything wrong, but again, did he really care...?

“I truly am so sorry Deuce. You did nothing wrong, really. But I'm so tired you know?” “W-what is that even supposed to mean Y/N? Is it me? Did I do something wrong? I'm sorry if I did I'm sorry! But why would you do such a thing?” “Because I can't take it anymore. I'm done, Deuce. I've been treated like a damn dog every second I stayed at that school. No one, not a single person has ever thought of checking up on me, seeing if I'm ok, not even you did. I needed to be saved, Deuce, and Rollo, Rollo told me he'd save me. And he did! I feel so much better now that he did” Empty eyes were staring into scared blue ones. Deuce understood, in a way. And the fact that he hadn't even thought about checking on you earlier... maybe if he did none of this would've happened. “Grim. I really am sorry. This time I can't accompany you anymore. Seems like you'll have to become a great mage without me” Shaking next to Deuce's legs, was a crying Grim. “Hench-human...”

This time, the looks you gave to the ones left was boiling through them. “You all deserve this. You all are some egoistic monsters you know that?” Malleus' steeped forward trying to reason. “Child of man this is not the-” “QUIET! You don't get to talk Malleus. You're just like them after all, you've always been haven't you?” Rollo was enjoying this too much. The expressions those idiots Night Raven Collage students had on their faces was priceless. But as much as he'd love to stay more, you both had work to do. “Now now Y/N. I'm afraid we have to go. We have work to do, remember” He put a reassuring hand on your shoulder, which you responded by putting one of yours in his. “Enjoy your last moments”

And with that, the floor around them was gone, leaving them to fall in complete darkness.

[beetlethebug]

i love rook and emmrich being into each other's hands to obnoxious freak levels. apparently i've just got the biggest hand kink. but something about emmrich realizing that he's so fucking into rook's hands at the dinner table, and then having to survive said dinner without saying an embarrassing, definitely not-safe-for-work thought at the table in front of the rest of the veil guard is very very fun. this man watches rook's fingers wrap around their wine glass and nearly has to excuse themselves. if he thinks too long about how nice the light reflecting off their rings looks he will become loose lipped and bring that hand to his mouth. and when rook, sensing an opportunity to tease and never one to let an opportunity slip by, starts running their hand along emmrich's thigh under the table? Purposely bumping their hands together as they reach for dishes? Oh, Emmrich is a goner

[cheshiresense]

Oh my God, you mentioned wanting to write a thing about when Starrk finally let's his reiatsu out, and honestly, I've been thinking about that so much!!! Like here is Starrk, who has been keeping his reiatsu down to around average, who sleeps all the time, so doesn't stand out, who stands beside Ichigo, Ichigo who crazy stands out, also Starrk who joins the 4th, the 4th who everyone else considers to be weaklings!! You imagine the look on everyone's face the first time he let's lose!?! Maybe some bullying goes too far, and Starrk, who nobody thinks much of, just smacks them down hard!!! And everyone is like WTF lol 😆

sorry, I just love the idea of when people realize that Starrk is actually strong like Ichigo!! So 😁 funny!! Anyway, thanks for sharing your thoughts about this. I love reading them.

Lol yes it's one of those scenes that you see happen in so many different ways and all of them would be fun. I'm undecided on how I want to do it Officially so I'm putting it off (or maybe I'll just write several of them lmao).

I imagine it would have to be very serious bullying for Starrk to take that much action, cuz like he really isn't the sort to step in for every little thing. If it happens to someone he considers one of his, he might note it down and then quietly go and prevent it from happening again from behind the scenes, but in real time, he'd rather diffuse the situation or leave it to the "victim" to handle it and only step in if it looks like they really can't, and even stepping in would just be a sharp word or two to run the bully off. He's not a straightforward bleeding heart the way Ichigo is, cuz the hit-the-problem-so-it's-no-longer-a-problem method is def Ichigo's go-to strategy, he would absolutely smack the shit out of someone bullying Asuka or Rangiku in front of him and be done with it right then and there, prob flaring his reiatsu without even meaning to cuz his control's a lot better these days but it's also kind of 0 to 50, well-hidden or flashing neon sign, no in-between unless he really concentrates 😂 It's another reason Starrk would have little reason of his own to act, cuz like Ichigo would absolutely beat him to it.

For me, I could prob imagine him unleashing his reiatsu/revealing his strength if someone's about to die and the threat is big enough that he actually has to flex. He's just not someone who'd easily show what he can do, and hiding it from the likes of Aizen and the Quincy wouldn't even be his top reason. It's more like lingering PTSD--his strength doesn't bother him anymore now that he's had years of proven control under his belt, and he's even needed every last bit of his power over the past decade of war, but subconsciously, he's still not 100% comfortable with just letting anyone feel it, even tho he has enough control now that it wouldn't hurt them unless he wants it to because what if? So like, his first instinct will always be to keep it locked down, and for minor stuff (altho minor is relative for him I guess lolol), pulling out that much power is def a last resort.

Again, it contrasts what Ichigo would do. Ichigo's just used to overkill. Like even before he got his powers, he learned that an overwhelming show of strength would solve most of his gangster-related problems very easily, plus he lived in a household where Isshin only backed off from kicking him into a wall or something by kicking first or kicking back. And then after he got his powers, it's not even really his fault that he internalized a "might is right" kind of mindset /points at the entire fucking SS invasion arc and honestly every arc after that/. And also he spent his first years of Shinigami-ing running around with an unsealed Zanpakutou and zero reiatsu control, being in a constant state of Shikai is natural for him, and (moving into this AU's headcanon territory) it took him several months into the Quincy War before he finally learned to seal it away and actually have other ways of fighting that isn't just flinging Getsuga Tenshous around. He uses Bankai the way other people use hand-to-hand combat or Kidou spells, so even now, his first instinct is to just hit the problem hard enough so that it won't get back up to do more harm, and for him, that applies to everything from schoolyard bullying to fighting monster-gods. And on top of all that, his actions are largely driven by emotion. More than anything else, his first reflex is to protect, and that often leads to him throwing way more power at a threat than he actually needs to. He knows how to be more subtle these days, but it's not his preferred method and def not a reflex either the way it is with Starrk.

Of course, Starrk also understands "might is right" just by dint of being a Hollow, but he's basically spent a thousand years as someone too strong for anyone to fuck with just by existing, so he doesn't have the same kind of exposure to physical conflict that Ichigo grew up with that would make violence his first instinct.

Aanndd omg this ran away from me lmao sorry, you get a speedrun analysis on Starrk and Ichigo instead 😅

TLDR I'm still not sure of any exact scenarios that would force Starrk to show his hand, I don't want to wait until a Sternritter shows up or a final showdown vs. Aizen happens because that would take forever before we get there (I mean I could just jump right in there since this isn't a whole fic, but in-universe-timeline-wise, I'd prefer it happening earlier), but it's difficult for me to imagine that something in everyday life or even just a Hollow extermination mission would be enough to make him reveal even a bit of what he can really do.

Case in point, if you remember that mission in SP canon where Shunsui brings Ichigo and Rangiku along on a mission into the Rukongai to gain experience, and Ichigo sees a Hollow about to attack Shinji who hadn't spotted it yet, but he also didn't want to leave Rangiku unprotected, he went straight for unsealing his Zanpakutou and basically hand-delivering a shopping list of unusual or downright unique abilities to Aizen via Gin. In this AU, if Starrk goes along, he would never do such a thing, and in fact, he'd stop Ichigo and just fire a damn Byakurai or something across the clearing and kill it that way. Even if Ichigo doesn't have the finesse to pull off a low-numbered Kidou spell on the fly, he could've chosen a higher-numbered one and that would've still revealed far less to Aizen than unsealing his Zanpakutou would. But again, subtlety isn't his strong suit. He now at least has the presence of mind to think about the consequence of leaping into the fray without thought, it would leave Rangiku wide open, but his first instinct is still to use overwhelming strength to protect the people he cares about.

In contrast, Starrk may be a soft touch compared to basically every other Hollow and quite a few Shinigami, but he has the maturity and just the general personality to go for the strategic option. He has a far more tactical mind, implied even in canon to rival Shunsui in that department, so rushing in just isn't in his nature.

The only other way imo is if someone just... asks. Reikaku (reiatsu-sensing) is a thing Shinigami learn. In canon people can sense exactly who's coming just by their reiatsu (if they know them), not just if they're a Shinigami or a Hollow or even a Human, but it doesn't really expand on how. So I imagine you have to have a good feel for the person's reiatsu, it's the same as my age headcanon for reiatsu, not only can someone halfway decent at sensing reiatsu be able to get an idea of the other person's age, they would also be able to recognize and associate that reiatsu signature with that person since everybody's is different, but obviously they would have to be exposed to it a few times to learn it. Starrk's reiatsu is very unique so once or twice would be enough, and I can see a situation where the kids might ask to feel it for that reason, or a mission might require the team leader to ask, etc. etc. So yeah, that's all I got.

[cator99]

please finish your wedding story, i so badly want to hear the rest of it. i await eagerly.

>everyone lived happily ever after

>a few weeks pass

>I write the brides a lengthy and detailed letter of recommendation to their immigration lawyer

>they're overjoyed and think its a beautiful letter, and I'm glad to help because I hope they last forever and get everything they want in life, if I may drop the act and be sincere for a moment

>a few days pass. the bride I've known for over 15 years messages me

>however... she doesn't care. she's on her honeymoon. and I'm just some chick she was friends with as a kid. what does upset her is how she found out.

>at first I assume that the woman who reached out to her (who I knew back in jr high, and is a few years older than me) was just trying to upset her

>bride tells me about how this woman was her best friend and then suddenly blocked her out of nowhere, which was (and is) still very painful for her

>the woman, who we will refer to as "A" whips up a story about being concerned for the bride's safety and privacy or something

>bride is confused. there's no identifying information. the post is a nothingburger to her. what's important here is that she's upset that this woman messaged her after 4 years, not to make things right..... but to talk about "zander"

>right, this is about me, because this is "A" we're talking about here...... hell hath no fury like a closet case scorned

how did she find my blog?

I assume it went like this:

>"A" goes to peek at her ex-bestie's wedding photos

>"Zander" Spotted

>runs to LC

>"hey does anyone remember Zander who I used to post about on here all the time 7 years ago? I may have found an update!"

>"that's terf cator99 who was posted about on the Women Youre Ashamed To Want To Fuck thread you fucking idiot that looks nothing like her"

>no here's proof!

>autism ensues

>several replies get deleted, other responses indicate they're "A" sperging and linking my blog

>people argue if I deserve to be there anymore

>"she's a tif"

>"no"

> yes"

>"no"

>"I used to know her" ["A" posting]

>"tell us more!"

>"she used to have this one pair of glasses and then she had this other pair of glasses that looked really good on her..."

meanwhile:

>assume she's probably back on her LC shit

>find and link bride to the LC thread and explain to her that "A" has just been trolling for fun and to pay it no mind, you're better off without her in your life

>"hey bride-chan, not to be weird but I'm just trying to understand this shit, do you think A ever had a thing for me... I always kind of assumed she was bi or gay when we were younger and thought it was cool that she was androgynous and went to school dressed as Kaito from vocaloid all the time so I wanted to be her friend but she was pretty rude to people and I backed off"

>"well i dont know but she's married to a man now..."

>yet here she is trying to get under the skin of two women who are with other women

to be fair I earned the lolcow title fair and square years ago all on my own, and really do feel I owe "A" a favor for introducing me to the site. it was very formative for me to find out places like that existed right at the moment I was starting to have conflicting thoughts about the trans shit so I could gain some self-awareness (and general awareness overall) (shout out to "A"s friend who cowtipped to me.....)

meanwhile, on LC:

>"well done ladies, we've figured it all out. Butch Lesbian cator99 is currently partying with gay men, and It is common knowledge that "gay men" are all secretly bisexuals who are looking to hook up with women who say things like "I'm a lesbian" and "I am not attracted to males". That is their mating call, in fact. These words activate the Hetero gland in the Amygdala like a sleeper agent who has been biologically programmed– as we all are– to stop the kiki-ing and split off into heterosexual pairings at the end of a poppers-fuelled night assless-twerking to Britney."

>"good work. But I'll one-up you: look at this screenshot."

[photo from an instagram account, featuring a photo of 17 year old Zander's legs in the bath. "I Am Totally Into Epic Awesome Penis Now!!!!!!" (She had never seen a penis)]

>"yes, this is definitely a normal thing for a straight woman to say. I always knew she was a faker."

>"yes. as im sure you're all aware, there are many social and career benefits from pretending to be a lesbian."

>"doesn't that idiot know that she can't just lie and change her orientation? I can't believe she's been straight this whole time."

>"what does she have to gain from lying?"

>"She's so adamant about being a lesbian, which is a dead giveaway for a cover-up operation. The more they resist, the more evident it is that they are lying in order to gain access to that highly lauded Online Lesbian Following, which is something every straight woman wants deep down."

meanwhile:

>call gf

>"bad news. I just found out I'm actually straight."

[oblivionbladetd]

Another Video Essay of Lorch in need of debunking — “Maturity Isn’t Moral Grey”

Any thoughts on one of You-Know-Who’s worst videos?

If you want me to point to something specific that she gets wrong so you can better dissect it, please let me know.

Well, dismantling her supposed smoking gun is a good place to start. Though first a little context. Do forgive any inaccuracies, I've read up via the wiki and asked some fans, but haven't played ME.

The Krogan from Mass Effect is a reptilian race of aliens that are basically big biological tanks of a sentient species. Uplifted from the post-nuclear hellscape of their original planet to fight a race of sentient bugs known as the rachni. Put simply as long as one Ranchni queen made planetfall? Over. If you didn't intercept the queen within days of them setting up, there was nothing that could be done. They were too hardy and too numerous for anything less than scorched earth to 11. Only the sheer durability and numbers of the krogan were enough to push them back without extreme measures. One thing led to another, though, as saviors became conquerors, and the only way to fight that was the genophage. It's a shameful string of events the whole way down, but there is a distinct lack of better options.

In Mass Effect 3, Krogan are actively leveraging the reaper threat for a cure, and if you aren't picking all the right choices throughout the games, if they get the cure it's right back to certified galaxy wide threat again. There's more than enough evidence both for and against curing it. The cure is both the key to the shackles of their oppression as much as the key to galaxy wide krogan domination. For you see, a female Krogan free of the phage will be well capable of laying upwards of 1000 eggs that will hatch into rapidly maturing Krogan. Basic math, 2 krogan are fully mature adults and start mating for only one year and then stop. That's 1000 krogan. Ten years later, their kids do the same. 100000, rinse and repeat now there is a million. 30 year and 3 generations in with restrictions and the are already populating cities. Add on that they are as hard to kill as they are utterly expendable...

So you'd think Lily is all about the crying shame that the Krogan were jerked around by other, more advanced species for thousands of years as the reason that curing the krogan isn't a morally grey choice? Nope, think of the poor krogan mothers! They must be so broken up about stillbirthing so many children!

Now far be it from me to assume Lily’s knowledgeable about how evolution do, but here's a fun fact for the class. if your species makes over 1000 kids in a year, you've already written about 99.8% of them off as dead. Her smoking gun for this video is approaching a very nuanced, very broad, very non-human problem with a very human centric stillbirth is always the absolute worst thing and that alone seperates the grey into purely black and white... I don't know about that chief...

It's not the full vid, but I've just ripped the meat and potatoes off the plate and exposed it as a hunk of wood and a pile of spud scented foaming hand soap. If you want something else covered, just ask. I've got a post in the works about her fandom obsession, so look forward to that!

[vidavalor]

*pops up and dusts off shoulder* Hi! Thanks for thinking of me. Love this topic. Dear as a corruption of the original deil but just within the song, I would think. It looks like it's a phonetic evolution. Basically, people misheard the similar-sounding words enough that this new version of the song emerged. Because it's a folk ballad, it was sung often enough and by so many varied people that its lyrics changed over time. It's sung as "dear" in the version of the song in the film, which I've seen and is lovely.

A more modern version of this same word corruption effect on a song would be the changes to Britney Spears' "Toxic." The actual, original, official lyric in that song was a taste of a poisoned paradigm but so many people heard a taste of a poisoned paradise instead that everyone involved-- including Britney Spears and the songwriters-- basically gave up on insisting that the original lyric be upheld. There have been subsequent, official versions where she sings paradise and the best cover of the song-- Scott Bradlee's Postmodern Jukebox feat. Melinda Doolittle's smoky and very Crowley & Aziraphale torch song rendition of it-- uses the paradise line. As someone who basically only likes this one Britney song and thought the original lyric was better, I find this all quite irritating. 😂

What's interesting about the language evolution/corruption in "I Know Where I'm Going" is that this word very much changes the tone and meaning of the song. It's a bit darker when it's referring to Satan and the fact that the song is referring to him is referencing a forbidden aspect to the romance-- one that could incur the wrath of The Devil. They know where they are going and they know who they love and who they'll marry-- and The Devil does, too.

Add it to the ever-growing list of suggestions that Satan is appearing to be The Metatron in The Final 15...

But when it evolves in the song to be "dear" instead of "deil" and to shake The Devil free from the song? Then, it becomes a love song about this person who is confident in their direction because they know who they love and who they'll marry and their dear-- the person they love-- knows it, too. It's this version of the song that is sung in the film.

The "I Know Where I'm Going" episode title seems to be emphasizing the influence of that film as a whole but likely by also confirming the main reference to it in S2, which is in the tartan hills as Aziraphale goes to Edinburgh. This comes from one of the best parts of the film and the way the show is using it is just... *happy sigh* I loved it so much. 😇 I don't want to spoil the film for anyone who hasn't seen it-- and give it a watch, it's great!-- so, I'm going to be a bit vague but hopefully, you'll see where I'm, well, going, with it. Some spoilers below.

The film is a love story-- a tone-shifting, genre-bending one at times, much like Good Omens. Its central character is a woman named Joan whose anxiety is hidden by her stubbornness and determinism, which has both positive qualities and negative ones. She believes she knows where she's going and has a plan to follow for her life and we watch as those plans get blown to smithereens by her running into trouble on her journey to a remote Scottish island to marry this horrible guy. On the way, she meets and falls in love with Torquil, the local laird and the person she'd be much better suited to marrying.

Torquil is the one who sees her there and they help each other to live a bit more and fall in love for most of the film. The bad weather conditions that have stranded Joan on the other side of island from where she's supposed to go marry this other guy finally clear near the end of the film and she has a choice to make: does she go through with her plan... or does she, for the first time, abandon her sense that she always knew where she was going and marry Torquil?

The tartan hills scene that is referenced in Good Omens comes from one of the most fun parts of the film-- the one that exists to show us Joan's rationale for why she's planning on marrying this other guy who is decades older than her that we already know she doesn't love (and whom we only hear, once, during the film, and never meet.) While Joan is on the train for the first leg of her long journey to this Scottish island, she falls asleep and has a dream that explains to the audience what she's thinking. Joan doesn't dream of her fiance himself at all. The man she's marrying owns the company she works for, which is called Consolidated Chemical, and is basically presented as this too big to fail energy juggernaut. During the dream, the phrase "it's all arranged" repeats with the rhythm of the chugging train wheels and her dream is about money and status but it's really about her own feelings of insecurity.

What makes Joan likable is that she doesn't truly desire money and status so much as she is awkward, has trouble making friends, is anxious, and wants security. She has mistaken economic security for emotional security. She doesn't like herself enough to believe that she should marry someone she loves. She wants to marry the company this guy owns-- not him-- because she thinks that will give her a position and a place and solve her problems of feeling insecure.

She spends most of the film with Torquil and the real, working class people that he knows-- many of whom have been harmed by her fiance's presence on the nearby island-- and it forces her to realize that she made a plan that she thought was safe for her out of fear but that she didn't want to be going in the direction she was going and she doesn't really want anything to do with Consolidated Chemical. Her heart is with Torquil and his people. She realizes that her own stubborn sense of independence made her never someone who could have been satisfied with that plan she had made for her life because her values do not align with those of a life of being Mrs. Consolidated Chemical.

(The film also loves Scotland big time and there's an element in it of an Englishwoman falling in love with some Scots and their way of life that Good Omens also echoes with things like the 1827 minisode and Crowley and Aziraphale's love of Scotland-- Aziraphale changing the flag on the guy in the graveyard's phone, etc.. There's also a plot about Torquil, the idea of being cursed/doomed for eternity, and a whole thing about crossing doors/thresholds that are all very Good Omens as well but that would be too spoilery to get into.)

So, in the course of this dream that Joan has, she dreams of her journey to Scotland and the hills in her dream are covered in tartan. She doesn't know it but this is foreshadowing her actual fate-- she will fall for Scotland and for the man she meets there on her journey. This is the last thing she sees before she wakes up and then the whole rest of the film is really her waking up from the metaphorical dream that was her initial plans for her life and how unhealthy they were. The dream sequence is sort of a summary of where the film began and where it's going that is hidden in plain sight near the start of the film.

It's one thing for a tv show or a film to do an homage to another show/film but it's another to do one the way that GO nods to I Know Where I'm Going!. GO does an homage to this film by having Aziraphale do his own homage to it, in such a way that it makes it clear that Aziraphale is aware of the film. Aziraphale, as he is on his own journey to Scotland, changes bits of The Bentley to reflect Crowley and then, to amuse himself, changes the hills while he drives past them into the tartan hills of Joan's dream in I Know Where I'm Going!. It says that he knows and loves this movie.

It says that he sees elements of he and Crowley in Joan and Torquil's story. He relates to the movie as being like how Crowley came along and wrecked his plans to unhappily follow The Ineffable Plan into the abyss. Aziraphale has long since known where he's going, who he loves, and who he'll marry. Aziraphale's dear knows it, too. They're just about 90 minutes or so out from being able to make the last part happen.

I Know Where I'm Going...

Despite knowing the Powell & Pressburger influence on GO, I hadn't realised the episode 'I Know Where I'm Going' was named after a P&P movie! Flipping TV channels this evening, it was on BBC just as a bright eyed maid was travelling to Scotland and singing about a disreputable lover...

Aziraphale nipping up to Edinburgh, thinking about his devil dear...? So many LAYERS.

[egophiliac]

Where can you play ride kamens? It looks fun looking at your blog but idk where to play

it'll doesn't start until the 30th, but there's some pre-release episodes/character bits that are scattered around the website and twitter! (the links to pre-reg/download are also on the website :D)

honestly I'm really enjoying it just based off of the pre-release stuff, these characters look like they're going to be exactly that blend of ridiculous and emotionally constipated that hits me so right.

[necrotic-nephilim]

i personally have very complicated feelings on the Gotham Knights video game and the routes it takes with characterization. i think it has a charm to it and it goes in an interesting direction with everyone (especially within the confides of the plot of the game) but it does have certain moments that veer painfully fanon for me. (such as: the dialogue where Tim drinks too much coffee) it's an interesting story for what it is but i don't view it comics-based for characterization and therefore don't care to interact with it much for like. fanfic purposes.

that *said* though. i do have to give the game some kind of credit for giving one of the top five JayTim moments that lives rent free in my mind. every since i played the game, the cutscene lives in my mind daily. it's the specific cutscene where Jason and Tim are arguing about whether or not Jason's non-lethal bullets are too dangerous for the field, and the argument leads to TIm *standing in front of the target* Jason is shooting and telling Jason to shoot him. it lives rent free for me. i never stop thinking about this.

the absolute certainty Tim has that he is in no danger standing in front of Jason, who has a loaded gun pointed at his face. the way Jason *hesitates* for just a moment before lowering the gun. he thinks about it for just a second. Gotham Knights JayTim seem to get along very well and can rely on each other, but Jason still clearly holds a bitterness about his death and Tim that flickers through in some lines of dialogue under the guise of jokes. especially since this game deals *heavily* with concepts of Pit Madness causing an altered state of consciousness, i think it's believable that occasionally, Jason fights the urge to fight and hurt Tim for the feeling of being replaced.

i like their tension so much in this canon. they get along but you can *tell* Tim is afraid of addressing Jason's trauma or even addressing Jason head-on, and Jason leans into spooking Tim about it. which isn't very comics feeling in their dynamic, but it is an interesting way to place their dynamic if you're playing with a more timid Tim who's newer to the role of Robin. (which he seems to be in-game) he really doesn't want to offend Jason, or worse, piss him off. but he'll still face Jason head on for things like this, while completely aware of what Jason could be capable of.

and Jason seems very protective of Tim and respecting Tim as a Robin in typical Jason fashion. if Tim pushes, Jason *will* relent. he knows this is a kid who's proved himself and should be treated with equal respect, sometimes even more than Dick and Babs do in-game.

so for all that to culminate in Tim stepping in front of Jason's loaded gun that he *knows* is on the edge of being too dangerous, just to force Jason to listen? it's the most unhinged way Tim could've gotten his point across in this scene. he was literally daring Jason to hurt him and playing with a very dangerous fire. but he did it anyway bc he believed he could make Jason heel just at the thought of hurting Tim. and he was *right*. they're gay and i'm feral ty.