#i've been thinking so many thoughts...

[heart-of-the-morningstar]

Does anyone else want Lucifer to fill them to the brim to the point his cum is dripping down your thighs and ruining your bed sheets or am I just unhinged???

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[willowser]

bakugou watches the news while washing the dishes.

muted, because he wouldn't be able to hear the weatherman over the faucet, anyway, and his brow is furrowed in concentration — at both his hands and the forecast for next week. behind him on the stove the kettle warms and you eye it lazily, jumping back and forth from it to the way bakugou's muscles shift beneath his shirt as he scrubs.

sometimes it amazes you, the strength he's built within his body — the broad span of his shoulders as he rolls them, sleeves almost too tight for his biceps, and the rest of the material hangs loose on his body, swaying off his tiny waist as he swaps weight from one foot to the other — but you know it hasn't come easy; even now, from where you're sitting, the heavy, pink scarring on his cheek is visible when he tips his head down.

you stand quietly, shuffling across the tile of the kitchen until you're close enough to wrap your arms around him. bakugou says nothing as you press your cheek into his back, only peeking over his shoulder when you press a gentle kiss into his soft cotton tee.

"thank you for spoiling me," you murmur, nuzzling further into him when you receive only a grunt, one you feel more than hear. "the food was really good, sweetie-pea."

the silly name makes him snort and he shakes his head when you hum, amused. dinner has made you full and tired and you lean a little further into him than you maybe should, though if he minds at all, he doesn't show it. instead he just sighs, breath stuttering when you slip your hands under the loose material to gently run over his stomach. just like you, he's soft, a tummy full of food, but it's not long before his abdomen is contracting, muscles suddenly tight under your touch.

you laugh quietly into his shoulder, holding back the urge to bite him. "are you flexing, tough guy?"

"shuddup," he grumbles, shifting his weight once more. "...bein' fuckin' touchy."

at that you inch closer, now purposely much too in his space — and yet he still doesn't push you away. around his shoulder, you watch him run a soapless plate under the water for almost two minutes before his focus returns and he moves on, and then you do bite him, because you can't help it.

bakugou hisses and jerks away when your teeth sink into his bicep, flushed face made more obvious as he turns to glare down at you. before he can get a word in, you kiss him in the center of his chest, over the scars of his heart, and offer him a sweet smile.

"love you,"

his eyes dart away on instinct, embarrassed, but he's been working on his vulnerability; his lips twist once before he's pressing them into your hairline, leaning back against you in return as the kettle starts to squeal.

"drink your tea, woman," he grunts, nuzzling into you the tiniest bit before letting you free. "love you, too."

[antiyourwokehomophobia2]

I wonder why lesbians are the only sexuality where a subset of us will have sex but refuse to be touched by our partners. Like. No other sexuality has that, I'm pretty sure.

[poorly-drawn-mdzs]

Creative Hubris takes another unsuspecting victim.

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[vaguely-concerned]

in his and davrin's banters, lucanis exhibits a certain little shit energy I don't think we see him have with anyone else other than illario and honestly I am living for this

[instantpansies]

STRANGE NOISES FROM THE HOLE IN THE WALL HEADCANONS/INTERPRETATIONS UHHH OBVIOUS SPOILERS. CLARISSA CENTRIC CAUSE. HOLY SHIT

clarissa is to locomotion as clara is to the nutcracker. she's the kid who dreamed him into existence hundreds of years ago. i know he says he's older than the devil - i think that's still plausible, he's existed since thought but wasn't attached to the Silver Line or brought into physical existence until clarissa, lonely or in danger or just bored, imagined a world where she could escape from her everyday life and live as a grown-up(? maybe? since benjamin/timothy/billy seemed to age up as soon as he went through the portal?), with freedom and whimsy and eventually a relationship with the friendly driver.

why do i say this? because otherwise im really fucking confused lmao, that first scene where clarissa and loco are introduced is strange in the context of the end of the play. they seem to have known each other for a good while before they get on the train. they act like a young couple who's stumbled upon the silver line as an escape from danger and now they're excited for their new life in a new, safe world. except that loco also says he's been driving the train for years.

(looking back, that very much feels like a scenario from a child's imagination - or perhaps a dream - where of course he's been doing this for years, that's his job, but of course they're glad they've found the train together, this is a new experience for her so it's just an extension of her perspective)

but clara is, she says, a child when she gets on the train. idk how old "little girl" is, but if we run with this headcanon and also assume that the timeline is both linear and literal, she's imagining herself in some form of a sexual relationship with loco at a pretty young age.

i posit that this can be reconciled in several ways (some more disturbing or inappropriate than others), but one thing that could be considered is that the first scene where loco and clarissa are introduced is symbolic of their relationship over the course of the train's history. depending on how old clarissa was when she first dreamt the world into existence, she might not have even been very aware of loco, and spent her time just enjoying the escapism or whatever. after a few years or however long, she starts to get older and decides to learn how she's actually done this, maybe spends a long time trying to understand exactly what's going on. maybe her research leads her to a relationship with loco, i don't know. they do get on the train together, maybe, when they're both young (or, well, relatively speaking) and new to the world, and loco eventually has been driving the train for years and years and clarissa makes it a bit more tolerable with some companionship after a long lonely time. but those things don't happen simultaneously, because i think those things don't really work simultaneously. that scene is a sort of speedrun/amalgamation of how the two of them have interacted over the years. and yeah i guess that means they fucked at one point in there

(im going to be transparent, some of that is a bit of cope/rationalization. i think loco and the conductor are very exes/begrudging coworkers vibes, but i do like clarissa and loco together as well - unsettlingly powerful girl x eldritch being with a soft spot is a very good trope. and im trying to make it work out okay? give me a break lol. you don't have to agree with me on this, but once i see a luke and tom couple with a fun and compelling dynamic i will not let them go even if the ethics get a bit hard to explain later on. sorry, anyways moving on)

additionally, and i probably should have said this earlier, a reason i think this whole nutcracker theory holds up is because clarissa holds a sort of unique power in the world. she's been on the silver line for hundreds of real-years, who knows how many train-years, and still remembers her name and something of her old life. loco isn't hostile to her, even confirming her memory of her name and reminding her of her birthdate. with everyone else (ex. benjamin), he actively discourages them from remembering their lives. despite seemingly being one of the oldest passengers, she doesn't transform for hundreds of years. she obviously has some significance.

you know how that ties in? if this is clarissa's world, if her mind is what created the whole thing, then i think it makes sense to assume it's tied to her. as she begins to question her surroundings, then panic as she realizes she can't leave, her emotional and/or mental state becomes less stable, less utopic, less perfect. the dream begins to turn into a nightmare. and it becomes. well. an ouroboros. the snake eats its own tail and the train goes in circles and the escapist fantasy clarissa once loved becomes a prison of her own design. trapped in the very thing that was supposed to save her.

maybe that's why anthony and benjamin can get out when they do - as clarissa's world decays, as she finally begins to become part of the nightmare, as she melds with the train, the world has to shift a bit. it's reaching the point of no return - once clarissa has been fully sucked in, the train will never stop again. falling into an infinite nothing. but in that moment, there's one final chance for the conductor to stall locomotion, one final leap that could at last pull benjamin and anthony and everyone who's been sucked in by clarissa's black hole of a nightmare out of the portal and back into the real world.

and now, clarissa has lost three hundred years of a life that should never have lasted so long. gained perhaps thousands of years of memories of joy and connection and despair and panic and forever forever forever. and she is once again trapped in a vessel of her own making - her body is that of the child she has not been for lifetimes. her world is dead and gone - not just the world she created, but the world she escaped from as well. what of locomotion, that brief flash of connection? does he even exist anymore? who is she, now? who was she? where can she possibly go from here?

shoutout delirium_undead on discord for going along with the nutcracker theory and helping me flesh this out. your ideas are so galaxy brained and i am forever in your debt

[antennatoheaven]

i feel like being a guy who loves fighting so much while living in a sugar plum soft world gets really boring (outside of the occassional intergalactic threat) if you feel the need to beat up a gorilla 30 fucking times. like what's the deal man? are you getting enough enrichment in your enclosure? do you wish you were in dark souls? could you maybe leave the local wildlife alone for a bit?

[commsroom]

the scene at the end of who's there?: eiffel is cut off mid-sentence (addressing minkowski), minkowski calls his name twice, and hera says, "commander... he's not showing up on any of my scans. he's gone." vs. brave new world: eiffel is cut off mid-sentence (addressing hera), minkowski calls his name twice, and hera says, "he's... commander, he's gone." in idle hands, eiffel regaining his autonomy ("hera, it's me. i'm me again.") is described: "there's a SOFT WOOSH, and eiffel's eyes go from spaced out to sharp focus." in brave new world, eiffel losing his memory is described: "there's a SOFT WOOSH, and his eyes go glassy." in mayday, hera's voice is the last one eiffel hears, the last voice in his head trying to keep him from giving up when he's sure he's about to die. in brave new world, eiffel loses his memory mid-thought while addressing hera, and so she was his last memory, the last thing on his mind. whatever. whatever.

[bluebirbbb]

little arthur malevolent lester portrait because my brain is full of him

[piko-power]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

[sysig]

Pretty clothes for you! ✨ (Patreon)

[manasurge]

Just a bit of lore relevant vent art (with terrible proportions bc apparently I mess that up horribly when I'm tired ugh. Watch me regret posting this tomorrow. The head size is already driving me mad bc it's too big, and I can feel myself wanting to abort this mission already) of Mourynn just, lying down on top of one of those large elevated Pale Tree roots far above the Grove (and far away from everyone else), and during the time between the early years and before the Personal story. Caithe is gone (Destiny's Edge), Wynne is gone (bc well, y'know...), even Faolain is gone (bc of Caithe in DE), and she's just feeling miserable, lost, and alone. (Her hair is in between her sapling hair and the Zhaitan hair, so it's grown out a bit bc she's depressed, and she's meant to be in the new outfit she designed, but I'm in the process of redesigning it a bit, so I've made a few tentative changes for now. Her collar is now just an extension of her clavicle leaves which can be put up like a collar, or can be draped down over her shoulders or back)

[suusoh]

I think a lot of people seem hesitant to write about Johan Liebert, believing there’s a need to portray him "accurately" or "seriously" or else don't write him at all.

This fear is completely valid and understandable of course; experiencing it myself. Most works in the "x reader" section tend to lean heavily toward psychological thriller and suspense, all crafted with such skill and depth with downright the most beautiful writing style ever. (can you tell I want to inject these fics right into my veins.)

I absolutely fucking LOVE these. Okay? let's establish that. I eat up these works every time, they clear my skin and water my crops.

What saddens me a bit is to think that starting out writers who read these fics, instead of getting inspired by such beautiful works, accidentally intimidate themselves out of writing for Johan because they think that is the standard of what a Johan fic should look like. I suspect many aspiring writers believe they need to meet certain "requirements" before they can write about Monster or Johan.

It's easy to think that you have to read countless analysis posts on monster, watch the series dozens of times, or have a good grasp in psychology and philosophy before you're allowed to write about him (guilty ✋️).

While it’s beneficial to understand a character well, I've noticed an underlying sense of "perfectionism" found within the fandom, creating this sort of cycle:

-> Look at the Johan/Monster tag: You see no "bad" or "inaccurate" fanfics—only well-written ones. -> Try to write for Johan: You feel your work will never match the quality or accuracy of what's already out there, so you hesitate to share it. -> Avoid uploading your fanfics: you think your work is "inaccurate," so you might as well not upload it. Someone might even bash you for it.

And then the loop begins at the top again. Breeding the idea that only meticulously researched, serious fics are worthy of uploading. I believe these amazing fics should be a source of inspiration to you to share your own stories instead of holding back. I doubt the authors of those fantastic pieces want anyone to feel intimidated. In fact, I'm sure that they, along with many readers, would likely LOVE to see a selection of variety and creativity in the fandom.

It's good to be cautious of your characterization, great even. It means you've at least put in the work right? But you shouldn't let the fear of making something "untrue" to Johan's character stop you entirely. It might help to look at certain fanfics as a way to guide you, but not to set strict laws on yourself. He’s meant to be an enigma, a puzzle to interpret in various ways. For example, one author might say he enjoys tea, while another might explain he prefers blue Gatorade in their story. The beauty of writing him lies in these interpretations!

( Also there are people on platforms like TikTok and YouTube using Johan as a mascot for the "sigma male manipulator". Writing Johan x reader going on a cute date as a little treat for himself with his newfound humanity is absolutely fair game at this point 💀 )

Numerous serious fandoms, like Sherlock, Hannibal, or Dexter, have their share of fluff and unserious fics that don’t delve deeply into character analysis. Yet they’re written, uploaded, and enjoyed by the community.

Fandom and fanfic writing should be a space and a chance for you to experiment and indulge in your creativity. That's what everyone is doing here, it's not a competition for "best writing". You shouldn't feel any pressure to write for anyone else but yourself and write what you wish to read. If anything, I'm pretty sure all the johan peeps are begging to have more people write, eating up any sort of writing like the dogs we are. woof woof bitchh!

You might think that your fanfic about Johan running away to join the circus is stupid, but somewhere out there is someone waiting to find and read a fic of Johan running away to join the circus.

[soulmvtes]

i'm so glad i did this summer internship :)