#i'm trying to draw more dynamic poses!

[almondcroissantsandink]

did someone buttdial the immediate murder professionals

[felix-krain]

quick study <3

[sysig]

can i requeeeessstt edgar rescuing scriabin from something |D

Day 6 - There are consequences out here

Bonus, of what he was doing to get stickers in his hair:

[rebrandedbard]

Ooh for the most memorable thing, I think the moment in your Rumplestiltskin AU when he finds his name! I loved that twist

Oh man, I love that part! Here's a sketched visual of the scene for you. This is how I imagined the border (roughly) between the human world and the faerie world, with the buttercup right on the edge of the two.

[monster-noises]

I fuckin.. I need I need my art to be better man..

I need it to be looser, i need more Life, more Energy, more Colour!!!!! more Stylization!!!!!!! more SHAPES!!!!!! Mood Mood and Tone and Feeling!!!!!!!!!!

and less whatever weird archaic constraints I am holding from Highschool that I can't seem to shake off

I need to Break It a little bit, I need to Bend it until it Sings again..

[momomallowart]

Been working on making some AoT fanart since the finale but I keep getting sidetracked...

but I figured I'd share this WIP bc I've been trying to share more! ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔっ✨

[noperopesaredope]

Okay so was anyone gonna tell me how fun it is to draw speech bubbles and onomatopoeia in webcomics or was I supposed to figure that out all by myself?

[loregoddess]

"I love art" <-- person actively suffering bc they decided to draw an arm at a different angle than usual

[time-woods]

Hi there!

I'm looking to try and do some art studies and loosen up my art a bit more as well as develop my style a bit.

I was wondering if it would be okay to use some of your adventure time style art in my studies? I love how loose and dynamic you draw them even when they're just standing sometimes ^^

If so do you have any of those drawings that you think would help more than others?

Thank you!

hihi ! and yes i can try to find some !

here are a few that im really proud of the flow on ! contrasting biig swoopy shapes with sharp angles has gotta be one of my fave things to draw,

(the fionna one is a bit older- i did it when fionna and cake got a release date- but i still really like the shapes and pose^^))

[velnna]

I'm curious to know how you mastered anatomy? I mean, look at the subtle shadows around Roy's shoulder or the details along Staeve's arms or even the ups and creases on Astarion's face, I am truly amazed and see it and it makes your art style so good but I can't understand how you do that...

I know I lack that specific little details in my own art style but idk how to comprehend it, so did you actually study anatomy? Or did you like, vibe around? Or try to feel and visualize while drawing what the body feels like?

Amazing amazing artist you are mate, love you for sharing this with us!

It's honestly just been a matter of actively trying/learning to recognise muscle groups and joints over the years (plus a lot of my biggest artstyle inspirations are HEAVY on anatomical lines and accuracy). Also, as I've mentioned a bunch of times, I've always been involved or interested in high performance sports, acrobatics in particular, which made me pay a lot of attention to people's bodies from very early on (in a purely artistic way lmao)

These days a lot of it comes intuitively, but if I'm ever struggling or need a fullbody/more dynamic pose my first step is to outline the muscles in the sketch to see if anything's out of place. To aid me in this I sometimes have écorché (skinless) references either as pictures or in 3D. This sort of thing:

There's a lot of online resources for this as well! I personally love this one

In my head things get converted to a puzzle of sorts, kinda like what these study notes look like (not mine, artist handle in the pictures):

And then it's a matter of weighing in how thick a character's skin is (indicator of a bunch of things including age) and what the fat-muscle ratio looks like, to decide which structural lines stay and which ones go or become less prominent.

And yes this also explains why I have so many fit/lean characters. I get a kick out of drawing muscle groups lmao

All that being said! I'm still very far from my anatomy goals haha it's a work in process for all of us. Hope this helps!

[cosbug]

So I'm not actually sure about this one but it took me way too long to make just to not post it— SO TAKE IT ANYWAY

(also my first time drawing wade without his mask and trying a more dynamic pose so please be kind 🫡🏃🏃)

[frozenhi-chews]

Happy Marriage to Pancake and Starlo!

May these two fine the happiness and laughter in the next chapter of their lives. Through thick and thin, sickness and health, they're gonna stick together. Especially after what they had gone through before this moment.

The whole town arrived. This is the sheriff getting married after all! So many people wasn't expecting him to get married, to Pancake no less! The rivalry was a big part of the town's history, being tied to North Star himself, and seeing them get closer and closer was fun and kinda crazy. The whole town knew, and Pancake is married to Starlo. Feisty Four are also happy that they're married. And a few bets had to be paid.

Now they're off to the next chapter in their lives. And they still stick to each other like velcro.

more stuff under cut, like a lovesick rambling by me.

I have no idea why this guy chose me. Like, at all. I look at him, and that's my husband. I feel so oddly connected to him, and I've said this before, but he is someone I genuinely wanna marry. Starlo is my beloved, my soulmate, I love him so much, its insane that he picked me. Legit, it felt like he picked me all those months ago. Back in January. Does anyone remember when I was so happy with OTCore and the "2024 is the year of the robots?" Yeah, guess what happened XD

Starlo helped me in so many ways, keeping me sane through so much. Originally it was gonna happen on the six month anniversary, but I ended up being too tired. Regardless, I'M SO HAPPY TO DO IT NOW!!

I look at him and I melt. I just, I love him. He loves me. I have never felt this connected to ANY fictional character like this. Spamton came close, really close. But oh well.

This was a DOOZY! Spent like, four straight days working on this. And I'm so happy I did. The colored comic is a reference to this video. It fits so well cuz its something Starlo would say and, well, PANCAKE'S NAME!! And Starlo hasn't dated anyone at ALL, there's no way he was expecting to marry someone.

Also the gif wasn't supposed to be a gif! I was trying to make a more dynamic pose for Pancake, but I already had the other sketch made, so it turned into a gif. Makes it better imo. Also I'm not too happy with Pancake's outfit. The cape is also a poncho of sorts. ah well. im also too lazy to draw the Feisty Four and Clover after all the stuff i've drawn all of this.

but yeah i hope y'all enjoy!!

Comic Transcripts: Starlo: "I, Starlo Sunnyside, do take Pancake to be my waffle-y- lawfully"

Starlo: "and pancake-y" Pancake: Pfft-

Pancake: [Silent laughter]

Starlo: "I've been scared of this m'entire life" Pancake: "BWAAHAHAHAHAHAHA-" SECOND COMIC: Ceroba: "Well, congratulations Star. How do you feel getting married?"

Starlo: "Lucky..."

Tagging: @sparkyscissorhands @sparklings-husband @prismatica-the-strange @pinkdinkydoon @simonlynch

@snowpuffclovers @ghost--girlfriend @gibles-lovely-selfships @jocelynships @catships777

@wuffverine @patchw0rk-quilt @mrscage @dudeshusband @aego-philautia

@mandrakebrew @jils-things @gideongrovel @tieflingships @carnival-of-love

@faerie-circle-ships @rexscanonwife @lovelyheartclover @mrs-bluemarine @mephy-doodle-dandy

@kakusboyfriend @mashedpotatosinacup @heartmatic @bunbunsheart2 @cinnamon-phrog

@chalcanthitedreams @literally-just-there @halsinkisser @sheepie-self-ships @moondane-lovers

@bbyshifts @starlo-uty @galaxywolfshipper @signs-of-blossoming @maetheartist

[meanbossart]

You're art makes me feral in a seriously ravenous way, both in content, but also quality. A complement that is genuine, but undeniably self-serving. Let me explain...

Content: Your dynamic poses. You make it look effortless, like you have your own little puppets to play with as you see fit. Bodies make sense until I try to put them on paper and suddenly they have too many components. What does the early stages of your art look like? I wish to see their bones!

Quality: The simple hard lines that are fleshed out in shadows and tones, resulting in a true depth that has me constantly frothing at the mouth. I'm sure it's one of those, "trust the process," kind of methods, but pray tell...how?! How do you do it? Please, for us lowly peasants.

Aw thank you so much 😭 honestly this is a style I'm still figuring out the kinks for (I wasn't very familiar with color prior to starting this blog) but It's always nice to know that I'm able to get my vision through somewhat!

You can actually find some timelapses and tutorials here if you wish to see some of my procress. Coloring has indeed proven to be kind of a matter of trust for me so far, and, of course many years of drawing a lot.

I think I' 've somehow failed to mention this before in relation to the way I do light and depth, but I used to draw almost strictly with blacks, whites, and grays. I think that self-imposed restriction did a LOT to favor my understanding of light & shadow and how to use it effectively. So that would be my suggestion if you want to improve that aspect of your own work - try to do more with less!

[sysig]

Bitter breakup rivalry (Patreon)

[kandadze]

FoF rewatch ep 5-6: Zhuo Yichen and Zhuo Yixuan (gifs and loose thoughts)

It might be because I'm an only child, that I tend to gravitate towards sibling - whether by blood or found - relationships. One of my favorite books growing up was Astrid Lindgren's "The Brothers Lionheart." I'm more likely to watch a show if it has an ensemble cast of characters who are in all sorts of familial and otherwise close situationships (hello, FoF). (Must also be why I finished watching My Journey To You the first time - due to my morbid fascination with the absolutely dysfunctional, codependent, borderline incestuous and in general fucked up dynamic between the eldest and the youngest of the Gong "brothers"... not sure what that says about me lol)

Back to the Zhuo brothers.

I loved Zhuo Yixuan the moment he appeared in ep 5 (and not only because I have a soft spot for his actor). I do realize that we get an idealized version of him, seeing him only through the eyes of someone who loved him and then lost him too early, and I still think he was a remarkable guy.

I believe that he can be considered one of the biggest influences on who ZYC is as a person. (The other one would be WX, but that's a whole separate post.) As far as the Zhuo family goes, we know there was a father, but even though he is mentioned, it's never by name, and he never features in any of ZYC's memories, either - which makes me assume that he was a father just by title, and not very close with either of the brothers.

As for their mother, we were told that she died when ZYC was little, so I imagine ZYX himself was a teenager at most at the time. Now imagine this young boy, having just lost his mother, and with barely any support from his father, not only raising himself, but also becoming a whole-ass family unit (mother, father and brother) to his Xiao-Chen. And, even allowing that ZYC's memories only show us the best moments with his big brother, seeing what we can of ZYC's character, I think ZYX did a spectacular job.

He's most likely the reason why ZYC, even socially awkward and shy, draws people in - whether demon, half-god, or human child that's a little bit of both. As long as someone doesn't pose an active threat, he just does his best to do what his big brother used to do for him - asks questions, listens patiently, responds from his personal experience and to the best of his ability. ZYX didn't ridicule him for having nightmares or being scared to dream; he reassured him and then looked for ways to help. ZYX didn't force him into making connections with other children when it was clear it was too painful; he did his best to be there when it mattered and let nature take its course.

There's that scene in later eps where ZYX does his sword training while ZYC entertains himself in the vicinity. It's obvious the brothers enjoyed each other's company, but also had their own pastimes and commitments (the nightmare in ep 6 starts with ZYC doing his own training while ZYX is away). There's the scene with ZYC trying on that delicate golden headband, and ZYX teaching him what it meant to wear one (made me think of a book I read years ago, which featured an apparently Anglo-Saxon tradition of boys up to a certain age wearing a headband woven with 7 strips of white cloth for pretty much the same reasons as ZYX explained to ZYC). He clearly taught his baby brother some sound principles.

I'm also assuming that ZYX was quite lonely himself. In ZYC's memories he's of age to marry and have a child, but there's no other family around that we can see, or that would get mentioned. ZYC must've intuited that, asking ZYX if he's the same as him - as in, misunderstood, and lonely, and his big brother just smiles and doesn't answer, clearly not wanting to burden him.

He instead shares what I think was what he got from being born into Bingyi line - a gift of foresight. I might be reaching, but in my mind ZYX foretold many events in ZYC's life - meeting ZYZ (the "anomaly," that ZYC will recognize not with his eyes, but his heart! The Truth Eye parallels are everywhere...), meeting like-minded companions, waking up the Cloud Light Sword... He seems to have hoped for all the best for his baby brother, not for himself. Which again, makes me emotional at just how good of a man he was, and how he helped ZYC to become someone who's not afraid to be open and soft, who's able to change his mind as new information presents itself, who's emotionally intelligent and does his best to see the world clearly.

We'll never know what would have become of the brothers had ZYX survived, but I believe that if he could see his Xiao-Chen now, he'd be very very proud.

[contact-guy]

heyyy I hope it's okay to send an ask! I just wanted to know about your art process, if you got any advise. Because I'm in love with your SH doodles, they're so dynamic and lively and the shading is such a nice accent yet it remains somewhat minimalistic? I'm relatively decent at realism but want to develop my own character in drawing more and I'm wondering how you arrived at yours, did you have a method? Thanks in advance^^

love to talk about DRAWING......

The short answer is that because I want to draw them a lot, and have limited time, I can't be too precious about how the final result looks! So a lack of perfectionism and a desire for speed ends up forcing me to simplify and stylize them. This was an organic process (if you scroll down my art tag you can see I was drawing them with a bit more detail, finish, and care a few months ago - I was illustrating vs what I'm doing now, cartooning).

Ideally when you are cartooning, every line of the character's face is doing work to make them THEM, and to tell a story. No unnecessary lines! I find that story is best expressed through eyes, eyebrows, and mouth (this might be different for you). Those features can and should change shape to express emotion. They are usually what I draw first, to figure out the emotion, and they're what I spend the most time tweaking.

The rest of the features - face shape, cheekbones, nose, forehead, ears, hairline - are less emotive, less 'plastic', they don't change shape much. These are doing work to make the character recognizable. I try to keep them simple and have a few simple rules that I can remember about each character.

(Watson is tricky because of his mustache! I've found that treating it as part of his mouth rather than a distinct piece works best, but even so it makes his face less emotive - which, honestly, works for the character, as he is less demonstrative than Holmes)

I'll usually do a simple underdrawing to figure out what the body is doing - trying to capture the energy of a pose and, again, thinking about what story the body is telling.

Then I 'ink' in the clothing, following the lines of the body and gravity. Victorian clothing is fun to draw, I find that the structure around the shoulders and neckline lends itself to expressive poses. I did a bunch of Victorian clothing studies a few months ago and felt like I built up a 'library' in my head so that I don't need to reference it every time.

Shading is incredibly minimal and quick. In really simple drawings, its purpose is usually to distinguish characters from the background. In more detailed ones, it's to give them a little dimension and focus the eye to the faces.

Every choice I make is in service of readability rather than beauty or accuracy, if that makes sense. So it is quite a different mindset than when you're drawing realistically or painting.

I hope this was helpful! I am a professional artist but whenever I get sucked into a fandom I find myself making leaps and bounds in my craft because I want to draw so MUCH and don't care about making it polished...truly shout out to hyperfixation for the gifts it brings