#i'm sure other people have made posts like this but also. i didn't want to look for them LOL

[andreilslovechild]

A Study on Aaron Minyard and Hatred

I've been in this fandom for years now. somewhere around 5 years or so. and since I've been here there's always been a distinct theme in how people talk about the brother of our beloved main love interest. see people speak about aaron in two ways mainly. the first way is, of course, labeling him as hateful and homophobic and disliking him because he dislikes Neil. the second way is building on his more personable characteristics and having him paired with someone else like Katelyn or Kevin to mellow him out. both of those are all well and good, everyone is entitled to their opinions and all, but I've never quite seen people look at both of those sides at the same time so I want to try and consolidate my thoughts on the matter.

first of all, I personally rarely consider aaron inherently hateful in my own understanding of him. annoyed or disgusted sure, but not necessarily hateful. mainly that hate is focused on three people from what the fandom talks about: Neil, Andrew, and Nicky. I'm using hate a broad term for dislike just for the ease of things right now so don't yell at me, but I think it fair to say the fandom typically pits these three up against aaron in a way that makes aaron look like the bad guy a lot of the time.

if I'm honest, I never really felt he hated Neil more than just didn't care much. at least until he found out about him and Andrew and gave him his version of the shovel talk. maybe a bit when Neil used Katelyn against him. but overall I never quite got it when people said he hated Neil, let alone hated him for "no reason". like id be annoyed too if a guy waltzed onto my college sports team while im studying premed, and turned out to be the long-lost son of a serial killer with a mouth so big it was a wonder hes still alive. plus he was super shady before all that was revealed too, but aaron was still pretty neutral when Andrew brought Neil into the monsters. he even spoke back to the upperclassmen when they freaked out about Neil sitting with the monsters. if you all need me to get the quotes I will, but it's currently like 2am, and I just can't be asked right now lmao. either way, the only time aaron really hates Neil in the books is when he uses Kate against him to get him to go to therapy. which was done for his own good in the long run, and I doubt aaron stayed upset about it for too long. plus we always have to be careful here because we are seeing things from Neil's perspective, someone who is inherently an unreliable narrator in the story.

in Nicky's case, there's a lot to consider. aaron definitely does and says some things (again not finding specifics rn because it's 2am) that are hurtful to him, or offensive. I certainly don't really blame people for reading it as homophobic on a surface level. but that's exactly what it is. surface level. his feelings about Nicky are probably the second most complex in this instance. because Nicky is his cousin, caregiver, friend, whatever you want to call him. They're close, they mean something to each other. but aaron also grew up with Tilda, probably talking with his family over the phone every few months, seeing them maybe once a year or two. when aaron moved to South Carolina he was 13. Nicky would have been 17. aaron probably spent a lot of time with him at first to avoid being alone before he made friends himself. used him as an excuse to get out of being around Tilda alone. which undoubtedly left him susceptible to Luther's preaching. I could make a whole other post on this alone. Still, he would have known Nicky was gay and that it was "wrong". He likely saw only his mask, not the depression inside because Nicky would have wanted to be happy with his cousin. he probably was around when Nicky went to Germany and then came back loud and proud, telling him about a man named Erik and finally standing up to his parents. to us, it's inspirational, exciting even, but for aaron it was like Nicky was abandoning him. He had gotten through Nicky being gone with drugs and staying out of the house as much as possible, but now knowing Nicky was leaving him there alone with his mom for what he assumed would be forever would have hit him hard. he never hated Nicky for being gay. he was angry he had left him, and he had grown up surrounded by the ideals Luther preached and likely his mom did too. with that, plus how uncomfortable it would be to have your cousin being openly sexual around you to an extreme extent like Nicky, I don't blame him really for how he reacted. he was disgusted by the thought of his cousin having sex, not who it was with. I can't remember if his disliking Erik is a canon or fanon thing. Still, he disliked him for taking Nicky away, not because he was a guy. Long story short I don't think aaron ever truly hated Nicky or was truly homophobic. I think he was just a scared kid who learned the wrong words and didn't know how to be vulnerable.

Andrew. good old Andrew. the most complicated relationship in Aaron's life save maybe his mom. I think we all know aaron doesn't hate Andrew. just like Andrew doesn't hate aaron. it's impossible for them to hate each other because they are so irrevocably tangled up and tied to each other's lives. from the second they found out about each other, everything they've done has been for the other in some way. mostly on Andrew's end sure but aaron has also done his share. see out of everyone here I think Andrew is the person that aaron thought he hated the most. he was angry about Tilda, about the drugs, about how Andrew refused to look at him. but deep down he knew he couldn't really hate Andrew. if he truly hated him he wouldn't have stuck around him this long to try and form a relationship with him. he wouldn't have bothered renewing their deal after graduating high school. he may have been stubborn and confusing and made aaron want to pull his hair out in frustration, but I don't think hatred for Andrew truly existed in him. For certain actions maybe, but him overall? definitely not.

Aaron Minyard may have been complicated, cranky, and annoyed for the majority of the times we see him, but he never truly hated anyone. not in the way people seem to think at least. and certainly, never the three people hes accused of hating the most.

[pukaparade]

My Experience Working as an Artist at Santae

Just want to start off by saying that this is simply my personal experience and that anything following the cut is simply my own opinion based off of that personal experience. Readers are encouraged to please employ their own critical thinking and taking many grains of salt when reading another person's experience, mine included. Anyway, my feelings and experiences following the cut.

To start off when I applied to Santae I was really excited to be a part of the project. It's a project that has a lot of promise and it seemed to set itself apart from other petsites I've played in the past. I was really eager to try and be a part of it and participate in the growth of the site and community.

When I joined the server I received the typical greeting - CJ pings everyone to welcome new staff not unlike a welcoming party. It was a bit overwhelming but seemed well-meaning.

There were a lot of little red flags that sprouted up after my joining that I ignored or tamped down writing them off as caused by stress or seeing them as things that could be grown from. (Badmouthing past management, poor communication, etc..)

I can't and won't go into massive detail about everything that put me off and drove me to finally split ways because it would be splitting hairs after a certain point and I also just don't have the time, energy, or care to go through things with such a meticulousness. This post is mostly to warn others who may be thinking of applying what to expect and to cast a little transparency on the work environment. There are a lot of allegations going around and understandably a lot of people are afraid to speak up. I've already quit so that can no longer be held over my head (but we'll come back to this) and the worst that will happen is I'll become a social pariah on the site, or my account will be banned. (Kind of expecting this, so if Kasper #2468 gets iced just know it wasn't by my own hand lmfao. If my KS backing and SC earned by commission get nuked in retaliation ig it's a consequence I'm willing to accept.)

To the friends I've made on the team and the folks that reached out after I quit and removed from the server - I'm glad we met. And thank you to the former coworker who offered to post my goodbye for me after reaching out to me in DM (I declined because I didn't want anyone being ~ tainted~ by association lol) I was in the middle of typing a goodbye when I was unceremoniously removed from the server. When I joined staff got to say goodbye and some even hung around for weeks after parting ways, but since Sky was removed without being able to say goodbye it seems like being instantly deleted might just be the new standard. Not to mention the other artist who was just removed overnight without even a comment. To everyone else, I kind of assumed our camaraderie was as fickle and transient as my time on the team and wasn't surprised to be proven right. I'm sure it doesn't help that (in my experience) CJ has a habit of hopping into VC to badmouth anyone who doesn't align with his vision.

Anyway this is super disjointed already. Let's get onto some specifics.

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"You didn't even need reply ^_^"

I mentioned that the pings were stressful because we had already received multiple about this 'game' and it was getting stressful. When I mentioned that, I got a passive aggressive dm and followup about it afterwards. I will also note that a coworker added an agreeing 'react' to my post about the pings which cj then. removed. lol. I did not reply to the message bc by now I was tired of the manipulation games.

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Commission Discomfort

I held off confronting about this for a long time because I feel that CJ does not take confrontation well and didn't want to make things worse for myself of others but by the end I was nearing my limit and needed to enforce a firm boundary.

I did some graphics work under the expectation that I'd be getting a divine figurine for it and had to follow up multiple times as usual, at which point CJ tried to pin it on a fellow artist coworker 'making him uncomfortable'. This is a common trend with poor communication on the team.

"management" would prefer that staff not commission site artists. This just always rubbed me wrong, especially after the, in my opinion, territorial behavior over me doing commissions. I also dmed some coworkers about it since he said he'd 'tell all the other artists' but no one else had gotten any similar messages from him.

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Streaming in Server

When I started it was pretty casual for art staff to stream site work or personal work in the vc. I stopped streaming personal things after the first uncomfortable dm I got when working on an offsite comm and stuck to santae only work from then on. I don't have a screenshot of my own that I can use for this unfortunately but cj sent a message saying

"Hey @ artist @ lead artist @ lead clothing artist I would like to stop streaming art in the staff voice chat channel as technically the behind the scenes is for BMaC so it's just a gray area, however I would love if you all still wanted to stream but would like you all to stream via our Twitch platform or TikTok

Login credentials will be provided as well.

This is a perfect time to stream with the referral contest live it would be very beneficial I believe.

If you would like to stream please reach out to me, There will be SC pay for streaming, 5sc per hour with a max of 4 hours per day and max of 10 hours per week per artist :dravalove: your normal pay rates also apply this is just additional :heart:"

When the most recent artist to stream asked about back-pay for the stream done for the site the response was a gif of an empty wallet and a crying shimmerint emoji. These messages were later deleted.

further commentary as follows -

The only reason anyone noticed he deleted his messages was because in voicechat when other staff were asking why we don't steam anymore he said 'oh I deleted that' and then said that we can stream again in vc. This was followed the day after that vc by the following

CJ not only shared images to the BMaC in my time, but also would take the images directly from the art approvals channel and drop them into the staff vc anyway to show them off to whoever was around. Frankly this felt like shit every single time and felt like he just wanted the dopamine hit of people complimenting the art. Rarely were we credited during the fawning, too.

A fellow staff reached out to ask why I wasn't around as much, this staff member was in the same vc where he said it was ok again. CJ in my opinion likes to say things one way publicly but then if there's an issue he'll take it to dms or involve as few people as possible. To me his public and private faces are very different.

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Final Straw

The screenshots from above reposted below

As you can see, they're clearly the same, lol. I will also mention that these plush items take twice as long to do and require more revisions than other items. On top of that I have concept art that I can't share due to NDA of the heartstruck concept - full roughs of the pets that I was not compensated for in any way. None of this was discussed prior to me starting the work which is my own fault and not a mistake I'll make again. I spent days, long consecutive hours working on the concepts before I could even start on the plush themselves. This time and the work I put in will remain unpaid.

Something I noticed while I was putting this together is that CJ has deleted at least one message from our dms, which is funny because the message I noticed got deleted is one that I had originally read as being sent with the intention to manipulate -

I have also been reached out to by a former coworker with a 'message from cj' which I declined. Respectfully, I've got you blocked for a reason man. If I had to guess he probably feels like there's something he needs to smooth over to cover his ass but I'm just not interested.

Overall my experience on art staff was quite stressful and the environment definitely felt like there was an in- and out- crowd that was decided by how present you are in vc and how willing you are to participate in the toxic positivity and bobble-head nodding. Also, getting frequently misgendered to your face and behind your back is a special kind of torture.

Anyway, I could probably ramble on more about the time he burst into voice call while I was in there with a coworker and ranted about another coworker for like 20 minutes totally ignoring me before just leaving, or how he's always talking shit about people behind their backs (hi new admins) but not to their faces but I don't have receipts for any of that. Nor energy. And besides there are other places where folks air their grievances and allegations if that's what you're looking for. So I guess I'll leave it here, take care y'all.

[mirai-e-jump]

Bakuage Sentai Boonboomger Photobook: Don't Stop the BoonBoom Main Cast Member Interviews (translations and other pages below, very long post)

Publication: February 14, 2025

Iuchi Haruhi (Taiya Hando)

-Taiya cranks up his mood without showing emotion-

Everyone wrapped up filming together. At the time, it really didn't hit me. I think it was about two days later that I actually felt it……

Over this past year, I had a routine that I set up for myself, where the day before filming, I'd reread the script for corresponding scenes, and always make sure to do a final check before going to sleep. However, I guess that's come to an end. Now that filming is completely over, I feel alittle sad, as I can actually sense that Taiya's fading away.

Regarding Taiya, when I look back, the first thing I was conscious of was raising my mental age and trying to play my role as a calm character. However, if I made him too cool, he'd be too similar to Chasshiro, so instead of expressing his emotions, I'd crank up parts of his mood……I put great value into those kinds of things while acting.

The first scene we filmed was for the first episode, where Taiya buys the luxury brand store. I remember I didn't know how to move in relation to the camera's position, and was just trying to figure it all out. Not long after that, I had the opportunity to film my Boonboom Change, and when I put on the Boonboom suit for the first time, I had the feeling of, "I'm a hero!" The other thing I remember well was post recording with Director Nakazawa's team during episodes 1-3. At first, I held back my voice in order to keep it in line with Taiya's character, but when Director Nakazawa told me to "make it much more louder," I realized that it was "okay for him to be in high spirits after the Change." That became one of the opportunities for me to broaden my perspective of Taiya Hando.

I'd been going out to eat with the other members since fairly early on, but as filming progressed, it was exciting to see the number of friends increase one by one. The first climax for the five Boonboomger members was in episodes 8 and 9, when Taiya rushed over to them and said, "This is the most…," to which the other four replied, "Cranked up." It was an unforgettable, passionate scene. I think this moment slightly changed the way Taiya interacted with everyone.

Also, the presence of Yu-kun, who joined us halfway through, was a big deal. Until then, I had always thought that the right thing to do was to act according to the image the professional Directors or Cameramen had in their minds, so I had never thought of acting based on my own initiative. However, when I watched Yu-kun, he'd constantly make suggestions like, "I wanna move like this, but what do you think?," and I saw the course of things change, as those on set would respond with, "Alright then, let's go with that!" That's when I started reading the script with the thought of, "As one of the people creating this show, I also have to get involved on set!," and my attitude once again changed alittle bit.

-A dream filled ending typical of Boonboomger-

In episode 24, I was also happy to have my special skill of playing the guitar put to good use. As a matter of fact, during our first meeting, the Producers asked me, "Do you have any special skills?," to which I answered, "I can sing and play the guitar." That's when the Screenwriter's desire to "write about Taiya's first love" was incorporated, causing the episode to materialize. The script doesn't go as far as to depict what happened to Mahiro Sensei, but I wanted to understand it in my own way, so I talked to the Director and Producers before I went into it, and I even imagined what kind of feelings Taiya would be having and wrote them down in a notebook. The subject of the story was painful, but the shoot itself was fun. Taiya's a character who I had a hard time getting into, but by depicting him during his childhood, I think I was able to dig deeper into my role.

I pushed myself to the limit towards the very end of Boonboomger and lost about 5kg, which caused some concern as my face began to look really hollow (bitter smile). Still, as a result, I was able to get into it and concentrate while playing Taiya. The scene where he conveys his feelings to the other four during episode 45 was very memorable. In the completed footage of episode 37, a flashback scene was inserted, the one where child Taiya hears sad crying in the next room, and I was there to observe the filming of that scene. I wanted to internalize Taiya's feelings, so I asked and was allowed to sit in the same spot after they filmed it. I performed the scene with the other four in episode 45 with that in mind, so I was able to convey Taiya's feelings clearly.

I liked the last scene in the final episode. I thought the reversed situation was good, as it concludes with us five who protected Earth leaving for space, and Sakito, who had said that he "abandoned Earth," staying behind. For me, it was a conclusion that I would've never imagined. I was really excited while filming our participation in the BBG, and being able to say the line "Let's get cranked up!" at the very last moment will always remain in my heart. I believe it was a dream filled ending, one truly typical of Bakuage Sentai Boonboomger.

Hayama Yuki (Ishiro Meita)

-I aimed to play a role that anyone would think was cool-

For my role as Ishiro, I first talked with BoonBlue's Suit Actor Yoneoka Takahiro-san about how I wanted to "make him a cool character by any means," and so we decided to aim for a role that anyone would find cool, from his gestures and posture, to his pose when he changes into BoonBlue. Going along with that, his passionate side also came out around episode 6. The Director in charge of each episode enjoyed those playful parts and would tease me about it, so by also adding in some adlibs myself, I think I was able to broaden the range of my role. Yoneoka-san gave an energized performance in the Go-Onger episode, but by seeing that, it made me feel that although Ishiro's a spy of the underground, he was longing for something "sparkling," and I feel that it further expanded my role.

The first time Ishiro's past during his spy era was depicted was in episode 14. It was an episode that showed Ishiro's cool, cranked up appearance, but I felt that if I didn't establish a solid "foundation" here, it would affect how he was seen in the future. That's why I was so fired up to film the flashback scene. I also received tons of motivation from Miu-chan in this episode. Miu-chan has an extensive acting career, and above all else, the ways she delivered her lines were very convincing. The sequence of events that leads to Ishiro being stunned as she says, "You want to protect the place that's important to you, right?!," is a scene that everyone needs to watch. Up to that point, Ishiro had kept abit of a distance from everyone except for Taiya, but I think this was the first time he was willing to approach another member of the team.

The next spy story was in episode 29, which features a scene where I Boonboom Change while fighting against Gong Grumer, and I challenged myself to doing action, which isn't one of my strong points. Also, I was paired up with Sakito. Compared to the other three, he had a greater sense of distance from Sakito, but since they suddenly got involved right from the start, it was difficult trying to figure out how I should treat him. Also, when Sakito says, "You didn't grow up well, huh?," he responds with, "My parents did the same work I'm doing. You can figure out the rest." It's a line that expresses Ishiro's dark past, and he tells it to the person he was most distant from. It was an important moment that brought the two of them closer together.

Episode 37 had alot of action scenes, and I believe I was able to get them done with the support of Action Director Watanabe Jun-san and Yoneoka-san. I think that different people have different interpretations of the relationship between Ishiro and Naito Konomi-san's Sutea, and although we watched each other's performance on set, we never really compromised on things. I hope everyone enjoys speculating on that point. On the opposite end, Director Hayama Koichiro gave me easy to understand examples of how the fake Ishiro would fight against Taiya, which helped me better visualize his image. What's more, for the action scenes involving Taiya, Haruhi stayed with me countless times until I memorized how to do them, which was very helpful.

-If you grab hold of your wheel, things will become clearer-

From episodes 43-47, I think some of you may have been on edge watching Ishiro's actions. Still, since Taiya said in episode 37, "I can tell just by looking into his eyes," it was properly foreshadowed. Although Ishiro pointed his gun at everyone at the end of episode 43, it's important to note that Taiya's reaction at that moment wasn't captured. This was Director Nakazawa Shojiro's goal, as this detail wasn't in the script, but since he and Taiya trust each other without needing to say anything, he purposely left out Taiya's reaction. As for myself, I think that the role Ishiro played during the very end was a great one. Mira's marriage is an homage to the first episode, and his return in episode 47 along with his partner, Boonboom Marine, made me feel "cranked up" when I read the script.

The wrap up for actors was the final roll call during the final episode, and we were all able to finish filming together. Each person's name was then called out on the spot, and everyone would cry. I was determined not to cry, but when they called my name, Producer Kuji Yoshito-san and Director Nakazawa came into my sight, and I couldn't stop crying……I'm not entirely sure if I was able to speak coherently then, but I was truly overwhelmed with emotions in that moment.

The theme of Bakuage Sentai Boonboomger is to "take control of your own wheel," and while it may have looked as if Ishiro had sold his soul to the Hashiriyans during the very end, I believe that he was able to steer his way down the path of victory by taking the wheel in his own way. In reality, things may not always go as planned, but if you grab the wheel without abandoning your beliefs, I'm sure something will become clearer. For us actors, we'd be beyond happy if you could take away such a message from our work.

Suzuki Miu (Mira Shifuto)

-I tried to be conscious of "Mira's feelings" when performing in the second half-

After filming throughout the year, I did have some vague concerns in the beginning, but I'm really glad that we were able to get through it safely without any major accidents or problems occurring. Also, after a year of working with the same staff, I realized just how much fun it is to work together as "friends" to create a production.

As for my role as Mira, I was told that she doesn't "take a backseat to the main character," but is instead the first character that the viewers can emotionally attach themselves to as the story progressed. I knew that if I didn't carefully act out Mira's growth throughout the year, it would appear rushed and unconvincing, and by extension, the story wouldn't hold up. In the beginning however, Mira was presented in a fairly fun way. In the script, her screams were written as "Piyaaa!" (laughs). That was one of the reasons why up until about the halfway point, I was more conscious of how she was being seen from the outside instead of from the inside. However, in the latter half, I tried to play the role with "Mira's feelings" in mind, rather than thinking too much about "how I want her to be seen." In that regard, there may be a big difference between the beginning and the ending. I was also happy that Director Nakazawa Shojiro noticed that and said that "I had changed up my performance quite abit."

In the very beginning, it was fun being teamed up with Chasshiro in episode 6. I think Mira's someone who can be paired up with anyone, but Mira seems to be the only one who can make teasing Chasshiro look amusing (laughs). Even in the scene where we follow Jou, I had alot of fun filming and discussing the details with Yuki-kun, such as how we'd hide ourselves by retying our shoelaces and hiding behind a telephone pole.

Episodes 8 and 9 was the first crisis that the Boonboomgers faced, and the atmosphere on set was tense and different compared to the previous episodes. During all this, I think it was just like Mira to vent her feelings towards Taiya at the end of episode 8 with, "Why would you do such a reckless thing?" However, I could understand the feelings they both had, and condemning someone for something you're not aware of was pretty difficult to perform. I thought it'd be bad if she came off as being too confrontational, so I played the role hoping to convey Mira's honesty.

-I love how everyone in Boonboomger lives their lives to the fullest-

There were multiple main episodes for Mira, such as episodes 14, 20 and 31, but episode 36, in which I performed with Mori Hinami-chan, is the most memorable. When she learns that Aki, played by Hinamin, had given up on her dream, she speaks her mind by saying, "It's frustrating….that unlike how Taiya is with Boon-chan…..I can't make her dream come true." I had discussions with Director Watanabe Katsuya about that scene, and I thought about it alot myself. Mira's story began with her easygoing personality in the first episode, but up until then, there were very few scenes depicting her being worried. Mira's usually cheerful and in high spirits, so I wondered, "Would it be okay to show her being worried?," but I think it's her worries that really show the strength of their friendship.

Also in this episode, there's a scene where I Boonboom Changed without the helmet, so I also played the last scene where the mask was equipped. I was advised to pull my chin up in order to look cooler, but I was pretty scared since my field of vision was limited and I could only see my feet. Still, I ran as hard as I could, hoping that I'd look cool.

I think the major event at the end of the show was the development of Mira's decision to get married, which was depicted in episode 47. To be honest, I had something that was worrying me as the story was unfolding, and I talked to the Producers about it. Even though she became a Boonboomger in the first episode and was working hard at her part time jobs, I wondered, does Mira have any big dreams in her life? They created this development based on that. I wanted Mira to have a dream, but instead, it's Mira's strong desire to help the people in front of her that helped her grow so much. I took this as a message that the staff had prepared for my sake. During the actual shoot, after she decided to get married, there was the line, "This is how I'll grab hold of my wheel," and just looking at everyone's faces made me cry……I believe that this performance came out because I'd been building up my role as Mira and trusting everyone.

Based on the title, many of you may have thought that Bakuage Sentai Boonboomger was a cheerful and upbeat production. I myself am one of those people, but with six people, there were six different lives, and now that it's all over, I strongly feel that the appeal of this show was that "each and every one of them overcame their struggles and became stronger." For myself personally, I have always and will always love the way everyone in Boonboomger lives their lives to the fullest.

Saito Ryu (Jou Akuse)

-I was surprised at how similar I was to Jou Akuse-

When I was in elementary school, I served as class president and was known for being a rather serious type of person. However, I wasn't serious at all, as I had more of a clumsy side in comparison (laughs). That's why when I first learned about Jou's setting, I was very surprised at how similar he seemed to myself. Also, my own father is a firefighter, so I felt a sense of familiarity towards his role as a police officer, as they're also civil servants. That being the case, I thought, "If I just honestly express all the feelings I've had over the past 19 years of my life, I might be able to become Jou Akuse." During the beginning, I went into filming with those types of thoughts in mind.

Jou's real role began in episode 5, but the first scene we filmed was in the first episode, where he gets wrapped up in one of Wedding Dress Grumer's dresses. It was fun to see his clumsiness immediately come out, but Director Nakazawa Shojiro had told me, "It's fine to make as much noise as you'd like." At the time, my performative skills were still lacking, so I was abit confused. I now have the confidence that I can make things more interesting (laughs).

I put alot of effort into the fight scene against Darts Grumer in episode 5. I knew from the moment I read the script that the action leading up to my Boonboom Change was "an absolute must." During filming, Darts Grumer's Suit Actor Imai Yasuhiko-san lent me his support by saying, "It's okay to go all out," and under the passionate direction of Director Watanabe Katsuya, we filmed with my entire body getting covered in sand and dust. That day, I went home and shampooed my hair about six times, but sand kept falling from my head (laughs), and even when I rewatch it now, I can see just how much strain I put on my body. Director Watanabe also helped me out alot in the episode where I'm paired up with Mira, but I think episode 5 was the starting point for me as Jou.

From the moment we met, I became good friends with the other cast members. We didn't have many opportunities to meet until episode 4, but after episode 5, I think we were able to join up smoothly from episode 6 onwards. I was happy to finally be able to film together with everyone.

In episode 6, he immediately gets involved with Mira and Shiro Senpai, and I was also grateful for all the opportunities after that where Jou played a bigger role, such as in the Kaseki Grumer episode, the candy detective episode where he teamed up with Genba, and the baseball episode. What's more, they were all crazy episodes (laughs). Especially for episodes 21 and 23, the one in charge of them was Director Kato Hiroyuki, and he's the kind of Director who'll constantly incorporate alot of funny things, so I also had alot of fun while getting into a playful mood. In episode 21, there's a scene where I interact with Genba in my afro hairstyle, and I thought it'd turn out funnier the more serious I performed it. I took these kinds of things into consideration when I performed.

-I cried so much during the wrap up, that I was teased by everyone around me (laughs)-

Episode 40 was the episode where I myself felt a sense of accomplishment. After episode 15 aired, I received feedback from various people telling me that "it was good," but it was thanks to Director Hayama Koichiro, who brought out Jou's appeal, that I as an actor felt the desire to show off even more of my performative range. This time, episode 40 was naturally made possible thanks to Morichi Natsumi-san's wonderful script, and Director Nakazawa and Cinematographer Kamiaka Toshikazu-san's strong tag team, but I could personally feel the growth I had made up to that point, and the line, "There's no such thing as a 100% perfect hero," went viral on SNS, with the great response from those around me also giving me confidence.

Filming for the last chapter progressed at a good pace, and it felt like it went by in the blink of an eye. During this time, what surprised me was Chasshiro's betrayal and Boon-chan's defeat. I had only heard alittle bit about it beforehand, but when it was time to read the script, I was shocked and thought, "Are you serious?!" And then, Jou quit being a police officer, and in episode 46, he was confronted by his senior officer played by Takada Masashi-san……I didn't expect things to turn out this way, so I had abit of trouble trying to wrap my head around the situation. It was as big of a situation for me as it was for Jou. In the end, the five of us left for space, so I interpreted it with, "I guess he's on temporary leave for the time being?"

The Assistant Director made the necessary adjustments to our schedules so that everyone would be able to be together for the wrap up. The night before the last day of filming, I cried all alone at home due to feeling lonely, so on the very day of filming, I thought I'd be fine since I cried ahead of time. However, when I saw the face of BoonBlack's Suit Actor, Shige-san, I couldn't help but cry. I was crying so much that everyone around me jokingly said, "You're crying way too much!" (laughs). Over the past year, there were times where I was guided gently, and times where I was guided strictly, but I was truly happy on this set.

Soma Satoru (Genba Bureki)

-From being a Procurer with a detached position to becoming friends with the Boonboomgers-

When it was decided that I'd be playing the role of Genba Bureki, I was told that, unlike the other members, I'd be "playing an alien." However, since I didn't know the reason why he was always licking lollipops or the beliefs that he held, I had to make detailed adjustments all the time while thinking, "I guess it'd be alright if I did this much." It was around the time we were filming the Summer film when I learned about the developments for the second half of the story, and I thought that his feelings toward Nicola, who was invaded by Hashiriyans, were different from everyone else's, so I was conscious of those expressions in my performance.

In the beginning, I didn't have much to work with, so I was trying to figure out how to say distinctive lines such as "Seems like you're in trouble" in a way that felt right to me. There's abit of a suspicious, older feel to him, and I thought it'd be great if I could add some expressions that were unique to Genba. The first thing we filmed was the scene in episode 2, when he receives a job request from Taiya. From episodes 1-6, he had watched them from a detached position as a Procurer, so I was very happy when we were ready to film episode 7, as he joins the Boonboomger's as their friend.

In episode 10, I was able to do some action before his transformation. I was confident in my athletic abilities, but the movements done by BoonOrange's Suit Actor Ono Yukimasa-kun, who showed me some examples, were amazing, and while I felt alittle overwhelmed, I tried to do my best. Ono-kun and I would both always talk about "how we felt during this part," and I was always amazed by the action I saw during post recording.

His destined rival Disrace appeared at the end of episode 26, and he left Boonboomger in episode 27. There's a scene where he says, "That's why I'm giving up my front row seat," and as myself, I definitely didn't want to leave, but at the same time, he doesn't want to involve his friends any further, so……it was quite difficult for me to perform. After that, I didn't get to see everyone as often as I would've liked to, and there were also no good opportunities to go out and eat together. That's why when he returned in episode 33, I was so happy that I couldn't help but talk nonstop with everyone on set (laughs).

During filming of episode 33, I almost cried when I said the line, "This is the place where I belong," and I was also deeply moved when Taiya asked, "What has the Procurer procured for us?" to which I answer, "Myself, of course." The scene where all of us perform the Boonboom Change also suddenly made me feel that "having friends is great." I was personally grateful for the fact that both episodes 27 and 33 were done by Director Nakazawa, as I was able to make progress while consulting with him.

-One thing remains for Genba, that being his important mission to retake planet Bureki-

I also enjoyed being together with Sakito during the soccer episode. We're both from Shizuoka, and I'm a Shimizu S-Pulse supporter, so because of this connection, we were invited to participate in an event by Shimizu S-Pulse in September. As for the drama, he clashes with Sakito, and well, fighting doesn't bring them closer together, but because they both love soccer, it seems like they let out more unnecessary feelings than usual. They had clashed before in episode 32, but I think they were finally able to work out their differences in this episode.

I had the feeling that the "end" was gradually approaching during the final stages of filming, but in the final episode, when their transformations are cancelled during the battle with Spindo, as we were filming the scene where they stand up while conveying their feelings, the feeling that "it was finally coming to an end" suddenly hit me. Here, Genba says, "In this universe, that's what we call love," but combined with the location, which captured the sunset, and the atmosphere on set, it made me get more into it.

The ending was a beautiful conclusion, but as for Genba, he still hasn't retaken planet Bureki. Because there's still an important mission left to do, it didn't finish with a happy ending, however, they were able to defeat both Grantu and Spindo and save Earth, so it was still a big step in the right direction.

Now that it's all over, I feel alittle sad since I no longer have to spend time thinking about the next day's shoot. Looking back, I really didn't know what I was doing a year ago, but I'm here now thanks to all the fans who supported me, and over the past year, through the feedback I received at events and on SNS, I was motivated by the fact that I was involved in a production that was loved by so many people. I'll work even harder so that everyone who got to know me through Bakuage Sentai Boonboomger will see a different side of me. I look forward to your continued support!

Miyazawa Yu (Sakito Homura)

-I was able to gain experience both as myself and as Sakito Homura-

When I "encountered" Sakito at the audition, I felt that he was so similar to me, that I thought, "If I fail this, I don't think I'll ever have a chance in any tokusatsu production." Once I entered filming, I was very happy to hear that Director Hayama Koichiro said on set that he had "wanted to film Miyazawa as Sakito." When he makes his entrance during episode 16, I played the role with the impression that he was an overly self conscious perfectionist, but as things continued with episodes 17 and 18 being done by Director Kato Hiroyuki, I was able to bring out more of his weaknesses.

During the joint reading session before I went into filming, the Director and Producers said that they wanted me to "act in a childish way," but I was thinking of taking my performance in a slightly different direction, so the most important thing was being able to create Sakito on my own terms. Also, I think that by looking for places where I could be abit playful on set, I was able to gain experience both as myself and as Sakito Homura.

Episode 41 is an episode that I'm deeply attached to, as I was able to incorporate my special skill of playing soccer. The "Pulse Ace" that appears is a play on Shimizu S-Pulse, but I used to be a member of Shimizu S-Pulse's lower division when I was in middle school, and I was deeply moved by the collaboration event between Boonboomger and Shimizu S-Pulse that took place during the broadcast. The story was rich in content, with its appropriate comedic feel, our passion for soccer, and my pairing with Genba, so I think the viewers enjoyed it. Among other things, the scene where Genba and I pass the ball to each other with napalm exploding in the background had to be done in one take, so I had a fairly long discussion with Satoru beforehand. It was quite difficult even for experienced players like us, as there was gravel everywhere we stepped, and the unique shape of the Boonboom suit's shoes made kicking the ball feel different, but fortunately, we got the OK with our very first attempt. In terms of the story, his clash with Genba reminded me of the sumo episode, and I also thought it was typical of the younger Jou for being so straightforward and acting as their middle man. That scene was effective because of Ryu's careful performance, and I thought it turned out to be a very good scene where you'd naturally think, "If Jou said it, then it must be right."

-The final scene where Sakito remains on the Earth personally gave me goosebumps-

After the soccer episode and Christmas episode, the final stages of the show had some dramatic developments, but episode 45 was the one that I put the most effort into. Bundorio stopped functioning, the Boonboomgers were split up, and Taiya was mentally out of it. During all this, Sakito and Byundi confront the Hashiriyans together……It was a hot development, as the man who abandoned Earth now fought to protect it, but in playing Sakito, I saw it as a "fight to protect his friends." If we go back to episode 18, Sakito said, "I just wanna protect my only friend and his family," but I believe that episode 45 encapsulates the change in his feelings from that point on. This episode was directed by Director Hayama, who also did the episode where I first appeared, and the scene where I pushed my way through the crowd and shouted, "You guys…didn't the Boonboomgers save you?!," was a direction given to me by the Director, so I myself also wanted to live up to the trust he put in me.

In the final episode, I felt the team's unity as they defeated Spindo, and I also thought it was wonderful that everyone's individual scenes were properly depicted. I hope that you were able to feel that high level of unity. And, the final scene where Sakito remains on Earth personally gave me goosebumps. When I first read the script, I thought, "Uwah, this is seriously good!" Living on Earth, the number of people he came to love steadily increased, and it seemed to match up with the way Sakito lives his life, so I'm satisfied with it. I felt that there was nothing wrong with the performance I had been doing, and I can only thank all the staff members for preparing and directing such a conclusion.

The last scene we filmed was our final roll call. This was the end of filming, but the show was still going on, so to be honest, I didn't really feel it. However, when the time came for them to address me, I couldn't help but tear up when I saw the large number of staff members.

I had been involved since episode 16, and was very excited to be in the position of shaking things up as the additional member, and I feel that the feedback I've gotten in regards to that has been good. The show itself will remain even after the broadcast is over, so we'd all be happy if people said, "Boonboomger was great, wasn't it?" We don't know yet if there'll be an anniversary project in the future, but I hope that Bakuage Sentai Boonboomger will remain in the hearts of all the fans forever!

Handwritten Messages

Iuchi Haruhi

"What was the most cranked up scene that you performed as Taiya Hando over the past year?" The scene in the final episode where everyone says, "This is the most cranked up!"

"What did you think was the "coolest part" about Boonboomger (or Taiya Hando)?" The parts were he wouldn't ignore!

"What part of Taiya Hando's "costume" or "weapons" did you think was cranked up?" The tool design of the weapons!

"A word to Taiya Hando!" LOVE

"A word to your Boonboomger friends!" I'm glad it was the six of us…I had fun. Thank you!

"A word to all the fans!" Thank you so much for your support over the past year! I look forward to your continued support!

Hayama Yuki

"What was the most cranked up scene that you performed as Ishiro Meita over the past year?" Bakuage 29's action scenes.

"What did you think was the "coolest part" about Boonboomger (or Ishiro Meita)?" His activities as an Informant.

"What part of Ishiro Meita's "costume" or "weapons" did you think was cranked up?" His three piece suit and necktie that would change every episode. That you could turn the Boonboom Handle with just one hand!

"A word to Ishiro Meita!" I love you.

"A word to your Boonboomger friends!" Ishiro had trouble fitting, so thank you for looking out for him!

"A word to all the fans!" Thank you for your cranked up support!

Suzuki Miu

"What was the most cranked up scene that you performed as Mira Shifuto over the past year?" Episode 36's helmetless running scene.

"What did you think was the "coolest part" about Boonboomger (or Mira Shifuto)?" That she worked hard for the sake of someone else instead of herself.

"What part of Mira Shifuto's "costume" or "weapons" did you think was cranked up?" That you could hold Boonboom Handle's Rod Mode upside down (it's dangerous, so good children shouldn't imitate that!)

"A word to Mira Shifuto!" Mira being cheerful gave me tons of energy! Thank you :)

"A word to your Boonboomger friends!" I was really happy with the six of us! We're forever friends!!!

"A word to all the fans!" I wouldn't have made it this far without everyone's voices of support. Thank you so much!

Saito Ryu

"What was the most cranked up scene that you performed as Jou Akuse over the past year?" My first transformation.

"What did you think was the "coolest part" about Boonboomger (or Jou Akuse)?" Getting dirty.

"What part of Jou Akuse's "costume" or "weapons" did you think was cranked up?" His police uniform.

"A word to Jou Akuse!" You're an honourable man!! Make sure to zip up your fly properly!!

"A word to your Boonboomger friends!" Thank you for the past year! Sorry for when I acted out of line 🖤

"A word to all the fans!" Thank you for your support over the past year! I look forward to your continued support.

Soma Satoru

"What was the most cranked up scene that you performed as Genba Bureki over the past year?" When after leaving once, he reprocured himself through his friends.

"What did you think was the "coolest part" about Boonboomger (or Genba Bureki)?" With every episode, his friends became the embodiment of ​​"taking control of your own wheel."

"What part of Genba Bureki's "costume" or "weapons" did you think was cranked up?" His fluttering costume made action scenes look more attractive.

"A word to Genba Bureki!" I'm glad you returned to Boonboomger!

"A word to your Boonboomger friends!" Thank you for trusting me and waiting for me ^_^

"A word to all the fans!" Thank you so much for always giving us tons of support!

Miyazawa Yu

"What was the most cranked up scene that you performed as Sakito Homura over the past year?" The six person transformation in Bakuage 48!

"What did you think was the "coolest part" about Boonboomger (or Sakito Homura)?" Honestly gaining control of your own wheel!

"What part of Sakito Homura's "costume" or "weapons" did you think was cranked up?" All of it!

"A word to Sakito Homura!" Sakito Homura! Enjoy living a chaotic life on Earth!

"A word to your Boonboomger friends!" Claim absolute victory in the BBG!!

"A word to all the fans!" Thank you for your support in Bakuage Sentai Boonboomger over the past year! It was the most cranked up year!!

The Heroes Cranked Up Roundtable A long roundtable discussion with the six cast members who played the heroes who protected Earth. They'll talk about their memories from the past year, as well as bombshell stories that can only be talked about now?!

-The six cranked up members have gathered-

"First, please tell us about the relationship between the six of you after spending about a year together."

Hayama: In the beginning it was just Satoru-kun, but the older members were extremely reliable.

Suzuki: Yeah.

Hayama: We got so used to it, that we slowly started to develop a habit of screwing around with them (laughs).

Soma: That's right (laughs).

Hayama: Still, I think it's because they both allowed us to do that that people have come to say, "Boonboomger had some great vibes."

Iuchi: That was a big part of it.

Miyazawa: Y'know, I'm not sure if we've forgiven you yet (laughs).

Soma: Right?

Hayama: Even in this interview, we can talk about how we mess with them, so in that sense, Satoru-kun and Zawa-nii are the greatest.

Miyazawa: I suppose so (laughs).

Suzuki: The youngest members, Haruhi-kun and Ryu-kun, are both 20, while Zawa-kun is the oldest at 29 years old, so the age difference between us is the kind where you wouldn't normally have many opportunities to interact so closely. However, I still think the reason we were able to get along so well was because we were together for a year.

Miyazawa: Normally, I'd be concerned about both sides of the situation.

Iuchi: You were cautious.

Hayama: He was, wasn't he?

Soma: In the beginning, Zawa-kun didn't get involved with us at all for some reason.

Miyazawa: That's because there's a generational gap between us (laughs).

Iuchi: I felt the same way too. At first, it was the age difference, and since I went to an entertainment high school that didn't have any club activities, I rarely had any opportunities to interact with my seniors.

Miyazawa: And yet now we're like family.

Soma: We've even been asked, "Are you guys related?"

Suzuki: During the wrap up, the staff had said, "You guys look like relatives."

Miyazawa: It made me realize that even though there's a 9 year gap between us, we become friends.

Hayama: Of course, we weren't just playing around, as Zawa-kun drew a clear line when it came to work, and I really received a ton of inspiration from him. The only exception is Soma-san (laughs).

Soma: So that's how it is, huh? How strange (laughs).

"I see, so this is how you "tease those older than you" (laughs)."

Soma: Even though Hayama-kun and I go out to eat together pretty often…

Iuchi Hayama Suzuki Saito Miyazawa: (laughs).

"Did Soma-san and Miyazawa-san have to worry about anything when dealing with the younger members?"

Soma: I was the oldest of the original five, so I didn't want them to view me as "scary" (laughs). I wanted them to be able to be carefree, so I aimed to create a "Buddha" like appearance, someone who was accepting of everybody (laughs). By the way, we're being interviewed right now while eating our bentos, and Ryu just stole my tamagoyaki……

Saito: He won't get mad at all if I take it from him (laughs).

Soma: No, no, I told you tamagoyaki is my favorite, c'mon now! This is how they mercilessly tease us (laughs).

Iuchi Hayama Suzuki Miyazawa: (laughs).

Miyazawa: I joined in the middle of the show, but after it was decided that I would perform, I searched up information on who I'd be working with. That's when I was like, "They're all younger than me!" (laughs).

Soma: I get that. You were shocked, huh?

Miyazawa: However, I still thought that there was only one person "below me."

Soma: Who? Ryu maybe?

Miyazawa: No, like you, I'm from Shizuoka. That's why I thought you'd be the first one I talked to (laughs).

Suzuki: Did you think you'd have a better opportunity with Satoru-kun since you're both closer in age?

Miyazawa: Yeah. It's because even Miu-chan and I are about five years apart.

Soma: That's true.

Miyazawa: Before we became friends, I wondered if we would even get along.

Suzuki: Usually, when there's that much of an age difference you're like, "Where do we start?"

Miyazawa: I've also said this elsewhere, but at the same time I was having my costume fit, Miu-chan and Ryu came running to the makeup room and excitedly said, "Uwah, so this is Violet!" At that moment, I felt that everything would be alright. Or, perhaps what I mean to say is that I was the one who took a step back (laughs).

Suzuki: That's right! In another interview, Zawa-kun had said that he was grateful for the two of us closing the distance between him, but just recently, when the topic happened to come up in a private conversation, he said, "To be honest, I was abit put off at the time" (laughs).

Saito: That's harsh (laughs).

Miyazawa: It's because of how energetic you kids are.

Iuchi: You're always saying that.

Suzuki: We're all energetic.

Hayama: Right, we tend to hear that alot.

Miyazawa: That's how it is now, but in the beginning I had the feeling of, "How should I deal with them?"

Iuchi: At first, I felt like I had to talk to them as adults, but Satoru-kun and Yu-kun were the ones to bring a stop to that. That's why I'm very grateful for them.

Soma: In our group chat, Haruhi initially used a large amount of emojis, which made me think, "Ah, he's being cautious" (laughs).

Iuchi: Ah, I didn't realize you had seen right through me (laughs).

Soma: I noticed it from the very beginning.

Suzuki: I see. He did use a large amount of them.

Miyazawa: Is that so? I would've liked to have seen that.

Soma: By the time Zawa-kun joined us, he was no longer doing that.

Suzuki: It's because you "brought a stop to that," remember?

Hayama: (he looks at Miyazawa-san) And here I thought you were a good guy.

Miyazawa: Hey!

Iuchi Suzuki Saito Soma: (laughs).

Miyazawa: To begin with, our generations are so different, that I don't know what's popular. People of my generation would do stuff like go to karaoke.

Soma: Yeah. Things like what's popular and fun among today's youth.

Miyazawa: I had no idea about TikTok or anything like that (laughs).

Soma: You know, the way people say TikTok now is with an intonation! (laughs).

Miyazawa: Eh, it's that true?

Soma:……that's how it seems.

Miyazawa: However, it was a completely different story when I entered the set. I was conscious of the fact that it was our place of work.

Soma: There was a clear distinction in the way you'd switch.

Miyazawa: Right, which is the most important thing!

"Do you have any painful or difficult stories that you can only talk about now?"

Iuchi: What's okay to say? (laughs).

Saito: Ah, I was late once.

Suzuki: Wha!

Iuchi: Do you feel remorseful about it?

Saito: I do.

Suzuki: I don't know what to take away from this.

Soma: Just let it play out (laughs).

Saito: However, I made it in time for the shoot itself.

Miyazawa: No, no, that's totally normal then (laughs).

Saito: When you've been doing something like this for a long time, you inevitably start to slack off, huh?

Suzuki: You can't say that about yourself! (laughs).

Iuchi Hayama Soma Miyazawa: (laughs).

Iuchi: What was abit difficult for me during filming was not using my bike. I didn't ride it throughout the filming period because I didn't want to cause trouble if I had an accident. Besides, with it being my first time living in Tokyo, I thought I'd be fine without a bike, as there are tons of trains in Tokyo. However, once I started living there, I found that there were many places that would take too long to get to if I used the train or bus, but could be reached pretty easily by bike. I'm alittle disappointed that I couldn't even go out and have some casual fun (bitter smile).

Saito: That was a model answer!

Miyazawa: Is it okay to talk about what was difficult for me?

Hayama: The Boonboom dance?

Miyazawa: No (said firmly).

Hayama: Not that, huh?

Miyazawa: Sakito's hair style.

Iuchi Hayama Suzuki Saito Soma: Yeah (they fully agree).

Miyazawa: Every time I went to a shoot, it would become coarse and stiff. After filming, I would have to go home and wash my hair because of how difficult it became.

Suzuki: After filming would finish, we'd say, "Let's all go out for a meal!," but only Zawa-kun would go home and take a shower before rejoining us.

Miyazawa: That's because if I left my hair as it was, my hat would look like it was floating.

Iuchi Hayama Suzuki Saito Soma: (laughs).

Soma: That being said, I had trouble with my hair too.

Miyazawa: What was the case for Satoru? It must've been with your Burekiian form.

Soma: Yeah, it was when I transformed into my Burekiian form.

Hayama: Putting on the makeup too.

Soma: That's right. What's more, my skin is fairly tan.

Saito: Sure is.

Soma: So, I had to apply whitening cream in addition to getting my makeup done. I also had to wear cat eye contacts, but if I blinked even slightly, they would immediately rotate. That's why it was very difficult for me to perform close up shots in that condition.

Suzuki: You wouldn't blink.

Soma: Still, they'd eventually also fall out if I didn't blink for a long time.

Miyazawa: Your contacts fell out countless times.

Soma: Yeah.

Hayama: What comes to mind for me was the action. Exercise has never been one of my strong points, and there were a few times where I just couldn't keep up. To be honest, that was really tough.

Soma: No, no, you were really cool!

Hayama: Really?

Suzuki: Yeah.

Soma: Like in episode 37, you were amazing, don't you think?

Hayama: Well, in any case, I was just desperately trying to keep up.

Suzuki: You seem to have good reflexes.

Miyazawa: And he can dance. Me on the other hand, I'm no good at dancing (laughs).

Hayama: Wasn't it quite difficult for Miu-chan to get into costume?

Suzuki: That's right. There were so many part time outfits, so I remember having to get my costume fit for almost every episode (laughs).

Hayama: You went in to get your costume fit all the time.

Suzuki: Also, my legs were very cold.

Hayama: I had a feeling you'd say that.

Suzuki: Especially during Winter (bitter smile).

Hayama: And, those weren't even the worst ones. There's the wedding dress you wore in the final episode.

Suzuki: Yeah.

Hayama: You had to have the staff help you when you moved.

Suzuki: I couldn't move without my attendants.

Hayama: "Attendants" (laughs).

Miyazawa: It really seemed like that.

Suzuki: Also, I couldn't sit on a chair, so when filming stopped, I had a blanket laid out on the floor to sit on until my next turn.

Saito: You were like a princess!

Suzuki: The dress looked like it was floating as it spread out on the floor.

Saito: She often called upon us (Saito-san and Hayama-san) and gave requests like, "Please get me some sweets" (laughs).

Iuchi: She simply couldn't move.

Suzuki: (speaking like a princess) "Excuse me, can you fetch me a drink?"

Miyazawa: She's totally a princess now (laughs).

Suzuki: Another challenging thing was that this production has shorter shots so that smaller children watching wouldn't get bored. In scenes where we convey our feelings, they weren't that long and involved a series of cuts, so we had to raise our emotions pretty intensely, which was difficult. If I had to put it another way, I think it really strengthened our responsive skills.

Hayama: That's a good way of putting it.

Suzuki: You get it though, right?

Hayama: Yeah, I know exactly what you mean.

Suzuki: Zawa-kun had a difficult time with that at first too, right?

Miyazawa: I'd usually start from one or two of my previous lines, but if I thought that it'd still be too difficult, I was allowed to start from even earlier.

Hayama: Yeah, you'd do that.

Saito: Everyone's talking about something serious…

Soma: Ryu, do you have anything else since your story about being late didn't work out?

Saito: Yeah. I play a police officer, so it was quite difficult putting on all that equipment. It was pretty heavy, and there's a proper way of putting it on, so I had to make sure to check it every time. I thought this was to be expected by all the people who actually work as police officers.

Soma: Oh, that was a good story you just gave!

-Looking back at each memorable scene-

"From here, we'd like to ask each of you to pick one person at a time and name a performance or scene of theirs that left a lasting impression on you."

Soma: I guess Haruhi should be first, right?

Hayama: I think I was the closest to Haruhi's Taiya, but when I met him as fake Ishiro in episode 37, the performance Haruhi gave was completely different from what I usually did with him, and I thought the detail in how he differentiated his role was amazing.

Suzuki: The expressions Haruhi-kun showed were really great, as his emotional range swings between the line of difficult and exceptionally good. The facial expression he made at the end of episode 24 also conveyed his delicate feelings.

Iuchi: Thank you very much.

Miyazawa: I still love the, "Let's all hurry!" line he says in the final episode.

Suzuki: That was great too!

Miyazawa: All I can say is that it's like you can see the very moment he switches.

Suzuki: It gives off a similar feeling to when your body trembles with excitement, you close your eyes, and then shoot them open, right?

Miyazawa: Right, it's like that kind of switch.

Suzuki: The scene in episode 45 where Taiya loses sight of his own wheel was really impactful. It's like he was performing with his soul.

Miyazawa: I'll never forget the one on one performance I did with him in episode 18. It made me think, "So this is the man called Taiya Hando, huh?" That scene is still fresh in my mind.

Hayama: (to Iuchi-san) Were you nervous?

Iuchi:……I was (laughs).

Saito: There was a scene that I really liked, the musical scene with Itasha was in the Christmas episode, right?

Soma: Yeah.

Saito: At that point, Taiya makes a face that's like, "Eh?," looks around, then sits down without saying a word, and that made me burst out laughing.

Iuchi: That was entirely Director Kato's direction.

Saito: It was hysterical.

Iuchi: This is especially true since Taiya's not the type of person to do something like that.

Saito: I desperately wanted to say, "Don't just sit there in silence!" (laughs).

Soma: It would've been even funnier if he responded to it with something like, "That was cranked up!"

Suzuki: Yeah, like in the Toilet Grumer Limited episode.

Saito: Yeah, that happened.

Iuchi: That's where I tried to play the version of Taiya that Mira had in her mind (laughs).

Hayama: That was alot of fun.

"Next, what do you think of Ishiro Meita's Hayama-san?"

Iuchi: My favorite scene is in episode 14, when he relies on Mira. Ishiro had always operated in his own world, but Taiya also had the desire to draw him into everyone world, so Taiya felt happy when Ishiro was able to rely on Mira, someone he had come to love. I had read the script beforehand, but when I saw the broadcast, I was moved all over again.

Hayama: That was also made possible due to Suzuki-san's help.

Suzuki: No, no, that's not true.

Iuchi: But it was just the two of you!

Suzuki: Of course, when we were filming that scene, I thought, "Yuki-kun really likes acting." In the aquarium scene in this episode, when Chasshiro shows his annual pass, I (Mira) try to take it, but he quickly pulls his hand back. He was the one who suggested we do that with, "How about if we improvise like this?"

Hayama: All while I acted like a brat (laughs).

Suzuki: I felt that I wasn't capable enough when imagining things that weren't written in the script. That's why Yuki-kun's suggestion made me think, "That could happen!"

Miyazawa: Yuki's really serious, huh?

Suzuki: Yeah, I get him.

Miyazawa: Over this past year, he'd be thinking about the character of Ishiro Meita more than anyone else, and whenever he'd talk about his performance, it was always, "Ishiro's this, and Ishiro's that" (laughs).

Iuchi Suzuki Saito Soma: (laughs).

Miyazawa: There were times when Ishiro would fool around, which I thought would've been difficult, but Yuki was able to express it in his own way. My favorite scene was in the final episode, right before he leaves Earth. He happily says, "An Informant in space, I like the sound of that.

Soma: I also thought he looked happy when I watched him.

Miyazawa: He'd been separated from the Boonboomgers for quite some time, so I think he might've felt bad about it. By doing that performance, I could really feel that he had come back as Ishiro.

Hayama: I'm grateful.

Miyazawa: It was "the best of Ishiro."

Hayama: I'm glad to hear you say that.

Soma: Personally, I liked it when Chasshiro got teased by those around him. Like in episode 40, when Itsuki-kun said, "I want to be a cool hero like BoonBlue," Mira and Jou's reaction was to look at Chasshiro and say, "Cool?" (laughs).

Suzuki: I liked it when Mira pinched his cheeks.

Iuchi: Yeah.

Hayama: That was in the final scene of episode 37.

Soma: It was fun to watch scenes where Chasshiro "comes down" from a stressful situation, as I would think, "Ah, so this is how it's being done this time."

Saito: Yuki-kun mentioned earlier that he's not good at action, and looking back at our first action practice, I could sorta sense that he was having a hard time. However, the action with Gong Grumer in episode 29 was really cool. He must've practiced alot, but it was still captivating. After that, in episode 37, he did action scenes for both Ishiro and the fake, and I felt like he had come a long way with all the moves he was able to do.

Hayama: You sound like a parent (laughs).

Saito: I'd like to mention that I've rewatched your boxing action with Gong Grumer about six times.

Hayama: Eh?!

Suzuki: Amazing, you've got a fan.

Hayama: Ryu, thank you~ (laughs).

Saito: No, I was just curious about the moves you were doing.

Hayama: I guess everyone was looking at different parts. This is the first time I've heard all of that.

Iuchi: You're embarrassed, huh?

Hayama: I am. Ryu should be the first one I treat to some gyudon, don't you think? (laughs).

Suzuki: For me, it was probably when he was paired up with Mira in episode 14. It's the scene where Chasshiro's desperately struggling to keep Reizoko Grumer from going to the aquarium. I had never seen Chasshiro with such intense passion before. Mira had already transformed, so the first time I saw him like that was during post recording, but it was Yuki-kun's acting that really got me into the mood during recording.

Hayama: It was all thanks to the Screenwriter (laughs).

Suzuki: You looked happy (laughs).

Miyazawa: He was all smiley.

Suzuki: And, I know I keep saying this, but when Chasshiro talks to Mira face to face like a normal person in that episode……seriously, his visuals were just too good.

Hayama: It was both an Ishiro episode and a visual episode.

Soma: Visual episode he says…..(laughs).

Suzuki: And, I guess he was really fired up since it was one of his main episodes, as during filming, he made constant efforts every morning to get rid of any swelling (laughs).

Hayama: You didn't have to bring up that part! (laughs).

Iuchi Saito Soma Miyazawa: (laughs).

"Now for the next turn, we'd like you to talk about scenes featuring Mira Shifuto's Suzuki-san."

Soma: Speaking of Miu-chan, she was a monster during post recording.

Suzuki: Eh? What?

Saito: He means to say "you're very skilled."

Suzuki: For real? That makes me happy!

Saito: How is it that you're always able to skillfully match up your voice?…..

Suzuki: Yay! (laughs).

Hayama: Another thing is the straightforward way in which she communicates. In episode 14, when she said, "You're so stupid, Chasshiro!," I could really feel Mira's energy just from watching the footage, and I felt that there was alot to learn when it came to making emotional outbursts like that.

Suzuki: That makes me happy.

Hayama: I learned a…alot!

Suzuki: Don't stutter at the best part! (laughs).

Hayama: (laughs).

Soma: Yuki-kun mentioned emotions just now, but I liked Miu-chan's part when we spoke our lines one by one before defeating Madrex in episode 9.

Suzuki: When I say, "That's what it means to take control of your own wheel!," right?

Soma: Yeah. Your eyes sparkled, and your line was filled with emotion, so that moment really grabbed me emotionally.

Suzuki: Everyone's injured makeup looked good too.

Soma: That combined with the atmosphere of the setting sun made it even better. Towards the end of the show, when Mira makes up her mind to get married, Me, Sakito and Jou were on the receiving end of things, but we were also greatly helped by her. It was easier to do our performance since we could understand Mira's feelings.

Suzuki: That makes me feel good (laughs).

Iuchi: My favorite Mira scene, and the one where I also thought Miu-chan helped me out, was in episode 45. They had created a rather dark scene in regards to Bundorio's shutdown, and I went into the scene worrying about how to go back to Taiya's usual self within the 30 minutes we had. However, thanks to Miu-chan's performance, I was able to bring Taiya back to his energetic self.

Suzuki: Heh~ I didn't know you felt that way.

Iuchi: Taiya saying, "Thank you, I'm glad you guys are my friends," followed by Mira's genuine look of relief on her face as she said, "You've finally regained control of your wheel," was very comforting. That put me in a better mood as we faced the final episode, so I really feel thankful for that.

Suzuki: No, no, I wouldn't have been able to cry if I hadn't seen the look on Taiya's face. I feel the same way, you really helped me out.

Soma: Are you reciprocating your love to each other?

Suzuki: That's not it (laughs).

Miyazawa: It's the result of their synergy.

Suzuki: That's it!

Miyazawa: I don't have any specific episodes in mind, but rather, when I think of Miu-chan, her persuasive words come to mind. I especially felt that in Mira's main episodes. I think it's Mira who connects the Boonboomgers together, and I think she had a big influence on the production.

Suzuki: That makes me happy.

Miyazawa: What I also thought was interesting was that when I saw Miu-chan on set, she would adjust the number of steps she took in order to match the camera's position.

Suzuki: Yeah, I did that (laughs). I'd usually be good with three steps, and then I'd just say my lines from around there.

Miyazawa: Seeing that up close, I thought of her as a very hard worker. Mira's good balance was likely the result of Miu-chan's hard work.

Suzuki: Thank you!

Saito: This might overlap with Zawa-nii, but while I think that each person had their own main episodes, Mira would be right there next to us.

Iuchi Hayama Suzuki Soma Miyazawa: Yeah!

Saito: When you pair up with someone like that, the explosive power is incredible. How would you describe it? Like an amino acid??

Soma: Something like an umami seasoning that makes everything taste better?

Saito: Ah, that's it! If you don't add it in, it's somewhat tasteless, but with it, I'd say it adds depth and takes it up a level. That's why I think Mira's presence was of great help to our team.

Hayama: Thank you for being an amino acid.

Saito: Thank you amino acid.

Suzuki: I did my best as an amino acid! (laughs).

"Next should be Jou Akuse's Saito-san. What does everyone think?"

Iuchi: What I'd like to mention with Jou is his injured makeup for the baseball episode. The makeup artist told me that a role like Jou's is one that's really deserving of injured makeup.

Hayama: That's true.

Iuchi: The way he got covered in dirt, was sprawled out on the ground, and yet still stood up was really cool.

Suzuki: You know it!

Iuchi: As for Taiya, he's happy to watch Jou's growth, or to put it in a slightly weird way, he likes seeing Jou get dirty (laughs).

Saito: Hahahaha (laughs).

Suzuki: It's kinda nice when Jou gets dirty.

Hayama: It's great.

Iuchi: It looks great on film, doesn't it?

Hayama: Going along with that, I guess I'd pick his first Change in episode 5. The scene where he crawls while still standing his ground is really memorable, don't you think? Boonboomger consists of a group of people who hold various beliefs, but among them, Jou possesses an honest sense of justice, and I think that was most strongly portrayed in episode 5. Watching him on set, I honestly felt like, "Ah, he's a hero."

Miyazawa: I think that out of all the characters in Boonboomger, the one who was closest to their role was Ryu, and there were countless times where I felt that he really linked up with Jou's honest character.

Iuchi: Yeah

Hayama: There were.

Miyazawa: Especially when he was trying to appeal to something. There was something about it that would just resonate with you. The same goes for the Keytarou episode, the scene with Itsuki-kun in episode 40, and the scene against the police squad in episode 46.

Hayama: Episode 40 was especially good!

Miyazawa: When it comes to tearful episodes, I think that most people would pick the one where Genba leaves, but I'd cry every time there was a Jou episode.

Saito: Eh?!

Miyazawa: No, it was frustrating how Ryu's performance made me cry.

Iuchi Hayama Suzuki Soma: (laughs).

Miyazawa: Still, it really touched my heart. I really think that only Saito Ryu could've played the role of Jou Akuse. He's also really good at action. He moves his body well.

Saito: That makes me happy!

Soma: For me, it's the part in episode 28 where he Boonboom Changes while running into the fight against Neon Grumer.

Saito: Yeah, I was filmed wearing a maskless Boonboom suit.

Soma: That maskless facial expression, and the intense passion conveyed through his lines. I guess you could call it a "feeling of hitting the right mark." Zawa-kun mentioned it too, but his honesty resonates with you as you watch him, which is exactly in line with Jou, but I think is the same for Ryu too.

Suzuki: I talk about it in every interview we do, but my pick is always going to be episode 15. His crying face at the end when he took down Kaseki Grumer was heartbreaking, and there's also the scene where Jou makes up his mind.

Saito: It was when he said, "I'll take him down!"

Suzuki: Yeah. Despite feeling conflicted, he said he'd fulfill his duty as a police officer. That was also bittersweet. It was a scene that was really painful to watch.

Saito: My performative skills were still pretty rough during that episode, so I had alot of trouble with it. I think Director Hayama helped me alot in that episode.

Miyazawa: It's usually Jou who gets caught in the middle of a dilemma, don't you think? I guess expressing that is also quite difficult to do.

Saito: Yeah, it was. Every time I'd wonder at what point the conflict between what he wanted to do, what contribution he'd make as a police officer, and what decisions he'd make as a hero would alternate.

"What are some of the most memorable scenes involving Genba Bureki's Soma-san?"

Miyazawa: What should we do?

Suzuki: There's really nothing to say, right?

Soma: Why~?!

Hayama: I guess there's nothing in particular.

Soma: Well, guess I'll head home early then (laughs).

Iuchi Suzuki Saito Miyazawa: (laughs).

Iuchi: Alright then, I'll start! I also like the scene in episode 27, where Genba leaves Boonboomger, but I've talked about it in many other places, so I'll name another scene. I recently had the chance to rewatch the clip of his first Change in episode 7, and I thought the whole sequence of movements, starting with the line, "I'm gonna accelerate you guys," and then raising the Boonboom Change Axe to then pull out the Boonboom Booster was incredibly cool.

Iuchi Suzuki: It was when he said, "(speaking in unison like Genba) Let's take control of the wheel of being Boonboomgers together!"

Saito: A key point is the part where he bounces his hand alittle.

Soma: You were paying attention, huh?

Iuchi: Furthermore, in Genba's case, he isn't characterized by his quick decisions, but by his slippery movements instead.

Soma: Was that……a compliment?

Iuchi: Huh, you don't get it?

Hayama: You're saying his movements are sexy, right?

Iuchi: Right, right, sexy!

Suzuki: Genba's movements had some sex appeal to them.

Iuchi: I could feel his mature sexiness, which is exactly in line with Genba. I felt that again when I rewatched it.

Miyazawa: For me……yeah, I think it'd be the part where he's sucking on a lollipop in the opening credits.

Soma: Why?!

Miyazawa: Sorry, that just sorta came out.

Soma: That's going way too far (laughs).

Miyazawa: That was just a joke (laughs), Genba and Sakito were involved in many scenes, so I had many opportunities to talk with Satoru, and I found him to be a really passionate guy when it came to his performance. In particular, he kept the alien setting a secret. That was the most surprising thing.

Suzuki: Eh, you knew from the start?

Soma: I knew about his real identity, but details like him being an heir of planet Bureki and the Hashiryan invasion came later.

Suzuki: Eh~. Still, you knew from the beginning that he was an alien.

Soma: Yeah, I knew.

Saito: So that's how it was.

Suzuki: Did everyone know?

Hayama: No, I also didn't know.

Soma: I think I mentioned it to Taiya along the way.

Iuchi: I only overheard alittle bit about it.

Suzuki: Heh~!

Miyazawa: Not only did he keep that a secret, but he also kept a clear plan in mind and made sure to express the way Genba "should be" in each and every scene. What was particularly memorable was the expression on Genba's face at the end of episode 26 when he saw Disrace. I thought that he had really brought out the best of everything he had accumulated up until that point. I'll never forget it.

Hayama: From there, Genba left Boonboomger and suffered for awhile, but in the beginning of the next episode where he had come back, Genba had a really refreshed look on his face (laughs).

Suzuki: I noticed that~!

Hayama: I once again thought that that kind of carefree vibe is unique to Genba Bureki.

Suzuki: It was that scene, where the camera pans from his legs to focus on his facial expression.

Hayama: Right. Also, Satoru-kun's scripts were amazing. I could catch a glimpse of them from the post recording microphone next to me, and they'd be completely red. This of course varies from person to person, as I myself am the type who doesn't write many notes, but even so, I was impressed by his enthusiasm to learn.

Soma: I'm just prone to worrying (laughs).

Hayama: They were so red, that it makes me want to post a photo on SNS so that everyone can see.

Iuchi: You really pay attention to the smallest of details.

Saito: Regarding the scene in episode 33 where Genba returns, the Action Director of "Kamen Rider Gavv," who I had the opportunity to speak with at the studio, highly praised it by saying, "The expressions on Taiya and Genba's faces as they stared at each other were really good."

Soma: Eh, really? Should I move over to Gavv's set now?

Iuchi Hayama Saito Miyazawa: (laughs).

Suzuki: Please stop (laughs).

Saito: I'd like to bring up the scene in episode 15, where Jou and Genba talk. At the end, Genba mutters, "A lonely dinosaur, huh?…," and at the time of filming I thought, "What is this line?" When I look back at this scene now, the kind, lonely, and indescribable expression on Satoru-kun's face really hit me.

Suzuki: For me it'd also have to be episode 33, but it's for the scene between Shirabe-san and Genba. I felt like he poured out everything he had been holding back up to that point.

Soma: That's something I discussed with Director Nakazawa Shojiro.

Suzuki: On another occasion, the Director told me, "I told him that it'd be more like Genba to hold back there," but finding the right balance must've been very difficult, right? Mira is someone who can show her emotions, but he won't be the same Genba if he shows too much, and if he holds back too much, it'll seem like he's lost his humanity. After hearing that story, I rewatched the second half of episode 33, where he comes back to us, and was convinced as I thought, "So that's the reason." Something will make his heart tremble, but he won't shed tears, and I think that's appropriate for Genba.

Iuchi: Come to think of it, Yu-kun mentioned his identity being revealed, but is it okay if I add something quick?

Miyazawa: Go ahead!

Iuchi: At a later date, Satoru-kun told me why he only revealed it to me, that being, "I think Taiya would've already noticed." Just hearing that…no, he really thinks about the details of details.

Suzuki: That's Amazing!

Soma: Not at all.

Iuchi: What's more, at that time, the details hadn't been worked out yet, but when I read the script for episode 27, Chasshiro asks, "Did you know?," to which Taiya replies, "I had a feeling he wasn't an Earthling," so it was just as Satoru-kun had predicted.

Suzuki: I see!

Iuchi: Satoru-kun is amazing, even though it wasn't his role, he thought Taiya already noticed.

Hayama: How do you even think that far ahead?!

Iuchi: Right? It's really amazing.

Soma: It's embarrassing.

"Finally, there's Sakito Homura's Miyazawa-san."

Hayama: After all, he has the longest acting career out of all of us, so I was always inspired by him.

Iuchi: No, seriously. With that being that case, it'll be hard trying to narrow it down to just one thing.

Hayama: My favorite scene was without a doubt the one at the beginning of episode 29. I had created my performance to a certain extent and took it to the set, but then Sakito started doing moves that I would've never expected (laughs).

Suzuki: You were like, "Wait, this isn't what I had in mind!" (laughs).

Hayama: That's how I felt. Still, I thought that if I became intimidated here, I'd lose to Zawa-kun, so I tried a variety of things on my own. I think it was one of the opportunities for me to grow as an actor, and it's a scene that left a very strong impression on me.

Miyazawa: If we were at the Deliverer's garage like normal, you could imagine what you'd be like, but with filming on location, you don't really know until you get there. In my case, I was pretty much doing things in the moment.

Iuchi: When I got involved with Yu-kun, that's where I'd really learn something. If I'm not mistaken, the scene where we're all talking and having fun in the final episode was also changed on set.

Suzuki: Eh, is that true?

Iuchi: I talked it over with Yu-kun, and he asked me something along the lines of if I wanted to be the "first to respond," but with Sakito, I thought words were unnecessary, so I just tapped my fist against his chest and said, "I'm counting on you" ……I said that just before the take, right?

Miyazawa: That's right.

Iuchi: I really liked the look on Sakito's face in that scene, and thanks to that, Taiya felt like, "Now Earth is in good hands," and even though it was done on the spot, Yu-kun responded perfectly in his performance.

Miyazawa: I think I was able to respond because there was something about Haruhi's performance that resonated with me.

Soma: Even without any lines, Sakito was able to convey the message he wanted to say. That was also the case with the sumo episode, and I learned alot from watching it.

Miyazawa: I'm grateful.

Soma: Genba himself isn't a character with many lines, so when he was silent, I would just look at everyone's expressions, but even in those moments, I felt that Zawa-kun had a wide range of performative skills to draw from.

Saito: I was impressed by his interactions with Byundi. He was constantly talking with Suit Actor Takada Masashi-san, as well as BoonViolet's Tsuta-san, but seeing him talk all the time, even when the cameras weren't on, taught me how to approach acting.

Miyazawa: I'm sure this is true for everyone, but this was the first time I interacted with a Suit Character and performed a role together with a Suit Actor. With that being the case, I think we each had our own ideas of, "What I'd do if I were you," and I wanted to present a character that matched that of BoonViolet, and by extension, Sakito Homura.

Suzuki: Sakito has a childlike charm, a presence that makes everyone tremble easily, and a unique sex appeal, and while we were shown various sides of him, there's a sense of unity that made him look like a proper individual. I think that's what Zawa-kun put into consideration when playing the role of Sakito.

Miyazawa: That makes me happy. Let's all go out for yakiniku next time.

Iuchi Hayama Saito Soma: Yay!

Suzuki: We've been waiting for that!

Miyazawa: Ah! Is that what you guys were after?! (laughs).

-The six people who finished Boonboomger-

"I think it's time we conclude, but we'd like to ask each of you one last time for your thoughts on the past year."

Iuchi: It was fun.

Hayama: It was, wasn't it?

Suzuki: Wait, wait, hold on (laughs).

Soma: Isn't that too short?

Suzuki: It is!

Saito: Well, it is true that it was fun…

Miyazawa: No, stop, speak one at a time, let's do this properly.

Hayama: We got along well with each other over the past year, and I of course hope that we can continue to be friends, but when I see the five of them, I feel like I've learned so much as an actor. In that sense, what was great about being a Boonboomger was that I was able to gain some really good experience for my future acting career by working together with these five people. I realize I'm talking seriously now, but I'm truly happy that I got to meet these five actors.

Suzuki: I'm truly happy from the bottom of my heart that I was apart of these six, and I hope that even after 10 or 20 years have passed, our current relationship will continue. They're my best friends.

Hayama: If something ever happens, us five will be there for you.

Suzuki: That's reassuring!

Saito: Miu-chan summed up everything just now. I thought the same thing after finishing filming, but I think it was actually a good thing. I would've hated it if any one of us was missing, and I honestly feel that the hard work we all put in over the past year was well worth it.

Suzuki: It's kinda sad that it's over…

Soma: On the very day of the wrap up, I think I was relaxed, as I thought, "Ah, it's over~," but when we actually wrapped up, I was so overwhelmed with emotion, that it surprised even myself.

Miyazawa: It was more than you were expecting, huh? I'm surprised.

Soma: Over the past year, I really saw alot of what I liked about everyone, and it was also really exciting when Zawa-kun joined us halfway through. I really think that the balance between these six people is outstanding, and I think we became such a great team because of all the wonderful qualities everyone has. Thank you so much!

Suzuki: Encountering you all and the time we spent together was irreplaceable, and it'll stay with me for the rest of my life.

Miyazawa: I arrived along the way, where I ended up joining a team already consisting of five people, but they were five truly charming people. We got along well in the drama and in our daily lives, and there was so much that I learned from them, so I want to be the first to say how grateful I am that we were able to do this together for a year. And, while this may be the end of Boonboomger, I hope that each one of us will take the experience we've gained from this production to the next level, and that one day, when the time comes for "all these members to gather," we'll already be capable of aiming higher and attract the attention of many people. That's why I hope you'll still support us and continue to carefully watch over us.

"And now, we'd like to ask Iuchi-san for some closing remarks."

Iuchi: Is it alright if it's abit long?

Hayama Suzuki Saito Soma Miyazawa: Of course!

Iuchi: Boonboomger was my first drama job, and I played the main role of Red. Super Sentai productions are a team effort, so I didn't want to get too worked up about being known as the star or leader. However, in interviews I was often asked, "What's your enthusiasm as the leader?," and in the beginning, I'd go into the set being 90% anxious and 10% excited. Also, I'm the type of person who values spending time alone, and while I don't know if there were moments where they didn't think well of me, everyone accepted me for who I was and treated me in a really kind and friendly manner, so I have nothing but gratitude for that. Recently, I've had more opportunities to hear people say to me, "You've grown in the past year," and while I think that's only natural due to how I interacted with people on set and how the staff guided me when I didn't know anything, the most important thing was that I received so much from everyone I performed with. That said, I do think I've grown over the past year. We were all talking about it before this interview, but even after it's over, I sincerely hope from the bottom of my heart that we can get together regularly afterwards to talk about casual things and spend time together. Finally, I have a confession…….I came to Tokyo by myself for this job, and these five are the first friends I made! Let's continue to get along well!

Hayama Suzuki Saito Soma Miyazawa: That makes us happy!

[castlekriegler]

Hello everybody! :D

Master Eckhardt, I have a confession! xD For the past two weeks I've been trying to get used to the remastered Kurtis. His new looks has been bothering me. Yes, me, one of the most obsessed people with Lartis and AOD. :( :( :( It makes me feel sad and confused. I was not sure if to write anything because I didn't want to be spoiling the ongoing party! Plus I didn't want to criticize in public too much because that would feel like back-stabbing all the people involved…

Luckily yesterday I realized that with some minor adjustments and rather small changes made here and there, he could be close to perfection and way closer to the original. ;D

Just to make myself clear: I have NEVER meant to bother or attack the creators and/or fans of the remastered version of Kurtis. I'm happy that many people love the new Kurtis' face. And I'm glad, grateful, excited and enthusiastic that TRAOD has got another chance to shine. (Even though we all know that there have been some quality and other issues mostly caused by the lack of time - which is unforgivable! by the people who caused it - AOD has always deserved more and seems to be cursed by the time restrains…)

Anyway I wasn't sure what exactly was bothering me about the new face in Kurtis' case, but something was definitely off to me. I couldn't put my finger on where the problem was, but yesterday I figured it out. At least I think. ;) I made these rough edits last week and et voilà - Welcome back, Kurtis Trent! :D (Sorry for the bad quality. I had only a very simple rectangular selection tool at hand, but you get the picture - I'm planning to make 'clean' versions as well when I have more time.)

(The pictures on the right are the edited ones.)

(The original picture posted by @angel-in-shadow: https://angel-in-shadow.tumblr.com/post/776308000718716928/soooooo-i-might-have-some-remastered-kuris-mesh)

The jaw and chin

The bony face shape from some angles (not visible here) makes him look much younger and even a little bit starving. xD But more importantly, PLS, get rid of the protruding (hag's xD) chin. It doesn't suit him IMHO. It changes a face a lot; it's completely different type of chin. I have a problem with the fact that the original face didn't have even a tiny hint of that face trait. Also his upper lip is does not stick out anymore and the lips are not so uneven now.

(The original picture posted by @minis-gaming: https://minis-gaming.tumblr.com/post/776146302680596480/the-demon-hunter)

The hair and his lips

I'd personally prefer his hair a little bit darker (not visible in the dark pictures in general) and the front hair shorter. I would also add more hair to the front - like overgrown bangs of a sort - more of it getting into his eyes (and covering his forehead more). I also flattened his hair on the top of his head. It looked almost like backcombed xD. Also the strand of hair thrown into the back the remastered Kurtis has - I have no idea how it could stay in place like that. xD The fringe-like haircut seems to be more practical and 'free' and without a need of adjusting it every minute. xD

The shape of his upper lip looks really weird in some angles. I made the upper lip narrower in the second pic. That was it. But to me the difference is HUGE. (The model seems to be okay though, so I guess it's more like a matter of textures or something… Sorry, I'm not very familiar with the 3D terminology.)

(Again the right picture is the edited one - I only made the original on the left lighter.)

I can recognize him now. I wonder if anyone agrees with me?

Of course, the original graphics (lacking in some ways for today standards) was leaving more space for imagination, so I admit we all could see the characters a little bit differently. ;)

Do I like the new remastered face? Yes - with some reservations. All in all, he has always been more than just a pretty face. ;) His appearance is important to me of course, but I especially LOVE his character. On the other hand, like seriously, look at the difference the edited pics make… *drolls* :D AWWW!!!!!! *crazyfangirling* I NEED THESE CHANGES! :P :D :D :D

Many people won't probably agree with me on several points in this post (PLEASE LET ME STILL JOIN THE PARTY!), but I'm just sharing some of my thoughts here. And wondering about your opinions. ;) And I'm also writing this to let the fans of the original model of Kurtis know that they are not alone. ;) :P Either way, the original is still here, so we all can be happy. A WIN-WIN situation, isn't it? ;D

PHEW! I have SO needed to get these thoughts out! You have no idea… I guess I'm too much into the issue; well, it's been a while since my obsession with AOD started, so please have patience and bear with me. xD We have spent a really long time with the original game… ;)

[smoozie]

Literally so real and so true. Some of this was bugging me in a way I could not describe but now I know

[kingslionheart]

whats the weirdest thing you’ve ever normalised

i wanted to try to find something a bit lighter to say but there's genuinely nothing light in anything weird that i have normalised, SO.

i guess the weirdest thing i have normalised is exclusion, like actively excluding people and being very open about it. i wasn't the one doing that, it was done to me in middle school and that was part of the bullying i was subjected to, tho the adults (especially the teachers) were the ones who made me normalise it and bullying in general, because they constantly repeated to me like on a daily basis that bullying didn't exist and neither did exclusion, and therefore of course A 12 YEARS OLD IS GOING TO NORMALISE THAT

[danieyells]

I cannot stress enough that if you do not make and support the stories and headcanons and fics and interpretations you want to see in the world no amount of complaining that people make things you don't like will help you feel better in the long run

Also consider that just because you don't like more than one interpretation of a thing doesn't mean other people who like a different interpretation don't like others too

[lizard12323]

I hate the fact that the only reason I care about my life and self is cause of about two people..

Just, feels sad

[gimmick-blog-bracket]

Now for the final round!

@hellsitegenetics

I love them

I didn't know I needed to know that the weed-smoking girlfriends post was genetically a wolf, but I did, and I do. Also puts great stuff on my dash.

it’s so fun to be scrolling unhinged posts and then boom. an organism!

so many moths‼ also, unexpected comedy with some of the matches

perfect blend of silly and informative, and makes for an excellent punchline at the end of a long post. puts creatures on my dash. literally what more could you ask for

It's a really unique blog concept and a lot of times the results are pretty funny. It's great when the sequence matches the post content too!

Creatures 👍

Finds beautiful creatures out of the mess of the hellsite

Offers finality AND gives us a creechur.

I love them. English speakers talk like moths

If this blog wins, they could run the text of the winning announcement, and determine the post's genus and species!

They're also very good about tagging the type of creature depicted in the results, so as long as you mute tags of creatures you don't want to see, it's a very fun time seeing iconic legacy posts (and new submissions) being reduced down to a string of letters and assigned a random species of fish or moth or something!

uhh it’s cool

BLAST

There are so many weird bugs in the world

Yippee!!

If, as Haldane said, God has an inordinate fondness for beetles, then surely this blog proves that Tumblr has an inordinate fondness for moths.

Top tier blog as a geneticist, I love seeing obscure organisms and MOTH

Admin got rate limited after trying to blast the bee movie

the knowledge of biology to pull this off (i have taken one biology class in my life) and also the work to find all the strings honestly deserves quite a bit of praise

This gimmick blog has it all: science, pictures of animals, interaction with the text of other peoples' posts, interesting information, and a unique and fun premise. As a biologist, I'm rooting for hellsitegenetics to reach the end and take the tournament, because it is truly a standout among gimmick blogs.

If they win, perhaps this blog too shall become a cool organism :3

@hasgavlebockenburneddownyet

What's more happy holiday cheer than cheering on the destruction of a giant straw goat?

The birds may have won 2023, but I believe in humanity's capability for arson for 2024 <3

a vote for me is a vote for arson! This message was approved by hasgavlebockenburneddownyet

gavle is SUCH a public service and holiday feature

what's more tumblr than comical destruction and holidays?

sometimes you just gotta vote with your matchsticks

Bringing a cultural staple to tumblr since 2021

Arson is so much more fun

It would be really funny and ironic if it survives the tournament

you have no idea how much joy watching the chronicling of the gavlebocken brings me every year

hasgavlebockenburneddownyet provides an essential public service

always love seeing a bit of Swedish history on my dash 'Swedish bamboo season'

the goat account is peak gimmick blog

If I don't get to beat the goat then nobody does. -pointless-achievements

Never ask Tumblr to choose between lies and arson! The winner threatens by nature to rip apart the very fabric of our DNA!

goat statues made out of straw are exciting and interesting

I wanna see things burn

the goat is an essential part of tumblr culture and the goat blog is a sacred keeper of the tumblr high holidays

watching to see if the big straw goat has burned down each year is a true delight, something I never knew existed until tumblr and the blog dedicated to it

the incredibly focused nature of @/hasgavlebockenburneddownyet is what makes their gimmick superior.

Please guys bite gavlebocken

Look, I'm Danish. I was put on this earth to annoy the Swedes and vice versa, but even I voted for @/hasgavlebockenburneddownyet

gavlebocken is also such a fun name and this blog informed be about its existence, so for that I am grateful

hasgavlebockenburneddownyet is providing a vital service! Every year, people rely on their updates regarding the fate of our most beloved Yule Goat! How could they NOT deserve the win!?

sacred anti-corporate arson

a vote for gävlebocken is a vote for anarchy!

pls vote for them they're the funniest gimmick keeping track on the funniest phenomena in recent human history, like when i look at their acc i think to myself this is what tumblr was created for

the goat is the GOAT

HASGAVLEBOCKENBURNEDDOWNYET DESERVES TO WIN, I have them on post alert for a REASON

the holiday season wouldn't be the same without them

they do important reporting. Do you look at the news and be like 'the reporters aren't doing work they're just telling you whats happening.' Have some respect for the goat news

let the weird burnt sacrificial ritual of it all appeal to you

nothing makes my December more interesting, arson should win

doesn't barge in on other peoples posts which is always a good thing in my books. not a fan when obnoxious gimmick blogs turn a decent post into a garbled mess

[ktempestbradford]

I have been on a Willy Wonkified journey today and I need y'all to come with me

It started so innocently. Scrolling Google News I come across this article on Ars Technica:

At first glance I thought what happened was parents saw AI-generated images of an event their kids were at and became concerned, then realized it was fake. The reality? Oh so much better.

On Saturday, event organizers shut down a Glasgow-based "Willy's Chocolate Experience" after customers complained that the unofficial Wonka-inspired event, which took place in a sparsely decorated venue, did not match the lush AI-generated images listed on its official website.... According to Sky News, police were called to the event, and "advice was given."

Thing is, the people who paid to go were obviously not expecting exactly this:

But I can see how they'd be a bit pissed upon arriving to this:

It gets worse.

"Tempest, how could it possibly--"

source of this video that also includes this charming description:

Made up a villain called The Unknown — 'an evil chocolate maker who lives in the walls'

There is already a meme.

Oh yes, the Wish.com Oompa Loompa:

Who has already done an interview!

As bad (and hilarious) as this all is, I got curious about the company that put on this event. Did they somehow overreach? Did the actors they hired back out at the last minute? (Or after they saw the script...) Oddly enough, it doesn't seem so!

Given what I found when poking around I'm legit surprised there was an event at all. Cuz this outfit seems to be 100% a scam.

The website for this specific event is here and it has many AI generated images on it, as stated. I don't think anyone who bought tickets looked very closely at these images, otherwise they might have been concerned about how much Catgacating their children would be exposed to.

Yes, Catgacating. You know, CATgacating!

I personally don't think anyone should serve exarserdray flavored lollipops in public spaces given how many people are allergic to it. And the sweet teats might not have been age appropriate.

Though the Twilight Tunnel looks pretty cool:

I'm not sure that Dim Tight Twdrding is safe. I've also been warned that Vivue Sounds are in that weird frequency range that makes you poop your pants upon hearing them.

Yes, Virginia, these folks used an AI image generator for everything on the website and used Chat GPT for some of the text! From the FAQ:

Q: I cannot go on the available days. Will you have more dates in the future? A: Should there be capacity when you arrive, then you will be able to enter without any problems. In the event that this is not the case, we may ask you to wait a bit.

Fear not, for this question is asked again a few lines down and the answer makes more sense.

Curious about the events company behind this disaster, I took myself over to the homepage of House of Illuminati and I was not disappointed.

I would 100% trust these people to plan my wedding.

This abomination of a website is a badly edited WordPress blog filled with AI art and just enough blog posts to make the casual viewer think that it's a legit business for about 0.0004 seconds.

Their attention to detail is stunning, from how they left up the default first post every WP blog gets to how they didn't bother changing the name on several images, thus revealing where they came from. Like this one:

With the lovely and compact filename "DALL·E-2024-01-30-09.50.54-Imagine-a-scene-where-fantasy-and-reality-merge-seamlessly.-In-the-foreground-a-grand-interactive-gala-is-taking-place-filled-with-elegant-guests-i.png"

"Concept.png" came from the same AI generator that gets text almost, but not quiiiiiite right:

There are a suspicious number of .webp images in the uploads, which makes me think they either stole them from other sites where AI "art" was uploaded or they didn't want to pay for the hi-res versions of some and just grabbed the preview image.

The real fun came when I noticed this filename: Before-and-After-Eventologists-Transformation-Edgbaston-Cricket-Ground-1024x1024-1.jpg and decided to do a Google image search. Friends, you will be shocked to hear that the image in question, found on this post touting how they can transform a boring warehouse into a fun event space, was stolen from this actual event planner.

Even better, this weirdly grainy image?

From a post that claims to be about the preparations for a "Willy Wonka" experience (we'll get to this in a minute), is not only NOT an actual image of anyone preparing anything for Illuminati's event, it is stolen from a YouTube thumbnail that's been chopped to remove the name of the company that actually made this. Here's the video.

If you actually read the blog posts they're all copypasta or some AI generated crap. To the point where this seems like not a real business at all. There's very specific business information at the bottom, but nothing else seems real.

As I said, I'm kinda surprised they put on an event at all. This has, "And then they ran off with all our money!" written all over it. I'm perplexed.

And also wondering when the copyright lawyers are gonna start calling, because...

This post explicitly says they're putting together a "Willy Wonka’s Chocolate Factory Experience" complete with golden tickets.

Somewhere along the line someone must have wised up, because the actual event was called "Willys Chocolate Experience" (note the lack of apostrophe) and the script they handed to the actors about 10 minutes before they were supposed to "perform" was about a "Willy McDuff" and his chocolate factory.

As I was going through this madness with friends in a chat, one pointed out that it took very little prompting to get the free Chat GPT to spit out an event description and such very similar to all this while avoiding copyrighted phrases. But he couldn't figure out where the McDuff came from since it wasn't the type of thing GPT would usually spit out...

Until he altered the prompt to include it would be happening in Glasgow, Scotland.

You cannot make this stuff up.

But truly, honestly, I do not even understand why they didn't take the money and run. Clearly this was all set up to be a scam. A lazy, AI generated scam.

Everything from the website to the event images to the copy to the "script" to the names of things was either stolen or AI generated (aka stolen). Hell, I'd be looking for some poor Japanese visitor wandering the streets of Glasgow, confused, after being jacked for his mascot costume.

HE LIVES IN THE WALLS, Y'ALL.

[qqueenofhades]

I think its genuinely fascinating how Biden has somehow become the bad vibes sin eater for the party. I'm seeing people who were doing the whole "voting doesn't matter both old men are the same" pivot hard into voting as harm reduction. The anti voting rhetoric has COMPLETELY lost The Youths on tiktok. People suddenly remember the good things the Biden administration has done but don't associate Harris with any of the things they didn't like. In my swing state volunteers are signing up in droves. People feel ENERGIZED, the vibe shift pre and post Biden dropping from the race has just been insane

Y'know, that is a... good way of putting it. It's also why I'm quite sure that Biden has probably been planning it for a while. I don't think he was intending to step down, and didn't want to be forced out at the drop of a hat, but after he realized that the circus was never going to stop until he did, he did the honorable fall-on-his-own-sword thing and definitely, DEFINITELY spent some time choreographing this behind the scenes. Because while the roll-out has been very smooth, it could just as easily (as many of us were expecting) have been a total disaster, and that doesn't happen without SOME planning. It's also entirely possible that the campaign staff flipped from Biden to Harris are superhuman, to come up with a massive online roll-out, new branding, new signs (they had plenty of 'em in Wisconsin yesterday), new everything, but I'm guessing it's a combination of both. Biden has spent his entire political career being underestimated, and after we literally made a meme out of Dark Brandon juking the Republicans out of their shoes, we should definitely give credit where credit is due in how masterfully he pulled it off.

Because we have had eight years defined by the central question of Whether The President Is a God King Who Should Serve For Life (the MAGAts obviously think yes), the sheer idea of a president willingly giving up his power BEFORE he had to is also novel and admirable. It's sad that this is the case, but so be it. The Republicans also got a heaping helping of Be Careful What You Wish For that was undoubtedly brilliant; they've been yelling for years that Biden is old and frail and can't serve and should step down. Biden went "lol okay" and gave it to them, and now they're fucked.

Aside from that, on the most basic level, it's far, far easier to see the actual difference in the parties with Harris as the nominee, just because it shows that one party is willing to make progress and reflect the new demographic reality and social mores of America, and the other one is not. Now to be clear, Biden deserves an incredible amount of credit for coming out of retirement (he was ALREADY 77 years old when he became president and had had decades of a long and respected career in public service behind him) to fight, beat Trump, and deliver an incredibly successful presidency. He held the line against authoritarianism at home and abroad, he rescued the trashed American economy and managed a world-leading recovery from Covid, he stood up for democracy, he spent four years filling the benches with liberal judges to reverse even some of the Trump/McConnell hack job, he finally passed comprehensive infrastructure investment and the Green New Deal under the name of the Inflation Reduction Act -- and so on. Many of these priorities had been languishing for decades or were completely trashed under Trump, and he could not have done so much in just 4 years without all that age, skill, and experience. Hence why all the Ageism!!! was (aside from being a Republican/media smear job) dumb. He's able to do the job because he has had decades to study. Turns out that makes you actually pretty damn good at it.

Yes, Biden could not do as much as he wanted or originally planned, had to deal with MAGA Republicans and Joe Manchin/Kyrsten Sinema sabotaging him the whole time (lololol Manchin, possible possessor of the World's Biggest Ego and with Trump around that's saying something, popping out of obscurity to self-righteously announce he would not be willing to be Kamala's VP. YEAH ASSHOLE. LITERALLY NOBODY ASKED YOU. NOBODY WHATSOEVER. NO MATTER WHAT HAPPENS AT LEAST WE WILL SOON NO LONGER HAVE MANCHIN IN THE SENATE). And yes, Biden made some serious mistakes of his own, because he IS from an older generation and a different style of doing politics/different beliefs that no longer resonate with the younger segments of the electorate. But this old white Catholic guy at the age of almost 80 still managed to be the most progressive president ever, coming in at a moment of incredible domestic and international crisis and getting us safely to the other side, and all cynicism, criticizing, and caveating aside, he deserves an incredible amount of credit for that. I mean that absolutely, and I am very grateful.

As I said, willingly relinquishing that power takes guts, and when Biden saw the writing on the wall that he had to sacrifice himself, he took his time, he didn't jump too early, and he didn't jump too late. On the most basic level, it becomes a hell of a lot easier to make the "both parties are not the same" argument when one is running a (comparatively) young brown woman and the other is still running their loathed felonious old demented orange traitor. Most Americans are not plugged into policy minutiae and details. They look at Biden-Trump, they see two old white guys. When you take one of those old white guys away (who goes in a self-sacrificially heroic manner and in sharp contrast with the coup-happy fascist) and put Kamala Harris in there instead, it generates an obvious jolt. People can see for themselves that there is a real difference that doesn't rely on closely reading news and tracking complex policy, because as noted, most Americans simply don't. The brown first-generation American daughter of brown immigrants is a quantifiably different story from "old white guy career politician," which for better or worse is how Biden was seen, especially the old part. We needed that establishment expertise to beat Trump in 2020; I still think Biden is the only one who could have done it, and as noted, we owe him a great debt for doing so.

However.... 2024 is not 2020, and it is not 2016. There has been this HUGE and unbelievable swing to Kamala because she represents the antithesis of what the last eight years of Trump-induced anger, fear, panic, chaos, and hatred has stirred up. That's why people are so ready to rally around her, just as they were (I daresay) around Obama in 2008, after the exhaustion, chaos, war, and mounting economic misery of Bush. Trump has been out of office for the last four years, but his shadow over the American political landscape has been omnipresent. Now people know that we finally have a real chance at getting rid of him forever, and just as Biden was uniquely positioned to capitalize on that in 2020, so Harris is now. Which is why, however tough it will be, she has a real shot at winning. I can guarantee the Republicans know that, and are shit scared. Because the Black Lady Army of Democracy has indeed arrived in force to Get This Shit Done and I don't know about you, but I found that incalculably comforting:

Yikes! All lined up for Kamala pic.twitter.com/Dt4OCDp7WX

— Alex Cole (@acnewsitics) July 24, 2024

This, at the most basic level, is what scares fascists the most, it's exactly what we need now, and what Harris is uniquely positioned to mobilize, along with her gangbusters appeal to young voters:

This is the energy we need. This is what Biden saw and planned for and which he launched us into, and where all that experience and age paid off. This is why people, even people otherwise disengaged, disillusioned, or checked out of the tedious and mind-numbering drudgery and depression of American politics, are responding to it. Because it's easy to understand, it offers hope, and it tells a very simple story that is nonetheless long overdue:

Thanks so much, Joe. Go absolutely waste that orange fucker, Kamala. We got your back.

[danidrabbles]

Cardinal

Pairing: Logan Howlett ("Worst" Wolverine) x f!reader

Rating: Explicit (for themes and smut).

Word count: 16.6k

Summary: At the edge of the world, someone from another keeps you from stepping off.

Tags/Warnings (Please, read the warnings!!): Post-Deadpool & Wolverine, female reader (female anatomy etc + 2 mentions of hair long enough to fall into your eyes), strangers-to-lovers, depression, suicidal ideations, suicide attempt and mentions thereof, addiction, drinking alcohol, drugs (mentioned not used), panic attacks, sobriety meetings, anxiety, recovery, co-dependency vibes, sprinkles of soulmateism, explicit smut (oral and unprotected PIV), happy ending (yay!!). If I forgot anything, please let me know!

Notes: Deadpool and Wolverine re-triggered my X-Men obsession and what started as a means to write some smut actually became this idea about two broken people who shouldn't even have met in the first place finding each other. There's a lot of me in this story, more than there's ever been I think. I'm sorry for this glimpse into my head, and I'm sorry if this isn't as Reader-insert as it should be, but... I'm not that sorry, you know. Huge thanks to @javier-pena , for not only reading this over and fixing so many embarrassing mistakes, but also for saying she'd read this even if it was 20k words and always believing in my abilities as a writer, even when I sometimes didn't.

If you want to read the smut as a standalone, you can! Just CTRL + F (or search in page) for 'Logan reaches for' and read away.

THE LOOKOUT

With closed eyes, you inhale the cool, December air, before looking down at your feet. Here, at the edge of the lookout, the grass has been trampled. You imagine friends taking bets on who dares get closest to the edge, lovers making memories, families taking pictures. It’s strangely soothing that maybe you’re not the first to stand here to do this. 

Far below your feet, the water laps at the rocks. The force of it depends on the weather and tonight it’s violent, with big splashes and crashing sounds. The wind tugs at your coat, pulling you towards the water as if to help you along, making you look up again as you hold your balance. In front of you, the line of the horizon is dark but visible – it would have been impossible to make out if the moon hadn’t been as bright as it is.

It’s like you’re looking at the edge of the world.

During the weeks that fall had made way for winter, you scoped the place out a couple times. The first time you stood at this cliff’s edge, the place it took you to mentally scared you so much that you got back into your car and broke down in tears. The next couple times, things became more and more serious, as your life crumbled around you, and your feelings numbed, and nothing seemed to matter anymore.

Something had crept in while you weren’t looking, settling somewhere behind your eyes and spreading out to make a home behind your ribs, slowly but surely changing you. And once you realized it, it was already too late. It had grown large, became jilted and jealous, like it wanted all of you. It pushed away everyone and everything you held dear, until it was just you and that… something.

Especially during the quiet of the night, the lookout became soothing, a strange sense of familiarity enveloping you each time you were here. It was addictive and pretty soon, it became a daily routine to visit. But lately it’s been losing its shine, your feelings here dulling and darkening too. You’re exhausted, fed up, tired of giving it more of you.

Today you want it to be your last time here. 

You’ve had countless hours to contemplate what it would be like, imagined – all but romanticised – how the cold water would paralyse your limbs if the impact wouldn't do the trick. You read somewhere that it’s apparently like falling asleep when the water finally fills your lungs. You’ll be gone, but the thing will be too.

The thought makes your eyes fill with tears, but not from fear. All you feel is relief, like it’s right, how it’s supposed to be. It makes you smile despite everything, and–

“Hey, stop!”

A voice behind you thunders through the silence and makes you shriek into the night, dirt toppling over the edge of the lookout below the shuffle of your foot. A string of curses follows, heavy footfalls behind you indicating that the intruder is approaching you.

“Fuck off!” you throw over your shoulder, your voice a roar with how it’s amplified by the wind. 

After, your throat closes up, fighting the angry tears over the fact that you can’t even fucking kill yourself in peace. Never have you seen anyone here at night, never. What you hate even more is how it breaks your momentum. The haze that was surrounding you is pierced, and your body’s baser instincts kick in. Adrenaline suddenly pumps through your veins, making your legs tremble, your heart hammer, your body scream for you to step back from where you’re standing. Your anger, however, has you nailed to the floor. 

You almost miss the much softer, “Hey,” as a man steps into your peripheral vision. You pretend like you don’t hear him, or see him – you simply pretend he isn’t there, focussing on getting back into your previous mindset. 

But then he takes his hands out of his pockets.

“Don’t fucking touch me,” you warn, hating how your voice comes out trembling – weak.

“Easy.” He holds his hands up in surrender. “Wasn’t planning on it.”

You stand there together for what feels like hours. You will yourself to not let it affect you, setting your jaw to keep your teeth from clattering on account of the cold, allow the wind to blow your hair into your eyes without brushing it away. Even when it begins to rain, you don’t move, don’t blink even once more than you need to. From the corner of your eye you watch the man shove his hands back in the pockets of the brown leather jacket he’s wearing, and you quietly celebrate that your surroundings are fazing him more than they are you.

“You know–” he begins.

“I’m not really looking for a conversation.”

“Me neither,” he immediately counters, suddenly impatient, “so I’ll get right to it: You planning on jumping? Because if you think the water’s gonna be nice to you, you’ve got that wrong. You’ll end up in there feeling everything, that fall isn’t gonna do shit.”

Having expected a gentle approach, his bluntness and his tone knock the wind out of you. You cock your jaw, the shame creeping up your body the first bit of warmth you’ve felt in a while. Your cold fingers ball to fists as you will yourself not to care. Yes, his words and the way he's shatteríng your expectations with them sting, but you don’t even know this guy–

“And there’s nothing fuckin’ peaceful about it, it’s just panic. Right before you go too far…” He raises a fist and holds it against the center of his chest, “...there’s this burning right here that’s hell.”

“And what makes you such an expert?” you finally spit out.

“Died like that a couple times,” he says without waiting a beat.

The casual statement of something so bizarre beats your resolve before you know it, your head turning in his direction. “‘A couple times’?”

“I, uh…” You watch him hesitate, the moonlight illuminating the tick of his jaw, the bob of his throat as he swallows, the way his chest falls as he sighs, “Let’s just say I can’t die.”

Before you can stop yourself, you snort at that. “That must fucking suck.”

He barks out a laugh, “Got that right.” It startles you when his head suddenly turns to you, when he looks you in the eye for the first time. “But trust me, being down there isn’t much better.”

There’s something in the way he looks at you that makes you waver. You can’t really place it, or decipher why it makes you want to open up to him. Maybe it’s because you’re freezing and it’s your body betraying you, tricking you into moving so you can generate some warmth, moving your lips to keep them from going blue. Or maybe it’s simply because he’s a stranger and it’s so much easier to be honest when there are no consequences.

“Things just feel so…,” you begin, voice shaky. Every possible way to end the sentence crosses your mind, seemingly all wrong, before you settle on what’s closest to how you feel, “endless.”

To your relief, he doesn’t say anything. Doesn’t tell you to give it time that it will get better, or any of the other bullshit you’ve heard from all the other people that had been in your life and left a long time ago. You do find something else in the shift in his eyes, something you haven’t encountered before.

Understanding.

It might be worse. If anything, it’s overwhelming, making your eyes dart away from his as you sniff. 

The wind still tugs at you, the waves still hit the rocks, but your moment seems to have passed. It’s a sobering conclusion, a twisted version of wrong place, wrong time. Or maybe it was him who was at the wrong place at the wrong time. Either way, the outcome is the same.

You take a step back, and another, but it takes considerable effort; you hadn’t taken your numb legs into consideration. You stumble, falling back on the dewy, cold grass, not quick enough to catch yourself on your hands. With a groan, you move to sit upright.

“Shit. Hey, you still with me?” The stranger kneels next to you, fingers lifting your chin to look into your eyes. “Jesus, you’re fucking freezing.”

“No s-sh-hit,” you retort.

He sighs, offering you a hand so he can pull you up. “C’mon, let's get you warmed up.”

– – – – –

Logan.

That’s his name. 

It’s how he introduced himself, anyway, after he suggested you follow him. To his credit, he did offer to drive you, but you didn’t want to leave your car in the parking lot of the lookout. Logan waited 15 minutes for you while you put the blowers on the highest, warmest setting and waited for the feeling to return to your limbs. After, his brown truck led the way here – here being some hole in the wall, 24 hour diner. You could have not followed, but the drive was kind of mesmerizing; the night seemed darker than usual, and Logan’s tail lights served as a lighthouse.

Outside, the diner is all Christmas lights and flashing signs, but the interior is like something straight out of Twin Peaks; booths to the left, red barstools to the right, a girl that looks too pretty and too young to be here standing behind the counter. There were two other patrons you spotted along the way as Logan led you to one of the back booths. Once seated, Logan studied the pamphlets–or pretended to, more like, because as soon as the waitress came up he ordered two whiskeys and nothing else.

Between then and now, as you nursed your drink sip by careful sip, you hadn’t learned much more about him other than that he could knock back a glass of whiskey like he got paid to do so. And in truth, you like it this way; preferring silent company, the droning of the machinery behind the counter and the quiet hum of a song on the jukebox next to the entrance. The white noise helps to distract from the white noise in your head. Settling back into the leather cushions of the booth, you let some warmth seep back into your body. Opposite you, Logan does the same. 

Some moments after you finish your drink, one of the waitresses walks up to your booth to ask you about a refill, like she’s asked Logan twice now. You’re handing her the glass when Logan says, “She’s had enough.”

Your head whips from her to him. “Excuse me?”

He doesn’t say anything, and from the corner of your eye, you see the girl leave. With your glass. Logan’s is on his lips, his eyes observing you over the rim, looking at you like he– Dammit. You sigh deeply, a sense of anger filling you. You don’t need this, least of all from him. When you stand from the booth, those eyes follow you, making you voice your observations,

“Quit pitying me, Logan.”

“I’m not,” he says before taking another sip. “You still have to drive.”

You quirk an eyebrow at him. “And you don’t?”

Logan shrugs. “It’s different for me.”

Anger is still prevalent in your voice when you ask, “Well, let me guess, it’s another case of ‘I died like that a couple times’?” 

He hums.

“And how does that work?”

“Regenerative ability,” he sighs. Another sip before he elaborates, “X-Gene.” 

The admission makes you plop back down in your seat. Well, that explains things – he’s a mutant. You’re not familiar with that world, but you know enough to know it meant that. It isn’t like you couldn’t have deduced it before, but truthfully, you kind of thought he was bullshiting you as part of some tactic. Now, his actions and words make more sense: He really knows what it’s like to... That’s why he had that look on his face. Suddenly, you see him in a different light–

“Now who’s pitying who, hmm?” Logan asks, giving you a thin-lipped smile that doesn't reach his eyes as he sets his glass down on the table.

“I’m not, I’m just… processing. So this...” you lift his glass, swirl the contents around, “...doesn’t even affect you?”

“It does. For a few seconds.” He plucks the glass back from your hand, and throws the whiskey back with one gulp. His pupils dilate, pushing the hazel of his irises out until his eyes are almost black for a second, two… before going back to normal. “But if I chugged the bottle, I’d pass out.”

“Well, so would I,” you say with a chuckle. “So maybe we’re not that different after all.”

Just as the corner of his mouth lifts, your smile falls, because… it isn’t true; you’re very different. You’re pretty sure you don’t have what it takes to do what he did tonight. To care enough to do it. To sit with a stranger and hear them bitch and moan about being denied a drink. A feeling creeps up on you, sticky and uncomfortable, like you’ve overstayed your welcome—burdened him.

“I should head home,” you say, standing again.

Lightning fast, Logan’s hand shoots out to close around your wrist. “That really where you’re going?”

“Yes,” you reply. When you pull your hand back, he doesn’t let up. You fish your car key out of your pocket with your free hand, voice tighter when you say, “Let me go.”

“Just promise me something,” he says, eyes as dark as they’d been earlier, yet his drink has gone untouched since. “Don’t go back there again.”

“Not making promises I can’t keep,” you say, giving him a wry smile. “To strangers, but least of all to myself.”

He sighs, and lets you pull yourself from his hold.

THE CRAVING

New Years comes and goes, and you quickly discover that it was foolish superstition to think that it might change how you feel.

You find yourself in some club, a drink in each hand. You hate to admit it, but Logan’s words scared you out of your original idea and the only time you can bear to think of how to move on from it is when alcohol soothes the embarrassing grief of your shattered, macabre fantasy. It’s not a good way to deal with things, but it works.

There’s a part of you that welcomes feeling anything at all, but that… something inside you is busy trying to squash it. 

It’s getting somewhere, because you have no idea how much you’ve already had to drink, but you’re buzzing pleasantly. Adding to it, you knock both drinks back, slamming the glasses on the bar before spinning around and facing the crowd of dancing bodies. The music sucks, the dance floor is cramped, you’re tired… The truth is that you’re too old for this, but it’s easy to escape here, surrounded by strangers. You clumsily drag the back of your hand over your wet mouth, push your sweaty hair from your eyes, and join them.

The past couple weeks, you found yourself craving something. Contact. And here is where you can get your fill; a hand on your waist, lips on your ear, the music too loud and yourself too drunk to even comprehend what’s being said, but never more. You want them to get close, but never too close.

After some time – could be an hour, could be 10 minutes – you make your way to the bathroom. It’s quieter here, the dulled thump of the music making the time you spend there feel slow and syrupy. 

When you exit the stall, you bump into someone.

It’s a man. The dark hood over his head obscures his eyes, but you can’t help but think he’s looking right at you when a bright, almost unnatural grin appears on his face. It draws you in like a magnet, more so when he says, “Need something to take the edge off?” 

Curiously, you watch as he opens his palm, long fingers unfurling slowly until they reveal a small plastic bag in his hand. 

“First time’s on the house.”

You have no idea what it is exactly, but your eyes widen. This is new territory for you, and all the possibilities it opens up are suddenly invading your mind. As if on auto-pilot, you reach for the place where you keep your money, the sound of the door opening completely lost on you.

A hand closes around your bicep, pulling you aside with a quick yank of an arm.

“She isn’t interested, pal.” 

It’s another man, who effortlessly tucks you half behind him. Before you can protest beyond an indignant huff, there’s a sound, like a sword being unsheathed, and you catch a flash of red, and of knives. Frowning, you try to get a better look, but your view is obscured by the man’s shoulder. The hooded man seems undeterred, regarding the weapons with the same sickening grin, before leaving the bathroom, muttering something that you don’t understand on the way out. The sword sound returns, the man twists around, and–

“Logan?” you slur in disbelief. 

Logan doesn’t reply, instead takes hold of your arm again, making you follow him out of the bathroom. There he stops the two of you to murmur something to a woman wearing the same clothes as him, before tugging you along again. You’re stumbling after him on account of his pace and the iron grip he has on you as he leads you to the back door. He pushes it open with enough force to make the hinges creak, a gust of wind blowing in your face. It’s a contrast to go from the crowded, sweaty club to the silent, cold back-alley where tall brick walls and employee cars cage you in. You shake your arm and Logan’s grip loosens – another and he lets you go.

“How did you even find–” You cut yourself off, eyes widening, “Oh, my god, are you following me?”

Logan scoffs, narrowing his eyes. “Oh, please, do you think I have time to follow you around all day?”

“You’re here, aren’t you? You and your fucking…,” you gesture wildly into the air at him, “savior complex.”

“I work here,” he growls. When you give him a look, he adds, “It’s temporary. ‘Sides, me and my savior complex are the reason that creep isn’t selling god knows what to you in that bathroom right now!” His voice is a roar, echoing off the walls around you.

“Maybe I wanted that creep to sell god knows what to me in that bathroom,” you say, doing a poor impression of his voice, before turning and walking away from him.

Logan sighs. “Where are you going?”

“I’m leaving.”

“And then what, huh?”

“I don’t fucking know, Logan,” you say, twisting around to face him again, arms spread out by your side. “Figure out a new way out of this.”

“Yeah? Third time’s the charm?”

“Why do you even care, huh? You don’t even know me,” you say. Almost immediately, you let out a bitter laugh as your own words hit your ears, a sad realization dawning on you. “But I guess that makes two of us.”

It’s not like you expected him to, but he doesn’t answer.

“You know I used to like myself? I used to smile, I used to have friends, I used to be more sober than drunk. But this feeling, it takes… everything.” You raise a fist, hold it to the center of your chest. “It takes everything I love, pushes away everyone I love, including myself. It eats me up, and wants more and more, until I’m something I’m not and until I’m so far away from that version of myself, my old self, that it feels easier to just fucking–” you pause with a wet gasp for air.

“Destroy yourself,” Logan finishes for you.

Your chest heaves, an unshed tear clings to your lash line. “Exactly.”

He takes a step closer to you. “Let me take you home,” he says, voice gentle. 

You should hate the implications of that gentleness, but you don’t. In your drunk state of mind, it’s easier to admit it’s nice that someone understands, that someone’s there to stop you from going too far… 

Tomorrow, when some of your pragmatism returns, you’ll deny this embarrassing thought ever occurred; if relying on other people worked, it would have worked a long time ago, and you wouldn’t be standing here with him. If you’re lucky, you might even forget this entirely, and wake up with a hangover that you’ll enjoy a little too much because it feels like a punishment–

“What about your job?” you ask with a sniff.

Logan’s palm finds the space between your shoulder blades with a gentle push, the warmth of it seeping in through your clothes, and he leads you to his truck. “They’ll manage without me.”

– – – – –

When you wake, your world is tilted sideways, a blanket is pulled up to your chin and there's a pillow under your head. They’re not your own; the blanket is itchy and the pillow’s too small. When you try to move your legs, they stick uncomfortably to the material below them, and you realize you’re on a leather couch. You squint at the light that comes in from a window across from you–

“Mornin’, sunshine.”

The voice startles you, eyes shifting to focus on the source: A man lying on his front on the floor, chin in his hands as he kicks his feet back and forth in the air. 

“Wish I could say it’s a pleasure, but it hasn’t been very pleasurable. You’ve been barfing up the place since the moment you stepped inside. Kept poor Al up all night. Her ears are sensitive,” he adds with a whisper. “But don’t worry, she left about an hour ago.”

“Who are you?” you slur, blinking against the light.

“Logan.” He sighs when you frown. “I know, not how you remember. This is what I look like during the day; blessed with incredible good looks at night and, well,” he gestures at his face that’s covered in scars, "this, during the day. Bit of a reverse Princess Fiona situation–”

“Cut it out, Wade,” comes the sharp protest from next to you. With considerable effort, you turn your head and see the actual Logan, slumped back in a recliner next to the couch, rubbing some sleep out of his eyes while motioning for the other man to go.

“I’ll let you two talk.” Wade winks.

Logan stands when Wade does, walking from your field of view. Your head is scrambling to catch up, trying to piece together what happened last night, but only coming up with bits and pieces.

“How are you feeling?” Logan asks as he makes his way back to you, handing you a glass of water.

You flinch when the front door closes behind Wade with a bang, before taking the glass from Logan and taking a few thankful sips. “Like shit.”

“Yeah,” is all he says as he sits back down.

“What–”

“You fell asleep in the car. Didn’t know where to take you, figured the couch was the safest place.”

“Oh…,” you say, voice small. 

You try not to think about being so wasted that you had to be carried out of Logan’s car, or about what Wade said earlier about the things that happened as soon as you stepped inside the apartment. During your silence, Logan’s fingers fiddle with the armrest, before his hand balls into a fist, and it unlocks something in your hazy memory.

“I have the weirdest memory of you having… a sword?”

You watch as Logan’s lips purse in amusement. His tongue rolls around in his mouth, seemingly contemplating something, before saying, “You probably saw these.” He holds up his fist, flexing his forearm before three blades shoot from between his knuckles like claws, accompanied by a shing!

“Jesus fucking Christ,” you startle, spilling some water on your blanket. Your head spins with your hangover and the bizarity of the situation. If it didn’t sound so much like how it did in your memory, you might think you were still drunk. 

There’s so many things you want to ask, your intrigue almost winning out over your hangover until the sharp start of a headache gives you pause. Instead, you take another sip of water before rubbing your temple.

“It’s a story for another time,” Logan says, like he can read your mind, and you want to ask him that, too. His claws retreat, the cuts they leave between his knuckles immediately smoothing over until they’re gone. “I gotta go check if I still have a job.”

The words make you feel warm all over, the memory of your back-alley conversation coming back in full force. The thought of the things you admitted to him and that you put him in the position that he had to risk his job for you make you feel even warmer, your gaze no doubt laced with embarrassment and worry when you look at him.

“‘S not your fault,” Logan assures, standing and fishing his car key from the pocket of his jeans. “You don’t have to rush but um, make sure you close the door behind you on the way out. Gets jammed sometimes.”

“Yeah, okay,” you say, watching as he makes his way to the front door. 

He takes a final glance at you over his shoulder, then leaves, accompanied by a bang.

THE PUZZLE

It takes you a little over a week to muster up the courage to go back. Admittedly, your courage is aided by another, foreign feeling. You don’t have a name for it yet, or maybe you’re afraid to call it what it is, but somewhere along the week, you became consumed with the thought that feeling like you did wasn’t all there was. That there is something beyond this. 

Perhaps foreign wasn’t the right way to describe it, because it is something you’ve felt before – it’s just been long dormant. The last time, it lasted about a month before it all came crashing down, and you swore you wouldn’t fall for it again, but you can’t help it. The feeling’s too sweet, and the idea that there’s still some baser instinct willing you to keep fighting for yourself makes you feel like the sun is shining on you. 

So yeah, maybe you’re just having one of your good weeks, where the thing sleeps – quiet while its presence still simmers. But you figured now’s your chance to take advantage of its unguarded moment.

Sneaking into the building is surprisingly easy. It helps that it isn’t anything fancy. You wanted to forego the humiliation of ringing the bell and him not letting you in, but standing in front of the door now, panting after climbing three flights of stairs, you don’t know if this is much better. 

Just when you’re about to knock, the door swings open. In the opening, Logan has one arm in his jacket, head twisted to watch the other that’s caught halfway in the sleeve. It takes him almost bumping into you to realize your presence. “Shit, sorry.” He steadies himself with a hand on your arm, the touch leaving you as fast as it appeared.

“Hi,” you breathe, taking a step back to give him a little more space.

He nods in greeting. “Brings you here?”

It takes you a moment, caught off guard by him skipping over pleasantries and cutting right to the chase, despite your best intentions; it’s not that he’s ever been any different in his interactions with you.

“I came by because I, um, owe you an apology, for my behavior at your workplace and for, you know…,” you trail off, gesturing at the door.

“Barfing up the place!” comes a shout from inside the apartment. 

Logan’s eyes close with a sigh, before he steps into the hallway with you and closes the door with a bang. 

“That,” you finish sheepishly. “I’m really sorry.”

He nods in acknowledgement.

“I also wanted to ask, um, if you want to come with me to get a coffee. To make it up to you.”

Logan just looks at you, the leather of his jacket creaking as he crosses his thick arms in front of his chest. He raises an eyebrow at you expectantly. You hate how he somehow can see right through you, how he makes you elaborate, and honest.

“I want to quit drinking,” you say, fiddling with the sleeve of your coat. “It doesn’t make me better, and when I don’t do it I finally feel a little… normal. Maybe coffee’s technically just as bad, but it’s the only thing that’s currently acting like… like a reverse gateway drink? And I feel like you’re the only person I know that might get that feeling of–”

“I do,” Logan cuts in, voice softer than before – assuring. His arms drop from where they’re crossed and he starts making his way to the stairs. “Let’s go.”

– – – – –

You don’t know this coffee place, and from the way he looks around and shifts around in a chair that might be a bit too small for him, neither does Logan. Main reason you picked it is because the booths remind you a little too much of a bar – and you like the tall windows. The coffee’s pretty decent.

“Did they fire you?” you ask, picking at a loose corner of one of the laminated menus before setting it back in its holder.

“Boss commended me for helping a customer, but not so much for leaving before my shift ended,” Logan replies. “Got off with a warning.”

“I’m sorry.”

“Said that already, and I accepted,” he says. When he takes a sip of the coffee, he winces. “No need to worry about it anymore, okay? I would do it again.”

You nod, folding your hands around the warm cup in front of you.

“But, um, Wade hasn’t shut up about… the incident.” There’s a different tone to his voice, like he’s trying to lighten the mood. “His words.”

“You know, I kind of get the feeling that Wade doesn’t shut up about a lot of things.” It comes out a little meaner than you intend, but it makes Logan laugh and finally slump back in his chair a little. 

“You’re a quick study.”

Offering him a short smile in return, you continue with the other real reason you came to see him, before you chicken out. “I also stopped by because I wanted to, uh… because I realized I never really… I never… I never thanked you, for um… And–”

With a shake of his head, Logan sits upright. “Y’don’t–”

To your horror, your eyes brim with tears, “Logan, I’m supposed to be dead–”

“So am I,” he counters. He lets the words hang between the two of you for a moment, until you look at him, before he continues, “I’ve been where you are. Past it, even.”

You don’t know what to say to that, if the lump in your throat will even permit you to speak, but it’s impossible to look away from him. Logan’s gaze is piercing, frown ever present, but it’s not from anger. Instead, it’s like he’s searching for something, the right thing, to say. The silence doesn’t bother you; if anything, it makes his words seem more genuine when he does speak,

“I had someone who was annoying enough to not give up on me when I could really use it. If getting a coffee with you that’s, frankly…,” he makes a face as he pauses, “a horrible excuse for a coffee, helps… I can do that. I want to do that.”

The corner of your mouth lifts as you blink away your tears. “Was it Wade?”

Logan lets out a chuckle, and it’s honest – fond. “Yeah.”

“Figured,” you say. “How did you meet him?”

Across from you, Logan stills. You swallow thickly, adjusting yourself in your chair. It’s an innocent question, but maybe it isn’t something he’d like to revisit right now. Logan’s mug squeaks when he grips it tighter, and he looks at you with something like defeat– 

It makes you deflate. This must be what you looked like the night you met…

There’s no way to have prepared for what he tells you next: That he came from another timeline about three months ago, that he and Wade saved this one from being destroyed and almost got killed in the process, that he has nothing to go back to after the death of his team, so he stayed here. 

There’s hesitation in it, like he isn’t telling you the whole story, though you don’t comment on it. He doesn’t owe you anything and you’re too busy putting all the pieces in the Logan-shaped puzzle in your mind together; his words and actions towards you are starting to make more and more sense.

“It’s a very brave thing the two of you did,” you say when he’s finished.

“Hmm, it was all Wade,” Logan muses. “He did it all for the people he cares about.”

“I’m sure you would have done the same if you were in his place.”

At that, he lets out a dry laugh with absolutely no joy behind it. “Do me a favor, don’t put me on a pedestal.”

You frown, but before you can comment, he stands. A knot forms in your stomach, worried you’ve offended him, but he clears up the uncertainty immediately.

“I gotta go but um, Wade’s friends–,” he stops himself, correcting, “our friends are coming over to watch a movie, next week, 7:30. I have no idea what crap they’re going to be watching but… it’s nice. It’ll be nice to be around good people.” Logan doesn’t wait for your answer, simply takes his wallet from his pocket and leaves enough money to cover the bill.

“Wait, no, I invited you,” you protest. “I should–”

“You can pay next time.” 

When you nod, he says his goodbyes with a jerk of his head and makes his way to the door.

– – – – –

You see Logan two more times for coffee that week. He never lets you pay.

THE PANTRY

“–but it’s the best one!” Wade protests, DVD in hand.

“They fly a car into space, Wade,” Laura sighs.

“Launched off a jet,” he corrects. Like it helps.

You cover your mouth with the back of your hand, hiding the smile that appears at everyone’s babbling. Unbeknownst to you, you had found yourself invited to a double feature night, with Wade as the self proclaimed DVDJ. The credits had barely started rolling on A Good Day To Die Hard, or Wade had another DVD at the ready. It was met with the same amount of enthusiasm as when he presented the first.

It hadn’t been easy to make yourself go to this tonight. On your way, you’d thought of turning around at almost every step. Of course, that was all before you knew it would be this fun, and that you’d be relieved you hadn’t canceled last minute. Even meeting everyone hadn’t been as bad as you feared. 

There’s Peter, Wade’s friend. Ellie, another one of Wade’s friends. Yukio, Ellie’s girlfriend. Laura, Logan’s daughter. Mary Puppins, Wade’s small, disgusting but adorable dog, who had greeted you with equal amounts saliva and enthusiasm, before falling asleep next to the TV, completely unbothered by the commotion. Unlike Althea, Logan and Wade’s blind roommate, who had taken one listen to the gaggle of voices and left. The elusive Vanessa, Wade’s ex-but-we-might-get-back-together you heard about a couple times, wasn’t there.

Logan had been right, it was nice to be surrounded by good people. Especially good people who were… unconventional. It made joining them less complicated, less performative, and as the evening progressed it made you a participant instead of a silent observer. Wade even called you, “good for the group dynamic,” and it made you beam with pride.

“Don’t they have like, rockets attached to the car?” Ellie questions, to which Yukio’s eyebrows knit together.

“Exactly!” Wade exclaims, mistaking her confusion for enthusiasm. “Citizen Kane wishes.”

There’s more grumbling from everyone when Wade pops the DVD into the player, and he grumbles something back about how Logan would back him up if he wasn’t in the bathroom because he, quote unquote, goes way back with some of these dudes.

You’re pretty sure he’s the only one who knows what he’s even talking about.

An empty bowl of popcorn rests in your lap, and as you put it on the table, you notice how sticky and greasy your fingers and palms are. When the opening credits begin to roll, you get up to wash your hands, assuring Wade he doesn’t need to pause the movie before you go.

The apartment’s small, so it isn’t far to the kitchen, but it’s nice to stretch your legs. You can still hear the sounds from movie night; tell-tale action movie music, comments of disbelief and Wade shutting them down. They’re more faint, though, more so when you turn the tap on and wash your hands.

Right as you’re finished, you hear a dull thud. You turn the water off, head tilted and at attention while you dry your hands. There’s another sound, like a muffled groan. It’s coming from the pantry, you realize, noting that the door is slightly ajar. There’s a shing! sound followed by a distressed grunt, and before you know it you’re walking over, wrapping your fingers around the door to pull it open–

You’re not sure what it was you were expecting, but it wasn’t this. Logan’s sitting on the floor, uncharacteristically small, curled up against one of the walls. His chest is heaving, shoulders all but going up to his ears with how he’s trying to draw in breaths. Next to him, his fist is balled against the hardwood, claws buried in the floor.

Fuck.

Dropping to your knees, you wedge yourself between his. “It’s okay, you’re having a panic attack,” you explain, your hands landing on his shoulders with a light shake. “You need to breathe. I’ll help you, just look at me.”

Logan’s head stays tipped down, a deep, rattling breath sailing from his mouth as he curls further in on himself.

“Hey!” you say sharply, cupping his jaw with two hands and tilting his face up, “Look at me.” 

Logan’s eyes are wet when they meet yours, moving frantically as they search your face, tears spilling over when he blinks. Something changes in his gaze, like he finally sees it’s you, and his bottom lip begins to tremble. His hand lifts from where it’s buried in the floor, clutching onto your wrist like a lifeline.

“Breathe,” you instruct, trying not to flinch at the sharp claws in front of you. He doesn’t catch on immediately, so you overdo the purse of your lips when you blow out a breath before exaggerating an inhale through your nose, showing him what to do. It starts off shaky, a fresh set of tears falling from Logan’s eyes as he does as you instruct, but after a couple of times you find a rhythm together. The silver between his knuckles slowly disappears. “There you go, good job. Keep going.”

You sit like that, until the wild shift of his eyes stops, his pulse steadies beneath your fingertips, and eventually his eyes close with a deep exhale. His grip on you loosens and you take it as your cue to let go of him, slumping back against the wall opposite him with a sigh of relief. The both of you catch your breath, sitting together in silence until Logan breaks it.

“Came outta nowhere… suddenly I was back there… letting them down.”

“It caught you off guard, it happens–”

“I let them get killed,” he says, voice raw. “They were like– They were my family, they trusted me to be there for them and I… I was too caught up in my own bullshit. I should have been with them, I should be dead with them.”

Logan’s tears still come, but the words almost sound reverent; as if saying them out loud just to punish himself with his own shortcomings is a balm. He’s talking about his team from there, you realize, and something clicks. All this time, you thought this was about him being unable to die due to his mutation, but it’s more than that. It’s shame, remorse, grief, survivor’s guilt, all wrapped into one.

It’s the final piece of your mind puzzle that makes his picture appear.

“How– How can I ever atone for that?” he asks. “How can I ever–”

“Logan, you can't change your past,” you interrupt carefully. “You made your choices and they made theirs, and you honored them by– by…stepping up to the task, by doing what you did with Wade.”

“What if it wasn’t enough?”

“What if it was?” you counter. Your hand finds his knee with a squeeze, before adding, “You did what they would have done. And now you… you need to allow yourself to honor their memory without feeling like you have to destroy yourself to do it. You deserve that.”

Logan blinks at you, eyes still glossy. He looks devastated yet calmer than before, like the emotion is still there, but displaced. For a good while, you sit with him like that while his sniffles lessen and his breathing returns to normal… until there’s a loud explosion coming from the living room. It’s followed by cheers and hollers, and you’re both suddenly reminded of where you are. 

“C’mon,” you say, patting Logan’s knee before using it as leverage to haul yourself up with a groan. You give him room by holding the door open for him. “Better get back before we miss the good stuff.”

Still on the floor, Logan exhales heavily. “Think this was the good stuff.”

– – – – –

Three weeks later, on your way to your third movie night, you catch Wade and Vanessa making out in the building hallway. 

It stops you dead in your tracks and makes for an awkward meeting with Wade’s mystery woman, who is beautiful but very direct when she asks you what the fuck you’re staring at. Wade certainly has a type when it comes to the company he keeps… He quickly shushes the situation, introducing the two of you, and it immediately makes Vanessa’s expression twist into recognition. 

“Nice to meet you,” she says, followed by an apologetic smile. 

You respond in kind. 

When Wade tugs at her jacket impatiently, they brush past you and make their way to the exit. “See you around!” she throws over her shoulder.

A grin forms on your lips, realizing what you just witnessed, and you race up the stairs. With Wade gone, you’re not sure if there will be a movie, but at least you have gossip to share with your friends.

THE MEETING

April flies by, rolls into May, and thing’s are… okay.

With some help, you find a therapist. It’s good, she’s good, but it’s difficult to be confronted with things that are painful, week after week, and to keep reminding yourself it’s all part of the process you’re going through.

Last week, after a particularly difficult session, you’d left her office being auto-piloted by dark feelings, like they knew exactly when to strike. You had turned corners and crossed streets, wandering as you stewed on everything you’d discussed –  like your mind was playing a constant loop of your most painful moments. It was a small miracle you had heard your phone, and that you had the presence of mind to thumb the green button.

You’d answered without saying a word.

“Got any plans?” Logan had asked on the other side of the line.

“No,” you’d replied, coming back to yourself a little bit at the sound of his voice.

“Al’s making her meatballs – she and Wade can’t agree on if they’re famous or infamous. Thought you might like to come. If it tastes like shit, we’ll order in.”

You’d hummed, managing to ask, “What time?”

It had stayed quiet on the other end, and that’s how you’d known he was onto you, could picture the pinch of his brows, his lips forming a thin line. For the first time, you welcomed it—wanted so badly to reach through the phone, shake his shoulders, ask for his help and accept it, like he had done with you weeks ago. 

“Sounds to me like now might be good.”

“Yeah,” you had agreed, the constricting tightness in your chest easing up. “Yeah, I’ll be there soon.” You’d released a shuddering breath, ear still pressed to the phone as you took in your surroundings before you auto-piloted yourself to a different destination. 

“Logan?”

“Still here.”

“Thank you for calling.”

“‘course. Get here soon, I’ll stay on the phone.”

The afternoon had ended with Logan and yourself allowing Althea to boss you around in the small apartment’s kitchen, rolling meatballs, sharing stories — Althea’s recollection of something that happened to her in her 20s that involved her stealing a police horse while wearing nothing but a thong, made you cry from laughing.

The meatballs were the best you ever had, though you couldn’t be sure if they actually were, or if it was just the taste of the moment that was better than anything had been that day. 

Sometime after dinner, Logan had nudged your shoulder to show you a little plastic chip. He flashed it at you long enough that you could read the words one month, before he pocketed it again. Then he suggested you come with him next week. 

“I thought it was bullshit too, but it helps,” he’d explained. “Figured I couldn’t continue to drink whatever that stuff is you call coffee to… avoid my problems.”

You contemplated his suggestion. Things were going well for you in that regard, but your therapist had also recommended you go to one of these things, even if it was just for the community aspect of it. It just made it so… official. Your problems, but most of all, your recovery. You weren’t good at keeping promises to yourself, and this felt like a big commitment. Not to mention the speeches and other people’s problems...

But as Logan told you more about it, the location, how it had been for him, you sensed something else between the lines: He wasn’t just asking for you, he was also asking for himself. Maybe… this was his way of telling you he needed some support. 

That’s how you find yourself inside a high school gymnasium a week later. It’s as gloomy as you expected. Slick floors, gray fold-out chairs set in neat rows, buzzing lights in a high ceiling, and a slightly raised podium with a whiteboard that reads a welcome message in capital letters. 

Unsure of what to do, you follow Logan as he weaves through the crowd to find a seat. As you do, it strikes you that there’s a pretty even distribution of people, with many genders, ages and lifestyles represented. Eventually you take a seat; not quite in the back, but definitely not in the front. 

The whole thing goes by in a blur, but where you expected to be overwhelmed, you feel… connected. Here you are, surrounded by people with different backgrounds, different lives, but all their stories have something you can relate to. Where you thought addiction was the common denominator, it’s actually the desire to turn your lives around that unites you the most.

“Before we end the night I want to circle back to last week, when we spoke about goals, or things we want to work towards,” says the woman leading the meeting – you’re ashamed to admit you already forgot her name. “Does anyone want to share something about that?”

It takes a lot to hide your surprise when Logan raises his hand. 

“Logan! Come on up!” She sounds as surprised as you feel, beckoning him to her.

The plastic chair he sits on creaks when he stands and his boots squeak against the shiny floor as he does as she asks. He looks so out of place on a podium; both larger than life behind the lectern and lost to the space of the stage. He clears his throat as he retrieves a paper from his pocket and unfolds it while his eyes scan the room until they land on yours. You give him a little nod of encouragement, and it kicks him into gear.

“Not good at this stuff, so I’m going to keep it brief,” he starts. 

It earns him a chuckle or two from the other attendees, and you can tell he doesn’t expect it when he looks up from his paper. Your hands clasp together with nerves as you watch him divide his weight from one leg to another, before focussing his gaze back down.

“My life has changed a lot over the past few months. For the first time in a long time, it’s not all bad. Coming here has been good. I’m starting to feel more like I did before–” 

He stops his monotonous droning with a frustrated sigh, stuffing the piece of paper in his pocket and sounding considerably more lively after. 

“I have people I care about again, and um, it scares me. ‘Cause I don’t want to let them down, and every day I feel like I will because of all of my… past shit.” He pauses and swallows hard before he continues, “They show me so much kindness and understanding, that… that even though it’s fucking hard, I want to be able to see myself the way they see me. And allow them to care about me without feeling like I… have to earn it all the time, without destroying myself to do it.” 

You exhale for what feels like the first time in an eternity.

“So, that’s what I’m currently working on.” Logan sighs. “That’s it. Thank you.”

A small applause follows, and you quickly unclasp your hands to join in.

Your palms hurt after.

– – – – –

“It was really nice, what you said in there,” you say, fingers caressing a little plastic chip of your own that you keep safe in your coat pocket. You haven’t felt proud of yourself in a while, but tonight you do.

The evening is nice, the setting sun bathing the city in hues of orange and pink. Your pace is slow and comfortable, your arm occasionally brushing Logan’s when you make room for all the other pedestrians. You didn’t plan on him walking you home, but he insisted and you enjoy the company – it makes you a little sad when you turn onto your street.

Logan scoffs in reply. 

“I’m being serious,” you say, knocking your elbow against his arm on purpose now. “It was nice for people to hear a guy like you say those things. I’m proud of you.”

You swear he blushes. “A guy like me, huh?” he asks, almost amused.

It’s your turn to scoff. “You know what I mean.” 

“A mutant?” He looks at you from the corner of his eye.

“No,” you say, because it’s not what you meant, but the hint of seriousness in his voice and the fact he’s not entirely wrong make you track back. “Well, maybe that, too, but I meant someone who looks like you, allowing themselves to be vulnerable. Sets a nice example.”

Logan doesn’t shoot your comments down like you expect. Instead, he seems to consider your words, maybe he even silently accepts the compliment. “Think you have some things to say that could set a nice example, too.”

“Maybe next time.”

During the comfortable silence that follows, you’re reminded of something you’ve been considering for weeks now. You hadn’t paid much attention to it since that night, but as you worked through the feelings that got you to that point, the question kept coming back.

“I’ve been wondering something,” you begin. “The night we met... What were you doing at the lookout?”

Logan glances at you, contemplating the question. “When I had just, um, gotten here, it wasn’t always easy to adjust, you know? So I went to all these places that I knew from back there, to ground myself, to see that things may be different, but that they’re not that different.”

“You went there on your side?”

He hums.

“By yourself?”

He hums again.

“Did you…” You hesitate to finish your sentence, both because you’re not sure if you have any right to ask and because you’ve reached your building. You stop walking, and Logan follows your lead. 

“No, no, no, I… I can’t explain it, it’s just one of those places I was always drawn to,” Logan says, shoving his hands in the pockets of his jeans with a shrug. His brows furrow suddenly, his mind seemingly lost in something before his eyes flick back to yours. “Think it took me coming over here to find reason in it.”

It’s a thought that’s equal parts sad and lovely. 

The silence that follows hangs between you, thick with something you can’t place, but Logan doesn’t look away from you, eyes scanning your face before they land back on yours. You can’t help thinking that maybe this is how he does it, and the question comes out before you can help it,

“Is mind reading part of the X-Gene thing?”

His eyes widen – amusement or surprise, you can’t say. “It can be.” 

“Can you do it?”

“No,” he says. “And it’s for the best, fucking hurts when you can’t control it.” Then the start of a smile begins to form on his lips. “‘sides, I don’t know if I would have a lot of… consideration for people’s boundaries.”

It makes you chuckle. “Right. Not to mention some minds are probably a lot – imagine reading Wade’s mind.”

“Hurts to even imagine,” Logan says, gesturing for you to be quiet as he winces, but a smile breaks through anyway. When your shared laughter dies down, he jerks his chin at the building behind you, “This your place?”

“Wha–?” Going home long forgotten in the moment, you glance over your shoulder. “Oh! Yes.”

“All right,” he nods. “See you next week?”

“Definitely,” you reply.

“Oh,” Logan says right before you turn around. “Bring coffee? You owe me.”

You make a face at him. “You don’t have to– I’ll get you something else, I know you don’t like it.”

“I like it when I drink it with you.”

It’s incredibly hard to hide your grin. “Okay, I’ll bring coffee. See you next week, Logan.”

“See you.” 

He lingers, watching you climb the steps, waiting until the door opens after you turn your key in the lock. It’s not until you close the door, when you can only make out his silhouette through the patterned glass window in it, that he walks off.

THE SUMMER

Walking back from a very successful job interview, you find yourself on your way to your friends with a big, plastic bottle of coke under your arm. It’s a warm feeling to know that you’ll soon have a job that suits you and that you have people to celebrate with; you look forward to seeing them and sharing this with them.

You’re invited inside with open arms, tight hugs, exclaimed praise and congratulations, and it makes you giddy, a feeling so foreign that you wish you could bottle it up right this instant. With a grin, you shake the Coca Cola bottle, before twisting the cap off. You let out an excited shout as you watch the foam shoot out from the top, bubbles and dark liquid pulsing down the neck of the bottle as cheers surround you.

It’s not champagne, but Althea grumbles about the soda ruining her floors, Wade gets mismatched glasses from the cupboard, and Logan clinks his glass to yours and tells you he’s proud of you.

It’s way better than champagne.

– – – – –

You’re in serious, desperate need of a new place… 

The August heat is relentless, and the entire building’s AC isn’t working. It’s with considerable effort that you manage to make your way to your friends’ place, the promise of a constant, cold stream of wind the only thing that keeps you going. But when the front door opens, it isn’t with the welcoming, cool waft of air you were hoping for. Instead, there’s no temperature change, only Wade in his underwear.

“No.” It’s a little embarrassing how you literally pout, but these are desperate times. “Here, too?”

“If it wasn’t this fucking hot I’d be offended by that greeting.” He sighs. “Come in.”

Slightly defeated, you shuffle past the threshold, while Wade lingers. Mary Puppins trots by, an ice-pack wrapped in a towel secured on her back, and you catch a glimpse of Logan exiting the bedroom. He’s in black shorts and a ribbed, sleeveless shirt, and with a desperate groan, he lets himself fall back into the recliner in the living room. 

“Tried everything, there’s no fixing that fucking thing.”

Wade makes a face, “Listen, I know what you’re thinking: Wade’s in his underwear, Logan’s emerging from the bedroom… But we didn’t fuck, it’s not that kind of st–”

“Who are you talking to?” you ask from behind him, glancing over his shoulder into the empty hallway.

“No one–You!” The door closes with a bang.

Confused, you walk further into the apartment. “Well, telling me you didn’t is just going to make me think that you did.” Wade darts past you and takes a seat on the couch, but you hang back and lean against the kitchen table to avoid sitting on leather.

Wade suddenly turns to face you. “Did I ever tell you about our time in The Void?”

“Wade,” Logan warns.

Wade’s eyes are sparkling with mischief and you can’t deny how fun it is to indulge the way he pushes Logan’s buttons. It’s a good distraction from how you’re drenched in sweat. And you’re actually curious.

You play your part, letting out a faux-scandalised gasp. “Did you..?”

“Oh, yeah, baby. Wolverine goes both ways. All the ways, really.” He grins. “We’re so alike.”

“Shut up. Both of you.” Logan groans, lacking any real threat as he adjusts in his seat and wipes some sweat off his brow. “It’s too fucking hot to be annoyed.”

It isn’t lost on you he doesn’t deny a thing.

– – – – –

Apartments look weird with nothing in them.

It’s what crossed your mind after you finished packing up your place three days ago, and it crosses your mind now as you look into the open space of your new one from the doorway. It’s a pleasant, late summer day; perfect weather to move, which was on your schedule for today.

“Incoming!” comes from behind you, followed by quick, heavy steps.

You jump aside as Ellie sails through the door, carefully setting a big box marked “Kitchen” down in its designated area, followed by Logan who is balancing three boxes at once. After a beat, Yukio follows, holding a single table lamp in her hand. It takes some effort not to laugh, not just because of how funny it looks, but also because you relate; after all the exhausting late nights you pulled packing up, that’s also the kind of energy you’re bringing to this.

It’s nice of them to help, and instead of shoving that feeling away in fear, you allow yourself to bask in it. You don’t get long, however, because more help has just arrived.

Wade. With Vanessa. Hands interlocked.

It draws everyone’s eyes to the doorway. Wade looks almost bashful, and it baffles you how someone who can say the most insane things unprompted, all without batting an eye, could blush while holding hands with a girl he likes. To his credit, he shakes it off quickly.

“All right, all right,” he says. “Stop ogling me and my girlfriend and get back to work everyone!”

– – – – –

“So it was like an experiment?” you ask, stirring the pot on your stove before taking a careful bite of food off your wooden spoon.

Tonight’s your first night hosting at your new place – Family Dinner, Wade had dubbed it. With fall setting in, you had an idea of what to make, but it still made you nervous to have everyone in your space. Logan saw right through you, offering to come over early to help you prepare. 

Once he had arrived, it hadn’t taken long for him to admit he wasn’t much of a cook, so he mainly chopped vegetables as you chatted; you about your new place, Logan about his new job as a boxing instructor, Laura going off to college. You don’t remember exactly how the subject of his adamantium came up, but he was telling you freely about it.

“They needed someone who could regenerate fast enough to bond with it,” he explains. “I was in a dark place. Figured I didn’t have anything to lose if it didn’t work.”

You nod in understanding. “Do you… remember much about it?” You put your spoon down, then put the lid back on the pan. 

Logan’s knife stops hitting the cutting board. “Yeah, I… I remember every second of it.”

You look at him then. His eyes are still cast down at his task. Unsure of what to say, you think about what you’d want to hear, and you find it might be best to say nothing at all. Instead, your hand finds his shoulder. Logan’s head turns to you, and you feel like the look you share is more important than anything you could’ve told him. His hand covers yours with an appreciative squeeze. 

“But I’m trying to leave that there so I can focus on remembering what happens to me here.” As soon as he’s said it, his hand quickly slips off yours, adding, in a rush, “Here in this timeline, I mean.” 

You smile at him, but a strange feeling settles in the pit of your stomach. “That sounds like a great idea.”

– – – – –

“I need your help with something,” you say, balancing your phone between your ear and your shoulder while you turn a birthday card over in your hand. Deciding you don’t like it, you throw it back on the pile of cards and continue your grocery shopping.

“Just say the word,” comes Logan’s reply from the other end.

“I need you to steal something out of the apartment for me.” There’s a silence, and you purposely let the feeling of trepidation linger.

“Am gonna need you to say a little more than just that.”

You laugh, “Wade’s been talking about getting a little frame for his polaroid. You know, the polaroid that you held on to for him in The Void, after the two of you fu–”

“Yes, I know the one,” he interjects with a huff. He pauses, sighs, then says, “Consider it done.”

THE PARTY

“There you are!” Wade shouts after he opens the door. He pulls you into a hug that you return with a wide smile. Over his shoulder, you see that the apartment’s crowded, bustling with people who are there for his birthday party.

“I got you something,” you say, offering the small package to him after you step inside and hang up your coat.

“Wouldn’t have let you in if you hadn’t,” he admits as he closes the door behind you with a bang. Wade takes the package from your hand, shaking it next to his ear but hearing it make no sound in response. “Is it a cock ring?”

You can’t help but laugh at that. “Unfortunately, they were all sold out.”

“They always are,” he says, making a disappointed face. Bottom lip tucked between your teeth, you watch as he tears at the wrapping paper to reveal his gift. He makes another face when he sees it. “Well, now I feel like an asshole. This is really nice.”

“Logan helped me kidnap it,” you explain, pointing at the picture. “And the little red hearts on the frame, well, they’re your color, but they also reminded me of how much you care about people.”

When he looks at you after, it’s with genuine emotion… but Wade is Wade. “Never thought I’d say this, but I’m kind of happy you walked in here barfing up the place.”

A strange mix of embarrassment and gratitude claws its way up your neck. “Thank you.”

“We should take a new one,” he decides suddenly, pointing at the picture. “You both should be in it.” His head turns, watching as Logan approaches the two of you. “But let’s be realistic, his shoulders are so broad he wouldn’t even fit in the frame, much less his bul–”

“Stop talking about my dick, Wade,” Logan snaps.

“I was saying only good things! Jeez, so sensitive…” Wade turns, putting the picture on the kitchen table behind him where it joins all the other gifts.

“Did he like it?” Logan asks, voice low.

“Yeah,” you smile.

“Good,” he replies. “Was a nice idea.”

You eye all the other gifts, some clearer who they are from than others. “What did you get him?”

The corner of Logan’s mouth lifts as he points at a roll of silver duct tape with a small red bow on top, making you fix them both with a confused look.

“It’s an inside joke,” Logan shrugs.

Wade’s eyes sparkle, but in a rare turn of events, he doesn’t elaborate, only adds, “It’s classified. I could tell you, but then I'd have to kill you.” 

“And I have top level clearance, lieutenant,” you reply. You exhale through your nose in an amused laugh when Wade makes a surprised face that indicates you’ve gotten the reference. “What, you thought a Tom Cruise impression could save you?”

“No,” he grins, and as if on cue, the doorbell rings, “but that can. Birthday Boy duty calls, but I want it on record that I could do Top Gun, easily, while Tom would never be able to pull off Deadpool.”

– – – – –

The party settles into something comfortable, soft music in the background of lively chatter. Yukio has just finished telling you about a Professor Layton cosplay she’s doing when you excuse yourself, both your glass and your social battery empty enough to look for a momentary out. Finding your way through the crowd, you make it to the kitchen, filling your glass with water and taking a few sips. 

While you do, the music suddenly gets louder, taking over for the steady chatter. You turn around, leaning back against the kitchen counter, and watch as Wade drags Vanessa to the middle of the apartment. People make room for them, exchanging looks while Wade wraps his arm around her waist, takes her hand in his and begins dancing with her. With a laugh, she slaps him on the chest, before settling into his embrace anyway. Some follow their lead, but your eyes stay glued to them. Wade spins Vanessa under his arm, the smile on her face bright enough to light up the entire room. In return, he looks at her with so much adoration he’s almost glowing himself. It fills you with warmth to see the both of them so happy.

It hits you how you haven’t thought about this in a while. You’d decided long ago that the future wasn’t something you had to worry about, but suddenly you’ve arrived, like you’re in some alternate reality where your future is now, and that it would be nice to share it with someone. The sting behind your eyes catches you a little off guard; mixed feelings of time that has been taken from you, but also of time you’re getting back with the life you now have.

For a while now, you’ve suspected the thing inside you is gone, that there isn’t much to feed off of anymore. If it is, it would make sense that there’s room for something else.

Wade and Vanessa make it look easy, even though you know it’s been far from easy for them. You suppose that’s what it’s like, especially as you get older. It’s less about big gestures, more about small ones; someone to make you laugh, to spin you under their arm, who knows how to apologize, seeks you out during your quiet moments–

“Do you dance?”

You startle, head turning towards the voice next to you– 

“Logan,” you breathe. 

It’s like you’re seeing him for the very first time. He’s standing so close, almost touching you but not quite, heat radiating off of him nonetheless. The plaid shirt he’s wearing isn’t even buttoned and still the fabric is pulled taunt over his shoulders and the thick of his biceps. He’s grinning, his nose pulled up in an adorable scrunch, the corner of his eyes crinkling - you never noticed before, but there’s a hint of green between the hazel.

It hits you so suddenly that you have to grab the counter to keep your balance. Everything that’s been happening, that you’ve been feeling, all the times something happened between the two of you that you couldn’t put your finger on… it falls into place with a well-timed, completely unrelated question and a glance at him.

You like him.

All you can do is blink at him, dazed, unable to speak, even more so when he leans in a little closer, mistaking your silence for misunderstanding. “I mean, not that I– You and Wade were doing a bit earlier, it’s a reference to–” Logan straightens suddenly, his expression slipping into concern as he watches you, “Are you okay?”

You feel warm, so aware of all his attention on you that you’re afraid he might be able to see your pulse blink rapidly below the angle of your jaw. “Yeah,” you reply, voice hoarse, looking away from him to blink the leftover wetness from earlier out of your eyes. 

Anxiety claws its way into your chest, your mind coming to terms with what it’s puzzled together at such a sickening pace that there’s an immediate knot in your stomach. The party has instantly lost its shine, and you look down at the glass in your hand, gulping down its contents. You need to be alone with your thoughts, you need to think about this before–

“I gotta go,” you say in such a rush that it almost sounds like one word while you set your glass on the kitchen counter.

Logan’s eyes follow you as you push past him, grab your coat and reach for the doorknob. “Wait–”

“Bye, Logan.”

THE TABLE

Once at home, you change into something more comfortable, your mind racing while you peel your party clothes off, toss your bra aside, change into an oversized shirt and plop down on the couch after.

Despite having already established that your mind was occupied with other things for a very long time, it’s laughable in hindsight that you never noticed your feelings before. It’s not like you don’t know what Logan’s like; he’s kind, funny, supportive…

…broad, handsome.

Shit.

Why did you have to come to your senses? Things were better before that moment. Logan’s your friend, whom you met in the most unconventional way possible. It’s ridiculous to want more than what you have when what you have is good. Or to think that he would want more.

But he might.

Because you may have been occupied with depression, anxiety, recovery, and everything in between, but you were there; you remember the time you spent with him, the way he looks at you, drinks the coffee you like, laughs at your jokes, seems to know exactly when to call you, seeks you out in a crowd.

But it would change everyth– 

Actually, not a whole lot would change, if you really think about it. You already see him all the time, you’ve seen the very worst of each other, overcome a great deal of hardship together, you make each other better, his friends are your… 

friends. 

You didn’t say goodbye to Wade.

The thought comes suddenly. It was his birthday party and you didn’t even say goodbye to him before you left. You’re a terrible friend. Dread sinks into your limbs, and you reach for your phone to type out a quick, apologetic message. Just as you hit send, there’s a series of loud knocks on the door, and it makes you freeze up where you’re seated.

“Are you in there?” a muffled voice calls out.

It’s Logan, you realize, and a plethora of fake excuses as to why you left the party early present themselves to your mind as you quickly make your way over to the door.

The first thing you notice when you open it is that he’s dripping wet from the rain, clothes soaked through and his hair flat. There’s a deep furrow in his brow, and it’s different from how he usually looks; he looks actually mad.

“Logan, is everything–” you begin, concerned, but he cuts you off by pushing past you and letting himself inside, boots stomping against the wooden floor. 

“Jesus, here you are. Why’d you leave like that, huh? Saying goodbye, your eyes all wet. I went after you and you were fucking gone, it scared the shit out of me. Didn’t see the car at the lookout, but I went to look for you anyway, and you weren’t in the water, thank fuck–”

“Wait, you went–” you pause, the mental image of Logan running out into the rain to the cliffside making your eyes widen. “Did you think..?”

“Yeah,” he sighs, shoulders slumping.

“Shit.” Your heart is racing when you step closer to him. “No, I wasn’t… I don’t want that anymore.”

“Then what the fuck was that all about?”

The desperation and misunderstanding in his eyes is unmistakable, and you hate that you made him feel like that. “I was just… I needed a moment, after seeing Wade and Vanessa like that,” you say, trying to provide yourself with more time to think, unsure if you already want to broach the subject of why you really left.

“You… like Wade?” Logan asks, his frown deepening.

You can’t help the laugh that escapes you at the unexpected question. “No. I mean, I adore Wade, but not like that. He’s with Vanessa.”

The answer does nothing to change his expression. “And you want it to be different?”

His line of questioning confuses you. “I– No. Logan, this isn’t about Wade or Vanessa, but it’s about… what they have. Something that’s real, but imperfect, and that’s what actually makes it perfect, and I just… I was in a really bad place for such a long time, I didn’t give myself time to even think about… I haven’t felt myself wanting for so long,” your gaze flicks up to his. “Seeing them just made me realize there’s so much left that I still want.” 

Internally, you curse the way he always makes you say too much, because you can see the understanding wash over his features. His expression softens, the balled fists by his side loosen, and his eyes search you, as if to see if that thing you want is him. There’s no doubt he finds his answer; you’re ever the open book when it comes to him, and your pulse quickens while he silently observes you. 

Logan reaches for you so quickly that you can barely prepare for it, a hand on your waist to pull you in, another on your cheek to tip your face up and guide your mouth to his. A shaky breath sails out through your nose when your lips meet, your eyes fluttering shut and your palms sliding up his damp but warm chest to curl in the soaked fabric of his shirt. It’s eager, and the angle is off, but it’s quickly adjusted with a brief parting and a near in-sync tilt of your heads in the other direction. 

Logan pulls away, but stays close, and you almost feel his words before hearing them, “Been… thinking about doing that.”

“Really?” you say, breathless and amused. “When did you, um, start wanting to do that?”

“Few weeks ago–Fuck, no, more than that. Almost did, that day after your first meeting, after you told me you were proud of me,” he admits. “But I wanted to give you time, space. Wasn’t sure if you felt–”

“I do. Didn’t realize it before, but I fucking do,” you assure him, another tug on his collar trying to pull him back to you. His admissions, knowing he wants you too, only make you want him more, like you have to make up for all the time you wasted not doing this sooner.

Logan’s hand on your waist holds you off. “I just don’t know how to… how to be this,” he confesses softly.

“That’s okay,” you say, your nose brushing against his. “I don’t either.”

He inches forward like he intends to kiss you again, but seems to reconsider, swallowing hard before saying, “Wouldn’t be the first time we figure it out together, huh?”

The words make you surge forward to close the gap between you, your brows creasing, attempting to convey everything you feel with one press of your lips to his. Logan’s hand slides from your cheek to the back of your head, pulling you to him in a way that seems to mirror your efforts. Something lights up inside you, something you lost long ago, and it makes you bold, opening your mouth under his to get a taste of him. 

His grip on you tightens with a groan, spurring him into action and walking you backwards into the dark kitchen, the only illumination the slivers of moonlight that come through the kitchen window. You jolt when the back of your thighs hit the table, before you’re scrambling to get on top of it, two hands at your waist helping to hoist you up. Your thighs widen to make room for Logan’s while you push the green flannel shirt off his shoulders, struggling to peel it off his arms to the point you have to break away with a laugh to really get it right. It lands on the floor with a wet sound, before he reaches for the back of his shirt, curling his fingers around the collar and pulling it over his head.

Logan’s sturdy, warm to the touch and surprisingly pliant when you can’t help but let your fingers flit along the corded muscles and protruding veins while he toes off his shoes. His hand flies to the back of your head to fist the hair at the nape of your neck when your lips explore, find his jaw, and travel down his neck. A soft sound sails from his mouth, a barely audible moan that carries over into something deeper when your lips brush a spot just above his clavicle. Using the grip he has on you, he drags you back up to his mouth, doing some more of his own exploring when his warm tongue strokes against your own. 

“You’re so good to me,” he murmurs with a buck of his hips against yours. The thrill of having him pushed up against you, half-hard, warm, full of promise, makes you moan, teeth clacking against his when you do. “Always so fucking good to me.”

It makes you want to protest, from the very moment you met, he’s the one always being that to you, but it dies on your tongue when Logan’s flicks over the tips of his fingers. His impatient hand finds its way between you, disappearing under the waistband of your underwear and stretching the material to make room. His name comes out as a whimper when his spit-slick fingers easily glide through the soft skin between your legs. He curses, another buck of his hips pressing his hand closer against you, and your kiss turns messy and uncoordinated when he dips one finger to touch your clit. 

“This okay?” Logan asks when you gasp, drawing languid circles between your legs.

“Yeah, it’s just– Oh, god.” Two thick fingers find your entrance, swirling the wetness there around. “Been a while,” you manage to finish your sentence.

“I’ll make it good for you,” he promises. “You want that?”

All you can do is nod, and Logan presses a kiss to the corner of your mouth before he pulls his hand back. It’s paired with a wet sound that makes your cheeks heat, more so when you watch him get on his knees and yank you to the edge of the table, the quick turn of events and the casual display of his strength making you a little dizzy. Logan’s nose presses into the fabric between your legs with a sharp inhale, before quick, practiced moves work your underwear down your legs. One eager hand places a thigh on his shoulder as another holds you at the bend of your knee. You lie back, arching as you hurriedly pull your t-shirt over your head, leaning up on your elbows just in time to watch him bend down. 

The feeling of Logan’s hot breath sailing out over your sensitive skin alone is enough to make you gasp. He drags his lips and nose across your folds, easing you into it as much as his lack of patience will allow before tasting you with a swipe of his tongue. It isn’t tentative or testing, but firm and sure, and clearly for his enjoyment as much as yours when he repeats his action and groans into you. The vibrations of it and the gentle scratch of his facial hair only add to the liquid feeling in the pit of your stomach. Letting go of your knee, he curls a strong arm around your thigh, spreading you open then pulling you flush against him while he sucks your clit into his mouth.

“Oh, that feels really good,” you spur him on, your heel digging in between his shoulder blades. You watch him with hooded eyes, shifting your weight to one elbow so you can cup your breast with a whine. 

Logan’s eyes slip shut in focus, working his tongue up and down your clit and making you arch into his mouth. Reaching for you blindly, he slides a hand over yours on your chest, fingers fitting between your own and squeezing while his tongue slides lower to lick over where you’re dripping for him. He lets out an appreciative hum as he repeats the move until your thighs clench and shake around his ears. His tongue dips inside you, curling up against the slick walls of your cunt, and his name tumbles from your mouth, soft, pleading, making his eyes shoot open to meet yours.

The sight of him looking up at you like that from between your thighs, with dark eyes, the tip of his nose glistening with your wetness, will probably haunt you for the rest of your life. 

Logan shushes your begging, pulling away and watching as your pussy clenches at the sudden lack of attention. “Let me give you something to come on,” he murmurs, before fitting a finger at your entrance. It meets absolutely no resistance, a second finger sliding inside with just as much ease, and he sets a steady, deep rhythm before his mouth returns to your clit.

“Oh, fuck, fuck, fuck–” Your head rolls back between your shoulder blades, mouth open on a silent gasp, but he draws your attention back to him with a curl of his fingers, finding a spot that makes you go rigid for a second. It all builds so fast, so suddenly. The hand on your chest shakes Logan’s off, finding the crown of his head and sliding your fingers into his hair. He’s too strong to really make purchase, but you try anyway, using your grip to roll your hips against him. The sound of his groans, every flick of his tongue and every squelching, delicious curl of his fingers all send you closer and closer, until his hand presses down on your belly, and…

“Logan,” you manage, voice sharp with a warning that comes too late when he makes you tumble over the edge. 

It’s so much after so long, the force of it making you fall back against the table, something between a gasp and a shout tearing from your throat. He holds you tighter, to keep you in place and guide the desperate roll of your hips against his face. Your orgasm quickly slips into something bordering on oversensitivity, and you let out a dry sob that makes you slap a hand over your mouth when Logan’s tongue travels a path from where his stilled fingers disappear inside you, up to your clit. He stays there, gentle, uncharacteristically patient as you slowly come to a twitching halt. 

He’s a blur when he comes back into your field of view after standing up, towering over you to watch as you come back down to earth. Becoming sharper with every heavy blink of your eyes, you notice the smile on his face is smug, that the hair surrounding it is a shade darker than the rest. You sigh softly when his fingers slip from you, the feeling of them sliding wetly over your clit making you tremble, but his touch doesn’t leave you completely when he moves to stroke the outside of your thigh.

“How’s that?” Logan dares to ask.

“Hmm, no speaking yet,” you protest.

Reaching for him, you slide both of your arms up over his broad shoulders, wrists crossed in the nape of his neck to pull him in for another kiss. It’s slow, and deep, the taste of yourself shared between the two of you as your tongue slides over his. The table protests with a creak when his hands land beside your head, more when his chest pushes down on yours and you wrap a leg around his waist to get him even closer. The hair scattered across his broad chest teases your nipples and the hard ridge of his cock strains against his jeans and presses up against your slick cunt. It makes your jaw go slack, stoking your desire and making you burn with the need to make him feel as good as he just made you feel. 

With a push against his shoulders, you take him along as you sit upright again, accompanied by another creak of the table. Mouth still on his, you slide a hand down to cup him over his jeans, the weight of him against your wide open palm making you pulse. Logan grunts when your hand squeezes, and your mouth slides off his, kissing his jaw, sliding back down his neck. He cups your head, keeping you in place while watching your hand.

“Feels nice,” he husks, voice so deep it makes you want to push him aside and get on your knees for him, but then he asks, “Are you gonna let me fuck you?”

“God, yeah,” you say with a nod, watching as the mark you just sucked into his neck disappears far too soon while you continue rubbing him over the denim. “Want you inside of me.”

“Jesus–Then get it out,” he instructs, guiding your hand to his belt. 

If you weren’t so turned on you might wince at how eager you are, at how quickly you tug the buckle open and pull the leather free. Logan groans when it relieves some of the pressure, letting his forehead rest against yours. Together, you watch your hands make quick work of his zipper, your fist closing around his cock while your other hand works his pants down until he can kick it off and under the table.

He fits nicely in your palm, heavy and ready, sticky at the tip. With a purse of your lips, you let your spit trickle down in a straight line, and he hisses when it hits him. Your free hand flattens against his stomach, sliding down along the hard planes of his body and following the vein just below his belly button down, until it meets your other hand that loosely strokes up to the root of his cock. Logan arches into you when you stroke back up with a tighter grip, all but getting on his toes to chase your touch. Using both of your hands to get all of him, you twist your fists in opposite directions once, twice, before circling his tip with one thumb. Your other hand curls around the underside of him, dragging some of your spit down to his balls with the tips of your fingers.

“F–fuck,” Logan stutters when you play with him there, cupping him in your hand as well as you can and squeezing his shaft when it twitches in response. His eyes slip shut as his palms land on the outside of your thighs with a smack, fingertips digging into your soft skin. 

It makes you jolt, then grin, giddy from the sharp sting and the power you have over his pleasure. “How’s that?” you echo with a teasing lilt.

He does have the words to answer, albeit a little slurred, “‘S good, sweetheart.”

The nickname tacked on at the end takes root in your chest, blooms bright and makes you ache. You translate your appreciation into tightening your strokes and spreading more of the precome that steadily leaks from his tip around.

“C’mere,” Logan says softly, taking over for you with one hand, giving himself a few strokes before pushing your thighs further apart and shuffling closer to line himself up with you.

You’re so wet that the head of his cock is practically already slipping inside of you, but your hand clasps around his bicep when he really starts to breach you. After giving you a shallow little thrust, his hips draw back, before pushing a little further, gauging your reaction.

“Just like that,” you sigh, watching the careful slide of him in and out of you. “Keep going just like that.”

He gets you opened up like that, giving you a little more with each wind of his hips. Logan’s hand finds the back of your neck, his palm splaying out and keeping you close enough that you’re practically sharing air with each sigh and moan. Eventually, your knees have to draw up to his flanks in order for him to keep going and you wind a leg around his hip to close the final distance with a press of your heel into one of the firm cheeks of his ass. A long breath sails out from between your lips when you pulse around him, slowly adjusting to having all of him filling you up. You can tell he has to put considerable effort into letting you, wood groaning below you when he clutches onto the table.

“Fuck, it’s a lot,” you say, and when he grins against your mouth you can’t help but kiss him again – just a peck. The hand at the back of your neck squeezes in reassurance as he continues to let you lead, and it’s a small gesture, but it makes you feel warm all over. You melt into it his touch, your body relaxing as the pleasure of the stretch of him takes over.  

“Can stay like this a little longer if you want,” he says, but the strain in his voice says something different.

“Hmm, no, you can move.” You’ve barely said it, or his hips are drawing back, and it would have made you laugh if it didn’t feel so fucking incredible. He almost slips from you completely, before sliding all the way back inside with a grunt. The table scrapes along the floor, and vaguely you register one of your chairs falling over in the process. When he repeats the action, the furniture squeaks again below you. “Just don’t break my table.”

The sound he makes in response is non-commital, and when he fucks back into you and nudges against something wonderful, you can’t say you disagree. Grabbing hold of his shoulder and using the leg you have wrapped around him, you roll your hips against his, and he begins to meet you halfway until you work up a rhythm together. The table protest further, a shrill sound filling the room after each slap of skin–

With a frustrated groan and accompanied by a startled squeal from yourself, Logan lifts you. The surprised laugh that threatens to bubble up your throat quickly morphs into something heavier that comes out with a rasp when he makes it all look unusually effortless. Attempting to brace yourself, you sling one arm over his shoulders, the other winding around his neck so you can rake your fingers through the hair at the back of his head. It’s a struggle to keep your balance, a helpless heel digging into the back of his thigh to keep yourself upright. Quick to aid, Logan slides an arm under you, fingers splayed across your ass as your knee hangs off the inside of his elbow. He turns a quarter, presses you up against the wall, and doesn’t miss a beat as he continues fucking you. 

“Jesus, Logan,” you say, voice almost a growl and barely recognizable as your own.

With your new position, you can see him better, the both of you lit from the side with the window to your left. The moonlight paints him in a tapestry of light and shadows when the wind blows through the tree branches, momentarily amplifying the glint in his eyes and the flex of his chest and arms like a strobe light.

The different angle he finds with his cock is a little too good, the feeling of the thick base of him stretching you open with each thrust making you dazed and talkative, “It’s so deep like this, can–oh, my god–can feel you everywhere.” 

Logan curses at your words, squeezing your waist and pushing you harder against the wall. There’s a deep-voiced appreciation of how good you feel in there too that doesn’t quite make it from your ears to your brain because somehow he’s still speeding up. His head ducks down to your chest, mouthing at the soft skin of your breast before closing his lips around a nipple. 

You whine, using the grip you have on him to roll your hips against the piston of his while you pant into his crown. Though the sound he makes against you when you do it makes you beam with pride, it’s not something you can keep up for very long, your hold on him slacking after a few thrust until you slip back against the wall. 

Logan pulls back when you do, tightening his hold on you while his eyes glide from the bounce of your tits that glisten with his spit to down between your bodies. 

“Touch yourself,” he instructs, grunting when you immediately do as he says by bringing a hand down between where you’re joined. Your fingers spread in a V-shape around where he fucks into you, collecting some of your mixed arousal before using it to rub your clit. “That’s it, sweetheart, fuck, make yourself come.”

You nod, rapidly feeling everything zeroing in on the fingers that draw tight circles over your clit and that spot deep inside you that Logan’s finding with every thrust. “Yeah, fuck, I’m–Don’t stop, don’t stop, please–”

He’s coming before you are, tucking his head below your chin to let out a deep, drawn out moan against your neck that ends with his teeth grazing your skin. It’s so much, the pressure of him grinding himself into you with twitching, barely there thrusts, the heat of his release as it fills you where you’re gripping him like a vice, and as your fingers still twirl between your legs you come, and come, and come. 

The leg you have wrapped around his hip slips off, but before your toes can even scrape the floor, he catches your thigh, cupping your ass with both hands now to keep you up, and close. With a soft, satisfied sound, you let your forehead fall against Logan’s shoulder, tasting the salt of his sweat with every light press of your lips there.

It takes you a moment to notice your back has come off the wall, that Logan is walking the both of you into your living room and to the couch. He bends his knees, dropping you between your pillows, where you land with as much grace as you can muster considering you feel like you’re made of lead. The soft couch is pleasant against your body, your sore limbs sinking into the cushions. 

Logan fits himself between your legs again, widening them around his broad shoulders before his lips find your overstretched thighs, leaving marks and kisses up up up, until his tongue slips back into your pussy. Your back arches off the couch, hands shooting down to fist his hair with a whine while Logan’s hand fists his cock. As your eyes adjust to the darkness, you can tell he’s already getting hard again, and his tongue is making something swirl low in your belly that’s making you pant, and...

It’ll be a long night.

THE PEARL

It had taken a lot of convincing and downright groveling, but Wade had allowed you to bring a movie for movie night. It wasn’t that he didn’t trust your taste in movies, his main gripe with your choice was that it wasn’t a Christmas movie – mandatory for December. Wade’s right, but after you explained that it’s the movie you always watch at the end of the year (and after Logan and yourself conceded that yes, his birthday was technically also your anniversary) he’d agreed. 

Now that you’re actually watching it, you suspect he’s genuinely invested, because after a handful of comments about The Hulk, he’s been quiet for longer than you’ve ever heard him be quiet.

In the scene on the screen, Mark Ruffalo’s character Dan and Keira Knightley’s character Gretta are taking an evening walk around New York City, dancing, singing and sharing music with each other as they do. Eventually, they stop and sit next to each other on some steps, watching as the city continues to move without them.

“...the most banal scenes are suddenly invested with so much meaning, ya know? All these banalities, they're suddenly turned into these… these beautiful, effervescent pearls,” Dan says, wistfully looking on as New York bustles around him. “I gotta say, as I've gotten older these pearls are just… becoming increasingly more and more rare to me.”

The arm Logan has slung around your shoulder tightens, and the couch creaks softly as you lean further into his side, your cheek squishing against his warm chest.

“More string than pearls?” Gretta inquires with a frown.

“Yeah. You got to travel over a lot more string to get to the pearls.” There’s a pause as he turns to look at her, “This moment is a pearl, Gretta.”

She gives him a hint of a smile. “It sort of is, isn't it?”

“All this has been a pearl,” he admits, sharing a look with her.

A finger curls under your chin, tipping your head up until your eyes meet Logan’s. He gives you the same look you just saw on the screen, his eyes soft as they take you in, the hint of green between the hazel illuminated by the light of the television. A thumb swipes over your bottom lip fondly, before he leans down to kiss you.

It takes a lot of string indeed.

Sometimes even interdimensional string.

– – – – –

(THE END)

If you made it all the way here, thanks for reading. Seriously. Please come say hi and/or share your thoughts via ask/messages/reblogs/whatever you feel comfortable with. I hope to share more writing soon - emphasis on hope, I'm not making promises, just an educated wish.

And lastly, if you're struggling with mental health problems, please don't wait for a handsome stranger to sweep you off your feet. I know from experience that it can be incredibly difficult to reach that hand out, but I also know from experience that things can get better. There are ways to get help and you deserve to get help 🫂

[yeah-thats-probably-it]

Hot take maybe but I think Bertie would be FAR more likely to survive the first two months of Dracula than Jeeves would be. Bertie has a healthy sense of self-preservation. Jeeves consistently underestimates how dangerous a situation might get (Steeple Bumpleigh, the club book) because he’s overconfident about his level of control over any given situation. He'd handle Dracula masterfully if they faced off in England, but on Dracula's home turf? Much more doubtful.

I realize this might be a tough sell, so I will explain further (or it's not a tough sell, and I'm going to explain further because I want to). (criteria taken from @canyourfavesurvivecastledracula) Without further ado.

Would Jeeves and Wooster survive Castle Dracula?

Jeeves

Jeeves' survival will depend on how long Dracula finds him more entertaining than irritating. On that basis, I don't think he's long for this world. On the one hand, he has a huge wealth of knowledge about English society and culture that he can recite perfectly from memory. That should buy him at least a little time with noted teaboo Dracula.

On the other hand, he would be absolutely no fun as a vampire plaything. Jeeves cannot be got. Sneaking up on him while he's shaving will yield zero reaction (though that's at least good for his short-term survival--given that, although he DID take the crucifix from the old woman out of politeness, he certainly isn't going to wear it. The rules of fashion don't go out the window just because you're in a spooky castle). Then, although managing the whims of rich jerks is not an insignificant part of a valet's job, Jeeves usually does this by bending his employers to his will. Dracula is not the sort of employer this will work on. It'll just add insult to injury when on top of being impossible to scare, NOW Jeeves is telling Dracula that his favorite cloak is several centuries out of fashion and he's not allowed to wear it anymore.

Jeeves will 100% go exploring in the areas he was told not to go-- though to be fair, he MIGHT actually get away with this, what with his superpower of appearing in rooms without being seen or heard. Said superpower might save him from the brides as well (though this is by no means guaranteed). Since I find it doubtful that Dracula would come to rescue his annoying ass, not being noticed is his best defense.

There are a couple other things working in Jeeves's favor; the question is just whether they'll be enough to save him.

He DOES know shorthand, and could try to send coded letters. He might even have the foresight to squirrel away some extra stationary where Dracula can't find it. But could he get them posted? Would it even do him any good?

He certainly has enough cultural literacy to figure out what his new boss is pretty quickly. If he didn't chuck the crucifix out the carriage window, he might start carrying it around in his pocket.

Psychology of the individual, sure, but the individual in question is a 400-year-old vampire who lives in an isolated castle in a foreign country and is regarded as a terrifying mythological figure in the surrounding villages. Jeeves has never come up against anything this alien before, he's cut off from his normal resources, and opportunities to play people against each other are limited.

He probably has enough upper body strength from all that shrimping and fishing to climb the wall, so he COULD escape if he wanted to, if he survived long enough. It's just, again, that overconfidence, and also Dracula has a vast library full of rare old books that are entirely at his disposal. He's keeping his eyes and ears alert for potential escape strategies, of course, but I don't see him being as desperate to get out as Jonathan was.

There are just a lot of "depends on"s here, and I'm not convinced that luck would shake out in Jeeves's favor, all things considered.

Bertie

Bertie is so perfect for the job of Castle Dracula Prisoner it's like it was made for him. Think about it. Being held against his will in big manor houses comes more naturally to him than breathing. He's afraid of things that are scary. A lifetime of dealing with Aunt Agatha has made him the world's preeminent expert in "curl[ing] up in a ball in the hope that a meek subservience [will] enable [him] to get off lightly." He will NEVER go exploring in places he's been warned away from if nobody is forcing him to (Rev. Aubrey Upjohn's office notwithstanding. There were biscuits in there). He's both fun to talk to and easy to toy with (and extremely English). A+ prisoner. Dracula adores him.

In my opinion, Bertie is at Castle Dracula either because Aunt Agatha got some wires seriously crossed and thinks he’s going to meet an eligible potential bride (I mean, there are certainly brides there), or because Dracula has something Aunt Dahlia wants him to steal (far less likely, given that one of Dracula’s THINGS is famously not owning anything silver). Either way, he's shown himself entirely willing and able to escape down drainpipes if a sitch gets too scaly.

He DOES take the crucifix, and DOES wear it (which is what will save him during the shaving scene, because you KNOW he's going to jump a foot and cut himself like the dickens). He's read enough supernatural goosefleshers to be genre savvy about terrified old women cryptically pushing crucifixes into one's hands. I also think his sunny disposish endeared him to the villagers, and they were particularly vehement about urging him not to go. He doesn't speak German or Romanian, but he's empathetic enough to recognize Pure Terror. So by the time he actually gets to the castle, his imagination is already running wild and he's plenty aware that he is in imminent danger.

I think the biggest risk to Bertie will be the brides; whether or not he's susceptible to trances, if he thinks they're trying to marry him, it's against the code of the Woosters to turn them down. But that only becomes an issue if he comes face to face with them, which, luckily, I think is unlikely on account of the aforementioned "won't go exploring" (and if he did, Dracula would definitely rescue him).

I'm inclined to say due to his drainpipe-escape habits that he WOULD be able to climb the wall and MAY attempt to sneak into Dracula's room to look for the keys if his desperation grows to outweigh his fear. Whether he does or not, though, he does NOT have the stomach to attempt shovel murder, and therefore won't get magic brain fever, and may very well simply walk out the front doors when the people come to take the boxes away. OR he climbs his way out like Jonathan did. Either way.

When Bertie tells this story at the Drones later, Tuppy will say that no doubt it's been greatly exaggerated and all that probably happened was that he spent a couple months in an oldish house entertaining a weird loner.

[renthony]

There's a post going around right now about women being allowed to wear pants, and the way that relates to discussions on gender nonconformity, etc.. There's a long thread of folks talking about how women very much do not have absolute freedom to dress masculine, and a few other posts that have spawned off the main discussion.

And I haven't added onto that main post because I didn't feel like I had much to add, but now it's been a couple days and I can't stop thinking about how I was forced to wear a dress to my high school graduation in small-town Mississippi. I'm not a woman, but I didn't know that yet, so it's a relevant story.

The school administration threatened every single girl with the punishment of being banned from walking across the stage if we wore pants beneath our graduation robes. We got an entire lecture about how it was inappropriate for us to wear pants to such an important formal event.

My school had a strict uniform policy, and the graduating seniors being allowed to wear our own clothes to graduation was seen as a huge fucking deal. We'd spent four years not being allowed to wear our own clothes or accessories, and graduation was supposed to be our time to finally wear what we wanted. This was a bigger deal than it might have been otherwise, because my school also refused to allow us to decorate our graduation caps. We were not allowed to display any customization at all. One girl put her name on hers so her family could find her from the crowded stands, and the school administration made her throw her hat away and buy a new one or else she wouldn't be allowed in the event hall.

The school, knowing how excited many of us were about picking our outfits, gave us a strict dress code. Our outfits wouldn't be seen until after we took off the graduation robes to go home, but still, we had a nightmarishly strict guide for what we were allowed to wear beneath them. They had to be formal outfits, they had to fit a certain color scheme, they had to adhere to the school policy about skirt length and skin visibility, and, naturally, they were extra harsh on the girls, as dress code policies always are.

One guy joked that he was going to go naked underneath in solidarity with all the girls who were upset about the dress requirement. He got pulled aside by an administrator and told that if he made that joke again, he wouldn't be given his diploma. Which I'm pretty sure is illegal, but it was still the threat that got made.

Everyone was pissed, several people were livid because they had already bought an outfit they were now not allowed to wear, because the administration had actively misled us for weeks into believing we would be allowed to wear what we wanted. There had been no mention of dress code requirements until they dropped them on us at rehearsal the morning of graduation, less than 12 hours before the event.

We had no power to override the school administration. We were given a strict lecture at rehearsal about how flouting dress codes is unprofessional and if we gave that kind of attitude to people over dress codes in the workplace, we'd be fired.

We were ultimately told that, "if it's not appropriate for church, it's not appropriate for graduation." Those of us who asked "what if we aren't Christian and don't even go to church" were told "you still know what kind of clothes church clothes are, so stop being rude."

This happened in May of 2011.

[catastrophicdisasters]

apologies, i'm still angry abt TUA S4

so, if we take out all of the blatant issues with the season (character assassination, 'resolutions' that create more plotholes than they solve, rushed scenes that make no sense, side plots that go nowhere, raymond vanishing for no reason, etc etc), what are we left with? let's see:

fatphobia (multiple jokes made about 'chubby Diego', when David just looks hydrated and healthy)

SA played for jokes (it's clear that Klaus having sex while possessed is supposed to be funny, but he's being held hostage and forced to do this for money, when we already know he didn't even want his powers back??)

cheating

problematic / borderline problematic age gaps (either way you spin it, either Five is physically 20-26 while Lila is likely mid 40s, or Five is mentally 70s while Lila is mid 40s; Aidan was 19 while filming, and Ritu was 34)

waiting for the actor to come of age before introducing a romance (we already know what some fans can be like over Five/Aidan, this will not have helped; I would be horrified if I found out the show runners had planned a romance arc with a coworked 15 years older than me and then waited for me to turn legal age to execute it)

sexism (i was reluctant to call it that but i also don't know what else to call it - Lila basically had her agency stripped away to become the love interest two men fought over; Steve wanted Five to have a romance and didn't care who with - use Lila simply because she was there)

complete disregard of character trauma (Klaus being buried alive despite it having been mentioned in every prior season that he was locked in a mausoleum by Reginald, including literally being left to die)

possible overstepping of an actor's boundaries (i've not been able to verify this, but i've seen it said that robert sheehan has requested not to do sex scenes?) (still havent been able to prove this; wasn't an issue with other roles so... hesitant to leave it)

actors requests being ignored (David asked multiple times if the Lila cheating sideplot was required, but clearly it went ahead anyway)

bad cgi

that awful vomit montage

Reginald (im not quite calling it abuse forgiveness but uh. it's not far off tbh)

i don't even know what to call this, but basically told the Hargreeves the abuse they suffered was their fault because they shouldn't even exist??

what did i miss? (im sure there's something)

from the replies:

the song in the ep3 dance scene uses a slur for romani people (and is also about a man and an underage girl)

SA dismissal (it's literally never addressed that Allison SA'd Luther last season. like, at all. everything's just a-okay now!)

more sexism (Allison's arc was also reduced to serving men; there's a single line to explain that Ray left, with no mention of why (i could go OFF about this but this post isn't supposed to be about mishandling of characters); even after everything, all her bonding with Claire comes through Klaus's storyline. also, Sloane is just gone and nobody gives a shit - Luther has one line and that's it??)

so many issues with consent (all of the girls shown in the place Klaus works look drugged / Klaus doesn't want to be there and doing any of that, it's all against his wishes / they all get their powers back against their wishes - although they do tell Ben that wasn't his choice to make / Klaus gets his powers back against his will when Allison is pressured to do it to save his life)

[thatnewweeb]

Childhood Sweethearts | Bakugo Katsuki

Summary | You moved to America when you were young, having to leave behind your childhood sweetheart. After moving back to Japan, you'll find out if things have changed between you two

Content | Fluff, honestly I can't think of any warnings for this so let me know if you see anything that needs a warning

Word Count | 1.7k+

A/N | I love the idea of Bakugo being in love with someone through his whole life, I have no idea why. At the time of posting, I wrote this forever ago

It had been almost 5 whole years since you moved away. You missed home. It wasn't like you'd wanted to move away in the first place, but your dad's job took you away from Japan all the way to America.

Finally, at 18 years old, you finally convinced your parents to allow you to move home. Having attended an elite hero school for the past 2 years, you managed to have some special arrangements made for your return home.

And so, that is how you got to where you are now, nervously walking down the halls of UA next to Principal Nezu. He had spent the first half hour of the morning before classes began showing you around and explaining a few things to you.

At the start of homeroom at 8:25AM, he walks you to the classroom of Class 3-A, the class you will be joining, starting today.

Everyone looks over as the door opens, the principal strolling in and standing at the front of the class. You follow nervously. These people have had nearly 3 whole years to get to know each other, and here you are, the new girl joining in the final year, not knowing anyone.

At least, you didn't think you knew anyone, until you force yourself to look at the class properly.

Your eyes immediately fall on a blond boy in the second row. His own eyes are widened, locked onto you. A moment later, you rip your eyes away from him, prompting him to look away also.

When you realise Nezu has stopped speaking and is now looking at you, you snap out of it and look at the whole class.

"My name is Y/N. I have two Quirks, which I am sure I will have more time sometime soon to explain. I look forward to spending this year with you." You say and bow slightly to the class.

Your homeroom teacher, Aizawa, points you to your assigned seat, so you sit down quietly, not saying another word.

It isn't until lunch, almost four hours later, that you say anything else, besides answering questions in class. Your fourth period was English with Present Mic. Having lived in an English-speaking country for almost 5 years, it was quite an easy class for you.

Almost as soon as you are dismissed from class, you're surrounded by people, wanting to talk to you, get to know you. You're fine with that, but you did have someone else you wanted to talk to. They already walked out the door though.

"Y/N!" Someone says, popping up in front of you out of nowhere.

"Izuku!" You smile, excitedly throwing your arms around your old friend.

You see a brown-haired girl blushing as she watches you hugging Midoriya.

"I can't believe you're here! I didn't know you were coming back!"

You nod. "I know, I'm sorry I didn't say anything."

He shakes his head, wanting to reassure you. "It's okay! We fell out of touch, that's not anyone's fault."

Izuku invites you to spend lunch break with him and his friends, being introduced to them all, him explaining a little about how he got into UA at all.

After classes have finished for the day, you don't give Bakugo the chance to run. As soon as you're dismissed from class, you walk over to his desk, standing in front of it and resting your hands on the surface.

"It's nice to see you again, Katsuki." You smirk.

He looks up at you from his chair briefly, quickly looking away. “Yeah, it is.”

You lean down so you’re closer to his height, him still avoiding eye contact. “Would you mind walking me back to the dorm? I haven’t actually been there yet, Nezu didn’t have time to take me.”

He tuts but stands up, picking up his bag and slinging it over your shoulder. Not saying a thing, he leaves the classroom, you following him. You know what he’s like, you know to follow.

As soon as you're out of the halls and outside, he decides to say something. "I didn't know you were coming back." He mutters.

You're just happy to hear him say something to you. "Yeah. I know."

He takes a deep breath. "I'm sorry."

You pause where you are, stunned. You hadn't expected him to apologise to you.

When you don't say anything, he sighs and turns to you, also stopping walking. "I shouldn't have stopped responding. I was upset you were gone, and I went about things in the stupidest way. I... I regret it."

It takes a moment for you to say anything, blinking in shock. "It's okay." You smile brightly up at him. "I understand. It was hard on both of us, after all."

"Yeah, but I ghosted you. I shouldn't have done that. Not to you, you don't deserve that."

"I agree you shouldn't have done it, dummy. But I'm saying I understand, okay?"

He smiles a little, looking down at you. "Come on, let's go to the dorms." He tugs on your backpack, indicating that you should take it off. When you do, he slings one strap over his shoulder, carrying it for you.

"Since when did you become a gentleman?" You ask with a small laugh, making him grunt a 'shut up' to you, his cheeks going slightly pink.

Finally reaching the dorms, Bakugo opens the door for you, letting you into the large building.

Everyone else is already there, the people in the communal area looking at you as you enter. Other than Izuku, people seem a little surprised to see you with Bakugo, and even more surprised that he doesn't look as annoyed as he typically does.

With everyone staring, Katsuki shoves your bag back into your arms before walking over to the stairs to go to his room.

You smile a little as you watch him, shaking your head.

Izuku is the first person to come up to you, smiling. "Everyone wants to get to know you a little. If you have some time, come sit with us?"

You do what he says, walking over and taking a seat between him and a boy with a black streak in mostly blond hair.

You end up spending a couple hours with them, telling them about your Quirk and what it's like to live in America. When they ask about you seemingly already knowing both Izuku and Katsuki, you tell them that you grew up with them.

A girl with pink skin, who you learn is Mina, asks you for some stupid stories about them as kids, Izuku going red and telling you that you don't have to talk about anything you don't want to, trying to save himself the embarrassment.

Even though you're unsure if Bakugo will be annoyed at you for telling them this, you also tell them a few stories from when you and him were dating before you left for America.

Everyone seems surprised, a small uproar coming from the class. No one had ever even seen an indication that he had ever been interested in anyone, yet alone had a girlfriend. It appeared to be a ludicrous idea to most of them.

Kaminari seems to deflate a little upon realising you dated one of his best friends. Guess he thought you were pretty.

Not long after, you go find your room, needing to unpack. Right before you close the door, a foot stops it from closing. A second later, Bakugo comes into view.

"Well, hello there." You smirk a little, looking up at him.

He smirks back, placing a hand on the doorframe, standing in front of you. "Hey. Care if I come in?"

You move out the way for him to come in but tell him it's a little messy because you're still unpacking.

He doesn't even look at the room, closing the door as soon as he's inside and standing close to you, essentially pinning you between him and the door.

That's when you really realise how much he's changed. He's so much taller now than when you last saw him, his shoulders broader, entire body more muscular, a few visible scars now. The whole thing makes you a little flustered.

"So, do you have a little American boyfriend now?" He asks with a slight snarl, expression turning into a smirk as soon as you shake your head. "No? Then, would you mind if I kissed you?" He whispers in your ear.

You don't verbally respond, but the look on your face gives him the answer he needs. He keeps one hand on the wall, the other coming to rest on your waist, leaning in and pressing his lips against yours. Your own hands find your way to his chest, gripping onto his shirt.

A moment later, he pulls away a little, smirking. "Guess we haven't missed a beat, huh?"

You laugh, not letting go of his shirt. "Suki, you're an ass." You say, making him laugh too.

"Yeah, but you love it." He whispers, leaning in to kiss you again. "It's starting to get late, and you haven't finished unpacking yet. If you wanted to stay in my room tonight, you're welcome to."

You look up at him, a little surprised by the proposal. When he sees the look on your face, he panics a small amount. "I didn't mean it like that! I meant we can spend the night sleeping together- no, not sleeping together! Not like that! I just meant- we- we can- I meant-"

You giggle at his nervousness, making him look a little angry. You move your hands to rest on his cheeks, standing on your tiptoes and smashing your lips against his.

When you finally break the kiss again, both a little breathless, he stares at you, mouth open slightly.

"Sorry, I had to find a way to shut you up." You smile. "I'd love to cuddle tonight, Suki."

He looks relieved, taking your hand. "Come on, let's go."

You spend the rest of the night in Bakugo's dorm, cuddling and eventually falling asleep in his bed.

Before he falls asleep, he spends a few moments just watching you, barely being able to believe that he got lucky enough to get you back into his life. He gives you a soft kiss on the forehead, holding you tighter, closing his own eyes and falling asleep.