#i'm sure i have so many better things to do

[greyplainsttrpg]

I had a shit post reblog of this earlier, but I think I'll actually contribute something now that Uno has been introduced.

For some reason, I think anons consider Hasbro's: Wizards of the Coast's: Dungeons and Dragons (2014 and 2024) to be closer to a deck of standard playing cards than a specific game using those cards (like poker).

Maybe it's because Hasbro's: Wizards of the Coast's: Dungeons and Dragons (2014 and/or 2024) is the only tabletop game that they play; or maybe it's because they buy into Hasbro's framing that Hasbro's: Wizards of the Coast's: Dungeons and Dragons (now 2024) is the default TTRPG and thus equivalent to the hobby in general; the point is that it feels a lot like people defending Hasbro's: Wizards of the Coast's: Dungeons and Dragons (2014 and 2024) are doing so on the merits of defending the hobby at large.

"Sure, not all the rules facilitate all kinds of play. Sure, some of the rules actively get in the way of MOST or ALL gameplay, but that (somehow) isn't Hasbro's: Wizards of the Coast's: Dungeons and Dragons (2014 and 2024) fault. The pieces to play a good game are all there (I don't agree, but sure), therefore the game itself is good."

This is obviously a straw man simplification of the argument. Not many people have this exact opinion, but in discussion with casual 5e players, this kind of argument is usually where they end up.

This all assumes the supposition that Hasbro came down in a chariot of divine light and spontaneously generated the premise of "making things up with your friends" and then everything that came after is an arbitrary confluence, necessary to accept the gospel of "make things up with your friends."

5e defenders look like this to me.

You don't need Hasbro's: Wizards of the Coast's: Dungeons and Dragons (2014 or 2024) to play "make things up with your friends." The point of myself and most of the people criticizing the most ubiquitous element of the hobby is, generally, that the game actually sucks at that--a lot. It's just popular because it is a legacy IP and was well marketed upon release in conjunction with professional actors pretending to play the game for money.

If everyone who did not like the rules of 5e was actually willing/interested to play a different game, I know myself and everyone who makes games that are better at doing literally anything than Hasbro's: Wizards of the Coast's: Dungeons and Dragons (2014 and 2024) would be very happy to share our art with people who appreciate it (I think everyone in this thread arguing against 5e, btw). Play my game (or one of theirs). I would love to teach my game to anyone and everyone who is vaguely interested, and I'm sure they feel the same.

Criticizing Hasbro's: Wizards of the Coast's: Dungeons and Dragons (2014 and 2024) is not equivalent to criticizing the whole hobby. We're actually doing the opposite. The shit rules of 5e are actually harming the rest of tabletop gaming because very few players are actually happy with the game itself and yet few people are interested in doing anything else.

im confused about the dnd 5e hatred. yall arent just ignoring rules that are dumb? ur dm actually follows every single thing in the book for real?

if you have to ignore some of the rules for the game to be good then the game is not good

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[dalliancekay]

And it is All. Aziraphale's. Fault.

NO IT FUCKING ISN'T HIS FAULT

First of all: I'm pretty sure every time we see Az and Crowley in the past, Crowley is wearing whatever is the height of fashion while Aziraphale wears things that are well made but several decades out. Meaning he is wearing them for a good while. Swapping his clothes around when they become maybe too worn, maybe too conspicuous.

Walking the clean, gas-lit avenues with Crowley and Elspeth, Aziraphale is oblivious to the privilege he has in this world.

Really? Was he born yesterday? He has no idea how the world works?

the angel spouts trite pontifications created by the rich to justify poverty. He genuinely believes Elspeth has more opportunities for goodness.  After all, look at Wee Morag. 

It wasn't invented by the rich. It was 'invented' or used rather by the church that got used by the rich to keep the poor in place. There is no way you can blame Aziraphale for this. All he wanted is for Elspeth not to end up in Hell. Which Crowley wanted too, after he saw how upset it made Aziraphale. That's not fucking wrong. And you can't tell me either that rich have more opportunities to do good. Or that they do so. Or that more of them go to Heaven.

The inequality in humanity? Well, Adam and Eve had nothing. We have caused all this bullshit to ourselves. Nothing to do with Aziraphale. Or Crowley.

He respects her goodness tremendously.  It proves to him his “rightness.” 

Did you mean to say, he's glad she's not heading for Hell.

And so he sabotages Elspeth’s attempt to sell the body she dug up in her attempt to support Wee Morag.  Dalrymple gets no body, Elspeth gets no money, and Aziraphale believes he’s saving her soul.

He WAS saving her soul. Remember? Heaven and Hell being real places you go to when you die in GO?

Selling stolen bodies puts good in the world.  He’s all for it now, and goes back to encourage Elspeth.  Good heavens, he’s even willing to help this time!

Maybe next time try to be a bit more condescending to someone who just learned something new. And IMMEDIATELY changed his mind about it. Plus, Crowley had no idea digging up bodies could be spun to be a good thing either. He was learning just as much as Aziraphale. But I haven't seen one single FUCKING META about how Crowley was completely disinterested in Elspeth and her life. Only in having his usual argument with Aziraphale. Until he didn't. (And as I pointed out, he wasn't right about - you have start people off equal, people did start off equal, we are just assholes)

But, as we know, it all goes wrong.  Wee Morag is shot by a grave gun, and dies of her injuries.  Elspeth steals laudanum, and plans suicide. 

In other words, everyone makes their own choices, things go badly for Wee Morag. Maybe re-watch the ep and see how Elspeth doesn't blame Aziraphale (or Crowley) for what happened. So why do you?

Crowley drinks the laudanum, saves her in a compassionate Scottish frenzy, and is stolen away by hell because of his kindness.  

Is he? Or is he taken cos he sent two guards directly down to Hell, alerting them?

And it is All. Aziraphale's. Fault.

(I deleted what I wrote here)

He considers all of the money he casually spends on fine clothing and expensive tailoring.  He wonders how many lives could change if that money was better spent on helping to relieve the poverty that surrounds him. 

There's absolutely NOTHING in canon to support this. We can HC whatever we want sure, I for example think that Az wears things, as I said above, that are stylish but always out of fashion because it takes him time to find the right things and then he wears them for decades and decades. Because that's what is suggested by the canon, by the care he puts into his clothes and how well loved they are. The fact that 'male' fashion got less flamboyant down the centuries was not Aziraphale's decision. I for example HC too that Azi, when building his bookshop, and using his own, earned money as you rightly say, was spending miracles on making sure his workers didn't injure themselves, that he spent miracles looking after the street urchins in the very poor neighbourhood he has chosen to settle in (as opposite to say Mayfair). And that when Gabriel told him off for using too many 'frivolous miracles' in 1792 he got mad and decided to go to Paris like the stupid angel he apparently is and get, say, ravished by his enemy who would surely find him helpless and not able to save himself in a prison.

What would Crowley do, if he were free to be kind? And so Aziraphale changes.

Yes, because Aziraphale is an asshole who cares about nobody, and nothing, right?

the angel who took too long justifying a life-saving miracle for Wee Morag

Because he's NOT ALLOWED TO INTERVENE.

who hesitated to give Elspeth his 90 Guineas

Do you think he should have just worked and worked and give all his money to poor people? Is that the answer to all the world's problems? Making Aziraphale poor?

willingly and freely gave Maggie forgiveness for thousands of pounds of debt

Why wouldn't he. It's his property and I am sure he lends it to Maggie for significantly less than anyone else would have. Definitely less than those 'gentlemen' in the book who come and try to persuade the angel from time to time to sell his bookshop.

I'd love to know what else he's done over the last 180+ years!

He's been the kind, big hearted angel he always was. Looking after his shop, his tenants and anyone else who he could. Saving babies in prams and making sure shady men never came back. Looking out for Crowley, trying to keep him out of trouble, worrying about him, keeping an eye out to see if he's not doing something reckless. Finding out the demon wants to rob a church, handing him the one thing that could take him away forever with the heaviest of hearts. While of course, Crowley was doing the same thing. Not giving in to Aziraphale's princess act in the Bastille because he knew it would not ultimately end well for them. Understanding when Aziraphale said no to a date in 1967, not surprised since he remembered well what happened in 1941 when they were seen together.

*** YES if Aziraphale did absolutely nothing on the graveyard, Wee Morag would have probably lived a bit longer. How much longer though... and they would very likely end up in Hell, because they would have had to do much more crime down the road. Maybe even get hanged for graverobbing. Also see: Aziraphale just wanted to help. Did you never make a mistake??? He didn't mean to hurt anyone. If he did nothing, he'd never have learned yet another way the world is complicated and not black and white. Crowley was going to do nothing at all, just have a laugh at someone robbing a grave. No one cares. He's a demon. He stopped Elspeth from killing herself and everyone applauds, yes, it is super kind of him, and dangerous for him too, but it is the right thing to do. He didn't want her to go to Hell either.

The people who think they would have figured everything out before any events happened at all...well, good luck in your life.

And people who think Az should have done nothing - okay then. Let's just all do nothing at all, hoping we avoid all the bad things. Also: Changing the world is not done via charity but via changing the society, creating better welfare systems, housing, medical care, education. Those are things one lone angel (and his husband) can't do. And it's not their place anyway. I have like 5 pounds in my bank account (I hope) and yet I am not blaming someone well-off for that. It's the systems that are failing us. Much like the systems failed Aziraphale and Crowley. Putting two wonderful beings through so much pain because - that's how it is done.

And as I have said a million times before, Aziraphale is not learning some morality lesson in GO (HE IS A WONDERFUL, GOOD, KIND, GENEROUS, BRAVE BEING ALREADY), he doesn't need to get off his high horse, he doesn't need to finally 'see things clearly'. He knows how fucked the system he lives in is. He's just trying to help. Even Crowley says (in the book) that Heaven is the better option over Hell. However fucked it is.

Aziraphale learns from Crowley that he can question things, yes. But not in some, oh he's so blind and stuck and deep in some dogma bullshit. NO. He was always told things will happen a certain way. That Earth gets 6000 years tops. That God Herself made a Plan. It may be Ineffable, but it is a Plan.

I'm sorry, if you think you are far smarter than this and you would have figured out that God is telling porkies, good for you, I'm glad such intellects exists.

Because Crowley also didn't know the Plan could be changed until the end of S1. Yes he asked Az to try stop Armageddon but I don't think he really believed they could. He just wanted to give it a go. Cos - well what did he have to lose?

And they did change it. They held Adam's hands and they told him to be himself and when Gabe and Beez wanted to go ahead anyway Az confused them by asking about which Plan said what. So yes, he learns to question things. And he learned that from Crowley. And Crowley? Who was abandoned by the one Being who was always supposed to love him? Well. Crowley looks into those blue eyes and trusts.

The Night That Changed an Angel (or, why does Aziraphale still wear that shabby vest?)

Mini-Meta Musing (#4)

I've been brooding for a long time about, of all things, Aziraphale's worn velvet vest and the long cream jacket he's kept in "tip top condition for over 180 years now." I love the sweet familiarity, but this is the same angel who popped across the Channel and almost lost his fluffy-topped head in 1793 for dressing like an aristocrat.

"I have standards!"

He's the height of elegance, extravagance even. A dandy. We've seen the same at the Globe Theater 1601, Edinburgh 1827, and even as a Knight of the Round Table in 527 Essex, where he's wearing a glorious pelt across his shoulders! However, sometime after Edinburgh 1827, Aziraphale's stylish extravagance ends. He adopts the dress of distinguished but modest gentility. No seamstresses strain their eyes for days hand stitching ruffles and trims for him any longer. When we next see him in 1862, his clothing is refined, simple, and serviceable. It becomes his uniform, with only minor replacements. Why? What happened to change him?

Edinburgh 1827 happened. And his encounter with tragedy ran over his sensibilities like a locomotive.

Aziraphale had, we were told, saved his earnings over time and had bought land, invested wisely, and became quite well off. He used real money, not miracles, to build the bookshop, paying the builders well and taking care of bills honestly. He built himself up to a more than comfortable lifestyle, from nearly nothing. And his clothes are real, not miracled from nothingness like Crowley's. (source: original showrunner)

Aziraphale's wealth allows him to afford luxurious tailoring and fancy shoes and ruffles and trims. He'll certainly pay the cobblers and tailors and seamstresses well for their labors. It will be a substantial expense for the era. (The linked post gives a wonderful perspective on 1793 lifestyles and costs.)

https://agoodflyting.tumblr.com/post/753227014283083776/why-aziraphales-white-satin-pumps-are-ridiculous

The angel's Edinburgh multilayered and trimmed top coat, soft leather gloves, matching scarf, jacquard vest, silk cravat, etc., look entirely out of place in the back alleys where the poor huddle. Walking the clean, gas-lit avenues with Crowley and Elspeth, Aziraphale is oblivious to the privilege he has in this world.

As he strolls along in philosophical banter with Crowley about the "blessing" of poverty, the angel spouts trite pontifications created by the rich to justify poverty. He genuinely believes Elspeth has more opportunities for goodness.  After all, look at Wee Morag.  He respects her goodness tremendously.  It proves to him his “rightness.”  And so he sabotages Elspeth’s attempt to sell the body she dug up in her attempt to support Wee Morag.  Dalrymple gets no body, Elspeth gets no money, and Aziraphale believes he’s saving her soul.

It’s a poignant moment, though, when Aziraphale cradles the jar containing a tumor from a seven year old child who died because there wasn’t enough medical knowledge to save him.  Turning point number one.  It becomes Real, not a philosophical debate.  Selling stolen bodies puts good in the world.  He’s all for it now, and goes back to encourage Elspeth.  Good heavens, he’s even willing to help this time!

But, as we know, it all goes wrong.  Wee Morag is shot by a grave gun, and dies of her injuries.  Elspeth steals laudanum, and plans suicide.  Crowley drinks the laudanum, saves her in a compassionate Scottish frenzy, and is stolen away by hell because of his kindness.   And it is All. Aziriphale’s. Fault.

Turning point number two.  Another watershed moment where Aziraphale’s world changes again.

One of Crowley’s last earthly acts, before getting plunged into hell, is to have Aziraphale give Elspeth all of his pocket money.  What is pocket money to the angel is a fortune to her, one that can set her up for a better life.  I have no doubt that in the aftermath of the traumas of that night, missing and worrying about Crowley, Aziraphale thinks about all of this.  He considers all of the money he casually spends on fine clothing and expensive tailoring.  He wonders how many lives could change if that money was better spent on helping to relieve the poverty that surrounds him.  He wants to help, and to try to make amends for the harm he caused.  What would Crowley do, if he were free to be kind? And so Aziraphale changes.

I’d love to know the story of how it all played out.  Did he sell his fine clothing and donate the proceeds?  Did he become involved in charitable foundations?  Did he buy the clothing of a simple gentleman and decide to preserve it, however worn it became, as a reminder to himself of his past blindness and vanity?  We see in Season 1 how important it is to him to preserve that coat. (Sure, it's also a fantastic opportunity to flirt and flutter those angelic eyelashes... But, nonetheless!)

By Season 2, the angel who took too long justifying a life-saving miracle for Wee Morag, and who hesitated to give Elspeth his 90 Guineas, willingly and freely gave Maggie forgiveness for thousands of pounds of debt. I'd love to know what else he's done over the last 180+ years!

Whatever happened, it began that night in a graveyard.

[dsireland86]

Requesting Noah x reader where the reader experiences post partum depression after giving birth to their newborn baby girl.

Post partum depression is no joke and something so many women, including myself, have had to deal with. I wish it on no new mom. But, when you have a good partner who supports you entirely, it makes all the difference🥰

PostPartum

Tag list: @philomenie @supersquirrel1996 @foliosgirl @angelmarie89 @fadingintothegrey @thisbicc @lma1986 @dominuslunae @shayzillaaaa @mrsnoahsebastian @flowery-mess @iloveyoutodeathbutimdrowning @stardustsirenmelody @romanreigns-supreme @anything-more-than-human @into-the-grey @rumoured-whispers @myownthoughts12 @sister-sebastian @nyxthedestroyerofworlds-deactiv @missduffsblog @bngurngheart  @somebodyllelse @xxkittenkissesxx @fadingangelwisp @collisionofyourkissmakesitsohard

I held her in my arms like she was the most valuable thing in the world. To me she was. She was my daughter. She was the best part of me and her mother put together, a treasure created out of pure love.

I looked over at my wife, watching as she delivered the remaining proof of her pregnancy, feeling nothing but pride and respect for her. What I had just witnessed in the last thirteen hours was nothing short of an absolute miracle.

I had no idea how difficult it was for a woman to give birth until now. The strength and resilience I saw in her made me see her and all women in a whole new light. It was an indescribable yet incredible feeling.

She looked up at me, smiling her beautiful yet exhausted smile. She looked completely different now; she was a mother. I grinned back, offering her our daughter and gently laid her on her chest when she said yes.

"Noah, she has your nose and your eyes," my wife gushed, kissing our little girl's rosy forehead.

"She really does, doesn't she?" I marveled, unable to hide my grin. I kissed my wife's forehead, praising her over and over for what she went through for us. I had what I'd always wanted. I had my family.

Days after we came home were a struggle. The nights were sleepless, the days exhausting. The constant feeding and changing diapers was a lot of work I wasn't prepared for. But neither was my wife.

She started crying more than usual. At first, it was simple little tears, but then there were days where those tears lingered all day and sometimes into the night, too. They would lead into spurts of her doubting her ability to be a mother and caring for our baby the way she needed to be cared for.

That's when she would say things like, "Our daughter does better when I'm not around. Maybe it's for the best", or "I just want to disappear. All of this is too much."

I knew she was exhausted, not mentally prepared for any of this, so I did my best to help take the burden off her shoulders, hoping it would help. Sometimes it did, but most of the time I think it only made things worse.

A few weeks went by, and things began to mellow out some; with our daughter at least. We got into a routine and a schedule of sleep, making the nights more bearable.

But my wife would still have her spouts of irritability, sometimes waking up and starting things for no reason. It was usually over little things like dishes or clothes, but then it started to become bigger. She accused me of not being home enough and not helping out enough which would always end with her falling apart and crying again. It broke me.

I didn't know what to do, except hold her and tell her everything was going to be okay, even though I wasn't so sure.

I would watch her during feedings and how she seemed distant from our baby, looking away, never making that mother to baby eye contact I read about in the "What to Expect When Your Wife is Expanding" book Jolly bought me for my first "father's day". She was physically there, but not mentally.

Days after our daughter turned a month old, I came home to find her sitting on the couch in the living room, staring into nothing. She had the most distant spaced out look on her face, her eyes completely void of anything.

"Baby, are you alright?" I gently shook her. She finally snapped out of whatever daze she was in, shaking her head.

"Noah," smiling weakly at me.

"Baby, I'm really worried about you. You're not looking or acting like yourself," I finally admitted to her.

"I feel okay," she said weakly.

"When was the last time you ate?" I brushed some loose hair out of her eyes, running my hand down her cheek.

She thought for a moment then shrugged.

"Come on, I sighed, taking her hand and pulling her towards the kitchen. That's when the baby monitor went off, signaling our little girl was awake.

"Why don't you go get her, and I'll make us something to eat." My wife shook her head.

"No, you get her. She wants her daddy."

Letting go of my hand she made her way into the kitchen, leaving me in a bit of shock. I thought this was the worst of it, but I didn't know how much worse it could get.

Sex was out of the question. Not just for the first six weeks of course, but even past that. She closed herself off to me, not wanting me to touch her or be around her. It got to the point that she was sleeping on the couch and whenever I came into the room she would leave. I didn't understand any of it.

I eventually had to stay home from the studio and recording with the guys, having everyone bring everything to my house because I was too scared to leave her and the baby alone. Something was off with my wife, and I couldn't figure it out. I was taking it personally, thinking that the end of us had come and what was meant to be the happiest time in our lives was now becoming the hardest and most hurtful. I was done. I couldn't go through with it anymore.

One night, after our little one fell asleep after her feeding, my wife laid her in her bassinet then turned to leave the room.

"Don't leave. Please. Just stay with me for a minute," I asked, trying not to sound too desperate.

She turned and looked at me with tears in her eyes.

All the color was gone from her beautiful face, her complexion dull. Her hair, normally shiny and in her wavy ponytail, was unkept, piled high on the top of her head in a messy bun. Her sleep clothes were the same ones she'd worn for almost a week.

This was nothing but a shell of my wife and it killed me seeing her this way.

"Come sit with me, baby, please," patting the bed next to me. At first she hesitated, but then, surprisingly, she came and partially sat on the bed.

I tucked her hair behind her ear, smiling at her when she looked at me so sadly. I leaned in to kiss her, slowly so as to not startle her, and felt relieved when she kissed me back. Her hands found the back of my neck, twisting the longer pieces of hair at the nape of it. Her touch sent shivers down my spine. I was longing for her in ways I didn't even realize.

"I miss you," I confessed, placing my forehead to hers and holding her head between my hands.

"I know," she sniffed and I wiped away the tears that slid down her cheeks with the pads of my thumbs.

"I miss you, too, Noah."

"Then talk to me," I whispered, "tell me what you're feeling. Even if you can't make sense out of it. Just tell me anyway. I'll listen."

And she did.

I ran a hot bubble bath and for the first time in months I held my wife's beautiful naked body against mine, listening as she told me everything she had been going through.

I washed her hair, scrubbed her back, and helped her shave her legs, and in return, she gave me the best sex I'd had in a while.

Watching her face as she came on my cock buried up inside her made me cum, the feeling taking us both to a higher place we hadn't been in a while. It was euphoric.

Once out of the bath and fully dressed, she checked on our little angel still fast asleep, and for the first time since we brought her home, I watched the brightest, sweetest smile grace my wife's face as she looked down on her. It made my heart swell with joy.

We discovered that night, after some slight research that what she was experiencing was called postpartum depression.

It's something most new mother's get, some more extreme than others. We weren't throwing all our eggs into the basket of self diagnosis, but she promised to call her doctor the next morning and schedule an appointment.

Seven months old. Time flies when you're having fun. I watched my wife as she attempted to feed our angel sweet potatoes for the first time. Surprisingly, she liked them. A quarter of the jar later and we had a happy, sleepy little baby.

I cleaned her up and handed her to mama as she willingly and lovingly took her and cradled her just the way she liked it. With some warm milk, a soft blanket, and mama's arms, our little girl was out like a light.

My wife looked up at me, smiling brightly. She was herself again and there was no better feeling than to see her return. With a mild medication and a little therapy, postpartum depression slowly made its way out of our lives, restoring to me the woman I loved.

She apologized, over and over, time and time again, but I always reminded her there was nothing to apologize for. None of it was ever her fault.

"Thank you for sticking it out with me, Noah. Thank you for not running away."

I took her hand and kissed it, rubbing her growing belly carrying baby Davis number two. Now that we knew what to mostly expect, this little gem would be easier to handle.

"For better or for worse, Princess. You've got me and them, forever."

[multific]

Saved Him

Eddie Munson x Reader

Summary: When news came to you about Chrissy's death, you wondered just why she was with your boyfriend at the time. You knew he had a crush on her a while back but Eddie swore he was over her because he liked you.

A Satanist?

A cultist?

A murderer?

Your Eddie?

No.

These people were just blinded by rage and fear. 

Jason was also blind.

And fucking dumb.

He claims he saw things. Which you don't deny, but it wasn't Eddie's doing. And you knew that better than anyone.

You have been his friend since middle school, and his girlfriend for the last 2 years. You knew him better than anyone. 

You knew about his struggles, hobbies, friends, and favourite places. You knew everything.

And you also had a feeling about where to find him.

Skull Rock.

You followed the kids there and surely enough, there he was.

"Eddie?" 

"Y/N!" he rushed to you, hugging you. "I didn't do any of that."

"I know." you hugged him tighter. "I know you didn't." you smiled as you pulled back and he kissed you. 

The same kiss he always gave you when you felt bad, to calm you, to encourage you, to show you that he loves you.

But this kiss was also filled with fear.

You heard the others groan as Dustin spoke. 

"We don't have time for this."

You had a lot of catch-up to do. And you couldn't wait for an explanation. 

But now, for now, you were just happy to have your Eddie back.

Later, as everyone was getting ready, you watched Dustin and Eddie bond before he came over to you.

"Are you ready for this?" he asked and you looked into his eyes.

"I understand the nightmares come from Vecna, I understand how miserable it must be to have such nightmares. What I don't get is why was she at your place?"

"Is that really all you can think about when we are heading to death?"

You looked at him with no emotion on your face, but your eyes said every word your mouth refused. 

He let out a sigh and grabbed your hands into his.

"I do not, did not love Chrissy. She wanted to put her mind at ease because of the nightmares. I only wanted to help her."

"But you get it how it looks? Do you know how many times I have Jason tell me that his girlfriend was with my boyfriend when she died? Do you know the whispers and looks I got?"

"Why do you care so much about what people say?"

"Because they are telling me that you cheated on me. That you don't love me and it fucking hurts, Eddie." you tried your best not to raise your voice, the others don't need to hear your argument.

"But I do love you and I would never cheat on you, Darling."

"I know. This is why I feel like I'm being pulled into two pieces. One part of me understands and knows that you love me. The other is extremely jealous and furious."

"No need for you to be jealous, My Love." he lifted and kissed the back of your hand. "I promise, I only love you."

"I love you too Eddie." the sincere look in his eyes helped you calm down the rising storm.

---

Eddie was being attacked when you let out a yell. To save his life, you needed the attention of those flying things.

"HEY YOU DUMB THINGS FOLLOW ME!" you yelled and it got their attention. "Dustin! Help Eddie!" you yelled as you ran away. 

You managed to lock yourself into a car hoping those things would give up.

But as they banged on the windows and doors of the car, you weren't so sure you would survive.

One moment later, it all stopped.

All banging, all screaming, everything just stopped.

It took you a couple of minutes to get out of the car, you looked for Eddie and Dustin and you soon found them in the trailer. You rushed over to Eddie and hugged him.

"You saved me." he said. "Thank you." he tightened his grip as you let out a long sigh of relief.

He was alive.

He was fine.

He was holding you.

"I love you." 

He loved you.

Taglist: 

@castellandiangelo @imagines-by-a-typical-fangirl @manduse @jacalineiscomingforyou 

@mandoloriancookie @deliciousfestsalad @lilliumrorum @asgards-princess-of-mischief 

@fallout-girl219 @dracaryxzs @snowtargaryen 

~Masterlist~

ˇAO3ˇ

/YOU DO NOT HAVE PERMISSION TO TRANSLATE, TO STEAL OR TO REUPLOAD ANY OF MY WORKS TO THIS OR OTHER PLATFORMS/

[suchawrathfullamb]

No, the flannel and the wolf cut don't make you look like Will Graham. I see a lot of people trying to emulate Will's style or hair but of course it doesn't satisfy them because they're not fully getting what they actually wanted, which is the Will VIBE. So here's a guide, for you, because I love you, and fashion and aesthetics and the codes of physical appearance.

How to Give Will Graham

(oh and do check out my vibe analysis where we go into the spiritual code of Will Graham using astrology and numerology).

Now, I'm sure you didn't aim to give "plaid and kaki" vibes, right? Maybe you did, in that case you can move along. But if not, you were aiming for Will by just copying his clothes, which would never work because he doesn't give plaid and kaki guy, he gives sexy confident motherfucker with a gun who isolates himself because he thinks he's too cool but also because he is a menace and has no patience for people.

In other, better lol, words, he has the codes of disinterested academia. I made that up. But it's accurate.

It's the code of intellectuality but without the academic flair of formality.

Sam Winchester has almost the exact same wardrobe yet the vibes are different (the character arc is the same, interestingly enough), Sam is softer and kinder, and Will is more fuck everybody get out of my sidewalk vibes.

So there's an arrogance to Will. He isn't interested in what most are, he thinks most things are boring. And he's also hiding his true self, which comes out a bit more in Season 2 when he have the Slut Fashion Transition, which is excellent. Translating that to his style, you have outfits that carry a bit of an edge, although concealed to avoid exposure, and lack of attention to detail. So Will would not care to choose patterns because that is too much detail, or belts, or too many layers. His mind is busy with other things, he cannot focus on styling details.

So you can evoke the vibe without copying his exact outfits. As long as it has the elements of a put together but simplistic academic "southern" style. Which is also known as rugged americana.

(post prison inspired)

(twitchy man, season one inspired)

[wisecura]

Sheets

megumi fushiguro x fem-reader

p.1

p.2  ( ⸝⸝꩜ ᯅ ꩜⸝⸝;) p.3

p.2

AN: Thank you for reading part 2! Again each of these will be around 3k in length. Enjoy!

warnings: i'm putting these here for future chapters too, and ill sprinkle some in as I go. I want to make it clear, there is no underage sex, but later on there will be some more raunchy shit. this is somewhat non-canon compliant-make it up as I go

-ok for the real warnings: yandere, obsessive behavior, possessiveness, mommy kinks, mommy issues, arranged marriages, forced marriages, angst, eventual smut, clan politics, age gap (5 years from meg, and a little over 10 with toji), toji aint the best dad, mentions of child abuse, slowww build.

Another

Cleaning had always been second nature to you, a skill drilled into you by your clan as a symbol of discipline and control.

The ways of a proper young lady.

Back then, it had been another way to meet their rigid standards, but now, in Toji’s apartment, it served a different purpose. You weren’t trying to meet anyone’s expectations. It felt more like you were creating a space that felt livable, even comforting. As you scrubbed and tidied, echoes of your clan’s demands lingered in your mind.

Megumi stayed holed up in his room, avoiding you, though you suspected it wasn’t out of rudeness. Maybe he was still figuring you out, testing the waters before deciding how to interact. You couldn't blame him. This was all new and strange for both of you.

As you scrubbed the counters and sorted through laundry, you tried to keep yourself busy, hoping to quiet the restless hum of your thoughts. The spiraling.

But the silence of the apartment only amplified them, leaving you with little to do but reflect.

You thought long and hard about your next move—about what you wanted to do and what you were willing to endure. You hadn’t expected to make it this far, away from the suffocating grip of your clan, away from the ways they’d meticulously instilled into you. This already felt like a step up. 

No one was yelling. No one was crying. And most importantly, no one was punishing you for merely existing. And for once, you could breathe. 

But could you settle here? Could you turn this into a real home? The thought carried a weight you hadn’t anticipated, especially when you considered who you were married to.

Toji Fushiguro.

The infamous thirty-something gambler whose reputation preceded him. His name carried weight—none of it good. You’d only heard whispers about him before, rumors about the "Sorcerer Killer" who couldn’t see curses but had carved a place for himself in a world that didn’t want him. The name he was making for himself wasn’t the kind anyone would aspire to have. And now, he was your husband. Could he truly be better than what you’d left behind?

Marriage had never been a simple thing for people like you. It was a transaction, a tool for power and alliances, not a partnership. You'd settled your thoughts with that. But you couldn’t be sure what kind of man Toji would turn out to be. So far, he was an enigma—evasive, blunt, and not exactly brimming with warmth.

When you first met Toji, you’d been terrified.

His voice, gruff and laced with irritation, felt like a warning in itself, and his towering, muscular frame only added to the daunting image. You hadn’t known what to expect from him—your mind raced with possibilities. Many clan marriages ended in misery. Beaten wives, suffocating restrictions, and vows that served only to bind. The unknown had loomed large that day.

You’d been genuinely shocked when Toji had even shown up to the meeting. After all, he already had a history—a wife before you, a notorious rebellious streak, and a reputation soaked in blood. What had happened to her? The question lingered in your mind, twisting your thoughts into a frantic swirl as you tried to piece together what kind of man he was and what exactly you might be walking into. Not that you had much of a choice.

To your relief, he left shortly after the meeting, without forcing himself on you or issuing a set of suffocating rules. But even without his demands, you already knew your place. How could you not? The weight of the clan’s expectations had been drilled into you for as long as you could remember.

Still, the questions remained.

Could you trust him? Could he truly protect you from the very people who had pushed you into this marriage? Or would he become like the others you’d seen—the cruel, controlling men who treated their wives as tools, not partners? For now, all you could do was wait and hope.

If things got sticky, you could run. But the thought terrified you. Your clan wasn’t known for letting their investments go so easily.  They had their motives, their expectations for you, and you knew better than to think they’d let you walk away unscathed. The marriage was a tool to them, a means to an end, and the moment you stopped being useful, they wouldn’t hesitate to dissolve it.

The questions would start soon if you didn’t make an appearance at the estate for a ‘visit.’ You’d have to come up with something to keep them satisfied, a way to buy yourself more time. But would it be enough? You weren’t about to stoop to spying, but maybe if you offered them the bare minimum, it could hold them off. Still, you knew the risk. The moment they decided you weren’t fulfilling your purpose, they’d drag you back.

Back to the suffocating walls of their estate. Back to the life you’d fought so hard to escape. Back to another arranged marriage—this time, likely to someone far worse. Someone who wouldn’t tolerate even a shred of independence. The thought was unbearable, and yet, the fear of that possibility clung to you like a shadow, refusing to let go.

You had no illusions about what they were capable of. They’d find you. They’d make an example of you. You’d seen it happen before—to women who had dared to defy their place, who had tried to escape. The consequences were always swift, brutal, and served as a warning to others.

The only thing keeping you from that fate was this house.

Toji.

For all his flaws, for all the uncertainty that surrounded him, Toji was the barrier between you and the life you so desperately wanted to escape. The clan couldn’t touch you here—not while you were under his roof. His name and infamous reputation were enough to keep them at bay for now. But what about when he left the clan for good? You’d heard it whispered countless times—how he’d distanced himself, how he was already one step out the door.

So why had he even agreed to this marriage? It didn’t serve him. If anything, it seemed like another chain, another tie he’d likely resent. What had convinced him to take on a responsibility that did him no favors?

The thought nagged at you as you clung to the fragile sense of safety he unknowingly provided. As much as you despised the precariousness of your situation, you couldn’t ignore that he was the only thing keeping the clan’s shadow from falling over you entirely.

For now, you had to play the game carefully. Toji was unpredictable, but at least he wasn’t actively cruel. You’d take your chances with him over returning to the hell you’d left behind.

Still, he hadn’t returned, yet. When would he come home?  Sure it'd only been a day, but...

Would he even explain what this arrangement meant for you both, or just leave you to figure it out on your own? Would he have a list of rules like your clan house? Would you have expectations to sleep with him? You let out a sigh, feeling the weight of uncertainty press heavier on your shoulders. The hours were dragging. 

When lunchtime rolled around, you prepared food for both yourself and Megumi. Doubling the portions, you were glad he was starting to warm up to you, even if only slightly. Knocking softly on his door, you waited for a moment before it creaked open.

Megumi stood there, his expression unreadable as usual, but he took the plate with a small nod. “Thanks,” he muttered before retreating back into his room, the door closing firmly behind him.

So, you ate alone.

It wasn’t the solitude that stung the most—it was the familiarity of it. Sitting at the quiet table, your thoughts drifted to the countless meals you’d eaten alone back at the clan house. Sure this home was better than your previous, yet the echoes of those days crept back in, uninvited, and settled heavily in your chest. You’d thought leaving that life behind would make things different, that here, in this little apartment, you could find something resembling peace.

But for now, the silence was deafening.

You reminded yourself to remember that this was better and you needed to be patient. Megumi wasn’t cruel or rude—just guarded. He was still so young, still figuring out his place in all of this. And maybe, you thought, you needed to adjust to him just as much as he needed to adjust to you.

So, you cleared your plate, brushed off the dull ache settling in your chest, and told yourself that this was temporary. It was just a matter of time.

Later in the day, you decided to step out for groceries. The apartment was practically empty, the fridge holding little more than condiments and a few questionable leftovers. You couldn’t fathom how Toji and Megumi had been surviving off such meager scraps.  You’d noticed the state of things your first day there, picking up a few essentials just to scrape by. But today, you decided it was time to stock up properly.

Standing by the front door, you hesitated for a moment, glancing toward Megumi’s room. A small part of you debated whether to ask him to come along. It might have been nice to have the company, and perhaps the outing could bridge some of the growing gap between you. But you quickly pushed the thought aside.

He was just a kid, and this wasn’t his responsibility. It was yours. You were the one trying to build a home here, the one who had stepped into this precarious role.

With a quiet sigh, you grabbed your shopping list and headed out the door. It wasn’t a long walk to the nearby market, but as you made your way down the street, a faint unease crept over you. You couldn’t help but think back to your clan and their constant monitoring.

By the time you returned, your arms were weighed down with bags. Maybe you’d gotten carried away, but everything seemed so necessary. Stumbling through the front door, you dumped the bags onto the counter with a relieved sigh.

Megumi peeked out from the doorway, alerted by the sound. “You’re back?”

“Yeah,” you said, turning slightly to smile at him, still catching your breath. “Got some food for tonight.”

He frowned, his gaze shifting to the hefty bags on the counter.

“Didja walk all this back yourself?”

“Mhmm,” you replied with a small hum, stretching your back before reaching to start putting things away.

Before you could even grab the first item, Megumi stepped into the kitchen, his sharp eyes narrowing slightly as he gently nudged you aside. “Go rest. I’ll put it ‘way,” he muttered, his voice low and rough around the edges, but without any real bite.

You blinked at him, caught off guard by the unexpected offer, but decided not to argue. Instead, you took a seat at the kitchen table, watching him move around the room. His movements were deliberate and efficient as he pulled items from the bags. He inspected each one carefully, as though weighing its importance before putting it into its proper place.

For a moment, you forgot the weight of everything else and simply watched. Megumi, for all his prickliness, had his own way of showing appreciation—even if he didn’t say it out loud. It was hard not to notice how much care he put into something so simple. He still reminded you of a grumpy old cat—aloof, guarded, but with moments of surprising thoughtfulness. There was something endearing about it, about him. A small giggle escaping you as the thought crossed your mind.

Megumi glanced over his shoulder, his sharp eyes narrowing in suspicion. “What’s so funny?” he asked, his tone flat, though the faint red at the tips of his ears betrayed his irritation.

“Nothing,” you replied with a light chuckle, a small smile playing on your lips. “Just thinking about how teenagers can be so stubborn sometimes.”

“Stubborn?” he repeated, his tone edged with skepticism. “I’m not stubborn. You’re acting like I’m some little kid or something.”

The amused smile tugging at your lips only grew as you tilted your head at him. “Well, aren’t you? Just a little bit, maybe?”

His scowl deepened, and the flush on his cheeks darkened, the faint hint of embarrassment making him look even more endearing. “I’m not a kid. I’m almost fourteen,” he muttered, his voice firm, though it teetered dangerously close to a pout.

You chuckled, unable to resist teasing him just a bit more. He was too cute when he got ruffled. “Fourteen, huh? Practically a grown-up. My bad.”

Megumi’s gaze darted away briefly before snapping back to you, his tone quieter but still holding a note of defiance. “You’re not that much older than me. You’re what? Sixteen?”

His words startled a laugh out of you, and you shook your head, unable to hide your amusement. “Sixteen? Try eighteen, Megumi. I’m officially an adult, thank you very much.”

His eyes widened slightly at the revelation before narrowing again, as if processing the information. “Eighteen?” he muttered under his breath, his skepticism clear. “You don’t look eighteen.”

Feigning offense, you straightened your posture. “Well, I am,” you said with mock indignation. “And as the adult here, I think I get to call you a kid.”

Megumi huffed, crossing his arms as the faint pink tint spread to his ears. “You don’t act like an adult,” he mumbled, quieter this time. “You’re more like a bossy older sister.”

That made you grin even wider. Was that supposed to be an insult? Because it only made him sound more adorable. “Bossy older sister, huh? I think I’ll take that as a compliment.”

He avoided your gaze, pretending to focus on folding one of the empty grocery bags. “Take it however you want,” he muttered, his tone clipped, though the slight twitch at the corner of his mouth betrayed his amusement.

“Well, thanks, I guess,” you said playfully. “But I’m still older than you, and that makes you the kid, like it or not.”

Megumi frowned but didn’t argue further. Instead, he busied himself with the counter, his lips pressed into a firm line. “I’m not a kid,” he mumbled again, though the conviction in his voice had softened.

You raised your hands in mock surrender, your tone kind and teasing. “Alright, alright. You’re not a kid. You’re a very mature almost-fourteen-year-old. Better?”

He didn’t respond right away, but the faint blush lingering on his cheeks gave him away. Turning his attention back to the counter, he muttered, “Whatever,” though the twitch at the corner of his mouth told you he wasn’t entirely annoyed.

You leaned back in your chair, watching him with a mix of fondness and curiosity. Megumi had a way of endearing himself without even realizing it. His insistence on not being treated like a kid, the way he tried to act older than he was—it was all so very… Megumi-esque. And you hadn't even know the kid for long. Not even a day.

“You know,” you said gently, breaking the silence, “you don’t have to rush to grow up so fast. Fourteen—or almost fourteen—is a good age to just… be.”

Megumi glanced at you, his sharp eyes narrowing slightly as if to challenge your words, but there was no real bite in his expression. “I’m not rushing anything,” he said after a pause, his tone quieter, more thoughtful. “I just don’t want to be treated like some helpless kid.”

Now that got your attention. You tilted your head, your smile softening. “I don’t think you’re helpless, Megumi. Not at all. I just think it’s okay to let people care about you sometimes. It doesn’t make you less grown-up.”

He didn’t reply, his gaze flickering back to the counter, but you could see the wheels turning in his head. And then there was the way he lingered. The groceries were already put away, yet he didn’t leave. He didn’t know why he stayed. Maybe he didn’t want to admit it. But his actions spoke louder than words ever could: maybe, just maybe, he didn’t mind you being there after all. Psycho-ex of his dads or otherwise.

While making dinner, Megumi hovered close to your elbows, his dark eyes following your every movement with quiet intensity. He didn’t say a word, but his focus was unwavering, soaking in every detail. Your cooking so far had been phenomenal. Enough to make the kid jealous. He wanted to learn, that much was clear—wanted to memorize the steps, the measurements, the little techniques you used. You had a sneaking suspicion it wasn’t just curiosity. 

His silence didn’t bother you. If anything, it gave you the perfect opportunity to chatter away, filling the room with a one-sided conversation that you hoped wasn’t entirely unwelcome. You explained every step meticulously, breaking it down like a cooking show. Megumi didn’t interrupt or huff at you. Instead, he absorbed it all like a sponge, his head tilting slightly when you mentioned something new.

“Toji must not be much of a cook,” you remarked at one point, glancing at him with a teasing smile. His lips twitched upward for the briefest moment, a ghost of a smile that made your chest tighten with warmth. Even when you explained the most basic things, like how to dice an onion properly, Megumi listened as though it were the most important lecture of his life.

The thought made you pause for a moment. It made sense—Megumi was still young, and cooking had always been considered a woman’s role in traditional clan life. And considering Toji’s seemingly chaotic lifestyle and the lack of a maternal figure, it was no wonder this felt new to him.

Still, the conversation flowed a little easier that evening. Each fleeting moment of ease melted your heart a little more. You were already developing a soft spot for the kid, despite his grumpy attitude. That much was obvious. You hadn’t had many interactions with children back at the clan estate—everything there had been too rigid, too suffocating for anything resembling normal relationships. So this, the tentative beginnings of friendship, felt… nice.

But even in those moments, there was still a frigid layer of distance he maintain between you two—a protective barrier he refused to let you pass. Distrusting, yes, but not beyond reach. He was still trying to figure you out, sizing you up, before deciding whether you were even worth the effort of trusting.

Why the hell was this kid so frosty? Was it Toji? The absence of a mother? Or something else entirely? You weren’t sure, but the guarded way Megumi carried himself—the abrasiveness, the defensive huffiness—stirred something in you.

You’d seen plenty of kids like him back in the clan house. Some were cold and indifferent, their walls impenetrable. Others carried arrogance like armor, wielding it to hide their insecurities. But the ones who stayed with you—the ones who truly stuck in your memory—were those too weak to defend themselves, cast aside for showing too much emotion. Beaten into shape. Megumi wasn’t like that, obviously. But the thought of him enduring anything similar made you feel...protective.

When you finally sat down to eat, the food turned out fantastic. Megumi, ever stoic, simply nodded in approval as he ate, but you caught the way his chopsticks moved a little faster than usual, and you couldn’t help but feel a surge of pride.

“Not bad, right?” you teased lightly, hoping to draw a reaction from him.

His eyes flicked up to meet yours for a fleeting second before he mumbled, “It’s good.” Another almost-smile.

It was your second day in and you were starting to feel like this wasn't such a bad arrangement.

p.3?

AN: Thank you for reading! Please reblog and like if you enjoy this series!

[silcoitus]

Hello! I think I'm doing this right but if not, I'm so sorry:

What do you think Silco would do if he found out, years later/during Act 2, that a fling he had when he was alot younger and dumber, resulted in him having a Son/Gender neutral child living in Piltover?

(how this is discovered can be completely up to you)

Would the angst of them being a Piltovian(?) citizen permanently leave their relationship undefined or would he push away his hatred of Piltover and try and meet them?

Better yet, how would Jinx react to this?

Just a bit of potential angst to spice things up I guess haha.

Thank you!

Thank you for this amazing prompt, anon! It's one of my favorite ones I've ever received! Why does writing angst soothe me? It doesn't make sense.

Summer's Ghost

Masterlist | AO3 link

Rating: Mature

Tags: Silco, original female character, original child character, angst, depression, reference to character death, character study

Word count: 2.7k

Beta reader: @juniper-sunny

Silco receives a curious letter from a Piltie boy claiming to be his son. Spurred by lingering bitterness and unresolved anger, Silco visits Topside for answers and to finally speak his mind to the woman who left him so many years ago.

Dear Mr. Silco,

I'm not exactly sure how even to begin this letter, so I’ll start with the part that is most relevant to you:

I am your son.

I know, I didn't believe it at first either. But if you keep reading, I can tell you how that happened.

My mother was a brilliant woman, born and raised here in Piltover. She was the top of her class and an artist. My grandparents tell me that, in her university days, she had a bit of a rebellious streak. She ran away from home to live in the Undercity. Over the course of a summer there, she met a man. And fell in love.

You probably know more about how the rest of this story goes than me.

After that summer, my mom had a change of heart. She returned home with a new bundle in tow: me. And while she never told me, I assume she left the Undercity in order to raise me here.

But you probably don’t care about all that. You just want to know why I’m writing to you. 

Well, first off: I'm not asking for money. My mom (and grandparents) provided for me and I have a comfortable life here in Piltover. 

I don't want anything from you. Not really. I wrote because… well… My mother died recently. It's actually how I found out about you. My birth was a closely guarded secret and it was only when I was cleaning her stuff out after her death that I learned. She had a box of things from her time with you: a diary, some photographs, a bracelet. I thought you might want them.

I don’t know what your relationship with my mother was like or how it ended, but this seemed like something she would want me to do. If I crossed a line, I’m sorry. 

I've attached her obituary. It has her final resting place. If you want to collect the box, I've left it on her grave. If you haven’t taken it by next week, I’ll assume you want nothing to do with it. And that’s okay, too.

Sincerely,

M.

P.S I also included a photo for proof. You can hold onto it. I already made myself a copy.

When finally Silco lifts his eyes from the letter, it's with slightly parted lips and inward curling eyebrows. Visions of memories long ago flick across his mind’s eye unbidden, released like water from a dam. 

Setting the letter down, he retrieves the other effects in the pneumatic tube. Fingers tremble as they pull out a small photograph. It's worn around the edges and the ink has faded significantly, but the image is unmistakable: it's him in his early twenties, standing next to the woman who left him.

He remembers that summer clearly, the memories vivid and the feelings so strong it could power a Hexgate. He remembers the late nights talking, the sound of her laugh, the way she was always sketching in her notebook. He remembers the first time they kissed, followed quickly by the first time they made love.

Silco’s lips press into a thin line, something bitter bubbling within him. 

He remembers his desperation when he ran through the Lanes, searching for her. He remembers how he couldn’t sleep for days, worried something had happened. That someone had taken her. Or worse. He remembers crying so hard that he could feel it in his teeth, his cheekbones feeling as if someone was pressing their thumbs to them with the aim of crushing them. He remembers drinking.

And drinking.

And drinking.

Drinking to cope.

Drinking to forget.

Drinking to wash down the bitter taste of the knowledge that he had let someone get so close to him so quickly, only for them to rip his heart out and slash it to pieces. And to add insult to injury—

My mother was a brilliant woman, born and raised here in Piltover.

He stares at that word again.

Piltover

Hand shaking violently, he picks up the pneumatic tube and hurls it across the room. It breaks on impact as it hits the office door, glass shards flying through the air.

Of course.

Who else could chew him up and spit him out? Who else but a Piltie? His home—his life—nothing more than a tourist attraction to her, a vacation away from her cushy, privileged life. 

How could he have been so blind?

How could he have been so stupid?

He can feel his heart rate rising, chest heaving as his breathing grows unsteady. Good eye fluttering closed, he puts one hand out, signaling himself to stop.

Slow down.

Breathe.

He takes one long inhale through his nose, holding it for a moment before blowing it out his mouth through pursed lips. When he opens his eyes, his jaw is set, decision made.

He snatches the letter, photo, and newspaper clipping off the desk, shoves them into his coat pocket, and walks out the door.

As far as final resting places go, this certainly is one of the more luxurious ones. Even in death, Topsiders can’t help but preen and self-aggrandize, if not with their bodies, their tombs. Each gravestone seems to be attempting to outdo the next, growing larger and more gaudy in size as Silco walks down the rows of graves. Subconsciously, his nostrils flare and his mouth twitches into a snarl.

When he finds her name among the dead, he’s surprised to see not a tombstone but rather a park bench. Constructed out of blue pearl granite and polished to a brilliant shine, her name, date of birth, and date of death are carved into the back. The soil around the bench looks freshly turned over and the carved letters barely have any dust or dirt accumulated in them. Studying the dates, it would seem M did not lie; she had died two weeks ago. 

And there—sitting on one end of the bench, waiting for him—is the box.

His chin lifts as his mismatched eyes scan his surroundings, looking over his shoulder, his ears alert and listening for any signs of other visitors. Certain no one is nearby or within eavesdropping distance, he turns his attention back to the bench.

He could just take the box and go. There’s no need for him to linger here. But as he stands staring at her name—carved with such finality into that unmoving stone—he can’t bring himself to leave.

And yet, it’s odd, addressing a bench. On his way over, he had envisioned himself spitting on a tombstone with great satisfaction. But now, as he’s faced with something as welcoming as a bench in a beautifully maintained cemetery, he feels stuck. Any anger that had been boiling in his abdomen before has simmered down, upended by the unexpected appearance of his former lover’s grave.

Reaching into his pocket, he retrieves the photograph. After propping it up on the bench, he addresses the woman who lies six feet underground. 

“You…” He can’t even bring himself to say her name, both hands balled into fists in his coat pockets. “You’ve been here this entire time.”

Both eyes roll as he realizes the error of his statement.

“Not here, but in Piltover.” He brings one hand up to pinch the bridge of his nose, good eye squeezed shut. “I searched for you for weeks. I didn’t sleep. I didn’t eat. I thought someone had taken you. I thought you had—”

Died.

Well.

It’s accurate now, isn’t it?

“Typical Topsider,” he spits out, one hand gesturing as if throwing something away, like the way she had thrown him away, “You come to my home, promising a bright and brilliant future, but all you do is leave destruction in your wake.”

He steps back, pulls his head back, and spits onto the freshly dug soil.

“Disgusting,” he snarls. “And to think, I had lov—”

He pauses, unable to finish the word.

He was young. He was ignorant. That was not love he felt for her. Nor adoration. That was infatuation; merely a young man’s naive idea of what love was.

What that was—it was Not Love.

Silco pulls his fingers through his hair, collecting himself.

“Why?” His hand curls into a fist again. His tone is bitter, full of anger, growing in volume. “I don’t care why you left; I know exactly why you left.” 

As he continues to speak, his concerns about being overheard are overcome by the thundering emotions swelling inside him, churning and bubbling after years of dormancy. “You didn’t want your son to grow up to be a street urchin like his sumprat father. No… all I want to know is…”

His next words are bellowed out, the sound coming from deep within his lungs, each word punctuated with a pregnant pause, as if he means to put his entire body into every syllable.

“Why. Didn’t. You. Tell. Me?”

There’s a flurry of wings as nearby birds take flight, spooked by the sudden noise. 

Silco’s good eye flutters closed again and he takes long, deep breaths, recentering himself. His hand comes up, forefinger pressing to his sternum. There’s a desperation to his voice now, a yearning. Mourning something he didn’t even know he had until a few hours ago.

“I had a right to know.” He opens his good eye, staring at the photograph. Staring at her. “He is my son. He is my blood. How could you have kept him from me for so many years?”

He gathers himself, eyes casting to the ground. 

He had so much more he wanted to say. Years of anguish, torment. But now that he’s here, he’s forgotten them all.

He feels empty.

Finally, he slumps down on the bench, next to the box. It remains untouched beside him. He sits with his shoulders sagging forward, both elbows resting on his knees, hands clasped together as his head hangs low. 

It’s quiet in the cemetery.

He turns his face toward the photograph, addressing the woman in it with a whisper of a voice. “All I wanted was for you to be okay. For you to live a good life.”  He lifts his head toward the great, open sky of the City of Progress, free from smoke and fissure gasses and ash. “And I suppose I got what I wanted.”

He hangs his head once more, speaking to the ground at his feet.

“You just did it without me.”

A stiff breeze blows through, tugging at his coat. He makes no move to bundle himself up further, letting the chill air surround him, seeping into his bones.

He sits.

And remembers.

After a few moments, he hears movement. Ears prickling and head whipping up, he spots a boy walking between some nearby tombstones. He looks to be a teenager, fifteen—maybe sixteen—years of age. The boy pauses at one of the graves, looking at it silently, his hands shoved into his pockets. After a moment, his eyes lift and meet Silco’s.

Silco meets his gaze, unblinking. The boy doesn’t seem at all fazed by Silco’s corrupted eye, giving him a small, polite nod. Silco nods in return before tearing his eyes away.

Ocean green and volcanic orange eyes pause on the small wooden box on the bench. 

Mahogany. Expertly crafted. Like the bench, it’s beautiful in its simplicity. Unbidden, Silco’s throat bobs as he reaches for the box and gingerly places it on his lap.

After taking a deep breath, he lifts the lid.

The first thing he sees is a bracelet. Black in color and made of thin strips of leather with small circular charms along the strings, it’s plain and modest. The surface of the leather looks almost brittle, worn around its edges from frequent use.

Underneath, there’s a stack of photos. Lifting them, he recognizes the first as one he had taken. The late woman stands laughing beside The Last Drop’s jukebox, Felicia grinning widely next to her. Vander can be seen in the corner, caught mid-sentence as he speaks with whom Silco can only assume is Benzo. Setting down that photo, Silco’s eyebrows lift when he sees the next one.

He doesn’t remember this photo being taken at all, which is curious given the fact he’s the one and only subject of the photo. Silco—sporting long hair tied back in a low bun—sits at the bar, pouring over his notebook. His right arm is wrapped in strips of off-white fabric and in his hand is a pencil, which hovers over the page, posed to write. 

Silco remembers this night.

It was the night Felicia told him and Vander she was pregnant with Violet. It was the night everything changed.

Funny, how the night he learns of one pregnancy happens to also be the night his lover leaves him because of hers.

He hums, continuing to study the photograph.

He had forgotten what he looked like at that age, so used to seeing his marred reflection in the mirror. So used to covering half of his face with foundation just to regain some semblance of normalcy.

Silco’s about to look through the rest of the box when he sees movement out of his periphery. Quickly, he shuts the box and looks up to see the boy from before, standing in front of him.

“Sorry,” he says, voice quiet. “I didn’t mean to startle you.”

“You didn’t,” Silco replies simply. His good eyebrow lifts in silent question.

“Is it okay if…” The boy gestures to the empty spot on the bench. 

Silco stands, hand offering the seat, the box neatly tucked under his arm.

“Oh, you didn’t have to leave,” the boy says, scooting over to leave some room. “I just wanted to sit for a little bit.”

Silco eyes him for a moment, then, against his better judgement, sits back down. The mahogany box feels heavy in his lap. The boy’s eyes look at it briefly before looking out into the rest of the cemetery.

The pair sit in silence, the only sound the rustle of the leaves as the wind rushes through the nearby trees. Silco’s hand covers the box, fingers idly smoothing over the carving of a rose on the lid.

He doesn’t know why he does it, compelled by a nagging curiosity, but Silco breaks the silence.

“Do you have family here?”

The boy nods. “My grandpa.”

Silco hums.

Silence falls between them again.

“Do you?” the boy asks, eyes lifting to meet Silco’s.

Silco’s lips press together, the tip of his chipped tooth catching the inside of his mouth a little.

“In a sense.”

The boy sighs. “At least it’s a pretty nice view.”

Silco follows his gaze.

“It is.”

“Well, except for that.” 

The boy points to a large tombstone made of porcelain with gold accents all along its edges. Every inch of it seems to be covered in some sort of design, painted in blue. But the patterns come across as less elegant and more like visual noise; the eye given nowhere to rest, the senses overwhelmed by all the complicated shapes and textures.

Laughing, the boy makes a retching noise. “It’s so ugly.”

Silco’s lips pull into a smirk, head tilting.

“There’s no accounting for taste.”

“Yup.”

The boy abruptly gets to his feet, seemingly satisfied. Turning to Silco, he puts his hand out in offering.

“I’m Marlow, by the way.”

“Marlow.” Silco takes his hand and shakes it. “Nice to meet you.”

The boy nods, seemingly out of words. After offering a small smile, he turns on his heel, heading for the gates.

Silco continues to sit on the bench, thumb rubbing absentmindedly on the box’s carvings. After a moment, his eyes widen and he reaches into his coat pocket for the letter, eyes darting down to the bottom.

M.

He looks up to find the boy has disappeared. He lets a short chuckle out of his nose as he shakes his head, rising to his feet.

After one final look at his ex-lover’s grave, he starts his trek back home.

He has a feeling this won’t be the last time he visits this cemetery.

And it won’t be the last he’s seen of that boy.

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[anonymousewrites]

Apple of My Eye Chapter Six

Harry Hook x Child of Snow White! Reader

Chapter Six: I'm Wishing

Summary: (Y/N) wants to find their love, and other loves are on the rocks.

A few months later…

            “So, for Cotillion, I’m thinking…dramatic,” said Evie, looking at (Y/N). She hummed as she circled (Y/N) on the pedestal. “Yes. Red instead of mostly blue, switch things up. Gold detailing…Yes. An elegant look with a bit of drama. What do you think?”

            “I think you always have the best concepts,” said (Y/N), smiling.

            “I need something that screams, ‘I’m here, look at me,’ ” said Evie dramatically.

            “You’re outdoing yourself for Cotillion,” said (Y/N), chuckling.

            Evie smiled. “Business has been good since the Coronation, but this is my biggest event so far. My designs have to be impeccable.”

            “And they will be,” said (Y/N). “You’re an amazing designer.”

            “And you’re an amazing consultant. I wouldn’t have half the contracts I did if you didn’t get so many royals and nobles in other kingdoms to request my work.” Evie smirked. “Competition for me means they raise the price without me having to.”

            “If they have the money to throw around, take it,” teased (Y/N).

            Evie had created an amazing design business, and with the connections Doug and (Y/N) had, they had been able to help her grow. Now, she had a line of customers out for weeks of events and a steady flow of income. Cotillion was the next grand event and the largest since Coronation since Mal would be announced to be an official Lady of the Court. Due to the increase in demand for outfits, (Y/N) was lucky to get in with Evie before she ran out of appointments (and time). However, they were her friend, so that gave them a helpful in.

            “But you get a discount,” said Evie.

            “Evie, I am happy to pay you—”

            “Nope,” said Evie. “Best friends do each other favors. I give you clothes, you look fabulous and show them off for me.”

            “You have Mal for that, too,” said (Y/N), grinning.

            “You two have different styles,” said Evie. She paused. “And I suppose I could use Doug, but he just doesn’t have your charisma.”

            (Y/N) giggled at the picture in their head. Doug would do anything for his girlfriend and had been her model hundreds of times by now, but it was true that they and Mal modelled a bit better than he did due to their confidence and attitude. (Doug pouted when Evie told him, but she gave him a kiss and he recovered well enough). When Doug had been a model, he had quickly decided all the eyes on him weren’t his thing. He just needed Evie to look at him with love—and she sure did.

            Evie held up swatches to (Y/N) and looked in the mirror, humming as she decided on the color and precise fabric. “I have your measurements already, and I have patterns, so I will have the fitting ready in a few days.”

            “You’re so dependable,” said (Y/N).

            Evie let out an exhausted sigh. “I try.” She stepped back, made a few notes in her sketchbook, and let (Y/N) step down from the podium.

            Doug opened the door to the studio where Evie set up shop. “Evie, you ready for lunch?”

            Evie brightened as she closed her sketchbook. “I am.” She glanced at (Y/N). “I’ll see you later for dinner?”

            “Of course. Have fun on your date~” (Y/N) waved playfully as Evie and Doug took each other’s hands and walked out of the room.

            (Y/N) left after them, locking the studio with their copy of the key. They walked out of Auradon Prep onto the grounds, smiling as they passed Mal and Ben. They waved, and the pair waved back from where they were escaping paparazzi and going to another diplomatic luncheon. Poor Mal gave a tired smile and held Ben’s hand tightly. (Y/N) smiled as they watched. At least Mal and her friends and Ben to support her through the change from VK to almost Lady of the Court. It wasn’t easy. And love made things easier.

            “(Y/N),” said Carlos, running up to (Y/N). “Can I have some help?”

            Speaking of love. “With Jane?” said (Y/N) knowingly.

            Carlos turned pink. “Is it that obvious?”

            “To everyone except you two,” said (Y/N), smiling.

            “I want to ask her to Cotillion,” said Carlos. “But I don’t know how.”

            “Be direct,” said (Y/N). “Jane is as oblivious as you are—”

            “Hey.”

            “—so you need to say what you mean outright,” said (Y/N). They laughed. “She’s also so busy right now that she has barely any bandwidth to think of subtext. Make sure she knows what you mean.”

            “But what if she rejects me?” said Carlos.

            “Then she does. But would you rather be true to your heart or not?” said (Y/N).

            “…I want to be true,” said Carlos.

            “Good,” said (Y/N). They smirked. “Besides, I think she’ll say yes.”

            Carlos’s smile widened. “You think so?”

            “Yeah,” said (Y/N).

            “Thanks, (Y/N),” said Carlos, grinning.

            “No problem,” said (Y/N). They were there to help. They wanted their friends to find love. Love was an incredible thing. Everyone deserved to experience it

l

            “Do you like it?” said Evie, pinning the skirts of the dress.

            “I love it,” said (Y/N), smiling at the dress in the mirror. Evie hadn’t finished the detailing or tailoring quite yet, but the basis and major work was finished. (Y/N) was ecstatic. “It’s beautiful, Evie.”

            “You’re the beautiful one,” said Evie, smiling. She grinned in the mirror. “Now, what I want to know is…has anyone asked you to Cotillion?”

            “No,” laughed (Y/N), shaking their head.

            “Hm, have you asked anyone?” asked Evie.

            “Still a no, Evie,” said (Y/N). “I’d tell you if there was someone I was interested in.”

            Evie tutted. “I hope so, it’s my duty as your best friend to know these things.”

            (Y/N) chuckled, but their smile felt a little heavier. “I still haven’t felt a spark with anyone, Evie. I don’t know.”

            “Hey.” Evie put her hands on (Y/N)’s shoulders. “There are people outside of Auradon Prep. Not everyone in the kingdom comes here for school. You’ll meet someone eventually. If anyone is going to find True Love, it’s you.” She smiled.

            “I hope so,” said (Y/N), smiling.

            “And until then, you have us, your friends, and your parents, your family,” said Evie. She hugged her friend. “And we love you, too.”

            (Y/N) laughed and hugged Evie back. “I know.”

l

            (Y/N) walked through the grounds of Auradon Prep, humming as they went. They didn’t really care where they were going; they just wanted to think. They knew they didn’t need love. They were fortunate enough to have a good life, good friends, good family, everything.

            However, (Y/N) wanted to find True Love. They watched their friends begin to find it, and (Y/N) wanted to feel that lightness, that warmth in their heart that their parents had always told them about.

            (Y/N) entered a clearing in the woods and gazed at the well sitting in the middle of it. They smiled slightly and walked to it. They sat down on the edge and gazed down. Their reflection peered back up at them, and they hummed.

            They remembered some old, playful advice their mother gave them. An older superstition—

(Y/N) “Make a wish into the wall, That’s all you have to do, And if you hear it echoing, Your wish will soon come true.”

            (Y/N) leaned over the well. With the sun shining down on them, they really fit the fairytale aesthetic in their red skirt, white blouse, and blue corset top. A yellow bow held their hair back. (Y/N) hummed and began their song.

(Y/N) “I’m wishing.” (Echo) “I’m wishing.” (Y/N) “For the one I love, To find me.” (Echo) “To find me.” (Y/N) “Today.” (Echo) “Today.”

            (Y/N) sighed and leaned back, looking up at the sky.

(Y/N) “I’m hoping.” (Echo) “I’m hoping.” (Y/N) “And I’m dreaming of, The fun things.” (Echo) “The fun things.” (Y/N) “They’ll say.” (Echo) “They’ll say.”

            (Y/N) hopped off the side of the well and danced around it, singing the whole time.

(Y/N) “Ha ha ha ha ha.” (Echo) “Ha ha ha ha ha.” (Y/N) “Ha ha ha ha ha.” (Echo) “Ha ha ha ha ha.” (Y/N) “Ha ha ha ha ha.” (Echo) “Ha ha ha ha ha.” ((Y/N) and Echo) “Ha ha ha ha ha ha ha ha ha.”

            (Y/N) stopped, leaning out over the well.

(Y/N) “I’m wishing.” (Echo) “I’m wishing.” (Y/N) “For the one I love, To find me.” (Echo) “To find me.” (Y/N) “Today.” (Echo) “Today.”

            The echo hovered in the air, and (Y/N) sighed as it petered out.

            “I’m wishing…” To find love.

l

            “(Y/N)!” Evie burst through their dorm door, and (Y/N) was glad Lizzie was out studying so she wouldn’t get freaked out. “Mal went back to the Isle.”

            “What?!” (Y/N) stood from their bed in alarm.

            Evie covered her mouth, nearly crying. “She’s gone.” She held up a letter and a familiar ring. “I don’t know what to do—I can’t believe she left—Why would she…?”

            “Hey, hey.” (Y/N) took Evie’s hands. “Let’s talk to the others, to Ben. We can figure out what to do. We can find out if Mal is alright, if she needs help, if this was a mistake, everything. Okay? We’ll help her, Evie. Together.”

            Evie let out a shaky breath. “Okay. Alright.”

l

            Glancing up from his deskwork, Ben smiled. “Evie, (Y/N).” He was glad that after such a stressful day he could see at least a few friendly faces. “Come on in.” His face fell as he saw their expressions.

            (Y/N) closed the door tightly as Evie stepped forward.

            “Mal’s gone back to the Isle,” said Evie. Ben’s eyes widened. She held out the letter, and Ben took it. “Ben…” She held out the ring.

            Ben’s voice quivered as he took it and read the letter. “ ‘I am so sorry…’ ” He crumbled it in his hand. “This is my fault,” he said. “This is my fault! I blew it. She’s been under so much pressure lately, and instead of being understanding, I just went all beast on her.” He straightened. “I have to go there and apologize. I have to go there and beg her to come back.”

            “You’ll never find her,” said Evie.

            “We have to try,” said (Y/N). “She deserves to know that we’re all here to help her if she comes back.” None of them had helped her like they should have. No one had seen just how badly she was coping with the pressure and how much she needed support. (Y/N) owed it to their friend to help her.

            “But you need to know the Isle and how it works, and—I have to go with you,” realized Evie.

            “Yes!” Ben paused. “I mean…Are you sure?”

            “Yeah.” Evie nodded firmly, bravely. “She’s my best friend. And we’ll bring the boys, too. There’s safety in numbers, and none of us are really too popular over there right now.”

            “Thank you,” said Ben.

            “But let’s get one thing straight,” said Evie. “You have to promise me that I won’t get stuck there again.”

            “Never,” said (Y/N). “We’d never leave you behind.”

            “I promise,” said Ben.

            “Alright,” said Evie, nodding.

            “And let’s get another thing straight,” said (Y/N). Ben and Evie looked at them. “I’m coming, too.”

            “What—No,” said Ben.

            “Mal’s my friend, too,” said (Y/N).

            “Okay,” said Evie. She smirked. “But neither of you are going dressed like that.”

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[musette22]

You know what annoys me when people say that Steve had no one in the modern world who remembered him from before except for Peggy is that it puts Peggy on a level of knowing Steve Rogers pre serum. And she didn't. She only knew him once he had been chosen by Dr. Erskine and even then only really paid attention once he became big.

She didn't even know him on the field in the way that the Howlies would have because she wasn't there, she wasn't a field soldier.

The people who really truly knew Steve would have been his and Bucky's friends in Brooklyn and Bucky's sisters. And something about giving that kind of importance to Peggy just annoys me. I understand what they're trying to say...that she was the only one from the past who was still around. But it just irks me, the way they frame it

Oh yeah, I completely agree. That rubs me the wrong way too, but then so do a lot of things about how a lot of fic/meta frames Steve’s relationship with Peggy. Her significance to Steve and Steve's story gets overstated aaaall the time imo. It was never that deep, honestly, and I'm not sure why so many people would act like it was, but hey.

But yeah, this particular thing irks me too. You're absolutely right that the way she knew him never ever came close to the way Bucky knew him, and I agree that even Bucky's sisters and the Howlies would have probably known Steve better than Peggy ever did. So wording it like that, saying she remembered him from before and thereby implying she knew Steve the way someone who's known him all his life would know him, makes no sense to me either tbh 🤷🏻‍♀️

[runawaycatwalker]

Part 31. Perfect Dichotomy (Midnight Rendezvous, Part A)

< First | < Previous | Next >

Description below the cut

Chat Noir attempts to sit on the rolling chair by Marinette’s computer, but Ladybug pulls his tail and points at the chaise lounge instead.

Ladybug: Over here.  We can sit on the chaise lounge together.

Chat Noir: Oh?  You want me to be closer?

Chat exaggeratedly sprawls out onto Ladybug’s lap, arching his back and flinging his arms above his head.  Ladybug looks down at him with a teasing grin.

Chat Noir: How about this close?

Ladybug: A cat lying on my lap, huh?  That sounds...

Ladybug scratches the top of Chat’s head as he grins with deep pleasure.

Ladybug: Purr-fect.

Chat turns over and hugs Ladybug’s shin while she gives Chat more head scritches and rubs his back.

Ladybug: So… wanna tell me what's got you so spooked about Mayura?

Chat Noir: She and Catwalker… talked.  About me.  She mentioned some things that not many people would know.

Flashback to “Glaciator”: Marinette and Chat Noir rest on the railing of the balcony and look at each other as the moon shines over the city.

Ladybug (voiceover): But Marinette knows?  I suppose you have visited her a fair bit.  It's not all that surprising that you've shared some personal things with her...

Chat looks up at Ladybug and holds his finger and thumb an inch apart.

Chat Noir: It’s a bit more complicated than that.  Though I suppose I am missing some key details...

Ladybug puts her fist on her chin in contemplation (Her other hand continues giving Chat scritches).

Ladybug: So Catwalker’s been hiding things from you too...?

Chat Noir: More like Mayura was being extra cryptic—or lying.  All I really know for sure is that she’s looking for me.

Ladybug: I still don't understand why she cares so much...

Chat holds his hands out in a self-satisfied ‘Oh well!’ gesture.  (Ladybug stops giving him scritches).

Chat Noir: I like getting on villains' nerves, what can I say? I'll just have to keep frustrating her in our little game of 'Cat and Mouse'.

Ladybug pulls out the pillow from under her leg and ‘bonks’ Chat Noir on the head with it as he tries to placate her with a large grin.

Ladybug: Why do you make it sound like you’ve been doing something really stupid?

Chat Noir: Just because my methods are ridiculous, it doesn’t mean they don’t work!

Ladybug: That is not reassuring.

Chat leans against the chaise lounge next to Ladybug, hands clasped.

Chat Noir: Don’t worry, LB.  I’ve got it handled. I think the bigger problem is what prompted you to bring me here.  Wanna tell me what's wrong?

Chat kneels a leg next to Ladybug and places one hand on her arm and the other on her back.

Ladybug: I'm not sure how to explain...

Chat Noir: Start anywhere.  I think I can keep up.

Ladybug closes her eyes and holds her head in her hands with an expression of longing.

Ladybug: It's... Catwalker.  He's too perfect.

Chat Noir: ...You lost me.

A series of flashbacks with events shown pretty much as they occurred:

Flashback to “Kuro Neko”: Catwalker peeks around the corner at Kuro Neko, while Ladybug leans forward, catching her breath.

Ladybug (voiceover): He notices things that I'm too blind to see.

Catwalker (flashback): If that was Chat Noir, don't you think he'd talk to you?

Flashback to Part 6: View of Catwalker and Ladybug from below as they travel across the sky.

Catwalker (flashback): I can’t rule that out, but… my gut says that’s not it.

Ladybug (voiceover): His instincts about akumas are much better than mine.

Flashback to “Kuro Neko”: Ladybug looks at Catwalker as they kneel on a rooftop.

Ladybug (voiceover): It's like he already knows the answer I need.

Catwalker (flashback): Cats sometimes eat grass, it helps them spit out their hairballs.

Flashback to Part 8: A close-up of Ladybug looking right next to a close-up of Catwalker looking left.

Catwalker (flashback): You still have a multitude of people who can help you.

Ladybug (voiceover): And he's just nudging me to think of it myself.

Flashback to Part 18: Ladybug, still falling, throws her yo-yo through one of the holes in the lower conical barrier.  In the cone above, Catwalker places his hand against its barrier.  Both barriers begin to disintegrate.

Ladybug (voiceover): He always finds the right moment to use his powers.

Catwalker (flashback): Cataclysm!

Flashback to Part 26: Ladybug uses her yo-yo to flee as Oni-Chan lunges towards her.  But behind Oni-Chan, Catwalker has backflipped into the room behind her, his finger touching the amok with his Cataclysm.

Ladybug (voiceover): But I just ruin the opportunities he gives me because I never expect him to live up to you.

Flashback to Part 15: Ladybug turns back to looking down at the city below.  Catwalker holds up a hand to offer a friendly suggestion.

Catwalker (flashback): If you’d like to talk about anything, I’d be happy to stay and listen.

Ladybug (voiceover): And even when I can't do anything, he still acts so unbelievably kind...

Flashback to “Kuro Neko”: Catwalker, illuminated by the moon, reaches his hand before him for Ladybug to hold.

Ladybug (voiceover): He's just so... perfect.

Catwalker (flashback): Now I want to take care of you.

Ladybug (voiceover): But then I learned the truth:

Another series of flashbacks, with events depicted slightly off from what actually happened and Catwalker showing more malice.

Flashback to Part 12: Catwalker almost pointedly looks towards Carapace, who looks away guiltily.

Ladybug (voiceover): He lies and bends the truth with ease.

Catwalker (flashback): We only assume Adrien wants to be found.

Flashback to Part 17: Catwalker looks down towards Ladybug, the hand in front of him leaning on one of the barriers between them.

Catwalker (flashback): If he was dead, no one would know.

Ladybug (voiceover): And his lies lead to people suffering.

Flashback to Part 19: Catwalker steps forward, his hands palm upward in front of him, trying to explain himself.

Ladybug (voiceover): He'll use his heroic duty as an excuse to hold back.

Catwalker (flashback): I can't be as lax as Chat Noir was.

Flashback to Part 14: Catwalker grabs the end of Rena’s flute and pulls up the phone screen. Embedded flashback bubble from Part 20: Alya looks away and rubs the back of her neck.

Alya (flashback): He stole my phone number from my flute.

Ladybug (voiceover): But he crosses boundaries he shouldn't with no excuse.

Flashback to “Kuro Neko”: Catwalker pauses as he leaves Ladybug to finish everything on her own.

Ladybug (voiceover): He pretends to do what I want.

Catwalker (flashback): I won't make another move.

Flashback to Part 28: Astrowalker, wrapped tightly in yo-yo string (even his wings have been folded in on themselves and bound), hangs upside-down as Cosmobug points angrily at his face.

Catwalker (flashback): I followed you in case I needed to stay in your way.

Ladybug (voiceover): But he goes rogue once I'm not watching.

Flashback to Part 8: Catwalker lays on his side next to Emilie, reaching away from her.  Embedded flashback bubble from Part 20: Marinette clenches her fists in front of her, looking haunted.

Ladybug (voiceover): I can only guess at what other awful things he's hidden beneath my nose.

Marinette (flashback): What if he used his powers on his mom?

Flashback to Part 4: Catwalker grins at Ladybug with perfect posture, his hands on his lap.

Ladybug (voiceover): His perfection is an illusion.

Catwalker (flashback): I considered what I needed in order to be your 'ideal' partner.

Ladybug (voiceover): And I don't know what prices were paid to uphold his illusion.

Flashbacks end. Chat Noir kneels next to Ladybug on the chaise lounge as they embrace.

Chat Noir: I'm sorry, m'Lady. It's unfair that you've had to go through all of this.  If Catwalker is so wrong... would it be better if I was your Chat Noir again?

Ladybug: I wish I could let you. But I can't let Mayura target you.  Even if you were careful, she'd probably go after your loved ones in retaliation.  I won't let that happen.

Chat Noir: Alright.  Then what's the best way for me to support you?

Ladybug: Tell me how to fix everything?  *sob* I'm sorry, I don't think there's anything you can do.

Chat Noir: You're underestimating me.  And I think that you're underestimating him.  You're right that he's not perfect.  But I do think he's trying to be good.

Ladybug: I wish I had your ability to believe in people.  But Catwalker is too good of a liar.  I can't really know if he cares about anyone.  But I have to keep him as my partner.  I just have no idea how.

Chat Noir stands and rubs his chin in thought as Ladybug looks on.

Chat Noir: What if... What if I showed you the truth about Catwalker?

Ladybug: The... 'truth'?  You don't mean his identity, do you?

Chat Noir: No, of course not.  But this could fundamentally change how you see him—you wouldn't even need his name to trust him again.

Chat smiles down and touches his chest with both hands.

Ladybug: I can't see how that's remotely possible.

Chat Noir: You trust me even though you don't know who I am, don’t you?

Ladybug: Because I know you.

Chat Noir: Because you got to know me.  And if you knew the truth, you could know him too.

Chat scratches his head sheepishly and holds up a finger.  Ladybug turns away with hands raised, exasperated.

Chat Noir: There's just one itty-bitty catch.

Ladybug: Of course there's a catch...

Chat looks away, rubbing his arm.

Chat Noir: If I share this with you...?  My identity would make it dangerously easy to figure out who he is.  And a part of me was kinda hoping that I could show you who I am tonight.

Ladybug’s eyes widen in astonishment.

Ladybug: You wanted to share identities?

Chat Noir: Just mine.  I know his identity, so I shouldn't risk learning yours too anytime soon.

Chat leans down to touch Ladybug’s shoulder and holds up his fist encouragingly.

Chat Noir: But if you want to be absolutely certain of Catwalker's loyalties?  To understand the person who is hiding behind the mask?  I'd need to keep my identity from you a little while longer.

Chat Noir raises both hands to offer two options.  Above his right hand is the image of Catwalker.  Above his left is the image of Adrien Agreste.

Chat Noir: But it’s your choice, Ladybug: Learn the underlying truth about your new partner?  Or learn the civilian identity of your old partner?

Below is the same image as above, only without text:

[taki118]

Kirishima and Other Women

Among the criticism and complaints of Raise Wa Tanin Ga Ii aka Yakuza Fiance the most common is about how Kirishima "cheats" but what if I were to tell you this aspect of him actually serves an important point within the narrative? Because it does, in fact it serves a few.

First and foremost this is common in the Yakuza subculture. The series is a bit of a send off to Yakuza subculture and media with references that tend to go over your head unless you are into it (most go over mine). This is no different. While this isn't as narratively important it is important to know overall, the series embraces all things Yakuza the good and the bad (unlike some other Yakuza series but that not a rant for here) And like it's implied pretty much all the guys in the series to it to some degree yes even Shoma. I only have some knowledge of this myself so I won't get into it but I would recommend looking into cause it is interesting and makes sense for the series to incorporate on some level due to this and it would feel wrong to not mention it.

Now lets go onto to something more meaty and kinda spoilery, so don't read (though I don't think it will ruin your enjoyment)

So these other women actually help to better understand Kirishima and his relationship/feelings towards Yoshino. One detail the anime leaves out is who these women are and they are women. All college age or older, and all some kind of working professional who has skills or connections Kirishima does not have. Remember Kirishima is not technically Yakuza so he does not have access to resources that actual members of the group have but because he is involved with that world still he has to find a way to make up for what he resources he lacks. The safest resource he has found over the years is women.

Just like how Yoshino unintentionally raises the ire of women, Kirishima does the same to men both intentionally and unintentionally. He has difficulty connecting with people which is a topic in and of itself, but because of this he has learnt how to gain connections on a superficial level so he only does so with those he can feel some control over or feel safer. AKA Women. Kirishima knows he's attractive, and he knows how easy it is to charm people but those had an ongoing connection with are those who understand it's a game and want something back.

It's all quid prop quo, he does something for them and so they in turn do something for him. FYI I'm pretty sure what he's getting out of it isn't psychical pleasure, information, connections and a safe house for sure but actual enjoyment from sex? Not likely again the anime doesn't show it very well but many manga readers have noted how disconnected Kirishima looks during these moments. (Which I will fully get to later) It's an exchange when Yoshino calls him gigolo she's not wrong, and there is a greater discussion to be had here about how early Kirishima started doing this and all the messy stuff that comes with it but because we don't have enough information on how that started I won't get into it. (and its a little off topic)

Overall all though this shows the audience that Kirishima has a kind of warped view of sex and intimacy, he views it as a resource he can use much like his fighting ability, to him it's the same thing. At least at the start.

When Tsubaki tells Kirishima that he is actually very easy to understand when she has Yoshino there to compare, I believe this was a hint the author was giving us. To understand Kirishima and how he really feels about Yoshino who just need to look at how he is with other women.

It is INCREDIBLY telling that the closest thing Kirishima has to an ex-girlfriend is Nao, because notice how that term is never used within the story by the pair as to what their relationship was. Nao calls Ozu an ex but not Kirishima, he's just a guy she had a fling with (with a weird age gap) even though she seems to care more about him than Ozu (another deep dive I'll probably do). Kirishima also never uses the term, he does note that he did like her to some degree more than likely a little more than the other women he has similar situationships with but it was still at its core transactional. They both wanted what the other could offer more than them as a person. (also just fucking for weeks isn't a relationship) Kirishima always keep everyone at a distance, keeps everything close to the vest, makes sure the situation is advantageous to him so he can't get screwed over, every single one. Except Yoshino.

You see it constantly in the series as Kirishima WANTS to connect with Yoshino. He wants to better understand and connect with her in ways he has never bothered to before. In fact you can argue that Kirishima is actually more emotionally unintelligent than Yoshino as he has such difficulty in understanding what Yoshino wants from him. He's so use to being fake, to acting the way women around him want him to be that it throws him through a loop that Yoshino doesn't want that. She forces him to be a person not a persona.

Because of that, like Tsubaki says, he is desperate to understand and connect with her unlike with the women who he is connected to in a superficial way. I know it weirdly upsets some viewers that these women "Know" Kirishima in a way Yoshino hasn't but they don't actually know him Yoshino does. People often conflate love and sex as being the same thing but its not, sometimes it overlaps (and like that should be the standard but its not). This series sort of forces you to confront that assumption, because the real moments of love are in the smaller things.

It's Kirishima helping Yoshino with her garden, its him trying to get her focus on him, its him talking to her about mundane things, its him seeking out the things she wants, its him telling her his birthday, and yes it's him sleeping with other women to keep her safe. A LOT of people don't realize this but it is right there in the text he only reconnected with Nao because it would make the situation in Osaka more advantageous for him to keep Yoshino safe. There is a very good likelihood that if the situation would 100% not get Yoshino involved that Kirishima would have just stayed out of it. (which like damn sucks for you Nao) In actuality Kirishima likely would have preferred just a normal trip to Osaka with Yoshino (even though the chaos does help him confirm his own feelings again) Kirishima wants to desperately to be connected to Yoshino in anyway he can but you don't see that in how he is with other women, and it's in seeing that you can see his authenticity.

For further reference to something I noted earlier look at how Kirishima looks in these scenes with women both during and after sex.

There's little to no actual emotion or care, he operates almost robotically like you see when he fights someone he doesn't really give a shit about. It is something he's doing cause he has to not cause he wants to. Now compare these reactions to how he reacts when he finds out he accidentally/unconsciously felt Yoshino up

It's this flurry of emotions you can't even fully quantify like he can't even fathom he really did that. Kind of a strange reaction to give to someone who has done way more for way longer, but it makes perfect sense if you remember love and sex are different. With these other women he didn't care, sex didn't mean anything they could have been anyone and in all honesty if he could get away with not doing it he'd probably prefer it. But he loves Yoshino so he actually cares, he is actually turned on, he actually feels something.

THAT is the point of the side women. Kirishima is very hard to understand his character is a mystery for a majority of the series (and to a degree still is) these women help to solve that mystery if you take the time to really look at what's happening and not get parasocially angry that he is "betraying" his love for her. In his mind he's not because love and sex are different, sex to him until Yoshino is just a tool, its one of the many things that Yoshino changes in him over the course of the series. Lets not forget that one of his side women actually makes him realize the situation with Yoshino isn't all that great (the scene is better in the manga) cause he doesn't have the emotional intelligence to realize that himself and is a catalyst for the two actually growing closer. Like I keep having to cut myself short cause I'll just go off on how wonderfully complicated and uncomplicated Kirishima is as a character, but this is an important aspect to understand and shouldn't just be written off as "He's a red flag".

These women give us insight into how Kirishima is Pre-Yoshino and shows us how far he's come Post-Yoshino, in a way that could not be done otherwise. So maybe it makes you uncomfy for a bit but it's not bad writing it serves a purpose that could not be done otherwise.

[alexanderwales]

I finished the rest of Save the Cat almost in a single sitting, not because it was particularly riveting, but because I had time to kill, so this pseudo-liveblog is at an end.

Chapter 6 and 7 are basically the same, collections of small tricks and tips. Neither of them are terribly helpful, and all the tricks have terrible shorthand names like "Pope in a Pool". There's very little in the way of any thematic cohesion to these bits of advice, and no grand theory of the Laws of Storytelling emerges, in spite of the laws being invoked a number of times.

The advice itself is, I think, generally good:

give the reader something to root for early on to kickstart investment

spice up exposition with something entertaining

only one kind of magic per plot

don't tell a story that requires too much setup

don't tell a story with too many moving parts

include a ticking clock

have character arcs

keep the scope limited to the characters we care about

make the hero proactive

show, don't tell

make the bad guy very bad

the plot should go faster the further in it goes

use the whole spectrum of emotion

make sure each character has a distinct voice

make sure desires are "primal"

give characters something that makes them stand out

I don't endorse this whole list, and I especially don't endorse the way that Blake Snyder talks about them or the examples that he gives. And if I endorsed the list, then I would include a lot of caveats, and some general principles of storytelling that should be followed, rather than these specific pieces of advice, which are all conditional. Like ... okay, here's an example:

Exposition is a broccoli that the audience doesn't want to eat. There are very different ways of dealing with this, but we can start with "minimize exposition" as the first "law" of storytelling, and from there, we have different strategies:

Spruce up the exposition, making it into a mini-story, delivered in an entertaining way, so that people aren't bored.

Run something alongside the exposition so that people aren't bored, like sight gags in a comedy or an action scene in a thriller.

Have the exposition delivered through implication and clues, rather than stated outright, like having a character limp rather than explaining to the audience that they were wounded in the war. This is show, don't tell, and it's harder than it seems.

But while Snyder lays out some of this advice, it's all in different sections even though it's dealing with the same fundamental problem, and I'm not sure that he really understands that. If he does understand it, then he's not making that clear for the reader.

My thesis is that to understand storytelling, you want to understand root issues and classes of solutions. I have not written a book on writing, nor do I think there's a market for that, nor do I think I'm qualified, but it's the kind of thing that I would strive to deliver. There are a lot of writing problems that are parallel to each other, and there are a lot of structural elements that are mirrors of each other, so why not try to put it all together that way?

But Snyder makes basically no attempt to put even very related problems together, it's just little bits of advice to gnaw at the most common problems, and ... maybe that's fine, but it felt lazy to me.

Chapter 8 was the final chapter, and was mostly about trying to sell screenplays. This was irrelevant to me, but kind of interesting, and also made me feel like Blake Snyder is a better marketer and salesman than a screenwriter, and also maybe just got lucky to be working at a time when scripts were getting huge bidding wars for no good reason. The efficient market hypothesis gets clowned on again, I guess.

I'll probably write up some overall thoughts, a short review: I think I am unsuited to liveblogging because I go long. But the even shorter version is that I think I picked up a few things that were interesting to think about, and while Blake Snyder is a hack, he's an entertaining writer.

[gothamite-rambler]

Damian meets Swamp Thing

Context: This is based on one of the canon's but I do like this one the most. Absorbing the memories of the dead person you think you are has always been a fascinating trope. Plus Damian wanting to help out villains he finds interesting is just heroic and sweet thing for him to do.

Alec (Swamp Thing): Hey, little dude. Awesome to meet a new Robin! I really love the representation. We need more diversity in the Bat League.

Batman: I have heroes of other races—wait, I’m going to stop there before I say something inappropriate.

Damian, dressed in his Robin suit, chuckled at his father's embarrassment.

Alec: It’s cool, Batman. I get you. You’re a cool hero, and you seem to take care of these kids. Ivy really likes one of them a lot.

Batman: I’m painfully aware of that.

Alec: I was thrown off by it too. Back to the little dude—Robin, I love this suit. Rock on, little dude!

Damian smiled, his head down. Batman cleared his throat to remind the young Robin to focus on why they were there. Robin nodded, preparing to speak.

Damian: Mr. Swamp Thing—

Alec (in a chill tone): You can call me Alec. Swamp Thing is what my enemies call me.

Damian (slightly surprised): Oh, so we're not enemies?

Alec: Nah, you’re friends with Ivy's girlfriend, and she’s pretty chill. Ivy seriously needed that kind of positive vibe.

Damian nodded with a prideful smile, then glanced at his father, subtly rubbing in that another villain liked him. Batman rolled his eyes and waved a hand for his son to hurry up.

Damian (to Alec): I agree, sir. This conversation is going well, and I hope not to offend you, but I was curious about one thing: Are you a former human turned into a swamp creature, or a sentient plant that has absorbed all of Alec's memories?

Damian placed his hands behind his back, waiting for an answer, while Batman heaved a heavy sigh, too embarrassed to speak.

Batman (to himself): I would've gotten to the point already.

Alec (surprised): Oh… wow. I haven’t been asked that in a long, long time.

Damian: Is it okay if I ask? Batman said it was wildly inappropriate and you'd "go berserk" if I asked that, and then I wouldn’t be able to ask any further questions. Right, Batman?!

Damian looked up at his father, who remained silent, covering his eyes in frustration and holding his head down.

Damian: I think that means yes. My apologies, Alec, I’m a curious child. I love to learn about criminals or former criminals such as yourself. I'm not going to judge you or anything.

Alec: You're okay, little Robin. I accepted what I am a long time ago. I couldn’t deal with humans, though; that’s why I live here, surrounded by the swampy foliage—meditating and stuff like that. My 'birth' is odd, to say the least. I’m a hundred percent plant, but I absorbed most of the original Alec's memories. The poor guy died in the explosion that created me, and his body sank deep into a swampy marsh. After going through an existential crisis, I searched for him and buried his body in a better spot.

Damian: Oh... that's quite the bittersweet origin story. It’s reassuring to see you’ve had good personal growth since then.

Batman (chiming in, exasperated tone): Robin, he killed so many people and almost created plant zombies.

Damian: And you invite Red Hood over for Thanksgiving; you have no room to talk.

Alec laughed, then sighed with a smile.

Alec: Yeah, don’t worry; I’m not doing anything evil anymore. I did some goon work for a few years and worked with Ivy, but I’m retired now. I enjoy spending my days chillaxing here, keeping my zen in check. Gotta make sure to avoid toxic outlets, you know?

Damian: I do. I'm not giving up my iPhone, but I get it. I'm glad you've reached that level of enlightenment; you can reject my offer. Thing is, I helped out Mr. Freeze and was wondering if you needed any assistance?

Alec smiled and shook his head.

Alec: While I appreciate you wanting to help, I'm good.

Damian: Hm, are you sure? I can do a lot, especially with my dad's money. Batman knows my dad; he can help, right, Batman?!

Batman (deadpan): Trust me, when I talk to your father, you’re going to be so grounded.

Damian (chuckling): Worth it.

Alec (crossing his arms): How about this? If I do need something from you guys, you'll be the first I contact.

Damian: That works. Here’s a phone to make it easier to reach me. It’s solar-powered, so there’s no need to charge it like a regular cell phone. It’s waterproof and gets reception in this bayou. My number is on there, along with Ivy's, Harley's, and Batman's.

Batman (angry): I told you not to involve me in this!

Damian (gritting his teeth): You know my rich father, so you're helping!

Batman: Okay, fine. I’m going to the car, and we’re having a talk when we drive home.

Batman walked off as Damian handed the phone to Alec. Alec took it with a genuine smile, surprised.

Alec: I have to say, I’m not too into these cell phones. They’re bad for the environment and the mind. But this seems like a pretty simple touchscreen. Thanks, kid.

Damian gave a thumbs up.

Damian: It’s what heroes do. All right, Batman is ready to go. See you around, Alec.

Damian put up the hood on his suit and walked off as Alec opened a music app on the phone.

Alec (smiling): Huh, the kid's not that bad.

[hyog-blog]

Fangs of Fortune (ep.03 - ep.05)

Oh god, where do I start? Everyone has become less stabby now, but mildly insulting each other seems to be the new form of flirting (between, like, everyone?). Okay, between the Zhuo Yichen - Zhu Yan - Wen Xiao trio for sure. I'm seeing you, guys, you don't have to be so obvious about it XD

That flirtatious contract-signing procedure with Wen Xiao, and Zhu Yan calling Yichen 'better than a dog', and Wen Xiao calling demons 'pets', and then Zhu Yan offering her to become one. I mean come on XD

"Here's some free demonic energy, so you can easily kill me later." Is this romantic or what? XD The kind of demonic romance this show seems to be excelling at. Manly healing handholding - check ✔

Also, Li Lun appears out of the darkness with the broodiness of an ex who was left behind by Zhu Yan after giving birth to the Wilderness after doing some powerful wibbly wobbly timey wimey demonic magic stuff (supposedly, he was ditched for a woman, now dead, who was supposedly killed by Li Lun, now imprisoned). And now the poor guy has to compete with yet another pretty woman and an even prettier young man.

I mean, Li Lun, brother, I get it, Zhu Yan is a babe, but killing off your ex's friends and lovers won't make him like you more, that's just not how things work. And judging by the fact that Li Lun got all chained up in some cave, he probably messed up badly. Killed the previous Bai Ze Goddess? Or did something equally un-cool.

Our gorgeous Zhu Yan is a walking and talking Red Flag, although, the kind you want to wrap around yourself and never let go. I mean, how do they manage to withstand his demonic charm? I seriously have no idea)))

Hou Minghao had a serious demonic glow-up. I loved him as a dragon in Back from the Brink (where he was equal parts cute and beautiful), but this regal demonic deity he's channeling here is just wow. Where did all that come from? And once again, it's paired with a decent amount of creepy-ish cuteness (like, it's slightly weird to call a many-thousand-year-old powerful demon lord cute, but he's also not not cute, you know what I mean? XD)

And god bless all the sponsors who made all these pretty fantasy fights possible (the post-production team, I'm looking at you). Also the quality of the picture is incredibly good - everything is so movie-like, I can't even imagine the budget that went into this. But I'm glad they had it!

The vibe of the show is so, ah XD I can't even say it's queer, but it kind of is? With a possibility of multiple polycules wherever you look (or maybe it's just me and my mind playing tricks, but I'm enjoying this to the fullest).

And the way Yichen sneezes every time someone (Zhu Yan especially) is talking about him XD So cute. Bai Jiu is hilarious - screaming like the girliest girl at every prospect of danger and fainting at the sight of dead bodies. The most believable 13-year-old in the history of cdrama)))

I'm loving all the characters so far and patiently waiting for the tragedy of the death of the previous Bai Ze goddess to fully unfold (Wen Xiao's memories hint at more upcoming drama with Zhu Yan).

[aidansplaguewind]

Hi @andreabaideas ! We don't know each other but I follow @mzannthropy and I just wanted to say I agree with everything you said about expressing one's opinions and not caring what others think of it. And yes, especially women. I'm a very opinionated woman and as a result I've been called so many awful things by men. I just don't understand why they can't handle us having a voice. I don't understand what's going on in the US right now and why men are so offended by women in power. I mean, don't get me wrong, I can explain it in ways like they're deeply insecure and their masculinity is incredibly fragile, and they're afraid women no longer need men for anything (including sex) and that, especially, terrifies them. But even knowing all of that, I still just don't understand it. So what if a woman doesn't need you, isn't it enough that one WANTS you? But I think the problem lies there. It means they actually have to TRY to get a woman to want them because the days of women having to get married to survive are mostly gone. And now they have to try to be better people, they have to try to hold an intelligent conversation, they have to try to have varied interests and hobbies etc. And frankly I think most men are lazy when you look at that way and they don't want to put forth the effort to earn our interest and desire.

Anywho...

@mzannthropy I think we discussed this before, about how when I first got into Sam earlier this year I noticed immediately that there was a lot of appreciation and attention on his roles on The Hunger Games, Daisy Jones, and ME Before You. I'm wondering though if these are, in fact, people that I would consider fairweather fans. Not used by exact definition but its the closest I can think of to describe it. It's people who only like a celebrity for like one or two roles and are more in love with the character than the actor. Usually those fans don't stick around once the fixation on said character wears off.

I admit, I'm not as huge a fan of Sam as you or @jesstasticvoyage are, because my heart will always belong to Aidan Gillen, but I do consider myself a genuine fan. I just enjoy watching Sam work. He's extremely talented, unbelievably so. I will also admit that he's a far better actor than Aidan. I can't really put into words what he brings to the screen. A passion for what he does, obviously, but more than that. He's simply fantastic. One of my favorite performances of his is Oswald Mosley in Peaky Blinders. He's despicable but Sam is such a pleasure to watch in that performance. As good looking as he is, he did so well, I still hated his guts as Oswald.

Billy Dunne is also a favorite, even though I know you have a lot of not great opinions on DJATS. I didn't read the book so I have nothing to compare it to, so I did enjoy it very much. I was just baffled at what all he did to achieve that performance. The weight loss, yes, and learning to play an instrument, learning to SING well, recording an entire album. That's dedication. And when he's on screen I 100% believe he is Billy Dunne.

I also really liked him in Their Finest. Devastated by the ending but I loved watching it. His performance in The Corrupted is notable as well because that character just seems so not like real life Sam but he pulled it off completely.

Anyway, I'm getting off my point, which was that I personally think if you only like an actor in one role, you can't really say you're a REAL fan of that actor. A fan of the character, sure, but how can one be a fan of the actor if they only like them in one thing? Or even just two things? Especially if you look at the characters in question. They're these McDreamy type characters written and cast to get the attention of young women and teenage girls. I don't want to sound like a gatekeeper but if you only like one role then you're a fan of the character.

Omg, I just made this post so long. Imma shut up now. I really do have too many opinions sometimes 😅

Sam Claflin and Holliday Grainger in ‘Any Human Heart’ (2010)