#i'm such a cliche

[minisugakoobies]

Have you ever seen this meme?

Tis Jay! Not his proudest moment considering before this elimination he told everyone not to cry.

He's a subtle menace. But still will shake up the Babygirl Bracket. Jungkook is not a fan of any of his competitors.

Jungkook needs to learn how to share, tbh. He's far too spoiled.

Jay plays the guitar?? Electric, no less?? My defenses are down 😫

[trisarahtops-sketches]

Sketch of Laika, Mars, Menya, & Yue from @laikascomet ! ✨☄️⭐

[sockich]

You think you can take me down twice?

BLUE EYE SAMURAI (2023)

[labgrownmeat]

[clowndensation]

pov you're roman roy, and you have a body that has reactions you can't control, and those reactions are pathetic and freakish and prove just how much you've gotten it wrong. you can't laugh, you can't talk, you can't even cry at your father's funeral without everyone seeing what a failure made flesh you are.

[dreamyluigi]

a brief moment of clarity

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[so-i-did-this-thing]

Someone just tagged one of my tweedy selfies with "dark academia is problematic" and I'm just dying over here, especially since I associate my look more with riding horses than archiving at the Mütter Museum.

Anyway, "vintage style, not vintage values."

[pachinkofish]

bro is not vibing right now everyone needs to chill

[meowingshojofanatic]

How it feels to work an AMV

[walkingstackofbooks]

"Are you happier? Now that the war is over?"

It had been meant as a serious question, but from the look on Kira's face, she hadn't caught onto that. "What sort of question is that, 'am I happier'?" she asked, laughing a little as she spoke. "Of course I am! Who isn't?"

Shrugging, Julian forced himself to smile back at her. "No, of course," he agreed. "Silly question."

His smile clearly hadn't been convincing: Kira's own smile had faded as she looked at him more closely, her eyebrows creasing into a frown.

"Have I done something to make you think I'm not?" she asked sharply. "Why wouldn't I be?"

"No-- no, nothing like that," Julian said hurriedly. "I mean, obviously Odo's gone now, and Keiko and the Chief, and Worf, and... and the Captain... But that-- That's different, isn't it, I guess. You can be sad and happy at the same time, right?"

He cringed, knowing that he hadn't quite managed to make sense there: years of practice had made him very good at recognising Kira's 'baffled' expression.

"All these years," said Kira, slowly shaking here head, "and I still don't understand you, sometimes. Of course I miss Odo, and the others -- and while we're at it, of course I'm still angry and-- and upset about the things that happened during the war..." She made a face, banging her fist lightly against the table. "Damn you, you know I'm no good with feelings, that's... there's a lot more there, besides," she added. "And I'm sure as hell not going into that right now...

"But if you're asking whether I'd rather be here, now, living without the threat of the Dominion or the Cardassians, knowing my friends are alive and safe -- and if they're not, at least being able to mourn them in peace, not having to make decisions that could get us all killed if it goes even slightly wrong... or if I'd rather be back there, in the war -- well. It's no contest, is it?"

"In theory, no, of course--"

"In theory?" Kira asked incredulously. "Julian, are you saying you were happier in the war?"

"No!" he exclaimed: that hadn't been what he'd meant at all. "The war was-- it was... Well, you couldn't be happy during the war, could you? Everything was too awful, it was impossible."

"A lot of the time, yeah," Kira said softly. "And that's gonna stick with us for a long time -- but they're only memories, now. We made it."

"We did," Julian said quietly, his eyes fixed on the table. "I just... I thought I'd be happier, I guess. Now that it's all over."

Kira reached forward, brushing her hand over his. "That's what this is all about?" she asked. "You aren't happy?"

"I never said I'm not," Julian objected hotly, looking back up at her -- but a sigh slipped out of him as he realised he didn't actually have an argument, and he shook his head, slumping back into his chair. Kira watched him, not saying anything.

"No, you're right," he admitted, pulling his arms across himself, almost too tight. "I know I'm supposed to be-- I know, after everything, it's so stupid... But, Nerys, I don't-- I don't think I am?"

Stopping to swallow the lump that had risen in his throat, he noticed he eyes had grown wet, which for some reason made him chuckle. "Isn't that silly?" he asked, leaning forward again. "We won the war, but I'm still not happy."

"No, Julian," Kira replied slowly. "I don't think that's silly at all. It's just... It's just very, very sad." She took a breath, reaching out to hold both his hands this time. "I'm sorry," she continued. "I didn't know."

"It's not your fault," he said, squeezing her hands tightly. "For a while, I just thought everyone else was pretending, too, so I just went along with it... And then I started to realise that no, you were all actually at least a little bit okay, and so I had to keep pretending, because happiness is so fragile and I didn't, you know, want to make anyone else feel bad just because I..."

He trailed off, shrugging a little. "I don't know, Nerys. I guess I just wanted to check that it wasn't just me, but it is just me, and now I've told you, and I'm sorry, I didn't mean to make you feel bad--"

"Julian, no," Kira interrupted. "Thank you for sharing this with me -- I'm glad you told me, okay?"

Ears growing hot, Julian ducked his head, not quite sure to do with the wave of emotion spilling over him. Now that he'd told her some of it, he kind of wanted to let everything out. Distractedly, he started tracing patterns on her hands, pushing into them with increasing intensity.

"It's just-- I'm just..." He stumbled over his words, struggling to give voice to the one thought that he'd been trying to ignore for months. "What if this is it for me? What if I'm like this forever? It's been years, Nerys--"

To his horror, his voice cracked, and he covered his mouth, trying to hold back the sobs that were threatening to burst out. Hoping that no-one else had noticed, he looked around the replimat; thankfully the other diners seemed more interested in their own conversations than in him and Kira.

"Would you like to go somewhere less public?" Kira asked. Not quite trusting himself to speak, he nodded, and together they left the replimat.

As they walked down the promenade and up to the habitat ring, Kira steered clear of their previous conversation, chatting about the station, her week, her latest grievance with Quark, and Julian was grateful for the respite. But as soon as they were sat down in her quarters, she turned to him with a most serious expression.

"It isn't right, you feeling like that, you know," she said. "I don't have the answers, I don't know how it gets better -- but we both know someone who would. You haven't tried telling Ezri any of this, have you?"

Julian's stomach tightened: Ezri was the last person he wanted to have this particular conversation with. "Oh, yes, because that would go so well," he retorted sarcastically. "Hi Ezri, I love you, but you don't make me happy. Don't worry, it's not you, I'm just unhappy most of the time. Most of the time? Yeah, it gets better when I'm around you, because then I just kind of feel... nothing. What an improvement!"

"Julian..." whispered Kira, but it was all coming out now and Julian couldn't make it stop. He rose from the sofa, starting to pace as he spoke.

"Did you ever make me happy? Maybe, sweetheart, but I'm not even certain of that. I might have been so desperate for anything even resembling happiness that I just deluded myself into thinking I was in love... Do I even love you? Who the fuck knows, Ezri. Is love even real, or did it die in the war along with every-fucking-thing else?"

His voice had risen louder than he'd intended, condemning him with every word it pushed forcefully into the air. He'd made Kira cry, he thought, but he couldn't quite be sure, his vision being clouded by his own mess of tears.

"How could I possibly tell her that?" he asked, sitting back down heavily, his voice dropping to a hollow whisper. "Kira, how the hell do I tell her that?"

"Come here," she said in way of a response, pulling him against her and holding him tightly, so that he could feel her lips move against his hair as she answered him. "I don't know," she was saying, "but you have to, Julian. I can be there with you if you want but, Prophets, Julian, you have to. How could you not?"

How could he not?

Julian closed his eyes and let himself fall apart against his friend, not even bothering to try to answer her. It was terrifying, after all this time, to finally allow someone to see how broken he really was, but he was far, far too tired to keep it in any longer.

[shevr]

yea we bnuuy move along

[t00thpasteface]

i only have eyes for Only One Bed

[refinedstorage]

heavy traffic

Nobody Wants to Die 2024

[paw-padss]

my humble christmas gift to you all! ^^

The snow softly blanketed the ground, and the wind blew strongly against the windows of your shared apartment. Usually you and your boyfriend were known for just staying inside together and being each other's company, playing games or watching movies while being cuddled up under each other. But it was Christmas Eve, and your closest friends had decided to invite both you and your boyfriend out for a little get-together at their house.

"Do we really have to go...?" He grumbled as he lazily slipped his arms through his jacket. While you definitely wouldn't describe yourself as the most sociable person in the world, the reason why you too had mostly stayed indoors wasn't because of you, but rather because your boyfriend was (in his own words) "not fit for social interaction."

"There's no point in whining; we'll only show our faces for an hour or two, and then we can come right back!" You said, giving your boyfriend an encouraging pat with your gloved hand.

"....Whatever." He said with a pout. After a few hours of protesting against this, it seems he had finally given up. You couldn't help but let a triumphant smirk sneak across your face as you watched the taller man dejectedly slip his hat over his head.

Placing your victory aside, you decide to take your scarf from the hook and delicately wrap it around your neck, tying it together with a stylish loop.

"Ready to go?"

"Just gimme a minute." He said as he reached for his matching scarf hanging on the other hook.

You hummed in acknowledgment as you watched him attempt to tie his scarf.

and then another attempt in which the scarf just seemed to get tangled within itself.

and then a third that left him flustered as he muttered frustratingly under his breath.

"Need some help?"

"Ya think?" He huffed sarcastically. You laughed lightheartedly as you watched his fingers continue to fumble around with the knot in his scarf before deciding to slip your gloves off and step forward.

"What's so funny?" he mumbled, his face flushing from embarrassment.

"The fact that you have the precision to full-combo the hardest tracks in your rhythm games but cant seem to wrap a scarf around your neck." You quipped as you gently arranged the ends of the scarf to hang off his shoulders.

He didn't seem to have a rebuttal to that other than another exaggerated sigh, so you kept going with the scarf, making sure to make one end slightly longer than the other. Then, in one swift motion you took the longer end and brought it around the shorter end to form a knot. Firmly adjusting it till you were satisfied with the look.

"Is it too tight?"

Your boyfriend seemed to look at you with awe, "How... did you do that?"

You shrugged your shoulders. "Practice, I suppose. Now are you ready to go?"

"Just one more thing."

He leaned down and placed his lips on the tip of your nose peeking out of your scarf and, with a touch light like a snowflake, gave it a little peck. It carried all the warm affection that he wasn't so great at putting into words, like an intimate Christmas gift.

"Merry Christmas."

You smiled and laughed heartily.

"Merry Christmas."

initially for gamer!danheng and gamer!kinch (which was a scrapped idea I've had since september) but it can be your favs <3 happy holidays!

[permanently-stressed]

"He told the moon and the stars 'I miss you too'" okay yeah sometimes shannon knows what she's doing