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#i'm struggling with this because i don't want
covetyou · 1 day
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tool time
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ao3 ⋆ main masterlist
pairing: Joel Miller x f!reader rating: Explicit (18+ only!) warnings: cock worship, self imposed denial, blue balls for all, that tool belt, pet names (darlin', baby), mentions of oral sex and p in v, very brief mention of alcohol, no/pre-outbreak TLOU, no use of y/n. word count: 3k summary: He was always there to pull you both back from the brink, though you weren't sure there was any saving you this time. And it was all because of something as simple as a tool belt.
A/N: it has been one year to the day (and almost to the minute) since I published sleepless in 2023. happy anniversary to the fic that started it all. thanks to all of you for sticking with me, and thanks to Joel Miller for always being That Man.
thank you to @sp00kymulderr and a conversation months ago at this point that inspired this fic 💛
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"Y'Starin'?"
You were. From the moment he walked in, actually.
Then, from the moment he slung that thing low around his hips this morning, you knew you were done for. Four weeks of pain and struggle, all for nothing.
The best laid plans, you guess, as you grunt back at him with a shrug.
It was on you, really. You were probably setting yourself up for failure the moment you had your first grownup sleepover with one Joel Miller. Sensible people don't do that to themselves. Not when they have rules to keep to. They may have been your own rules, but that was besides the point. Rules were rules, and you never did like breaking them.
Watching Joel move and shift, his bulge in his denim framed neatly by the leather of his work belt, you had a feeling breaking this particular rule wouldn't upset you for long.
Six weeks. That was the rule. Just two painful weeks away. Six weeks, and then you'd be free from this forced celibacy you'd put yourself into. It was a test for yourself more than anything - always too eager to throw yourself into intimacy with people who didn't care and, if you were being honest, with people who you didn't care about either. You figured if you wanted different, you'd have to make it different.
You just didn't account for the first man in your life after a months long dry spell to be Joel Miller.
From the day you said those words into his mouth - six weeks, give me six weeks and I'm all yours - he'd been all in. He told you he could wait as long as you needed, and from the moment he said it you believed him. The problem was, from the moment he said it, you also wanted to fuck him about it.
But you couldn't, because that was exactly the rule you were trying to keep to. No sex for six fucking weeks.
You weren't even sure why you picked six weeks in the first place. The exact whys of it all went out of your head the moment Joel committed to your stupid, self-imposed rule without question. Those reasons why grew further from you each and every week he calmly stopped your dates from going too far with a gruff don't wanna break your rules, baby.
Even when you were forced to stay the night after one too many drinks, or when a make-out session got too heated, there he was to pull you both back from the brink.
Though, you weren't sure there was any saving you this time.
And it was all because of something as simple as a tool belt.
You'd seen him in it before. It wasn't new. It was quite old, and worn, actually. Usually you'd simply see him throw it into the back seat of his truck, or onto his counter, or over his shoulder. On one occasion you'd caught him on his knees, belt strapped around his hips as he fixed up a broken cabinet in his garage.
It did the same to you then as it did now, but this time it was staying on and not being hastily discarded with an oh shit, I'm runnin' late.
Now, he stands and shifts his hips, legs crossed at the ankle, the bulge in his denim so perfectly framed you're sure the sight will be burned into your vision for ever.
"You're doing that on purpose."
Your eyes are looking through him. Fuck knows you can't look at him. Not right now, not when two billion reasons not to break your one rule couldn't hold you back from just doing it.
"Doin' what?" he asks in a voice so innocent you almost believe him. Until he shifts once again, hips rocking in your direction, the denim bunching between his legs over his soft bulge.
"Stop it, Joel."
"Stop doin' what?"
Maybe he doesn't have a clue what he's doing to you - what he's been doing to you every day for weeks. Maybe he's oblivious, or too innocent and pure and good to know just how ravenous you're feeling for him right this moment, or maybe he's hoping he isn't seeing the way you're looking at him, ready to devour him in one, so he stands some chance of getting to work on time.
Yes, you could be strong and ignore the way his hand engulfs the coffee mug he's drinking from - strong but delicate in a way you know it to be by how he lets his fingertips dance up and down your side in the dead of the night. You could look past how his eyes flick down your body, stood stiff and still as far away from him as you can get in your tiny little kitchen. You could even ignore the way he licks the dregs of coffee from his lips, swiping his hand across his chin as his cup clinks down on the counter.
But then, those strong, delicate hands find purchase on his belt, hooking through a loop you saw him tuck a hammer into that day in his garage, and - as though you hadn't decided from the moment he put the belt on his hips - the last crumbling ruins of your resolve crash to the ground.
"Fuck it."
"Darlin', you -"
You cut him off with a kiss - striding across the kitchen to grab him by the shirt before he could even realize what was happening.
"Shut up," you breath into his mouth, silencing him more with the pressure of your lips on his than with the words on your tongue.
Joel, still trying to be a gentleman, keeps his one hand planted on the counter, the other on his belt, white knuckle gripping as he tries to keep up with your frantic kisses. You bite and nip at his lips, the fire in your belly not letting up even though you're well aware neither of you have time for this. And, though his hands are still, he kisses back with a fire to match, setting the ruins of your rules ablaze right there on the kitchen floor.
But then you're gone, and he's chasing a mouth that's no longer there.
His eyes snap open just as you slip down his body, your hands releasing from his shirt to slide down the length of his torso as you descend.
"Darlin', I -"
"Shut up, Joel," you growl again as your knees collide with the kitchen tile. It's not comfortable, and it's certainly not romantic, but it's what you need, so you'll take it.
"Your rule, baby, I don't wanna -"
"Fuck my rule, Joel."
Your eyes drop from his to the belt in front of you, then lower still to the soft lump in worn denim. You'd only been this close in your dreams - and there had been a lot of them lately. Waking up wet and sticky between your legs after a Joel sleepover was something you were now well accustomed to. While the you of your dreams could make the man come in two seconds flat some nights, the real you - the one on their knees in their kitchen - didn't have a clue what got his blood pumping and his heart racing.
You press a lingering kiss to the front of his jeans anyway. Just to see, really. Then, by the way his eyes widen, pupils blowing black in his warm eyes, and his breath hitches, you have a feeling you won't have much trouble at all finding out what makes Joel Miller tick.
You chain together another kiss, and then another, and then another, pressing your soft lips to the rough denim as you listen to his ragged breaths.
"I -"
"Shut up."
You don't want him to speak. You don't want him to be sensible, or to stop you, not when you've already waited so long. Not when his cock is right in front of you, separated by nothing but a zipper and some fabric.
You press a firmer kiss to him, breathing deeply and letting your eyes slip closed as you inhale. He always smells so clean in the mornings, but this time it's mixed with something else. The soft scent of his laundry detergent is still there, but there's the earthy smell of his leather belt, just a few inches away from your face. It smells of wood and dust and metal - the fixtures and undoubtedly a few errant screws and nails dumped into the pockets and pouches accounting for the latter. Then there's something else too, as you take another breath, groaning against the denim that you nuzzle your face into, feeling him twitch beneath your cheek.
He likes this. If the stiffening lump beneath your lips, pressed against your nose, rubbed against your cheek is anything to go by, he likes this a lot. Who could blame the man, really. He'd waited as long as you had. Four weeks for you had been four weeks for him. Four weeks of you trying to break through his resolve, to crack him so he was to blame for your broken rule and not you. Four weeks of you edging closer and closer to his waistband each time you kissed on the couch. Four weeks of your hips shifting back into his crotch every night you went to sleep.
"You smell so good, Joel," you groan into his crotch, letting your head rest against his thigh as you sink lower on your knees. Your head feels floaty on your shoulders, and you wonder if he can feel the hot warmth of your breath against his cock through his jeans.
His thighs tense beneath your palms as you steady yourself on him. You should probably slow down, you think, but no sooner is the thought in your head when your fingers are already creeping up and up to stroke across the soft leather of his belt.
You want to pull it off and pull his jeans down and finally taste him. You want to leave it on, slung around his hips as it is, holding onto it to anchor yourself to him as he slides into you. You want to feel it slapping against your ass as he fucks you, face down into the mattress screaming his name.
Instead you pull, tugging his hips closer to your face. He grunts above you, shifting his own hips again as his cock swells in his pants, undoubtedly uncomfortable in the confines of his jeans. You want to take it out - you could take it out. You could see it for the first time right now, right here. You could taste it if you wanted to. You'd imagined it enough.
But you don't.
Even through your desperation, there were things you still wanted for that first time with Joel Miller. Fantasies of the belt, and the need you had for him right now couldn't sway you from that, at least.
You'd have him stripped bare, and you would be too. Hands and mouths and tongues would explore first. And then, when the desperation got too much to bear, he'd slip into you like he'd always belonged there, sliding down to the root and burrowing himself in you.
"I don't want you to do anything you'll regret, baby," he whispers, holding your hand against his thigh, stilling you for just a second.
You could sob at how good he is, even now as you try to ruin him on your knees.
"How could I regret this," you murmur, white hot heat radiating off his cock as it throbs right beneath your chin. "Please, Joel. Fuck my rule. I don't care. I just want you."
You watch as his resolve begins to crack, shattering first in his eyes as he spares a heated glance down at you between his legs.
"Fuck."
You begin in earnest then. Your hands that were stilled go back to kneading, pawing at his thighs, reaching round to grab a handful of his ass as you press kiss after kiss to his cock, dampening the fabric of his jeans with your saliva.
"Wanted it for so long," you breath. "Need it. Fuck, Joel."
You're babbling into his crotch. You know you are. You don't care. All you care is about the wet heat between your legs and the cock in front of you, swollen and desperate as you are wet and dripping. In this moment you're made for each other, your pussy desperately clenching around nothing, as he throbs, pulsating with each kiss you press to him.
He gasps suddenly and you're pulled out of your trance, looking up at him as a wet patch blooms on the front of his jeans.
"Baby, you can't -"
"Don't you want to?" you ask breathlessly. "Don't you want to know what it's like?"
"I do - jesus fuck - I do, we just don't got the time."
You groan into his crotch. He's right. Of course he is. Still, you don't stop. He can feel your breath hot on him through the denim, you're sure of it. You want - need - him to know how much you want him. You need him to carry it with him all damn day until he's aching and desperate and ready to fuck you the moment he sees you.
He's not looking down at you the next time you cast your eyes up. Instead his head is titled skyward and his jaw is open in a soft moan you can barely hear from the blood pumping in your ears. The hand that was on his belt has joined the other, gripping the counter, twitching as if itching to grab at you when you run your teeth over the now solid mass in his pants.
"I want you," you whisper. "Wanted you for weeks."
You let your hands take over, cascading up and down his strong thighs, scraping nails down and dragging delicate finger tips up. With one more kiss to the heavy weight at the front of his jeans, you bring your hand up to cup him, palming the heat between his legs and gasping at the feel of it.
He feels so heavy, and warm, and perfect in your hand.
"Fuck," you hiss, squeezing gently at his covered cock. "Joel."
"Unngh."
He's wrecked. If his breathing and the way he can't look down at you is anything to go by, he may be past the point of no return. It sends a thrill through you, ruining your clean panties even more as the realization strikes you.
You could make him come like this.
And you shouldn't. The sensible part of you knows that. You know he doesn't have anything else to change into, and you know that time is rapidly ticking away by the ache gradually throbbing in your knees.
But, you could - and that just makes to too hard to resist.
So, you continue on, pressing kisses to his cock, wishing desperately you could cradle the heft of his balls in your hand as you took his head into your mouth. Your teeth nip at his thighs, scrape gently across the sides of his bulge. And then, your tongue slips out from between your swollen lips, and you lick gently at the precum seeping through his jeans.
You moan. Whine, really. Whimper, if you were being really honest with yourself. The rough fabric on your tongue and the bitter salt of his precum on your tongue almost have you coming right there on the kitchen floor. You quiver instead, holding it back as you spread your legs, desperate for relief that you don't have time for.
"Fuck, baby, you're gonna make me -"
The vibration of his phone in his pocket, twinned with a harsh beep, startles both of you. You look around, confused for a moment, before Joel scrambles for his back pocket.
"Tommy, hey," he says, clearing his throat. Tommy's voice booms back down the receiver. He's outside. Sorry I'm late, he says, and you could laugh if you weren't so painfully turned on and wrecked from the few minutes you'd spent on your knees acquanting yourself with Joel's cock.
"Yep. Uh-huh. Be out in a sec. Sure."
There's nothing but silence and the sound of your breathing when he hangs up. You can't bring yourself to get up any more than he can bring himself to walk away.
"We gotta get goin'," Joel finally says, hearing an impatient beep of a car horn outside.
"Tonight," you say with certainty, still on your knees. "You're fucking me tonight, Joel."
He helps you up, fingers twitching as they hold your waist. You don't have time for what you both want. Even a kiss could turn into something neither of you could pull back from now. You move to the door, together and desperate and messy in ways neither of you can say out loud, because the clock is ticking.
"Joel," you say, holding back a smile as you walk to your car. "Might wanna check the front of your pants."
He looks down, his cock still hard and uncomfortable in the confines of his jeans. He'd hoped the short walk to the door would releave some of the pressure, but it doesn't. And then he sees it - the dark bloom of wet denim, evidence of the twin effort between you and his cock to ruin his day in the best possible way.
Joel shifts his tool belt, letting it sit lopsided on his hips. You can see by the look in his eye that he wants to push you up against your car and kiss you like he means it. You can see by the way his fingers grip that loop in his tool belt once more, holding onto it for dear life, biting at his inner cheek.
"Tonight," he growls, when he presses a chaste kiss to your cheek, before stalking away to the waiting shadow of Tommy's truck.
You watch the leather of his belt slap against the full meat of his ass with every step, and you smile. Just one more day - ten more hours - and the denial would be over, the belt would be off and you'd finally, finally, get what you so desperately wanted.
Fuck your rule.
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woso-dreamzzz · 2 days
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Read II
England Lionesses x Child!Reader
Mary Earps x Child!Reader
Summary: There's a reason you don't have sugar
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You hold reading lessons every day at camp because you want the rest of the England team to not be knuckleheads anymore and to prove Mikey from school wrong.
It's not easy to learn how to read so you know you need to come back to make sure everyone has been keeping up with their learning because that's what Mummy and Daddy do to you.
They started teaching you how to read very early so you were fairly advanced when you went to school.
You think Mikey's just jealous because you're a good reader and he's a bad one but, still, you want to make sure to prove him wrong.
Mary always says the best revenge is proving haters wrong. You don't know if Mikey's a hater but you'll assume he is because better safe than sorry.
You've done a good job at teaching everyone though because Maya, Millie T and Tooney all give you some sherbet sweets. They make your mouth go a little tingly when you try them but you like that feeling so the three of them keep feeding you more.
They're responsible for you while Mary's getting the last bit of treatment before you all get on the coach to go to the stadium. Usually, someone else is responsible for you but you did a quick reading lesson for Maya and Millie with Tooney as your assistant so they're supervising you before the journey.
You decide that you really like the sherbet straws they give you and Maya dares you to see how many you can finish before you have to go.
You don't count but it's definitely a lot.
Enough for you to feel super hyped when you're finally reunited with Mary. She's picked out a set of four seats with a table and she's already got your rucksack full of books open for you to pick from.
You're very advanced in your reading for such a young kid but even you struggle a little bit. Now that you've taught Mary to read, she can read very well from the books that are a bit too complicated for you right now so she's in charge of reading them to you as you drive to the pitch.
"Er..." You say as you look at the selection," That one."
"Alright," Mary says, cracking open the book and clearing her throat. She gets about halfway through before she notices how wiggly you're being. "Hey, rugrat, do you need the toilet?"
You frown. "No. Keep reading, Mary."
"Are you sure? I can take you."
"No, Mary. My book, please."
"Alright." Mary keeps reading but she's acutely aware of the way you keep wiggling in your seat.
You seem to think you're fine though. Or, at least, you don't think you need the toilet which is Mary's main worry.
"Okay," She says finally," Go and find someone to hang out with. I need to talk to Tooney."
You seem all too happy to scamper off, practically throwing yourself at Beth across the aisle.
"Tooney!" Mary snaps, interrupting the conversation she and Alessia are having.
"Jesus, Mary! You scared me there!"
"What did you give my sister?" Mary demands," She's never been like this before."
"Like what?"
"Like that!"
Mary points over to where you've decided it's a funny idea to crowd surf over the girls at the front, who are bouncing you a bit as they pass you off to the girls sitting behind them.
"She doesn't do that! She's also not wiggly on the bus! What did you give her?"
Tooney winces. "I gave her nothing!"
Mary narrows her eyes. "What did you let Millie and Maya give her?"
Tooney's eyes dart to them quickly before she clears her throat. "I've got the right to remain silent! Anything I say or do can be used against me in a court of-"
Mary's already moved off before Tooney can finish and she crosses the coach to confront the other two. "I'm not interested in excuses. Tell me what you've given my sister."
Her gaze is clearly intimidating because Maya and Millie fold instantly and Mary's on her way back to her seat, easily plucking you from someone's arms to set you back down next to her.
It seems most of the sugar rush has disappeared now but then another problem makes itself known.
The bus goes over a series of bumps and you make a little aborted movement forward.
Mary recognises the action and whips out a plastic bag. "Here, rugrat," She says," Let it out. Let it all out."
She rubs your back as you throw up. It takes a lot longer than usual to hurl up your guts and Mary narrows her eyes over the top of her seat to look at Millie and Maya.
This is all their fault, Mary knows it.
It's because of all of the sugar you've consumed that you've thrown up so bad and, as she ties the bag shut, Mary briefly contemplates throwing it at Millie and Maya.
"Juice, please," You say and Mary hands it to you," Sorry, Mary."
"It's okay," She says," It's not your fault. Do you want to continue your book?"
You nod, leaning against your sister, energy drained. "Yes, please."
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Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)
Long rambly post below the cut fyi
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Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.
Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.
Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.
Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.
It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.
The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.
It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).
I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.
Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.
I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.
Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.
You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.
Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.
Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!
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charlotteking23 · 1 day
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How To Make Your Girl Happy - MV1/33
Max Verstappen x reader
Summary: Once in awhile, the two of you like to go out at night without a special plan in mind and just do whatever you please. Just like tonight. It's going to be so much fun! Right?...
word count: 1.6K
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You hold the broken gold chain in your hand, crying your eyes out while Max kisses your other hand, trying to calm you down and drive straight at the same time:
"I'm gonna get you another one, Princess, OK?"
"But you gave this to me for our two-year anniversaarrryyyy," you bawl, upset like never before, looking for a tissue in your purse. "Oh, look, baby, a grenade, you suddenly stop your mourning, taking it out and showing it to him.
"I didn't even know I had it in here, you think it's expired?" you wipe your tears, smiling like nothing happened.
"I don't think they expire, liefje," he winks, working his charm on you.
Thank God she got distracted, Max thinks, pleased he avoided the catastrophe. Must be that...time of the month because you always get really emotional; he really doesn't want to deal with it but he has no choice.
"Oh, no!" you suddenly gasp, digging into your purse, and your bottom lip quivers on the verge of crying again. "Maxiiiieeeee, I'm out of my gum," you whimper, staring at him. "I want my gum!"
"Say no more, I will take care of it!" he quickly agrees, really struggling to keep his cool. If he can't keep his girl happy, then who will?! He yanks at the steering wheel, going over the curve, hitting two trash cans in the process, almost killing a cat and a pigeon.
He sees the gas station and since it's so late at night there are no customers. Perfect for what you need. The two of you rush inside and see the clerk freeze in shock when he recognizes the famous F1 driver.
"Look I need gum now!" Max scowled, while you went by the counter and started looking for your gum, and...
"Maxiiiieeee, they don't have strawberry flavor in the brand I like," you whine, feeling another wave of imminent tears strolling down your cheeks.
"What?! Why don't you have strawberry?!" Max raises his voice, alarmed.
"W-we run out s-sir," the clerk stutters, closing his eyes, thinking he was in front of the Max Verstappen. "We have strawberry in o-other brands..."
"I only like this brand!" you interrupt, snorting, wiping your nose with your sleeve while scratching your thigh.
Good gracious, she's such a classy woman, your boyfriend thinks, suddenly aroused, really wanting to bite you all over.
"She only likes this brand!!!!" Max repeats, getting out of his trance, and screaming at the poor guy that trembles like a leaf. "Why are you upsetting my girl, hm? Don't you know you should have that stuff on hand all the time?"
"S-s-sorry s-sir..."
"That's it were leaving this fuckin place", taking your hand and fastly walking back to the car. "Stop crying, Princess, we'll get your gum!" he promises, starting to drive again.
He feels so aggravated, but if he can't keep his girl happy, then who will?!
After a few miles, he notices a small, lonely convenience store and slams the brakes, sharply turning so he can park.
You both run inside, while you look through their stash and let out a scream when you see what you need.
You grab a paper bag and cram in all the strawberry-flavored gum you see in the brand you like and take one last package, wanting to open it when the date gets your attention.
"Maxiiiieeeee, this is expired," you complain, your quivering bottom lip making him lose it.
"Are you trying to kill my girl?!" he snaps at the man, outraged, mostly because he has to deal with you in this state after you leave the store.
"N-no, n-not at all, I-I don't know how it happened," the guy gulps, feeling he's going to faint soon seeing Mad Max.
"They're all expired, baaabyyy," you frantically go through your bag, tossing each little package one after the other.
"Are you trying to kill your customers?! What kind of place is this? You should be reported to the authorities! No princess, don't!" Max slaps your hand when you try to open the last package because you want your gum badly and it makes you more upset when you drop it.
"Let's go, Liefje, this damn city is trying to kill us tonight," he pants, backing out and you hold on to his shirt, following him outside like a lost puppy.
"Hold on, baby," you sniffle and taking a marker out of your purse, heading back to the store and Writing 'loser, and 'don't come here unless you want to be food poison' on the door, shouting at the clerk:
"This is for trying to kill people!", You start laughing, suddenly happy, heading back to your car.
"I don't want gum anymore, can we drive to our spot?" you sweetly ask, kissing his shoulder as he starts driving again.
shit, Max thinks. Why? Because you usually go to your secret spot on top of the hill to have sex. Since you are...not able to for now, it only means one thing: you will want to cuddle and talk.
Your boyfriend takes a deep breath, pretending he's not panicking. But if he can't keep his girl happy, then who will?!
Once you get there, you crawl on the hood with him, placing yourself in between his legs so he can hold your waist from behind.
"Ahhh, this is so nice, isn't it Maxie?" you giggle, putting your hands on top of his. Max is tense but doesn't want to show it. "Wow, a falling star! Make a wish!" you get all excited, clapping and he sighs, bored. "Did you make a wish? What did you wish for?" you turn your head so you can see him
"For Goddamm Monaco to have your stupid gum!" he grumbles, rolling his eyes.
"No way! Me too!" you get on your knees, turning so you can face him. "What were the odds, baby?" You smile so brightly that his sassiness goes down a notch. "You really love me, don't you?" you bite your lip.
"Yeap," his short answer comes and you don't give up.
"How much?"
"Ummm, a lot," he quietly mumbles, uncomfortable, wishing you would change the subject.
"Really?!" you kiss him, astounded. "AWWW that's so sweet," you get all teary and sentimental.
The things he has to go through to please you. But if he can't keep his girl happy, then who will?!
"Dadddyyyy," you trace his biceps, batting your lashes at him.
Oh, hell no, Max thinks. You only call him Daddy in bed (which is not the case here) or when you want something he wouldn't agree with, which is probably the case.
"Yes, liefje?" he tilts his head, waiting to hear what else it's going to come out of your mouth next.
"I think we should have a baby, or two or three, but at least two, yes?" you blur out, enthusiastic to the maximum and he starts getting flustered, not expecting such a twist.
"I don't think so, liefje," Max utters with such determination you start bawling instantly.
"Why nooootttt?" you wail, sobbing with your face on his neck like he's been dead for three months or so. "You think I'm ugly?!"
His hands start caressing your back, trying to soothe you.
"I don't think you're ugly, I think you are a pretty princess," he says, being sincere. "You look beautiful, don't worry," he pets your hair and you wipe your tears, grinning at him. if he can't keep his girl happy, then who will?!
"So let's have kids then," you switch to your original plan, hoping for a positive outcome.
"No...I really don't want to..." he makes a comeback, stubborn and determined not to give in.
You gasp so loud it startles him: "Are you...are you having an affair?"
"What' ?! No, I'm not having an affair," he immediately defends himself, irked you would think something like that.
"Oh my God, you're cheating on me, aren't you?" The crying starts again and you weep on his chest, soiling his favorite redbull shirt with tears and makeup.
"Is she prettier, more beautiful looking than me? You wanna have kids with her and not with me?" you clench your fists on the fabric, heartbroken.
Dammit, why do you have to get like this every month? Max thinks, irritated.
"I'm not having an affair, OK?" he lifts your chin up so he can look you in the eyes. "Stop crying, Now", He requests pissed and you gulp, suddenly holding your breath so you won't make a sound you feel you need air and he watches quite amused at how you struggle to hold your breath, afraid to move. After a few good seconds, you give up and start breathing again.
"I'm not crying anymore, all right?" you kiss him, and since you don't have any tissue, you wipe your nose with your sleeve again and he gropes you,
"I love classy girls; you're so classy princess, " he charges at your cleavage, not being able to control himself anymore.
You snicker, straddling his lap, and just have to say it:
"Maxiiieeee, come on, let's have a baby, or two or three, pleaseeee," you pull his hair and scream when he bites your skin. "Unless you really think I'm ugly," your bottom lip quivers once more, your happiness going downhill as fast as his enthusiasm for the subject.
When he sees the tears rolling down your face he has to get it together with all he's got to muster the words:
"Fine, we'll have a baby," he bitterly mumbles, distressed.
If he can't keep his girl happy, then who will?!
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tarotofhope · 1 day
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PAC: 【What do your parents think about you & Why ?】
(Please Read My Pinned post *IMPORTANT NOTE* before selecting a Pile)
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Pick an Image by meditating and selecting the image you feel called to. You can be attracted towards more than 1 image. If you are not able to select maybe this reading isn't for you.
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𖨆 Pile 1
Cards: Death, 3 of Wands, 6 of Swords, 8 of Cups, Strength, Queen of Wands, 4 of Cups, The World, 9 of Wands.
Welcome to your reading, Pile 1. There's a lot of heavy energy in this pile because there are two 8s in the cards. For some of the audience reading this pile, Either, both of your parents/one of your parents could have passed away when you were very young and you had to live with your relatives or in foster homes. For some of you, even if your parents were alive, they could've been so busy that they left you under the care of other people most of your childhood and teen age. For the remaining audience, I'm getting that even if both of your parents were alive and not so busy, they were very over-protective, over-bearing and strict, so you never opened up to them, you kept your thoughts to yourself and they never got to know you very well. All in all, whoever took your custody, didn't do their job well. You got sick and tired of them, and you've always been looking for a listening ear and comfort in the outside world. You've been waiting for someone to truly understand you and love your soul, someone who doesn't tie you up(not in a literal sense, iykyk) just because they're concerned about your safety, someone who respects your right to freedom. You might have left your guardian/parents behind and went out on your own journey to discover yourself, embracing your independence. It took a lot of courage and strength to do this, but you did it anyway. You might have faced a few major ups and downs in your life as a result of which you became mature much faster than your peers. You're much stronger now and you'll continue to be so. Your journey is from hardships to finally becoming The Queen of Wands. You might have good judgement of people and their intentions. Your parents/guardian might say that they were protecting you from harm all this time, that's why they were strict with you, they want your best and so on..but in reality, you know that wasn't required, what they actually did was messed you up. For some of you, they could be keeping you from going far away from them, because now they expect you to take care of them. They're not allowing you to grow and be your own person. Now, see, people from different countries will have different outlook on this. Indeed, old people need care but keeping a young person trapped and not letting them have a life of their own is not right. Raising children with the intention of getting something in return during oldage, is outright selfish.
That's all I got for you, my dear Pile 1.
Love, light, peace and hope to you..🌸🍁🌻🌼
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𖨆 Pile 2
Cards: The Hierophant, The King of Pentacles, The Sun, 8 of Wands Rev. clarified by The World, The Fool clarified by Ace of Pentacles, Ace of Cups clarified by 2 of Pentacles, Queen of Swords.
Welcome to your reading, Pile 2. You guys along with pile 1 are my brave and bold people, I must say. Great leadership qualities you've got. Even your parents think so. They just think that you don't realize this, they think that you're not aware of your full potential and you're not quite out there as you should be in order to become a successful person. They think you're also very demanding of them and you don't understand the value of money. They also know that you're religious or traditional in a way but you make your own rules when it comes to you. They know you'd do very well when you'll be in a position to lead a group of people. I can see 2 scenarios here, few of you could themselves be facing a hard time in love, struggling a lot, while others of you could be giving a hard time to people who are in love with you/romantically interested in you, such as rejecting proposals, having commitment issues, intentionally or unintentionally breaking other people's heart. You are more ambitious and goal oriented and interested in focusing on your career rather than love. Your parents can sense this, whether you talk about these issues or not. You seem like a very practical and rational person to your parents and so you're not verbal about how much you love them, you're a person of actions. Your love language could be acts of service or gift giving. They also think that you believe in yourself so much that nobody can bring you down. Yet there is this issue that you somehow do not realize the amount of power you hold, that you have the ability to achieve big things in life. Your parents already see you as the King of Pentacles, The Hierophant, but they think you're not working up to it whether they've ever said this to you or not.
That's all I got for you, my dear Pile 2.
Love, light, peace and hope to you..🌸🍁🌻🌼
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𖨆 Pile 3
Cards: 3 of Pentacles, Temperance, 2 of Swords clarified by The Moon, 4 of Wands, 2 of Wands, 3 of Wands, Ace of Swords, High Priestess, Queen of Pentacles.
Welcome to your reading, Pile 3. Your parents think that you're very mature and you can also give good advice to people. They think you're quite sensible and philosophically, you're very open minded but when it comes to being sure of your own life, you get very confused. You might be torn between choosing your career and settling down. You don't know how to balance both. You're confused about what could come upon you if you do both the things. Currently, you could be more focused on your career, you might be wanting to achieve stability in your career first or you have a set target of achieving something specific in regards to your professional life. As far as your love life is concerned, whatever your relationship status might be, you seem heavily confused because you're afraid that your love life might interfere with your professional life. Your parents are very concerned about this because they want you to have more clarity in life and they want you to arrive at a proper conclusion. They might be trying to give you advice on this, but you're still confused and want to be left alone to decide for yourself on such significant matters of your life. Some of you might be into long distance relationships and so you're even more confused while some of you want to travel abroad for work and settle there. A few of you might even be waiting for your visa or if you're already abroad, you might be waiting for your citizenship. I'm also seeing lot of arguments here, between you and your parents. Your parents might be traditional and they might want you to have a traditional approach to life too. They want you to become responsible in life. You might want to travel the world or enjoy your life your way no matter how messed up it may look like to others. You don't want to have regrets later on in life. Your parents think you're not clear-headed though you seem so put together, they think you're so much internally balanced but you're not using your inner guidance in this matter.
That's all I got for you, my dear Pile 3.
Love, light, peace and hope to you..🌸🍁🌻🌼
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𖨆 Pile 4
Cards: 9 of Cups, Page of Pentacles, The Hierophant, Queen of Pentacles, 9 of Pentacles clarified by Justice, The Sun, The Tower, King of Cups, 8 of Pentacles and 4 of Cups.
Welcome to your reading, Pile 4. Your parents think you're very lazy. You could belong to an upper middle class family or a financially well off family. They think you've been fortunate enough to have everything you demand available to you within no time. They think they've spoiled you but they still love you so much. Some of you could be an only child. Some of you could've started your own business or joined your family business. They know you're someone who wouldn't like to work under anyone, you would want your own thing. Your parents know that you're very talented but you don't do anything about it or you don't extract the full advantage out of it. They believe you can show the world how talented you are, that you are your own individual person, unique and full of potential despite coming from a wealthy family. They don't want the world to tell you later on that you didn't achieve anything on your own. You could have also inherited a lot of ancestral property or wealth. You want to continue having this kind of life in your future too but you're not working hard enough for it. You might also be very young at heart or very childish. You like to be spoon fed or you want others to do your work for you. Your parents might also have this fear that, if you don't learn your lessons by yourself, life will find out other ways to teach you and then that would put you in a tough situation and you wouldn't like it, you might have to learn the hard way then. That's why they want you to work hard for yourself and your future. You might also have too many friends, too many people who might not even be your well wishers. Your parents(even your guides) want you to choose wisely. You need to focus on yourself and that can be done only when you'll be in solitude. You need to observe more and be more connected with yourself.
That's all I got for you, my dear Pile 4.
Love, light, peace and hope to you..🌸🍁🌻🌼
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𖨆 Pile 5
Cards: Justice, 4 of Swords, 4 of Cups, The Hanged Man, 6 of Pentacles, 4 of Pentacles, The Empress, 9 of Cups Rev, The Tower and The Emperor.
Welcome to your reading, Pile 5. Your parents think that you're unbiased and fair. You don't do things to show off or to impress anyone. You'll let people hate you for the things you do, which you think is right in your heart. Even your parents could be a little irked by how you defend yourself and others because they think you're arguing when you're just putting your point across. They think you're the quiet, calm and lonely child of your house. You not only like your solitude but you thrive in it. You function best when you're left alone, they think. They know you're also the one who hates conflicts but would start a fight if you're being wronged. They also think you're emotionally very sensitive and would go out of your way to help others. Your parents also want you to let go of the past and the things that hurt you, because you get yourself stuck in the sorrow and hurt and then you just don't budge, you don't move on. It takes a lot for you to get out of an emotional turmoil. They like how you're happy with your own self but they also want you to get out of your comfort zone and be out there more, make friends, talk more, socialize more. Maybe you have a very few friends or no friends at all. They think you'll succeed in your life if you go out and travel more because they think you also lack confidence and boldness. They think you're also very protective of them, very caring and family oriented. They want you to become strong because you might have faced a lot of difficulties earlier and you still appear very naive and weak to them(for a few of you, your parents or others might even tease you for appearing naive and weak) but I think you have a lot of inner strength, pile 5, which the world doesn't see. They think you're the disciplined and obedient child. They know you'll stick to them in tough times but some of your parents might even be taking advantage of you. They also think that you're not smart and clever enough to understand tricky situations/people, you may or may not be so.
That's all I got for you, my dear Pile 5.
Love, light, peace and hope to you..🌸🍁🌻🌼
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Thank you so much for being here. I post PAC readings every Tuesday and Friday. Do love and support by reblogging, liking or following.
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3hks · 2 days
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How to Write the "Black Cat" Character
A trope that's becoming increasingly popular right now is the "Black Cat and Golden Retriever" dynamic! And with good reason: their opposition in character makes such a cute and fun relationship! So today, let's explore the "Black Cat" character and how to write them!
OVERVIEW
The Black Cat is known to be introverted and can seem harsh at times; they tend to avoid people and might not talk a lot. They also dislike showing vulnerability or sensitivity, which results in their genuine emotions getting concealed more often than not. In general, they aren't great at dealing with other people.
DIALOGUE
In general, the "Black Cat" is not known for making a lot of friends and getting along with everyone. One of the main reasons for this is because of their communication, which we'll explore!
**SUBTEXT**
Like I said, this character archetype is not honest about their true feelings towards people. When talking, they have a tendency to avoid or lie about the topics they may find sensitive or don't want to share. Thus, their dialogue isn't all that reliable.
So instead, subtext is the key to portraying their emotions.
They could lie and say, "I'm not scared", but their tenseness and darting eyes betray their words, offering the truth without speaking. Those actions are the subtext.
This creates a contrast between their words and their actions, forming a more dimensional person! I'm not saying that they're dishonest all the time, but they will absolutely make something up if they have to, which makes communication with them just that much harder.
**SPEECH PATTERNS**
Everyone has their distinct speech patterns, and this trope is no different! The "Black Cat" is concise and terse with their speech. They're the type to respond with short, curt answers, which makes holding a conversation difficult because they don't feel the need to butter up their words. As a result, they can be quite blunt.
Obviously, that can pose a problem.
Additionally, more often than not, they're unaware of their ruthless honesty and/or struggle to understand why it could hurt someone.
On the other hand, they may say stuff they do not mean (much like word vomit), which can also be hurtful.
Tone-wise, they tend to have a blanker manner of speaking. Not necessarily in an emotionless way, but they speak more to get their point across than to express their emotions. So naturally, their tone is more consistently calm (or even cold) and involves less emotion.
Lastly, there's vocabulary. These characters are unlikely to use slang and generally don't stutter. They might have a richer vocabulary but also may not show it off when talking.
PERSONALITY
Let's break down some of the standard characteristics of this trope!
**FLAWS**
Blunt
Stubborn (Unwilling to accept help)
Closed off
Lack of communication skills
Struggles with empathy
Sometimes (unnecessarily) mean
Cold/Apathetic
**VIRTUES**
Intelligent
Analytical
Unbiased (Unless it the "Golden Retriever" is involved)
Highly skilled (Or a wide range)
Independent
Responsible
**GENERALIZED TROPES**
Tsundere
Apathetic
Mean/Cold
This is just a quick overview of their characters as a whole; the tsundere generally is softer compared to the other two. Although they act disinterested, they care deep down. On the other hand, an apathetic is one that strongly lacks empathy and emotions. They typically don't care about anything and may or may not be mean--it's up to you! And finally, there's the mean/cold type. Obviously, they have more hostile tendencies but sometimes it's a defense system in which they have no control over.
If you can't tell, this archetype is introverted with a more neutral temperament (it depends on how you write them, but the point is that they aren't all sparkles and butterflies). Most of their struggle consists of connecting with other people and building on that relationship. Normally, this is because they may feel that others weigh them down--especially if they themselves are gifted--or that they don't need anyone else because they can sustain themselves just fine. However, when they are close with someone, they're protective, if not overprotective of them.
**CHARACTER**
Another important aspect to keep in mind is that because the "Black Cat" won't show as much emotion and is considerably more serious, this character can easily seem too robotic. So how do we avoid this? We give them some more personal traits!
For starters, slowly establish any fears and/or weaknesses that your character has. The fact that they have their own vulnerabilities demonstrates that they are still human while adding some depth! I also suggest including backstory and dreams to build onto the dimension.
Following that, when they do open up, I recommend not skimping out when it comes to describing the importance of the moment! It doesn't have to be every time, but it allows you to demonstrate the value of their honest expression! Yes, it's mainly just for fun and fluff, but it doesn't hurt to be a bit dramatic about their elusive smile or laugh!
To finish up, the point of view the story takes place in is also crucial. If you're telling it from the "Black Cat's" POV, you have more access to their thoughts, which is pivotal when developing the character. However, they may be less self-aware about how their demeanor affects others.
On the flip side, if you're telling the story through the eyes of the "Golden Retriever", you get to establish how the other looks from someone else's angle and how they handle such a character.
Personally, I prefer to switch the perspective from time to time to get the full picture!
RELATIONSHIP
Here's the fun part! How does the "Black Cat" and "Golden Retriever" trope really function?
Most of the BC's character development actually happens around their partner or loved ones. This is because alone, they have no reason to change and they're perfectly fine with how they're functioning. However, with the GR, they must put in more effort into communication, opening up, asking for help, etc.
That slowly builds character development!
As expected, in their relationship, the BC is the most reliable and organized of the two, balancing out the GR's more reckless nature. Part of their enjoyability is the sheer opposition in their persona, but they should also break out-of-character for each other every once in a while.
What do I mean?
Well, like I mentioned before, although the BC is stoic and distanced, they should be willing to express their vulnerabilities and might even act uncharacteristically shy with their partner. Conversely, the happy and loveable GR may have serious moments when concerning their loved ones. That's how you can tell they do care about each other and that's what makes this dynamic so cute!
CONCLUSION
To summarize, the "Black Cat" is terrible at dealing with emotions and communication. As a result, their actions speak louder than words, so subtext is vital when their writing dialogue! Most of their development happens around their partner--not everything will change, but that's the beauty of this character!
Guys, I'm SO, SO sorry for uploading less recently; school is a mess right now so I'm trying my best to make it up! Homework is getting a bit overwhelming, and my tennis season is starting so I'm still trying to figure things out. With that being said, fall break is only a week away and I understand very well now that I need to prepare beforehand 😅 I genuinely apologize, and I'll working hard to clean my schedule up!
On a separate note, I appreciate all the asks I've been getting, it makes me so happy, so if you need something, please reach out! Thank you so much for making it all the way to the end, expect a post on writing "Golden Retrievers" soon! ;)
Happy writing~
3hks <3
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makeyoumine69 · 2 days
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A little bit possessive
PAIRING: Patrick Bateman x fem!Reader
CW: Smut, Daddy kink, pregnancy/breeding kink, unprotected vaginal sex, prone bone, power play, dirty talk, pet names, obsessive behavior, implied overstimulation.
A/N: Hello everyone, just wanted to drop this little drabble, seems like Daddy Kink is taking over me once again as I have been listening to too many of Lana's songs lately, especially THIS edit hits hard. Also, I want to thank everyone who still reads me, I'm struggling with several writing projects, but I hope such little drabbles can bring you some joy! Sending my love and hugs!💕
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"Tell me," Bateman murmured, his voice low and commanding as he pushed just the tip inside you. "What exactly do you think you're going to do, hmm? Walk away? Find another man to play Daddy?" He thrust forward, filling you in one brutal motion, his fingers digging deeper into your flesh. "You're mine," Patrick growled through clenched teeth, his pace rough and relentless as he fucked you. "You're not going anywhere." He leaned down, his lips brushing against your ear as his hips jerked forward, his cock slamming into your soaking slit. "And this baby? It's mine too. You won't find anyone else who can give you what I can." Patrick's hand moved to your throat, his grip tight as he thrust harder, pushing your body into the mattress with each movement. "You'll thank me," he sneered, diving deeper, reveling in the intoxicating sensation of your warmth. "You'll beg me to stay."
"No!" You blurted out, grabbing his hand that was painfully squeezing your neck. "It… it's not true!"
"Go ahead," he snapped darkly, his voice barely above a whisper. "Tell me you don't need me. I dare you." Patrick's cock drove deep into you again, hard enough to make the headboard hit the wall. "Because the truth is… you can't fucking live without me." The man thrust harder, every move designed to make you understand exactly what he meant. "This is your life now, honey. With me. Only me." Bateman grinned, his breath hot against your skin. "And you're going to love every fucking second of it."
Sobbing, you tried to kick him off you and roll over, but Patrick was too strong, much stronger than you, there was not even a chance to fight him. "It hurts!" you squealed and closed your eyes, your legs already shaking. "I… I can't take it… anymore…"
Inflamed, Bateman pinned you to the mattress and then, in one swift motion, flipped you over so that you lay flat on your stomach. Whimpering and trembling, you struggled to crawl away from him, but the next thing you knew, Patrick was covering you from above, weighing you down and placing a pillow under your pubic bone before ramming into your sore, creamy cunt once more.
"Beg me to stop," the man taunted, thrusting harder, faster. "Beg me and maybe I'll think about it." His hand tightened around your shoulders as his other hand grabbed your ass, pulling you even closer as he pounded into you, ignoring your cries, your pleas for mercy.
"Enough…p-please!" You turned to look at him, but he just pushed your face into the pillow. "Mhmm…it's too deep!"
Bateman could feel his orgasm building, but he didn't stop, didn't slow down. He's not done yet. Not until you fully understood who owned you. Not until you were completely broken.
"You will never leave me," Patrick whispered, his voice raspy and full of conviction. "You belong to me now. And there's nothing you can do about it."
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P.S. Thank you for reading until the end! I don’t have a taglist. You can follow my side blog @makeyoumineagain and turn on notifications to know when I update!
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You know I desperately want a sympathetic qunari viewpoint in DATV (I was low key hoping we'd get a qunari origin because that would have been so fun...like you're in the Qun and you can leave it or stay within it during the game but like...there's not a right choice and you yourself can be the sympathetic view and ANYWAY) and I'm kinda sad our companions don't seem to have a member of the Qun in them. However,,, I do think this is potentially good in terms of us potentially getting a Sten cameo?
Because here's the thing; Sten IS your sympathetic qun character. He isn't like Bull who defects or dies nor is he like Tallis (my beloved) who is struggling with what she wants to do vs. what the Qun wants her to do. Sten is sympathic, he loves his homeland and he misses it and he never conforms or has a 'oh my homeland is bad' revelation. He loves the warden but it doesn't mean he has to not be part of his own culture. And I think thats so fun.
So Veilguard....bring Sten back!!! He's the Arishock now too so we could see how an Arishock SHOULD act if they're not you know stuck in Kirkwall going crazy. It'd be a fun little cameo and a way to remind us of a qun character we love who isn't about to change his ways to fit into the 'normative' southern Thedas ideals but also isn't going to outright betray us and can even help us!
And I mean Varric literally knows Sten now through Alistair in the comics. So there's even like a contact there. It'd be interesting if Bull and Dorian also knew him in some regards or were in contact.
This is rambly. anyway. I have demand Bioware. Bring back my boy
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scarlet-bitch · 2 days
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Her Perfume's Holding Me Ransom  
4k words, Office Siren - Steve Harrington X fem!reader, 18+, MDNI, set in '88 Steve aged up accordingly, no use of y/n & no physical descriptions apart from clothing/makeup, no mention of upside down. A/N: Recently watched Henry Gamble's Birthday Party, so had to piggy back off the dialogue from that opening scene! Fic inspo songs: No Control, Espresso, Bed Chem, Jackie & Wilson Feedback/likes/reblogs are all greatly appreciated! Thanks for reading & as always, I hope you enjoy! XO, Scarlet 💋
A year ago, Steve Harrington traded his Family Video vest for a blazer when his father hired him. The transition was rocky but with help from receptionist Shirley, he earned his father's respect and even his own office. Then Shirley announced her retirement, and in came her replacement: you. With cherry red lips and nails that matched, you strode into the office like a siren, and Steve wasn't immune to your charm. 
"Lost My Senses, I'm Defenseless"
Steve was always one to pride himself on his ability to stay focused, but you tested that the moment you walked through the door. You were the type of beautiful that prompted a double take. Pair that with your naturally sweet and helpful demeanor, and it was a recipe for disaster.
Every time he tried to concentrate on his work, you would appear at his door with another offer of assistance. While you were just doing your job, it was a tantalizing interruption. He suddenly found himself stumbling over tasks and struggling to concentrate, just like when he first started. 
Your arrival didn't just effect him, it had turned the heads of everyone. Suddenly the break room became reminiscent of high school, where the guys' suggestive remarks about you made his skin crawl.  The worst part? Sometimes he thought them too. Like every time you asked him questions, all he could focus on was the plumpness of your pouty lips and how pretty they would look wrapped around —fuck. He didn't want to be that guy, and yet these thoughts constantly crept into his mind.
But sometimes, an even worse thought would cross Steve's mind: that you were taunting him on purpose. Because yes, since your arrival, nearly everyone had focused on you, but it seemed like you were focused on him. That's ridiculous though, right? Of course, it is. He should be ashamed of himself for even entertaining the idea.
And yet, he kept going back to it.
Steve couldn't help but notice you made a habit of bending over when you were around him. Whether it was your cleavage or your backside, every day you were giving him a view. The first few times it happened, he looked away, but curiosity got the best of him when it began to feel more than coincidental. He hasn’t stopped since, often looking forward to it.
Every week when you handed him the new reports, he couldn't get over how you managed to make the exchange of a manila envelope seem seductive; batting your lashes, grazing his fingertips. You constantly had him rocking a semi, and it all felt calculated.
The biggest factor in it all was your fucking perfume. The lingering scent of warm vanilla would continue to flood his senses even when you returned to your desk. Your scent had him under a spell, making his mind wander to places it shouldn't: Your nails raking down his chest. You soothing the marks they'd leave behind with your kiss, lipstick print scattered across his skin. Your soft voice telling him he's doing a good job, just as you always do, but this time, you wouldn't be talking about work. Steve scolded himself for these thoughts, but only after he'd had his fist wrapped around his cock.
Three months had passed since you'd disrupted Steve's routine. The decline in his productivity was obvious. After a heated one sided argument, his father concluded, "I don't mean to be a hard ass, Steven, but there's no exceptions. If it were any other employee, I wouldn't let it slide! I just don't get it. You'd come so far... Maybe I underestimated Shirley's role in your success."
Steve couldn't admit to his dad that you were the real cause of his current predicament. If you were dating, or even fucking he'd feel less embarrassed but the thought of confessing that he'd let mere attraction derail his progress felt pathetic. In his entire life, no one had ever captured his attention like this. 
Steve knew he had to turn things around. He pinpointed the exact moment in every day that his focus goes off track: between 9:30 and 10a.m. When you made your first appearance, traipsing into his office with coffee.
While you delivered coffee to everyone -with them, it was a quick drop off. With Steve, it was never just about the coffee.
Your other check ins with him throughout the day were short and strictly work related, but this visit was always more personal and drawn out. It might have derailed his focus for the day, but it was also a highlight for him.
That’s why, as you walked in swaying your hips with coffee in your hand, Steve made sure to really take in the sight because it had to be the last time. 
“Mornin' Stevie,” you said, bending forward slightly, just enough to give him his favorite view as you placed the cup on his desk.
Steve sucked a breath in through gritted teeth. “Good morning.” He said, forcing his attention away from you and back on the paperwork on his desk.
You straightened up. “Did ya have a good weekend?” 
“It was alright,” he said, struggling to keep his eyes from drifting back to you. He stared at the paperwork in front of him. Focus. 
“Glad to hear it,” you replied.
Steve immediately regretted his choice of words. Normally, he would’ve engaged in conversation, the two of you exchanging playful banter with that slight undertone of flirtation that made his heart flutter. He thought it best to hold back today, but he didn’t mean to come off so cold.
“How ‘bout you?” he asked, looking back up at you. He couldn’t help it —if he was going to cut this moment short, he had to at least be present. And was he happy he did, you were just so pretty, his mouth fell slack, and he had to force it closed so he wouldn’t drool. 
“Yeah, good.” You said with a small, half smile. 
Steve felt his stomach drop at your answer -guess you’d taken the hint. He wished he had just let today play out as usual and given himself one last drawn out conversation with you. But he's come this far, might as well see it through. 
“That’s.. nice.” Nice? The word felt weak, insufficient. 
"Mhmm." You nodded, a hint of disappointment in your eyes. “Need help with anything particular this morning?” 
"Uh, no, I do-don't think so.” 
"Well if you think of anything, you know where to find me.” You said, as you turned on your heels to leave his office. 
As he watched you head out, it dawned on him that in his efforts to not let you derail his focus, he didn’t even thank you for the coffee. 
“Thanks, by the way!” he called out. 
You stopped in your tracks at the door, turning around with a smirk on your lips. "Alway’s my pleasure. Even when you’re... moody? Or whatever this is today." 
Steve couldn't contain the grin that spread across his lips. There was the banter that he adored. “Sorry. Just a bit distracted is all. These deadlines have me stressed.”
“Well, I could always help you relieve that stress if you’d like.” You leaned against the doorframe. 
Steve’s heart raced. Were you suggesting what he thought you were, or was that just wishful thinking? He could have sworn you winked, and the way you licked your lips —was his mind playing tricks? He hesitated to respond, undure what to say. 
“Y’know, take some of the workload off your hands, or I could always bring tea instead of coffee. It’s supposed to be calming or whatever.” 
Right, of course you weren’t suggesting anything else. 
Steve let out a slight chuckle, trying to play it cool. “No, no, it’s fine. I’m just whining, but thank you.” He wanted to leave it at that, but you had just handed him a perfect opportunity to finalize his decision. “As for the tea, I um, yeah I-I think I just need to cut caffeine out entirely. It, uh, it makes me jittery. So going forward, you don’t need to bring me anything in the morning.”
You raised an eyebrow, “You sure?”
"Uh, yeah, for now at least." Steve noticed the amused look on your face, as if you could see right through his lie. You simply shook your head and strutted back to your desk.
He let out a relieved sigh -the hardest part was over. He moved to the window, flinging it open to dispel the sweetness of your presence that your fragrance left. Then he grabbed the "Please Do Not Disturb" sign Shirley had given him when he got his office. The thought of spending the rest of the day without seeing you was a blow, but he didn't have much of a choice. 
“Soft Skin & I Perfumed It For Ya" 
This wasn’t some grand scheme. You needed a job, and they were hiring. You had no idea it was his father’s company, let alone that he’d be working here.
It’s not like you ever knew him. If you recall correctly, there may have been a brief interaction at a party, but all you actually knew were the rumors. You attended Hawkins High's rival school, and at every away game in Hawkins, the talk was always about Steve Harrington. When you realized he would be your colleague, you decided to up the ante. After all, you're an opportunist —curious to find out if those rumors were true.
Now roles are reversed, and all the talk is about you. You don’t mind what anyone's saying -crude or not, you couldn’t blame them. You've brought a little spice to the mundane duties of clerical work. What you do mind is that, from what you could tell, Steve wasn't engaging. While it’s nice to think he’s above objectifying women, it’s exactly his attention you were after. 
As you settled into the office's routine, you realized that you did in fact have an effect on Steve. He was just good at concealing it. So you began to make your intentions more obvious: offering cheeky views, lingering touches, flirty banter. You wanted him, and you wanted him to know that. 
Earlier, you were a little more outright with your behavior than you ever had been. Truth be told, you'd almost offered to blow him right there, but you chose to be allusive.  And while the look on his face implied he knew exactly what you were getting at, you backtracked. Hindsight’s 20/20 and you regret not giving him a chance to respond. Maybe if you had, instead of daydreaming about it, you'd actually be experiencing his pretty eyes staring down at you while his oversized cock -if those rumors were true-  was hitting the back of your throat. You needed him.
But as you marched your way to his office, you were stopped in your tracks as you spotted his door shut with a "Please Do Not Disturb" sign —and it stayed there the whole damn day. 
So the next day as you strolled into work, you were on a mission. One that quickly got derailed when that god forsaken sign was once again on Steve's door. 
Later that morning, during your coffee deliveries, a light bulb went off when you reached Laura's desk. As you set her coffee down, you noticed the stack of folders with a note from Steve asking for her to work on them. 
"Laura, I have a pretty clear schedule. Why don't I take these off your hands?" you offered.
"Oh dear, that would be fantastic, if you wouldn't mind! I wasn't sure why he didn't ask you originally, Shirley always helped with this... not that I mind but I still have a whole other stack to go through for James.” 
While this was an absolutely self serving offer you were happy you could actually be of assistance. "Gladly! It's no trouble at all!" You expressed, whilst grabbing the folders, and heading back to your desk.
You could guess exactly why Steve didn't ask you. It was clear yesterday, when he was practically drooling, all flustered as he told you the caffeine’s getting to him. All of these things, as well as that damn sign that’s taken perch on his door were pretty good indicators that Steve was struggling to resist your temptation. You had him right where you wanted him.
"Maybe it's all in my head...."
Steve heard a knock at his door.
"Come in," he said, eyes still focused on the work in front of him. He looked up only when he heard the familiar click of your heels against the tile. There you were walking towards him carrying the stack of folders he gave Laura. 
"Hey..."
"Good afternoon," you replied smoothly, setting the folders on the edge of his desk and taking a seat across from him. You crossed your legs slowly, making Steve's eyes follow every movement. The flush on his cheeks was unmistakable as his eyes roamed your figure. 
"You alright, Steve?” 
"Oh yeah, I was just expecting Laura," 
You shrugged with a playful smile. "Well, here I am. Laura had a lot on her plate, so l took these off her hands." Leaning forward slightly, you rested your elbows on his desk. "Why didn't you ask me for help anyway?"
Steve shifted in his chair, tapping his pen nervously. "She's familiar with this. I wasn't sure if you were."
You leaned back, crossing your arms against your chest, making Steve's breath hitch as your position emphasized your breasts. "Have a little faith in me, Steve. Besides, I need to learn, and I'm best when I'm hands on," you said, drawing out the words with a whisper as your lips curled into a smirk.
Steve felt his cock hardening, he just couldn't help it, you were utterly arousing without even trying. Pull it together. He looked towards the folders, nodding. "I'll check them over."
"Great," you said, standing and smoothing out your skirt. "I'm gonna grab a snack. Want anything?"
"No, I'm good, thanks.” 
Steve studied the folders until your return, about five minutes later. He could have sworn he heard the click of the lock when you shut the door, but chose not to question it as took your seat across from him once more.
"So, how’d they look?" you asked, peeling the banana you got.
Steve glanced back down at the folder he was reviewing. "Yeah, everything's in order. Good job."
"See? You shouldn't doubt me.”
Steve laughed softly and looked up at you. "Never again-"
His words were cut off as you slowly brought the banana to your lips. He watched as you wrapped your lips around the fruit, holding eye contact. You let your lips rest for a moment, hollowing your cheeks with a slight suck before taking a bite. Steve's gaze moved from your mouth to your eyes, as a groan escaped him. 
You giggled, “Wanna taste?”
"You're unbelievable," Steve chuckled. "To think I've been questioning if this was all in my head."
You tossed the rest of the banana into the trash. "I thought I was being obvious enough. Didn't realize all I needed was a visual aid for you to catch on."
Steve shrugged, a wry smile on his lips. "I caught on weeks ago, just seemed too good to be true."
"It's not," you said, rising and moving toward him.
Steve's eyes widened as you dropped to your knees in front of him. A breathy moan escaping him as you settled between his legs, your hands resting gently on his thighs.
"Let me take care of you," you whispered seductively. "Relieve all that stress."
"Honey, you're the cause," Steve mused. "You've never even touched me, and I haven't been able to focus on anything but you. I can only imagine how distracted I'll be once you do."
You let out a laugh, the sweetest sound Steve had ever heard. "Mmm, quite the contrary. It's all this pent up tension we have that's got you so distracted.”
Goddammit. You looked so eager, so tempting as you bat your lashes at him. He cupped your face with his right hand, his thumb brushing over your bottom lip. You opened your mouth slightly, and he couldn't resist sliding his thumb in to press flat against your tongue. You took a soft suck, and the guttural sound that escaped him only encouraged you. You hollowed your cheeks before slowly sliding off with a pop. Steve shuddered at the feeling, and a smirk settled on your face. 
Within an instant his hands moved to unbuckle his belt. You slid your right hand further up his thigh, moving it to palm the outline of his cock.
"Aghhh," he groaned as he went to unbutton his pants. Just before he could unzip them, the phone rang, startling both of you.
Steve glanced at the clock. "Fuck," he muttered. "What time was that call, today?" 
You put your palm over your mouth, giggling as you stumbled to stand up. "Now." 
Steve's hand went to pinch the bridge of his nose as he breathed in, trying to regain some composure before he answered. 
You leaned forward, whispering into his ear, ”Tell your daddy I said hi," and nipped his earlobe gently before turning toward the door.
Steve grabbed your wrist, turning you back to face him. 
“I think you're going to be the death of me." He groaned. 
“Oh Steve, you have no idea," you said with a wink as you walked out of his office.
"How You're Looking At Me, Yeah I Know What That Means" 
Your desk felt like a prison. The ache between your thighs unrelenting as you kept replaying the look on Steve's face when you sunk to your knees. You were plagued by the unfinished business, taunted by the tick of the clock moving slowly toward 5p.m.
At a quarter til 5, you saw Steve making his way toward your desk, casting a quick glance around the emptiness of the front of the office. 
“Hey,” he said. “Can I borrow you? I need some help with some... filing. Might keep you after a bit, if you don’t mind staying a little late.”
"Laura can't help?” You teased.
Steve chuckled, rolling his eyes before they locked back on yours. “This requires your.... expertise.” 
You raised an eyebrow, “Well if that's the case, I guess I can make it work."
Steve smirked as he stepped closer, the look in his eyes was clear —he was going to fuck you. "I promise it'll be worth your time.” He whispered. 
Without another word you stood up from your desk, and followed him to his office. 
"Are You Free Next Week? I Bet We'd Have Really Good Bed Chem" 
All bets were off when Steve closed his office door. Your arms wrapped around his neck, and his hands gripped your waist as your mouths collided fervently.
His lips were soft and plush, his tongue teasing yours as you opened your mouth.
You tasted like the cherry life savers you kept at your desk, and Steve couldn't get enough. "Want you so fucking bad," He said between the breaths of your kiss.
You responded with a moan as his lips trailed across your jaw, burying his face in your neck. He groaned as the scent of your perfume enveloped him while he sucked softly at your skin.
You began tearing off his blazer, clawing at his dress shirt to grip his firm biceps, as his lips found yours again. 
When Steve pulled back, he was a sight to behold. Your lipstick smeared across his mouth, his eyes glistening —almost in tears from the strain of his cock. It was clear he needed this as much as you.
By next week the two of you will savor each other for hours. His lips will trail down your body, appreciating every inch. He'll have you writhing on his tongue as he tastes you, not just for your pleasure but for his own. His skin will bear the marks or your lipstick, love bites and scratches, as you stake your claim. You’ll take him into your mouth, where he will cum down your throat before he fucks you. When he finally slides into your pussy, he'll make you cum repeatedly on his cock until you can't take anymore, begging for him to fill you. Hair slicked with sweat, voices raspy and breaths panting, it will be nothing short of perfection. But this moment, here and now, with the slight implication that you could be caught, will be a fast, but fulfilling need for release. 
"Raincheck on-?" 
Steve cut you off, nodding profusely, "How do you want it?" 
"Take me from behind. Been dreaming of you bending me over that desk." 
Steve groaned pulling you into another kiss, before he moved you towards his desk. He pulled out a condom from his wallet, before he began to undo his pants. Your eyes trained on his hand's movements until he freed his cock, boxers and slacks falling around his knees.  
Steve chuckled when you let out a gasp. The rumors were true, Harrington's hung.
Thankful you'd opted for no tights today, you slid down your panties and turned to bend over the desk. Steve groaned at the view, your plaid skirt framing your ass as he spread you apart, taking in the sight of your dripping pussy. You looked more than ready for him, but he needed to be sure. He ran two fingers through your folds, gently pumping them into you.
You slapped your hand on the desk at the feeling, muffling the moans that were leaving you with your other hand. 
"Ahh shit," Steve growled. 
"Please, Steve, give it to me," you begged.
You didn't have to ask him twice. He rolled the condom over his cock, and lined himself up thrusting into you forcefully. He didn't offer you time to adjust but the initial pain quickly melted into pleasure. Steve couldn't contain himself, whispers of how good you felt falling from his tongue. 
"Harder Steve, harder, harder," you pleaded, trying your best to keep your voice to a whisper.
He obliged, his hands firm on your hips as he thrust relentlessly. After a few breathy moans from both of you, he slipped his right hand between you and the desk, fingers finding your clit.
You had to stifle a shriek at the dual stimulation, gripping the desk tightly, your ribs colliding with the wood, sure to leave bruises that you'd admire later. 
"Do you like that, baby?" Steve whispered.
"Yes," you moaned. "Fuck, yeah, yes, s'really like that."
"Fuuuuuck. Are ya free this weekend? Wanna take you out."
"Mhmm."
“Gonna fuck you properly after," he groaned. "You're so fucking beautiful, can't wait to see all of you.
His words brought you closer to your release, and he could feel it. "Fuck, baby, are you about to cum?"
"Y-yes."
"Me too," he whimpered.
"Sweet & Sour, Heart Devoured"
Turn’s out, you'd been right —it was all that pent up tension. After your first hookup, Steve’s focus immediately returned.
Your coffee exchanges resumed, but the drawn out moments were no longer necessary now that you were spending time together outside of work.
That "DND" sign was tucked away and forgotten until two months later, when he considered offering you a special birthday treat -an afternoon delight. But you both knew better than to hook up at work again.
At Thanksgiving, Steve and you stopped keeping your relationship to yourselves when he invited you to spend it with his family. You were apprehensive about his father's reaction, but it wasn't an issue. In truth, it wouldn't have mattered to Steve if it had been. Had his father disapproved, and insisted it couldn't continue, Steve would have quit without hesitation. 
Steve had fallen for you, and looking back, he realized it was inevitable. It took one glance for you to captivate his attention, so of course the more time spent together, he'd hand over his heart.
Now all the times you lay tangled in his sheets, your fingers running through his hair, and "Baby" softly falling from your lips —he reflects on the moment you agreed you'd be the death of him.
Because in those moments, he couldn’t think of a better way to go.
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strawberrygyuuuu · 3 days
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𝐓𝐗𝐓 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒 —> 𝐁𝐄𝐈𝐍𝐆 𝐓𝐇𝐄 𝐅𝐄𝐌𝐀𝐋𝐄 6𝐓𝐇 𝐌𝐄𝐌𝐁𝐄𝐑 —> 𝐏𝐋𝐀𝐓𝐎𝐍𝐈𝐂!
𝐆𝐞𝐧𝐫𝐞 —> 𝐅𝐥𝐮𝐟𝐟, 𝐂𝐫𝐚𝐜𝐤, 𝐜𝐨𝐦𝐟𝐨𝐫𝐭
𝐏𝐚𝐢𝐫𝐢𝐧𝐠 —> 𝐩𝐥𝐚𝐭𝐨𝐧𝐢𝐜!𝐭𝐱𝐭 (𝐨𝐭5) 𝐱 𝐟!𝐫𝐞𝐚𝐝𝐞𝐫
—> 𝐖𝐡𝐚𝐭 𝐢𝐭'𝐬 𝐥𝐢𝐤𝐞 𝐛𝐞𝐢𝐧𝐠 𝐭𝐡𝐞 𝐨𝐧𝐥𝐲 𝐠𝐢𝐫𝐥 𝐢𝐧 𝐚 𝐛𝐨𝐲 𝐠𝐫𝐨𝐮𝐩.
◞꒷◟ ͜ ͜ ◞ྀི◟୨୧◞ྀི◟ ͜ ͜ ◞꒷◟
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I'm running off of hopes and dreams dudes
𝐘𝐞𝐨𝐧𝐣𝐮𝐧
Older brother vibes
Definitely takes care of everyone but especially you
Yeonjun makes sure you're eating at least 2 meals a day even with a busy schedule
Very protective over you because you're the only girl and he knows you get awfully a lot of hate because of it
But he tries his best to make sure you know that you deserve to be apart of the team as much as the rest of them do
He pushes you to work harder, but because he wants you to be the best version of yourself
He's def clingy to you, but in an annoying way almost
Loves ruffling n messing your hair up, pinching your cheekies, sends you flying kisses across the room bc he thinks your reaction is funny n cute
He teased you a lot too but knows how to not cross the line
And if he does he'll be so regretful and apologetic like he'll do anything until you forgive him he feels SO bad 😭🙏🏻
Likes it when you cling to his arm, hug him or depend on him in general; especially if you prefer or like to be more independent
(or too stubborn to ask for help lolol)
Bro is all smiles n gladly helps you or takes care of you
Forehead kisses
Complains n whines when you try n kiss his forehead or cheek back in return or as a thank you but he doesn't mind it, finds it endearing, actually
Let's you rest ur head on his shoulder while sitting next to each other if he notices you're really tired or so ur neck won't get stiff
You guys are close and have a special bond
Definitely knows when to comfort you and when you're starting to have a hard time, and vise versa
Loves messing with you though like, pushing your buttons a little bit cause he thinks ur reactions are cute
𝐒𝐨𝐨𝐛𝐢𝐧
I think he's also hard on you but only because he wants to prove that you can do just as much as the boys can do
Tries and make sure you don't feel like out
Because he knows that it might be difficult for you being in an all boys group and feeling left out since you're the only girl
But none the less he wouldn't want it any other way
He's fought hard to get you with them and so did you having to constantly prove yourself; youll always have too
He js couldn't be prouder of you tbh
Always comes to defend you
soobin feels safe with you and he knows he can tell you if he's struggling or if something is bothering him
youre the main reason he stopped doubting himself when he was new to being a leader
and he's forever grateful for you
When walking up stairs he takes his coat or blaze off and holds it up from being you to cover you up and protect you
Hates seeing you sad or upset so definitely tries to do anything to cheer you up or keep you happy !!
You prob bake sum with him sometimes in your guy's free time just for fun and bonding
𝐁𝐞𝐨𝐦𝐠𝐲𝐮
Your BSF cuh
Like y'all are always together almost
Most of the time if you wanna find one or the other yall are found together doin sum
The schedules together are much more fun with beomgyu although I have a feeling the staff aren't the most thrilled 💀🙏🏻
He's so annoying But it's also kind of endearing you can't help but not be TOO mad at him 🙄 Y'all are prob the most comfortable with each other and you've seen him cry the most and vise versa Idk y'all just feel the safest w e/o and understand one another really well You guys truly have a special bond / friendship The most chaotic and funniest duo amongst all the members
Like, being paired up for challenges is hell for everyone else bc of how chaotic you two bitches are LMAO They sometimes will BEG to switch but just for shits and giggles the staff refuse to change the pairing bc it's funny n entertaining
He's def the one to act so brother like towards you
Like, he'll always come up to you and start punching you or sum but not enough to touch you just really close, but he's never actually touched you or hurt you
Idk dude it's js a brother thing apparently
Y'all are so sibling coded lol Rather you're older or younger, I think he'll still act like either an annoying little brother who admires his older sister or the annoying yet very caring (a little protective?) older brother with his little sister
Eats food with you all the time
There's been far too many times where he's made you starve and wait while he got his food js so y'all could eat together
Sorry pooks you gotta wait to eat, get used to it
It's also js y'all's love language, especially bg's
Def partners n crime, y'all need each other to fight crime !! ( Y'all share one brain cell while together trust you need to be together to function and be smarter, kinda)
For sure tag team yeonjun just to annoy him and get a good laugh at it lol y'all are unstoppable!! 𝐓𝐚𝐞𝐡𝐲𝐮𝐧
You're prob a little older then him
He admires you, a lot
He thinks the things you do are cute and he js adores you
He's such a Sweetheart to you😭
He's very understanding and relies on you a little more then it might seem
Likes it when you give him affection the most out of all the boys
He has a little soft spot for you
Gives you cute little pecks and kisses on your cheek sometimes because he just adores you🥺😭
Will defend your name in public and correct you in private 𝐇𝐮𝐞𝐧𝐢𝐧𝐠𝐤𝐚𝐢
Also admires you a lot
Like he really looks up to you even if you're younger or older
If he sees you face a fear of yours he'll be so proud of you but also it'll help him have strength as well
Y'all are always doing pranks or up to some kind of mischief together
Y'all spoil each other
Although you probably buy food for him most of the time while he'll buy you food on special occasions
Y'all are gumz
Always touchy and clinging
Seen back hugging each other a lottttt
Very playful with each other too, just cute banter
You guys are also seen giving each other belly rubs a lot especially after a meal like maybe bts to do episode you'll just see Kai n you rubbing each other's bellys in the background hiding in a corner
Moas think it's the cutest but so do the members, they love teasing sometimes, "aigoo, what will we do with these two cute gumz?" Yeonjun says fondly lol
You n him learn kep1er dances together and other gg it's so fun w him
Soobin joins you guys sometimes as well
Y'all support and comfort each other when needed though
Always have an eye out for you and always tries to cheer you up when you need it most, even if it's acting a fool or embarrassing himself lol.
Bonus
They were all definitely forced into learning the whole choreography of magnetic by illit because you begged them, they couldn't say no to you LMAO😭
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A/N I've had this is my drafts for far tooooo long and I figured to js post this to get sum out cause I have zero motivation.
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interstellarrisa · 2 days
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𝄞⨾𓍢ִ໋ Quotes to keep in mind 𝄞⨾𓍢ִ໋
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a/n: these are just things that i like to keep in mind whilst manifesting/shifting and is not something you must do! also if you recognize your or someone else's quote/saying, pls dm or comment so that i can give credits!!! (i'm sleepy so sorry for any mistakes or if things don't rlly make sense -o-)
# Nothing needs to be harder than it sounds
It's just as you read. You don't need to make it any harder by adding complicating methods or trying to reprogram your subconscious. Decide, imagine and persist is all there is. You can decide how you'll do the "imagine" part. You can affirm, visualize, script or listen to subliminal. Do whatever you want, it's you manifesting it but I don't really recommend adding in unnecessary things as things can get tangled up and make you feel like you're doing anything except "getting" your manifestation.
# Imagination is the true reality
You've probably heard this like a thousand times but if you just think about it, if imagination is the true reality then why try to get it in the physical one? Since I can just imagine it and have it there and eventually it'll materialize. Also why struggle with it inside your imagination? Just as when some people when they were younger used to have imaginary friends. Just because they didn't see their friends body in the physical reality or that others couldn't see them did not mean they never existed. They did, just in that child's imagination and that's what matters. Having it in your mind and believing in yourself. Affirming this helps me with feeling fulfilled internally.
# Observe don't absorb
I really like this one cause like this is how I usually manifest away bad circumstances. Even if the 3D is right up in my face and is unavoidable I'll keep a idgaf mindset and continue on not taking it in as final or that it can't be changed. Nothing's set in stone, not even reality. If you don't like it just change it. There's no need to take the bad things as final. Know who you are and do your thing! At nighttime sometimes when we fall asleep random thoughts will pop up and pass us by, do you pay attention to every single thought? Do you react to every single one of those or think more deeply about them? Just as we observe those thoughts passing us by we should also observe reality. As a movie we're watching on our TV and if we don't like it we just switch to another one. Not get up and start screaming about how it's bad and that it's not the one we want to watch. Just switch movie.
Thank you for reading, good luck with your manifesting/shifting and bye!!<3
art cred @ CHIARA63710634 @ mors_gn @ riiein (all on twt)
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SHOTGUN SHOT THROUGH THE HEART / CAN'T DRIVE PAST THE PLACES WE USED TO GO TO
keigo x reader x touya
part 2/4, part 1 here
the day of touya’s supposed arrest was the day you almost ended it all. a familiar winged hero comes to your rescue. olivia rodrigo mentioned!
inspired by drivers license + getaway car
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today was enough to kill you.
4:26 am. your eyes open with no time for dreary morning exhaustion. his arms feel especially warm that morning, making it all the more harder to pry yourself away from him. in the end, it would be two broken hearts, and 4 hands bloody.
what kills you is how peaceful he looks. how touya, a man who had fire inside his heart, felt some semblance of comfort when he laid next to you. you prayed he was dreaming, dreaming of something better than this.
you pack throw your keys and what little cash there is left into the purse he stole for you. your as quiet as possible, not necessarily to conceal your movement, but rather your cries. you don't want to do this. you want to go there, and lay with your favorite arsonist. you want to lay there and love him into the world catches up with you. but you fucking can't.
and the worst part is, he's watching you.
he could stand up. he could yell, and demand to know what's going on. he could burn you to a crisp or pull you into his arms. he could promise you forever or break your heart more as you slowly twist the doorknob open.
he hated the fact that he was suspicious about you, but its god's cruelest joke that that gut feeling is somehow always right. he doesn't what exactly is going down, but he knows you're not coming back. his hearts not pure, far from it, but it still hurts him watching you leave. you turned into the one thing he wished you never would be.
but he's quiet. because deep down, somewhere deep in his heart, he knew this would happen eventually. he can't find it in himself to blame you. he blames himself for thinking you wouldn't.
so with a gentle, silent sigh, he lets you go.
just because someone expects betrayal doesn't mean they can't cry when it happens.
you breathe again once you finally reach the car, ducking past the sirens, officers and god damn heroes that are waiting outside the hotel. many of them, the figures you see on t.v and on magazines attempt to acknowledge you, to thank you for your efforts, but your oxygen is running out. you slam the door shut behind you and speed off into the early dusk of the morning.
red lights and stop signs become nothing but a blur as shaky sobs take over your lungs. your grip on the steering wheel loosens as you see his face in the rearview. your feet on the dashboard, laughing at crude jokes overtaking the sounds of traffic. you pray that he'll forgive you, though its useless.
by now, they've broken into the room.
by now, they've got him on his knees.
by know, he realizes just why you left so soon.
you drive alone, despite the various honks and sirens that become more and more evident at your recklessness. suddenly, you see him everywhere- sidewalks, car reflections, alleyways and deeply embedded in the crevices of your heart.
you said forever, and now you drove the getaway car.
when keigo calls you, you answer with a shaky huff as his voice comes through the receiver. he updates you on everything, much to your dismay.
"what do you mean you guys didn't arrest him!? what the fuck happened there?!" you scream.
your ex-fiance's voice is filled with guilt as he explains everything. "it... was a disaster. we underestimated him. he was unstoppable, angrier than i've ever seen him. and when i told him you were the one who gave up his location..."
your heart may as well have stopped when he said that.
"you... told him...?"
the blonde winces at the tone in your voice, realizing his slip up. for a hero that was so used to lying, being calculated and playing a role that wasn't for him, he struggled to hide the most of painful of truths to you.
"shit, i'm... fuck, i'm sorry, babe. it just slipped out." the coward in every man, and evidently in keigo, tries to cover up what he revealed about you. it obviously doesn't work.
a shaky, sob-filled scream escapes your throat as you dangerously speed through the traffic and onto the bridge connecting your now abandoned hiding spot to the city. other drivers are understandably honking at you, flipping you off and asking who the hell granted you your license. you're too distraught to care, seeing as the guilt of turning touya in overtakes you.
you did the right thing, and it tore your heart apart at the seems.
keigo is still on the phone with you, keeping note of the sirens and cars he hears from your end. he quickly tries to diffuse the situation before anything else happens. "[y/n], love, i'm gonna need you to pull over." he cautions. "i'll come to you."
"i'm fine." you lie, not wanting him to see you like this. you stare at the watery depths below, reasoning with yourself not to do anything rash. just make it back to your apartment, wrap yourself up in your bedsheets and lay there until this is all over.
keigo sees right through this, as if sensing your inner turmoil (if it wasn't already blatantly obvious.) he begs you just to pull over, to stop driving in the state your in, and just let him come to you. let him make sure you come out of this alive. its what he wants, and its probably what touya wants, too.
you grit your teeth at his pleas, too heartbroken to think rationally right now. you're a reckless, ticking time bomb, and you all know it. "god, i know you care about me, kei. i know you still have feelings for me."
he's silent on the other end of the phone. his heart clenches, wincing at your harshness. he was never trying to hide how he never fully got over you, even after you professed your love for the man you ran away with. somehow, you still had that hold on his heartstrings.
"yeah, well, so what if do? what difference does it make i still don't want you to kill yourself."
his hand shakes as he holds the phone in his hand, his worry growing more and more apparent with each passing second.
"you made me betray the person i loved so much, maybe as much as i loved you."
theres a heavy silence that hangs over the call screen. its wrong to blame keigo for what happened. either way, touya was still a dangerous villain who had to be stopped. all keigo did was open your eyes to the truth. probably because he's a hero, and thats what heroes do, but also because he loves you, and doesn't want to see your heartbreak over a criminal.
but its that last part that makes keigo's heart sink to his stomach. the idea that the amount of love you had for him was equivalent to the love you had for touya.
even after the end of your breakup, he still wished the best for you. he wished for you to be happy, just not happier than how you were with him. as selfish as that is.
his heart aches, the pain of what you're going through beginning to creep up on him too. he o desperately wants to tell you that everything will be okay, that he'll be your hero and take all your hurt away, but in that regard? he's powerless.
"keigo, i-"
he listens, hoping you'll finish your sentence. but you don't, even after he yells after you. "what? [y/n], what? hey!?"
his heart stops in his chest as a loud crash resonates over your end, followed by honking, screaming, and worst of all, the sound of something splashing into the watery depths below. what scares him the most is what he doesn't know. are you okay? can he still save you in time?
when the line goes dead, he quicky takes off, setting out to find you before its too late.
✧.* ⋆.˚ ☾ .⭒˚ ✧.* ✧.* ⋆.˚ ☾ .⭒˚ ✧.* ✧.* ⋆.˚ ☾ .⭒˚ ✧.* ✧.* ⋆.˚
theres an overwhelming cold feeling that takes you. you're oddly relaxed, despite the dull ache that erupts in your head. you aren't sure whats happening fully, your memories a messy haze. right now, nothing else matters as your body floats through the cold state of purgatory.
theres suddenly a sharp pain on your chest, followed by a desperate plea you can’t quite discern. theres a familiar taste on your lips, one that speaks love to you. that resounding pressure on your chest makes your heart thump, causing memories to suddenly replay in your mind like a film screen. memories with someone you loved.
you and keigo had met through some friend you can’t really remember. two deep in chardonnay, and you were the only one that guessed his antics during charades. the pounding of your heart continues as you recall the memory. you went from one kiss to getting married in just the span of a few months.
first loves are special like that.
he found pieces of you in every song he listened to, became utterly addicted to smell of your perfume and your bare shoulder in the morning. he loved your laughter, the way your hands fit in his. he loved that you saw him, even in the moments he could barely recognize himself.
the thing about first love, however, is that its also your first loss.
fears of trapping you in a marriage, the same one he had seen growing up, became all the more evident for the hero. he didn’t want to hold you down, to chain you to him when the two of you were meant to fly freely, happily. he felt like you deserved to love someone else.
and eventually, you did. though he never expected the firstborn son turned villain you ran off with.
but as keigo performs cpr on you, begging you to come back to life, he pleads with the sky. with anyone who might hear him, or whoever was trying to take you away from this world.
if it meant you’d start breathing again, he’d fly up to the clouds and catch lightning in a bottle. if it meant you’d open your eyes, he’d fix every last mistake he ever made. if it meant you’d love him again… well, he’d deal with the truth of that if it meant you’d simply live again.
he almost gives up, looking down at his own, wet gloved hands as he comes to terms with the fact that his attempts may be futile. you were injured in the crash, losing blood from cuts and bruises. on top of that, you had drowned, the cruel, murky depths of the sea taking you away.
he’s already covered in water, but a singular tear drop runs down his eye.
your hearts beating, fuelled purely by the love you’ve gotten to experience. you see two people- the man who brought you back to life, and the one that felt like the best way to die.
before you can discern who is who, your heart catches up with your lungs, taking a desperate gasp of air. you immediately turn to your side, ignoring the cuts on your body in order to turn over and cough out the water. its salty and stings your throat, your vision hazy and your body shivering.
“breathe.” a voice commands you, rubbing circles on your back. keigo sighs in relief, pulling you into his lap. you cling like the life buoy you would have needed just a couple of minutes ago.
you don’t even realizing you’re still crying, not until the blonde strokes your cheeks free from the tears. he tilts your head up so he can look at you.
“you were dead a minute ago.” he says, his usual nonchalant behaviour replaced by a rare glimmer of worry. you were the only person that pulled those feelings out of him, anyway.
your throat sings of salt, body aching from the cold and the blood loss. “yeah, well… you’re not gonna get rid of me that easily.” you choke out.
he almost laughs, opting to pull you into a tight hug. with as much strength, though theres not much, you embrace him back. yes, you’re still mad. yes, you’re still heartbroken. but he somehow made your tortured heart beat once more.
he wraps his coat around you, handing you off to the paramedics. he promises to meet you in the hospital after he’s done helping other survivors, sending you off with a tender kiss to your forehead. keigo looks back, seeing the accident that left you dead for a moment.
touya, from afar, is watching too.
the look on his face is something you can’t quite decipher. he’s mad as hell you sold him out, especially at the behest of hawks- but something dragged him to the scene of the accident. something in him had to know you’d be okay.
he watches as the ambulance takes you away, before turning away and leaving the scene.
tags 🐚
@whenanafallsinlove @satirediary @bbluefllame @crushmeeren (aka all the people that would probably choose touya’s life over a thousand peoples 😭 cuz me too)
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CW: Rape, incest, CSA
This is actually not a strictly A Song of Ice and Fire post here, but it overlaps in some ways so I figured I'd write this.
Anyone who has not read the web serials Worm or Ward and wishes to avoid spoilers, don't read this post:
Disclaimer out of the way, I've found striking parallels between fandom reaction for both A Song of Ice and Fire and Parahumans regarding how characters who survived sexual abuse view their abusers, in a dangerously disturbing way.
For this I'm going to specifically be using the examples of Aeron and Theon Greyjoy from A Song of Ice and Fire to compare and contrast to Victoria Dallon in Ward. All three were psychologically and sexually tormented by their abusers during the course of the series. Theon is a young adult by the time Ramsay gets his hands on him, but Aeron and Victoria were both children when they were molested by family members so they will be the main two characters to compare.
In the case of Euron and Aeron, there are a (sadly very vocal) minority who are ready to dismiss Euron's danger to others by specifically using Aeron's abuse against him. Sure, Euron is evil and horrifically abused him and Urrigon when they were children, and it is understandable that Aeron would be mortified of Euron. After all, he tries to warn people about Euron repeatedly, only for his attempts to stop him to all fail.
The response by this section of the fandom to claims of Euron being built up as a major threat are essentially that Aeron's trauma is in the way of his ability to perceive Euron objectively. Is Euron actually as dangerous as Aeron claims? You can say the same for Theon and Ramsay. After all, Theon is half-mad warning Stannis about Ramsay, and Stannis is bringing some Rational Realness to the forefront by saying "what do I have to fear him for?"
Since GRRM is never releasing another A Song of Ice and Fire book it's hard to say what he intends but he could definitely intend for this to be the case. That said, there is a story featuring a similar character that is completed. Ward!
Victoria Dallon's sister, Amy, is a cape with healing abilities, though as the series progresses we know that healing is just the tip of the iceberg; she can change the biological makeup of living things. Amy is adopted, and has never felt any love from anyone other than Victoria. Amy develops deep romantic love for her sister, however, and then begins a series of bad decisions that just serve to deepen her already deep mental breakdown.
Amy proceeds to; alter Victoria's brain chemistry to give her compulsive romantic thoughts about her, then following healing Victoria after a battle, she spends several days alone with her, during which she repeatedly rapes her, erases her memories of said rapes, until her mental health deteriorates even further and she is unable to use her power properly and turns Victoria into the Wretch: a mass of flesh and limbs and heads, rather than anything actually human.
Then Victoria spends 2 years in a mental institution, stuck in a body she hates, all the while fighting the compulsions Amy left in place. When she finally returns Victoria to normal at the end of Worm, it is actually against her will and not because she had a change of heart or got more confident.
Then we get to Ward, where Victoria is the main POV. As is very obvious, Victoria is struggling with extremely intense PTSD, mentioning Amy is enough to trigger a dissociative flashback, and she wants absolutely nothing to do with her anymore: and fucking rightfully so.
Victoria also warns people about Amy. She warns her therapist to try to reach out to Amy before she hurts someone else, she warns literally anyone who will listen about Amy and what she might end up doing. We may not know what it is that Ramsay and Euron end up doing, but we do know what Amy does.
She refuses all help and doubles down on bad decisions, enslaves people with her powers, later imprisons and torments and touches Victoria again against her will, and becomes the dictatorial monster in charge of an entire planet. Victoria's warnings prove to be extremely prophetic and extremely real.
Now lets get into some discourse shall we?
Despite Amy being a rapist who rapes her sister, enslaves others via mind control, and literally never once improving as a person or acknowledging that her actions even caused harm, there are still those who think Amy isn't at fault. Some might find this post, but I don't really care. Amy is at fault for things Amy did. Victoria is not at fault for hugging her sister like a normal human being when Amy is upset, Amy didn't do her a favour healing her because then she just raped her and then really couldn't fix her back to a human body, and Amy isn't absolved of these sins because she healed a lot of people.
Essentially, Victoria is sometimes blamed for being raped by her sister, the rapist, despite Amy canonically being a manipulative lying liar rapist.
Okay so that doesn't seem to related to what the fandom says with Euron and Ramsay, right? After all, we don't really blame Aeron for being molested and Theon for also being sexually tortured and abused by Ramsay, do we? There are factors as to why that is (mostly that Aeron and Theon are men and Victoria is a woman; if you don't buy this argument look at people who say Cersei deserved to be sexually assaulted by Robert or try to use "the times" as an excuse to overlook Daenerys also being raped by Drogo) but there is an overlap here.
Amy being able to get away with that she did only to go on and hurt so many other people is a meta-commentary on the way survivors of sexual abuse are disbelieved or blamed for what happened to them. Naturally, those real like abusers end up going to abuse other people too. Fuck, even in the fandom, Victoria is still fucking blamed for things that she had absolutely no choice in the matter.
Which leads back to Theon and Aeron. Yes, trauma impacts the way you remember traumatic events, and that means objectivity can get lost at times. It can for Victoria and Theon and Aeron. But that trauma, the dissociation, memory problems, all of these together, are there for a reason. And that's because someone came along, ruined another persons life for their own pleasure and satisfaction, and then got away with it.
Victoria warned the world about what Amy would do, and she was unfortunately correct. Theon and Aeron warned others about Ramsay and Euron. Survivors should be believed, and not be dismissed. After all, it isn't our fault that we got abused. People may hear things about Euron or Amy or Ramsay, but the people who truly know who they are---what they are capable of, what they are actually like---are the people they abused.
So yeah, it's kinda fucking lame when I hear someone go "Stannis gonna prove Theon wrong with facts and logic" as if he doesn't, I don't know, have insight into Ramsay's psychology in ways Stannis doesn't. Same with Euron. Same with Amy.
Also fucking read Ward it hurts as intensely as it kicks ass.
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aziraphales-library · 13 hours
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Hi,
Could I ask for some roommate fics? A little pining is great but I'm not a huge fan of too much angst.
There is one roommate fic I remember that I'd love to find again, it was set during lockdown, and azirphale was a virgin but was talking to Agnes on zoom with plans to date. Crowley offers to teach him about sex, and it gets physical, even though they're straight buddies ..of course. 😏
Thankyou
We have a #roommates tag. Here's the one you're looking for and a few more to add...
Not a Mounted Dildo but a Fuck Machine by NaroMoreau, summerofspock (E)
Aziraphale and Crowley have lived together for three years when lockdown goes into effect. When Aziraphale meets a nice girl on Tinder who he thinks is his perfect match, he's delighted. There's just one hurdle: that pesky virginity thing. Lucky for him, Crowley has always been there for him. He's helped Aziraphale with every other problem through the years, why not this one?
Tinder Dates Gone Wrong by OceanLace (E)
Aziraphale decides to take a risk and brings a man home but doesn't realize that his roommate and best friend had the same idea. Things don't turn out the way either of them were expecting but end up exactly how they wanted.
Principles of Proximity by Cannebady (E)
Crowley's plan is to get through grad school in one piece and then live his bachelor dream life. With a less-than-wholesome upbringing and no real human ties to speak of, he's made a life for himself. It's just fine, actually. And he's fine too, while you're at it. Enter new roommate, Aziraphale, who just might teach him the benefits of putting down roots.
…And They Were Roommates by Mimsynims (E)
“You know… I just remembered that Richard and I were going away for a few days next month.” Something devious came over him. “Richard paid for it, but the booking is in my name.” Crowley quickly caught on to what he was getting at. “Ooh, I see. That’s convenient.” He grinned. “For us." When Aziraphale's boyfriend Richard (Dick) breaks up with him, he and his roommate Crowley hijacks an intended couples' vacation and uses it for themselves. Lines that had started to blur even before their trip gets even more blurry - which perhaps isn't the best thing when both are hiding a crush on the other (and communication isn't their strong suit).
make it with you by NaroMoreau (E)
PAID RESEARCH OPPORTUNITY: A romantic couples study!! ------ Aziraphale and Crowley are broke roommates who are struggling to keep up with rent and a harsh landlord. After Crowley loses his job and Aziraphale's bookshop hasn't managed to make enough profit, they'll resort to anything to save what they love, and when they come across with the idea of a paid study for couples... Because some ideas are good until they aren't.
You Can Stay At My Place (And We Can Fall in Love) by IneffableToreshi (E)
Anthony Crowley is an art student with a heart of gold and a broad assumption about himself and his own (apparent lack-of) sexuality. When he meets literary student Aziraphale, he thinks he's found a great friend and possibly the perfect roommate. But when an exceptionally idiotic idea turns into Aziraphale reluctantly agreeing to pretend to be Crowley's boyfriend, Crowley rapidly realizes that he may not have been nearly so asexual as he originally thought...
10,000 Hours by AnnaTheHank (E)
Rich playboy Anthony Crowley has finally broken the last straw. He's been disowned by his grandmother, and turned away by his family. With no money and no where to go, he heads to the old family cabin to lay low until it all blows over. Romance writer A.Z. Fell has been given use of her publisher's cabin to get away from the city and work on her newest book-her first erotica. Neither expected the other to be there, but there they both were. And AZ finds that Crowley's vast knowledge of sex may just make up for her own lacking knowledge when it comes to writing her book.
- Mod D
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venus-is-thinking · 2 days
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DRDT Chapter 2 Episode 14: Initial Thoughts
What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!
SPOILER WARNING FOR DRDT CH 2 PART 2!
T/W: Murder, hanging (with depictions)
The Reactions
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Hu is literally so pretty.
I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.
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RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.
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I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.
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Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.
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This is honestly very valid.
Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?
Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.
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Like, girl. They literally JUST said that they don't trust anyone. That includes you.
She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?
(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)
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Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???
If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.
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It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.
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(The entire fanbase nods in agreement.)
I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.
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I got so jumpscared by the Closing Argument-style CG.
I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.
I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.
This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.
I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???
where did their cape go :(
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Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.
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*Levi's secret quote looms*
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Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??
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Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)
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TAPE TIME :D
The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???
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Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."
Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.
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I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.
In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.
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Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.
I'm probably reading into things too hard, but it's so hard with David. What do you know!!!
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Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.
I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.
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This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.
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It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.
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I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.
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I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.
To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.
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I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.
It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.
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It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.
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will I EVER understand what the fuck this man is cooking
Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos
My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.
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I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.
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...*squints REALLY fucking hard*
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The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.
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Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?
i'm out of images :(
I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.
On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.
Theory Update/Analysis
Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.
I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.
EDEN
Reasons Eden Would Be The Blackened:
THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.
THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.
NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.
A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.
INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."
HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.
Reasons Eden Wouldn't Be the Blackened
HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.
HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.
THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?
THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.
GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.
Points About Eden That Could Go Either Way
THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.
RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.
CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???
ACE
(why are they both orange)
Reasons Ace Would Be The Blackened:
NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.
WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.
WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?
HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.
Reasons Ace Wouldn't Be the Blackened
OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?
SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.
EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.
STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?
ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.
COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?
Points About Ace That Could Go Either Way
TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).
ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?
Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!
For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.
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Note
Can you tell us the parallels between the nosy neighbors and the mean gills pls, I'm desperate
YES PLEASE OFC
For starters, they are both partnerships formed by people who have historically not gotten along, but have also not become official enemies. Martyn and Scott have their mutual respect and dislike of eachother going on that I've talked about too much at this point. Bigb stood by and did nothing when Ren (literally) demonized Pearl in DL even though his affair with Grian was partially responsible for Ren spiralling that season in the first place, allowing Pearl to act as his scapegoat.
Scott and Pearl's history is obvious enough but Martyn and Bigb also have had a fairly weird relationship up to this point. They tend to hover around eachother as kind-of-allies, usually it's Martyn actively pursuing Bigb and Bigb reciprocating just enough but ultimately pulling away when things get dicey. Where Martyn gets emotionally attached very easily and is brave to the point of being self-destructive, Bigb is cowardly and flighty with all of his alliances. Bigb is manipulative in all the ways Martyn wants to be without meaning to while Martyn fails again and again to achieve the betrayal he wants by getting too attached.
Mean Gills and Nosy Neighbours are both, in a way, ideal partnerships for the people involved. For Scott and Martyn, they have someone on the same page about surviving in the death game and the transactional way you have to look at people to do that. They communicate very little because they don't have to, they're already on the same page.
For Bigb and Pearl, Pearl is shown that there are people outside of Scott and Cleo in the games who she can trust, and that the "bystanders" of DL are just that, bystanders. For Bigb, he gains an ally who can stand up for him and Pearl's clingyness means he's pretty much forced to communicate his issues (e.g. her continuously checking up on how much time he had left) which means his problems don't have the time to fester and when they do get desperate Pearl is happy enough to sacrifice herself for him.
No wonder these two alliances don't get along when you consider not only Scott and Pearl's history but also the fact that everything about them - the people involved, the ideas behind the alliance - clash severely.
In a way, both partnerships are built on selfish reasons. For Martyn, survival. For Scott, the illusion of control. For Bigb, stability. And for Pearl, companionship and redemption. Neither are built around wanting to be with the other person, but on what the other person can provide. This also is why neither partnership really struggles with "loyalty", their interests are always being met (I don't really consider Martyn killing Scott a true betrayal since it's what Scott wanted, but I think Martyn would).
This is not to say they don't actually care for eachother, they very much do. Pearl especially is heartbroken at Bigb's death, but I've always read it more as Pearl being upset at herself for being unable to save him rather than his death itself (she did show in LL that she doesn't.. exactly have the most normal grasp on people dying, after all). That is another thing -- when Nosy Neighbours are torn apart, Pearl whimpers. When the Mean Gills are torn apart, Martyn laughs maniacally.
tl;dr they're both ideal death game partnerships but because of that no deeper connection can be established since neither party is interested in challenging the other's perspective on things.
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