#i'm sorry if i miss anything

[blu3cl0v3rs]

Badly explained Ninjago Seasons

First up, Pilots and Season 1

Pilots: The Devil kidnaps Spiky's younger sister, Meow, and the guy gets taken in by Gandalf, the devil's brother, who teaches him how to make mini tornadoes. Gandalf then introduces Coal, a jaywalker, and an ice cube maker. For convenience, we'll call the jaywalker Bluejay, and the ice cube maker Freezy.

Spiky, Coal, Bluejay, and Freezy steal some gold super-powered weapons made by god. Meow gets freed by Spiky, and Gandalf goes to hell to fight the devil with one of the golden weapons. Spiky, Coal, Bluejay, and Freezy teleport using dragons, and the devil kills a skele by tricking it to hold all of the gold weapons, which kills anyone that holds all four. The skele turns into a multi-dimensional portal, and the devil goes through. Spiky, Coal, Bluejay, and Freezy become "the Ninja".

Season 1: The devil's emo son, who we will call Trauma Child, tries to take over a village, but "the Ninja" stops him, so he trips down a hole and controls the king of the bloo sneks. Spiky accidentally steals from Gandalf and finds a prophecy about the Green Ninja. Trauma Child gets kicked out by the bloo sneks and then the reb sneks, and the reb and bloo sneks team up, so Trauma Child releases porple snek. Porple snek ate all the other porple sneks, and sacrificed Trauma Child to his uncle, Gandalf. Big Fighter Mech enters the ring.

Porple Snek then decides he's gonna revive big snek who wants to om nom the entire world, and forces all of the bloo, reb, gren, and bleck sneks to gather some special knives that can free big snek. Trauma Child gets kidnapped by the sneks. Gandalf leaves to find the devil.

Freezy is actually a robot, Bluejay starts dating Meow and temporarily becomes a snake, and Coal has daddy issues and comes out as gay to his father. All three have magical girl moments. Spiky is jealous. Meow is Big Fighter Mech.

Gandalf and the devil are back to save Trauma Child, and Spiky is delusional and tries to fight the devil, thinking it'll give him his magical girl transformation. Gandalf, the devil, Big Fighter Mech, and "The Ninja" jump the sneks and Spiky saves Trauma Child from getting roasted in a volcano, which triggers his magical girl transformation. Trauma Child is the Green Ninja. Porple snek frees big snek, and he and Gandalf get eaten by big snek. "The Ninja" ties big snek into a city-wide knot, and the devil smacks it on the head with the gold weapons, then runs away. Gandalf lives, and "The Ninja" celebrate.

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[triona-tribblescore]

I WANNA DRAAWW!! RAHHHGG!! Absolutely swamped with college work, im so tired TT (hence whatever tf this is lmao)

[egophiliac]

do skully have pokemon?

Pumpkaboo is the obvious one, but y'know, sometimes the obvious one is the right one! (we'll say SUPER SIZE Pumpkaboo, just for fun. big pumpkin for big skeleton boy.) and another person actually also suggested Greavard, which I somehow hadn't considered, but feels so perfect that I feel like I should have. dangit.

(they can also have little Nightmare Suit costumes :D)

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[alltimefail]

Can we take a second to talk about Niko's connection to the Principal?

Because I think we all moved on a little quickly from that!

General disclaimer before we begin: this is just my own theory and my personal interpretations. <3

As a refresher, The Principal is the Night Nurse's "Superior." We see her for the first time at the end of season 1, episode 8. In this theory, I will be analyzing the potential role The Principal plays in DBDA, especially where our beloved Niko Sasaki is concerned.

A connection between The Principal and Niko is undoubtable to me for two reasons: the first reason being that they intentionally focused the camera on The Principal zero-ing in on Niko's case card, and she has a visible emotional reaction to seeing Niko's name.

The second being that, before departing, she quotes what Tragic Mick told Niko before the face-off with Esther which ultimately resulted in her death.

One popular theory I saw floating around in the first few weeks after DBDA released was that The Principal is Niko herself, and while this is a fun concept I can't get behind it because, well, Niko is "alive" at the end of the season. Yuyu has confirmed that she's the one in the igloo with the sprites, and Steve has confirmed that Niko is not dead/off the show as well. While we have no clue where the igloo is for certain, or what state Niko is in, it's safe to say that Niko has not moved on to her afterlife, so she can't be the Night Nurses' superior in the Lost and Found Department.

My theory doesn't reinvent the wheel, but I personally think The Principal could be Niko's mother.

From a non-storyline standpoint, The Principal looks to be a perfectly appropriate age to have a 16 year old daughter. From a casting standpoint, Yuyu and Tamlyn also are a convincing mother/daughter pair. I think their mannerisms (body language and expressions) are even a bit similar:

But most importantly, from a writing and storyline standpoint, Niko's mother is mentioned multiple times throughout the season but we never actually see her or hear from her - not in a phone call, a voicemail, or even in a picture in Niko's meticulously decorated, aesthetic bedroom. This is what leads me to believe that the persistent mention of Niko's mom is an example of Chekhov's gun being fired.

Emphasis here on: "If it's not going to be fired, it shouldn't be hanging there."

From the persistent plotline surrounding...

Niko's grief not just with her father's death but also with her mother who sent her to school across the world literally the day after her father's funeral to "escape the sadness,"

to the pile of letters from her mother that she couldn't bring herself to respond to,

to the response letter she finally writes to her mom but we don't learn the fate of,

to Niko telling Crystal that her mom would always say "A mother's intuition is very strong," (which could be why The Principal reacted to Niko's case card in the way she did...)

to even Jenny mentioning Niko's mom in the finale

... and so on, the writers seem to mention her as often as they can, even up to the very end. This makes Niko's mom a sort of looming figure in the narrative, a thought persistently brought back in a "Hey, remember this?" kind of way to the viewer, and that kind of intentional presence needs to serve a purpose or have some kind of payoff later. After all - if it's not going to be fired, it shouldn't be hanging there... if we aren't going to get some kind of closure regarding Niko's family, especially her mother who is still alive, it shouldn't be brought to the viewer's attention again and again.

Also, The Principal being Niko's mother would make Niko at least half supernatural being (we don't know much about her father, but considering the fact that he's dead we can assume he was likely fully human). Niko being half supernatural-being would explain a few allusive plotlines such as:

Why Angie the fish does not try to tempt Niko into the water.

Why Crystal tells Niko that she should stay behind and not fight Esther because Niko is "Just a human."

Why we don't see Niko's spirit separate from her body at any point, nor do we get Death's blue light.

How the Principal knows Tragic Mick's last words to Niko and why she quotes them to the boys who were not even present at the moment the sentiment was delivered the first time.

Starting with Angie, it's obvious why the boys are not affected by her call: Charles and Edwin are incorporeal spirits, they have no physical body and Angie's call is sent out with the goal of finding food to eat, plain and simple. Niko not hearing Angie's call, considering the fact that she's flesh and bone just like Crystal, is noteworthy to say the least. After all, we can safely assume Angie's call can beckon more than one person at a time because the group is worried about the populated kite festival becoming an all-you-can-eat buffet, essentially. They need to figure out the case and only have 24 hours to do so before area is filled with bodies for Angie to tempt into the water, that's the whole time-constraint conflict that adds pressure to an already delicate situation. The first time Crystal hears the call she is with Charles at the top of the lighthouse with Niko nowhere near Angie, but the second time Crystal hears Angie she and Niko are standing literally right next to each other. Niko then confirms that there's "No voice" coming from the water after they save Crystal, but considering how Niko's grief surrounding the death of her father is such a huge part of her characterization - in the same way Crystal not remembering her parents is critical to hers - it makes no sense that Angie wouldn't try to lure in Niko as well by using the voice of her deceased father.

But let's consider what we learn from the Night Nurse: trans-dimensional beings don't die when they're swallowed by a giant fish, so they do not satiate Angie's desire for food. This is why everyone assumes Kashi is not human because he, like The Night Nurse, is alive inside the stomach of a fish. So if Niko's mother is like The Night Nurse, a trans-dimensional being, that would explain why Angie's call would not effect Niko, because Angie just wants to eat... and ghosts and immortal beings (even if only semi-immortal) do not count as food.

As for Crystal telling Niko to stay behind because she's human: this line felt so... strange to me the first time I watched the series. After thinking about it though, I couldn't help but compare it to Charles' line in the pilot episode right before they enter Esther's house. He tells Crystal that "She still has a life to lose" and they want to "Protect it while they can," and while the sentiment is the same, the dialogue feels vastly more natural and understandable being delivered from the mouth of a ghost - a dead 16 year old boy - to an alive 16 year old girl. On the contrary, Crystal citing Niko being a human when she is also alive and very much a human just as capable of dying as Niko is, feels out of place. There's simply no need for Crystal to clarify that Niko is a human as the audience has already assumed that and been given no reason to believe otherwise. It's a small detail, but the only way for this line to make any sense is if it serves an ulterior motive - perhaps with the intention of getting the audience's gears turning and/or serving as the framework for a future plotline. Again, if Niko is related to The Principal, this would make her half supernatural at least... so, ironically, less human that Crystal is and less likely to face a typical human death...

which also might explain the "Outlook not so good" on the Magic 8-Ball. It's not the worst response you can get, it's not a critical failure or natural 1 in DnD so to speak... but it's also not great. Niko's not alive, but she's likely not as she once was either (but that's an entirely different can of worms).

As far as explaining how The Principal would know what Tragic Mick told Niko, I feel like an infinite trans-dimensional being who works as a higher up in the afterlife's Lost and Found Department would have no issue accessing their own child's file. We know the Lost and Found Department is nothing if not rigid, specific, and detail-oriented, and the files they have include the details of every child's death - it isn't so far-fetched to believe that Niko's file (and all the files, really) would also include insight on what Niko's last day on Earth (interactions and such) were like. Not to mention the fact that The Principal tells the boys she can pretty much do "Whatever she likes..." so she's powerful, she has resources and abilities that might even surpass those of the Night Nurse (who can literally dig around in people's minds and choke people with a snap of her fingers). If she is Niko's mother and she just lost her child and husband in a short amount of time, it would make sense for her to allow Charles and Edwin to keep doing what they do because they are helping people like her daughter, and maybe they could help her daughter again.

Lastly, I can't help but acknowledge how there is some kind of recognition, spark, or tenderness on The Principal's end when she first appears before the boys. I've seen other people say they feel similarly, almost like she seems disappointed or a bit taken aback when they ask who she is. She especially lingers on Edwin for a beat, and we all know how important Edwin was to Niko! Again, this is all just my own theory, but if The Principal is Niko's mother, her sparing the boys of being taken by the Lost and Found Department with the tenderness she does - by using Tragic Mick's words, the ones offered alongside a good luck charm (the last kind act toward Niko before she died) at the boys who loved her daughter and saved her once and could very well save her again - feels tear-jerkingly poetic to me. The Principal seems choked up before she goes, almost as if she's repaying them a favor they didn't know they were owed - the boys saved Niko once, and now that good fortune is coming back around to them.

So what would that all mean for next season? Where might Niko be? Who knows for sure! Perhaps she is imbued with Dandelion Sprite magic, or is currently an "Undead," a zombie, like the kind mentioned in the Night Nurse's book in Episode 6... but whatever she is, I have a feeling the boys and Crystal will find her again.

But all this to say, whether The Principal is Niko's mother, a reincarnation of Niko's father, an estranged aunt or family member we haven't met yet, a complete rando with invested special interest in Niko's case, or shit - even Niko herself somehow - I can confidently say that episode 8 won't be the last time we see The Principal, and that we're meant to draw a connection between her and Niko.

Now we just need a season 2 so we can get some answers @netflix!!!!!

[ohbluesky]

some random tmr doodles + stuff i made for the glader cup 2022 and 2023 :]

also that brinho doodle is an illustration that you can find in @newtedison ‘s fic over here (she literally tweaked her fic so my art could match it so obviously this is dedicated to her <3)

[coolsvilleprincess]

Cleaned up some sketches cause I need to post and also I miss them terribly 13 ghosts come home pleaseeeeee!!!

There were Shaphne ones too but they took up their own page so I'll clean them up later.

[clownprince]

how sick and twisted would i have to be to miss that lunatic?

batman: arkham city – end game #1 // batman: arkham city – harley quinn's revenge // batman: arkham city – end game #2-6 // batman: arkham knight – the riddler's gambit // batman: arkham knight #0 // batman: arkham knight

[webslingingslasher]

I’m on my period and my cramps are kiiiilling me. Like legit so bad I threw up. And ofc I can’t stop thinking about nerdy!peter, and how much better he would make me feel rn:((((

So if you have the time, I would really like to request a blurb of nerdy!peter taking care of reader that has a more intense period lol<3

(ALSO I need to say that I love you so much!! And I literally read everything you write hehe. Thank you for feeding my tasm addiction!! <33)

*cleaning out my inbox.*

this but you're also not trying to make him feel bad so you're trying to hide it but peter keeps noticing you wincing or awkwardly shifting and he knows it was a planned meet up but:

'do you want me to leave?'

'huh?' you sit straighter and ignore a stab in your lower stomach. peter doesn't sound the least bit offended either. 'you seem a little off. if you don't want to hang out today we can do something tomorrow?'

no, you can't lose your only lifeline. 'i want you here, i promise.' peter knows you get a period but you haven't really talked about it and you're not about to start crying to him over cramps and a headache.

'then are you feeling okay?' the back of peter's hand rests on your forehead, the light touch has your shoulders releasing unnoticed tension. 'no. yeah. sorry, yes.'

peter has an amused look, 'care to explain, ma'am?' a pretend microphone is held under your chin. you lean into it, 'tummy hurts.'

your boyfriend acts like he's been shot. 'my girl is hurting on my watch, i've failed.' then looks up at you from your bed, 'what can i do? do you need a snack, or a sprite? what about chocolate, don't girls like that when they're on their period?'

you freeze, 'period?' peter's eyes widen, he might've just messed up big time. sitting up, he does his best to not make it worse. 'i'm so sorry, i thought you were on your period but i should never make that assumption. i'm sorry, i love you and i am ready to repent.'

shifting and tugging at your sweater you look at the ground, you feel a little embarrassed. 'why do you think i'm on my period? have i been mean or something?'

peter coos and shakes his head while tugging you halfway over his lap. 'you're never mean to me, why else would i call you my sweetheart, hm?' peter softly cups your face and pouts. 'i said that because you always have a tummy ache this time of the month. and maybe a little hangry.' another breath, 'you also cry more.'

he knows you better than you thought. 'you picked up on all that?' it's a little warming, he notices everything. peter scoffs at the assumption that you thought he wouldn't. 'it took a couple months. i said something to may one day and she looked at me and said something like 'c'mon, peter. put two and two together and get her some chocolate.' so i brought you m&m's and you cried. so, yeah, i kinda figured it out then.'

you remember it. peter showed up and said he stopped for something at a corner store and saw them by the register and thought you'd like them. the memory sends tears stinging at your eyes. 'it was just so nice. you thought of me and spent money on me.'

peter laughs a little, 'i did.' you nod, as if his answer explained your tears. 'peter?' he lights up, 'yeah?' you give him puppy dog eyes, you're praying for his sympathy. 'i have cramps and they really hurt.'

it's all you needed to say for peter to jump into action, for a moment you regret not saying anything sooner. you've been missing out on cuddles and forehead kisses and unwavering attention. 'my poor baby. what do you need from me?' 

[wi1dshxpe]

durge: now let’s seal this alliance with a blood pact

gortash being polite: okay…

durge post blood pact licking their hand clean: your blood tastes like power

gortash: thank you?

gortash: *offers a hand to durge to help them up from their chair*

durge: *looks at him confused*

durge: *licks the blood the blood off of gortash’s hand*

durge: *gets up on their own* thank you.

gortash: *is hard*

durge, placing hand on gortash’s shoulder: you’re hard *leaves*

[ennunanaiurov]

TechnobladeNeverDies

miss you king 🐷👑🎗️

[r0semultiverse]

How Homestuck Beyond Canon Candy Timeline has/will have parallels with Homestuck proper around and during the events of [S] Game Over

Jane Crocker heavily aligned/influenced by with Crocker Corp. Notice how her neck accessory looks very similar to the Crocker computer tiara. There's also the circuits surrounding the button, which are reminiscent of Crockertier Jane's visual mind control effect by The Condesce.

Jane also kind of looks like The Condesce with how she's silhouetted here.

The head of Crocker Corporation on a large Crocker space ship. A ship which I would like to point out looks eerily similar to the ship that The Condesce flies around in except the forks/sporks are facing the opposite direction and it's got black on it instead of mostly red.

Jake dying at the hands of Crocker influenced Jane and coming back to life parallels with this Jane coming close to killing Jake, but stopping right before death. Same green text too.

The cast of characters surrounding this time in the comic are also similar.

We also got the whole Crocker laser beam of death being hinted at which we've absolutely seen before.

I talked about this in one of my previous theories, Jake is getting a better grasp of his hope powers; so, I think we could see another hope explosion again in some capacity out of Jake's concern for Tavvy.

I could also totally see Jake being held hostage by one of the Crocker Clones A.K.A. the Brig Boys and Kanaya cutting them up with her chainsaw (hopefully avoiding Jake).

This is more of a little side detail, but Vriska is once again on the sidelines while this massive important fight takes place because she's trapped in her own personal Hell this time.

CHARACTER DEATH FLAGS - I don't know how to organize this post and there was a lot more potential evidence to this than I thought there was going into it.

Let me preface this with the fact that the existential split between Meat and Candy sometimes seems to try to course correct itself and much like certain peoples DNIs, it doesn't want any doubles. We see this with Dirk, Dave (he died even if he ascended to ultimate self afterwards), June/J/John, Terezi(seemingly), Meenah (her other self is in the black hole with Lord English so we can't necessarily confirm death but yknow), Aradia (is just Aradia), Gamzee, Calliope (that is a whole complex situation), and Rose (if her future sight is correct, but we'll get to that). Those are the only examples I can think of at this time, but it's absolutely a repeating pattern of the universe sort of course-correcting to have only one of each of our main characters exist at a time. This, at least in the cases of Dirk, Dave, & Rose seems to be related to the ascension to ultimate self, but we can't really say if that's why the other characters only get one existence at this time.

Karkat has has at least 2 deaths from around this time, one involving Crockertier Jane as well which could be a sign of things to come.

Rose's death flag is that she has literally foreseen her death in her future sight. She is thinking about Kanaya and Roxy in the same thought process while seeing her own death, feeling full of regret (even though she's trying to repress her own feelings) about her relationship to Roxy and Kanaya. Very similar to her being regretful as she was dying in Roxy's arms. I'm also guessing the bullet that hits her will be from Jake's gun, just throwing that out as a possibility.

ROSE: What... ROSE: Happened to me? ROXY: the witch got u ROXY: with her fork ROXY: but youre gonna be ok ROSE: Oh. ROSE: That's nice. ROSE: *Cough.* ROXY: maybe you uh ROXY: shouldnt try to talk now ROSE: You saved me, didn't you? ROXY: ... ROSE: Thanks. ROSE: But, ROSE: She's gone, isn't she. ROSE: For good, I mean. ROXY: ? ROSE: I saw her die. ROSE: And. ROSE: It's a shame how... ROSE: *Cough.* ROSE: A shame that I never even... ROSE: Got to tell her... ROSE: I loved her. ROXY: who?

ROSE: Kanaya. ROSE: But... ROSE: You too, mom.

Kanaya also has a death flag here in getting hit by The Condesce's laser beam of death, but it's more of a maybe given that we see Rose's future vision of Kanaya holding her body in her arms. Keep in mind though we also had this bit of dialogue about the reliability of future sight right before we saw that vision.

JADE: dont forget im more than a little versed in future sight myself ok JADE: i dont care how credible it seems, you cant depend on that information!

Jake and Jane are also on the chopping block potentially, but I can't think of a way at this time, unless Kanaya mistakes Jake for one of the clones amidst her rage and ends up cutting through him along with the Crocker clones. The one pictured below was done by Aranea who is out of the story. Maybe Meenah's trident hits Jake somehow or something, I don't know. We also have meat Jake and Jane who are doing more okay.

On top of the parallels to the doomed timeline that was [S] Game Over, we also had Vriska say that this reality was fake and didn't matter. I'm paraphrasing and I don't know if we'll get a doomed timeline situation yet with the 4 kids still in it, but I just thought the amount of parallels was interesting & worth pointing out.

I also wanted to get this out before the next update in case it's related to the flash animation and any of my predictions come true.

Alternatively I think the flash animation will be Ultimate Dirk kick starting his SBURB home brew session on Deltritus. He probably has all the tech and narrative powers to do it based on what we've seen, they just need a species they'll both be satisfied with as the players for the session.

[artsyaprilmr]

doflamingo save me. doflamingo. save me doflamingo.

[egophiliac]

As someone who hasn’t played the twst game very long I just got into it. I wanted to know about events? Like do some not come back? For example do the Masquerade, Port, Beanfest, Ghost bride, starsending events. Do those come back? I hear people say how they missed their chance to get this great card like as if it won’t ever come back and then someone on Reddit will say something like “Oh beanfest happened twice on the JP server” so which events have gotten reruns so far? I would ask about more recent ones like the Easter one but idk if it’s too recent to know if get rerun or if they clarify that it won’t come back? I was really sad to find out about the Silk outfits I missed out on when they visit the scalding sands. I also was really sad to find out i missed out on the anniversary cards because I didn’t play the game yet. I wish they would add the anniversary cards to the store at least…I want to be apart of the celebration :’)

I was looking in the shop and saw all the different groovy items you need to groovify event cards and this question just came to me so I had the urge to ask someone…

welcome to Twst! 🎉 it is a bit confusing to jump right into, especially because. they're not always consistent. :') it sounds like you're probably playing on Eng, which I'm less familiar with, but I'll try based on what I know! (I also don't always remember everything, so somebody please correct me if I get something wrong!)

first, I do recommend the Twst wiki.gg, which seems to stay pretty up-to-date on events for both the Eng and JP versions! it's a great resource for when you want to see if/when an event ran or rerun. in general, I believe that the Eng version only does reruns that have already happened in JP, so if JP has a rerun that hasn't happened yet in Eng, they should get it too eventually! on the other hand, I don't think either version has ever rerun an event more than once. :( BUT this doesn't mean you're entirely out of luck, because:

anniversary events (March for JP, January for Eng) will usually offer a chance to get both an older event SSR and an older birthday SSR in the shop, via buying a special item with exchange currency (which you get by doing pulls on the anniversary gacha, I think you need to do 100-150 pulls for enough currency to buy the item to exchange for an SSR). only SSRs though, and you're limited to one each (one birthday, one event). so if there's an SSR you REALLY want and it's already had its rerun, it's probably worth planning to save up some keys for!

as for actual reruns, they seem to come in a few different flavors:

straight-up rerun, no changes or extra cards

unchanged event story, with a new SSR of a character who wasn't in the story (e.g. Applepom Jamil)

slightly rewritten event story that includes a new SSR (e.g. Ghost Marriage, they don't seem to do this anymore though)

completely new event story that acts as either a sequel or alternate-universe version of the original (e.g. Beans Day part 2, Fairy Gala IF) (though this is pretty rare and might actually count as a separate event, rather than a rerun?)

Master Chef/Culinary Crucible events have never gotten reruns (though they might start now that we've finally gotten through all the characters in JP, time will tell). birthday and Halloween events will also rerun the previous version in addition to the new one -- for instance, Eng should be getting a Glorious Masquerade rerun this year, followed by the new (Playful Land) Halloween event. and a birthday campaign will, in addition to the new card, have a separate pickup for the previous year's birthday card.

for the specific ones you mentioned -- I think Beanfest, Ghost Bride, Fireworks, and Starsending have already rerun in Eng, so those most likely will not be rerun again (at least not anytime soon). Masquerade should be coming back for you guys this Halloween, and Portfest JUST got its rerun in JP, so that should be coming too sometime in the future! (no new SSR though, alas, I was really hoping for a little marching band sailor boy Leona. 😔) the Easter event is the White Rabbit Fest, right? that one hasn't gotten a rerun in JP yet either, so it's still on the table!

all that said, it's entirely possible they'll change the rules at some point and start doing more reruns/chances to get older event cards, especially since the game's been going on for a few years now and some cards haven't been available for a pretty long time! there's only one card that they said was for-realsies limited-time-only and wouldn't ever be available again -- Platinum Grim, since he was to celebrate the 100th anniversary -- so. there's always a little bit of hope for everything else. :D (fairy gala Ortho PLEASE COME BACK SOB)

[uhbasicallyjustmilex]

me stubbornly forcing myself to drink green tea and rest from my THIRD COLD THIS MONTH

[tunastime]

"hold my hand. please" + draping a blanket over their sleeping body?

you know i'm a rentho or ethubs guy but i'll be happy with any pairing you choose :3

"pull me closer…" / draping a blanket over their sleeping body (873 words) (x)

"You know, this would be a lot easier if you actually went to bed like a regular person, my dude."

The bundle carefully tucked in his arms gives an aborted huff, eyes narrowed as he stares up at him. Ren gives the bundle, shock white hair and mismatched eyes, a pitying glance from behind his half-moon glasses. Etho continues to glare up at him, all angry kitten-like and bristly and no actual bite. Careful not to jostle his precious cargo, Ren weasels open the door to the monolith. He'd be happy to make this Bdubs' problem, were it not that Bdubs wasn't here, and Etho didn't have a room closer than this, and Ren wasn't about to tuck him away in a cold castle.

"Tango's a snitch," Etho finally mutters, voice heavy with exhaustion.

"Feisty!" Ren snorts. "Tango would've let you sleep if you hadn't... hm, dunno, passed out in his dungeon?"

Etho burrows a little closer, a familiar, shifting expression flitting over his partially-concealed features. 

"I, ah, fell asleep," he offers. Ren raises a doubtful eyebrow.

"In the prize room of Decked Out," he states. Etho gives an aborted shrug.

The inside of the monolith is as homey as it had ever been, lined with smooth, white stone and dark wood, carpets and chests and low hanging lights Ren had to duck to avoid. 

"You're going to sleep in a real bed, my man," he muses. Etho sighs.

"I had it under control!"

"I'm sure."

"Tango... had it under control,” Etho mumbles.

"He's gonna have a heart attack thinkin' you straight up died and your body got all..."

"Stuckificated."

Ren scrunches his nose, planting a kiss on the free space of Etho's forehead. Etho makes a startled squeak, squirming in his arms as Ren stands on the first step of the stairs, beaming down at him.

"You sound just like 'em."

Etho grumbles.

"Jerk," he warbles out, more embarrassed laugh than bite.

Ren laughs, a sound that rolls through his chest just as much as it probably rolls through Etho. Ren follows the staircase up several landings to the sparsely used bedroom, the faint smell of old candles and packed linens drifting through the space, tugging on memories. Etho spent some of his time here—when he wasn't sleeping in his workspace, or on the couch, or on the floor, or in his half finished build, or, it seemed, in the rooms of Decked Out Two. Those nights Ren remembers with a particular, swelling fondness, pressed carefully between the chambers of his heart. 

He lets Etho untangle himself, all limbs and sharp joints and padded muscle. He shakes himself out, flopping forward at the waist to stretch out his back as Ren steps backward, grinning at him. At this angle, all of Etho's hair, the partially braided bits that Bdubs attempted to keep together, fall over his head and brush the floor. Etho huffs, brushing it all back in one messy swipe as he stands up, looking disgruntled and dislodged. He lets his shoulders sag a little as he starts to detangle his hair, fix his clothes and wander to the bedside. Ren watches with a careful, somewhat attentive eye. It doesn't take Etho long to settle despite all his stretching and preening—as soon as he sits, tugging off non-essential clothes and changing into pajamas passed over, he crawls under the layers of blankets and curls up, small against the wide space of the mattress. 

Ren steps forward then, tucking the blankets better over his shoulders, carefully combing back hair that dips into Etho's face. Etho's face softens in the now-low light, smoothing out the freckles and smile lines, crow's feet and lines of stress under his eyes. Ren runs his hand through his hair, back over his shoulders and rests it there on the cusp of his arm before he pulls away. Just as he does, Etho catches his hand, tugging ever so, more deadweight than anything as he fights sleep.

"What's up, baby?" Ren jokes, giving his weak hand a squeeze.

"Stay here," Etho mumbles into the pillow. Then, partially aborted as he shuts his eyes, more sound than words: "Please."

"Well," Ren muses, scrunching up his face. "Since you said please, I don't know if I have much choice!"

Etho hums, the note high in his throat. Ren takes that as a fundamentally good sign. 

"But," he tacks on, sitting in the space Etho leaves for him, the warm impression of him still felt on the blankets. "I'm not lying down with you. I have other things to do, unlike you."

"Mrgh."

"I know, it's a terrible shame. I slept the entire night last night, so I'm allowed to work during the day."

Etho huffs. The tense look to his face dissipates though, as Ren leans forward to press a kiss to his temple, smooth back his mess of hair that most certainly, certainly needs a good brush, and probably a good shampoo. Ren sets the task a little higher on his mental to-do list. He lingers against Etho's cheek, kissing the high of his cheekbone, smiling to himself when Etho relaxes a fraction. 

The tired give of his body under Ren's careful ministrations is all he can ask for.