#i'm not sure if the ending can be satisfactory like this

[houkagokappa]

Did I mention I've been travelling?? I made it to the biological station a few hours ago and I'm sharing a room with a complete stranger???? She seems nice, but like I'm crying, what an introduction

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[ceilidho]

This is in no way of hating but i want to know why do you enjoy writing noncon/rape? When I first downloaded tumblr which was couple of months ago i was surprised by the amount of noncon fics here. I eventually came to enjoy them which makes me question myself. Whenever i read a noncon fic and enjoy it i feel like im betraying women who actually went through those traumatic events. Plus I actually don't really like dark romance books? I love cod dead dove and that is mainly because i really love the characters and the authors are so talented. I rambled so much and i hope you don't get this in the wrong way i don't mean to hate AT ALL i love the stuff you write. Maybe i shouldn't think too much and let myself enjoy what im reading lol

first of all, no worries! i wasn't sure about your tone/intentions at first, but by the end i was totally fine with the question.

i actually don't mind talking about this stuff - i just sometimes avoid it on main because i prefer chatting about it privately.

second, i'm no psychologist or sociologist, so i probably won't be able to give you the most satisfactory answer, but i think there are a lot of different reasons. i can only name a few. one thing i should mention right off the bat is that rape fantasies are very normal (and this is true whether you're a survivor of SA or not) and writing/reading fiction can be a safe way to process those thoughts/feelings.

one of prevailing reasons is, of course, that many survivors of SA use noncon/dubcon literature/art as a way of processing their experiences and taking ownership of their trauma.

and look, people are going to go back and forth on this point (i've seen it all before - many people refuse to believe that engaging with noncon lit/art is helpful, and in fairness, it's NOT helpful for everyone because every person is different), but at the end of the day, if a survivor tells you "writing/reading this was helpful in my recovery" then that's that!

additionally, for many women and non-binary folk (i can only speak as a cis woman, but i'm sure this is a shared lived experience across many different people), we're also taught from a very young age to suppress our sexual desires / that being open about our sexuality is morally reprehensible and shameful. and a lot of people carry that shame for years, impacting them well into adulthood. so dubcon/noncon fantasies can be a way of being able to enjoy sexual scenarios where you don't have to be the initiator, thus taking away some of the emotional weight and shame.

plus, at the end of the day (and im sure many people will disagree with this take, it's something that i'm still figuring out myself), there is a kind of weird underlying consent implicit in dark fics. like, you might be reading a fic or novel that's ostensibly noncon, but you're also actively seeking out that literature (hopefully it's not just sprung on you - i do very much agree with tagging to the fullest extent and my lukewarm take is that I think all books, even traditionally published ones, should come with content/trigger warnings too).

there are a medley of reasons why someone might write or read dark fiction/dark romance. again, i'm just one person and i can only speak from my own experience!

i think at the end of the day, the important thing to realize is that fiction is fake, and as long as the writer appropriately tags their work and ensures that the audience is aware of what they're getting into when they start reading, they're not coercing the reader into something they aren't prepared for.

and it's totally fine if you have limits (like, you can read and enjoy dubcon, but not noncon) or can't engage with the material at all, but it's also unfair to say that it reflects someone's real life values - the same way that we don't say that the people who enjoy crime fiction must love murder.

and the last thing i want to say because this got a bit out of hand lol, is that, yes, for some people dark fiction is genuinely harmful, whether or not they're a survivor. it's not for everyone and that's completely fine and i'm aware of that, which is why i agree that you should tag as much as possible (even if you feel like you're overdoing it sometimes), but someone else's discomfort doesn't give them the right to tell you how to process your own emotions/experiences/desires/etc.

as long as no one's getting hurt, there's no issue as far as i'm concerned. and sorry but, no one's getting hurt by reading a fic or a novel unless the author didn't give proper content warnings - if you "forgot" to read the tags or read anyway DESPITE being warned, im sorry but that's life.

[bumblebeesfromvenus]

Simon Riley NSFW hcs ♡

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Two lovely people asked for my NSFW Simon headcannons and I'm happy to provide!!

Just a disclaimer, these are my headcannons. If you have ones that are totally different, that's okay!

He's fictional and can be whatever you want him to be <3 (except a rapist. We don't do that here.)

If you have any COD thoughts or requests, my inbox is open!!

~ Fi 🐝

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I'm a soft!Simon truther until death.

There's not a single reality in which I can see him ever being too rough with you, let alone hurting you.

First of all, he has no fucking clue what he's doing. He's maybe had sex 2-3 times in his life and I don't think any of them were memorable or good.

I'd wager that all of them were hookups, encouraged by other soldiers to "let off steam". But Simon just can't do it, it feels so wrong. To give himself so fully to someone he doesn't even know.

There needs to be an emotional connection in order for him to feel comfortable and good. He needs to trust and love this person before he can do anything with them.

It's gonna take a while for him to open up, but once he does everything is smooth sailing.

(I also don't think he masturbated excessively. He probably jerked off, everyone gets horny, but especially if we say he's on antidepressants, his sex drive is pretty low. He's either too tired or just doesn't care)

Your first time together was fueled by a, not so uncommon, make-out session on his couch. It'd usually end with you grinding on his thigh or rubbing yourself over his clothed cock until you both reached a satisfactory end.

Simon thinks he could live an entire relationship with only sticking to dry humping, but in reality he's just terrified of the intimacy of real sex.

It's not too romantic, none of that rose petals lit candle stuff. It's not that Simon hates all of that, but I just think it'd be too much for the first time.

He's already so nervous (so are you probably if we're honest) and all that extra stuff would overwhelm the fuck out of him.

(He will spoil you with rose petals and candles another night, even if it just ends you with you falling asleep in eachother's arms <3)

Eventhough it's soft and sweet, you're both still very horny and basically rip the clothes off of the other.

Foreplay is important!!! (For all my girlies who don't drip down their thighs)

Not only for you but for him too. Even if he's rock hard already, he wants to enjoy himself, maybe be a tease. He will always make sure that you're okay and ready (and so will you bc he deserves it).

Would literally eat you out to calm himself down. He probably has fallen asleep while licking your pussy, it's his personal meditation.

Your taste, the way you feel on his tongue and the fact that he was two perfectly good pillows wrapped around his head made it easy for him to nod off.

Also, he prefers it hairy. (Fight me.) (pls don't)

I know it's cliche but he's like 2 seconds away from just coming inside of you the second he pushes in. Not only does he feel good but when he looks down he sees you and he could cry from how happy he is. He just loves you so much.

Can we please put the "You only take half of him" bullshit to rest??? Thank you. We all know Simon as BDE but let's keep it on the real side okay. He couldn't give less of a shit if you can take him to the hilt or not.

(Some gals physically can't bc if your vaginal canal is too short, then it's impossible. You don't want a bruised cervix, so don't be stupid) I do think when he's more comfortable about it and a little more desperate and rough, he'll play into the size kink.

He probably has a huge size kink anyway but he would never make you feel bad if you couldn't take all of him. (Especially if you're giving him head bc let's be real that thing is not going down no one's throat okay)

He has the prettiest moans. I JUST KNOW IT. they're more throaty and deep but they sound good. I honestly don't think this man is capable of whimpering (like physically. Not with that smoker lung) sorry babes.

Simon isn't too loud, but just enough to make you that much hotter. He will try to pull more moans out of you, like a little challenge for himself.

NONE OF THAT "10 rounds Riley" SHIT. (Have any of y'all ever had an orgasm before like?? Who the fuck is going ten rounds??? Not me that's for sure lmao) it really all depends on your guys' mood and neediness on that day.

I do think he can and wants to go a couple of rounds but it's probably more on the rare side and never more than 4.

He knocks out immediately. He's always tired anyways.

I think his favorite positions are missionary, prone bone, and cow girl. He likes the closeness, wants to feel every part of you and kiss it like his life depends on it.

The further you are into your relationship, the more new stuff you can try out. He's always gonna be hesitant at first but if it's not too out there he'll try it.

Simon will tell you if something is a hard no for him and he expects you to respect, just as he would for you.

Would 100% make you ride his face. Wants to he smothered in it okay. (Simon said sit, so sit.)

Simon would be down to tying you up (one condition; you're never tied to anything. In case of emergencies)

You won't get him to be tied up though, that's a real hard no.

I think the closest you'd get to a submissive Simon is if you order him around.

He's sitting on his knees before you and you tell him exactly what you want him to do (one thing Simon Riley can do is follow orders) and he'll pretend to let you be in control and maybe you are for a while, but deep down he's always in control (not necessarily sexual or possessively, he just needs the security)

He loves to get head (not as much as giving it tho) but he will never ever force his cock down your throat, even if you begged him.

He can't do it, won't do it. Has he had the urge and fantasies?? Sure, but it goes against everything he promised when you got into a relationship.

Sweetly suck on his tip and stroke the rest of his length and he's happy as a clam <3

His absolutely favorite thing is when you ride him in the morning. Just lazy and sloppy circles of your hips while you sit on top of him. He loves the sight.

Simon'll gently hold onto your hips and guide you if need be. It's even better if you're laying flush against his chest and the both of you are snuggled under the blanket.

Bonus; he loves to make-out with you. It's an unhealthy obsession that has led to too much lipgloss/lipstick ingested just bc the fucker couldn't wait 2 minutes for you to take it off.

Kissing you is his number 1 way to show you how much he loves you since words aren't his strong suit.

Needless to say, he's head over heels for you, and the sex is great. <3

─── ⋅ ∙ ∘ ☽ ༓ ☾ ∘ ⋅ ⋅ ────── ⋅ ∙ ∘ ☽ ༓ ☾ ∘ ⋅ ⋅ ───

I hope you lovelies enjoyed it!

More of my works --> 💫

[consoledacup]

Ode to the Street Scene

I really thought my favorite scene was the wedding dance. It cuts away to no one in the room, and my heart just swells from the romance. And that cheek caress at the end? Butterflies!

But every time I rewatch, I have to pause the show and just sit with certain beats of my actual favorite scene because I'm so overcome. The writing is so fantastically good. Verica's directing is perfect. The scoring is angsty and beautiful. And Luke and Nicola deliver incredible performances. The give-and-take of this fight is exceptional, and their chemistry is electric.

This confrontation is one that is years in the making. And as they fight, they address all of it. He's only known about her Whistledown identity for a short time, so this fight was always going to be incredibly heightened and passionate. But we also get so much truth in this exchange, too.

Colin's leaving the saddest stag party ever. I'm sure he also felt weirdly guilty for not being ecstatic about it. Especially because the three gentlemen with him witnessed Colin-heart eyes-Bridgerton not a week ago. So they notice something is wrong, and he really doesn't want to talk about it.

Penelope's leaving her good friend and business confidant. And I love the little hesitation Genevieve has before asking Penelope if she'd continue publishing. She adores Penelope and has been such a fantastic support for her. So although Penelope feels like she's unworthy of Colin after everything that has happened, Genevieve is steadfast in encouraging her to not give up a huge part of herself.

So they run into each other, and Colin is immediately furious. He is shocked to see her, his Pen, out alone at night. And then he's like, well, she's Whistledown. She was doing this all along, right under my nose, having a laugh. And Penelope can probably smell the alcohol on him and is fed up with being the bad guy at this point. So she bates him because good grief, can he just look at her??

And he immediately lays into her. I really love Luke's rhythmic delivery here:

After all of the secrets you have kept, all of the things you have written over the years, all of the damage you have done.

And I love how Penelope immediately takes responsibility and apologizes. Two people have found out about her identity prior to Colin. Genevieve needs no explanation for why Penelope did what she did. And Eloise is so heartbroken and betrayed and humiliated, she has no room for Penelope's motivations.

But as angry as Colin is, he listens. And they go through her past transgressions, point by point. He asks about Eloise, as the protective brother he is, and receives a somewhat satisfactory response.

And then he asks about Marina, and Penelope is essentially like, I was saving you. For White Knight Colin Bridgerton, that is almost too much for him to take. If we go back to that scene when Penelope tells Colin about George, she purposely leaves out her pregnancy. That was deliberate. She might've gotten dismissed by him and interrupted by Marina, but she was always going to lead with, "well, she has a lover back home." Because she was terrified Colin would mount his white horse and see it as his duty to rescue Marina all the same. As a 17-year-old girl, who had incredible power, she saw no choice but to manipulate his future. That was a bad move, and she knows it.

Which is why he's like, do you really have that little respect for me? Because he reveals what cuts him the most. Whistledown called him out, belittling him. And then he finds out that the most important person in his life, his entire world, wrote that about him. And is that truly how she feels about him when he thinks she hung the moon and stars?

And that's when this fight takes a turn as Penelope lays bare everything she loves about him. She was like, I missed you just like you missed me. Here's where I praise Nicola's rhythmic delivery:

It's you. Kind, feeling, occasionally excitable good-hearted man who I love.

Even the way she says "man who I love" is just so matter-of-fact. Of course she loves him. When is he gonna get that?

Every episode this season, we see Penelope subtly gain more and more confidence. Which is why this payoff is so delicious because she has finally developed the confidence, that he helped her find, to stand up to him.

So he takes that all in, and in an almost hopeful way, he's like, well, I helped you gain confidence, and you have me now, so you really don't need Whistledown, right? You don't need to be more powerful than me. And she's a little taken aback by his plea but stands her ground, patiently explaining why Whistledown is important. Which breaks his heart because he feels that, deep down, Penelope surpasses him in talent and ambition.

Remember their engagement party when Penelope and Eloise take turns answering the riddles? He is proud of Penelope, and he is concerned something is going on with her, but he is also, plainly, jealous. Anthony obviously steals the scene with his competitiveness, but you see Colin sitting up a little straighter, wanting to impress everyone else with his quick wit. And each time Penelope or Eloise get the answer right, he deflates a little. He's always known Penelope to be incredibly smart, but now that he's desperately in love with her, he is terrified that she doesn't see him as her intellectual equal. And his fears are confirmed when he finds out she's the sharpest tongue in the ton.

He's honest about how patronized he feels, thinking about her hyping up his journal. His eyes are welling up because good god, he does not understand why she just won't choose him over Whistledown. And he chooses that moment to assert his physical dominance and join her on the step so he towers over her. He goes for broke, berating her for her carelessness, and she's not having it.

And this interplay between Luke and Nicola is like a perfect volley:

I have been careful.

You have been foolish.

Colin, I can take care of myself.

Then what good am I to you?!

And Penelope just snaps. She tells him she loves him which snaps him out of his spiral, and they finally allow their passion for each other to take over. And their physicality shows how relieved they feel in each others' embrace. Their kiss is like coming home, and they're like, thank GOD you want me like I still want you.

They're not thinking much else, but I do wonder if Colin in the back of his mind is like, she may not need my brain or my protection, and I have no title, and I can only provide her a townhome, but by god, I can give her pleasure. I think it says something that Colin's go-to move is his hands. He wants to bring her to ecstasy as expediently as possible, finding his own pleasure in hers.

Thankfully, they are interrupted because they really don't need another scandal. They were debauching each other in the street! That is an absolutely wild thing for them to do, and Colin has enough wherewithal to keep her shielded, quickly falling into his coveted protector role.

He holds her hand and walks her to her carriage. Their goodbye is tense, but he assures her that she doesn't have to worry about him. He will be at the church on time. He is still choosing a life with her, and is, of sound mind and body, intentionally entering into a union with Lady Whistledown. And then he watches her carriage leave.

Perfect, heartbreaking, passionate, angsty, emotional, sexy, honest, cathartic, electric, romantic scene from start to finish.

[melodic-haze]

I WAS WAITING FOR THE ASKBOX TO BE OPENED AGAIN WOOHOO…

anyway. How about a belly bulge from a strap with Robin? Like, trying out different straps with Robin and the one is bigger then the bigger belly bulge on her stomach is!!!

-🐿️

☆ — DEMO TRACK: sub!Robin x dom!fem!Reader

☆ — TYPE: NSFW

☆ — CONTENT WARNINGS: Reader with a strap but that's probably evident HAHAHA, squirting

☆ — NOTES: I JUMPED ohhh 🐿 how I love your mind ik you sent this when I last opened my askbox I'm so sorry it took this long 💀💀💀💀💀

I went crazy insane before sitting down to write this bc HOLY FUCK

For the record I'd like to think that this was Robin's initial idea. She got way too curious and decided to just maaaybe suggest experimenting with sizes :3

And maybe she wants to see how it feels to be stuffed silly but shhh you don't need to know that (you probably already know LOL)

You start with a smaller size before buying new ones that are bigger than the last......but you just can't help but notice that whenever you both look around the site for another one, she always seems to linger at a particularly large one before you gently nudge her and snap her out of whatever train of thought she was in

So you end up buying that exact one in secret before surprising her, in which case?

The moment you revealed your 'mystery gift', you find that you've never seen Robin's eyes practically sparkle this much in such a peculiar way; it shined with a humorous mix of surprise, amusement and heated desire.

"Is this..?"

"I've noticed your eye on it more than once—for a multi-talented performer, you're not exactly discreet," you joked.

She smiles bashfully, "I suppose I've let my excitement show once or twice..."

"Really."

She laughs in that melodic tone you've easily grown to love, "Oh, hush, you!"

But then her eyes drift back to the new toy you've bought her.. and her hand idly strokes the false appendage, the size comparison between it and her hand being.. definitely something.

You hadn't even realised you were staring at her (and her movements) until you heard her clearing her throat, "Y-Yes? Sorry, I didn't quite catch that."

She gives you a light smirk, the wings on her head lightly flapped as if it were tittering, "I was going to ask if you'd like to try it out on me but if you're preoccupied with something, then-- mmph! ..Mm..."

You had silenced her with a quick yet deep kiss, the dildo pressing down on both your stomachs and earning you an excited moan before you drew back, "Was that enough of an answer for you, angel?"

"Mhm..." Her hand went to feel the toy leaning on her stomach, as if a prelude for the real event, "More than satisfactory."

Oh god when you get down to it, it's like she's absolutely hypnotised. Robin's DEFINITELY a lot more, for the lack of a more eloquent term befitting for such a lovely lady 🥰, sluttier and you've found that out for a bit now, but you've never seen her like this—all that's happening right now is Robin blowing you and yet it's as if she's already so dumb and eager as she drools on your cock. Can't even fit it in her mouth, what's the chance that she'd fit in her cunt????

Turns out she's determined to have you (and your new toy) inside of her no matter what 🤷‍♀️ gotta respect the woman's perseverance 🤷‍♀️🤷‍♀️🤷‍♀️🤷‍♀️

She winces when you try to put it in at first (with a LOT of questioning her beforehand about whether she's sure she can handle it, which she says she can but still) and you take your time with it, letting her adjust to the stretch little by bit. Something inside her wants you to just shove it all in but she 1) knows better and 2) doesn't want to worry you 🫶🫶🫶🫶

It takes a while but when you finally bottom out inside her she is WEAK AS HELLLLLLL❗️❗️ Her eyes are half-lidded, her breaths fast, drool gathering on the corner of her mouth.......oh she's already gone and you haven't even started moving yet

The moment you do though??? Ohhh boy oh boy oh BOYYYYYYY her wings are a DEFINITE tell on how she's feeling. With the way they're flapping and twitching as you piston her deeply, you can easily say she was enjoying it ☺️

And alsooo the moment you've all been waiting for :33333

You had been so distracted with your Halovian lover's reactions that you almost didn't notice the very noticeable bulge on her...

Oh. Oh.

"Robinnn..." You cooed with a clear smirk on your lips, "I'm sure you can manage to look down here, right? It'll be worth it."

You accentuate your point further by gently grazing your hand onto the evident bulge on her stomach disappearing and reappearing every time you plunged the strap inside her. She looks down at the feeling with unfocused eyes before they widen at the realisation...

And then you push.

The reaction you get is one you wish you recorded for preservation—she screams as her nails claw on the sheets underneath her, hips shaking up and pushing herself even further into your cock. The tip ends up hitting a particular spot and her eyes roll back as you feel some sort of pressure hitting onto your strap.

The moment you pull out, a jet of liquid squirts out and hits you and the strap both. It takes a while before her orgasm actually starts to recede.

...

And you need her to do that again, you resolve within yourself, as you use the wings on her hips as handlebars and pull her back on your dick without a warning.

You don't stop for a while, that much is clear

Yk what else is clear? That Robin's a SIIIIZE QUEEEEEN I love her 🥰🥰🥰 She's soooo stretched out and fucked out by the end of it and yk what the best part is???

She makes sure to show you just how much she appreciates her very big gift in any way you'd want ☺️☺️

She's gonna have so much fun the day after when she goes to work ahahahah no fr I'd say jokes but I'm really not. She'll think about what you've done and what you now have and she'll feel her pussy clench as she gets distracted by her own thoughts when she REALLY shouldn't be 😭

[longagoitwastuesday]

I ran out of tags xD

All this could have been managed way better, but the ideas, if bittersweet, are coherent with the entirety of the text and they are good. NOW what I don't understand is the need to make the kids still take missions literally just ten minutes after waking up. Wasn't that the point?

I actually like the last chapter. I think the ideas are very good. I have my qualms on how some things were managed, as I always do, but I think shonen authors get tangled in the expectations of a shonen to the point it jeopardises their writing, often even when they're not lacking in skills

[happyk44]

Thinking about Percy who ties his personhood and identity/sense of self to the relationships he has (Sally's son, Grover's bestie, Annabeth's boyfriend) because it's easy and aligning himself to them provides a clear picture of who he's supposed to be. But often where he ends up short with this is in his concept of Nico's protector, because it's not mutual. At least not in his perception of it. Aside from the beginning of TTC, Nico does not see Percy as his defender the way Percy does.

On one hand, it provides a relief because it gives him space and leeway to develop a relationship with Nico outside of preconceived notions, but on the other hand, it denies him the framework he's used to having for developing relationships with other people. Nico sees himself on more equal footing with Percy, and while Percy would never deny Nico his strength and power, his capabilities are often ignored in order for Percy to showcase himself in the role of Nico's protector. I can see this kind of dynamic providing a stressor for both of them. Nico doesn't want to be denied his agency and will get frustrated with Percy for assuming less of him, where Percy will get frustrated with Nico for not stepping back and keeping himself safe the way he thinks Nico should.

Nico is more informed in certain situations than Percy, especially when coming across mythical figures. So while Percy would be content to listen to him and allow him to present a strategy, I think he'd become agitated at the idea of Nico being a participant in that strategy. To which Nico would become agitated at Percy's dismissal of him. He would see this as Percy not trusting him, where Percy would see his refusal to stay in the background as a direct defiance to Percy's assumed role in his life.

When it comes to Percy tying his sense of self to the people he cares about, he doesn't tend to notice he's doing it. Sort of seeing himself in the framework of "Who am I? Oh, I'm Sally Jackson's son" versus "Who am I? Im Percy Jackson". It's not odd or abnormal to him, so he can't see it, and thereby he's not able to verbalize or explain his behaviour with Nico in a satisfactory manner.

Not to mention, I think Nico calling him out on his behaviour is a stressor in and of itself, so his mood spikes and instead of trying to analyze why he's acting like this or focus on Nico's words, he just doubles down on it instead and/or splits. And then they fight and argue and Percy just thinks "this fucking little shit" the whole time, annoyed and pissed with Nico. Then, when Percy settles down by himself a few hours later, he's suddenly swamped with intense depression and misery for failing Nico over and over again.

Despite this, he still can't analyze himself. He just sees himself as a failure undeserving of being someone's protector, much less Nico's. He notices the intensity of his emotions, notices the sudden shift in mood, but it's so normal to him and so overwhelming, he can't wonder about the why. Not to mention, wondering about the why requires introspection that Percy despises because looking inwards just shows he doesn't really know the answer to "who am I?" He's Percy Jackson, sure. Sally Jackson's son, Grover Underwood's best friend, Annabeth Chase's boyfriend. Two time saviour of the world. Child of the ocean.

But who the fuck is he outside of other people?

Who he is when he's alone?

[moe-moe-kyun]

Malicious Compliance

Synopsis: MC gets annoyed at Lucifer's bossiness and decides to toy with him a little.

Tags/Warnings: Nudity, suggestive, gender neutral reader, lucifer x MC, lucifer x reader, cursing, explicit language

Minors DNI!!

Notes: I'm writing a smut version of this :3 it just got a lil long and im doin all this on mobile lol

Condensation masked the mirror as you stepped from the shower, steam saturating the bathroom air. You tossed a towel over your shoulders and tappen the screen of your D.D.D. to awaken it- did Asmo finally send you that link for the up-and-coming influencer's DevilTube?

Lucifer: 6 Missed Calls

Fuck. You were boned. How had you not heard the phone vibrating?

Lucifer's profile image- a picture of the two of you on a task to the Human World- popped up as he called you again, and you were quick to answer.

"Finally. Come up to my office, we need to discuss your latest progress report." He sounded stern.

"Okay, I'll be up in, like, 5 minutes? I just-"

"Now," Lucifer cut you off before abruptly ending the call.

"The boning continues," you murmur. You move to finish toweling off but think 'Fuck it. He wants me there now? Bastard gets a wet floor,' and affix the towel around your waist while stepping out of the bathroom.

It took until you were halfway to Lucifer's office for doubt on your malicious compliance to creep in. The nearby railing was a lucky godsend to keep you from falling as your wet feet slipped on the hardwood floor. Too late now, you resolved, and continued the journey.

The doors to Lucifer's office creaked open. He didn't glance up at your entrance until he heard the soft 'plap's of water droplets colliding with the floor. You were moving to shake off more water as he finally met your gaze.

"MC, why are you not wearing clothes?"

"Because someone refused to listen when I said I needed a few minutes to dry off and get dressed," you snarked in response as he sighed.

"Please dry off and change, we can discuss the report when you're decent," his gaze was squarely on the desk before him, the faintest tint of pink blessing his pale cheeks.

"No."

"Excuse me?"

"No," you approached his desk as you spoke, "if I leave the office now I'm not coming back. What'd you need to talk about?"

Lucifer begged his gaze not to slip to where the towel was slipping around your waist, the faux knot coming loose little by little.

He clears his throat before beginning, knowing better than to try and argue at this point: "very well. The latest report from you Flora and Fauna of the Lower Circles of Hell course is less than satisfactory. There's a missing report and two assignments marked as C's." Lucifer points out each part of the progress report to you as he lists them. You stay quiet, leaning over from behind his chair, as he speaks.

"Huh, professor must not've updated it. There was an issue with TurnItIn that night and almost every student got a submission receipt while the teacher's end didn't get the actual paper, so that's square. The low scores were group assignments, see?" You move to point at the paper where 'Group Work' is printed in small lettering, and your bare chest brushes against Lucifer's back. You pretend not to notice how his spine stiffens in response.

"I will follow up with your professor to corroborate, but I suppose your explanations are satisfactory in the meantime," Lucifer says, placing the report down next to the others from your classes.

"Ooh is that one from Devildom Law? Move I wanna see what he said," you speak quickly, excited at the opportunity to see your grade.

Lucifer isn't sure how to react as you push your way in between him and his desk, sitting in his lap as you go over the report. He can't help the bulge growing in his pants, his cock getting harder the longer he looks at your bare back, water droplets still sliding down until they absorb into the loose towel around your waist.

"MC," he manages through grit teeth.

"Yeah, Luci?" He could hear your grin.

'They've known what they were doing this entire time,' the realization hits him as you slide farther back onto his lap. Lucifer's hands grip the armrests so hard his knuckles turn white.

The coy smile spreads greater across your face when your ass comes in contact with Lucifer's dick practically twitching in its confines. Just when it seemed you were about to grind against him, you stood. Relief flooded Lucifer's veins. How embarrassing this situation was- he prayed you would leave him with a shred of dignity and not acknowledge his arousal.

"Okay, well, if that's all?"

"Yes, you are free to return to your prior activities. Thank you for clarifying the report with me," Lucifer replied. He would never admit how much effort it took to keep his voice level as he met your gaze.

"Okiedokie, see you at dinner!" With a cheerful goodbye you pranced out of the office, leaving Lucifer to deal with his problem alone.

"Cheeky human," he muttered.

[m1ckeyb3rry]

I was wondering if you could make a part 2 to "the instrument"? I got invested reading it was so sad that it ended :(

I don't rlly know what I'm looking for but I loved the plot of that fic and I wanted to see it progress further (´；д；)

Like, it js ended with him giving her flowers, I wanted to see their love bloom more yknowww ಥ_ಥ

(Also is it weird that I see y/n as her own person?)

── THE COMPASS

Synopsis: You were right from the start — Michael Kaiser has always been a dog, albeit perhaps not in the way you first meant it. (part one here!)

BLLK Masterlist

Pairing: Kaiser x Reader

Chapter Word Count: 4.5k

Content Warnings: fake dating trope, mentioned/implied/referenced abuse (both child and animal), call me tabito karasu the way i assassinate kaiser’s character in this, relationship dynamics many would consider…interesting…

A/N: EEK i feel like kaiser is so hard for me to do romance with but i tried my best!! and LMAOO this y/n is definitely a very interesting one so i can see why you got that sense 😭 but i’m glad you liked the instrument and ty for requesting 🥹 i hope this is somewhat satisfactory??

Additional: check my pinned post to make sure i have requests open; after reading the rules, please feel free to make your own!

You are quite certain that your mother was involved in this exercise, considering she’s the only one you can think of with a spare key to your house. So, when your phone call to Michael is sent immediately to voicemail, you don’t hesitate in dialing her number, knowing she’ll pick up immediately, as she always does.

The phone rings only once, and then she’s answering. There are voices in the background that are faint and muffled, which means either she’s watching a new drama or your father is watching some sports game. Then you detect the faint sound of cheers, and you conclude it must be the latter. 

“Hello, Y/N,” your mother says. “Did you need something?”

She is very obviously trying to maintain an air of mysteriousness, as if she has no idea why you might be calling her, but the fact that she is putting on such an act makes it all the more obvious that it is just a facade. You’ve known for many years that your talent onstage is not a genetic one, though it does not stop your parents from pretending that it’s something you inherited from them.

“The flowers,” you say. “You put them there, didn’t you?”

She coughs. You don’t know if she’s disguising a laugh or if she’s just taken aback to that extent. Either way, you give her a moment to compose herself, for it’ll be a mess if you don’t. Your mother is like that, after all. If you inundate her with questions, she’ll respond to exactly none of them, so patience is the only method you have if you wish to obtain any measure of success.

“It wasn’t my own doing,” she says finally. You sigh.

“Of course, someone told you to, and I’m sure we both know who,” you say. “What did he say?”

“He meant well,” she says. “Are you angry with him? He seemed to think you might be. Anyways, he just told me to give them to you. It’s his way of saying sorry, I think. Or perhaps of saying something else. I’m afraid I can’t understand him the way you do. It’s magical, really, how you all but read his mind…”

“No one can read his mind,” you scoff. “He’s a convoluted man, and his thoughts are his own.”

“And you despise him because of that?” she prods, in a way that indicates she already knows the answer and is only asking for her personal satisfaction.

“I love him all the more for it,” you say shortly. Somehow, it’s worse saying it to your mother than it was with him. More real, maybe. Unable to be taken back. You don’t want to take it back, of course, but nevertheless, even if you did, you no longer can. It’s out in the world, now, and the world has a strange humor; it takes things one says even carelessly, without thought, and it turns them into undeniable, inescapable truth. 

“Well,” she says. “That is a predicament.”

“There’s no predicament,” you say.

“He believes there is,” she says. “Right before he left, he—”

“Left?” you repeat. The flowers on your counter are arcing towards the sun, their petals unfurling towards the light pouring from your window. It’s a behavior more typical of flowers other than roses, but these roses are blue and they are Michael’s, so it stands to reason that they behave peculiarly. “Where did he go?”

“I couldn’t tell you,” she says. “He didn’t mention where he was going, just that he had to leave for a bit. But he looked sad. I mean, it’s difficult to tell with him, given how stoic he is, so I don’t know. Don’t take me at my word and start a fight about it.”

This is all you’re going to get out of her. You’re sure of it; there’s a wavering to her voice that signals she’s out of her depth. It’ll be unproductive and all but cruel if you continue to drill her, so you grit your teeth, squeezing your eyes shut and counting to three in your mind. Frustration is a wasted emotion, especially when the target of your frustration is somewhere far away, gone with nothing but a pot of flowers as a farewell.

That’s what it really is. Not an apology or a confession, but a goodbye. The fact that he thought to do it does mean something, but that meaning doesn’t outweigh the intention. So you make meaningless small talk with your mother and then your father, who she passes the phone to, and as soon as you can, you hang up and call another person, one who might be your only chance at finding the wandering stray that is Michael Kaiser.

Michael doesn’t really have friends, claims he doesn’t need them, but if there is one man who he might deign to bestow that title upon, it is his Bastard München teammate, Alexis Ness. They have been playing together since they were young, and so, if anything, there is an empathy between the two, although Michael will never admit it.

You’ve only met Alexis Ness a few times, at the various events which Michael used to drag you to when your relationship was still in the public eye. He’s never been anything but polite, albeit reserved, and on your third meeting, he gave you his phone number, telling you to call him if you ever ran into trouble. He had left the with Michael unsaid, but the implication had been there. You had thanked him and never called him since.

He’s quick to respond, like he was expecting the call — for all you know, he really was, though you would never ask either way. However, he does not speak first, so there is an awkward pause as you both wait for the other to say something.

“Good morning, Mr. Ness,” you say once a minute has gone by and he still has said nothing. “This is Y/N L/N. You gave me your number once.”

“Ah, Kaiser’s girlfriend,” he says. They have this habit, those soccer players, of referring to each other solely by last name. Your theory is that it’s to create distance, to avoid becoming close to a person who can be stolen by another team at any moment. You can’t fathom any other explanation. It’s a little sad to you, but you try not to judge, because there’s as many or more judgements that can be passed about your own lifestyle and habits.

“Yes,” you say. 

“Are you calling to ask me where he went?” he says. 

“I am,” you say. There’s no point in games. You don’t know Alexis Ness well enough to play them, and he seems to appreciate candidness, so the both of you are blunt in your conversations.

“I’m not supposed to tell you,” he says. “He swore me to secrecy.”

“I see,” you say. It’s disappointing, but it doesn’t come as a surprise. Michael is more than a little paranoid, so of course he took these ridiculous measures to cover his tracks.

“Nothing against you,” he says. “In fact, you should take it as a compliment. It sounded like there’s some messes he needed to clean up before he could bear to face you.”

“He’s horrible at cleaning,” you say.

“I don’t mean literal cleaning,” he says. It’s patient but also mocking. You roll your eyes, a silent form of retribution that he’ll never know of.

“Neither do I,” you say. Alexis Ness exhales heavily. Perhaps you’ve given him a migraine. It’s a particular skill of yours, or so you’ve been told.

“Berlin,” he says.

“Berlin?” you say.

“That’s where he is. If he asks, I’m not the one who told you,” he says, and then he’s ending the call before you can even thank him.

Berlin’s a big city, so Ness’s advice isn’t as helpful as he might’ve thought it would be, but at least it’s a start. Besides, for all his idiosyncrasies, Michael has a few patterns he follows with religiosity, so you tell your agent you’re going on a trip and silence your phone before he can call you and sputter protests about the impromptu nature of the semi-vacation.

The volunteers at the dog shelter tell you that Michael’s been there for the majority of the day. They’ve left him alone because they don’t know what to say; it’s not everyday that a celebrity wanders into such an establishment without so much as a word, and he’s remained relatively harmless, so they’ve continued about their daily business, ignoring him as best as they could when it became obvious he had no interest in speaking to them.

When you enter the kennel room, you find him sitting in front of one with a large hound in it. It has a pointed muzzle, and its tail does not wag at your approach, but it does lift its head and blink at you a couple of times before going back to sleep. 

The cement floor is cold, but still you sit beside Michael, hugging your knees to your chest in a mirror of his position, careful not to touch him, thinking that he is wild enough to flee if you do. The hound lets out a soft breath. You notice that there are pink lines cutting through the black of its fur, marring its wide torso, shiny as the skin does its best to heal.

“She was seized from her owner,” Michael says. “The neighbors called the police one night when things got too loud.”

He’s not looking at you, but it’s obvious you’re the one he meant that statement for, so you shift closer to him, placing one hand on his arm. He flinches the tiniest bit, but when you try to pull away, he reaches up and stops you, holding your hand there, though he still refuses to turn away from the dog.

“Apparently, the guy got drunk and beat her,” he says. “She belonged to his wife, but once his wife died, he became an alcoholic, and that poor dog was the only one there to see it. I’m sure she tried to keep loving him at first, though. Even when she was frightened. Dogs do their best to love you, because they can’t understand that no matter how hard they try, it doesn’t matter. If someone wants to hate them, then all of the love in the world won’t be enough to stop that.”

He’s talking about the dog, but that’s not what he really means. That’s just how he is: he speaks in circuitous riddles to avoid ever saying anything plainly. Flowers and dogs — both are just methods of avoiding what he really wants to tell you.

“We can take her home,” you say. “Give her a different name and a place where she can be happy. Even if something has been hurt before, that doesn’t mean it has to hurt forever.”

His eyes lower, and then he stands, yanking you to your feet. Steadying you when you stumble, he lets go of you abruptly, frowning and turning away from the dog, who is awoken by the suddenness of the movement, flattening her ears against her head and shrinking back.

“She’s frightened of men now,” he says. “Has been ever since she was rescued. Bites every male that comes near her. I can’t blame her. If I were her, I’d do the same. Apparently, that means she’s not really adoptable. Not by us and not by anyone.”

The dog whines plaintively. You offer her the back of your hand through the bars of the kennel. She sniffs it before licking it carefully, and then she thumps her tail against her bed in approval — only one time, though, and then she’s standing, pacing in unhappy circles around the small kennel, which can hardly fit an animal of her size.

“I want her,” you say. “I don’t care if she isn’t adoptable. I want her.”

“Of course you do,” he says. He would sound aggravated, but there is a curious delight dancing in his eyes, a childish sort of joy that so rarely sparkles in those blue irises, so he completely doesn’t. “Of course you want her. You can’t stay away from hurt things, can you? Who told you I was here?”

“No one,” you say. “I figured it out by myself.”

He purses his lips, following after you as you make your way to the front desk. Disapproval rolls off of him in waves, but also something else. Something shriveled and cowering which is fighting desperately to crawl to the surface.

The volunteers are surprised to hear which dog you insist on taking, and they try to convince you to look at any of the more appealing ones — the puppies, or the well-trained retrievers that already have waitlists of potential adopters. You’re an actress, however, so they’ll put you at the top and give you whichever one you want. You tell them you know which one you want already, and eventually they give up on arguing, only frowning as you sign the litany of documents they produce, clicking their tongues and telling you that she’ll be difficult.

You respond that it’s fine. You’re used to difficult things; in fact, you think that you prefer them. They shake their heads and then you are told that your dog — yours, miraculously she is yours — will be ready for you to get her whenever you want.

Michael’s business in Berlin is not yet completed, you can sense it, so you tell them that you will return later and then you chase after his disappearing back, catching him by the sleeve of his coat in a narrow alleyway which leads to a theater.

“You shouldn’t be here,” he says. He’s gazing at a poster with a woman on it; she’s beautiful, with elfin features and flowing hair the color of gold. She’s also someone you recognize. “Fuck Ness. I know he told you. I’m going to kill him when I get back.”

“Leave him alone,” you say. “He didn’t tell me anything.”

“Sure,” he says. “Whatever.”

“Do you know her?” you say, pointing at the woman.

“Do you?” he shoots back. He’s crabby now, snapping easily and readily, though you’ve not really done anything to provoke him.

“Yes,” you say. It’s not the answer he had predicted, which you can tell because he whirls to glare at you instead of the movie poster. “Why are you surprised? We’re in the same industry. I was almost in a movie with her a while back, though it fell through because of an issue with the writers. She’s nice enough, I guess. I went to her wedding a couple of years ago, but other than that, I wouldn’t say we’re particularly close.”

“You…went to her wedding?” he says, and then, inexplicably, his fingers are weaving in between yours. It feels like he is holding onto you for something more than affection, so you stand as still as you possibly can, only humming in agreement.

“Yes, I did. Actually, she married her childhood sweetheart, which took everyone by surprise. It was commonly thought that she’d marry one or another of her costars, you see. She’s always been good at creating chemistry…people always say that she can make even a rock seem desirable, that’s how she is,” you say wistfully, leaning your head on his shoulder. He doesn’t shove you away, enraptured by the story. “It’s amazing to watch. But isn’t it kind of sweet? That despite how excellent she is at feigning affection, how she could’ve had any man in the world, she chose the boy from her youth? I remember talking to him. He has nothing, no money or connections or investments. She really just married him because he loves her for who she is.”

“Is love really all she wanted?” he says.

“I suppose it’s all that a lot of people want,” you say. “Rumor has it that she's pregnant.”

He stiffens against you. “What?”

“Well, I think she’s a little old for it, but it’s common for women in my line of work to wait until the signs of age are beyond concealment before they have children, so it’s not a shock,” you say.

“Why?’ he says. 

“It’s the industry’s standards—” you begin before he cuts you off.

“No,” he says. “No, why is she — why does she want — why is she pregnant?”

“Isn’t it common for people to start a family eventually?” you say. “By the way, you never answered my question. Do you know her?”

“She’s my mother,” he says. The words are angry, but his tone is forlorn, his hand in yours cold and small. “But I’m — I’m not her son.”

He looks so wretched that you cannot help embracing him, and when he reciprocates in earnest and without pretense, you know that you have done the right thing. His breaths are fast and shaky, though he is not crying, and as much as you wish you had not said it, you believe deep down that it is important that you did.

Platitudes are meaningless. If you say it’s okay or something along those lines, you will be a liar, because the truth is that it’s not okay. You are not the one who can decide if it’s okay or not. You can only remain as you have been, motionless and gentle, stroking his back in the way one settles a restless infant, allowing his fingers to dig into your sides and his looming weight to collapse into you — for his sharpness is not borne of malice but helplessness, however loath to admit it he might be.

“Why?” he whispers. There’s a million questions he could be asking, and none of them are ones you can ever answer for him, but that will not stop him. “Why couldn’t it be me? Why couldn’t she be happy with me? I would have loved her. I would have been her family.”

“A lot of people don’t deserve children,” you muse. “Or love, or many other such happinesses. And still more people cannot understand the importance of these things when they are within their grasp. Your mother must’ve been very young when she had you. It’s easy to be blinded by stardom and glamor and fairytales at that age. It’s easier still to abandon everything for just a taste of the spotlight. There’s a school of thought that fame is impossible to attain without that necessary sacrifice.”

“What about you?” he says.

“I’m not an exception,” you say ruefully. “Any normal person would have hung up on you when you first called, Michael. I’m only lucky in that it was you and not anyone else on the other end of the line. It’s only because I know you that I realized there are more important things in this world than celebrity and popularity. Once I would’ve spurned the thought of obscurity, but now, if I can have you, then I wouldn’t even mind it so much. It’s the same conclusion your mother must have reached.”

“It’s too late,” he says. “She reached it too late.”

“Yes,” you say. “Yes, she did reach it too late, but it’s easier to give this kind of life up once you’ve known it than to never have it at all. That’s the only reason why. She was greedy, and you bore the consequences.”

“It’s not fair,” he says. You’ve never heard him like this. Normally, he’d laugh at the mere thought of such vulnerability, but the gray of the city has clearly twisted him into a wounded and fragile version of himself, prone to shattering, made of a glass that is already jagged at the edges and can hardly keep together because of it. “It’s not fair, it’s not — I hate her, and I hate him, and I hate her stupid new family, and I —I—”

He silences himself, obviously unsure of what to say, and then he holds your face in his hands, giving you a pleading stare. Help me, he seems to beg. Tell me what to do. He is lost, and somehow you have become a map of sorts, or a compass, one which points in a direction he has no choice but to follow.

“Why did you come here?” you say. “When you knew it would hurt you, why did you come?”

“I wanted to remind myself,” he says. “For a second, you even convinced me that I was worthy of being — you know. So I had to come back. I had to see with my own eyes the kind of person I really am. If my mother and my father and my entire damn city hate me, then why should you be any different?”

He’s scared that he will hurt you, and that you will hurt him, and that he will be alone again, as he has been for much of his life. For all his brashness, his bravado, his smugness and his smooth way of speaking in public, he’s never really been anything more than a little boy who’s frightened, who presses against the back wall of his enclosure like that beaten hound did.

“You know that I am different,” you say. “I am not your mother, nor your father. I will leave everything behind but you. In fact, I’ll leave it for you. Tell me to and I will.”

“What if I tell you to quit acting?” he says.

“Then I will retire at once,” you say. “I already have more money than I know what to do with.”

“And if I tell you to move across the world?” he tries, resting his forehead against yours. “Would you do that, despite your entire life being here?”

“Yes,” you say. “I am quick at making friends and learning new things, so I will adapt to it.”

“What about if I tell you to marry me?” he says. His lips are so close to yours that he is speaking against your mouth, but he doesn’t try to kiss you yet. 

“You wouldn’t ask?” you say.

“I don’t ask for things,” he says.

“Naturally, I’d marry you,” you say. “There isn’t anyone else I’d ever want, anyways. We’d have the most beautiful wedding in the world, and we’d only invite the people we like.”

“That’s a short list,” he says. His heartbeat is calming down; it’s a temporary solution, but if it manages to distract him, then you’ll indulge the flight of fancy.

“My parents,” you say.

“Ness,” he says.

“I always knew you liked him,” you say.

“Only because I have to,” he says.

“Anyone else?” you say.

“No,” he says. “That’s it. We can even forget about all of those people, actually. I just want it to be the two of us. Nobody else matters but — but you.”

He’s stuttering as he comes to his senses. These declarations aren’t typical of him, as foreign as French on his tongue, but he’s making them anyways. He’s been fighting the compulsion for a while, you can tell, but it’s hard for him to keep fighting on all fronts of his life. Eventually, one side will give. You are glad that it is your side, that you are the one he has given to, no matter how reluctantly he has done it.

“Is there anything else you’d like?” you say. “All of these are easy for me to do. Ask for something difficult, so that I may prove to you that I am telling the truth, that I mean what I say.”

“It’s not a request, but a condition,” he says.

“You only need to name it,” you say.

“If I hurt you, then you have to run,” he says. “Run so far away that I can never reach you. Even though it’ll hurt me, I want you to run. Even though I’ll beg for you to stay, please leave.”

That’s it, then. The most difficult thing he can imagine a person doing: leaving someone they love. Certainly he is unable to do it. It doesn’t matter if he’s suffering. He’ll suffer longer just to stay by your side, just as he suffered for all of those many years as a child. 

It’s how you know he loves you more than he’ll ever let on. He holds you in such esteem that he’ll let you leave him if you have to, though it’ll indubitably destroy him, destroy him more than staying could ever destroy you. Yet still he is giving you that permission, commanding it, even, because he’d rather destroy himself than let even the slightest harm befall your being.

You can only draw that conclusion because you know that he will never, can never, hurt you. He isn’t saying this as a warning, because it isn’t an inclination that he has. No, it’s a dark and ugly voice in the back of his mind — does it sound like his father’s? You feel that it must — insisting that he will do it, he will. He’ll hurt you. He’s the reason that his mother left and his father became something sick, and he’ll be the reason that you are broken and ruined and torn apart. He’ll do it. He’ll be the one to do it, it’s inevitable, he’ll scratch you with his thorns and gnaw at your remains with his fangs and maybe he’ll even cry during the act but he’ll still do it.

“Alright,” you say, though you want to protest that he is incapable, because it’s clear that he is testing you. Every argument which might fall from your lips, he has heard before, and if you dare utter them one more time, it’ll be the proof that you are lying. The way his thoughts work, the paths that they follow, they are winding and narrow, but perhaps your mother is right — perhaps you are coming to understand them.

“Do you think that I can?” he says.

“No,” you say. “The fact that you worry about it tells me that you won’t. You are better than that, Michael.”

“You really believe that?” he says. “With everything you are, you believe it?”

“I do,” you say.

You almost can’t believe it, but he laughs. Well, calling it a laugh is generous, it’s really more of an exhale, yet one which is unquestionably seeping with amusement, and you’re about to ask him what he finds so funny when he was so close to breaking down mere moments earlier, but he stops you before you can.

“I do,” he says. It’s an odd thing to repeat, but a second later your mind registers why he’s done it, and then the corners of your lips are curving up.

In the streets of Berlin, the two of you are alone; his mother’s poster is your only witness, but if she takes some offense, she remains smiling and silent, her gaze far away as her son — who isn’t her son, he isn’t hers at all, he’s yours and only yours — finally closes the minuscule gap between you both and kisses you fully.

[itsnothingofinterest]

So chapter 423 was...something. I'm sure we can all agree on that much, and I'm a bit glad we've been given two weeks to process it all. some love it, many seem to hate it (myself included), but among it's defenders is a point I want to talk about.

A lo of people are responding to accusations of the finale being rushed by pointing out about how Horikoshi is clearly burnt out. He's worked on MHA so long it's affected his health, he clearly just wants this over, so he can end it however he wants and the rest of us should be grateful we got a manga at all. And like...those first points are true...but I find it odd that people argue that means this finale should be above criticism; especially since Horikoshi did extend the fight where he didn't need to right as it was coming to a what I feel was better ending than what we got.

Like, if he really needed to get this fight over with asap for the sake of his health, he could (and probably should) have winded it down somewhere around this page. Sure we would've lost out on the Class 1a team-up maneuver; but we could've easily moved around the roof top trio's resolution and All might saying Deku was always his greatest hero, and I think the story is better off without the "it was AFO all along" reveal but I guess ymmv. Plus he wouldn't have to kill Tomura, thus making Deku blatantly fail in his personal goal of the arc, and he wouldn't have to bring back a much more boring villain who already had a satisfactory death. Oh I'm sorry, two satisfactory deaths.

(Like tbh, even with Tomura & Deku finally teaming up for something; AFO's third death this arc is easily his least satisfying. As was his entire resurgence.)

So while I don't want to sound insensitive to his health of anything; I feel that when Hori stapled on an unnecessary extra climax to the arc, it really undermines any claims that he should be allowed to rush the ending however he likes without criticism when he's the one who made it longer than it needed to be in the first place.

[lewkwoodnco]

Ok would you consider writing more for George?? (shamelessly on an Ali kick atm if you couldn’t tell, this is @bobbys-not-that-small). If I was in the LnCo universe I think I’d be a librarian with little or no talent because I’m too jumpy and scared to be an agent. I’d wanna be a librarian who sometimes bends the rules for the agents who stay really late researching by bringing them a cup of tea or a snack 😊

After Hours - George Karim x Reader

"Did-did you just...spritz me? Like a cat?"

"Yes. Now shoo."

He stared at the colourful mosaic of water droplets coating his lenses stubbornly. She wasn't about to get rid of him that easily.

"Actually, I quite liked that."

a/n: asjfhfjlfh thank youuu to @bobbys-not-that-small for helping me get out of my writing slump!! this palate cleanser was exactly what I needed <3 decided to try smth new with the presentation of my fics wooooo but am having issues with the keep reading divider so this might be a little inconvenient to scroll past :( alsoooo may have gotten a little carried away here hehehe woops

warnings/tropes: snippy George (is there rlly any other kind tho) needs his biscuits, mild angst, happy ending, slight enemies to almost-lovers, fluff!

word count: 2.7k

TAGLIST | MASTERLIST

Lockwood was standing over the kettle in the kitchen, half-asleep. Lockwood & Co.’s latest case was a bit more complex than they were used to, which meant that George needed a few extra days to properly research it. That meant that his and Lucy’s sleep schedule had started to settle down into one that was more typical - one where Lockwood was struggling to stifle his yawns in the middle of the night.

He hears some sounds coming from the hallway, and registers them half a second later. He picks up the nearest weapon he can find, a whisk, and tries to call out to the intruder, but his throat is so dry it’s more of a wheeze. The kitchen door inches open, and Lockwood poises to attack, before he pauses and squints at the figure in the doorway.

“George?”

George walks in, putting down his bag and jacket on one of the dining table chairs. “Thought you’d be asleep, Locky.”

“What’s this, a midnight stroll?”

“Sure.”

Lockwood blinked at the kitchen clock blearily. “It’s a hour to dawn.” As George shuffles about the kitchen, fixing his own cup of tea, a thought flits through his sleep-addled brain. “Hang on.” He opens his eyes even further, taking in how fully dressed George is, and starts putting two and two together. “Don’t tell me you’ve only just returned from the Archives.”

“Your hand’s in the milk jug. Again.”

Lockwood glances down and swears. George slips out of the kitchen with Lockwood's tea and biscuit, and he's just awake enough to notice.

“Hey, hey, it’s not your turn on the biscuit roster!”

But George was too content to care much about that. He had finally gotten a satisfactory day's worth of research which quelled the buzzing in his brain, if only for a couple of hours. As he settled into bed, his thoughts wandered to the librarian from earlier.

He had been so engrossed in his reading that he didn't notice anyone was standing over him until the sharp tap on his shoulder. When he did look up, he flinched terribly from the shock. In all fairness, she had been extremely apologetic.

"Oh! I'm sorry, I didn't mean to startle you. I just wanted to let you know that we're closing soon."

George slowly scanned the library, only just realising that the Archives had completely emptied. It was just the two of them and their voices echoing up to the high ceilings of the room. He half-formulated a response for a moment, but then realised this was his ideal situation, and turned back to his book.

There was another insistent tap on his shoulder and he glanced up to see a firmer set to the librarian's features.

"Perhaps I didn't make myself clear enough just now. We're closed."

"Okay," he murmured, still half-absorbed in his book. She sighed exasperatedly.

"Look, Mr. ..." she trailed off, and George stared back at her unhelpfully. She spied his name scrawled at the top of his notes, which he was too slow to shift out of sight. "...Karim."

"You're good at reading upside down."

"Thank you, it's one of my many talents. Unfortunately, I'm afraid I still have to ask you to leave."

"What if I said you were really good at reading upside down?"

"Flattery won't get you anywhere, Mr. Karim."

"Please, you don't need to address me by my surname." If the reddening of her face was any indication, he was right in guessing that he hadn't been able to snag his first name from the sheet.

"...I'm good, but not that good. My point, Mr. Karim, is that you have to leave."

He hummed noncommitally. She frowned. “Now you’re just being mean.”

George fought the overwhelming urge to roll his eyes.

“What can I say? You make it so easy.”

"I'll let you borrow an extra book."

"Hmm."

"Two extra books."

After that, they went around in circles for a while, before she stormed of. As the sun continued to set, she started switching off the lights. Even in the dark, he could feel her eyes burning into the back of his skull. He pulled out a few candles and lit them, just in time to illuminate her scowl as she irritatedly walked past him. She returned from her desk a moment later, her face stony.

"I'll ban you from the library if you don't leave right now."

"By all means." Her mouth shrivelled like she had just tasted something bitter, and he knew he had called her on her bluff.

"I'll revoke your borrowing privileges."

"Yes, because not letting me take books home is exactly how you'd get me to leave the library."

"I'll...I'll set the fantasy section visitor on you."

He didn't even look up from his book. "Give him my regards."

He paid dearly for his tongue-in-cheek a few minutes later, when he was smacked by a puff of icy mist, sudden enough to make him splutter with shock.

"Did-did you just...spritz me? Like a cat?"

"Yes. Now shoo."

He stared at the colourful mosaic of water droplets coating his lenses stubbornly. She wasn't about to get rid of him that easily.

"Actually, I quite liked that."

"You...liked that." She echoed him tonelessly.

He tried to muster up as much dignity as he could while feeling like his face was about to freeze off. "Mhm. Refreshing. Might go as far as to invite you to do it again."

She scoffed, slamming the spray bottle down in surrender.

"Fine. You win. But if you set anything on fire, so help me I will- hang on, I've got a lantern in here somewhere." With that, George watched her drift away distractedly, still mildly damp. He wondered how long he had to wait before asking for something to dry his glasses with.

For the next week, the librarian tolerated his odd hours, and George liked to think that she was coming around. She found out his first name from his library pass the next day, he found out how far he could push it with the late hours. Really, they were almost friends. He liked to think that especially after the night where he got hit in the face by something in a brown paper bag.

"Accidental pastry delivery," the librarian was saying, over the crinkle of the paper bag. "They wouldn't take it back and I've already stuffed myself the best I could."

George peered into the bag to see a deliciously flaky tart and a soft, powdered doughnut. He looked up to see her walking away, and was momentarily distracted by her odd shuffle. It took him a moment to realise she had a slight limp, as if she was carrying some dead weight. But when she returned, holding a tea tray and a viciously folded notebook, all thoughts about her limp flew out of his head. He wouldn't have thought to find such charmingly delicate fine china in a library, of all places.

"How much sugar do you take in your tea?" George blinked, still processing the pastries. She set a cup of tea in front of him, and he decided that it had just the right amount of sugar. She sat down opposite him and poured her own cup of tea, before scratching away at what he could now see was a crossword puzzle.

"Crosswords?"

She arched an eyebrow. "There's only so many books you can read in a day."

"Yes, but...crosswords?"

"You wouldn't believe how fun they are. For instance, right now I'm looking at a six-lettered word for 'nuisance.'"

That shut him up rather quickly. But over the next couple of nights, accident or otherwise, she always joined him for a cup of tea and a little treat once everyone else had cleared out.

And so a rhythm was established. On most nights, their limited conversation rarely strayed away from the tired topics that were which pastry he wanted, how late it was getting, and if he knew a five-letter word of only consonants for 'the immature form of an insect.' But he always wondered about her on the walk home, though he could never quite figure out how to ask. It was on a particularly uninteresting night that he got the answers to these half-formed questions.

He was doing his research, as usual, and she was sitting opposite him, pouring over a crossword puzzle, as usual, when he realised he needed a different volume. She barely stirred as he left the table, silently scratching away at the rough paper. Her stock still image lingered in his mind’s eye. There was something off about her today. She was a little more distracted than normal, and the abnormality unpleasantly reminded George of how little he knew about her. She was always just...there, hovering about, no matter how late it was. Didn't she have a family waiting up for her?

He returned to find her eyes fixed on his scribbled half-thoughts, as if intently deciphering his upside-down scrawls. She jerked back as he set the book down, eyes flitting nervously, almost guiltily.

"You took your time. Thought you got lost back there."

He opened his book with a deliberate slowness, as she fiddled with her pen. When he didn't respond, the forced cheeriness in her voice faded, as her eyes drifted back to his papers.

"Terribly exciting, isn't it? Being an agent."

"S'pose."

"I wanted to be one, when I was younger. Much younger."

The edge to her voice was subtle but unmistakable. He didn't like the way it grated unpleasantly against his ears.

"So how'd you end up here?"

"My talent never really blossomed. Good thing, too; I'd be all thumbs with a rapier anyway."

He frowned. "Hang on. How much can you see, exactly?"

"It's like...like a mist? Sometimes I miss them entirely."

"But you stay out so late past curfew."

"I know. I just try to walk home quickly enough. It's worked out so far."

George glanced at the flaky tart and the repulsively sugary, deep red jam glistening up at him, almost quivering in the flickering candlelight. His appetite was suddenly feeling a little funny.

"Nymph."

"Hm?"

"Five letters, no vowels. Nymph."

She glanced at her crossword, giving a small hum of approval. "So it is."

"But you already knew that."

"Did I?"

Her voice took on a mildly dispirited tone, but it was enough to signal her fading interest in the conversation. His prodding felt frustratingly futile - even now, there was so much of her shrouded in the shadows, shrouded in mystery. He didn't know what to do, or what to say, and he didn't like it. Suddenly, he wasn't sure how much he believed her, something she seemed to pick up on.

"Look, I'm too much of a live wire to be an agent. Can't we just leave it at that?"

"It’s getting late,” he said softly, and the words felt foreign on his tongue, for someone who never cared about the time. His voice sounded distant even to his own ears. But she had already returned to her crossword.

Days passed, and the awkward night was forgotten. They continued growing closer and getting more familiar with each other, if at a snail's pace. One night, she had used up the last teabag for George's tea and waved off his insisting that she have the tea, instead opting for a drink that looked suspiciously alcoholic.

As George expected, she was a little past tipsy by the time they were done, and he lingered behind worriedly as she fumbled to lock up. He walked with her a little further than he normally did, occasionally tipping her upright when she got too giggly.

"Where did you say you lived, again?" George tried to keep his tone nonchalant, hoping she wouldn't realise she never said it a first time. She vaguely pointed ahead, speaking thickly, but he couldn't quite decipher her slurred words. Rolling her eyes exasperatedly, she wrapped an arm around his shoulders and pressed her face flush against his as she repeated herself, gesturing wildly with her other arm.

"Two blocks down, then a left, walk another block, then a right, and it's the third door on your right. 51 South Street. There's honeysuckle all over the door, you can't miss it."

She tilted her head sideways, lips brushing his cheekbone. He didn't dare to breathe.

"I can take it from here. Don't think I'll be forgetting this in the morning."

She let go of him as smoothly as she hap clasped herself to him, walking ahead briskly with only minimal stumbling.

"Night, Georgie!" Yes, she must be quite well past tipsy. He watched her till she turned the corner, and almost reluctantly turned to walk home himself.

"Where's Y/N?"

George didn't mean to be impolite, but when there was a different librarian handing him his day pass the following week, he didn’t know how else to respond.

“Miss L/N’s called in sick this morning. But I’d be happy to help you with any of your Archives needs.”

The Archives felt frustratingly foreign that day. He hadn’t realised how comforting her lingering had been, to feel rather than see her wandering through the aisles just feet from him. The Archives’ closing was enough to chase him out a few hours later.

He started on the beaten path back to 35 Portland Row, before pausing. He turned, looking at the roads behind him, softly lit up by the fading rays of the setting sun. She couldn’t live that far. Just a block, or maybe two, then…was it a right?

Haltingly, he walked forward, looking this way and that amongst the tall houses which were all beginning to look worryingly identical. But she was right. 51 South Street did stick out with the heavily perfumed buttercup-yellow honeysuckle framing the door. That, and the girl smoking on the front steps of the house.

She glanced up from the gravel she was staring at as he drew closer, staring at him with cloudy eyes until she finally seemed to register him.

“…George! You’re - what? Did something happen?”

“You tell me.”

She fiddled with the ends of her hair with her free hand distractedly. “Oh. I’m alright. My leg was feeling a little bad in the morning, so I called in sick.”

He raised his eyebrows slightly. “Didn’t take you for a smoker.”

“I’m not. It just helps with the pain.”

“For now. For an hour. You know it’s only making it worse in the long run.”

She either coughed or laughed, he couldn’t tell. He watched her breath smoke like sighs, in silence.

"I used to be an agent. And I wasn’t half bad at it, either. But I tripped up, once…lost half the nerves in my left leg. After the ghost touch, my Sight-” she pressed a hand to her eyelids, trembling for something grieved. “My Sight…it was never the same again. I tried to stay on for a while, but it was so difficult, and so painful for everyone…so I left. I couldn’t do anything with my hip connected to this…dead weight.” She tapped her cigarette experimentally, ash snowing over her shoe. “I’m dead weight, Karim.”

He wanted to comfort her, but he was never the comforting type.

“You miss it.”

“I do. I love the Archives, but…I feel like I’m part of everyone’s life, except for my own. I don’t feel like my own person. I felt so…alive as an agent. Like I’d burst into flames at any minute, as if I had that much more life which the visitors didn’t have.”

George knew the type. He lived with the type.

“If it makes you feel any better, I’m glad you didn’t. Burst into flames, I mean.”

She half smiled into the palm she was resting her chin on. “Aww, Georgie.”

George coughed awkwardly, starting to drift away now that she was clearly feeling better. He recognised that teasing look on her face a little too well. “Okay, you’re alright now.”

“Did you oh so miss me today?”

“That’s enough out of you.”

“Not getting fond of me, are you Georgie?”

The back of his neck flamed red. She was definitely alright now.

TAGLIST: @dangelnleif @elenianag080 @snoopyluver20 @ell0ra-br3kk3r @avdiobliss @mitskiswift99 @ahead-fullofdreams @mischivana @houseoftwistedspirits

[eldritch-spouse]

*goes up to tce staff members* "excuse me sir...can you put a baby in me-"

Morrell would JUMP at the opportunity 💀 idk how tf vinnel would react, probs would smack us upside the head and call us a perv. I'm scared at what nebul and Santi would say/react 😂😭

(Yes I got this idea from a clip of the impractical jokers lol- would vinnel would love them or hate them?)

[Mmm I don't know what that is, sorry anon.]

Morell just drags you away by the neck. He's so fucking hard he can't even speak because all the blood in his body rushed to his cock and his tongue is numb. How many do you want, baby mama?

Gallon is... More shocked than anything. Definitely extremely flattered but you're not having a kid this soon. He'll make you feel like you're pregnant by the end of the night though.

Santi enjoys breederism as a kink, so you're definitely getting bent over (people around be dsmned) and fucked for hours on end. He'll excuse it by saying you can't really be sure it took with just one round, can you?

Grimbly chokes hard. No?? Yes?? He wasn't ready for this. He's not ready at all. He's still living his babygirl years you want a kid? Fuck. He can't really say no to your sweet pussy, and the thought of you becoming even hotter as your body accommodates for maternity- Oof.

Vinnel gets soured by the reminder of his pseudo-infertility. But really, it only serves to incense him into making a big impression as he pounds into you from almost painful positions and giggles about you being such a brainless fucking sow that you'd drool at the though of being constantly knocked up by him.

Nebul is an undead, he's not putting any sort of child in you. But he can humor your lusts, so long as you properly beg for the privilege of carrying Master's child. You'd give your whole body to him, wouldn't you? Even your womb. All of it.

Patches breaks the bad news to you. No babies, his nuts are kind of useless. But please, tie him up and drain him- Why not scientifically prove that he's really infertile by making several impregnation attempts? Make sure he's crying and wincing from every orgasm by the end of it.

Belo can't breathe for a couple of seconds. A child?? A baby?! He sinks to the ground and undresses immediately. Use his body for whatever you must, take as many children from him as you want- He'll fill his Lady however many times you command him to if it means making this a reality.

Sybastian does not fucking hesitate. You barely finish the sentence, he's already on top of you and rutting at your ass while his claws scrabble for the hem of your clothes. He's going to put so many fucking babies in you, get ready, oh you better get ready for the breeding of a lifetime.

Fank-e just calls you silly. He can't put babies in you, but you can always adopt (a roomba)! He wonders if you'd find his oviposition attachment satisfactory for tonight however. The eggs glow in the dark, you know?! It'll be so fun!

Krulu calls you an audacious animal for coming to him so brazenly with your fervid, unfiltered lust. But... It does make him rumble in great pleasure to know that you would offer your body and womb to him at the drop of a hat. As you should, sweet lamb. Now come, you're dysfunctional like this and he needs to fix your hormonal mind.

[hamliet]

Less of a question but I was never an avid manga reader till 2019 and mha was the first manga I kept track of weekly, and I read Tokyo ghoul after it ended, and seeing everyone be dissatisfied with how Tokyo ghoul ended after keeping up weekly is something I’m reminded of after seeing the latest chapter of mha. So this is what it feels like to witness 6 years of a character you hold in high regard be undermined(to put it lightly). I’m rather sad, but I can’t help but feel fondness for shigaraki even if the way he ended wasn’t satisfying, how do u feel about how mha has gone?

Yeah it does feel very reminiscent of Tokyo Ghoul in that they just went "ah yes, killing the right people is actually how we solve world issues." Which I find morally reprehensible, but also genuinely bad writing because the story as a whole doesn't support this message.

@linkspooky explained in her meta yesterday why Deku has completely failed as a character, and why the manga has failed thematically as a story. I'm just gonna say I completely agree with Link.

To be fair, I'm not sure Shigaraki is dead dead, but either way, it's bad writing and it doesn't conclude his arc with any sort of satisfactory element. Like, why would Shigaraki see Deku as different than anyone else who tried to punch him? That's nonsensical and written from the POV of an audience, not from Shigaraki's POV. It's like in Star Wars when Rey calls herself "Rey Skywalker" when she knew Luke for 3 days and none of the people she was actually close to (Leia, Han, Ben) were Skywalkers. That's writing for the audience, with their perspective, ignoring the logic of your story. It defies believability because the character does not have that perspective. It's "forced" because the audience can see the hand of the author.

If Shigaraki is dead dead... Not gonna Star Wars this one again, but since I also hated the ending of The Rise of Skywalker, I must make a comparison. The idea that Deku may have saved Shigaraki's heart but couldn't save his body (which to be honest, nothing in the actual chapter supports, but if he stays dead might be the argument) is still bad writing. Why? Because to Shigaraki didn't even make the decision himself. He didn't sacrifice anything. How can his heart be saved if he had nothing to do with it? Saving an object is easy as pie. Saving a person is different, and that's what the whole story has been about. Like, in TROS, Kylo Ren gave his life for Rey! Was it stupid? Yes! But at least his "saved heart" did something. Shigaraki's saved heart did what exactly?

So then, is the message that Deku failed? Then why isn't it framed as a failure? Why was BNHA never set up to be a grimdark tragedy? If he failed, then shouldn't he have a miserable ending? Unless it's "heroes always become bad guys and life is unfair," but then shouldn't Deku be framed critically?

Basically, Horikoshi can't come back writing-wise from this in BNHA, and it's sad to see.

Horikoshi's biggest flaw throughout the entire story was that he kept flip-flopping on what he wanted to say, and made the characters more about his trying to please every single fan than about being, well, characters to explore important questions he has that are worthwhile. And you can do this while still having a "cool" factor!

Instead the characters tell us one thing while cocooning Deku in the sweet bliss that no one ever has on this earth--being 100% right all the time. And it's sad, because BNHA had so much potential as a story to challenge its audience and entertain too.

I thought even if it flopped in some aspects it'd at least get this right. It's disappointing.

Anyways every day that goes by I want to send Isayama and his editors flowers for actually writing a thematically coherent ending, even if some aspects were dropped or messy along the way.

[irontragedyreview]

People who are saying "you can't criticize Horikoshi, it's his story and he can do whatever he wants", etc. Yeah, it's his story but he's made it public so I can do whatever I want and if I want to be a bitch and I call hi, mediocre I’ll do it. Like I love Naruto with all my heart and I have defended Kishimoto over certain criticisms in relation to female characters, etc. I have also criticized him for the absolute shit that Boruto is, even considering that as a manga Boruto isn’t 100% his work considering that at the beginning he was involved in the movie but on the manga he was only a supervisor. What I'm trying to get It’s that if you believe that just because a mangaka creates a story it should be free from criticism then you aren’t ready to get involved with any type of media or sincerely the public believes that consuming a movie, book, etc. means being a passive subject without critical thinking.  

That being said, Horikoshi largely deserves as much criticism as he can get because these chapters were truly a shit show since this last arc began. Let's just start listing first, AFO vs Endeavor and every hero in existence was too long and repeated for a large number of chapters the formula "villain takes the advantage, heroes take the advantage, the villain takes the advantage again and finally wins and move on to something else", all of this perhaps understandable to give some prominence to characters who were forgotten for entire arcs.

Shouto and his arc plus his relationship with Dabi, Shouto had a very interesting arc and incredibly much material to exploit but his arc and his relationship with Dabi never managed to take off because he was so tied to Endeavor that the interactions between them felt empty. 

Ochako and Toga were honestly the only thing that was worth it, you could see the commitment to giving them both a great moment and the way she wanted to approach Toga and truly have a conversation. The only thing I can criticize about their ending is that obviously there is no completely satisfactory closure in giving Toga an answer to what happens next, apart from Ochako's offer of understanding, there is no easy way out of what the other heroes will do, therefore which I can’t criticize her for not giving an answer to a complicated situation in this way. 

Also Horikoshi added things to his story that in the end he didn’t finish closing or that surely even if he touched them again it would no longer make sense, what happened to Spinner? What happened to everything about heteromorphic discrimination? I have to believe that everything is fixed by the good heart of Shoji telling Spinner that his way of doing things only makes the "achievements" of equality go backwards by giving them a bad image. In other words, we know that quirk society is discriminatory, especially in less urbanized towns, that those heteromorphs who reach places of power are the least and no real change has been achieved, but of course the victims of discrimination have to keep quiet and be good. So, maybe in the future they will no longer be discriminated. I'm going to be fair here, touching on issues like discrimination is complex, but putting an idea like this in the manga and then going for a simplistic or rather completely ignored resolution, because while a person may not share Spinner's actions, it’s understandable why he does it and simply saying that you have to be better because then people will see that you are good and not discriminate against you is stupid, Horikoshi covered a topic that he honestly didn’t know how to deal with or wasn’t interested in doing so. 

Kurogiri/Shirakumo being just a plot device for Aizawa and being resolved in 5 panels, I'm going to be understanding and say that this arc had the least to explore, but in the end it was meh. Tbh I'm not going to criticize this because it is so empty of content that it is no longer worth criticizing it. 

About Tomura and Izuku, the truth is what can I say the most that I haven't said in previous posts? from all the fights or confrontations it’s the most ignored, neglected and rushed of all, we don't know anything about them other than loose panels for a whole year, they barely interact and now Tomura dies, Izuku is "well, I honestly don't give a damn and I want you dead", if no one who has followed these two characters realizes the damage that this chapter has done to their conclusions then I'm not going to explain it. If Horikoshi felt incapable or was tired of his story he could have ended it with something else, however perhaps this was always the plan, we are talking about a guy who said that the second movie was the end of his manga,that is Midoriya without quirk giving it to his childhood bully. It's obvious that he doesn't care about Izuku as a character and I think he did care about Tomura but he didn't know what to do with him, which is why we have this ending.

Final note for any comments I may surely receive for calling bk a childhood bully. Don't waste your time replying, commenting or trying to argue, Horikoshi took it upon himself to make bk a gary stu who never faces real consequences for his actions (dying is not a sign of karma) and his abuse is never treated seriously by the author, because his victim never reflects on himself, which is ironic considering how many BK fans recognize that Midoriya has self-esteem problems, contempt, and poor self-care but do not recognize BK's role in this or minimize it.

[teyamsilly]

ouu ok i have a fic idea for Lo’ak!

so maybe he’s insecure especially about his more “human” like appearance he has with his 5 fingers, smaller eyes, the eyebrows.

(the setting for this being with the metkayina clan, we are one of the reef na’vi)

so we take him to our secret spot where we can be alone, so no one will bother us. and we just love on him pushing him down onto the soft sand and kissing on him, and touching him, telling him how attractive we think he is and that he’s perfect the way he isnothing.. too sexual more like suggestive??

feel free to add in whatever else you want! i bet you have some great ideas too 👀 <3

not just a freak— your freak

pairing: lo'ak x metkayina! fem reader tags & warning: bullying, comfort, suggestive content, fluff at the end summary: lo'ak was used to being an outcast. he was used to na'vi kids pointing it out and excluding him from their groups, but it didn't mean that it hurt. he thought that he would get used to it and that it would hurt less, yet it never does. you noticed this and brought him to the two of you to your special spot with the intent to cheer him up. word count 1.0k

teyamsilly speaking ✩ i hope this was to your satisfactory !! i'm on a two week break and it's gotten me so lazy lately.

You heard what happened from your sister. Tsireya was teaching Lo'ak how to make a headpiece with your favourite gems he found from the ocean. This was meant to be kept a secret, yet with the events following it, she couldn't keep quiet.

Ao'nung's friends spotted them by the beach and decided to approach them. Lo'ak and Ao'nung had already settled their differences after he was left alone outside the reef, but clearly his friends couldn't move on after their violent fight.

Lo'ak kept his composure like he promised to you. His temper would always get the best of him and if it doesn't, he keeps his problems to himself and shut himself out from everyone. It became a problem in your relationship. He didn't like how the root of your arguments were because of him and he swore since then that he would learn how to be better.

They would tease him for having five fingers and toes, making him look unnatural and displeasing to the eyes. Nothing that the Sully boy haven't heard before. Tsireya scolded them for approaching them unprovoked, but he assured her it was fine even if he wanted to do something about it deep inside.

It was when they started mentioning about his odd relationship with you that started to hurt. How he is not capable of being the mate of the next Tsahik of their clain, and maybe that Neteyam was a better fit for you. After all, Neteyam didn't have his unnatural features.

This angered you. From where you were standing, you could see Ao'nung's friends laughing wholeheartedly. The sight of them made you furious, however, they weren't your priority. You searched for Lo'ak and when he was nowhere to be seen, the last place he could possibly be would be your special spot.

You carefully approached the secluded pond. There were huge leaves surrounding it, keeping it hidden. If someone searched deeper in this little forest, they would have found the area. The two of you weren't sure if anyone else knew about the place, but no one has came everytime you visited which is why the both of you claimed it as yours.

Lo'ak sat at the edge of the pond, staring at his own reflection on the water with his brows furrowed. He would clench and unclench his hand from time to time.

"Hey," you called softly. Immediately, he straightened his back and turned his head to you with his ears perked up, He forced a small grin as he greeted you with a small hi before returning his gaze back on the water.

You sat beside him, your thighs touching his. "I heard what happened," you began.

Lo'ak shook his head, a sigh escaping from his lips. "I'm fine. Nothing new," he mumbled as he shrugged his shoulders like it was nothing. Like their words did not make his chest hurt. But you knew him well enough to know he was lying. He never had the guts to look at you when he lies because before he knew it, the words would start spilling from his mouth just by looking at your eyes. 

"We both know hat is not the truth…"

"I can't do anything about it, okay? I was born like this–" he raised his palm before clenching it, "alien. That's what the whole clan sees me as no matter what I do."

You took his clenched fist in your hands and brought it to your lap. The size difference between your hands always made you blush, his hands were big enough to cover your small face and he would always tease you about it.

"What other na'vi people see of you does not matter." You unclenched his fist gently, smiling when he complied to your touch. "Yes, you are different, but the good way."

"How? I have the same features of the sky people."

"And some are good, no? You told me of your friends at the Omatikaya. You have seen it yourself how they choose to be loyal with the na'vi. We, metkayina, haven't. They wont understand like you do." Bringing his hand closer to your lips, you planted a small kiss. "What I think of you should matter more, right?"

Lo'ak bit his lower lip, trying to hide the wide grin that was about to break on his lips. He snaked his arm around your waist and brought you closer to him, giving a kiss on your temple. "I don't what I'd do without you," he mumbled against your skin.

A giggle escaped from your lips, his words never failing to make you feel special. It sometimes worry you how deep you have fallen for the forest boy, but you felt relieved that he didn't feel any different from you. He was just as bad, maybe even worse.

You cupped his cheek and brought his face closer to yours. He pecked your lips first, and again, then again, making you whine because you needed more. He chuckled as he pressed his lips on yours. You draped your leg over his and sat on his lap, his thighs encased between yours. When you began softly grinding on his clothed cock, his hands squeezed your hips.

You broke the kiss and began kissing him all the way down to his neck. He cocked his head back, allowing you better access. His eyes were closed, his lips open, whilst he moaned quietly. 

"It is fate Eywa brought you to me, Lo'ak." You grinded your hips harder on his cock, feeling it harden against your clothing. A whimper came out from your lips at the constant friction against your clit. "She made you for me."

Lo'ak bit his lip and watched how you were desperately rubbing yourself on him. His hold on you hurt, but felt so good. When your hand reached behind him to untie his loincloth, he stopped you.

"W-wait." He was breathing heavily, eyed half lidded as he stared at you with desire.

"I-I'm sorry, did I-"

"No, no, baby. I'm just…" Lo'ak carressed your hips as he sighed, "Everything I've done has been impulsive and out of order. I want to do it right with you." He shrugged, "If I'm gonna be called a freak, might as well be your freak."

You slapped his shoulder lightly making him laugh. "I'm already yours, skxawng."

Lo'ak hugs your figure and places his head against the crook of your neck. "And I am yours."

"And you are not a freak, okay?"

"Whatever you say."

You slapped his shoulder harder this time.

"Okay, okay!"

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