#i'm not setting up endgame ships but like

[justchillandshipit]

More thoughts:

I linked a post below that has me thinking about Tommy's actions & Eddie's place in the narrative. In retrospect, I 100% believe Tommy knows and understands that Eddie is likely going to be Buck's last. (as much as anybody can know this sort of thing.) I know Tim and Oliver said Eddie had nothing to do with the obstacles in Buck's relationship, but I think that was a partial truth on their part. Technically, Buck does spiral because of Abby and #stagefoureddiediaz has talked about the way Buck is still stuck on the hamster wheel. I think both of these things are part of the obstacles mentioned in one of Oliver's interviews. However, if you look only at those things, you overlook the Pink Eddie in the room. While I agree that Eddie didn't interfere or try to stop Buck & Tommy from being together, his friendship with Buck has remained a constant. (see the link at the very bottom for more about Eddie in the narrative.) If you check out Buddielifer's post, several good points demonstrate the breakup was about Eddie. I'll try to avoid repeating what was said there as I explain. My opinion does differ on a few small points, but I'll get to that later.

Ok. I'm going to talk about Tommy a little but stick with me. This is a Buddie post. I promise, and I do have a point. I do believe Buck was attracted to Tommy, not because he had some great destiny to be the love of Buck's life, but because he did a few really cool things while helping to save Bobby & Athena's lives. Plus, Tommy did it in the coolest way possible. Helicopter pilots are cool, or they would be if they weren't dating one-half of your favorite ship. lol. Before the kiss, Buck wasn't self-aware enough to fully engage with his sexuality, I suspect that he handled his attraction to Tommy the way he handled it with other men before we knew him as a firefighter.

As we saw in a flashback, when Buck met a man he felt attracted to, he processed those feelings by befriending him. It was the same with Tommy. That is why he was at the hangar that day. When he offered to buy Tommy a beer, I truly think Buck thought he was making a new friend. If you think about it, you can see this was a pattern for Buck. He did have a meltdown over Eddie when they first met (but with Eddie, bigger things were and are still in play) It doesn't change the fact that once Buck got past his initial jealousy or whatever that was, he threw himself all in with Eddie. It was part of his pattern and part of #stagefour's hamster wheel. (Endgame will have Buck get off the wheel and look around. The person standing there was never part of the wheel, but the person waiting for him to stop and get off of it.)

The situation with Tommy is probably closer to how Buck reacted to his friend who wanted Buck as a sperm donor. Buck actually followed that 'friend' to Peru. I have a post from a while back where I discuss Buck sending mixed signals. In his mind, he is making a friend, but he is also unconsciously flirting. Tommy was the first to push through and just kiss Buck. I don't think this was nefarious so much as an attempt to interpret the signals Buck was sending. (I'm sure many see Tommy as having bad intentions but stick with me. I'm trying to put him into the context where Tim claimed he wanted him to be seen. Tommy was supposed to be a mentor or a more experienced man helping Buck navigate this side of himself.) As a teacher, Tommy did help him navigate, but he also let Buck set the pace. Although never shown, we know Buck is a very sexual being, and the deleted scene with Tommy, Hen, and Karen confirmed that Tommy was just trying to keep up with him.

But I digress. Buck's intention to befriend Tommy ended the exact moment that Eddie showed up at the hangar with a huge smile on his face. Stoic Eddie who does not show his emotions was smiling hugely. Even though this is from Buck's perspective and he is an unreliable narrator, it is plausible to me that Eddie would be excited to go to a live fight in Vegas. Oliver and Tim have talked a lot over the past few weeks about how Buck spirals. When Eddie left with Tommy, Buck began to spiral in a way that we have never seen before or since. He was absolutely unhinged with jealousy. There is no way that Buck, who didn't even ask about Tommy's dating history until six months into the relationship, was that insane to get the attention of a man he has known for a few days or weeks. Now that we are pulling in new material from the current season, it isn't even remotely believable that Buck's reaction was about Tommy.

If Buck had experienced some sort of love-at-first-sight moment with Tommy, then he would have asked Tommy about his past at the beginning of the relationship. In fact, people entering into something serious generally ask about past partners in the first few weeks of getting to know each other or before sex. The fact that Buck didn't, is a change in pattern for him. Buck typically throws himself all in and then when things go wrong, he doesn't know how he got there. (Also part of the hamster wheel.) However, I attribute the difference this time to the fact that, subconsciously, Buck knows what he's feeling. He can use his body. (borderline sex addict). However, he can't bring himself to share with Tommy what he already shares with Eddie, but you know our unaware cowboy can't see it yet.

At the hangar, Tommy didn't have a feel for Buck yet. However, by the end of the Vegas trip, I think he had picked up a good idea from Eddie that there was something there. (not because Eddie has made some sort of confession, but because I'm confident that Eddie talked about Buck nonstop. I'm hoping that we get some sort of confirmation of this in the current season. I don't want it to be forgotten.) At any rate, whatever conclusions Tommy drew from his time in Vegas with Eddie and the time they spent hanging out afterward didn't bother him enough to refuse to date Buck. I do think Tommy was longing for the family and support he could see Buck has with the 118, but I don't think he was ever planning a wedding in his head. In fact, I know he wasn't. That's part of why he broke up with Buck.

Sidenote: (Thanks to StageFourEddieDiaz, for pointing out how Buck failed to understand the mission from Josh's speech because this is what caused Buck to shift from not letting Tommy get too close to asking Tommy to move in with him.) Until the conversation with Josh, Buck was actively shutting Tommy out of anything other than sex and possibly learning the ins and outs of the LGBTQ community.

Again, in the beginning, this didn't bother Tommy. He knew what Buck needed, and as he stated a few times during the sixth episode, Buck was hot and fun. If you need examples of Buck shutting Tommy out, I point you to anything that happened in the Halloween episode. I'm not saying Buck didn't care about Tommy at all, but he was holding back. The look on Buck's face as Josh asked about his feelings really said it all. I think this is probably why Josh was a little shy of the mark when giving his speech about comphet. Josh had to give a long list of, "Do you feel "this or that" for your boyfriend of six months," before he finally hit on something that Buck did feel. I don't want to get off topic or repeat too much from the linked post, I just wanted to illustrate that the jealousy from Buck's coming out episode was 100% for Eddie and that it was something that Tommy realized before entering the relationship.

I know there will be some disagreement here, but I also feel like Tommy's feelings for Buck actually were on the verge of changing, and he hadn't expected that. When they were standing at the grave, Buck gave his eulogy directed to Billy Boils. Tommy's face went through a series of changes. First, he seemed annoyed or concerned. I couldn't quite tell, but the more Buck talked, the more you could see of our Buck. The guy with a huge heart who can empathize with the skeletal remains of a criminal. I'll link the clip for you to judge. What Buck had to say to Billy was more open and revealed more about Buck's character than anything he had been saying to Tommy over the past six months. It was a small scene, but one that probably came back to Tommy when Buck suggested moving in together.

It was scenes like this one combined with Tommy's exclusion from group chat, etc., that probably helped to remind him that Buck's feelings six months ago were not about him and nothing had changed despite Buck's suggestion that he move in. Tommy's insecurities took over and reminded him what the inevitable end was going to be for them. He was the first not the last.

For the past six months, he's known that Eddie was between them, but you could see how comfortable he was with it. He didn't seem annoyed by Eddie's presence at all. I disagree with either Tim or Oliver when they try to play up that Tommy was Eddie's friend and this was natural. Eddie and Buck met Tommy at the same time, and Tommy was trying to shoot his shot by taking Eddie to Vegas. I don't know what was discussed between Eddie & Tommy during those few weeks where Buck was being left out, but it is clear that whatever conclusion he had drawn from the Vegas trip had been solidified by what happened on the basketball court, so much so that he wanted to apologize to Buck in person. We all know how that went, and I still think that was a good scene.

This brings me to the breakup scene itself. In the end, when Tommy talks about how he didn't see it coming. I don't think he was referring to the breakup. I think he was referring to the feelings he caught close to the end. He thought he would help Buck, provide a safe space for Buck to explore that he personally didn't have, and have some fun with a hot young thing, but he let it go too far. (His reasons are pretty much part of what Tim has said in interviews.) I don't think Tommy realized how much he had gotten caught up in the fantasy of Buck until Buck asked him to move in with him. I do think he's sincere when he says his heart would end up broken because, despite his feelings, he still understands there is something between Buck and Eddie even if they don't.

(One side note. I agree with Buck that first and last can be the same thing. I don't buy into the belief that you have to be with dozens of sexual partners, but I also don't think that would have been the case with Buck. He is a sexual character, and he's openly curious. I know people were mad about the interview where Oliver talked about letting Buck F#ck, but I think that would be in character for an upset Buck who was just dumped. It is less about his sexuality than it is about his abandonment issues and neglect trauma. That's my take anyway. We'll see what Tim does with it. I do think the part of Buck that craves monogamy already belongs to someone else, and the di was cast before Tommy came into his life, and we are back again to the hamster wheel.)

If you stuck with me this long, thank you. I know there are few, if any, fans of Tommy around here so I appreciate that you were willing to objectively view him the way Tim kept trying to present him. I'm tired and I'm pretty sure I rambled a couple of times, but I do understand Tommy is a problematic character. I consider that to be a writing issue that never got a satisfying resolution. I'm equally aware some people hate him simply because he was with Buck. I'm not doing a lot of judging these days because I already know how unreasonable I'm going to be over Eddie being with another man. After seven seasons of subtext, they are already in love. These other relationships are like cheating. lol I'm not so secretly hoping that if Eddie needed a "first" he got it when he was a teenager or when he was in Afghanistan.

I can tell I'm going to be bad because when I see posts about Eddie sleeping with a priest, I want to scream into a pillow and pretend that I'm flipping over furniture and tossing chairs across the room. I just can't be reasonable. I would never attack the actors or writers though. That's not me. My jealousy is on Buck's behalf, and my bad behavior remains entirely inside my head. I don't know what they'll do with Eddie, but they are going to need a chat group to make sure Eddie's boyfriends do not meet with Buck's subconscious mind.

Click here to see the meta on Eddie Haunting the Narrative from #buddielifers.

[aparticularbandit]

oh also another chapter of the crossover in the backlog.

two for the first thing.

six (so far) in the sigh rewrite. there's probably at least two more chapters in that (mukuro/mikuru conversation; junko/haruhi conversaton) and maybe one more for general wrap-up stuff, but we'll see.

and then based on a comment junko made re: yasuke, that sets up well for if i want to go back and do brigade stuff between that first thing and the sigh rewrite with yasuke - which kind of follows the novels, i think, because melancholy was first and then sigh and then boredom was the third novel (short stories) that technically took place between melancholy and sigh?

...i really should actually read past the first book huh.

anyway.

i have given myself an opening for yasuke hangs out with the brigade over summer break and then potentially addressing endless eight (which is actually not from boredom, it's from a later book) if i, you know, want to do so.

which i might! unsure at this time.

[mean-scarlet-deceiver]

Hi! Huge fan of your fics, kinda new to Tumblr. Do you ship any of the engines (if you don’t mind me asking?) 

Hey, thanks for dropping a line!

I was a non-shipper for quite a while, then I started dabbling. I'm open to lots of different (and conflicting) ships but some of the ones that I'm most committed to are:

Thomas/Bertie

Edward/BoCo

Henry/Bear

Percy/Harold

Duck/Donald

Douglas/Toad/Oliver

Mavis/Salty

Also, if you trawl my archives long enough, you’ll see occasional references to Toby/Diesel and James/Porter. And you might wonder: Wait, are they f***in' serious? The official answer is that the former is just for a lark (specifically, for a dare)… but the latter I am indeed pretty serious about. ;)

[curewimdy]

Sakuya/Umika actually serves an invaluable function in Lupat in that it sucks so much that it highlights how much better Umika/Tsukasa is by contrast. classic secret identity love story yuri vs guy who won't stop bothering a girl at her place of work while she actively tries to avoid him

[asidian]

DBDA Meta Commentary Roundup

Okay, I'm getting tired of scrolling back to find my own posts, so it's time for a roundup post for my DBDA meta commentary.

Meta Commentary:

Why you should watch Dead Boy Detectives

Charles is a people pleaser

A very large snake as a reference to hell

The same lantern

Edwin knows the Misery Wraiths a bit too well

Why Charles is upset by more than just jealousy re: Monty

The white kimono

How Crystal and Charles' character arcs intersect to make an absolute trash fire

You can talk to me about anything

Edwin's hidden kindness as Charles dies

Edwin's hangups re: emotion and how it ties into his time in hell

The silliest Clue edition

The Cat King's design changes when he starts a new life

Counting cats

Where is the Doll House

Edwin and Charles acting like they've known each other forever in tiny details

Esther has the cops in her pocket

The lantern scenes as an extension of the theme "The good you do comes back around"

Why Charles opens up to Crystal so quickly

Payneland endgame nods through leitmotifs in the soundtrack

Charles is super sensitive to criticism, even when it's not intended

The Season 2 in my heart

The hidden nod to history in the WWI ghost's makeup

Why Charles' death is so much worse than it seems

The brilliance of the first ten minutes

The ship of all time

The incredible women of Dead Boy Detectives

Edwin's bowtie

Crystal and Charles as mirrors and projections

Bi disaster Charles Rowland

Edwin can knit

Chekhov's snake-slaying sword

Murder night movie time

Why Charles was more of a hero than he knew

What the doll placement says about Edwin's many deaths

Set Design:

Charles' room

The London office

The boys' detective license and its source

Tragic Mick's shop

Niko's room

Color Symbolism:

Red

Blue

Pink

Green

Green (alt)

Purple

Orange

Brown

Black

White

[imdayyydreaming]

i think nandermo is going canon. i really do.

this season has had an incredibly noticeable shift in their dynamic to the point where casual viewers i know are asking me how long nandor has been in love with guillermo for. people who previously thought nothing of it are reconsidering their relationship

if their serious scenes together have jokes in, they don't undercut the weight of what is happening. guillermo's interview, firing nandor, the warehouse confrontations, and even the nixon scene are played as meaningful. this arc is going somewhere- i mean, nandor's entire arc for this season is how lost he is without guillermo.

i get the worries about interviews. the whole "ambiguous bffs that's his boss non-physical EWW" thing is definitely off-putting. however. showrunners have done this before when a ship is endgame. it would be kind of disappointing for paul simms to go "yeah nandor is totally in love with guillermo" and spoil the conclusion of six seasons of slowburn. plus, the cast have awful poker faces whenever nandermo is brought up in an interview.

the writers are setting them up on a clearly romantic arc for the final season. right now, they're going through conflict and drifting apart. at some point over the next few episodes, something will happen that makes their relationship feel unsalvageable. this could be nandor's confession, or something else entirely. then, likely in the two-part finale, the tension between them will reach boiling point and have to reach a resolution.

will this resolution be a relationship between them? i'm not sure. but i really do think their feelings will at least be explicitly shown as romantic and reciprocated. aaaaand this is how we can win!

[givehimthemedicine]

time for my big lumax rantpost. I used to be way more of a shipper but upon reexamining some of my GA-era assumptions, I'm here to tell you why it sucks, and why I don't look forward to lumax endgame if it's the same lumax we've been getting.

lumax has fantastic potential, but needs lots of work to actually become the ship most of the fandom thinks it is.

I get the sense most on here consider lumax ST's darling perfect ship which is sullied by weak and/or racist writing. while I wouldn't argue at all that the writing does right by Lucas, I do think it's important to recognize lumax as an intentionally-written badly flawed relationship, NOT a poorly-written perfect relationship. (the writing for 5 has a lot to prove so we'll see)

lumax is obviously happening. no ending to Lucas's story makes sense other than him getting the girl. however, I don't like that from either character's standpoint.

from hers - Max is not a prize. and from his - Max is no prize.

Max is a pretty shitty girlfriend.

we've never seen her show Lucas any interest in learning anything about him. I can't remember a time she's complimented him, said anything nice about him, or done anything purely for his benefit. virtually all of their serious conversations have been about her, and the scant few that are sort of about him are inevitably just a lead-in to him offering support to her.

Lucas and Max's relationship - pre, during, and post dating - is 100% about what he can do for her. he's the one making 100% of the effort.

it seems like most of their interactions are him walking on eggshells trying to placate, reassure, or convince her, all for the reward of.... what. being allowed to continue existing near her? like yeah, she's a cool girl, but. that can't be it.

what good is getting the girl if the girl doesn't really offer anything?

. . .

through the seasons, semiquickly:

season 2

Lucas and Dustin both like Max, so they invite her trick or treating, offering to protect her from bullies and show her where the good candy is. in other words, the first Max / Lucas interaction is him offering something to benefit her. Max returns no appreciation or even response to the invite, yet still shows up to reap the benefits.

that pretty much sets the tone.

Max wants to be included, but that's a sensitive subject, so she puts on aloof airs to protect herself. it's an act, but nonetheless it's all Lucas receives.

the facade slips on multiple occasions though; Lucas is permitted to see her vulnerability, and we can see she's actually more desperate to make the connection than he is.

Dustin seeks Steve's manipulation tactics to use on Max, but Lucas wins her over by treating her like an equal and offering her genuine friendship.

he risks both his place in the party and his safety/life to include her, gives his undivided attention when she talks to him, asks questions that show his interest and concern, he reassures, uplifts and compliments her, and physically protects her.

in return, Max. uhh. well she does apologize for being a jerk, although she doesn't exactly stop, lmao. this is one of only two moments I can think of when Max reveals any regard for what Lucas thinks of her.

lumax is off-balance before it even starts, although s2 is when I think that dynamic is most permissible. since Max is a newcomer, Lucas has the advantage in many respects, and it makes sense for him to be the one extending a hand to her.

when Billy attacks Lucas for hanging out with Max, he could be gravely hurt if not for Steve taking the beating instead. Max joins in the momentary group hug but never says a word about this. (I suspect the writers mean for Max's bus apology to have proactively served as a veiled "sorry my stepbro is racist" but more felt needed in that moment.)

then they go to the dance and she kisses him and it's cute and everything is happy for ten whole seconds.

between 2 and 3

even though the summer of '85 is "the good days," this relationship is already careening downhill.

we learn that Max has dumped Lucas five times - such a regular occurrence that he takes it in stride and is well practiced at winning her back as a result.

unfortunately it's Lucas taking to heart the "happy wife happy life" policy from his dad that's set up lumax as something that seems to serve only Max. her awareness of the policy means she holds all the cards.

season 3

Max has secured her place in the party and the relationship, and now it's time for her to bring something to the table, but I honestly can't name one thing. it's still Lucas bending over backwards and Max sometimes being a bit of a jerk. (another act. we'll come back to this)

from the start of 3 we see an excessively secure Max and an obsequious Lucas. she doesn't show him any of the vulnerability that made her endearing in 2. they share fun moments, but we can infer that she doesn't treat him very well in ways that matter.

at one point she even plays mad just to watch him panic. you get the feeling this boy can never feel secure in his relationship. yeah she's just teasing, but do you think Lucas is allowed to tease too?

when El comes to Max for advice, she tells her that "boyfriends lie all the time" and this is before we see Lucas lie to her.

when Mike comes to Lucas for advice, he confidently schools him on how to get back in El's good graces by buying her a present - making clear he's been following his dad's advice all summer long and it's been working:

L: Dad? When Mom's mad at you, how do you make her not mad? C: First, I apologize. Then, I get your mother whatever she wants. L: Even when she's wrong? C: She's never wrong, son.

the mall confrontation is the first time we see Lucas really lie to Max, but even then, the girls don't actually have proof Nana isn't sick.

it's telling, actually, that Lucas's loyalty goes to Mike instead of Max in this moment. in s2 it was the other way around (Lucas pissed off the whole party by including her in the group and telling her the truth - a technically banishable offense). but now he's back to his s1 bros before hoes policy, and not only backs up but expands on Mike's lie. after dating almost a year, his loyalty to Max should be even stronger, but here we see the opposite. if Max had been at least as good a friend to him as Mike, I'm inclined to think he would at least have tried to be noncommittal here.

Max is so confident Lucas will have nothing on his mind but winning her back, as always - meanwhile who we actually see Lucas apologizing to is Will.

she may have had Lucas wrapped around her little finger all summer, but we're seeing that start to uncoil. if Lucas apologizes, it's offscreen.

when Billy tries to break out of the sauna to kill Max, Lucas slingshots him and body shields Max during the fight. next thing you know, Max is back to being cliquey with El in the bathroom (making fun of Mike even though he was the only one who did anything to save El's life?? girl you're being shitty to boyfriends that aren't even yours)

they seem to be a couple again by the end of 3, but the relationship is weakened...

between 3 and 4

..which sets the scene for how the two apparently drift when Max ends it once again. she's not playing this time - she uses the term "break up" instead of "dump" and Lucas has accepted that it's over.

depression makes it hard for Max to connect with him, but the way she treated him in 3 has likely also eaten away at his insistence on prioritizing her. if you push someone away over and over you can't be too surprised if they stay further away each time.

so Max withdraws socially and Lucas apparently doesn't go to his usual lengths to pursue her.

he's still making effort though! the "stalking" comment makes it clear he's been trying to approach her. we know he's been inviting her to his basketball games. him already knowing her favorite song as of 4x4 is more evidence of him taking an interest in her between seasons.

he clearly still cares a lot about Max, but good for him for pursuing his own hobbies and friendships as well.

season 4

Lucas finally asks Max to do something to support him for once (come to his game), but she shuts it down hard.

we know Max still cares about him, but that's just it - WE know. he doesn't. to his face, it's bristling rejection even while he literally begs for the chance to support her.

saving Max's life is a group effort, but Lucas knowing her favorite song is the key that saves her life, and it's only after that that she's friendly towards him again.

the only time I can recall Max expressing any concern for Lucas's wellbeing is when she asks if he's okay in 4x6 - and he only gets a few sentences to process Patrick's death before it's time for him to turn it into an apology to her. sigh.

Lucas is the only one of Max's friends to voice any objection to her suicide mission of a Vecna plan, and pitches for them to gamble a stranger's life instead. he once again risks his life to hang out in the Creel house with Max, personally taking on the huge responsibility of making sure she doesn't die.

Vol 2 Max finally shows Lucas some long-awaited appreciation ("you might have been there" and "I'm glad you're here") which is very nice to see.

I'm conflicted about the movie invite scene, but we'll talk about that later. textually: he asks her out, she accepts, it's totes adorbs.

unfortunately, Max being tranced out by the time Jason walks in means it's time for Lucas once again to get attacked by an older, stronger guy who's wrongly convinced he's a danger to her. (again not her fault, but kinda because of her)

everything goes sideways, Max gets Vecna'd, and Lucas holds her while she dies. we end on a bruised Lucas sitting loyally at Max's bedside, reading to her just in case she can hear it inside her coma.

Lucas hasn't been perfect but he has spent yet another season physically protecting and emotionally supporting Max at great personal expense, and with little appreciation and no support in return.

. . .

the movie doodle didn't fix lumax

Max has had an epiphany, but a change of behavior has scarcely begun. being nice isn't the same as making amends. they've resolved zero of the old issues, plus 4 (even if the plan had worked) has heaped a ton of new shit on both of them.

she's still a grieving, neglected, depressed and passively suicidal child of a triply-broken home. dating doesn't fix that. they already broke up once under the same conditions.

plus Max has new catastrophic emotional traumas, some of which which explicitly exacerbate those very issues. she has catastrophic injuries and disability to cope with (and this is a girl who withdraws under stress normally). with a shred of realism, she's waking up in less a mood for dating than ever.

Lucas has also taken on new traumas, between the basketball team stuff, getting beaten up and almost shot/strangled, and watching Max get Vecna'd and die. he already has a history of guilt about not being there for her enough, so he's going to have a lot more about failing her in that moment (definitely not his fault but he'll still feel bad) and will likely be even more focused on her.

to me, this all sounds like a recipe for the same old dynamic except worse than ever. if they get sleeping beauty'd directly back into lumax, it'll be a disservice to both characters.

. . .

now let's talk about why Max treats Lucas the way she does 🔬

she's not a conniving bitch, she's just a scared kid from a toxic home. that doesn't excuse her behavior but it does make it understandable.

Max CAN be a great friend. she's just not to Lucas.

Max absolutely showers El with the good qualities she'll barely show Lucas. in fact I could loosely say Max is to El what Lucas is to Max.

Max is suspicious and disparaging towards Lucas, even while trusting that he can be counted upon to grovel. meanwhile El never apologizes for intentionally hurting Max both physically and emotionally, yet the moment El acknowledges her (only because she wants help), Max is instantly forgiving, kind, gentle, caring, generous and supportive towards her.

she throws her loyalty behind a friend of 1 afternoon over her boyfriend of a year who's been the only person in Hawkins to show her any true kindness and emotional connection.

if Max was half the friend to Lucas that she is to El, she'd be a decent girlfriend. why isn't she?

we can name a few reasons why Max IS so nice to El, but why she ISN'T to Lucas is a separate question. kindness isn't zero-sum.

she told us why. boyfriends lie.

and it's ANY boyfriend, not just hers. Nana's sick? more like Mike's a lying piece of shit! Suzie from camp? fake! Dustin's obviously lying! the only one of the boys Max has never accused of lying is Will - the only one who's been single the whole time.

just. the state of being a boyfriend (or even just liking a girl is close enough), makes any boy automatically a liar.

Max believes "friend" and "boyfriend" are mutually exclusive

"Friends don't lie!" "Yeah, well, boyfriends lie all the time." <- it's all right there.

back in 2 when Lucas was her friend, she was more open and trusting. she gave him the benefit of the doubt that monsters were real and he knew a girl with magic powers. starting to date flipped the switch, and now she doesn't trust him about mundane stuff.

now they're not friends, they're boyfriend/girlfriend, and she expects to be treated in a whole different way, including all the baggage that comes with romantic relationships in her mind.

what baggage?

Max's childhood is full of examples of awful, manipulative men and abusive, broken relationships.

her dad: I'd only be speculating about why her parents' marriage failed, but in 2 Max misses California because her dad is still there, then by 4 acts like it's doubtful he can even be tracked down for delivery of what's basically her suicide letter. it's clear she desired a relationship with her dad but was abandoned. Neil: abusive asshole who rules the household with an iron fist. I'd be shocked if he hasn't abused Susan, and see little reason he wouldn't do it in front of Max (after all, we see him verbally and physically abuse his first wife in front of his son, in a bad fight over suspected lies/infidelity). in his grief over Billy, Neil and Susan have "bad fights" and he leaves the family. he's not missed, but it's still a second abandonment by a father figure. Billy: Max's peer example of guys in relationships: a sleazy, two-faced asshole who treats girls like trash and completely changes his persona to manipulate them for sex or whatever else he wants (Max appears to be all too aware of his sex life and is disgusted). abandonment issues with him too: a good relationship with a big brother would've meant the world to her, but he rejected and probably abused her for years; her letter at his grave reads "ever since you left" - same word she used for Neil.

Max desperately hopes Lucas is an exception to the rule, but these are the behaviors she would naturally fear from any guy she dates.

Max is especially terrified of being abandoned (and that she deserves it)

to be abandoned over and over can naturally leave a kid wondering if it's their fault, if this is the treatment they deserve.

Lucas is overall quite honest, and there's not an abusive bone in his body. the most realistic one of Max's fears to apply to him is that someday he'll leave her, too.

and that's the worst fear Vecna chooses to voice in Lucas's form: realizing he's been wrong about her, that she's fundamentally bad and he's glad she's going to be killed. a gutting abandonment from the guy she most wants to trust.

Vecna-Susan also tells Max that she deserves what's going to happen to her, that she's "broken everything" and that her letters can't make things right. because he's in full Vecna mode when he says it, I just took those as very general condemnations at first. but they hurt even worse when I remember they're still coming from "Susan" - revealing that Max feels she has broken her family.

she wanted Billy to die, and she figures Neil left because Billy died, so that's two of the abandonments being "her fault". if that's true, Max would also feel responsible for destroying her mom's life - having cost her her marriage, home, and financial security.

in her addictions Susans has, in an emotional sense, abandoned Max just like all her other family members - and Max fears she deserves it. how desperate she was for this hug... :(

anyway, back to lumax: let's reexamine those s3 dumpings

what exactly did Lucas even do? we never find out.

on first watch, I took "boyfriends lie" at face value and assumed Lucas got caught fibbing. but that doesn't fit so well.

he's maybe the party member most invested in "friends don't lie". honesty to his friends is a pillar of his character. again, he caused friction in 2 because he so strongly prioritized honesty to Max. to assume based on one line from an unreliable narrator that he randomly became a huge liar over the summer is unfair.

via their counseling of Mike and El, Lucas and Max tell us what's been going on with lumax

Max tells El:

He'll come crawling back to you in no time, begging for forgiveness. I guarantee him and Lucas are totally wallowing in self-pity and misery right now like "ohh, I hope they take us back!"

I think we all clocked that one: Max thinks that because El followed her technique, Mike will come crawling back - because Lucas has come crawling back to her several times now.

but I haven't seen much discussion about how the spying scene (which "he'll come crawling back" is paired with) shows Lucas assuring Mike that he's been dumped for an unfair and illogical reason because that's what Max has done to him several times now.

M: I just don't understand what I did to deserve this. L: Nothing. Nothing. That's my whole point. You are the victim here. Stop asking rational questions. M: I know, I know, you're right. Because women act on emotion and not logic. L: Precisely. It's a totally different species.

Max is pissed. but has she been irrational, acting on emotion and not logic, and dumping him for no apparent reason all summer? signs point to yes.

and I understand Lucas saying this. it's not pure misogyny out of nowhere; he's been told that his mother expects gifts and apologies even when wrong, Max acts that way too, and now so apparently does El. all of his examples concur that this is just how women in relationships are. (Charles Sinclair how many relationships will your advice destroy lmao)

both Max and Lucas are bringing preconceptions from home.

Max acts this way on purpose

I don't think she's dumped him over truly nothing (although that's how it looks to him). I'm thinking she blows real, minor missteps out of proportion.

any time Lucas does something slightly insensitive, it looks like the first red flag to her, and instead of communicating in a constructive way, she just throws up this "boys aint shit" force field and dumps him. of course she doesn't truly want to be rid of him, she's just sorta snapping the leash.

I think Max knows what she's doing. I think she wants to keep Lucas always on his back foot, because the relationship isn't as scary if she feels like she holds all the power.

she's always trying to cover up fear/sorrow with anger, because anger gives an illusion of control. and she's been conscious of that anger, and the fact that it's unfair to Lucas, since the beginning - that's what she apologized for on the bus. "I guess I'm angry too, and I'm sorry."

she was mature enough at 13 to see the error in her behavior, but still not mature enough by 15 to fix it. every season has just been a slightly different flavor of "leave before you get left".

so, that's my take on Max's relationship behavior. but again, explanations aren't excuses. Lucas deserves to be treated well, and that's not happening.

what needs to happen?

simply maturing more will help them both a lot. being 15 is a terrible condition in of itself.

I don't see Lucas dumping Max's ass, but she should take her own advice before the relationship continues: explain herself and fix the garbage parts of her behavior.

before Max can be the girlfriend Lucas deserves, she needs a substantial period of physical and emotional healing.

she needs renewed connections with her friends and family, and a lot of general growth in the area of communication and processing her feelings.

in regards to Lucas, she needs to work on her trust issues, and learn to extend him the treatment warranted by his behavior, not the behavior she fears from others. she needs to learn that "friend" and "girlfriend" aren't mutually exclusive, that real friendship is the key to their relationship, and is a two-way street.

any Billy racism/assault acknowledgement would be better years late than never, especially if grieving Billy continues to be a focus in front of Lucas.

Lucas could also use a little work

the relentless positivity doesn't serve Max well. often it turns out to be empty reassurances which make her feel let down (so, a soft version of the lies she fears). she let him know in 4x4 that this hurts her, but he kept doing it for the rest of the season.

but the big one is that "happy wife happy life" doesn't serve him well, and rewarding unfair treatment perpetuates the problem. yes, the ability to compromise, swallow pride, and be the bigger person are healthy parts of a relationship, as well as the willingness to extend grace to your partner/friend when they're struggling. but it always being on one designated person is a recipe for dissatisfaction and resentment.

Lucas should voice to Max that he, too, has struggles and needs support. I'd like to see him pursue outside interests unapologetically.

no, this isn't an exhaustive list, and I don't expect to see everything fixed at once, or explicitly processed onscreen. but I sure hope we get some evidence of change, and that this has all been part of an arc.

for instance, I'd love for the final lumax reconciliation to be Max asking Lucas to take her back.

I kind of hope not to see them officially together until the very end. in fact I'd so much rather see ST end on a good Max / Lucas friendship with an implied romantic future than jump back to the status quo.

l don't want to see lumax until it's a new lumax, based on real, reciprocal friendship.

[hellspawnmotel]

Nah kralsei is weird because ralsei is obviously an anagram of asriel and that's kris's sibling 😭 like...he obviously represents asriel in many ways so it's just weird. Like... yeah

I agree, it is weird! it's weird to look at as an audience. but it is THERE. I think it's pretty undeniable that ralsei has some sort of crush on kris, he's so blatant about it. "are you proposing?" he asks. and there's the whole acid tunnel of love scene. like, it's literally a tunnel of love. ralsei is being set up as kris's love interest, by the narrative or by ralsei himself, if those two are even different things, we dont know yet. or maybe ralsei is in love with us, the player, and using kris as a proxy. that would still be weird though! whatever the case though like, it's there. it's there and it's extremely intentional.

to be clear I'm not saying all this bc I "ship" kralsei or think it's endgame or whatever. I'm not coming at this from a fandom or discourse angle at all. but I do think it's necessary to acknowledge what's being imparted to us by the text, which is both that it's there AND it's weird. if it's making you uncomfortable it's probably on purpose, because the story is trying to tell you something. this is especially important with something like deltarune because it's being set up (from my angle, at least) that the narrative ITSELF is a character and it wants you to question why things are happening the way they are. why is kris being set up with somebody who looks like their brother? why is ralsei in love with kris? if ralsei ISN'T in love with kris, why is he acting like he is? what is ralsei, and what circumstances made him this way? you can't just say "that's gross, don't look at that" and turn away in a situation like this. even if it makes you too uncomfortable to do so, you gotta at least let other people analyze why it's happening and what it means.

er, all this to say, whether anybody ships kralsei sincerely or thinks it's nasty or whatever, I don't really care. I just think it's really interesting as a part of the story lol. you don't like thinking about it, that's fine, I don't blame you, but I don't think it's fair to tell people to not engage with it when it's begging to be engaged with.

[reyesranch]

I feel like atp even if there were plans to make bvddie canon theyre gone now. if tim minear is even half as petty as I am he would see that reaction and go u know what fuck you u actually don't get what you want now cause ur acting so goddamn entitled. like when tarlos fans got mad about the deleted scenes instead of appreciating them being released and his reaction was to say "okay fine then I just won't release deleted scenes anymore" (like I'm sure it was mostly a marketing decision but part of me thinks they intentionally released a scene about bucktommy just to prove a point.) idk man it's just really upsetting as a bi man to see the absolutely vile shit bvddie stans are saying and even tho I love the ship I now never want it to go canon cause they've fuckin ruined it

hey anon, at first let me agree with the fact that i do in fact also love bvddie a lot and i still love reading fics for them, the edits of them are fantastic and the fanart is S tier. it’s a great pairing with a lot of potential there IF the writers decided to ever go there but…

huge answer below

yeah, i agree. i honestly think before tommy was introduced again in 7x03 and the kiss in 7x04 that in my brain, bvddie was the most logical endgame for buck until it wasn’t.

i came into the show shipping bvddie much like a lot of new fans to the show but instead of hopping onto the tommy anti express hate train i found myself falling in love with buck and tommy together. at first i was still on board with bvddie still being endgame but as each episode aired after 7x04 i became faced with the reality of the situation (at least the way i see it) that bvddie might always be fanon and that’s ok because fandom keeps ships alive whether they’re canon or not. some of the biggest ships EVER are non-canon (i mean, cmon spirk? one of the OG MM ships?) so it didn’t really deter me from enjoying bvddie to this day. what HAS deterred me from interacting with bvddie content is toxic bvddies. i don’t like using the lil nicknames, idc if other ppl do, whatever, but i prefer just referring to certain kinds as just toxic plain and simple.

toxic shippers have made it difficult for anyone who multiships to interact with bvddie content. while there are incredibly nice & welcoming bvddie endgamers out there, it doesn’t overshadow the hateful ones in my online experience at least. i’ve blocked so many ppl over this ship discourse, which ive never had to do with any other fandom before the extent i have with 911. everyday i still find new ppl to block, you go under almost any comment section on the 911 insta and its filled with nasty comments abt tommy and only caring abt whether bvddie will be canon in s8. people projecting their hatred of tommy/lou onto the cast/crew of the show when it’s be said and proven time and time again that it’s quite the opposite. now im certain there’s bad apples in the bucktommy side as well, but from what ive seen online so far it is not nearly to the caliber of the bvddie side. ive blocked maybe a handful of bucktommy’s for being hateful towards eddie or being toxic overall, but ive probably blocked over 100+ toxic bvddies. i can only imagine it’d be worse if i was active on 911 twt which i’m not (thank god) but i have ventured into the tags before on there and let me tell you, it’s fucking horrifying how gross ppl are over there. twt is a cesspool for fandom anyways tho, the fucking asshole of fandom, it’s a septic tank really.

now im my own opinion which could be completely untrue of course, but just basing my thoughts on what i’ve seen online and interviews and such, tim seems to be really happy about bucktommy and idk how ppl believe otherwise. tim has expressed he loves LFJ and wanted him back on the show. tim showed up on set for the kiss scene. tim posting an entire youtube vibe abt bucktommy being soulmates that touches on the invisible string theory and explains how they accidentally found buck’s perfect match. tim sharing the deleted tommy scene is also huge but im waiting to see if he releases more (because i remember seen somewhere that he said there’d be more?) and if he does then great but it’s also still pretty telling to me after the whole karaoke fiasco.

oliver has said nothing but praises towards buck’s queer storyline. he quite literally said if you dont like it then watch something else. despite ppl saying he’s never interacted with bucktommy content online, that’s a lie because he has liked fanart of them.

aisha, kenneth & tracie have all expressed how they like tommy/lou and love working with him.

jlh said she loved bvddie before but is excited to see where buck and tommy go and then on an insta live said she doesn’t think bvddie is happening and was bombarded by toxic fans to the point of ending the live early.

ppl think it’s all some ruse to make it seem like bvddie is never happening so when it does happen it’s a “surprise” ……..

the nasty hate comments are doing nothing but exposing these types of ppl for who they are and that honestly to them, 911 is just the bvddie show to them. the people who run these social media accs for 911 are looking at these comments and cringing, they aren’t running to tim and abc being like “we must give these crazies what they want!” they’re mostly likely being ignored or honestly, as you said, being looked at and just reinforcing their decision to most likely make tommy buck’s endgame so as long as his schedule is open for filming.

what gets me the most about the hate these types of shippers spew online is how they aren’t embarrassed because they are so sooo convinced they will be right one day and therefore their insane, nasty behavior online will be justified. oliver stark literally left twt because of fans like this, people act like he was joking around, that he was shooting the shit probably because “he’s british and british people just have that kind of humor” which yes to a certain extent but let me just add these posts to set an example to why if oliver were still on twt he absolutely would not be happy with the way toxic bvddies are acting right now.

oliver (and ryan&other cast too) being positive abt bvddie never meant it was going to be canon of become canon one day. they do not decide these things, whether they believe it should or not. a lot of bvddie shippers come from previous fandoms where queerbaiting was there, where they were made fun of by actors of their ships, by the creators of the show! so i understand the frustration but oliver is not queerbaiting and buck is not a queerbait character when he quite literally is now confirmed bisexual and in a relationship with a man.

he’s just not the “correct” queer to these people. despite headcanons (hell even i hc eddie as queer!!) eddie so far, in canon, is not queer. by the end s7 he is still shown to not be over shannon and ruins his relationship with his son over this. ryan has stated in interviews he sees eddie as heterosexual, possibly pushing this because of the influx of ship discourse, and he’s glad to see a vulnerable and deep friendship that buck and eddie can have as a straight man and a queer man and how important he thinks it is.

every single thing that points to bvddie never going canon is like they’re being shot point blank in the chest. i get it, your ship not becoming canon sucks, but again, that is what fandom is for! shipping has never been about how canon smth is, there is 20k fics out there for bvddie and they aren’t canon. they can turn that into 40k, 100k, 1M if they really wanted to! instead they use their time and energy posting death threats, wishing death upon a gay character, bullying ppl online for enjoying a ship.

meanwhile from what ive seen bucktommys are rolling with goofy ass spy tommy theories created by antis and making jokes for our own fun.

so yes, i agree overall. they truly don’t deserve what they think they do. we didn’t whine and scream for a deleted scene. they did. we got ours without even expecting it and are having fun.

maybe if they behaved better i wouldn’t be so petty abt it. it’s a shame because of how much potential it has, unfortunately it is just not going that way atm. and even if it does one day, it is not because they paraded online with hate, it is because that’s the story tim and the others wanted to write and abc approved it.

🫳🎤

[andromeda3116]

i just

i just gotta get on my soapbox for a sec bc like

mai becoming fire lady is like. her worst ending. she's just being stuffed back into the box of nobility! the life that bored her so desperately that she was willing to go with azula just for a fucking change of pace

i will always think of the person on lj who described mai as "spoiled beyond feeling" bc she's been given everything she has ever needed or asked for... except freedom or love

my ending for mai is -- for one, her reply to azula is not "you miscalculated, i love zuko more than i fear you," it's "you miscalculated, i am not afraid of you" as she attacks azula and takes control of her own life

and in the epilogue, zuko actually goes to the boiling rock to free her, only to find a letter -- a letter! thematic consistency! -- from her explaining that she and ty lee are already free (either having escaped on their own or been released by her uncle) and have decided to break out of all their chains and see what the world has to offer (or be made to offer) two dangerous ladies who are stepping out of the gilded cage and coming into their own

so her happy ending is not going back into the nobility and continuing to be spoiled beyond feeling, but choosing to forego the spoiling to find feeling and meaning and freedom

it's also ty lee choosing to forego being part of a matched set or being under someone else's power or thumb and choosing to find out who she is on her own, not the sixth sister or the circus girl or azula's lackey, but ty lee, standing on her feet without any lines or nets to catch her nor any claws or flames to contain her, titling her chin up and capitulating to no one and deciding for herself who she wants to be

like holy shit, the canon endings for them suck so much they both deserve so much better and especially mai who i genuinely fucking love and think is such an interesting character whose endgame ship is just. it's so bad. it's a net-zero for her characterization, she just... goes back to exactly what she left before and... that's it

that's the ending

that's the ending?

mai deserved better

there, i'm saying it: mai deserved fucking better than that

[zvtara-was-never-canon]

You're saying that zutara wasn't supported by the writers and shouldn't have been an endgame. That's a lie! and you can verify this, for example, by reading this post. Zutara has a huge support of writers and actors, she was supposed to become a canon! We were just robbed.

https://www.tumblr.com/crienselt/744143410729041920?source=share

I can show you lots of videos of Grey Delisle saying Azula and Zuko are totally fucking (including one she recorded for my birthday), and there's an infamous clip of Bryke proposing Azula and "The Blue Spirit" as a potential ship in a pannel. Somehow I don't think you'll take that as meaning my OTP is canon and was just robbed of it's endgame at the last second - but apparently tumblr posts are solid proof, therefore my argument is perfect and all you Zutara fans are now gonna have to accept that you ship Katara with a guy that canonically (by the standards YOU GUYS are trying to set at least) loves incest even more than Jaime and Cersei Lannister did. And oh, would you look at that! During one of the times Grey mentioned Zucest, Dante said "The Fire Nation are a bit like the Lannisters." See the links if you don't believe me. WHERE'S YOUR GOD NOW?

The creators/showrunners, writers, and lead writer have all said a billion times "Kataang was always the heart of the show and by the time the first episode aired we were set on it being endgame. Some people in the crew liked BOTH Kataang and Zutara, but Zutara was NEVER seriously considered as a real possibility for endgame or even temporary romance. The only love triangle ever considered was Aang, Katara and MALE Toph."

It doesn't matter how many interviews yall fake, how many clips you take out of context, how many deleted scenes you claim existed without a shred of proof to back it up, how many times you go "but this actor whose job is ACTING not WRITTING says he likes Zutara" or "This writer that wrote tons of Kataang episodes said the word Zutara once when writting a scene between Zuko and Katara" - your ship is still fanon. That's not a dig at you or saying it's bad, it's just a fucking fact.

Write some fanfic if you like it so much, but don't turn the production of the series itself into your fanfic just so you can lie to yourself about how there was ever any chance of you getting what you wanted in the actual canon.

And for real, you're gonna try to use the LIVE ACTION as proof? The thing the creators disowned? Netflix's over-glorified cosplay session that everyone keeps saying "It's mid at best" is THE argument you go for? Have some goddamn standards, I'm begging you.

[perseephoneee]

I have a request if you are interested? :)

A teen!dad jess. He has a best friend from New York (she can have a name or it can be Y/N, you can choose) (they are endgame, jess never had feelings for Rory but she has feelings for Jess, it won't go anywhere) Jess and his best friend have a kid, they co-parent (whether they are dating already or in the future is up to you) Jess gets sent to Stars Hallow, she ends up moving to stars Hallow to, to be close to Jess and so their kid can be with him too (she is emancipated, plus Jess knows she's coming because they keep in contact) if anyone reading this would like to turn this into an actual story, I'm totally down for reading it :) if you choose this request, I look forward to reading it. Thank you!!

alright i kind of changed the story idea around a little bit butttt i tried my best *cries*

don't be a stranger (jess mariano x afab!reader)

cw: angsty, unexpected pregnancy, but otherwise fluff??

↳ masterlist  ↳ ship exchange ↳ taglist

When you got pregnant, it was…unexpected—not planned whatsoever. You were only sixteen, not ready to raise a kid, of all things. But you couldn’t find it in yourself to give it up. And when your daughter was born, it made all the pain worth it. She was ethereal.

She was three years old now, full of personality, a lover of all things squishy. She preferred to hide behind you in the grocery store than talk to people, but she smiled at every book she saw and pet every dog you passed. Even with all of that, she didn’t have her Dad.

It wasn’t surprising that Jess got freaked out and ran when she was firstborn. You guys were just friends who hooked up, and suddenly you were pregnant. With the way his life went, it didn’t surprise you. But it hurt; it made you so angry you wanted to scream. You endured, though; you had to.

That’s why it was unexpected when an unknown number called you in the middle of the day.

“Hello?” You answered, shoving the phone between your shoulder and head as you finished cutting some carrot sticks for a snack. There was breathing at the other end of the line, and for a second, you worried something nefarious was at play. “I will call the cops—“

“Don’t,” the voice said, the familiar baritone New York accent you had spent years learning. The intonations, the snark—you knew it like the back of your hand.

“Jess?” You guessed, setting down the kitchen knife and holding the phone tightly.

“I, uh….fuck,” you heard him swear on the other line. You didn’t say anything; just let him work out whatever he wanted as you tried your best to control your breath. “Hi.”

“Hi.”

“How are you?”

“Really,” you deadpanned. “Three years, and that’s all you got?”

“I don’t know what to say to you,” Jess sighed. “I thought I did, but, fuck, hearing your voice…” He didn’t elaborate, but he didn’t have to. You knew all too well. You were experiencing that same feeling right now. “I’m sorry.”

“I…appreciate that,” you coughed.

“I want to see you and…”

“Her, Maria,” you responded. It occurred to you that Jess never learned your kid's name. He wasn’t around long enough for that.

“Maria,” he said, feeling the name around his tongue. I want to try.”

You laughed at that, some of that bubbling anger surfacing in a way you hadn’t felt.

“Why now?” You inquired, your fingers tapping on your cutting board.

“I’m ready now,” Jess said, and you could hear that familiar snark you used to love so much.

“I wasn’t ready; I just had to deal with it,” you seethed, and it took a deep breath to help you not start yelling. “I didn’t get that choice.”

“I know, god, I’m…sorry.”

You don’t remember the last time Jess ever really apologized for anything.

“You can’t choose to show back up because it’s convenient.”

“Y/N…” his sigh was evident on the other line. “Please, let me be better.”

You were silent for a few moments, contemplating everything—whether it was worth it, whether you wanted to try. You rubbed your eyes as if it would clear your head.

“Lunch,” you sighed. “You get a lunch with us. And only if Maria wants to. It’s her choice whether she wants you in her life or not. Alright?”

“Alright,” the relief was evident in his voice, and you tampered down any softness that might undermine your frustration.

“Alright.”

Lunch happened at Lou’s, a deli you frequented with your daughter. It was public, safe, but neutral territory that helped you see Jess again after so many years. You almost didn’t recognize him when he came in, even though he looked exactly the same. He just seemed…older. You guess you were, too.

Maria was quiet during lunch, picking at her sandwich and sending shy glances towards her father. You didn’t realize that they had the same eyes, the same suspicious furrow of their brow that showed how intelligent they were. You convinced yourself she had none of him at all.

One lunch became two, then three. Then it was routine to get lunch. At some point, it became dinners. Eventually, you let Jess take Maria out, just the two of them. She’d come home with a smile and some book he bought her. He introduced her to the Ramones (you thought she was a little young, but it wasn’t terrible, so you let it pass). She sometimes would mumble the words “Judy is a Punk” to herself while she read.

Jess became such a staple of your life that you allowed yourself to open up to him again. He was writing, getting his GED, and working on opening a publishing press with some friends. He was excited to hear you were still in college and hadn’t given up. He said the saddest thing that could’ve become of you was never realizing your potential. You had to hide your flush when he said it.

One night, when Maria was asleep, and the two of you were picking up toys in the living room, he asked you to move in with him.

“Can you even support that many people?” You scoffed, piling her books on one of the side counters.

“Yes.”

“Why?” you inquired, standing with your hands on your hips. Why was the question that haunted you throughout this entire experience. Why did he call? Why does he care? Why did he leave? Your life was dominated by the second-to-last letter of the alphabet—why?

“You guys are my family,” Jess breathed, fingers twiddling from nerves. You raised a brow, wanting more of an answer. “I had a revelation, after spending time with my Uncle…that I was terrible. I want to be better.”

You took a breath before answering. “Where do you live?”

“Stars Hollow.”

“Where’s that?”

“Connecticut.”

Your eyes bulged from your head, and if you had a drink, you would’ve spit it out.

“Jess!” You exclaimed. “That’s three hours away!”

“I’m aware since I’m the one who travels it,” Jess said, his hands in his pockets, indicating obvious discomfort. You were wrapping your brain around the fact that Jess traveled three hours every week just to get lunch with you—with your daughter—and he had never brought it up. Something shifted in your mind about that. “Look…”

“Jess–”

“I want to try again.”

“Another baby?” you exclaimed, and Jess put a hand up to his face and groaned. 

“No, Jesus Christ,” he swore. He cut you off before you could say anything else. “I was a complete idiot for leaving you, for leaving Maria. I don’t deserve half the kindness you’ve given me, but, fuck, I want to try this…family thing. I want to try with you.” Jess shoved his hands in his pockets, reminding you so much of his teenage self that it was almost painful. “I want to try with us.”

It took you a second to decipher what he was saying, and you felt your eyes widen. You were never actually in a relationship with Jess, just two friends who had drank too much one night. But you always cared. You loved everything in his nature up until he left. With him back, you remembered why you felt so much in the first place. 

“Okay,” you stammer, watching Jess’ eyes widen with disbelief. “Let’s try. I mean, what’s the worst that can happen?”

“We hate each other?”

“I’m looking forward to it,” you chuckle, and that coaxes a similar laugh out of Jess. You both end up dissolving into laughter, something raw and so unlike the layer of the past that has haunted you guys for the past months. It felt like a dam opening up, everything crashing down but resolving into something tangible. 

A few weeks later, you move to Stars Hollow, your meager items in matching luggage. The college agreed to let you finish your degree online, and you find work at the Dragonfly Inn. The town is much more colorful and friendly than the New York you are used to. Still, you find yourself loving it—just as you find yourself loving Jess, how he responds to your daughter, and the apparent way he’s grown up. 

Yes, it was unexpected. But not unwanted.

[firelxdykatara]

I too ship Zutara and think they should have been canon. Although for me it's important to know how such a rewrite would go down. I tried to think, and I'm lost.

After Mai betrayed Azula for him, will he just go "sorry, not interested"? He isn't obligated to date her because of this, but her redemption hinges on Zuko and I don't see it being satisfying if he ends up rejecting her after this.

I thought the solution would be to rewrite her arc in boiling rock to make her have a moral realization, but then the problem with Maiko is practically solved. Their relationship wasn't salvaged by her redemption because last time they talked, Mai still didn't understand what's wrong with the Fire Nation and only changed because she loved Zuko. So how do you make it both satisfying & logical?

With Kataang the problem is the Chakras. The problem with the original (in my opinion) is that after he opened his chakra, letting go of his attachment to Katara, he's still attached (forcing a kiss on eip). Should TCoD get rewritten so that Azula shoots him before he opens it? Then why wouldn't he just open it later? Maybe the chakra would be locked so he feels as though he doesn't need to overcome his attachment just yet. In that situation, how would his chakra even unlock? The stone thing felt like nonsense, so how would I do it?

So yeah I have no idea how to approach this. How would you? (Thanks)

I've been rotating this ask in the back of my head like a rotisserie chicken for a few days--it's interesting because I don't generally stop to think like, how would I write them out of these relationships, I either ignore the relationships completely (which isn't hard, they were barely footnotes in the cartoon) or play a little bit with jealous exes or something. Thinking about like, In A Perfect World where Bryke wasn't in charge of ATLA post-canon (because if zutara had been canon, you can be sure they would've made us regret it) is interesting, and I do have thoughts on how I'd handle their relationships in a rewrite.

(this got long, so the rest is beneath the cut)

Assuming you mostly want to keep canon intact, I think maiko would be the easiest to work around, given how little relevance their relationship has in canon. The problem with maiko as an endgame ship is that it was not set up that way--if it had been, it would not have begun entirely off-screen and their whole relationship would not have been a study in misery and utter inability to connect emotionally. His relationship with Mai was there to showcase just how much he had changed and how little he fit into the life he had been so sure he wanted more than anything since his banishment. It worked very well to highlight Zuko's growth--how that contrasted to Mai's lack of it and why she could not understand him even at his most open and vulnerable--and did not work nearly so well when she was shoved back with him in the epilogue, after he'd quite literally forgotten her existence (he never mentions her again after Boiling Rock, not even to say a word of mourning, considering he'd have every reason to believe she was killed for defying his sister).

I don't think you can fix this by giving Mai some moral realization, because there simply is no room for it. As @araeph says in the essay I linked:

As a character, Mai is very useful to the story during Zuko’s return, because she represents everything that Zuko gains by sticking by his father. A girl who cares about him; the ability to indulge her; the authority he has over others at the palace; we see it all in his interactions with Mai. But this makes Mai a tether to a life he has long outgrown. Her function is not to advance Zuko’s character development, but to obstruct it, which also unfortunately means that Mai gaining a full understanding of Zuko’s trials would be disadvantageous to the story. If she knew everything about him and still wanted him to stay, it would give Zuko more cause than he should have to remain in the Fire Nation, but if she knew and encouraged him to leave and join the Avatar, it would rob Zuko of the triumph of making this decision on his own. In other words, there are good narrative reasons for keeping Mai in the dark; it just doesn’t make their relationship any stronger.

The seeds of a genuine redemption arc (one that includes some sort of moral realization and change to her moral framework) for Mai would have to have been planted far earlier than five episodes from the end of the series, but doing so would have of necessity detracted from Zuko's own character arc and the realizations that he makes despite his attachment to Mai (or more specifically to their relationship, which I feel like he was clinging to more out of a sense of abject loneliness he couldn't shake rather than genuine feelings and emotional connection).

So, in my mind, since we're tackling this with an eye towards getting rid of maiko with the fewest ripples to the overall story anyway, the easiest way to do this would be make one slight change to the end of the Boiling Rock two-parter--have Ty Lee (who had always been the least gung-ho of the trio about bowing to Azula's whims and had to be textually threatened into joining her in the first place) save Zuko's life, and then have Mai (who showed the most genuine affection for Ty Lee anyway) save Ty Lee. I love Zuko more than I fear you always fell flat for me as some epic declaration of love, anyway, since a) Zuko is not around to hear it, and b) unlike Ty Lee, she never showed much fear of Azula to begin with, so it wasn't a very high bar to clear. It was a cool line that was entirely unearned, and I don't think it would be missed, there would be some cute mailee crumbs this way, and a throwaway line of getting them released from the prison after the war ended could wrap up their presence in the story pretty nicely.

Now, kataang is a little trickier, if only because the last leg of Aang's character arc is almost completely derailed by his refusal to let go of his possessive attachment to Katara, to the point where he never naturally reopens his chakras, he has to have the Rock of Destiny hit him in just the right place, and the deus ex lionturtle there to give him a way out of having to make a hard moral choice. (I've maintained for years that if you work the final act of your main character's overall arc in such a way that it could have been solved by one good session with a chiropractor, something got fucked along the way.)

The thing about Aang's chakras is that, narratively, his whole thing with Guru Pathik and leaving his training early to save his friends was basically his version of Luke running away from his training with Yoda on Degobah because of his Force vision, only to find out that his friends were in the process of rescuing themselves and then losing his hand because he hadn't completed the most crucial part of his training. What's missing, therefore, from the last act of Aang's character arc, is the return.

See, in Star Wars, Luke pretty explicitly makes the wrong choice when he chooses to prioritize saving his friends over attaining enlightenment and fully mastering the Force. It was the only choice he could have made, but it was still the wrong one--because, like Aang, his friends did not actually need him to save them, he actually almost makes it harder for them to get away by requiring them to save him because, like Aang, he loses a battle in a very critical way. This was a lesson he desperately needed to learn, and it is clear he has learned it by the time he makes it back to Degobah and witnesses the end of Yoda's life, his own enlightenment having already been reached.

But Aang never goes back to the Guru.

And the text refuses to allow us to sit with the fact that he made the wrong choice in prioritizing his attachment to Katara over his ability to master the Avatar State. He is actually narratively vindicated about it, because the plot bends itself into a pretzel so that he doesn't have to spend any time during the last book trying to reopen his chakras and regain access to the Avatar State, handed both in the final battle with no excess effort on his part, and handed the girl into the bargain. (The girl who never even wanted him, so far as we can tell from all the lack of cues she gave him that she actually returned his feelings.)

And I think this could have been solved with a few scattered scenes. Let Katara actually have some agency in her own romantic relationship (or lack thereof), insofar as noticing Aang's advances and clueing the audience in to how she actually feels. Let Aang struggle with the fact that he can't reach the Avatar State, that his mastery of the elements is in limbo because he can't access his full power, rather than ignoring all of this until the end of the show. If we're trying to keep the shape of the last season roughly the same, let Katara confront Aang about the invasion kiss.

This would have been the perfect time to establish that Katara actually does feel some type of way about Aang prior to the epilogue, and it could have saved us from the exceedingly cringey EIP kiss that Aang never apologized for. How it comes across now, of course, is that Katara basically pretends it never even happened, to the point where she doesn't even know what Aang is talking about during EIP until he reminds her--the death knell for any shot their relationship had at looking requited, because I can tell you, as someone who's been a teenage girl, if someone I had conflicted but burgeoning romantic feelings for had kissed me, I would not have completely forgotten about it only a few weeks later--and we never get any indication as to what she actually felt about the kiss (which was not mutual, despite what Aang's dialogue in the EIP scene implies) except for the fact that she looked away and frowned afterwards. (A change mandated by Bryke, who wanted to leave her feelings completely ambiguous; the original storyboards had her smiling to herself.)

So, with an eye towards wrapping up Aang's puppy love crush and establishing Katara's distinct lack of romantic feelings for him, have her talk to him about the kiss. A good frame of reference for this would be Meng's conversation with Aang in "The Fortuneteller", where she finally realizes that he doesn't like her in the same way she likes him. Katara and Aang's conversation about the invasion kiss could be a callback to this, with Aang having some important realizations--that just because Katara doesn't share his feelings doesn't mean she loves him any less, and just because he can't have her the way he wanted doesn't mean he has to love her any less, that she doesn't belong to him but that's ok, because she's still his family and they'll always have each other's backs. Which could have functioned well in helping him take another step towards unblocking his chakras. Going back to the Guru directly may not have worked, since by this point in the story we're hurtling towards the final confrontation and Sozin's Comet, but let Aang reflect on what the Guru told him with new understanding granted him by his experiences throughout the first half of the season.

To keep the stakes high and up the suspense, obviously, he shouldn't have fully unlocked his chakras and the AS before the final fight, but the seeds could be planted--little moments like a talk with Katara about the invasion kiss, maybe a little more empathy and understanding from him about why Katara needs closure in TSR, etc--and then, during the final fight, rather than hand him all the answers on a silver platter, have him almost lose. He still can't go full Avatar, he's out of time, he still doesn't know exactly what to do about Ozai given his own pacifism and desire to preserve that part of his culture--he tries to fight but he's pretty quickly overpowered. Idk how I would've animated this, and maybe it wouldn't have looked as cool for the final fight, but the true climax of the finale was the Zuko and Azula agni kai anyway, so it hardly matters--I'm picturing him doing the rock-shield thing and going into a brief meditative state, where he finally achieves the enlightenment necessary to unlock the AS on his own, no rock of chiropracty necessary. And at this point, I'd give Ozai a Disney Death, since leaving him alive causes more problems than it solves and it's not necessary for Aang to kill him for him to die--they're fighting on a mountain ffs--but if you don't want to change that part then him figuring out energy bending as part of becoming a fully realized Avatar would at least feel more earned than the lionturtle just handing it to him. (And that could've been foreshadowed better by seeding the idea for it earlier in the season.)

After all of that, particularly if you up the emotions during the agni kai and have Zuko and Katara kiss there (or something less explicitly romantic but still tender, like a brief forehead touch), it'd feel pretty natural to have a just friends ending for Aang and Katara. Maybe a brief, slightly awkward but ultimately amiable conversation if Zuko and Katara had a ~thing at their final fight, and then the final shot of the series could be the gaang all together, maybe zutara holding hands or Katara resting her head on his shoulder or something, but since they already kissed there wouldn't feel like a need to end the whole show on romance, something which I've always felt missed the point of the series.

And then, y'know, after that, the world's your oyster! This is how I'd do it if I were trying to keep the bulk of the final season intact. Of course, breaking it all down to its component pieces and rebuilding from the ground up is also an option, but that'd probably be a longer post lol.

[elrielffs]

This is the only fandom that INSIST their head canons and what they desire HAVE to happen.

What happened to crack ships?

What happened to enjoying fanfic?

Here's the thing. No one cares what you ship. No one cares what you want to happen. No one cares about how you view certain things.

It's THE INSISTENCE that rubs.

You like Neris? Okay, but stop insisting Cassian is gonna die or Nesta is gonna reject the bond. Enjoy Neris fanfiction, commission Neris fanart but DON'T back track thru the books to cherry pick sentences out of context to fit your narrative. Don't INSIST on what you FEEL is going to happen IS going to happen and everyone is else dumb cause you've picked up the CRUMBS.

You think Rhysand and the IC are evil? Okay, but SJM obviously did not write with that intent so stop INSISTING they are because YOU don't agree with what they do and you FEEL they are evil.

You like Tamlin/Eris? Great, everyone has their fans, it's not right or wrong but stop INSISTING they didn't do anything bad actually and everything they did was justified. If you like a character fine but like them with all their flaws instead of trying to excuse it or sweep it under the rug. (Also Nesta fans...)

I just don't get why people have this INSISTENCE on what THEY want to happen or how THEY interpret a scene/character rather than what IS happening in the books is that AHA correct one and the rest of the fandom "just doesn't get it?" You don't like the way the story is going? Then stop reading the series.

Stop trying to Frankenstein sentences out of context and fanfiction you've read and confused for canon into a narrative that suits what YOU want to happen.

I get I have bias as well but I only came to that bias BECAUSE OF WHERE THE BOOKS ARE OBVIOUSLY LEADING US. If you have to go back thru a book to find scenes to support what YOU want to happen rather than coming to that conclusion naturally--that should tell you something.

The disregard for canon, the narrative twisting, the sentences out of context, the "well I FEEL", I just don't understand.

There are a BILLION books for the tropes ya'll want yet a portion of this fandom wants to come in and twist THIS book series to get what THEY want when it's readily available somewhere else.

Idk man, I just feel like all this is setting the series up for failure. After 4 years and radio silence, no matter what happens, everyone's gonna be disappointed in one or another and it just makes me sad, frustrated, angry---because this series doesn't deserve people who obviously don't like it to pick it apart and put it back together in their mind to set up for a huge disappointment for themselves cause they didn't like where the books are going.

I know someone's gonna be like "BUT THIS APPLIES FOR ELRIEL TOO" and gentle reader, I'm going to touch your hand when I say this, whether or not Elriel end up together in the end or not, they have clearly been set up to have a story together in some capacity. They have multiple scenes together, other characters have pointed out something weird between them, the bc had a scene where they almost fucked in a hallway--

You don't have to read power point presentations on "ACTUALLY ELRIEL IS CANON CAUSE CASSIAN ORGASMS IS DESCRIBED LIKE MUSIC AND MUSIC IS MATE LANGUAGE" its CLEARLY written on page.

They have canon scenes--other couples do not. Just look at the recent fanart debacle. People HAVE to come up with happy scenes for the other couples because NONE exist in the books for these couples. Elriel's don't have to twist the narrative cause the narrative is there. You don't have to like it, you don't have to ship it, you don't have to think their endgame, but it's there, sorry.

[papikyoo]

what drew you to kabumisu? :3

i've meant to answer this since forever but oh my it's going to be a long post XD

I once said it's Kabru's line of thoughts for me. I don't think he will move on with his day and not thinking of how promising Mithrun's life is, he would want to be there, witnessing it, helping him find the purpose even. I believe it's a bit ooc for him not to do so. While he also finds comfort in the absense of social expectations, when you examine closely he has some cynical view about people because he's learned at a young age that he needs to prioritize others' safety and feelings, it is expected of him (Milsiril as an immature mother and Kabru who lost his hometown and family so he set the impossible standard for himself)

He deduces their motive so he's always one step ahead and solves their problems. So when he faces a person who doesn't expect anything of him, it helps him developing the need to do things for himself, that need is still about helping others ofc because he's not going to unlearn the trauma response soon and helping others encourages improvement as long as you don't sacrifice your own needs, the difference is helping Mithrun also let him reflect on himself, swallow a bitter pill, and lead by example.

And here's Mithrun, needing a guide, needing someone who will bring understanding and stop him when he's going to set himself on fire or crossing the lines, while knowing where he comes from. I don't think Mithrun shared his backstory to anyone except Kabru because he even tried to deter Kabru's enthusiasm, other canaries members don't really understand him, he started to cry when Kabru, possibly the only person who knew, touched him because he knew Kabru would relieve his sadness that's bottled up, so it's safe to say that he wasn't that comfortable telling everyone his own past or struggles, it makes sense to me that Kabru noticed and told him the world didn't need to know all of that, treating him like a human with grace. You see, there's always one guy who will be one step ahead and hold him down.

Let's say I just think they complement each other, similar but not the same, what the other person lacks challenges the other to be a better person, they can pick up the slack for the other's weaknesses and work well as a team as you can see in the six days chapter. If i'm being honest, I don't think that their relationship journey is a path paved with rose because both of them have their own conflicts waiting to be resolved. But I really can't think of more suitable characters to ship them with, so they are an endgame ship to me. They also have their funny moments too lol. Thank you for the question, I hope this is comprehensible!

[utilitycaster]

You mentioned it briefly a few months ago (but it lives rent free in my head sorry!) that the most popular ship from this campaign has almost only AU fanfics and it's really telling me something about the characters from c3, that there is just really nothing to explore about them.

So here's the thing. I do not think the characters aren't worth exploring! There's been good character work (a lot of which gets ignored, actually, because it's not what many of the people who insist that C3 is their favorite as they slowly turn into a corncob want*; see basically anyone on Twitter about Orym), it's just not central to the plot.

I stand by what I originally said and which was validated at a recent Q&A panel: the cast wasn't told that this was going to be the Moon Plot Campaign (they were just told pulpier and deadlier) and Laura wasn't told that Imogen would be as central a character as she was. So I think we have characters who could have, for the most part, had a character-driven campaign around them, but it became clear relatively early on that this was the Moon Plot campaign and that wouldn't be the focus; and because to get all of his ducks in a row for the Moon Plot Matt had to take a heavier hand with the rails and as a result the party didn't have a ton of bonding time early on because they were always taking NPC missions/being ferried around in an airship with no need for watch conversations, and it's hard to go back and fill in those interactions later, which is why they've sort of fallen out of the habit.

With respect to the ship...the thing is, I genuinely believe it could have been good. The reason I'm not a fan of imo/dna isn't because I think the characters aren't good (well, my feelings on Laudna are documented but I do think Imogen is a great character). It's because, ironically enough, every barrier between them did get removed all too quickly in the service of Cottage Endgame and as a result I think many of the people who wanted that are like "wait...that's it?" Like, the gnarlrock fight fizzled out only for the same conflict to come up briefly with Ishta (swordgate) 70 episodes later and be resolved a day later in-game. When they reunited I was like you know what would have made this good? If Laudna had remained angry in episode 65 and turned Imogen down which Laura 100% expected to happen, because they hadn't talked about this and they were awkwardly trying to deal with unresolved feelings for 30+ episodes and perhaps Laudna actually leaned into Delilah wholeheartedly during that time and realized she had feelings for Imogen after all, while Imogen was simultaneously struggling with that rejection and realizing Laudna was going into a dark place but didn't feel like she could get involved, and they both leaned more (platonically) on other characters and Swordgate was the point where Laudna said "oh no, I'm becoming too much of a problem and I do want Imogen to like me" and the soul anchor felt like a culmination of a deeply felt struggle instead of a quick fix for something that had only inconvenienced her a few times and led to a 20 hour long minor spat at best? If we actually got a fucking slowburn? It would have been great! Turns out if you always go for the instant gratification, it makes for a story without any tension! And now we're watching people who were always clamoring for skipping to the good part realizing that in doing so we skipped all the buildup that makes it the good part. There could have been something to explore. It was not explored.

*I think that there are people who for whatever reason do legitimately prefer Campaign 3 for whatever reasons and are in earnest and this isn't about them. While I don't share their tastes I support them and their feelings; we all have our preferences. This is about the people who are already visibly setting up the groundwork for a dramatic rage quit that will make copious, wildly incorrect use of the term "neoliberal" if the campaign ends with the gods still in place while still insisting this is definitely the best campaign and making absolutely brainless statements about prior campaigns not being as political even though this is the least politically inclined or aware group by a country mile. I think the lesson from the above and from here is that you really cannot have your cake and eat it too.