#i'm just so used to not being an intended member of the audience

[uozlulu]

I think the best thing about the live action One Piece trailer is that it made me feel like I was apart of the intended audience more so than a lot of trailers in the last several years if not maybe decades at this point because there weren’t any flashing lights, strobe lights, and the transitions between clips didn’t come too quickly or with a bright flash of light.

I mean like I’m not holding my breath about it. There will probably some scene somewhere I’ll have to look away and stuff, but like the trailer was so accessible to me. I can watch it even in the dark. I got to see all my East Blue faves and didn’t have to miss anything due to like intense lightning or a rapid succession of clips, etc...

It was so nice. Even the Barbie movie wasn’t this kind to people like me. It’s so nice to be included in something even if maybe it’ll only end up being this trailer in the long run.

[apocalyp-tech-a]

Remember in Season 1, Episode 1 Aftermath, Tech says "I am merely stating a theoretical hypothesis based on factual data?" Well, that's what I did, I made a "logical conclusion." From Lama Su coming back when we thought he was dead to the infamous "domicile," it was all factual evidence that was meant to push us in a direction of hoping that Tech would return and that CX-2 could be the way he does it. I'm not stupid, and neither are you. There's an underlying reason that I love Tech not based on just his handsome looks. I don't claim to have an exceptional mind like him and I don't intend to convince anyone that CX-2 was Tech, but I do want to explain how it could be construed through the way that character was presented as well as the possibility of Tech's return in general, that he could have been and none of us were wrong or "losers" to think so.

45 70 Reasons and more well on the way, lol...

General reasons:

*Tech is never seen actually dying.

*Hemlock being untrustworthy source of death certificate.

*The return of many thought to be dead characters in past Star Wars from Darth Maul who was sliced in half to Lama Su - the door closed on him and we thought he was getting shot by troopers only to show up alive later and this happened in The Bad Batch itself.

*CX-2 is shown walking toward the 'light' after dropping off Omega, symbolically toward a future redemption. @astrovoidy

*Height change on starwars.com

*The word 'dead' danced around on official sites and by BB employees

*the similarities to Winter soldier @on-a-quest

*the cryptic tweets that showcased reborn characters like Gandalf

*The official poster of CX-2 shows him in 'good' light. @eriexplosion AND CX-2 is shown looking up and to the side the way the original CF99 members are positioned and facing in their poster as if CX-2 is also a CF99 member

*other people in professional settings like New Rock Stars on youtube thought the same exact thing as well as casual viewers

*the large focus on CX-2, over multiple episodes

*misleading title of last episode "The Cavalry Has Arrived"

*Tech being smart enough to find a solution

*If Season 2 could be compared to Empire Strikes Back, Tech was taken from us the way Han Solo was, but Han Solo was returned so surely Tech would be as well

*no one expected a main ensemble character permadeath

*the fight with Crosshair music had hints of "Plan 99" in it

*Tech’s whole big conversation with Romar was about culture and memory, and he helped Romar restoring a data repository. Between the implication that Tech would have lost his memories and Phee saying, “Tech’s brain was the databank, not mine,” you could easily see that as foreshadowing for Tech getting his memories back. @heyclickadee

*All the little one line reminders and goggles shots up through episode twelve only serve to make the audience want Tech back. They aren’t closure, they’re reminders of his absence. [Tech never being quite mourned.] @heyclickadee

*The goggles are lit, or look like they’re lit, in every scene they’re in except the last one, which sure makes all those earlier shots deliberate. @heyclickadee *CX-2 could have killed all of them at different moments, but chose not to (shooting pilot instead of Hunter for example)

Physical and character similarities:

*the shrimp posture

*the kick in the fight similar to droid kick in S1E1

*the similar hand to hand combat style

*the shooting accuracy- ipsium cave/ plan 99

*the elegant deliberate movement especially of hands and fingers

*the animated head and body when speaking

*the helmet – even has his hairline @jorolle

*the viewfinder similar to Tech's and utilized just as often

*the pouches(!!!)

*the limberness and agility

*the confident capability

*the crouching/getting on one knee - Tech is an infamous croucher!

*the deviant nature – ignoring orders

*the technology know how

*the flying – some say the turn on Teth was a Tech Turn

*the extraness of tool/weapon twirl

*armpad like Tech's datapad @wolveria

*CX-2's ship has similarities to the Marauder @wolveria

*Tech CC-9902 / CX-2 - both end in 2 @wolveria

*We are reminded this season that Tech was especially good at decryption. What do we see CX-2 doing on Phee’s ship? Yeah. @heyclickadee

*Season two went out of its way to establish that Tech has a high pain tolerance, is a good close range fighter (he won a life-or-death fight with a guy when he had that broken femur), quick processing speed, and is an excellent shot. All skills we see CX-2 exhibit. @heyclickadee

The 'British' accent, speech inflection, pronunciation. and vocabulary (this alone is enough to convince anyone...):

'You better get back HERE." - "I know the girl is HERE."

"The fifth IS Omega." - "The girl IS alive."

"Who are you?" - "Who are you?"

"Naveecomputah." - "Neveecomputah."

"DOMICILE." - "DOMICLE."

Cinematic framing similarities:

*the limping

*the coming out of the water @lilacjunimo

*hooking the rappel hook rappelling down was like dangling off the rail car

*the boulder moving

*helmet viewpoint from CX-2 in finale, only BB members ever had that

Conjectural situations of suspicion:

*the beef with Crosshair

*the constant surviving

*the pausing when choking Crosshair

*the pausing to look at Phee

*The implications that Crosshair seems to know something about CX-2 (he wants to get out of dodge when he knows CX-2 is coming), and the intense lingering guilt Crosshair feels—and which is never dealt with! It’s still there through the finale—implying he knows or suspects it’s Tech. @heyclickadee

*“Whatever they did to you, whatever you’ve done, you’re still one of us,” offered by Rex towards the CXs @heyclickadee

*Crosshair’s character arc this season being partly about realizing that anyone can change and that no one is really beyond saving, which would have continued going somewhere if he thought CX-2 was Tech and considered him beyond saving, but then changed his mind and realized he needed to try. Notice that he does not engage CX-2 in 11 like he did in 7, and that this comes after his revelation about giving people a chance in 9. @heyclickadee

*CX-2 is even more Tech like in 11 than he was in 6 and 7. This implies that he could be starting to wake up, and that almost killing Crosshair triggered that. He doesn’t kill anyone except one of his own guys on Pabu (or Phee) even though it would make his job much easier. He even has Hunter and Wrecker in his sights and moves his aim to not shoot them directly. @heyclickadee

*Crosshair has no way to know that the CX’d clones come out different and that their identities are erased unless it happened to someone we know. In fact, there’s not reason for the CX plot to exist unless that horrific thing happens to someone we know. @heyclickadee

*The first episode of the show starts out with Hunter covering for someone who supposedly died in a fall. In fact, there are direct parallels in the lines: “Where’s the Jedi?” “I stunned him when he jumped. He didn’t make it.” vs “Where’s Tech?” “Omega…Tech didn’t make it.” I’m not saying Hunter was covering for Tech; I am saying that is the only place in the script where we see those phrases matched up. @heyclickadee

*Tech being CX-2 would have fit in perfectly with each member of the batch experiencing a traumatic loss (and regaining) of agency that correlated directly to who and how they are as people. @heyclickadee

Foreshadowing lines:

*More machine than man, percentage wise at least.

*Better late than dead.

*See you around, Brown Eyes.

*Tech's not gone.

*The operative's gone rogue.

*Romar saying he's a survivor and Tech's look at him.

*Don't go running off with any pirates or smugglers. @heyclickadee

Abandoned storyline reasons:

*The romance with Phee, surely it wouldn't be abandoned!? 🙄😡

*CX-2's death being anticlimactic

*The finale seeming rushed and incomplete

*Actors saying there were script changes

*CX-2's accent in the finale was not only not like Tech's as it was in previous episodes, it wasn't even a clone accent (wtf was that) signaling a script change

@wolveria made a great analysis here with her Tech-Genda !

@heyclickadee gave a great analysis here and also great evidence, more in comments!

@vivaislenska has a list as well with some of these points!

@eriexplosion has a great analysis here!

Having said that, here are some reasons it may not have been him:

*Too many characters coming back from the dead.

*The way he says 'clones' in Infiltration was more reg accent.

*Tech's line in the cave to Omega which "was a big one to me” in retrospect: "I am aware that you miss him, but we have to adapt and move on."

As for the intentions of the writers to either have been forced to change the script, but can't admit it due to NDAs or if they truly meant for CX-2 to be Crosshair's foil which to me was unclear, especially with all of the evidence above, I don't know. At least they could have made CX-2 talk and move like a reg. Making him talk and walk like Tech was kind of cruel on top of a cruel we already experienced in Plan 99. I am not personally attacking the writers, I still love Season 1 and 2 and most of Season 3, but I wish I knew what happened behind the scenes with this and I know I'm not the only one. I think this is the last time I'll personally address Season 3 or the finale unless to support other commentators/creators and for my own fix-it and art and writing. And I look forward to seeing everyone else's works as well and hope no one gives up this beautiful Batch or fandom as I almost did. Canon seems done with him, he belongs to us now. 💜

And if anyone has anything I missed (I'm sure I'll think of more myself), feel free to comment or reblog with that addition or a link to your own post and/or I can edit the OP to include it and tag you. Also, don't feel like you can't make your own post about this subject! But I do hope this maybe helped anyone still dealing with the 'aftermath' like me, to know you're not alone, and you did not read too much into it.

(In retrospect, I can't believe they killed him though, lol. What the kriff were they thinking!?! #too handsome to die #too awesome to die)

[danandfuckingjonlmao]

me, waking up drenched in sweat, violently sitting up in bed and letting out a gasp: IT'S A METAPHOR FOR BEING A YOUTUBER

idk if someone already thought of this and this is also probably the most obvious reading of it but here i go anyway: i was just walking a dog and listening to potato prints and when phil said "you've come a long way daniel" i was like "huh phil is in the teaching position in all of these just like he was for youtube" like phil just gives editing pro tips the whole time and it all parallels their story as a youtube duo.

and obviously the entertainment industry is rife (not proper usage of that word but it Feels Right so fuck you) with satanic symbolism/imagery/iconography/motifs. being an entertainer is "selling your soul to the devil" etc etc and we know dan hates being a youtuber and does feel that way. you gotta upload twice a day every day in order to be the number one art channel on youtube dot com after all. you gotta make those crafts for satan. bo burnham has a ton of lyrics/songs that i'm thinking about rn like "you used to do comedy when you felt like being funny but now you're contractually obligated so dance you fucking monkeeeey DANCE MONKEY DAAAANCE" and in "repeat stuff" which is a commentary of how mainstream pop love songs and pop stars have to be really superficial and unoriginal because they need to appeal to everyone and at one point he sucks satan off lmao and is like AHFRUEHQFWIIO I AM A VESSEL IDUSHISKA 666 KAJSDFI ILLUMINATI UIGDFSAHIO FREEMASONS. highly recommend looking at the lyrics to that song if you're into that kind of thing.

also the (very rightful) dig at phannies for the "don't cry craft" spamming like "we love all of our crafty audience that spread the message of this channel on all the other videos on the internet! everywhere! everybody enjoyed that!" is how creators who want to keep status have to address their audiences no matter how annoying or harmful they're being. thinking of the ajr line "stay out of politics, stay on the fence / stay out of all of it to keep half your fans" because like,, yeah if a creator ever expresses an opinion that declares their feelings on one side of an issue then they will lose support (smosh is a perfect example of a bunch of people never ever ever expressing an opinion if it could be considered controversial among their audience, like refusing to address the genocide happening right now and just taking their zionist member who the fans are mad at out of some videos to be like "shhhhh nothing to see here we don't know what you're talking about"), ESPECIALLY if that issue is the behaviour of their audience.

obviously the first dapc video was not made with any intended meaning, they just woke up and were like "let's be weird and freak people out" and they did that, and then adding in symbolism and making it all mean something developed with time. but i'm gonna pretend that it has always had consistent meaning because i'm neurodivergent and love overanalysing silly little media.

i am so jhfbvdahfkiufadkhlj right now so if anyone has more theories or things to add lmk and thank you for coming to my ted talk

[cpvnksabm]

Please stop trying to "fix" RTC's disability rep without doing prior research, especially if you are able-bodied.

I'm not just saying this because, on principle, I think it's important to centre & uplift disabled voices in discussions of disability representation. I'm saying it because in practice, I've noticed that when people take the "canon sucked so I'm just going to change it" approach to Ricky's depiction in RTC, they frequently end up erasing the parts of canon's representation that were valuable and important to me, sometimes doing things that are worse than canon.

It's important for a fandom to be able to recognise canon's flaws, especially in its depictions of serious topics. But I often feel that the discussion of criticising RTC's disability rep is dominated by people who haven't done a lot of research or don't understand the issue.

I've found that most of the things I actually consider objective flaws in RTC's disability representation are incredibly underdiscussed. Instead, criticism tends to focus on a few specific points, most of which are things I don't agree with or things that are just objectively wrong. For example - it was not ableist to remove the scene where Ricky concedes the competition. At all. I could even argue that this was a positive change, but it gets lumped in with the more ableist script changes (the 2022 rewrites removing Ricky's disability) simply because both happened after the most popular proshot was released in 2016.

Another criticism I see frequently is the idea that canon should have named Ricky's specific disability and was bad rep for not doing so. I understand the idea behind this and somewhat agree with it, but I also think it's more complicated than most people give it credit for - Ricky specifically has a rare disease, meaning most of RTC's audience would not be familiar with it, and when the musical was written, the intended "official" watching experience was for people to see it live, in a dark room with their phone turned off. While the majority of the fandom (who got into RTC through bootlegs) would benefit from Ricky's condition having a known name that can be easily googled, I think it makes sense for the the writers to avoid using terms the average audience member wouldn't be familiar with, given they wouldn't be able to Google it unless they remembered it after the show.

This wouldn't be an issue, if not for the fact that fans frequently use "canon wasn't clear enough" as an excuse to erase the things that canon was clear about. There is a big difference between a character having some sort of "blank slate mystery disease", leaving it entirely up to the fandom to decide what disability he has, and a character who is explicitly said to have a rare degenerative disease with a clearly shown set of symptoms, without the exact name of the disease being mentioned.

I think part of the issue here is a lack of awareness. Many people don't understand how one disease would cause both Ricky's inability to speak and his need for mobility aids, and so they assume canon must have just chosen these symptoms at random. And since "choosing symptoms at random" isn't exactly a great approach to disability depiction, these fans then try to "fix" canon by coming up with separate plausible explanations for Ricky's symptoms.

But the fact is that Ricky's symptoms were not chosen at random - they are in line with symptoms that are caused by real-world neuromuscular disorders. This is heavily implied to be the type of disability Ricky has (I've made a post explaining why, check it out on my account if you want).

Seeing erasure of Ricky's disability is always upsetting, but it's even more upsetting when it comes from people who think they are "fixing" canon by removing "unrealistic" depictions of disability. A person being unable to talk and a mobility aid user due to neuromuscular disability is not unrealistic. Just because you aren't already aware of how something can exist, doesn't mean it is unrealistic.

And there are other issues too, such as whether the "feed him through a tube" meant anything with regard to ricky actually having a feeding tube or generally how well canon handled ocean's ableism, where I feel like people are too quick to jump to "I don't know why canon did that, must be bad representation, I'll fix it" without fully understanding the issue. And if you try to "fix" canon without understanding where it went wrong, you might just make it worse.

I just think it's time for everyone to step back a bit and remember that it's okay to not know everything. Ricky is a character with an underrepresented disability, and it makes sense that some things about him might not be things you've seen before or things you understand well. It's okay to be confused. It only becomes a problem when people make assumptions and then spread these assumptions without fact-checking.

It's very easy for misinformation to get spread online. One person makes a claim in a post, and other people just believe it without fact-checking, because they don't see why the OP would lie about it. And often OP isn't lying at all, but they may be misunderstanding something. A lot of the time, complex subjects like disability representation can be accidentally stripped of important nuance in a game of telephone, when a discussion aimed at one group of people gets taken out of context. And the 2017/2018 RTC scripts frequently get lumped in with the ableist post-2022 script, purely because they both come after the most popular version (the 2016 proshot bootleg).

So before you try to "fix" RTC's disability representation, I think it's important to take a step back and think about what you think RTC originally did wrong. What makes you think these parts were wrong? If it's simply because you don't understand it, or because other people have called it bad representation but you don't understand why, it's time to do some more research to figure out how to best fix it. Otherwise, you might do something that is also bad representation, or plain erasure - and you might do this in an attempt to "fix" one of the things that RTC actually did a good job of originally.

My asks are always open if you're interested in hearing one disabled person's perspective on how RTC handled a specific topic. Please do not assume you don't need to ask because you already know what my perspective will be, and please don't feel like you're bothering me by sending an ask. I am much less bothered by good-faith questions than by people speaking over me, even unintentionally, or taking it for granted that i'll agree with their views.

I think getting a disabled perspective is incredibly important if you're planning on changing any aspect of ricky's disabilty in fanworks - there is a fine line between genuinely improving on canon's flawed rep, and just erasing canon's rep (including the good parts) and excusing it with "well it was bad representation anyway". Remember, disability erasure isn't only when a disabled character is made completely abled - it is possible to erase an aspect of ricky's disability even if he is still disabled.

This is a little more blunt than my usual posts, but it is very important. Thank you so much for reading.

[curio-queries]

ARE YOU SURE?!

Episode 3 production Notes

I genuinely wasn't expecting to have much to say on this when I started it but there are definitely some things to chat about with this episode. Get comfy, it's another long post!

Here's a link to my post on eps 1 & 2.

(I guess this is a series now)

The Tone

I was curious about how a few things would be handled with the remainder of the show, and some of the answers are starting to unfold. We definitely have to see how the upcoming episodes play out but there's at least something to evaluate.

My main takeaway from episode 3 is that the tone is so very different from the previous ones. In my last post, I spent quite a bit explaining why AYS was a successful mix of Bon Voyage and In The Soop. That's definitely not the case here. This episode is a mix of Bon Voyage and Run BTS tonally. This episode is more what I was expecting they'd try to do with the edit to highlight the chaos and shenanigans that were a main ingredient in the content of BTS as a full team, especially to cover for the reduced member count from the full group.

Some of the main items that make this episode seem more energetic than the previous ones are:

The timeline. Episode 3 covers far less time than 1 or 2 did. It makes it seem like there's just too much going on to fit in the same parameters, which again makes the tone seem overall more rushed and hectic.

The music: far higher bpms consistently on all of the backing tracks.

The choppy edits. When we recognize that there was something missing in the middle of an interaction, our brains are still processing what we might have missed and orienting to what we're seeing next. With all of that going on, it easy to feel 'left behind' in even the most casual of scenes.

The intended audience. I just had one moment here that bumped me. At some point one of the members clearly says 'Fighting' but the translation wasn't just that word. It was a whole sentence about wishing for encouragement or something. These episodes have been very clearly laid out for an audience that is not only familiar with BTS but enough so that we know who each of these members are and why they might be doing these kinds of activities. If you had none of this basic knowledge, I genuinely don't think this show is even watchable...so why would people with that level of understanding need an alternate translation to 'Fighting'? Idk, maybe I'm being overly sensitive but like I said, it bumped me enough to question who their target audience was. Something I didn't even question with the prev eps.

Edited to add: an example of the tone influenced by the edit. Can't believe I forgot this one. It stood out to me in my first watchthrough. Thankfully our beautiful giffers captured the story beats for us all.

The Edit

Like I said at the beginning, this episode was far less a blend of ITS and BV and more a mashup of BV with Run BTS. The only thing in this episode that reminds me of ITS is the extremely choppy edit, which i think most would agree was not one of the highlights of those shows.

There are so many unresolved story beats in this episode of AYS! If you're not used to noticing something like this, here's an example:

In the car after their meal, vmin discuss that it'd be nice to pull over for some pics.

At the coffee drive through, Jimin makes a point to coordinate a stopover with JK so he can have his drink.

...and then we arrive at the house with no resolution. Did they stop? Did JK get his drink? We don't know, the only evidence we have is Tae carrying his partially consumed drink. So IF they stopped, Tae either didn't drink his or it was a very brief stop to not finish.

Here's another one:

When arriving at the house, the guys are all commenting bout how nice the place is.

Jimin exclaims about the pool.

...we don't get an establishing shot of the pool. On a rewatch of the episode, once you already know where it is, you're able to notice it for the slightest of moments but that's it. No hint of how big the pool is or even where in relation to the members it's located. It's just a tiny thing, not even important to the storyline but it leaves the audience without a reference to what the members are talking about.

There are dozens more of examples I could list but I think you get the idea. Again, not a big deal on small productions but you KNOW there was plenty of b-roll footage of the place. We see some of it. These are mostly just tiny observations that, if isolated wouldn't mean anything, but repeatedly set the tone for how the audience will be experiencing the rest of the episode.

The Guest

Another choppy edit is how they handled the introduction of Tae and the narrative that explains his presence here when he wasn't in the previous episodes. They either didn't get any good footage explaining it or they decided to purposefully try to cut it 'dynamically' for a reveal... in my opinion, this was not successfully done and just leaves the viewer feeling like we just need to accept the confusion and enjoy the endearing moments....which is exactly one of the main things I comment on in my Run BTS series. The BTS production team is astoundingly terrible at entertaining exposition. Long time armys are just used to it by now and I really don't see them changing anytime soon. They know ppl will watch the content for the moments we get to spend with the members, whether there's a proper narrative or not, so why bother?

Anyway, it's clear to see why those who have a bias against Tae have been using this as ammunition in their fanwars. It's just an awkward narrative that was poorly presented. (Personally, I'd rather everyone just focus on celebrating the members moments with each other rather than warping them to win imaginary points in a pointless battle but alas, I'm just an aging fan in a space that rewards useless vitriol).

Jimin's sickness...again

Poor guy just can't catch a break! At least that was the point they were trying to make editing it this way. Honestly, Jimin has so far been not as impacted as he was the previous episodes. Likely due to this upset being far more mild than the last one. However, there's so much more tension with it cut the way it was in episode3. It's not just that we're aware of it upfront unlike we were in episode 1. It's only highlighted in moments where Jimin is NOT participating in whatever the others are: not eating, not swimming, not climbing. In episode 1, most of the scenes that included any mention of Jimin feeling unwell also included some hint of JK wanting to take care of him or inquiring after his health. Episode 3 includes no such scenes. The overall impact is a much lighter view of how the members spent an exciting day rather than a genuine look into how they're interacting with each other as humans.

One last note: The Sound

There are definitely some horrific sound moments this episode! So much so that I noticed some on my first watchthrough! Again, there are allowances to be made, this is not a show being shot on a sound stage in controlled conditions but some moments were just plain misses in the edit.

For example, when vmin is listening to music in the car, the balancing of SEVEN from vmin's audio is horrific. The way to do this properly is manage the audio levels of their voices alone and overlay with the music track. This will help mask any audio that leaked into their mics. Something that can be easily done with rights to the music...which they have. And oh look at that, they do it correctly for J-Hope's Arson! It honestly is just coming across as a missed correction on the edit but I'd expect more from a BTS show that's licensed to Disney.

That's it for now. Overall, I'm disappointed in the edit of this episode but moreso because of how pleasantly surprised i was by the previous episodes. This one was very much kn par with other BTS content. Im also looking forward to the remaining episodes as I estimate we'll see a little more liveliness from our latenight-loving Jimin now that he's had his nap! 😆

Edited to add:

Are You Sure?! MasterList

[hell-is-not-an-excuse]

Not so sorted Ghostfuckers thoughts

Firstly, this episode was an improvement over the last few, at least in my opinion - That isn't to say that it's great, or even particularly good, but I can say that I was more invested in this episode, even if only a little. It had more focus on the original concept of the show with an I.M.P mission finally not just being reduced to a short... Though the mission still doesn't take full priority, something I will expand on momentarily.

Before that though, I'll start off with the things I did actually like.

The bankruptcy joke got a quick giggle out of me. It may be that I'm still an immature little homonculus, but the jokes that don't fall into the unnecessarily crude/sexual category still elicit a reaction from me.

This joke got me too - I know that this was almost definitely intended as a jab towards critics, however it loops back around to being funny to me, as I joke a lot about being "objectively correct".

These frames of Moxxie specifically - I love him a lot and wish he was in a show that took better care with its character writing

I enjoyed seeing the flashback designs for the I.M.P crew - Moxxie isn't too different, but I actually sort of prefer the others past looks here.

Lastly, this specific moment/line! This is a massive improvement over what was given to us in those leaked boards - In the original boards, I had a hard time believing that Millie would have this suicidal fit out of seemingly nowhere because... Some other demon told her she was a bad wife? This is a much more "in character" line for Millie, given what we already knew about her as an audience (which admittedly, wasn't a lot, but she never gave off the sort of insecurity/suicidal ideation that the original boards appeared to have been pushing for).

I think I've gotten all the praise I can wring out of my system - Now comes all the issues I take with this newest episode. These criticisms come in no particular order.

There's the usual thought that comes whenever a new episode drops - The swearing and sexual humour is too frequent and over the top. I'm an enjoyer of well placed crude and sexual humour, but this isn't well placed. With every second line containing profanity, innuendo, or explicit sexual content, they become less and less special and interesting to hear, to the point that watching characters interact becomes a slog.

Blitz is supposedly having this month long breakdown because... He had a breakup that wasn't really a breakup? He himself admits they were never in a relationship, and gets upset at the concept that him and Stolas will never be together. Obvious criticism of Stolitz notwithstanding, until Apology Tour, there have been no genuine moments of "love" between the two - This all comes off more as Blitz mourning this potential (now dead) relationship because the writers feel it's time for him to do so, without selling to the audience why he would give a damn about Stolas in the first place. I hardly believe Stolas and his pining back in Ozzie's, let alone the shameless display that we're getting now.

Speaking of Stolas, this is a perfect segue into what I said I was going to expand upon further down in this post; despite this episode having an I.M.P mission be a main setting, that's all it is - A setting. I wouldn't mind so much if this was purely for character building, but it's yet another instance of things happening because of Stolas. This feathered fuck haunts the narrative even when he's not present! The mission is presented more as an avenue of helping Blitz "get over" Stolas as opposed to just being a job that the members of I.M.P need to, you know, live.

Speaking of, how financially stable are I.M.P and its employees? Despite having nearly two seasons to expand on the concept of a business owned by the lowest caste of Hell's systems, nothing is done with it. With a setup like that, there should at least be some narrative drama involving the company facing challenges and instances of being in financial dire straights. Instead of this however, Blitz is able to blow a months worth of money on useless knick-knacks and owls to burn? With no real show of consequence as a result of this?

While I enjoyed seeing a bit of Millie backstory and her relationship to Blitz, Helluva still suffers from its "tell don't show" rule. Millie mentions she loves to have fun with Blitz, but we have never seen an instance of these two having fun together in show.

Honestly, the backstory of Blitz/Millie's meet and subsequent partnership should have been its own episode; we could have actually seen her steal the target from I.M.P as a solo assassin, we could have seen the state of I.M.P before her addition - If you wanted a bit of shipping fuel, you could also have an instance of Moxxie being too starstruck by this mysterious, wrathful rival to take a shot on her. So many possibilities! All wasted.

Millie's development episode shouldn't have come at the tail end of season two - She's been in the show since episode ONE, she deserved something in the first season to flesh her out.

I do not buy her reasoning for looking up to Blitz; if she thinks of herself as only a simple country girl or a brute, this would have been nice to actually see hinted to us throughout the show.

The casual ableism in the joke about the Hotel Owner's new cleaner - Not only is the way he is depicted simply dehumanising, framing him as this object of disgust rather than a person, this is driven further by being called a "poor thing" and only being reacted to with vague disgust by Blitz and Millie. And of course he's barely verbal, with the exception of a funny swear word (/sarc).

The whole sequence where Blitz is alone and being tormented by visions of Millie and Tilla is... It sure exists. Subtlety is lost in most of this dialogue here as once again, we are bluntly told what the problem with Blitz is - We know he makes decisions that fuck over others for his own benefit, we know he's selfish. We've seen this time and again!! This is not something that needed to be explicitly spoken for what feels like the millionth time in this (so far) two-season run.

Speaking of mothers! Millie and Loona get shafted into a role of taking care of their respective man for the episode - As a matter of fact, both their conversations involve Blitz or Moxxie. After nearly two seasons, I don't think they've had a conversation that wasn't about their male coworkers/relationships.

What is an infestor demon? Have they shown up before? What in God's name am I supposed to know about them? Somehow when it comes to worldbuilding, the need to explain everything explicitly is gone.

Why is Blitz being emotionally tortured again while Stolas sees no real consequence? This is getting to be a really tired pattern.

The whole ghostfucking bit was already testing my patience within the first couple of minutes.

Anyway, that's all I have of like... More surface level critiques of this episode. I'll probably make a few more minor posts about this episode later and elaborate on some new thing my brain is sticking to.

[putschki1969]

Hi Sarah!

Thank you so much for always providing such great content on your blog. It's incredibly kind of you to consistently follow the girls' activities and share the information with the English-speaking community. I know it must take a lot of effort, and I truly appreciate it.

I'm really heartbroken by the recent developments, especially the rumours and backlash against the girls. I don't believe for a second that they "betrayed" Kajiura on purpose. I just hope people can be more rational and avoid jumping to conclusions, especially when so many details are still unclear. Anyone who has been following them knows they aren't the type to be ungrateful to Kajiura. Your unwavering support for the girls really means a lot and has made me feel much better during all of this.

I was tidying up my mailbox and came across an old recording of the girls' cover of 茉莉花 (the Chinese folk song "Jasmine Flower") from their 2016 Far on the Water Live Tour in Shanghai. I'm not sure if anyone has shared it with you before, but I’d be happy if this is new to you and hope it brings a little joy to your day. It's certainly not the best quality since I recorded it secretly during the concert, and halfway through, Keiko gestured for the audience to sing along, so there's a lot of background noise. Still, I wanted to share it as a small token of thanks for all the hard work you put into supporting the girls.

Hope you like it and have a wonderful day!

Hello! 😊

Awww, thank you! ❤️ I appreciate your kind words🫂 My love for the girls is still very strong so I'm more than happy to share this love with my fellow fans. I know it can be incredibly hard to follow all the information, updates and releases if you are not willing or able to invest a lot of time and money into the whole thing.

I hate seeing all the backlash against the girls. Yes, Yuki Kajiura has every right to feel slighted and her loyal fans can be disappointed or angry on her behalf. It's understandable. But remain reasonable and stick to facts. Don't treat the girls as if they are not even human, as if they were just instruments used by Yuki Kajiura, without their own feelings or thoughts. You really think this decision for the reunion live was made lightly without putting a lot of thought and consideration into it? You really think the girls didn't weigh all their available options in advance and decided this was the best possible course of action for everyone involved even if that route would ultimately lead to them being in a position where they simply weren't allowed to speak of the matter? Sometimes life puts obstacles in our way and we have no choice but to grit our teeth and move past them to get where we want to be. Along the line, sacrifices have to made and not everything will be sunshine and rainbows. The entertainment industry sucks and there are a lot of people in high positions who don't always have everyone's best interest in mind. I am sure Yuki Kajiura, Wakana, Keiko and Hikaru are very much aware of that fact and will find a way to clear up any existing misunderstandings in a civil manner.

Everyone, please realise that name-calling the girls and accusing them of every horrible thing under the sun is unacceptable, it's just beyond disrespectful and it's no way to treat someone you claim to be a fan of. Even if your loyalty lies more with Yuki Kajiura, I assume you are still a fan of Kalafina so please treat the members with the respect they deserve and don't readily dismiss them just because of an incident we don't know any details about.

I 100% understand why Wakana, Keiko and Hikaru are currently trying to lay low in the aftermath of the announcement. Still, it's sad that they are forced into a corner like that, that they feel the need to "hide" from their fans during a time that was surely intended to be celebratory for all of us. It's been unusually quiet on all of their social media channels. Not even a random Instagram story by Keiko or a new YouTube video from Hikaru...*sighs* They obviously don't want to stir up any more trouble and are waiting for things to blow over but I personally feel that it would actually help some fans to see reason if they heard the girls speak up about the reunion in a more casual and frank manner. We'll obviously never find out anything about the internal machinations of the whole thing but it would be nice to know how the girls feel about this reunion on an emotional level. Unfortunately, the official announcement statements felt a bit too stilted and coordinated so I think they came across as not entirely genuine to many fans. Oh well, that's not how situations are usually handled in the Japanese entertainment industry so we'll just have to wait and see...

..••°°°°••....••°°°°••....••°°°°••....••°°°°••....••°°°°••....••°°°°••..

Waaaaahhh!!!😲 OMG!! THANK YOU SO MUCH!!💖💖💖 No one ever shared a full recording of this 茉莉花 performance with me. All I ever had was that tiny snippet from a news report.

This is SO PRECIOUS!!✨ I ADORE every second of it! They are clearly putting so much love into every syllable of the song. I could listen to it again and again (even if the audio quality isn't too great😅). Just melting during Keiko's tender melodic embellishment. So beautiful🥹 Again, thank you for sending this to me, I really appreciate it🙌

[mysticficti0n]

All my Attention part 2

warnings- swearing, fluffy/sext Tom, mentions of being cat called, romance (😏)

words- 2.7k

If you'd like to read the previous parts → All my attention series

a/n- so I am British and cannot speak any German, I speak a little French, Spanish and Italian but German- no. I also do not trust Google translate so this is gonna be like an avatar thing (if you've seen the newest one Jake says that their language just became normal or something along those lines) so in reality this is all in German, you as a reader know German but, its wrote in English... make sense? no... well. also thank you all so much for the response to the first part! I couldn't believe I woke up and saw that many likes, I was shocked, love you all 🤍

(p.s also sorry this is quite short! but I will right more soon because I am loving this so far ★)

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backstory- you are the 5th member of Tokio Hotel and you always thought the love was equally platonic between you and a certain guitarist... but what if that all changed?

"Ready?"

"yeah" I spoke again getting up and waving to the rest of the band, Tom with his newly cleaned hands held the door for me and a small smile pressed onto his face, he followed me behind and directed us out the building to the now mostly empty streets as it was around 9:30pm and not many people hung out in this area of town anyways, the feeling of night air whipping at my skin calmed me, it washed me of all my thoughts for a few seconds, we began to walk to our hotel it was around a twenty minuet walk and all on flat ground so if anything we'd make it in shorter time

"can I have a smoke?" Tom asked breaking the silence for the first time, I stopped walking to grab the packet out my bag and hand him one and get one for myself, I knew I shouldn't have really had another one but after the day I had, it was necessary "thanks" he spoke letting me light it

"no problem" we began our walk again under the flickering streetlights that pierced the night, a few cars ran by and lonely workers who were leaving the offices that surrounded the streets passed us by, my eyes found the profile of the boy next to me, still in his performance clothes and his hair tied in a cap, I was on the side where I couldn't see the lip piercing and without it he looked like a baby

"doing alright there?" his voice snatched me back as he followed his words by laugh

"I'm fine" I spoke back trying to look now anywhere but him "are you doing alright?" I spoke back

"of course, never been better!" a sarcastic tone laced his voice but I knew it wasn't intended at me "you know... I will always look out for you Y/n, especially from him- its cliche but" his steps halted, I turned myself to look at him again, our eyes locked together

"its not fair that you had to do it though Tom thats the point" i spoke, removing myself from his gaze with a serious expression "I am grateful, I am, but none of it should've happened! its bullshit" i felt myself getting angrier by the second but I couldn't stop myself

"but it's not your fault, its nobodies fault but his Y/n" Tom began following me as I picked up my pace "and plus were fine, we aren't the ones who have a broken nose and maybe a rib- who knows" I ignored his quips and kept going focusing on the mismatched patterns on the street "Y/n!" he called "slow down I can't go that fast" I stopped still not facing him, I felt if I looked at him all my emotions would spill out and it couldn't happen again. I felt Tom's hand press the small of my back and I turned around to face him, fighting back tears as I saw the look in his eyes that threatened to break me "please don't be upset"

"how can I not be upset, not fucking only did I have to see my ex in the audience but...his fucking face- and why the fuck did he look sad! . then you, Bill and Georg fucked him up and...and what if Felix is right- what if it gets out 'Tokio Hotel beats fan' and what story will he fucking tell?! and it is my fault- I should've never got with him, i don't know what to fucking do with myself. the media still think me and him are together, daily I get tagged or sent pictures of me and him saying 'Y/n and Brian are so cute' or 'Y/n and Brian are so that' and it kills me! I want to scream and yes you were right Tom, I do hide my feelings and that little fucking pathetic cry I had earlier was only fucking some of it!" my voice shook as I only got louder, Tom watched, eyes analysing everything I did

"Y/n you cannot blame this all on yourself! you didn't cause it, yes you did date Brian but that isn't your fault that dick came tonight!" Toms voice matched mine "you can't seriously think that-"

"You don't fucking understand Tom! fuck you get different girls every god damn night- fuck them and leave them and you're seen as this sexy guy! you haven't been in a relationship since Savour and that didn't go well did it? so you don't get it! You'll never understand the shit I feel right now!" I screamed shoving his body away from me, he looked shocked, eyes narrowing

"And what?! yes I fuck girls but I'm fucking looking out for you and trying to understand its not my fault you are to much of a fucking bitch to actually talk to us about it!" his words caught me off guard "I want you to be okay! but all you're doing is smoking like a fucking chimney and shoving me away literally!" with that I spun on my heal and walked away from him again, I couldn't get my head straight "don't fucking walk away!" I flipped him off and herd him groan "Y/n come on!"

after that I never looked back- keeping my head down and ignored the comments random people said on the streets about my clothes and my 'pretty little face'. I finally saw the flashy lights of our hotel and pushed the door open to a friendly looking desk women clicking away at a computer

"hiya darling what can I do you for?" she spoke glaring up at me with green glasses perched near the end of her nose

"I have a room under the name Y/l/n" she nodded and typed along the keyboard

"mhm.. okay yes your luggage was dropped earlier by a huge bus with like hundreds of other stuff..." she trailed off " here is your key number 486 on the 4th floor and if you need anything don't be afraid to give us a call" the ginger lady spoke passing me my key

"thank you..." I went to walk to the lift before I saw the door open again and a panting Tom fell through "fuck" I hummed going into the metal doors of the lift

"Y/n come on... shit" he growled "hold the door" I saw him jog toward me and I stuck my arm out before the doors could close "thanks" and all I did was raise my eyebrows, the ride up to the 4th floor felt like an eternity, stood in silence besides the slight clipping of the metal shaft

'floor number 4' the intercom spoke revealing a long corridor barren bar a few plants potted by doors, I walked out closely followed by Tom who had just caught his breath, I looked at the numbers passing by until I finally saw mine near the end, I slipped my key into the hole and turned it open, the room was small but large enough to keep me for the night, one double bed, a tv, small make up desk and a bathroom with a huge mirror

"you can go now" I spoke to Tom who was standing outside my room hands in his pockets staring at me

"no" is all he answered with "we need to talk, and I mean properly talk" I shook my head

"not tonight" I saw his face soften "I just... I can't Tom"

"okay... tomorrow?"

"maybe" I spoke back to which he breathed and opened his arms calling me in for a hug- even if we had the worst argument, wanted to murder each other, we'd always hug each other it was just one of those. I walked into his arms and they curled around my hip pulling me tightly, my forehead landed into his neck to which he rested his head on top

"I love you" Tom whispered pressing a light kiss to the top of my head

"love you too"

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RING RING RING

my heart stopped hearing my phone go off next to me in bed, I squinted trying to avoid the bright light that was now illuminating my room 'Mom' I sighed happily and picked the phone up holding it to my ear "hello" my voice was groggy and full of sleep but I tried to sound as awake as I could for 5:25am

"hi sunshine! how are you?" she spoke and I could feel the smile through the phone

"I'm okay, tired but all good here, how about you?"

"well we're missing you, your sister has been asking when her big sister will be home, oh darling- how are the boys? they doing good to I hope" hearing the mention of my sister warmed me, my mini me, my little Stella, she was only 2 and was just the best thing in the whole wide world to me, her cute little blonde curls that decorated her head and her bright green eyes, she was gorgeous

"ah I miss her so much, tell her soon I only have one more show and its a day show so I could try be home today to see her, and the guys are good, me and Tom walked back last night from the show- but nothing really interesting has happened since- how's home?"

"well, I've been spending a lot of my days cleaning, playing dress up with Stella and cooking dinner so not at all fun compared to what you're doing sweetie... but I did call you to ask something" her voice went serious, she never had these sorts of conversations with me unless something bad happened "so I was speaking to Tom last night-"

"Tom who?" my heart dropped "Kaulitz or not?"

"mhm, Kaulitz and he said to me-" my stomach dropped she doesn't know yet, I didn't have the mind to say to her that me and Brian broke up, she admired him... "well he asked if me, your father, Stella, his family, Georg and Gustav's family would like to come see your show today as it being a day show we can bring Stella and I think she'll love it, I mean you remember when she sat in the practise studio and clapped when you and Bill gave her the show of a life time" thank fuck

"OH! Oh my god yes that would be amazing! yes do come" I called, my sleepiness soon going into adrenaline realising I get to see my family again after a month "and of course I remember performing for Stella, she loved it, oh but please mom come" I herd her laugh and shift herself in whatever seat she was in

"okay darling we will- I'll best leave you for now and I'll see you tonight, love you sunshine!"

"love you mom see you later" the line ended and I did a lying down happy dance, I was ready to preform that second, I couldn't contain my excitement, I quickly got up running from my room to go to the room of the guitarist, my knuckles going red from hitting so hard

"fuck I'm coming my god-" as the door opened I ran into his arms "woah what the fuck!"

"thank you so much!" I chanted squeezing him tightly, I pulled away and his face went from looking scared shitless to a shy grin

"shit I thought you were a crazy fan or something Y/n, and why are you thanking me?" he wrapped his arms around me relaxing

"inviting mom and dad and Stella and everyone else, just... ahh I can't wait!" we pulled apart and I started jumping around "I get to see my Stella!"

"Oh no problem, I thought she'd love to see our show as were her favourites, obviously" he smiled, scratching his head- for the first time I actually looked at Tom properly, I realised he was in his boxers which fit in all the right places according to him and nothing else besides the necklace he wore every day... thats also when I realised I was still in my little black number with a sheer mesh top just about reaching my thighs

"I can't get over it!" I laughed perching myself on his bed

"scuff what I said yesterday, tonight will be the best show we ever do" he walked over to the other side of his bed and lay back down, one arm resting on his stomach and the other went behind my back and held my hip giving me a feeling I'd never had before from Tom- butterflies.

"oh absolutely" i huffed "I am like completely awake now"

"good, well I mean we've gotta go in like an hour ish for rehearsal" I nodded relaxing more into the spongy mattress, we sat there in comfortable silence, his hand still holding me ".....im sorry for last night- not for the fight- the way I spoke to you.. It wasn't right, I was so close to just knocking on your door and saying this all but I had a feeling you would beat me up if I tried" he laughed looking up to me causing me to do the same

"so you take back calling me a 'fucking bitch'?" he nodded

"yep- all of it. I think I was just... worried for you, you know how much I care about you and seeing you looking upset all day was just... ugh I don't even know"

"I know... I'm sorry I know you were trying but I am just.. a twat really" he rolled his eyes "what?"

"you've only just realised?" he spoke sarcastically, lifting his head from the pillow to look properly at me

"hey!" I shoved him and he nearly fell from the end of the bed, quickly I moved to grab him before he slipped and panic shot though his body

"Y/N!" he called reaching out for me before his body slammed into the floor with a thud "ow"

"Oh- Oh my god! are you okay!? I'm... fuck... I'm sorry" I spoke through stifled laughter as I held my chest, Tom sat back up and rubbed his back, I have no clue what made be laugh harder but I fell stomach first on to the bed and belted out another cackle hearing Tom join it with me

"you are such a fucking idiot!" he called scruffing my hair, I got back up leaning up on my elbows, he still on the floor, when we sat like this our faces were only a few inches away and the room fell quiet, smiles still spread across our faces. I watched his eyes, those brown eyes there is something bewitching about them. They can be warm and inviting, or mysterious and brooding, they flickered between my Y/C/E eyes and my lips giving me a nervous ache through my body "I meant what I said before that all though Y/n" my name coming from his pierced lips made me feel different then any other time "I care about you so fucking much it's crazy-" the tension between us grew, he leaned in closer to me, my heart racing with excitement. the only source of light emanating from a small lamp on the bedside table which just about illuminated his face but i could see the meaning in his movements as his hand reached to cup my jaw, he drew me closer, our foreheads knocking together "I want to kiss you right now" he spoke in a whisper, it was just loud enough for me to hear, our eyes flicked back together and though no words left me, he knew exactly what I wanted to say

As he pulled me closer, my heart was beating so quickly, it felt as if it could leap out of my chest at any moment. Our eyes met for a brief moment again before he leaned in and pressed his lips gently to mine. In that moment, time seemed to stand still as I melted into his touch. Every inch of my body was on fire, my mind could only think of Tom, Tom fucking Kaulitz.... who knew I need it so badly. Without breaking the kiss he stood back up and brought me to my knees, his hand holding my face to his, I tangled my arms around his neck trying to get him closer and closer "fuck" I spoke and it came more as a whimper as he tugged gently on my hair, I felt a smirk appear to his face. We pulled away and immediately I felt coldness but I soon melted as he brought my gaze to him

"you don't understand how long I've wanted to kiss you Y/n"

[thelaurenshippen]

good night laurinia, do you have any canon sexualities for your characters? Other than the more blatant one's like Mark's bisexuality and chloe being ace,, I'm especially curious about joan wadsworth and owen, xoxo ♡

good morning anon!

so, the answer to this is a little complicated simply because of my current feelings around the idea of "canon" and my position as a creator on the internet who has a direct line of communication with my audience. so, sorry for answering such a simply question with a long and winding ramble about the current state of storytelling, but I will get to your actual question.

for a long time, I answered questions over on @thebrightsessions tumblr about anything and everything people wanted to know about when it came to my characters. but as the show grew bigger, people started to take those answers as gospel truth, even when the only evidence of that "canon" was a tumblr post and not the show itself. I want people to do whatever they want with my world and characters and it started to feel as though sharing my thoughts about things was discouraging that or disappointing people in some way.

so now, I mostly keep answering those questions to the atypipals discord. the community there is pretty tight, so they get a lot of my secrets lol, as well as my uncensored thoughts on things because we've all agreed that what I say means absolutely nothing if it's not in the text! (nap of the author, we call it, because thankfully no one wants me dead).

ALL TO SAY, there are some strong assumptions to be made about the characters based on the show, even when their sexualities aren't explicitly stated. when you expand to include the canon novels, there's even more.

but, as far as I can recall, I think the only sexualities that are explicitly stated are (just including voiced characters in the podcast - the novels have a bunch more):

Mark is bisexual

Chloe is asexual (she's also panromantic, but I don't believe I ever use that word, simply mention that she has two exes names Alex, one boy and one girl)

Adam is gay

Sadie is straight

Rose is gay

...I think that's it? no one else claims a label, I don't think, but obviously there are several other characters who have same-sex relationships:

Caleb canonically pretty much is only into Adam

Sam dates both Mark and Mags

It is heavily implied that Oliver has a thing for Mark

It is explicitly stated in the books that Damien is in love with Mark

Frankie is a trans man who dates Caitlin, which I consider a queer relationship given Frankie is a member of the queer community

and then, of course, there are the characters that are never in a romantic relationship in the podcast or are only seen in heterosexual relationships - those sexualities are up to interpretation! that does mean I don't have a straight answer (pun intended) to the characters you asked about, because amongst those three, all we know is that Joan dated Owen and had a thing for Jackson.

I hope that's not too frustrating of an answer!

[gynandromorph]

It's okay not to answer, I know it's broad territory, but I really respect you as an artist and writer. How do you handle people misinterpreting or missing elements of your work, especially when they may still enjoy it and get something out of it? As an artist I'm struggling lately with knowing my work will always inherently be read differently from what I intended as a matter of the human experience, as well as me being autistic complicating my ability to communicate.

An addition to that last ask. I don't know if it's clear what I'm asking so I'll give some examples. A 50 year old man and a 21 year old woman will get different things from a movie due to their lived experiences. As a gentile reader I might miss jewish narrative themes in a piece of work. That doesn't mean it's bad for us to have experienced it, but as an author I find it frustrating when something is missed or misinterpreted, and I don't know how not to be a control freak about it.

i feel you, i have ocpd and being misinterpreted when i agonized and stressed about how to present my wording makes me want to light myself on fire and it's something i'm working on. writers are supposed to expect and account for different perspectives ahead of time, so it always sort of shocks me when i hear interpretations i wouldn't have thought about at all. i know logically i can't predict all outcomes, but it's still surprising anyway!!! but i generally feel a lot of distress about being misinterpreted because i'm afraid it'll label me as A Bad Person, so i think that's where the experience diverges. maybe investigating why you need to or want to control the way your work is interpreted would help as a starting point? i think having a larger audience helps, too... it means more people will misinterpret your work, but it also means you're more likely to have at least One Guy who interprets it just right and makes fireworks go off in your brain, but there's no way to control how big your audience is!

anyway, the ways to control how your work is interpreted, to the degree that you can:

you can make it simpler. the more parts a story has added to its complexity, the more it's going to be misinterpreted.

you can make the intended message more blatant. you can have a character say exactly what you want the audience to think or hear, or something very close to it. don't want a detail missed? make it bigger.

you can reprioritize parts of the story. basically think of a group of interpretations you want the audience to have if you can, and then put them in order of importance. then the story has a hierarchy to lean on wrt artistic decisions.

you can give the story multiple meanings. more targets to hit. if they're mutually exclusive, i find this works better... i like making my stories ambiguous with conflicting interpretations a lot. yeah, people are going to interpret the story wrong, because it was made in a way that will guarantee it is interpreted wrong in some way.

you can layer the meaning so that less literate audience members will at least get SOME of what you intended. basically, close to the previous strategy, but like a hybrid of that and "make it simpler" imo because you're constructing multiple interpretations that are all supposed to lead to one conclusion (like a persuasive essay or something), but can act as an adequate conclusion on their own.

all of these options have obvious qualitative losses. if you have anything in particular that is repeatedly misinterpreted or missed, it's a good idea to think about Why you're making those choices. consciously committing to a higher-risk artistic choice will help you feel more in control of what happens to it once it's done. the way your art is interpreted isn't totally out of your control, you are making decisions that add to or mitigate the risk of misinterpretations, and you can bring those choices to a more conscious awareness to see them and appreciate them. sometimes it'll feel like a begrudging compromise, but it'll still be Your choice ultimately.

on an emotional level... hopefully this makes sense. there's always going to be the piss-on-the-poor scenario and sometimes i just remind myself that some people are not as literate as me, but it's great we were still able to connect through a work that was probably difficult for them!!! it was a privilege to get to grow up with a good education, access to art and technology, strangers who want to look at what i made, and there are times where i take this for granted, and my expectations of readers are actually kind of unreasonable!!! some people are younger than me and say stupid things like i did, but they aren't able to understand things like me yet, and it's important for them to learn by figuring it out on their own!!! i was and will always be That Guy to other artists and other writers, and i want to give other people the same grace as i get. some people have wildly different life experiences compared to mine, and these experiences can be much more nuanced than i could ever imagine, but it's a little gift that they made my world larger by sharing theirs through my art!!! it's terrifying and embarrassing knowing that i don't know much of anything, even about something i have total control over, but the consequences of that aren't always negative. and possibly the saddest but most common way i deal with this is nothing more than accepting that no one is ever going to understand me on the level that i want to be understood. sometimes my frustration has come from a place of miserable alienation, where the need to feel Seen can be quite desperate. i've made art explicitly about Me, and i've made art deliberately hostile towards its audience, art that's said they don't get it and they never will, but they still bothered to try. i made a game that said no one will win here and they still played it with me, and i can appreciate that. in many cases, they actually know more about me than i know about them. but more importantly, it isn't my audience's job to take care of that emotional need -- in fact, as much as art is made out to be a mode of pure self-expression, i don't think they can. it's a reality that i don't like, but i accept it. art made to benefit others is a one-way mirror: you make them feel seen, but they should never see you, because if they see you, the mirror isn't working.

[annabelle--cane]

Sorry if this is weird but I’m working on this book that feels like my first substantial foray into literature, and I’m really proud of it. But it’s also a lot of work and my life is…life, so I get into motivational slumps a lot.

Lately I’ve been like “But think of the random thoughtful tumblr posts (by people like you) where they realize something I was trying to say, or reveal some new way to read the text entirely!” and it gets me through the slumps.

If you published a work with a lot of hidden messages and metaphors, would you want to tell people what you meant? Would you correct people if they got it wrong?

I used to think I would tell everyone EXACTLY what things meant. It has always been frustrating to me when authors are vague as hell about their meanings behind things. But now writing this story, I kinda want to see how much people catch on to. If I write it well enough, they’ll get all the main ones. But maybe some of them will only get one or two! And there’s like a puzzle network of understanding in your audience!

I think I’d correct them if their interpretations were somehow harmful, but that would also mostly be about figuring out how those messages came out of the text so it doesn’t happen again.

saur. my answer to these questions are layered, and I'm going to answer them kind of out of order.

as an audience member, about 70% of the time I really enjoy hearing what authors have to say about their work. it can often point me to areas of consideration that I hadn't really been focusing on before, and creators usually care a lot about their text and have paid great attention to it and so their opinions are often well-informed and consider all angles. and then that other 30% of the time I hear what an author has to say about their work and it's like we're discussing completely different things, and I'm sure they meant to write their work to come off a certain way, but something appears to have gotten hideously lost in translation because that is Not what I read. and I sit there like 😬 you don't know him (this story you wrote) like I do 😬 .

as an english lit student, I could not care less what authors have to say about their work. the text is the text, the book is in my hand, and sure, I might look into what commentary an author has made, but that is ultimately superfluous to my analysis and I'll treat it with exactly the same weight as any other interpretation I come across. if I can back up my argument with evidence and criticism then no one can tell me I'm wrong, including the author. overall I don't think someone can actually be "wrong" about their interpretation of an art work as long as they have sufficient supporting evidence. if a meaning has been successfully put into the text then it's there and I will be able to find it, and if it hasn't then no amount of creator commentary will insert it post hoc.

as a creative writer, this is one of the main things that I think peer review and workshopping is really useful for. as a little story time, I took a creative writing class last year and submitted a piece for workshop that I thought was truly just an embarrassingly unsubtle fairytale-esque allegory for addiction, where the protagonist is in a toxic but thrilling relationship with a tricksy fairy named poppy who will bring them to intoxicating magical ballrooms out in the woods, but only at the cost of all their human relationships and, eventually, their own physical wellbeing. only one person in the class got the metaphor, and this told me that a) wow my experiences are not universal, and b) during revisions I should focus on making the story substantial enough on its own that readers can enjoy it even if they don't twig anything about the fairy literally being named poppy.

a lot of other people in that class got feedback on their work about interpretations they didn't intend, and depending on how wildly a reading varied from their intention they would then try and remove whatever made that reading possible in subsequent edits and emphasize what they actually meant. of course, you can't write for your hypothetical worst audience who will actively disinterpret your work as much as possible, but if you've got a workshop group or just a few friends that you think are reasonable readers then I'd recommend sharing what you've got with them and hearing what they're getting from it.

as a person in fandom, oh my god do I not want to touch anything with a ten foot pole if the author goes around correcting audience interpretation, because that makes for an absolutely insufferable fan environment. even when authors are aware of fan culture and try to phrase their gripes with their work's reception as inoffensively as possible, it can still shut down a lot of creative spirit and galvanize fandom hall monitors into taking matters into their own hands. and most authors aren't even that nice about it.

to sum up what I would do (might eventually do? depending on how my life works out?) were I to publish something for wide release, I think I would want to do fairly regular peer review to double check that what I'm writing isn't completely out of alignment with what I want it to be, and I'd probably write some of my own interpretation of my work but keep it out of the way enough that it's clearly not meant to be taken as part of the work itself, and be very clear that my relation and reaction to the text is based on my own mind and life experiences and may not line up with others', and that's fine.

[antianakin]

@auditect

You seem like you're being genuine about this and asking this in good faith, so I'm going to say this as respectfully as I possibly can: no, she's not.

When thinking about what's canon and what's not, there are 2 things to consider. One is, was it explicitly said or shown in the canon material (in this case, Rebels)? For example, did you hear anyone CALL Ahsoka a Gray Jedi, or discuss Gray Jedi and then have Ahsoka pretty clearly get associated with said concept? Two is, have you ever heard the main creator of a canon material explicitly state somewhere that Ahsoka is intended to be understood as a Gray Jedi by the audience? In this case that would probably be Filoni, but you can probably count the other writers and even Lucas in this category.

The answer to all of those questions is no. At no point has the concept of Gray Jedi ever been brought up in a high canon piece of media in Star Wars (in case high canon is a new term for you, this includes all of the movies, TCW, Rebels, and the Disney+ shows like The Mandalorian, TBOBF, TBB, etc.). Gray Jedi are FANON because they only exist in a piece of extended universe Star Wars media which, in many ways, works as basically official fanfiction. Nobody working on the more "high media" stuff is ever obligated to keep extended universe stories in mind and adhere to their continuity, but the people working on extended universe stories have to adhere to high canon continuity as best they can.

Obviously there are things that have been brought from extended universe into high canon, but Gray Jedi simply aren't one of them. And, in my own opinion, this is because the entire concept makes no sense with the actual worldbuilding of high canon Star Wars. As much as Filoni shits on the Jedi, he does generally seem to understand Lucas's worldbuilding which makes the fanon concept of Gray Jedi literally impossible. Using a little dark side without it having an impact on you isn't possible. That's not how the Force works, as the saying goes.

So no, Ahsoka's not a gray Jedi in Rebels. She's a former Jedi who happens to keep using her training and her lightsabers to help people in the Rebellion. Even in the trailers for the new Ahsoka show, the tagline says "rebel, outcast, JEDI." There's nothing in there about being gray, there's no acknowledgment of Gray Jedi as a thing. Ahsoka is someone who was once a Jedi and will likely end up a Jedi again by the end of her show because that's the journey we've sort-of seen her going on throughout the different things she's been in.

In Rebels, we see Ahsoka actively working with other Jedi (Kanan and Ezra) to continue work that the Jedi Order had started, we see Ahsoka specifically come along on missions that are Jedi specific problems. She says she's not a Jedi, yes, but in her time, being a Jedi meant something very specific, you couldn't just identify as a Jedi if you weren't someone who was adopted into the Order officially. Ahsoka was expelled and then refused to come back, so she's no longer an official member of the Jedi Order and can no longer take on the title of Jedi. And then the Order is destroyed, so all roads for officially rejoining the Order are now closed to her effectively forever. And this leaves her with trying to figure out what being a Jedi means to her in the wake of that destruction, how can she re-identify as a Jedi without an Order to be a part of, does she even have the right to do so when she hadn't been a Jedi when the Order was destroyed? We've seen characters like Kanan and Cal go through similar arcs and both of them became full Jedi by the end of them. There's no real reason Ahsoka won't do the same given that it's the most obvious place for her to go.

Now, none of that means that if you like the fanon concept of Gray Jedi that you can't just headcanon Ahsoka as a Gray Jedi after she leaves the Order. More power to you! But just because it's a headcanon you like doesn't make it canon. Until it's made explicit via dialogue or something similar in high canon, or at the very least said in an interview by one of the creators, it's NOT CANON.

[yoinkschief]

Do you think Tom had to learn how to be expressive? He’s purposefully animated to move around a little more bc yknow no eyes. This goes for his general eye movements too; which also move more to show emotion

I'm so glad you asked, dear Anon

I'd like to introduce you to my

Tom is Autistic Agenda™

As someone who is autistic I find myself relating to Tom a lot in that aspect, where my face is usually described as "Resting Bitch Face" or constantly looking "bored", which neither are true, it usually just means I'm relaxed/interested/focused on something

However when it does come to emotions I do tend to exaggerate them, I remember when I was younger trying to mimic the expressiveness of cartoon and anime characters because they were always drawn with such exaggerated expressions

I don't know if my expressions come off as exaggerated though, I feel as though they are because I have to put such manual effort into them, but I realize that sometimes it doesn't come off that way and my expressions still remain subtler than intended

It can totally be "it's just the eyes" things, but I'm my heart and desire to relate to characters I enjoy I like seeing him have some reflection of myself in him but it also just makes sense with him having such a monotone voice and then such an exaggerated one moments later, the drastic changes can easily be akin to a lack of understanding the projection of emotions (NOT A LACK OF UNDERSTANDING THE EMOTION ITSELF, JUST HOW IT PRESENTS ON THE BODY) as it also helps explain his bluntness

Yeah he's an asshole, but he's an asshole with an understanding that his face doesn't always show how he's feeling so he says it and why

He's not an asshole because he's autistic, he's an asshole because he doesn't care to phrase things in a way other than "I'm right you're wrong, stop that"

Again, another thing stemming from autism: a strong sense of justice, whether that justice be "just" or not, he believes it so he believes it strongly

(in an animation perspective he's animated to have exaggerated movements to further get across his emotions - facial features are a very important part of body language and language in general so to make up for a lack of expressive eyes they rely on other parts of the body. This is shown in theater where because there are audience members so far from the stage you have to over exaggerate your movements so even they can understand what tone you're using. In animation this can be seen with Tom L//ockwood from Cloudy with a Chance of M//eatballs, D//aisuke J//igen from L//upin III, and I suppose I'll count G//ojo from J//ujitsu K//aisen, though tbh that has less to do with his eyes being obscured and more him being a weird little critter. But these characters tend to over exaggerate their actions and tone in their voice to get across what they mean because the lack of eyes causes them to struggle in body language)

[curio-queries]

I saw Jungkook's documentary this weekend and have just a few thoughts. If you're avoiding spoilers, don't click the cut!

The Hybe Documentary Format

So...as a reminder to you all, I do not have professional expertise in the film industry. I'm just a very discerning consumer. I also haven't seen Hobi's documentary and I watched Road to D-Day while I was quite ill last year so I only vaguely remember some bits. (I'll definitely be getting back to those sooner rather than later though as research for a series of posts I'm developing.) That being said, I think we have enough data points to state that Hybe has absolutely no interest in filmmaking techniques outside of music videos.

I did mostly enjoy my experience seeing this film yesterday and I'm always grateful for any amount of footage the members are willing to share with us but this 'documentary ' was worse than Jimin's Production Diary. Any of you that managed to make it through my rambling review will know how dissatisfied I was with that.

I Am Still is not a documentary, it's a mixture of showcase footage and behind-the-scenes clips, most of which has already been divulged in the various episodes and shooting sketches on YouTube. Honestly, if you're not able to see the film, just go rewatch all of the bangtantv content for JKs solo period and the showcase and you'll be up to speed with 85% of what was in the documentary.

There are definitely some expansions to the storylines featured in the bangtantv content; mostly being anything that wasn't overtly optimistic. For example, we learn a little bit more about just how sick JK was during the Seven/3D promotions. That content likely was pulled from the bangtantv edit because it would have put a damper on the promotions and given certain 'fans' a focus to fixate their vitriol. But overall, it feels more like an extended version of existing content rather than a new work. At least JPD didn't continually feed us footage we'd seen before.

I'm someone who gets completely bothered by previews spoiling content so I didn't watch any of the promos until after I saw it and I am so glad I skipped them because most of the 'original' scenes of the film were featured in least one of them. Alas, that's a separate issue of which I'm definitely in the minority.

Was There No Structure?

Kinda. Like JPD, there is a semblance of a structure: Attempting to follow the chronology of release activities for JKs GOLDEN album through the lens of JKs staement trying to prove that he is still worthy of everything he was being hailed as during the BTS group activities but I don't feel this was successfully executed. It jumps round enough and isn't very successful in explaining the events if you didn't already know about them. The film starts with the SEVEN performance at GMA and footage that we've already seen of JK recording SEVEN, not mentioning anything about the music video or really how JK got involved with the song in the first place. The rest of the story beats have similar missing points.

They have a vague narrative with the 'I Am Still' points but that's mostly carried by subs and a couple of moments that JK mentions himself. I'm not saying it's not true or wasn't top-of-mind for JK during this process but it's not the main point of many of the moment/messages he shared with us during this time period so it feels a little disingenuous since everything else jn this film really only makes sense if you've already seen quite a lot of behind-the-scenes content.

Honestly, it makes me question the intended audience. Obviously, they know that ARMY will shell out whatever we need to when there's new content from our members but most of us will have already seen all of the bangtantv content so we are already familiar with the most of the footage in this film. I genuinely don't think this was produced in such a way to be palatable for audiences not familiar with BTS so who does that leave? Our friends and family that are peripherally aware of the content but haven't learned the basics of JKs album? ARMY with short term memories only?

But again, it seems this film was compiled by an editing team and not lead by a director with experience in crafting a documentary. The only new footage that Ican guarantee was captured with the express purpose of being included in this film was the few clips of JK talking in the practice room with the albums displayed by him. But we all know that's where all of the promo clips were gathered as well. I have issues with that approach as well but I'll leave this point alone for now unless anyone is interested.

Suffice it to say, all of these suppositions over the past year about how JKs documentary was getting special treatment or even questioning about investment in a project up front are dead. This was a product assembled with bits of what they already had completely in-house which was sold for distribution.

So, Did We Learn NOTHING?

No, there are a few Golden nuggets (see what I did there?). I can't recall everything having only seen it once (and having a rather disruptive audience - I swear there were only dozen or so ppl in my theater but I forget how obnoxious teenagers can be. I'm glad they're enjoying and supporting but we really didn't need light sticks flashing during a film and how many times does one person need to get up to answer their phone during this runtime? Three according to the row in front of mine.)

Anyway, something I thought was interesting to learn was that Standing Next To You was initially recorded the day after JK heard it for the first time. And hearing a little more about how JK yearned to perform that song definitelygot me thinking a little more about it. We can't reach any conclusions just with this little nugget but it does open the door to some theories. Like perhaps they were initially planning to have JK record two separate albums? SEVEN and 3D would be the singles of the first and JK would perform them as we saw but perhaps STNY was originally planned to be the single of the 2nd album that would release while he was in the military and thus be unable to perform it? Maybe JK loved STNY so much that everything was grouped into one album and Never Let Go was the only track held back for ms? Definitely some theorizing space to be had now.

Final thoughts?

Similar to my thoughts on the GCF: Budapest (which I feel would have had a much better reception if it had been labeled as a bangtan episode rather than a GCF), I AM Still should not have purported to be a documentary. It was much more similar to the annual Memories compilations. But the general public would not have shelled out the $25 to go to a theater to watch a Memories DVD so alas, we have our content packaged as a ~documentary~...

Did my view on the music change at all? Not because of the documentary. We're coming up on the year anniversary of GOLDEN and it's still definitely not my favorite. I completely understand why some people like it but it's just not to my taste. The overall impact falls a little flat for me. Too much breadth and not enough depth. I came into my musical soul during the 00s emo phase and will always be a sucker for music that absolutely drips in an emotional way rather than catchy songs vaguely referencing heartache and love. Again, just a matter of viewpoint.

I do think most of these songs stand much better being shuffled amongst other artists in a Playlist and several of them are significantly better when JK sang them live but I still won't be listening to them regularly. I wholeheartedly believe JK completed his task of proving himself as an extremely dedicated and versatile singer and performer. He's definitely got some solid points added to his resume after this project.

[xaviers-home-for-wayward-pokemon]

Hi there :) Is there a reason this blog died? is it harder to get shinies in scarvio? or just busy irl? no worries ofc! im truly just curious! i miss you guys! i miss the gen 7 era lol :'3

Hi there, Nonny. There is not an easy answer to this question, and unfortunately it involves breaking my biggest rule with this blog and steering away from pure positivity. I'm happy to share the story if you want to read on, though.

TW for family member death, therapy trauma, and friendship ending.

I always had a tradition of doing a big giveaway around the December holidays and then taking some time off for the new years. Generally I'd try to get back into giveaways no later than February since that's Mewtwos "birthday" and it would be a yearly tradition to give away versions of this blogs mascot.

In December 2019, my mom passed away.

There is no good time to lose your mom, but there is most definitely a worst time. Five days before Christmas, one year after the death of your father, two weeks after the birth of her one and only grandchild (following years of fertility issues between myself and both of my siblings), one month after her retirement, and one month before a massive family vacation that was meant as a Christmas gift she never opened ... Well that's pretty much the worst time. She was in near perfect health but her death was the result of a car accident, and she did not leave any form of will. I don't know if it's possible to explain how much work it is to deal with probate, burial, and associated lawsuits on top of mourning the death of one's own mother. Needless to say, it's a lot.

My sister lived in another state at the time and was busy with her newborn, and my brothers disabilities prevented him from contributing much to the situation, meaning the only one who was able to handle things was me.

Which unfortunately meant pokemon giveaways had to be put off for longer, and as expected, it's pretty hard to write pep talks in that state of mind.

For obvious reasons, I started going to therapy. While there I expressed interest in wanting to do giveaways again, and my therapist encouraged it. I even purchased a hackable switch with the intention of finding a way to hack the newer gen mons, but figured I could use the old action replay for the old gens until I got that figured out. A small handful of you may recall this is when I started streaming; in part, it was too reach a wider audience, and in part to encourage more engagement. Unfortunately, engagement in the giveaways only decreased, and that's on top of the hacking taking twice as long with the need to mass transfer between the 3DS and Switch.

During this time I actually quit my job, because being executor of my mother's estate became a full time focus and I was fortunate enough to have a supportive partner to encourage me. Not to mention, well, we all know what happened in 2020 to make working more difficult for everyone.

Before long, I realized that doing giveaways had become a chore. No longer was it work that brought joy to myself and others, it felt like an obligatory burden. It was no longer fair to put so much pressure on myself over something that was meant to be fun, and with everything else I was dealing with, it was time to be fair to myself.

However, I did not originally intend to abandon this blog indefinitely, and thought at least I would keep up the daily pep talks.

Now I want to be clear: I am not anti therapy. In fact I encourage anyone who can to seek professional help whenever the situation calls for it. I will not go into any further details besides this: I actually have some trauma regarding therapy. It makes seeking out and opening up to therapists very difficult, and it's something I've struggled with since childhood. So when the therapist I had (who I felt was working well) left the practice and I was assigned a new one, it was not a good mix. Especially when the new therapist wanted to focus on things I felt were irrelevant and/or non-issues.

One of the unforseen "advantages" to having barriers between yourself and professional help is that you get pretty good at helping yourself. The reason why I enjoyed writing this blogs pep talks is because they were often words I used to encourage myself, and it brought me joy seeing them encourage others. At this point in my journey, I had to focus exclusively on helping myself, and that carried the consequence of no longer being able to help others. After all, if I do not care for myself, then eventually, there will be nobody to care for anybody.

Another factor came into play at this time. Many of you noticed this blog changed names from Vales Home to Xaviers Home. At first I said this was because the new mod team shifted focus away from the original "lore" of the blog and that a focus on our mascot as opposed to one member of the mod team made more sense (keep in mind, when it started, the blog was equal parts giveaways and fanfiction/RP). While this is true, it is only part of the truth. The fact of the matter is, Vale and I had a falling out. Vale was legitimately one of my dearest, closest friends who I felt I could turn to for anything, and the decision to end the friendship was one of the hardest choices I've ever had to make. While I do not regret the decision, it does make looking back on this blog a little bittersweet.

At the end of the day, there is not one reason why this blog died. My own personal turmoil, trauma, Nintendo's decisions, and a general shift in the community combined to make running this blog a burden too great for me to bear. While I have no intention to start it up again, I also cannot bring myself to delete the blog. The happy memories and positivity it generated during its time is worthy of preseveing, in my opinion.

I also do not want you to think my life has been pure turmoil over the past five years. On the contrary, I think I am in a better place now than I was in 2019. I went back to school and started a new career. I now work in a hospital helping people in real life instead of online. I overcame a lifelong phobia of driving and bought a car. I rediscovered a love for crafting, and have taken up new hobbies in driving to craft fairs, camping, and nature photography. I ended 2019 miserable working a dead-end sales job and mourning the death of my mother. I am ending 2024 with a thriving career, a joyous hobby, and a big group of supportive friends both old and new.

While I am not active on this blog, my main is still very much alive and you're welcome to follow me if you don't mind largely video game shit posting interspersed with occasional writing or photography. Also, even though the discord server associated with this blog is inactive, I am still on and using discord should you ever wish to chat.

I am beyond glad if this blog ever sparked joy for you. If you read all of this, thank you for staying by my side. If you didn't, that's okay too.

And remember: Xavier loves you. ♥️

-Typhon ( @typhonserpent )

[linkspooky]

You've written about Overhaul in the past. Any tips on writing him accurately?

Overhaul's actually one of the most complex villains in the story that's not a part of the league of villains, however since he's pretty unlikable and has mostly negative and unsavory character traits he's not discussed as often. However when it comes to writing him, there's a lot of rich material to mine here.

So my starting point whenever trying to write a character and make them as in-character as possible, is to figure out what the author intended for them in story. What role are they supposed to play? What function do they serve? In my opinion, Chisaki was an attempt by Horikoshi to twist a lot of traditional "good guy" traits into a villainous character that the audience would despise.

One of my biggest ways of doing this is to compare them to other characters, especially haracters who aren't given as much screentime because there are lots of cogs in a story and often the purpose of one character is to highlight a personality trait in another character because they share it.

Now I'm going to explain Chisaki's characterization by comparing them to another character, but here's the curveball here: I'm not going to use Shigaraki. Because I can explain it real quick with Shigaraki, the purpose of Chisaki is to show how Shigaraki's leadership differs from Chisaki because Shigaraki sees his allies as more than just pawns to be utilized. However, to come to understand why Chisaki wholeheartedly believes that everyone exists to be used thoroughly to further his own ends, we're going to look at a different character.

Hawks and Chisaki are both bird-themed. They are both orphans who were taken in by an organization at a young age, Chisaki by the Yakuza and Hawks by the hero commission. They are both also extremely fanatically loyal to that organization and do everything possible to ensure that organizations survival, in part because they feel they have to repay being taken in.

They are both characters who were introduced to the league of villains, trusted by Twice, only to turn around and kill a member of the league. For Hawks it was literally Twice himself he killed. They were also initially presented as cooperating with the league, but when they reveal their true colors it shows how they view people in stark contrast to how the league views and treats it's own members. Which like, Hawks does not come out looking pretty in the comparison.

Hawks doesn't actively abuse children so he has that over overhaul, but he does drag them onto battlefields that are basically an active warzone where the villains are fighting to kill. Which means that much like Overhaul, he tends to treat children the way he was treated: Ie, weaponizing them.

If you are familiar with Hawks mindset, "I am a pawn, so therefore everyone else is a pawn that I can maneuver around to obtain my objective" then it's easy to extrapolate the same onto Chisaki. Hawks talks about dirtying his hands, Chisaki is literally a germaphobe who has panic attacks if he gets blood on his hands (I'm exaggerating only slightly).

Chisaki is introduced with a deep psychological need to stay clean and avoid everything he considers filth, dirty, or diseased a rampant paranoia of his which spreads to his hatred of quirks. We never get the reason why Chisaki hates quirks, besides the fact that the advent of heroes threatened his home in the Yakuza, but if we're going to extrapolate here it's probably due to the grotesque nature of his own quirk. He literally targets Eri because their quirks are similiar and he finds hers to be incredibly disgusting, and justifies his abuse of her with that logic.

My pet theory is that he was either abandoned by his parents because of hsi quirk, or that he was taken in by AFO at some point and deliberately targeted by his quirk like Toya was (people have pointed out that the wallpaper here and the children playing int he background resemble the house that Toya was taken to).

So, what we get here is Chisaki hates quirks, and he likely hates his own quirk possibly because of how he was treated in childhood because of it. He was definitely exploited by the same man who took him in due to that quirk, considering the fact he's a yakuza enforcer and has probably been committing violent crime since childhood. Once again, a Hawks trait, to be born with a prodigious quirk and yet find that quirk incredibly filthy.

Hawks and Chisaki are a study in how characters can be painted to have "good guy" and "bad guy" traits, when really they're only being painted that way because of circumstances or surroudnings. Hawks in a lot of ways acts the same as Chisaki, he just happens to be manipulating people for the heroes, not to restore the Yakuza. Chisaki values no one, everyone including his childhood friend, the people he takes in off the streets, are pawns to be utilized by the best of their aiblity. He even tries to teach Shigaraki to play Shogi (Shigaraki not knowing how to play probably signifying how much he views people differently).

So, Chisaki's willing to utilize everyone around him in service of a goal, the worth they have is to how he can use them to benefit his larger goal in mind and he's got no qualms about it.

Villainous trait, villainous trait, you say but Hawks does the same thing basically maneuvering everyone on the battlefield in the first and second wars the way Chisaki does, he just does it for an entirely different goal. He's even willing to personally betray and mutilate someone who trusted him in order to achieve that goal. Chisaki's point of no return is him completely massacring Nemoto in order to fuse with him when the tables started to turn against him in his fight against the hero. Hawks stabs Twice in the back in order to prevent him from using his quirk to stop the raid. In both cases it's a personal betrayal of someone who was good to them and trusted them.

You could say Hawks did it for the greater good, but for CHisaki who only knows his Yakzua way of life he's doing it for the survival of the only life he knows. Which is why I say they're so similiar, Hawks isn't really protecting innocent people, he's protecting his role in the hero commission. He takes what he was raised to do to the extreme.

Which is another central character trait they share, Chisaki's biggest defect is that he never, ever gives up on anything ever. A traditionally heroic trait especially in the shonen manga where the character never gives up ever, but his determination is twisted into something hideous because he has no qualms about making sacrifices to get what he wants.

Since childhood Chisaki has done absolutely everything to protect the family's dignity, to the point where it was disturbing. He never changes his mind, never backs down, even when the man he's trying to repay goes against him, but it comes from the same source as Hawks.

He believes he owes the person who took him in, and does everything he does in service of that debt.

So the last part is Chisaki's germophobia himself. Now Chisaki is a man completely divorced from his own sense of guilt who doesn't really hesitate before making heinous actions, but I wouldn't say he feels nothing,the man's clearly not mentally well. If anything I'd say his own germophobia is a metaphor for the guilt and self-loathing he feels and chooses to ignore.

He usually has breakdowns shortly after using his quirk as well. He'll absolutely brutalize people and then have a breakdown about the blood that they've gotten on him. Which suggests he you know, probably does not enjoy bloodshed in any real way. You could even compare it to Shigaraki's statement that he always feels like there's a constant sickness no matter what he destroys, which is likely his repressed guilt that AFO played off as some kind of urge to destroy, or the way Shigarki carries his hands of his family on him so he'll never forget his own self-disgust at murdering them.

Chisaki is living completely divorced from his own sense of guilt, until he's not. Once you remove him from his position of power, when he's away from the mission and forced to sit in his prison cell in tartarus he's reduced to a shambling mess that just constantly apologizes over and over to his boss and begs for the chance to see him again.

Which means that Chisaki represses all of his emotions to perform a task, and when he si not performing a task or functioning in a role he falls to pieces, because he doesn't have any sort of life except for serving in the yakuza. He's even referred to as a "gangster without a heart" because he literally has nothing else and no identity.

Chisaki's gotta be a gangster and he'll even throw a coup and put his boss in a coma for fear of losing that place in the world, because what else is there for him?

He even hates being called by his real name, much like Hawks, so his central issue is really a lack of identity because he was raised in a fishbowl with no other place to belong in the real world. Except we saw Chisaki when he was taken out of his fishbowl, and all he did was flop around like a magikarp.

As for general guidelines on his voice:

The germaphobia is a constant thing with him. Don't put your shoes in my table. Don't breathe in my direction. Hey stop bleeding on me your blood is filthy.

He talks down to people in general. He's extremely condescending with Shigaraki right off the bat, and states to his face that the only worth that Shigaraki and the League will ever have is pawns to be used as a part of his plan.

He flips between being detached, and extreme anger. Basically he's able to act cold and detached when things are going his way, and when people resist his plans or manipulations he then switches to browbeating, bullying or just otherwise lashing out in anger. If the square peg won't fit in the round hole, then just hit it harder until it does. He's cold and calculating until his calculations fail then he just brute forces it.

He's generally pretty good at negging people, he's got Eri convinced that her quirk is disgusting and she's the source of the misfortune around her. He's also got a bunch of street rats incredibly loyal to him by convincing them they can literally do no better in life than being used as a part of his plan.

He also has a softer and more polite side that only comes out in front of the boss. This is his childish side too. When he's fighting Deku and has basically lost, he flashes back to his boss patting him on the head and thanking him for protecting the family's honor. He literally just craves validation from the closest thing he has to a father figure. He'll go to any lengths to get it.

In general Chisaki should be disturbingly inhuman too, not just in his actions, but in his rationale and how far he can go and how little he considers other people in the equation. Even his own childhood friend and fellow yakuza finds him to be offputting. His boss asks him point blank, "What are humans to you?"

Basically, he's creepy, weird, anti-social, uses everyone around him, and is also completely divorced from his own feelings and sense of guilt which lets him run roughshod over other people's feelings.

So, y'know. Hawks.

Except Hawks puts on a charming and likable personality, whereas Chisaki's personality is having no personality.