#i'm having *such* a good time here

[marsreds]

ok, but the connotations of the shepherd and hunter thing... THE CONNOTATIONS

i'll be honest with you, after ch. 18 & 19, i'm waaay more into the whole buddhist concept of non-attachment that seems to be the angle here but! that doesn't mean that there isn't any merit to the visual language there!!

like. itw has established already that it'll be going for environmentalism/anti-extractivism themes:

and ichi's whole "death for death" thing is a punchy way to frame it.

so giving whm the stupid little fluffy-floppy-eared hat and hooves is. such a choice?? like. yeah!!! let's give this character, who seems to be set on total annihilation of all life visual cues that connect them with an animal that basically only exists to be docilely slaughtered??? like!!! ms. nishi??? ms. usazaki???? your minds???

and it also ties into ichi's aforementioned "death for death"—with farm animals, the fight's rigged. lambs don't fight back.

[egophiliac]

since Eng is getting 7.5 soon(?), I felt motivated to go back to my Meleanor rig and make her a couple of lesson animations! ...except for alchemy, because the cauldron bubbles proved too hard to photoshop around, whoops.

maybe she just got lost on her way to the classroom...?

(credit: backgrounds are from the game, I just put her on top of 'em)

(aside from the backgrounds, this is not an edit, I drew her from scratch! please do not tag or treat as an edit!)

[hinamie]

tiger lily

[casscainmainly]

Duke insulting Jason Todd for no reason oh Duke nation we are so back

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[ionomycin]

wild strawberries

[melioristicbeast]

"Knock knock! You boys up-" "NO! You can't come in, he's not DECENT!"

Stiles stilinski makes goo eyes at and jealously hoards soft derek hale send tweet

Part two of the brainworm @nerdherderette's request gave me (: Derek in stiles' clothing - the pajama bottoms are my own though (10+ years old target purchase, sadly not available anymore or i would've purchased a backup pair)

In my heart of hearts soft derek in comfy clothes makes stiles go HEART EYES MOTHERFUCKER in a markedly different way from nudity (◡‿◡✿)

[bilaudad]

wing stuff!

experimenting with a more cartoon style, idk what i'm doing loll

tagging: @goodomensafterdark <3

[poorly-drawn-mdzs]

The Wizard Cowboy War (Wizboys VS Cowards) continues on.

[technically-human]

Enter the Crow King, merry wanderer of the night.

He's a little charmer, even when your best mate has captured and jailed one of his crows! He wants you to stick around for a bit longer, though...

@i-am-as-normal-as-you-are commissioned this one, of course! You guys have been waiting for Monty for so long that I feel like I would never have gotten around to drawing him without some help lol

(@m0scorner I stole your gloves. They're just perfect)

Bonus dreamling, because you know the Crow King is stealing that aesthetic:

[lilybug-02]

Eimmet High...temmiE high. OMG!

Part 28 || First || Previous || Next

--Full Series--

Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[xxplastic-cubexx]

Marvel's Squirrel Girl: The Unbeatable Radio Show! | All of Erik Lehnsherr's Call-In's

Episodes featured: The Fate of My Universe The Sinister Six Are No More Who Would Win In A Fight? Unbeatable

Full Podcast Playlist (Spotify)

Credits below:

Written by: Ryan North

Directed by: Giovanna Sardelli

Voice Cast: Milana Vayntrub - Squirrel Girl/Doreen Green Crystal Lucas Perry - Nancy Whitehead Leo Sheng - Koi Boi/Ken Shiga Davied Morales - Chipmunk Hunk/Tomas Lara-Perez Erica Schroeder - Tippy T. Squirrel Rob Nagle - Erik Lehnsherr

Key Art: "Squirrel Girl Infinity Comic (2022)" by Derek Charm - Doreen, Nancy, Ken, Tomas, Tippy "Magneto (2023)" by Todd Nauck - Erik

[milkywayes]

GARRUS VAKARIAN: DATABASE IMAGE ACCESS. > PT. 1 : 2160, 2166, 2170. > all files backdated according to user preferences: (terran_coordinated.calendar).

[vaguely-concerned]

for what it's worth I personally don't believe spite had anything to do with the pantry near-kiss experience at all. I think that was a 100% lucanis naturel disaster no supernatural additives present or indeed required. at most spite was watching that whole situation go down with mild puzzlement about approximately every part of it, I don't think he'd have much interest in it one way or the other. the explanation seems much more mundane and grounded and in some ways much sadder to me.

if your nervous system has never been in a place where any surge of emotion, even -- in fact sometimes especially! -- a good and exciting one makes you feel like your soul just touched a hot stove it can't get away from, then sincerely, from the bottom of my heart and without a trace of snark, thank goodness and I hope you never experience it. For the rest of you... fistbump of solidarity it's rough out here but *grits teeth* we stay silly etc. In the place lucanis is in during that part of the game, feeling like you're losing control (again even for ostensibly good happy reasons) can feel an awful lot like you're dying, or worse. on top of everything else going on for him -- again going only with non-supernatural elements and not even comprehensive: a year of non-stop horrific trauma added to pile of previous mountain of childhood and attachment trauma. chronic sleep deprivation. apparently dead grandma doubling as mother figure. cousin-brother aggressively fucking around and in real danger of finding out. fucked up the ONE thing he thought he knew how to do that's been the central pillar of his identity. the world might be ending even more than it already was because of it. keeps faceplanting with barely any dignity and having to get up again with alarming regularity GOD how could I ever not save treviso this man desperately needs a W (just one!!) like few people in the history of the world have before him. he's more caffeine than man because the alternative feels worse. it's bad in here. and ON TOP of all that he's in the process of falling just. appallingly soul-shrivingly in love, which can notably be playing on hard mode even when you're in a mostly functional place, that shit routinely rocks people to the core under the best of circumstances.

so I'm not surprised it's too overwhelming for him to handle when he tries to throw himself in head first -- in fact I'd have been more surprised if it weren't lol. he clearly wants it so much, which only makes it so much more painful that he can't actually bear to touch it when it's offered to him freely and eagerly. this is the tantalus-level awfulness of this kind of attachment trauma; food seems to be right there, you can see it, almost smell it sometimes, but no matter what you just can't seem to reach it. seemingly not for any flaw in the existence of the food, but because of something broken in you that can't or can't bear to actually eat. his deliberate flirting routine is kind of deeply dorky tbh lol (in the most endearing way possible let's be perfectly clear) and I don't think it's entirely natural to him -- that's a hastily cobbled together 'oh god I am getting the vibes here it is happening for some reason they like me for my personality quick what would illario do' approach if ever I saw it, supported by the fact that it never really makes a return after this --

BUT I do think his obvious near-unbearable delight with rook's existence and person that shines through in that scene is entirely real and unfeigned. he likes them so much. he wants so bad to be able to be close to them. he's so hungry for the reprieve and release and relief they represent to him, just for one moment, just one break from all the awfulness to have something uncomplicatedly good. and it's here, it's been offered, he's welcome!!! and he has to flinch away at the last minute anyway because he's an exposed nerve of a human being. there's a point at which every sensation including joy becomes indistinguishable from agony. he's pretty much exactly at that point. for the love of god have some mercy on him people. the feeling that salvation is right here but you're too broken a vessel to hold it is one I wouldn't wish on anyone. let him have a few moments to stare into the void before he's ready to get back up and try again surely we all deserve at least that much lol

[to-be-a-dreamer]

Okay but real talk the black heart being about Billy actually makes Agathario even more compelling sorry y'all don't have an imagination.

I mean, the implications of Rio not technically being in the coven??? From what I understand, a coven is supposed to be a sisterhood, a group of witches dedicated to each other above all else. Rio is not dedicated to these people. She is not here for them. Rio is death and death has no coven but she still came. She came because Agatha summoned her, not because the coven needed a new green witch. (This also means the coven never actually needed a green witch since I'm presuming Billy isn't one. They didn't need Rio but Agatha called her anyway)

Rio has no loyalty to the other witches, she is there for Agatha and Agatha alone and I am SO hoping they get to show that on screen in some way.

Also the black heart itself isn't a huge plot point or a character moment, but Agatha's reaction to it certainly is. She sees a black heart on a list of names that are supposed to be her coven and she immediately thinks of Rio. Billy presses her about the fourth name and she would rather eat paper than do literally anything normal. Like, we know Agatha is an incredible liar, she should have been able to easily come up with something to tell him but she was so thrown off by the idea that the name might be Rio that the only thing she could think to do was to eat the list. That is insane behavior who cares if it wasn't actually about Rio because Agatha's actions were about her. That tells you infinitely more about them than a list of names.

Also just. Logistically. It makes way more sense like why wouldn't Lilia just write Rio Vidal? I know it works for the drama of it all but I was wondering if they were going to give an in-universe reason or just leave it as a weird plot hole. But who's the one person a witch can't name? Also, Billy told Eddie nothing in his life felt normal until they met, so it makes sense that the symbol she would use to represent him, the most accurate way to refer to Billy, is the affectionate inside joke between him and the only person who makes him feel normal (I could ramble for just as long about how Billy being the black heart makes his character and his relationship with Agatha so much more compelling as well but this is for the Agathario stans and I know y'all are a little traumatized so I'll hold off for now. Also also it makes Mrs. Davis's death even more tragic because there was actually no reason for her to be there, they already had their complete coven)