#i'm gonna apply it

[euphoriavaiii]

i was going through settings for fun and hello?? i didnt know there was a vampire theme??? its so pretty!!!! i cant believe i found it after Halloween

(look at the lil ghost!!!!! 😭😭😭)

[bedupolker]

Do u think the rat guy and mouse lady would try having their own kid? Or are the six she had is enough?

This doesnt answer your question but I think if they did want to try for another litter, going to the rodent OB-gyn would be an experience

[aurosoulart]

JUST FINISHED THIS !!! here is a quick look because I am excited

[villain-enthusiast]

TOUCH-STARVED HERO RAHH.

.

“You’re hurt.”

“I’m fine, actually,” the hero muttered from their sloppy position on the ground, though the oozing gash slicing across their torso and the fresh bruises circling their throat said otherwise.

The villain arched a brow, crouching down so they were eye level with the hero. “Do you think I’m dumb?”

The hero glowered at them. “Seems like you're deaf, actually. I said I’m fine,” they snapped, even as pain shuddered through their battered body. “Now if you could just get out of my way—,”

“Darling, please. You couldn’t stand up even if you tried, let alone walk yourself halfway across the city to your apartment.” The villain smirked at the hero’s deepening scowl, but the teasing flair didn't quite reach their eyes. “Let me do you a small favor while I’m here, at least.”

The hero bared their teeth. “Fuck off. I don’t need your stupid healing powers. You'll probably turn this into one of your idiotic bargains—," A harsh coughing fit cut them off, rattling their chest.

They tasted blood on their tongue. Fuck.

“Gosh, so prideful." The villain sighed, tilting their head. "Oh look at that, you're bleeding." They lifted a hand and ran a thumb over their hero's lips, wiping away a smattering of blood that had spilled from their mouth.

The hero's breath hitched at the villain's touch, the smallest, most delicate of noises escaping them before they could stop themselves.

The villain paused, their brow furrowing as their gaze took in every little movement and detail of the hero's involuntary response.

The hero's jaw tightened. Every muscle in their body screamed at them to get away, but they couldn't move. Or was it that they didn't want to move? "Villain, I swear—,"

Then the villain’s hand was cupping their cheek, and the hero melted.

A desperate whimper tore from their throat, their head lolling into the cool touch of the villain's palm as all the pain and exhaustion radiating through their body suddenly evaporated.

They closed their eyes, feeling their face begin to burn with shame.

"Oh, sweetheart," the villain murmured. Their other hand swept through the matted strands of the hero's hair, working through the tangles.

The hero had to bite down on their lip so that they didn't make another embarrassing noise. So gentle. The villain's touch was so, so gentle. So at odds to their earlier opponent's strangling grip and blinding punches, so contrasting to gaping loneliness and helplessness of coming home to no one, of having to painfully stitch themselves up day after day after day...

The villain brushed away a tear that the hero didn't realize had fallen.

"Hey, look at me," the villain said softly, nudging their chin up. The hero blinked at them, fighting back a sob. "You need to let me heal you, okay? You're losing a lot of blood."

The hero swallowed, barely processing the villain's words, their brain entirely occupied by the hand still on their face—or maybe it was just the blood loss. "Yeah," they managed, voice hoarse. It felt like their vocal chords were coated in tar.

"I'm going to do your stomach first," the villain noted. "I need both my hands for this, alright?"

The hero nodded, ignoring the inevitable panic that shot through them at the sudden absence of the villain's touch, which returned almost immediately on the deep laceration on their lower torso.

The hero cringed, bracing for some kind of torturous, painful mending, but the villain's powers were warm, soft, like honey in a cup of hot tea or a crackling fireplace during a winter storm. God, how many years had it been since they'd felt so comforted?

A whimper escaped the hero once more. They tensed. Jesus fucking christ.

The villain cracked a smile as they worked. "Don't worry, love. You're not the first person I've healed that enjoys the feeling." They brushed a palm over the wound, weaving the hero's flesh and skin back together. "This is gonna scar, but at least you'll live to see another day, hm?"

The hero scoffed weakly, still drunk on the villain's magic.

The villain swept their hands over the hero's body, feeling for more damage. "Gosh, Hero," they hummed, "you get yourself into so much trouble, do so much for this pitiful city, and for what?" They placed their hands on the hero's battered neck, soothing the inflammation. "When's the last time someone took care of you?" they asked quietly, but the question seemed more for themselves than for the hero.

Several heartbeats passed before the villain pulled away, finished with their work. The hero couldn't stop themselves from chasing their touch, nearly toppling over.

The villain caught them before they hit the ground, chuckling. "Oh, what am I gonna do with you?"

The hero felt a lump form in their throat at the thought of the villain leaving. I'm not gonna make it home. Not without Villain. They squeezed their eyes shut, swallowing their pride. "Please," they whispered. "Take me home. All I ask."

"Don't need to ask me twice." The villain swept the hero up into their arms, smirking at their indignant (and exhausted) glare. "You're not walking, sorry. You're getting all my love and special treatment today." They winked, as if they were joking.

But as the villain paced their way to the hero's apartment, and as the hero began to fall asleep in their arms, they both knew it wasn't a joke.

[xuxudio]

sometimes you gotta give the coolest most badass character you know a really silly trait

[daily-odile]

exhaustion

[cultivating-wildflowers]

ladies, I need to wander despondently across a foggy moor asap

[honeysucklethornsandalligtrhorns]

see now i think my problem is that i find the horrifying evil terrorizing monster character to be the funniest silliest most specialest little guy i ever did see. and then people in the computer expect me to find his words and actions 'wrong' and 'immoral' and 'unforgivable by literally anyones standards, literally'. what if he was just having a good time. fuck you.

[boredlime]

when you're Probably Not Cis but you present as it anyways because you're too lazy to do anything about it

[shannonsketches]

I just wanted to play with color on Toyotarou's art and I these panels spark the most joy

[littlesparklight]

Begging on my hands and knees for people to NOT drag adaptation-only events or their adaption-based interpretations (epic the musical, TSoA, PJO, etc and so on) into general Greek myth or the Iliad and actual sources.

Your adaptation-only events and actions do not apply outside of those adaptations!

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[nattikay]

Vurur alu Ingyentsim Ayramä hasey sìmi! Just finished the Secrets of the Spires story!

[lgbtlunaverse]

While I think the moment in cql where Meng Yao– still bleeding from a stab wound in his chest btw– realizes Lan Xichen is in danger and decides to save the man who was so kind to him in cloud recesses is cute and all, nothing will ever beat the book for me. Little bookkeeper civilian Meng Yao, who has not had a serious chance to make his dreams of being a cultivator come true in fucking years, out of nowhere gets the fucking sect leader of Gusu Lan dropped right in his lap?

It's such a great example of Meng Yao's multilayered motivations to me. Because is civilian Meng Yao thinking of all the ways he can use this? Of the fact that having a great sect leader in his debt is the best thing that could happen to him? Duh. Obviously.

Is he very purposeful about appearing to Lan Xichen as a kind young man full of untapped potential, brave and willing to put his life on the line even though he really doesn't know so much about about cultivators, no sir, except a little he picked up here and there, because you see his father– 👉👈 Of course he is!

But the way through which he does that is... by actually saving Lan Xichen's life, at no doubt significant personal risk. The way he makes Lan Xichen believe he's kind and selfless is by... being kind and selfless. Just because he's doing it on purpose doesn't mean he's not doing it.

Is it lying if you want people to think you're nice and so you're nice to them? Isn't that just called being nice? Yes, he is very purposeful about how he appears to people, and very carefully crafts an image based on what he wants them to think of him, but most of the time he does that simply by... actually being the kind of person he wants to appear as. He still did the kind things he did, regardless of his motivations for doing them.

[griffinkid]

🖤❤️ Shadow ❤️🖤

As a child of the 90s and a kid who was online a lot in the early 00s, I always wanted to have a plush of a Sonic character, but I held off buying one because it had to be the right plush.

Shadow is the right plush, finally. Childhood wish achieved, secret love of edgy bad boys fulfilled, all is right in the world

[moeblob]