#i'm going to bed have this

[this-world-of-beautiful-monsters]

thinking about how lis1 romanticizes the open road in a way that's really only possible for a story almost or completely limited to a single location. travel and escape viewed as a means of fixing everything, or at least trying to--it's all Chloe talks about, it's the hope everyone has for Rachel, it's the glimmer of a happy ending in bae over bay. and the very fact that it's treated as a total escape means we can't explore it more fully in game, it has to stay as the light at the end of the tunnel.

it's why it does make sense that (as someone was snarking about online) Chloe never leaves Arcadia before the storm hits, despite having a truck, while Sean was able to leave his hometown with around forty dollars at the most. it was never about ability, it was about not seeing the open road as something she could face alone, maybe something she didn't deserve to face alone, until either death or exile via Storm forced her hand.

and then lis2 is, like I've said before, an extension of the post-storm ending and the reality of flight after you/your loved one brought down superpowered destruction on everything you knew. it delves into the nitty gritty of what exile actually looks like, the open road in all its incredible beauty and variety, but also its cruelty, privation, and fear. not that the world left behind looks any better--stuff like awesome adventures or the hints about the pre-canon tensions on Lewis Avenue highlight the fragility and violence hidden in seemingly stable home communities just as much as lis1.

so instead the idea of a new home away from it all becomes the target, a place to settle, or at least to build a "base" as Sean describes it. and then the whole game is interrogating what you'll do to get that promised land, that safe home, same way lis1's final decisions interrogates what Max will do to find freedom with Chloe. we never see extended details of life on the open road for Max and Chloe because the ambiguity is what makes it hopeful, and we never see extended details of Puerto Lobos for the same reason.

then listc completes this cycle with Alex coming to the end of her long journey back to her brother after exile from both her childhood and the ordinary society around her. she encounters the idea home as "a place to rest your bones" right before it's upended by the darker realities of the communities she's entered. that game's about coming to terms with the nature of where you've finally found yourself and deciding whether it's worth holding on regardless or better hitting the road for some place better, to gamble more on lis1's dreams of departure or lis2's dreams of arrival.

[nemesis-is-my-middle-name]

that article going around abt firefox's new ad program is annoying bc it's phrased as though "mozilla has finally TURNED on its people and is SELLING YOU OUT for cold hard cash!!" when. that's not what's happening. it is specifically being implemented to discourage tracking behavior, and literally all the data they are giving to advertisers is aggregate and anonymized, which is like, the opposite of what that post wants you to worry about, lol

[post-grammatic-stress]

If you've ever told a person who's had to be bedbound for a period of time that you wish you could "just stay in bed", DO IT.

Stay in bed. For days. But don't get up if someone needs you to, or you get bored, or you get antsy. Don't do anything other than rest. Just lie in your bed, whether you need to get stuff done around the house or socialize or anything else "productive". You'll have to cancel on people, you'll disappoint them, they won't understand.

And if you're thinking, "well, i CAN'T just be in bed. There's stuff that has to be done - I have plans", maybe ask yourself why you assumed a disabled person doesn't have plans or things to do or desires.

[poorly-drawn-mdzs]

It's just guys night talk! Don't worry about it!

(Read Tiger Tiger and shake this man awake so he can finish that thought!)

[bluewolfangel01]

Mc: *approaches Beel, looking dejected*

Mc: "Beel... Can I ask you for a favor?"

Beel: "Of course."

Lucifer: "Why is Beel holding Mc like that?"

Beel: *holding Mc super tight, with slight crazed eyes*

Belphie: "Mc asked Beel to hold them tight as if he just found them almost dead."

Lucifer: "I see.... Are they're alright?"

Belphie: "Yeah, especially now because of Beel."

Lucifer: "Very well then, as long as they're fine."

Mc: "thanks Beel."

Mc: *hugs Beel tighter and buries their head more into his chest*

Beel: *buries his face into Mc's hair*

Beel: "anytime Mc"

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[nhura]

QUICK NO ONE'S LOOKING

(See readmore for thoughts, cope, bonus, etc.)

Anyone else up thinking about Ratio's big, strong, secure arms and how warm and all-consuming they could be in a hug or embrace. :/ Anyway

I just wanted to draw them being cute and seizing a sliver of a moment where they could have some PDA silly time without actually having any eyes on them. They're public figures and working adults with very clear boundaries between public persona and private life (to varying degrees of "in a sad way"), so while it may be in Aventurine's nature to constantly blur lines for various agendas and self-preservation (read: play "the flirt" without an aligned goal), I believe that in an actual relationship they'd be fairly private.

It's kind of fun to break your own rules, though! Ratio would be more upset about the consequences, though. He's a little bit of a hypocrite, which is devastating for someone of such discipline, but nobody's perfect.

I'm of the mentality of, "If you're tired of working on it, then just post it!", so here are some fun peripherals that I didn't feel like adding:

Some staff in the background sweeping up to evoke a blended sense of fragile privacy and liminal time.

A laptop on the aquarium/bar/counter because there's something fascinating about seeing people on their work laptops in public.

The rest of their clothes (casual friday)

[flowerakatsuka]

LET'S HEAR IT FOR OUR NEETS!!

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)

[spaciebabie]

2 ibuprofen and dick from that old man would fix me

[brian-kinney-apologist]

loustat's outfits for their vow renewal ceremony in season 3

[somegrumpynerd]

Thinking about how Nightmare has 4 mortals and 3 of them are so so bad at taking care of themselves

[wolfram-but-art]

i can't stop thinking about them..............

reblogs > likes

[sentientsky]

why do they do this. every time !!!!

[beets]

baby, bi bi bi

[radiance1]

Another link to this post. Meet the parents style.

So, Danny and Jason have been fake dating for a while now, and ended up marrying each other solely for tax benefits. Also, they got cool ass fucking friendship rings that they just couldn't not wear everywhere and being married is convenient so...

Anywho, so Jason has met Danny's parents but Danny hasn't met Jason's parents. Danny knows that he has some ties with the vigilantee scene due to being a Crime Lord-he still doesn't know what to think of his parents connecting the dots immediately when they only met him once while it took him more than that while living with the guy.

He thinks Jason may have been an ex-vigilantee at some point before turning to crime.

Then Danny gets blinded by rich people aura when he finds out that his bestfriend is the long thought dead child of Bruce Wayne. Frankly, he's insulted.

You mean to tell him that his could've been buying ice cream from that high class place all this time!? He shook (literally he grabbed and shook him) that point into Jason, he doesn't care that Jason never told him he was rich but he could've at least bought some high class ice cream once in a while.

Jason who was busy solidifying his power as a crime lord, avoiding his family and making sure not to leak his identity at all: I'm a literal crime lord, and the only thing you care about is me not buying you ice cream?

Danny: YES!!!!

Jason: Dork.

Right anyways, so Jason takes Danny along to meet Bruce and his fam but did say as soon as he started being uncomfortable they're leaving. The batfam is a bit blindsided by Danny, because they thought Jason was bringing his partner but its good to also get a feel for Danny's personality.

Danny and Jason did what's normal for them when Danny starts getting comfortable around the manor full of things that cost waaay more than his rent. Like half-heartedly insulting each other, being snarky, leaning on each other and other such things.

The batfam start thinking that there's more there than they know of. So they start watching a bit closer and ask a few round about questions that fly over Danny and Jason's heads. They just forget they're married often, unless it's regarding taxes.

All of this sends the wrong message when they walk into the same room and, being nosy, one of the batfam comes up to the door and uh. They hear the bed moving quite a lot.

So.

Meanwhile, Jason is trying to wrestle with Danny because this man does not pick a lane. He'll either be the human octopus (who is cold as hell) Jason has ever seen, he'll try to kick him off the bed in his sleep as if Jason personally offended him in some way, or he'll sleep in some wacky position that interrupts Jason's sleep. The last one is tied to the other two, however.

So, Jason has to frequently wrestle this man into a proper position where they both manage to get some sleep and it wouldn't have been so bad if Danny wasn't a goddamn sleep fighter. He would know, he had to nurse a bruised jaw for a few weeks.

Why do they sleep together? Listen, when you're in an apartment with not a lot of money, you gotta cut costs where you can alright?