#i'm doing art more often so expect more art posts from me :)

[rallazart]

Ah fine I'll post somethin. Experimenting with designs and shit is all I'm doin. Nothin new.

(Not posting the colored in versions yet. These are only concept sketches. Keep that in mind)...

The digital "version" of ^this^ is just some lazy color blocking I did. (Pay no mind to the weird light effects); But it does add a little clarity to the original sketch that might be helpful. Note: the values will change to some degree later.

Full body type idea ^here^. The tail is fan shaped from proper perspective.

The basic blocks of his design include an array of different animal features i.e. plucked feathers and skin, goat horns and eyes, coyote skull and body, and lizard scales. Idk if anyone was curious though;

if anyone asks for more detail in the design inspirations and lore I might share it. I just don't really feel the need to post every part of my process yk (especially if I'm not 100% happy with it)

[ghost-living-downhill]

misc. albedo x sucrose doods. this is my first time drawing them, and they came out better than expected... tbh, i always liked them as a ship, even if it's a bit more on the basic end... 👉🏻👈🏻

(tap pictures for better quality)

[lieutenantselnia]

Internet archive I love you❤️❤️❤️

[stnkiconverse]

Hii :3 could I have sum of the creep boys (Ej, Toby, Jeff, Masky and Hoodie) with a reader who likes marking (bites/cuts/hickeys) their thighs? Pls and thank u 💛

This has been collecting dust in my drafts for months, im so sorry bby, i just needed to have my masky and hoodie headcanons in place before posting this😭😭

Also- Ik you said thighs, but i did mention some other places, i hope you don’t mind :3

E Y E L E S S J A C K

Jack is surprisingly unbothered by your habit. He views it with a mix of curiosity and amusement, often analyzing your techniques silently. (like this = 🤨)

"Hmm. Is this an attempt at branding? Or is this just for fun?" His DRY ASS humor makes it hard to tell if he's teasing or genuinely questioning.

He’s not fond of pain but does not shy from it either. The marks don't bother him, they heal faster than you think anyway.

If you center the attack on his thighs, he'll arch a brow and say something quick and sarcastic, like, "I'm honored you've chosen me as your personal canvas."

Jack has super sharp senses, so he's super aware of your touch. If you bite or leave cuts near sensitive spots, hips, or neck, for example, he might tense for a moment but never stop you.

His favorite places for you to mark? His shoulders or his ribs. He finds the sensation grounding in a strange way, though he'll never admit it. (he moaned once)

If you tease him about it, he'll deadpan: "Just don't expect me to reciprocate. My claws aren't…delicate." (😏)

T I C C I T O B Y

Toby is a little awkward about it at first, not used to someone being so physically affectionate in such an intense way. But once he gets used to it? He's all in. (fucking weirdo 😒 / lovingly)

He doesn't actually feel pain like others do, (obv) so he lets you go wild without flinching. "You're gonna have to try harder than that to leave a mark on me," he'd tease, looking down later to grin at the faint bruises or bites.

If you target his thighs, he might giggle a bit, kicking his leg. "That tickles, stop- stop!"

Neck and collarbone marks fluster him the most. He'll try to hide them with his hoodie but secretly love that they're there.

Sometimes, he'll encourage you in his chaotic way: "Oh, you missed a spot. Try here!" and point to random places like his back or ribs, sometimes even shoving his wrists in your face 😭😭

If you ever leave too many marks, he'll grin like a maniac and joke: "Guess I'm your chew toy now, huh?"

J E F F T H E K I L L E R

Jeff would be cocky about it, but secretly flustered. He'd smirk and say something snarky like, "Didn't know you were that desperate to get your hands on me," but the redness creeping up his neck gives him away.

He doesn't mind pain and might even enjoy it a little. If you bite too hard, he'll laugh and go, "Is that all you've got? You're gonna have to try harder."

Loves when you leave marks on his neck, it makes him feel a twisted sense of pride. He'll strut around the manor like a smug idiot, showing them off.

His thighs are a sensitive spot, though he won't admit it. If you target them, he'll squirm slightly and mutter, "Don't get any ideas..." but he won't stop you. (bcs he likes it 😏)

If you leave cuts or scratches, he'll trace them with his fingers absentmindedly, secretly loving the way they look.

"You're turning me into your personal art project, huh? Not that I'm complaining."

T I M / M A S K Y

Masky (Tim)

Tim is not immediately comfortable it, especially if it's in a more vulnerable spot like his neck or inner thighs. He'll tense up and grumble, "What are you doing?" but he won't push you away :3

Over time, he warms up to it, especially when he realizes it's your way of showing affection. He won't admit it, but he finds it oddly reassuring :p

Marks on his shoulders or upper back are his favorite. He won't say anything, but you might catch him subtly glancing at them in the mirror (😏)

If you bite too hard, he'll sigh and mutter, "You know I have to cover that up, right?" while pulling on another layer of clothing (i love him guys)

Surprisingly, he doesn't mind if you mark his thighs when he's sitting or lounging. He might roll his eyes but secretly enjoys the attention.

"You're a little too into this, you know that?" he'd say with the tiniest smirk, though the faint blush on his face betrays him.

B R I A N / H O O D I E

Hoodie (Brian)

Brian is surprisingly chill about your habit and takes it in stride :D

He'll joke, "Do I look like a notebook to you? Or is this some modern art thing?"

He's not huge on pain, so if you bite too hard or draw blood, he might flinch and gently push you away. "Careful, I'm not indestructible."

Loves when you leave hickeys or gentle bites on his shoulders or chest. He finds them oddly comforting and will trace them when he's alone, smiling softly.

If you go for his thighs, he'll laugh and tease you: "That's bold. Didn't take you for a thigh person."

Occasionally, he'll play along and say something like, "You missed a spot," pointing to random areas just to see you flustered.

Brian enjoys the possessive nature of your markings but is too reserved to admit it outright.

Instead, he'll say something teasing like, "Guess I'm yours now, huh?"

I hope this was good enough!! :D

sorry to keep you waiting so long 😭

[underthetree845]

chuuya taking his hat off to hide when he kisses his partner 🤭

Hello saturn lovely! Sorry this took me so long to finish TwT I love the prompt, but as you know writer's block hit me kinda hard the second semester of school so over the summer I've been trying to get back into the swing of posting once in a while!

Hope you enjoy <3 thank you for the request! _

Kiss Me Hard Before You Go

Nakahara Chuuya/Reader (oneshot request)

cws: fem! reader, established relationship, bungou stray dogs s5 spoilers, meursault arc spoilers, fluff, hurt/comfort kinda? there was a little hurt, reuniting, airport reunion, ada dazai, reader cries about 2.5k words summary: Chuuya disappeared on a business trip for three whole days with no explanation- and no one would tell you why. Now he's returned to japan and back in your arms. a/n: This is my last fic for the summer before school starts aaa qwq I'm glad I was able to finish it before the semester starts though! *sigh* am I really incapable of writing something like this without accidentally creating so much plot? Anyways, hope you enjoy! <3 divider credit: (x) (x) ‧˚₊•┈┈┈┈୨୧┈┈┈┈•‧₊˚⊹ Chuuya had never considered himself to be a very possessive man; or a possessive boyfriend, for that matter. Protective, sure, but how could anyone expect him not to be? He understood, probably better than most, the risks that came with even so much as associating with a person in his position. It made Chuuya’s stomach churn unpleasantly to even imagine putting you in any sort of danger, so he used his position (along with the power and assets that came with it) to take certain preventative measures. The penthouse you shared was equipped with state of the art security, a technological system truly fit for an executive of the Port Mafia. Additionally, in case you ever needed to travel long distances without him, Chuuya often kept a trusted chauffeur on call. This individual also happened to be a professionally trained underground bodyguard of his personal selection. Even so, Chuuya knew you had a good head on your shoulders. He trusted that you would try to keep yourself out of trouble, or call for him at the first sign of it. It didn’t matter if he was on the road, halfway through a private meeting, or in the middle of pummeling down an enemy organization. Chuuya had always been a man with his priorities set straight. Not even Mori’s notifications were set to come through on silent mode. Coming home to you at the end of the day, allowing you to soothe away the crease between his brows, your voice uttering sweet nothings against the shell of his ear. You had become his lifeline, irreversibly carved your name into every cell of his body. He’d do anything to erase your pain, and it was making his heart break more than anything to know that he was the cause of the salty tears now streaming over your lash line. Chuuya did his best to hold back an ‘oof’ when you threw your frame into his own, burying your sobs in the crook of his neck. He was immediately overwhelmed with the scent of your perfume, the familiar feeling of your body against his own, the softness of the sweater you wore, and the glimmer that never seemed to escape your eyes. The red colored contacts from earlier had given Chuuya one hell of a headache, which only added to the pressure from taking off and being stuck in one of the mafia’s smallest private jets with the most insufferable jackass he’d ever met and some hair dye obsessed casino manager passed out on one of the couches. Chuuya’s gloved fingers almost trembled as they gripped the fabric of your shirt. He lifted a hand to cradle the back of your head while the other remained planted firmly on your lower back.

Sakaguchi Ango, if Chuuya remembered correctly, stood a few yards away. He simply observed the situation from afar, as if he dared not insert himself into the scene. A government agent whom Dazai used to maintain his connection with the outside world. Ango stood with one hand folded neatly over the other behind his back, the faint ghost of a smile residing behind his glasses as he watched Dazai reunite with his fellow agency members. The brunette walked on a crutch, but the uncharacteristically tired look in his eyes brightened ever so slightly when he was swarmed by his coworkers. Chuuya continued to hold you close, patiently waiting for your sobs to die down enough for you to be able to speak coherently. He loosened his grip slightly, removing one of his leather gloves behind your back and bringing that same hand up to cup your face. A whisper of your name left his lips, and your teary eyes finally refocused to meet the warmth of his own. “Chuuya… how could you just leave?” your voice cracked; he could see the hurt in your eyes. Guilt crept into his chest, eyebrows knitting together as you subconsciously leaned into his palm. This was exactly the sort of thing Chuuya promised himself he’d never do. You were the absolute number one priority in his life. There was no doubt in his mind; he didn’t want there to be any doubt in yours either. “I know, Doll, ‘m sorry, it was never my intention…” he muttered, allowing you to rest your hands on his chest. “I know that’s a shit excuse, but I’ll make it up to you, I swear.” A beat of silence passed, the indistinct chatter of the agency fell on deaf ears as you zoned in on the man in front of you. His breath, the way his eyes searched your expression, how you could once again feel the warmth of his skin against your own. “You’re not hurt, are you?” your voice was pricked with concern, hands gentle as you cupped his jaw and turned his head from side to side. Chuuya let out a breath, fondness flickering in his irises at your concern. “Barely a scratch,” he murmured, and you seemed to accept his answer. “Chuuya,” you started, and his gaze locked onto yours. He voiced your name in response. “I need you to promise me something, please?” “Anything.” 

You bit your lip. Your mind told you it was a selfish request. You understood, probably better than most, how unpredictable your boyfriend’s line of work could be. But you had accepted it as an adequate price to pay for his love when the two of you started seeing each other, even more so when you moved in together. He was yours, you believed it with every fiber of your being. Chuuya had told enough stories of his old work partner for you to gather that the two had never exactly been the chummiest of pals. So the fact that they cooperated for this mission must’ve meant that it couldn’t have been a minor dilemma. You understood why Chuuya made the decision he did, and that it was probably just as difficult on him. Albeit, that didn’t make your feelings any less real. Your heart reminded you of the unconditional love and comfort that Chuuya always offered you. You knew he’d never intentionally hurt your feelings, especially not without talking it out and making up for it in some way afterward. “Doll…?” he barely breathed, giving you all the space you needed to voice what was on your mind. You took a deep breath. “Don’t… please don’t scare me like that again,” your voice wavered as you spoke, “Everything on the news is scary. And every time I watch it all I can think about is the fact that you’re out there.” You took a moment to glance at the group of Armed Detective Agency members on the airport runway to your left. One of the so-called terrorists you heard about on the news stood amongst the group about ten feet away from where you watched. The world was confusing, and scary, but there was a certain security in your heart that told you as long as you had Chuuya by your side, everything would be okay. “First you’re leaving before sunrise and staying out late on special missions, and I get it, I really do…” you felt a lump beginning to form in your throat, threatening to make you choke over your words, “but then you just leave on a business trip to Europe without so much as a ‘goodbye, I’ll be home soon’? And I have to find out from a call from your boss? I didn’t- I still don’t understand what’s happening. Do you know how scared I was? That I might not ever see you again?” Chuuya’s thumb swiped away the teardrop that ran down your cheek, his eyes trailing over your expression. “You’re right, it’s not fair… I don’t think I could ever apologize enough,” he began, his hold on you tightening slightly, “All that I can ask is for you to understand. I can explain everything to you when we get home. And I promise, I’ll do my best to not leave you in the dark so suddenly. It was an urgent mission, but it must have been scary. You’ll never have to feel like that again, not if I can help it.” Chuuya’s face softened, the corners of your lips curving up slightly at his sincerity as he cupped your cheek. “Shit… you deserve so much better.” You stood there for a moment, just breathing. Soaking in each other’s presence as your heartbeat gradually fell back to its usual pace.

“My my, Slug, is this the lovely lady you were so eager to get back to?” a voice chimed from your left, and you turned your head to face the man at the same time Chuuya snapped his head in that direction. Your boyfriend clicked his teeth, pressing your body closer to his own. “What’s it to you, huh, Dazai?” Chuuya was clearly trying to suppress his irritation. He was doing especially well, considering the fact that he had been holed up next to Dazai on an airplane for the past fourteen hours. “I’m just trying to acquaint myself,” the man went on, a grin playing on his lips despite Chuuya’s glare, “As a responsible owner, I should at least make sure my dog is in good hands.” You tilted your head slightly, and Chuuya sucked in a breath. “You’re treading on some pretty thin ice, Mackerel,” he growled through gritted teeth, “Watch what you say around my girl.” The taller man only took a step forward, his eyes glittering in amusement, a sharp contrast to the hollowed out, almost dead look he carried earlier. “Oh? Holding back your more vulgar language around the lady?” Dazai hummed with mild intrigue, “Perhaps my dog is being well taken care of.” You simply stood and watched with intrigue, the interaction clearly more complex than distinguishable at first glance. Despite their constant verbal jabs and ostentatious insults toward each other, there was a sense of familiarity between the two that was almost palpable to you. They bounced off each other, knowing exactly which buttons to press and which ones to avoid. It was probably a welcome change of tone in contrast to what they had just been through. Your gaze flickered between the two once more, and you couldn’t help but notice how the tension in Chuuya’s shoulders had been released. “Dazai-san?” your voice was level, and both of the men fell silent to give you their attention. You looked at your beloved, then to his ex-partner, then Chuuya, then Dazai again. Mirth swam in your eyes. “I want to thank you for making sure Chuuya was able to return home safely today. Truly, I cannot thank you enough.” You gave a slight bow of your head, and Chuuya looked like he wanted to protest. For once, Dazai didn’t immediately produce a response; he fell silent at your sentiment. This time, a gentler smile curved onto his lips. “Please spare me, Miss,” Dazai began, “Truth be told, I don’t believe I could have made it out without Chuuya’s help either.” The redhead raised his eyebrows. "I'm passing him into your capable hands now. I trust you’ll take good care of him?” Dazai seemed satisfied with the chuckle that slipped from your throat. “You have nothing to worry about,” you replied, “And I trust that your detective agency will treat you well?” “They always have.” Chuuya let out a breath, sharing a look with his partner before turning to face a black passenger vehicle that had pulled up a short distance away. Tinted windows that prevented anyone outside from peeking in; glass, body, and tires that were all bulletproof. It was one of the mafia’s. 

“C’mon Dollface, we should get going. Don’t wanna be here when the press shows up, and the boss is probably dying for me to give him a call,” Chuuya nodded his head in the direction of the car; you brought your hand up to give a small wave to Dazai and the handful of agency members further away who glanced in your direction. You let out a sigh you didn’t know you were holding in, allowing your head to rest on Chuuya’s shoulder as you made your way to the car. You felt like you could finally breathe properly again. The door unlocked with a quiet click. Chuuya swung open the door of the vehicle with his non gloved hand and stepped aside to allow you to enter first. “...Chuu?” you started quietly, taking a step closer to where he stood. “Hm?” he raised an eyebrow. You placed your hands loosely on the back of his neck, fingers intertwined; Chuuya responded by resting his hands on your hips, listening intently.  You could have held more of a grudge. He disappeared overnight without a word, and no one would tell you why. You’d been on edge for three days straight. Hardly even sleeping through the night as you kept up with the news almost obsessively, hoping to catch a glimpse of him. To be able to hold Chuuya close again so easily felt almost surreal. A soft smile creeped into your expression, the corners of your eyes crinkling as you tilted your head to the side. Chuuya’s breath stilled. “I’m just…” you paused for a moment, your voice pouring with sincerity, “I’m really glad you’re back, and that you’re safe.” Chuuya paused for another moment, studying you carefully as an equally tender look came to his face. He glanced to the side for a moment, and let out a disgruntled huff upon discovering that Dazai’s head was still tilted in your direction; he kept a curious eye on the situation from several meters away. Your boyfriend pursed his lips for a moment before snaking one of his hands further around your waist. He plucked his pork pie hat off the crown of his head, and before you had the chance to realize what was going on, you were already being gracefully tilted backwards, forcing your hands to grip onto the lapel of Chuuya’s jacket for support. Everything seemed to still the moment he slotted his lips into yours, holding his hat up to act as a shield from certain prying eyes. You didn’t hesitate to pull him in closer, your lashes fluttering shut as you savored what you felt like you had been missing for an eternity. Chuuya’s eyes were shut in concentration, his heart thrumming with delight at the familiar sensation of your lips molded against his own. Chuuya didn’t pull away until you were both light-headed from the lack of air. Cheeks flooded with warmth, looking at each other as if you were the only two people in the entire world. “I missed you so fucking much, you know that?” Chuuya’s voice was low as he brushed his thumb over your cheek. The two of you stood straight, lingering in each other’s embrace for a moment longer. Chuuya lightly tossed his hat inside the car and once more gestured with his arm out for you to enter first. The satisfied smile on his lips morphed into one of slight perplexion when you didn’t show a reaction, raising your fingertips to brush over your lips. “Chuuya?” you questioned, and his eyebrows furrowed in confusion. He replied with your name, all the more puzzled when you let out an incredulous chuckle. “Since when are your teeth so sharp?” 

‧˚₊•┈┈┈┈୨୧┈┈┈┈•‧₊˚⊹ a/n: Thank you so much for reading! Have a day/night/morning/evening as lovely as yourself. tagging: @judasgot-it (I noticed that I wrote down that I agreed to tag you for chuuya fics but I can't seem to remember why?? TwT please tell me if this is incorrect! Thank you <3)

[livelaughpeg]

I'm writing this from a throwaway account, because you know...Scientology.

I want to preface this post by saying I am not one of those "I knew it all along!" people. I can't stand that attitude. I was pretty ambivelant towards Neil Gaiman. Prior to the allegations, I didn't hate him but I wasn't that interested in him as a person either. I don't think you can always tell when someone is a bad or good person simply by the topics they write about. If that was the case we'd be arresting every horror writer on earth.

But one thing that did always rub me up the wrong way was the way he talked about getting work.

I borrowed and read "Make Good Art" (a small book based on a speech he gave to graduates at the University of the Arts) at a time in my life that I was really struggling to get by (I still am to some extent, but in a different way). I expected to see some practical advice. Instead it was a bunch of glib shit like:

I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it up as I went along, they just read what I wrote and they paid for it, or they didn’t, and often they commissioned me to write something else for them. Looking back, I’ve had a remarkable ride. I’m not sure I can call it a career, because a career implies that I had some kind of career plan, and I never did. The nearest thing I had was a list I made when I was 15 of everything I wanted to do: to write an adult novel, a children’s book, a comic, a movie, record an audiobook, write an episode of Doctor Who… and so on. I didn’t have a career. I just did the next thing on the list.

Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do. Make good art. I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil or it’s all been done before? Make good art. Probably things will work out somehow, and eventually time will take the sting away, but that doesn’t matter. Do what only you do best. Make good art.

Yeah, well, no shit. If you're a writer or artist you probably do anyway. Whether you get paid for it or not, whether you draw fan art or original art. But the point of Gaiman's speech was to give advice to people who wanted to be paid for their art. To make a career of it. Making art every day isn't always enough. You have to pay the damn rent, you have to eat, you have to network and do social media and promote yourself, and you have to do it while thousands of other people are doing the same thing in a massive crowd of people who want the same thing. Practical advice is much more valuable than platitudes and theory.

I am not a writer, I'm an illustrator, and let me tell you that for most people, 'getting your foot in the door' isn't a one time thing. Quite often you have to work at getting your foot in the door again and again until you become established, and it's very easy to be forgotten. I still feel like I'm in that stage now.

I watched my peers, and my friends, and the ones who were older than me and watch how miserable some of them were: I’d listen to them telling me that they couldn’t envisage a world where they did what they had always wanted to do any more, because now they had to earn a certain amount every month just to keep where they were. They couldn’t go and do the things that mattered, and that they had really wanted to do; and that seemed as a big a tragedy as any problem of failure.

The implication was that he was successful because he wrote every day and his friends weren't because they didn't, because you know, working a second job is tiring. He called this a tragedy, but there was something very glib about the way he narrated this.

I think someone had more financial cushion that he was letting on.

And yes, sometimes it does work that way, (some people are very lucky and make all the right connections) but Gaiman was getting Big Jobs right off the bat and something about that never smelt right to me after the way he talked about it.

And then I saw Jeff's tweets. Oh, that's why...

I suspect the truth is he was living off his family's money and connections, and while I don't think there's anything inherently wrong with that if you're a struggling artist, his family are Scientologists, and I don't think he ever struggled.

I suspect it's all a lie.

[bonefall]

Clan Culture Illustrations

So I've been mentioning this in passing, and I think now is a good time to start collecting info from people who are interested!

I'm seeking artists who want to draw stuff for my Clan Culture series.

I often write very large guides for things like tools, ecology, medicine and treatments, etc, which then get held up by the fact that they're big blocks of text without any fun pictures. I usually collaborate with friends and family, but I could put out more quicker if I had some artists on standby.

If you're an artist who would be interested in illustrating, here's the details;

Everything I make on this blog is tailored towards WC fans, but free for anyone to use and reference for their xenofiction worldbuilding projects. You do not have to be intimately familiar with the Warrior Cats books. This offer's open to anyone above 18.

Fans of Better Bones are preferred, because Clan Culture and BB often intersect. I might ask for help with some BB stuff at some point, too. (for example i have a guide on types of StarClan spirits that needs illustration)

To re-iterate, please only inquire if you're 18+

Price range is 20 - 50 USD and turnaround time can be up to 6 months if you just keep me updated. (I am sorry that I can't offer a higher price for these, but this is coming from my own pocket. In return, this is meant to be low pressure)

Half payment upfront, the rest after completion.

I will never "assign" you a surprise mystery topic (unless you ask for that I guess?), I'll either present you with a list of posts that need illustration (yes this means you get to read stuff early), OR float some ideas that play to your strengths and interests. (for example: if I'm approached by Spider-Enjoyer-9000 who's willing to draw a ridiculous number of spiders, I will draft, write, and research a Clanmew Expansion in the style of Deer and Co or Moths and Butterflies.)

Either way, there's usually a lot of creative freedom here unless I need a specific technical drawing, which I will discuss with you and provide references for. (As an example, if we were talking about a post on declawing, I might ask for you to illustrate the muscles within the paw.)

The nature of Clan Culture means you will probably be asked to draw plants, food, objects, and/or scenery

Still interested?

I'm hoping to make a personal "list" of people I can call on, so send me your commissions info or details in a DM, an ask, a reply to this post, or anything else you'd like. Tell me about stuff you like drawing, topics you're interested in, if you can draw backgrounds, etc

Also, please tell include in that message if you're comfortable with illustrating these particular sensitive topics. These are opt-in only;

Medical Gore (Woundcare, stitching, blood, vomit, urine, parasites and bug bites, etc.)

Reproductive Care (Abortion, birth, pyometria, inducing lactation, possible revamp of the HRT guide including simple surgeries, etc)

Hunting and Butchery (Humane killing of prey, skinning, disembowelment, cutting meat, making sausage and blood pudding, etc)

Funerals and Animal Death (Sad kitties, dead battle cats, scavengers and grave desecration, tombs and burial rituals, concealing decay, etc.)

The end art will always stay tasteful, but I might need to give you references in the form of real images or tutorials that might be upsetting if you're sensitive to these topics-- so it's important to me that I consider those four things "opt-in."

I have plenty of other posts that need illustration, it's just a huge plus if you're able to do these too.

(You should also mention any other specific triggers or phobias you have, so I don't unwittingly come at you with something else upsetting)

"I still have questions!"

Putting a big list of answers beneath the cut;

"Would everything have to be colored?"

Nope, as long as there's pictures to break up the text, you can do sketches, black and white, flat colors, only put color in the header, etc. We'll discuss expectations with the post in front of us, and then agree on price.

I have ONE requirement; it's gotta look good on Tumblr darkmode. Because I use Dark Reader.

"Do you have a Discord?"

I do, I just try to be exclusive with who I give it to! When we're discussing details, we'll probably move over there if you'd like. This is a reason why I only want to work with 18+ artists, I'm not always SFW on main.

"Can we do an entry together about (specific topic)?"

Probably yes, so feel free to ask! The worst that will happen is that I say no, or maybe later. For example, I've got a post on Sweetness Tolerance reserved for my partner (they like to draw sweets), so I would say no if you asked.

Just keep in mind that researching, outlining, and writing is unpaid labor I'm doing completely for free. I have posts mostly done that just need art, and topics I've done some research on. Please only ask for special collaborations from scratch if you're serious 🙏

"Does it have to be digital?"

You'd have to have a WILD idea for me to say yes to anything non-digital, but I am a queer of whimsy. If you can whimsify me with an idea, hell yeah.

"Will I be compensated if you need any changes?"

Yes. If I spring anything on you after the details we agree on, I will first ask you, then ask how much that change would cost, and then compensate you for it.

As fair warning though, I am trying to stay within a budget and writing the posts themselves is unpaid work I do (plus occasional helping hands during research stages, I consulted a friend who is an irl wetlands expert for ShadowClan's environment). I can't pay more than what we agree on.

"Can I link my info in the post?"

Yes. "Guest Artist" is going to be named in the opening paragraphs, along with any fundraiser, shop info, carrd, etc, you want there.

"Boosty?"

Yea I got Boosty. Paypal, too.

"I have some other question about pricing"

Feel free to ask, but my hard budget is 20$ - 50$ US. Please only inquire if you're willing to charge within that range.

"What if I'd do it free or I want to do this anonymously?"

I'll donate to a charity of your choice and link to it in the post. If you have no charity preference, I will link to RAINN, Anera, or The Trevor Project.

(Naturally this comes with an anti-ghoul caveat or two. If you try to get me to donate to something like Autism Speaks I will rotate every bone in your body by 45 degrees.)

"I like checklists, can you give me a checklist of info you want in a DM?"

Sure!

Your info; socials, carrd, shop, etc

General interests and strengths. Stuff you'd love to work on, or have insight to. If you like fishing or drawing bugs, I want to know that. If you particularly want to practice flowers, tell me. Be as detailed as you want so I can pair you with a relevant subject!

Your examples

General asking price (or charity)

Which, if any, of the four Opt-In Subjects you're opting in for.

Anything else I should know (triggers, phobias, things you dislike drawing, if schooling or disability means you need a particularly long turnaround time, etc)

[lalalychee-x]

DR. RATIO D!CK PROFILE ft. headcannons

♡ WOOO! Per request, next up in this series is DR. RATIO! Didn't expect this series to gain so much attention; should I make a masterlist for it? Anyway, yk those comments that pop out hex codes about character's cock? Yeah, well, I'm going to do that too, and this time its our mundane know-it-all...!

♡ BASICS

girth: #edcfc7 body: #fae9e3 tip: #e8b3a7 size: 7inch-7.5inch texture: pale veins +veiny enough to feel them, very little curve thickness: 2.5inch foreskin: no

DR. RATIO! 's dick is probably well kept as he can't stand mess or imperfections. Looks like a work of ART, goddamn, like its perfectly sculpted. And he's generally one of the thicker ones.

DR. RATIO! 's cock doesn't curve much or at all, again looking pristine perfect. He's overall quite pale, and his tip is pale-reddish, thick and long. It takes up a good 2.5inches of his length off the bat...

DR. RATIO! is awfully stubborn though. He often just plays dead-serious, even if he is aroused by your antics. It does take him a lot of SHEER WILLPOWER to not give in.

DR. RATIO! However, expanding from that, the second he can get off of work, he has you bent over his desk and pounds you from behind. He likes tracing circles on the curve of your back, down your spine to feel and massage every curve and every bone. He grips and feels every lock of hair on your head as he pulls on it gently from behind. 

DR. RATIO! Heavily going off of that previous point, he just loves watching your figure shiny with sweat and fluid beneath him. He definitely mutters in awe at your figure, chanting how beautiful you look and worshipping your body as he fucks you: as if you were the most alluring piece of art to him.

DR. RATIO! is, despite appearing cold, praises you a lot; almost worshipping you when he sees your figure on display. He'll trail his hands (and occasionally his tongue) up and down your body, massaging and groaning with a furrowed expression as he does so. Will be constantly mutter praises and compliments breathlessly as he touches you.

DR. RATIO! is, however, a very work-orientated man. You often tease him, almost begging him to give you a bit of attention when he works long hours, or when he keeps saying 5 more minutes when you come to pick him up from his office to have lunch with him. But its not like you back down easily either...

DR. RATIO! Oh boy, you're lucky that his collegues respect him enough to not say anything when you've finally had enough and tug on his belt from under his desk. You purposefully choose when he is on a call or meeting of some sort with his camera on, before being agonisingly slow with sucking him off. You consider it a bit of payback for his cold nature (though, he is comforting at heart).

DR. RATIO! is (not so) surprisingly easy to annoy, but it's also (not so) surprisingly easy to get him hard. Just a few pumps and a couple of licks from you, means he's already having to mask his flustered state; you can tell because he starts furiously tapping his foot under his desk beside where you're sat. Out of view of the camera and the people he's talking to, of course, but he slips up once in a while. "Yes, I think we should — ! Mmh —! Hrgh, s-sorry. Repeat t-that?"

DR. RATIO! takes things slow in general, enough that he can savour you and really take in all of you, like he was analysing you. He relishes your figure as foreplay, kissing you in strange places, but it's pure admiration. To be admired by Dr. Ratio is insanely high praise.

DR. RATIO! ...How do I even describe balls?! Like, at all?! Am also working on a small Ratio x reader fic soon! Keep an eye out and tell me if you'd like that <3

Feel free to ask for other characters!

♡ Please do not modify, steal, plagarise or post on other platforms without asking. Thank you!

[reallyromealone]

I think this is it.

Aight, thank you. Here's my request: So Pro-hero Bakugou has a husband (reader) and a son who didn't inherit his quirk. Instead, he got m readers' "weak" healing quirk. The kid hates/dislikes reader for getting his "useless" quirk instead. Meek reader doesn't want tell Bakugou that the son has a crappy teen ego, but Bakugou comes home early to see son berating reader. And Bakugo just scolds the son and explains why the the healing quirk is useful and how reader is amazing. Its a bit angsty, but can we have some fluff comfort at the end pls? Thank you again. :)

I got this

🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐

One thing no one in U.A expected was for Bakugo to get with Recovery girls grandson, the Omegas quirk being "healing aura" the ability to create a healing must up to 12 feet.

The two teens didn't get along initially, Bakugo crass and rude and (name) very much no nonsense and stubborn, the two constantly butted heads during their stay at U.A.

It was a surprise towards the end of their high school career for the two to move in together with an upcoming engagement "when did they even start dating?" Some would ask only to realize those arguments and comments were actually the two flirting.

(Name) ended up much like his grandmother and travelling agency to agency and helping out post villain attacks and doing what he could, gaining adoration and fans through how much he helped.

They almost forgot he was an Omega till he went on maternity leave.

(Sons name) was very much like Katsuki, a spitfire who had many little options and though Katsuki calmed down considerably there was no denying they were practically clones.

And because of this, it devastated (sons name) when he didn't get his sires "heroic" quirk but instead got (name)s quirk, the boy over time developing a resentment to his Dam.

Due to (name) only being called for emergencies, he ended up taking his late grandmother's place at U.As Medical wing.

And because of these hours, he was often left to care for his son alone while Katsuki did hero work, and because of this missed his son developing into a mythic asshole.

(Name) was exhausted after work, needing to use his quirk a lot today along with quirkless medical practice as many students didn't need his quirk but a simple bandage and such.

The house was a mess, whenever (sons name) came home he always made a mess, deeming it "Omega work" as the teen scrolled his phone "arent you supposed to be studying for the written exam?"

"Why should I? Dad got me in on recommendation, thank god since all you gave me was a shitty quirk" the teen snapped and (name) looked absolutely heartbroken at this as the teen continued "thank god dad's been teaching me martial arts since it's so useless-- seriously why did I have to get stuck with something as useless as your quirk, I'm amazed dad settled for someone as useless as you"

"The fuck you say?" The two turned to see Katsuki Bakugo walk in, out of uniform after finishing work at his agency "d-dad..." (sons name) looked sick and (name) on the verge of tears "your dad's "useless quirk" literally saved countless lives and your dad hauled ass saving countless People from villains" his voice cold as he dropped his duffle bag "why's the house a mess? You not fucking helping your Dam? I know he just got home so I know this ain't his mess" he laughed without any humor "disrespectful little shit, get up and clean this mess, after we train and get ready because it's gonna be hell" Katsuki promised coldly and the teen got up not wanting to piss off his dad more as the pro led (name) to their room.

"How long?" He said pulling the exhausted Omega into his lap, only soft for his mate "honestly since he found out his quirk, it's just been coming out the past few months..." Katsuki was shocked at this, how did he miss this?! "Why didn't you say anything?"

"... You were busy... You were working so hard on building your agency and I wanted to lift some weight off your shoulders" he wanted to cry as his husband held him close "stop being stupid" his voice loving despite the harsh words "I'll whip I'm straight, rely on me idiot"

(Name) was left to relax in the bedroom as Bakugo handled his son, calling a few hero friends to help especially the teens uncle Izuku and uncle Aizawa-- the teen spending his break at his uncle Aizawas and subsequently with uncle Shinsou who was visiting.

By the written exam he was kicked into shape and Bakugo made sure his mate was reminded over and over again how loved he was.

[megistusdiary]

i feel like patrick from the episode where they go to sandy's house as i climb out of the trenches back to tumblr...send asks/thoughts

no notice, no "i'm back" post, just me returning and bringing you arlecchino thoughts 😻 need her so bad tbh. i can't fix her, but she could make me worse

there has not been nearly enough content for her or the other genshin girls... someone's gotta do it

also, i'm back on genshin (american server, ar 56) if anyone wants to play :]

mirror sex with arlecchino

dom!arlecchino x sub!fem (anatomy/pronouns) reader

warnings: smut (mdni), wlw pairing, fingering (sub receiving), clothed dom/naked sub, mirror sex, praise ♡, use of 'girl' in pet names, permission to finish

"such a good girl for me, aren't you?" she coos as you slowly sit down in front of her, your back to her chest.

a sharp nail traces itself across your jaw, tilting your head up and back over your shoulder to properly kiss her.

your own eyelids flutter shut, though hers stay open to admire the sight of the two of you in her ornate full-length mirror; courtesy of pantalone.

she steals your breath away as she uses her hand to squeeze your jaw open gently, opening your lips for her tongue to slide against yours. the sounds you make are muffled by her mouth as she smiles against your lips.

arlecchino only pulls away when you're out of breath and panting, and she releases your jaw to let your head hang forward, facing the mirror.

"ah ah, look up." she tuts, lifting your chin to face yourself in the mirror. she can feel the heat of embarrassment radiating from your skin as she has you gaze upon yourself, devoid of clothes as you sit between her spread thighs. the material of her jacket presses into your skin, cold clasps making you arch up a little.

she sighs, letting go of your jaw, expecting you to simply keep watching of your own accord. her hand traces down your neck, past your collarbones, over your chest, gently brushing over your nipples, lips quirking up when you practically keen at the feather-light sensation.

her nails rake down your stomach, resting on your hips before sliding to your thighs and patting one of them. "open," is all she needs to say to have you spreading your thighs over hers.

the image of the two of you together is art in her eyes, and she wishes she could have it framed...

she places two fingers against your glossy lips, fingernails you note have been cut short for this specific purpose. your lips slowly part as she eases them onto your tongue.

her fingers gently press against your tongue, rubbing lightly and pressing further every so often just to hear you gag. she delights in your little struggle as your hand comes up to grip her wrist, head tilting back slightly to look at her. after all, it only gives her easier access to tease your gag reflex.

few words are exchanged here, seeing as she's rather focused on watching you, and your mouth is, well, occupied.

she uses the pressure of her fingers on your tongue to push your head back down to watch in the mirror. once your eyes are refocused, she murmurs little praises into your ears, going right between your thighs as you whine softly.

she pulls her fingers from your lips, marveling at the strands of spit connecting to your lips before they snap. she guides them back between your legs, swiping them across your outer lips as you bite the inside of your cheek, watching her every movement in your reflection.

you gasp when she lightly taps at your clit, eyes narrowing slightly at your reactions she'd classify as rather endearing. you let go of her wrist awhile ago in favor of gripping the fabric of her pants instead.

arlecchino toys with your clit for a bit, seeing you squirm on her lap as you fight the urge to jump up with the intentions to sit and stay like a good girl for her.

she rewards you by pressing more firmly, rubbing tighter circles as she leans her head down, chin pressing against your shoulder as her lips graze the shell of your ear.

your eyes want to close so badly from the stimulation but you force them open, watching as she instead moves her thumb to your clit while her other fingers dip lower, collecting the slick gathering there.

"excited, aren't we?" she finally breaks her silence, smiling softly as she pulls her fingers up to show you just how 'excited' you are. it has you averting your eyes before she tuts, reminding you again to keep watching as she replaces her hand between your thighs, this time gently pressing in, teasing your clit to keep you relaxed.

she always starts with just one; unless you've done something to piss her off. then, of course, it's dealer's choice.

she lets you relax before she moves her finger, crooking it slightly before adding another, giving you time to adjust.

you've let go of her pants in favor of holding her wrist again. she almost wants to chastise you for it, but she can't bring herself to with all the cute little noises spilling from your lips. she simply continues to play with you, angling her fingers just so into that spot she knows you like.

your hearing is fuzzy as she praises you, soft little whispers of her voice in your ears as you arch further up, her jacket rubbing against you as you pant.

"close, close-" you warn her, though it's really just your fuzzy-brained way of asking her for permission.

"it's alright, come for me." she tells you softly. tears prick your eyes as she continues to press accurately into you, flicking and rubbing your clit with her thumb as she watches you in the mirror. at some point, your eyes have indeed fluttered shut, and she says nothing. she wonders briefly if she's gone soft, letting you ignore her directions and rules. oh, how she has spoiled you...

[drtanner]

You know, I think I'm starting to understand why the sharing culture on this site is such dogshit now.

As I mentioned earlier in the week, I spent several solid hours going through my art and writing tags as far back as 2012 and manually deleting everything I found, including all of my own reblogs, because I don't expect my opt out from having my blogs' data scraped to be honoured, and seeing the difference in the way people interacted with my work back then and the way they interact with it now (or the way they don't interact with it at all, more specifically) was deeply and tragically enlightening.

tl;dr, despite having had a fraction of the followers back then that I have now, as well as being an objectively better artist and writer than I used to be 10+ years ago, my work travelled further and people engaged with it more, and they also sent me asks with drabble prompts and questions about my OCs all the time, whereas none of that happens at all anymore. This place was a lot more communal back in that pre-2016 era and generally a lot more rewarding and fun.

There's been plenty of posts going around over the last few years begging people to reblog because that's how this site works, but every one of those posts always winds up lousy with people saying they just click "Like" on things because they like them but not enough to put them on their own blog, or because they don't want to clutter their blog, or because tagging things is too much effort or whatever, and I'm noticing a pattern. There's something that all of these common responses have in common:

All of these people are wholly concerned with themselves and the way their blog looks, or what their blog is supposed to be for, or some other similarly entirely self-centred point of focus.

Listen. Other people have already tried to explain to you that that's not what this place is about or what this place is for or that you can make as many sideblogs as you want if you're trying to curate something specific, and they've had little success in emparting understanding to you, so I'm going to try a different approach.

Here are ten (10) benefits of reblogging that will make this site more fun and engaging for you, personally! ( b ._.)b

You get to keep the thing for yourself, but you also get to pass it along for other people to play with, too! Best of all worlds. How often do you get to keep a thing and share it?

Look in your Activity after you reblog something you enjoy to find other people who like the same things that you do! This is a terrific way to find new people to follow.

Sometimes you'll make a comment when you reblog something and later find that an awful lot of strangers are reblogging it from you directly for some reason. This is usually because someone else later down the line made a much stupider and worse comment and those strangers are now all clicking on your reblog so that they can reblog the post without that other person's stupider and worse comment on it. I like it a lot when this happens. You can get a lot of new followers this way, too!

Even if you don't have the time or spoons to play with jpegs like dolls yourself, your reblog can put the post in front of those folks who do. Playing with jpegs like dolls is half of what makes this site function; give it a bit of time, and the jpegs will cross your dash again with new additions. As it is with anything you love, set it free, and the love will come back to you one hundredfold. 💜

Look in your Activity after reblogging some art or writing to see people going nuts in the tags. You can also go nuts in the tags if you want; everyone loves seeing this when it happens, especially the artist or writer themselves.

Commenting with your reblog is like raising your hand to share your opinion with the whole room, whereas reblogging with your comment in the tags is more like whispering to the person next to you and keeping it between yourselves. Contrary to what you might have been told by others, both are perfectly fine and good and they each have their place. You can do both on the same reblog, even! Take part in the conversation!

If you're too shy to talk, reblogging without commentary is a lot like parallel play. You're all enjoying the same thing quietly together!

When you reblog things a lot, you'll start to see the same people popping up in your Activity feed all the time. These people are your friends whether you actually talk to them or not.

Stuck for something to say? Point out something you liked about the post! It can be something small! Acknowledging things that make you happy out loud is good for your mental health and also your soul.

Reblogging also invites other people who are doing all of these things to find and follow you!

There's so much to do on here beyond checking your dash and occasionally looking at the For You tab. You can discover all kinds of people and things by making a bit of an effort and having a poke around in your Activity feed and on the blogs of people who interact with the posts you're seeing and passing along! I promise you don't need an algorithm to do this for you; the action of exploring the landscape around you on this website is fun in its own right!

Get out there and see who your neighbours are. 💜

[random-twst-things]

The Sweet Painter of Twisted things (Pt. 1)

Hi annon! Love the concept. It's no bother at all, I do love to write after all!! Ty for the request and I apologize for taking so long 😭✨🍬 (I hope you like it!)

Characters involved: Riddle, Leona, Azul pt.1 (Kalim, Jamil, Vil, Idia, Malleus pt.2)

Pairings: Riddle, Leona, Azul pt 1 (Kalim, Jamil, Vil, Idia, Malleus x Female reader pt.2) (Separate)

Warnings: Mentions of eerie/gory paintings

Word count: 1,630

Notes: you know what? I'm just gonna post it now and finish the rest in a different post, I don't want y'all to be kept waiting any longer 😭✨🍬

More notes: I'll be posting Pt.2 whenever I have time! I will say though, I have no idea how to write for some of the characters in Pt.2 😀✨🍬

When you said you painted and wished to show him your art, Riddle had to admit he was a tad bit (a lot) excited to see

So, when you showed him your art he was absolutely bewildered.

You, the sweetest person he has ever had the chance in meeting, paints things that could cause nightmares.

Obviously, he isn't going to say that aloud, he has manners, but dear seven, how unexpected it was for him.

He's seen art before. He's been to museums by his mother to teach him strictly of the arts and the "rules" she put in place for them to determine how well a painting is.

It's been years since his mother taught him such things, and she only did it so often, and after time, those rules of art set by his mother have dwindled.

He's been able to go to museums before with Trey as a way to calm down when things are too much. Luckily, Trey was able to explain to Riddle how there are many forms of art and how it art doesn't necessarily have rules itself.

So it's safe to say he's a bit more well-versed in paintings now, even though he still finds it a bit difficult when there's no rules to follow (a habit hard to get rid of)

Now, his reaction all depends on what painting and image your showing him

He will ask you questions about why you would paint such uncanny things such as:

Why did you paint this? What caused you to begin painting such eerie things? What Inspiration were you given to paint this particular piece?

And many more questions about technique and practical things.

He can't say that he's a fan of these types of paintings, but he can say that he thinks you're very talented to be able to make such paintings

He'll praise how well done or real your painting(s) looks.

He's going to be a bit concerned about you, though, and he shows that by (trying to) subtly asking if you're okay

"What gave you the inspiration to draw this?" Riddle asks, the worry in his tone being quite evident even through his attempts in hiding it. "Have you witnessed such things for inspiration?" He asks again, his voice laced with even more worry than before.

"What? No!" You stand up from your seat to get closer to Riddle. "It's not like that," you laugh lightly, shaking your hands in the air. "I just happened to see a rotting piece of meat in the cafeteria kitchen one time while passing by."

Riddle breathes a sigh of relief he didn't know he was holding in. Bro was stressing and worrying.

I say this in the nicest way possible to us all, but this man does not care but-!

Leona doesn't care in a sense like "I wanna show you something!" "Alright hurry it up and show me".

Maybe he's a bit smug that you're showing him something you like to do.

Anyways, when you said you wanted to show him your painting(s) he was being smug.

He didn't have any set expectations to what type of things you painted or what your style was.

Him seeing the eerie or gory painting didn't surprise him as much as Riddle either.

He doesn't have much to say, but this guy is still smug and is definitely showing it now.

Why? The guys got weird motives and definitions of respect and pride so we'll never know.

His does wonder how you acquired such Inspiration to paint like this.

He's not too curious about it to the point where he'll try to find out or becomes worried.

Again, he is smug and prideful but it's for you

He feels prideful FOR you. He's smug about you being able to paint such gory or eerie things FOR you.

(Bros so smitten with you)

You set your canvas/notebook down carefully against one of the plants nearby, careful not to get it dirty or damaged.

Leona lays there, back towards you, unbothered under the shade of a plant, but not for long as you bring your finger near his cheek and begin to poke.

Poke.

Poke.

PokePokePokePokePokePokePoke.

Leona swats your hand away, but not harshly. His tail swings left to right faster then he was asleep, another sign he's awake.

He looks at you, irked that you disturbed his so-called much needed nap. He glares at you, but his eyes lack the malice in them to even consider it threatening. You look at him innocently, hands behind your back as to show it wasn't you. (He knows better, only you would ever try to wake him up like that)

He sighs deeply. "What is it herbivore?" He asks as he shifts slightly to get into a more comfortable position to get a better view of you. You turn your body slightly to grab the canvas you set down behind you, careful not to accidentally show Leona just yet. "I wanna show you something," you beam, you're more excited then you thought you'd be showing him, for the first time, your most recent painting.

Leona's tail begins to swish even faster, thumping against the leaves of the plants nearby. His tail gives away that his curiosity has been piqued. Yet his face remains unchanged, besides the slight quirk of his eyebrow in questioning.

You turn the canvas around for Leona to see.

And there it is

The smirk

The smug

The eyes of pride *sound effects*

His smirk seems to widen even more as he looks at the painting and then back at you. "Looks nice herbivore, ya got anymore?"

You excitedly nod your head, "yeah, I do. Wanna see them?", you ask, gripping your painting, even more excited then before to show him.

Leona nods his head languidly while slowly closing his eyes, "sure, but after I finish this nap", he brings his arms down and begins to get comfortable. He softly pats his stomach, "Come, sleep".

Azul knows you paint, he knows it's been a hobby of yours for a while now.

How does he know? Doesn't matter. Does he know what exactly the contents of your paintings are? No

His curiosity has been eating away at him. He was so very curious on what his darling was capable of

So, when you first told him that you wished to show him your paintings, he was elated. His curiosity will finally be quelled.

He may or may not have a set expectations of what you paint. Something sweet, something calm or maybe something like he'd find at a museum of old paintings.

What he saw was the complete opposite to say the least.

He's not disappointed, no, he's just shocked.

He's amazed. He's taken aback. He's a lot of emotions.

.....would you be willing to, perhaps, sell these paintings? Many people out there would be willing to buy, and the profits would be even and-

Old habits die hard, I suppose 🤷🏽‍♀️

You led Azul by the hand to your room/drawing room, much slower than he would like as he wished to see your paintings as soon as possible.

"Azul, i can feel you twitching in anticipation just by holding your hand," you laughed lightly. He sighed, bringing his free hand to his temple to calm his nerves. "I'm sorry, dear, but it feels as if you're walking slower just to build up anticipation," "Maaaybeee~". Azul chuckles at your antics.

Finally, after Azuls definition of agonizing seconds. He visibly relaxed as he saw the covered canvas. "My, you really know how to keep me on my toes", ",I most certainly do". You left go of his hand and stand next to the covered canvas. "Ready?", you put your hands on the sheet. Azul held his breath and nodded.

You clench the cover and quickly pull it off. You turn to face Azul to gouge his reaction. That reaction was him frozen in place, still holding his breath (you'd begun to think how he still hasn't passed out) "Azul?" You try to call out to him.

He slowly walks up to your painting, still holding his breath. He reaches out and touches the edges of the canvas delicately, scared he we're to break it if he put too much pressure. You watch his careful movements. You watch as his eyes rake over your painting as if he could take the painting and store it into his memory box. "Azul?" You try calling out again, only this time he responds.

He let's out a shaky breath, "it looks -" he turns his head to fade you. "It looks magnificent, dear," his words were barely above a whisper. You stand there absolutely frozen and shocked. Nobody has ever quite thought this kind of painting would be 'magnificent' before.

"Really?" He turns his head back at the painting."Yes, the detail is vert intricate, and it feels so eerie. It's as if you were truly there." You stare at him bewildered, mouth slightly agape.

He puts his hand on his chin in a thinking position. The gears turn in his head. He turns to face you so quickly that you'd think he'd have snapped his neck on accident. "Have you ever considered selling these?" He asks, with a twinkle in his eyes.

"Sell them?... No, I never really thought of that." You bring your fingers to your chin, now thinking as well. "Well, I'll say many would be lining up the door to buy these wonderful paintings!""Really?"

"Yes! With such talent and my business skills, we could -" and there goes the business man into his spiral of possibilities.

[hms-no-fun]

Hi! I just read your post about your opinion on "AI" and I really liked it. If it's no bother, what's your opinion on people who use it for studying? Like writing essays, solving problems and stuff like that?

I haven't been a fan of AI from the beginning and I've heard that you shouldn't ask it for anything because then you help it develop. But I don't know how to explain that to friends and classmates or even if it's true anymore. Because I've seen some of the prompts it can come up with and they're not bad and I've heard people say that the summaries AI makes are really good and I just... I dunno. I'm at a loss

Sorry if this is a lot or something you simply don't want to reply to. You made really good points when talking about AI and I really liked it and this has been weighing on me for a while :)

on a base level, i don't really have a strongly articulated opinion on the subject because i don't use AI, and i'm 35 so i'm not in school anymore and i don't have a ton of college-aged friends either. i have little exposure to the people who use AI in this way nor to the people who have to deal with AI being used in this way, so my perspective here is totally hypothetical and unscientific.

what i was getting at in my original AI post was a general macroeconomic point about how all of the supposed efficiency gains of AI are an extension of the tech CEO's dislike of paying and/or giving credit to anyone they deem less skilled or intelligent than them. that it's conspicuous how AI conveniently falls into place after many decades of devaluing and deskilling creative/artistic labor industries. historically, for a lot of artists the most frequently available & highest paying gigs were in advertising. i can't speak to the specifics when it comes to visual art or written copy, but i *can* say that when i worked in the oklahoma film industry, the most coveted jobs were always the commercials. great pay for relatively less work, with none of the complications that often arise working on amateur productions. not to mention they were union gigs, a rare enough thing in a right to work state, so anyone trying to make a career out of film work wanting to bank their union hours to qualify for IATSE membership always had their ears to the ground for an opening. which didn't come often because, as you might expect, anyone who *got* one of those jobs aimed to keep it as long as possible. who could blame em, either? one person i met who managed to get consistent ad work said they could afford to work all of two or three months a year, so they could spend the rest of their time doing low-budget productions and (occasionally) student films.

there was a time when this was the standard for the film industry, even in LA; you expected to work 3 to 5 shows a year (exact number's hard to estimate because production schedules vary wildly between ads, films, and tv shows) for six to eight months if not less, so you'd have your bills well covered through the lean periods and be able to recover from what is an enormously taxing job both physically and emotionally. this was never true for EVERYONE, film work's always been a hustle and making a career of it is often a luck-based crapshoot, but generally that was the model and for a lot of folks it worked. it meant more time to practice their skills on the job, sustainably building expertise and domain knowledge that they could then pass down to future newcomers. anything that removes such opportunities decreases the amount of practice workers get, and any increased demand on their time makes them significantly more likely to burn out of the industry early. lower pay, shorter shoots, busier schedules, these aren't just bad for individual workers but for the entire industry, and that includes the robust and well-funded advertising industry.

well, anyway, this year's coca-cola christmas ad was made with AI. they had maybe one person on quality control using an adobe aftereffects mask to add in the coke branding. this is the ultimate intended use-case for AI. it required the expertise of zero unionized labor, and worst of all the end result is largely indistinguishable from the alternative. you'll often see folks despair at this verisimilitude, particularly when a study comes out that shows (for instance) people can't tell the difference between real poetry and chat gpt generated poetry. i despair as well, but for different reasons. i despair that production of ads is a better source of income and experience for film workers than traditional movies or television. i despair that this technology is fulfilling an age-old promise about the disposability of artistic labor. poetry is not particularly valued by our society, is rarely taught to people beyond a beginner's gloss on meter and rhyme. "my name is sarah zedig and i'm here to say, i'm sick of this AI in a major way" type shit. end a post with the line "i so just wish that it would go away and never come back again!" and then the haiku bot swoops in and says, oh, 5/7/5 you say? that is technically a haiku! and then you put a haiku-making minigame in your crowd-pleasing japanese nationalist open world chanbara simulator, because making a haiku is basically a matter of selecting one from 27 possible phrase combinations. wait, what do you mean the actual rules of haiku are more elastic and subjective than that? that's not what my english teacher said in sixth grade!

AI is able to slip in and surprise us with its ability to mimic human-produced art because we already treat most human-produced art like mechanical surplus of little to no value. ours is a culture of wikipedia-level knowledge, where you have every incentive to learn a lot of facts about something so that you can sufficiently pretend to have actually experienced it. but this is not to say that humans would be better able to tell the difference between human produced and AI produced poetry if they were more educated about poetry! the primary disconnect here is economic. Poets already couldn't make a fucking living making poetry, and now any old schmuck can plug a prompt into chatgpt and say they wrote a sonnet. even though they always had the ability to sit down and write a sonnet!

boosters love to make hay about "deskilling" and "democratizing" and "making accessible" these supposedly gatekept realms of supposedly bourgeois expression, but what they're really saying (whether they know it or not) is that skill and training have no value anymore. and they have been saying this since long before AI as we know it now existed! creative labor is the backbone of so much of our world, and yet it is commonly accepted as a poverty profession. i grew up reading books and watching movies based on books and hearing endless conversation about books and yet when i told my family "i want to be a writer" they said "that's a great way to die homeless." like, this is where the conversation about AI's impact starts. we already have a culture that simultaneously NEEDS the products of artistic labor, yet vilifies and denigrates the workers who perform that labor. folks see a comic panel or a corporate logo or a modern art piece and say "my kid could do that," because they don't perceive the decades of training, practice, networking, and experimentation that resulted in the finished product. these folks do not understand that just because the labor of art is often invisible doesn't mean it isn't work.

i think this entire conversation is backwards. in an ideal world, none of this matters. human labor should not be valued over machine labor because it inherently possesses an aura of human-ness. art made by humans isn't better than AI generated art on qualitative grounds. art is subjective. you're not wrong to find beauty in an AI image if the image is beautiful. to my mind, the value of human artistic labor comes down to the simple fact that the world is better when human beings make art. the world is better when we have the time and freedom to experiment, to play, to practice, to develop and refine our skills to no particular end except whatever arbitrary goal we set for ourselves. the world is better when people collaborate on a film set to solve problems that arise organically out of the conditions of shooting on a live location. what i see AI being used for is removing as many opportunities for human creativity as possible and replacing them with statistical averages of prior human creativity. this passes muster because art is a product that exists to turn a profit. because publicly traded companies have a legal responsibility to their shareholders to take every opportunity to turn a profit regardless of how obviously bad for people those opportunities might be.

that common sense says writing poetry, writing prose, writing anything is primarily about reaching the end of the line, about having written something, IS the problem. i've been going through the many unfinished novels i wrote in high school lately, literally hundreds of thousands of words that i shared with maybe a dozen people and probably never will again. what value do those words have? was writing them a waste of time since i never posted them, never finished them, never turned a profit off them? no! what i've learned going back through those old drafts is that i'm only the writer i am today BECAUSE i put so many hours into writing generic grimdark fantasy stories and bizarrely complicated werewolf mythologies.

you know i used to do open mics? we had a poetry group that met once a month at a local cafe in college. each night we'd start by asking five words from the audience, then inviting everyone to compose a poem using those words in 10 to 15 minutes. whoever wanted to could read their poem, and whoever got the most applause won a free drink from the cafe. then we'd spend the rest of the night having folks sign up to come and read whatever. sometimes you'd get heartfelt poems about personal experiences, sometimes you'd get ambitious soundcloud rappers, sometimes you'd get a frat guy taking the piss, sometimes you'd get a mousy autist just doing their best. i don't know that any of the poetry i wrote back then has particular value today, but i don't really care. the point of it was the experience in that moment. the experience of composing something on the fly, or having something you wrote a couple days ago, then standing up and reading it. the value was in the performance itself, in the momentary synthesis between me and the audience. i found out then that i was pretty good at making people cry, and i could not have had that experience in any other venue. i could not have felt it so viscerally had i just posted it online. and i cannot wrap up that experience and give it to you, because it only existed then.

i think more people would write poetry if they had more hours in a day to spare for frivolities, if there existed more spaces where small groups could organize open mics, if transit made those spaces more widely accessible, if everyone made enough money that they weren't burned the fuck out and not in the mood to go to an open mic tonight, if we saw poetry as a mode of personal reflection which was as much about the experience of having written it as anything else. this is the case for all the arts. right now, the only people who can afford to make a living doing art are already wealthy, because art doesn't pay well. this leads to brain drain and overall lowering quality standards, because the suburban petty bouge middle class largely do not experience the world as it materially exists for the rest of us. i often feel that many tech CEOs want to be remembered the way andy warhol is remembered. they want to be loved and worshipped not just for business acumen but for aesthetic value, they want to get the kind of credit that artists get-- because despite the fact that artists don't get paid shit, they also frequently get told by people "your work changed my life." how is it that a working class person with little to no education can write a story that isn't just liked but celebrated, that hundreds or thousands of people imprint on, that leaves a mark on culture you can't quantify or predict or recreate? this is AI's primary use-case, to "democratize" art in such a way that hacks no longer have to work as hard to pretend to be good at what they do. i mean, hell, i have to imagine every rich person with an autobiography in the works is absolutely THRILLED that they no longer have to pay a ghost writer!

so, circling back around to the meat of your question. as far as telling people not to use AI because "you're just helping to train it," that ship has long since sailed. getting mad at individuals for using AI right now is about as futile as getting mad at individuals for not masking-- yes, obviously they should wear a mask and write their own essays, but to say this is simply a matter of millions of individuals making the same bad but unrelated choice over and over is neoliberal hogwash. people stopped masking because they were told to stop masking by a government in league with corporate interests which had every incentive to break every avenue of solidarity that emerged in 2020. they politicized masks, calling them "the scarlet letter of [the] pandemic". biden himself insisted this was "a pandemic of the unvaccinated", helpfully communicating to the public that if you're vaccinated, you don't need to mask. all those high case numbers and death counts? those only happen to the bad people.

now you have CEOs and politicians and credulous media outlets and droves of grift-hungry influencers hard selling the benefits of AI in everything everywhere all the time. companies have bent over backwards to incorporate AI despite ethics and security worries because they have a fiduciary responsibility to their shareholders, and everyone with money is calling this the next big thing. in short, companies are following the money, because that's what companies do. they, in turn, are telling their customers what tools to use and how. so of course lots of people are using AI for things they probably shouldn't. why wouldn't they? "the high school/college essay" as such has been quantized and stripmined by an education system dominated by test scores over comprehension. it is SUPPOSED to be an exercise in articulating ideas, to teach the student how to argue persuasively. the final work has little to no value, because the point is the process. but when you've got a system that lives and dies by its grades, within which teachers are given increasingly more work to do, less time to do it in, and a much worse paycheck for their trouble, the essay increasingly becomes a simple pass/fail gauntlet to match the expected pace set by the simple, clean, readily gradable multiple choice quiz. in an education system where the stakes for students are higher than they've ever been, within which you are increasingly expected to do more work in less time with lower-quality guidance from your overworked teachers, there is every incentive to get chatgpt to write your essay for you.

do you see what i'm saying? we can argue all day about the shoulds here. of course i think it's better when people write their own essays, do their own research, personally read the assigned readings. but cheating has always been a problem. a lot of these same fears were aired over the rising popularity of cliffs notes in the 90s and 2000s! the real problem here is systemic. it's economic. i would have very little issue with the output of AI if existing conditions were not already so precarious. but then, if the conditions were different, AI as we know it likely would not exist. it emerges today as the last gasp of a tech industry that has been floundering for a reason to exist ever since the smart phone dominated the market. they tried crypto. they tried the metaverse. now they're going all-in on AI because it's a perfect storm of shareholder-friendly buzzwords and the unscientific technomythology that's been sold to laymen by credulous press sycophants for decades. It slots right into this niche where the last of our vestigial respect for "the artist" once existed. it is the ultimate expression of capitalist realism, finally at long last doing away with the notion that the suits at disney could never in their wildest dreams come up with something half as cool as the average queer fanfic writer. now they've got a program that can plagiarize that fanfic (along with a dozen others) for them, laundering the theft through a layer of transformation which perhaps mirrors how the tech industry often exploits open source software to the detriment of the open source community. the catastrophe of AI is that it's the fulfillment of a promise that certainly predates computers at the very least.

so, i don't really know what to tell someone who uses AI for their work. if i was talking to a student, i'd say that relying chatgpt is really gonna screw you over when it comes time take the SAT or ACT, and you have to write an essay from scratch by hand in a monitored environment-- but like, i also think the ACT and SAT and probably all the other standardized tests shouldn't exist? or at the very least ought to be severely devalued, since prep for those tests often sabotages the integrity of actual classroom education. although, i guess at this point the only way forward for education (that isn't getting on both knees and deep-throating big tech) is more real-time in-class monitored essay writing, which honestly might be better for all parties anyway. of course that does nothing to address research essays you can't write in a single class session. to someone who uses AI for research, i'd probably say the same thing as i would to someone who uses wikipedia: it's a fine enough place to start, but don't cite it. click through links, find sources, make sure what you're reading is real, don't rely on someone else's generalization. know that chatgpt is likely not pulling information from a discrete database of individual files that it compartmentalizes the way you might expect, but rather is a statistical average of a broad dataset about which it cannot have an opinion or interpretation. sometimes it will link you to real information, but just as often it will invent information from whole cloth. honestly, the more i talk it out, the more i realize all this advice is basically identical to the advice adults were giving me in the early 2000s.

which really does cement for me that the crisis AI is causing in education isn't new and did not come from nowhere. before chatgpt, students were hiring freelancers on fiverr. i already mentioned cliffs notes. i never used any of these in college, but i'll also freely admit that i rarely did all my assigned reading. i was the "always raises her hand" bitch, and every once in a while i'd get other students who were always dead silent in class asking me how i found the time to get the reading done. i'd tell them, i don't. i read the beginning, i read the ending, and then i skim the middle. whenever a word or phrase jumps out at me, i make a note of it. that way, when the professor asks a question in class, i have exactly enough specific pieces of information at hand to give the impression of having done the reading. and then i told them that i learned how to do this from the very same professor that was teaching that class. the thing is, it's not like i learned nothing from this process. i retained quite a lot of information from those readings! this is, broadly, a skill that emerges from years of writing and reading essays. but then you take a step back and remember that for most college students (who are not pursuing any kind of arts degree), this skillset is relevant to an astonishingly minimal proportion of their overall course load. college as it exists right now is treated as a jobs training program, within which "the essay" is a relic of an outdated institution that highly valued a generalist liberal education where today absolute specialization seems more the norm. so AI comes in as the coup de gras to that old institution. artists like myself may not have the constitution for the kind of work that colleges now exist to funnel you into, but those folks who've never put a day's thought into the work of making art can now have a computer generate something at least as good at a glance as basically anything i could make. as far as the market is concerned, that's all that matters. the contents of an artwork, what it means to its creator, the historic currents it emerges out of, these are all technicalities that the broad public has been well trained not to give a shit about most of the time. what matters is the commodity and the economic activity it exists to generate.

but i think at the end of the day, folks largely want to pay for art made by human beings. that it's so hard for a human being to make a living creating and selling art is a question far older than AI, and whose answer hasn't changed. pay workers more. drastically lower rents. build more affordable housing. make healthcare free. make education free. massively expand public transit. it is simply impossible to overstate how much these things alone would change the conversation about AI, because it would change the conversation about everything. SO MUCH of the dominance of capital in our lives comes down to our reliance on cars for transit (time to get a loan and pay for insurance), our reliance on jobs for health insurance (can't quit for moral reasons if it's paying for your insulin), etc etc etc. many of AI's uses are borne out of economic precarity and a ruling class desperate to vacuum up every loose penny they can find. all those billionaires running around making awful choices for the rest of us? they stole those billions. that is where our security went. that is why everything is falling apart, because the only option remaining to *every* institutional element of society is to go all-in on the profit motive. tax these motherfuckers and re-institute public arts funding. hey, did you know the us government used to give out grants to artists? did you know we used to have public broadcast networks where you could make programs that were shown to your local community? why the hell aren't there public youtube clones? why aren't there public transit apps? why aren't we CONSTANTLY talking about nationalizing these abusive fucking industries that are falling over themselves to integrate AI because their entire modus operandi is increasing profits regardless of product quality?

these are the questions i ask myself when i think about solutions to the AI problem. tech needs to be regulated, the monopolies need breaking up, but that's not enough. AI is a symptom of a much deeper illness whose treatment requires systemic solutions. and while i'm frustrated when i see people rely on AI for their work, or otherwise denigrate artists who feel AI has devalued their field, on some level i can't blame them. they are only doing what they've been told to do. all of which merely strengthens my belief in the necessity of an equitable socialist future (itself barely step zero in the long path towards a communist future, and even that would only be a few steps on the even longer path to a properly anarchist future). improve the material conditions and you weaken the dominance of capitalist realism, however minutely. and while there are plenty of reasons to despair at the likelihood of such a future given a second trump presidency, i always try to remember that socialist policies are very popular and a *lot* of that popularity emerged during the first trump administration. the only wrong answer here is to assume that losing an election is the same thing as losing a war, that our inability to put the genie back in its bottle means we can't see our own wishes granted.

i dunno if i answered your question but i sure did say a lot of stuff, didn't i?

[estcaligo]

Sebek and Romance: Additional Thoughts (or part two) after reading his Halloween SSR vignette and finishing the event but mostly about the vignette

- Part one - Sebek and Romance - My translation of the vignette

In my previous post, I speculated about two major influences on Sebek's understanding of romance and romantic feelings - his parents and books and I was right :)

So, what else can we conclude from this vignette?

1. Verbal expression matters

The most important takeaway is that verbal expression of feelings and thoughts is everything to Sebek. We can definitely say his primary love language is words. For him, verbalizing - both the pleasant and the less pleasant - is a must. Just. Say. It.

However, words (not only as a love language) can be tricky, as it's all about what words you choose. With physical touch, for example, it's simpler. But with words, you need to choose carefully when delivering your message. I think we've all experienced at least one uncomfortable situation caused by a poor choice of words.

And where does Sebek learn this art of wording? Books, of course.

That's why I'm amazed at how well-written Sebek's character is. His values and views align perfectly with his hobby. His emphasis on words and verbal expression, along with his being well-read, suggests he's on his way to mastering communication that aligns with his values.

2. His observant nature

The part where Sebek mentions noticing Sally's feelings for Jack actually flipped my view of him a liiittle bit. We often assume he'd be oblivious to feelings or accuse someone (like the Prefect) of “bewitching” him. But here, we see the opposite: he notices the romantic tension between Sally and Jack right away and doesn't get weird about it. So, we can assume, when the same situation happens to him, he'd likely be calm, polite, and eager to reach a logical conclusion as fast as possible, depending on how interested he is in the person.

In general, Sebek is self-aware, attentive, and genuinely smart - not just “book smart" (a little too trusting of Lilia's advice, yes, but well...) And since he knows quite a lot about romance, even if he's not “chill" about it, he would still approach his romantic feelings with total adequacy.

3. Mention of his parents

To my surprise, when Sebek mentioned his parents' story, he didn't address his father in a condescending way. He didn't even call him “human” once. This says a lot to me. Yes, Baul's influence was strong, but his mother's love and energy were stronger. He still loves his father - in his own way. His only dissatisfaction with his father is that he's human, but that's a topic for another post. They still an exemplary love couple to him and that's wonderful.

4. His admiration and loyalty to Malleus

The part where Sebek talks about his determination to stay by Malleus's side was both heartwarming and inspiring. I still hope we'll get more insight into why he's so dedicated to this idea (I have some theories, but maybe for another post).

What we see here only strengthens Sebek's character as loyal and determined. And, once again, he emphasizes how he expressed (verbally) his desire to serve. Words and verbal expression are deeply important to him. Naturally, since loyalty and devotion are core parts of his character, once the target of that devotion has earned it, one can expect similar adoration and loyalty toward his partner as well.

In conclusion?

Sebek is amazing, and he should be reminded of it every day. With words. Out loud. Just. Say. It.

Bonus point: I loooove that he has a playful side and can be so cheeky - doing it totally on purpose lol. That scene where he adds to Jack's jealousy? Sebek, you menace :)

[nipuni]

Hello! Time for another blog post! I think my last one was two months ago and a lot has happened since 😊

We have been attending a ton of historical recreation events so I still have many photos to share, hope you don't hate those! It's been really fun! We are exhausted and all out of social battery however so we are taking it easy this month. Another thing that's been happening a lot is that even when we are not dressed in historical clothing we keep getting stopped by strangers on the street because of our everyday outfits, it's been like that for a couple of years now so we are no longer startled or nervous about it but it's happening more and more often now and it's so nice! we always end up chatting about the events we go to and our jobs and hobbies and exchanging contacts or they ask for photos and stuff! people are really kind and excited about it and I still find it so surprising in the best way. We grew up in a very hostile city and environment and that makes you paranoid and cynical so these interactions and response has been healing really. I know their words will stick with us for years to come 😭 Sadly the unbearable heat is starting though so that means our outings for the next three months will be limited to the crack of dawn and after sunset 😞 but at least the summer brings a lot of fruit with it so we can sit at home and eat pineapples and strawberries while we wait for autumn.

My family came to visit a few months ago too and we made them watch most of Doctor Who's season one to four and some of our favourite episodes from all the other seasons lmao. And much to our delight they really enjoyed it!! They both loved Ten the most and my step dad is now in love with Martha 🥰

We have also been watching the current season and it's been so fun keeping up with fandom theories in real time and talking about it and speculating with friends in person, it's the first time we get a chance to do it since we got into the series and we are enjoying it a lot!

We also watched season one of Jessica Jones and we loved David's performance as Kilgrave!! He stole the show for real. Kilgrave is such an incredible villain, one of the best I've seen and DT does such an amazing job portraying every aspect of him. He's detestable and volatile and frighteningly powerful and has such an intimidating terrifying presence in the narrative while also being pathetic and vulnerable and ridiculous and childish and so human with all it's worrying implications. It was just so gripping and I wish he had stayed for the rest of the show honestly!! Now we have to pick our next David Tennant series to watch! 😊

Also!! Dragon Age is back!! AHHH I wanted to thank everyone that commented on my last DA pieces, it has made my month to read the comments, I didn't expect so many people to remember my art or my character after so many years and it's so touching and flattering you have no idea 😭💘 I look forward to making more and sharing them with you all, I'm truly grateful for the kindness you've shown me both back then and now I hope you know.

I feel so spoiled lately with all these franchises that I love releasing new content!! I've never been in these many fandoms at once!! I have so many ideas to draw and keep jumping back and forth between drawings from different shows and games AAAAA it's a good and welcome change honestly, keeps me busy and inspired!

Anyway that's all for now I think! I hope you are doing well and this summer/winter is kind to you all ❤️

[wishfulsketching]

What a year, huh.

I'm not going to talk about how everything is going to shit in the real world, that's not what this post is about.

I can remember that before Gotham, I had a bit of trouble trying to get inspired about art. I did end up doing a lot of original art due to that, tho. Gotham was the nice return to a hyperfixation that got me back to creating, which felt like a saving grace tbh. I draw A LOT, you may have noticed. I thank my ADHD for that. So, when I'm unable draw I do struggle spending my time in any meaningful way.

I also started reading again this year. Murderbot Diaries got me by the throat, I love those books so much. I've also liked T. Kingfisher's books so far, haven't read that many yet, tho. I also read in english, not the translated versions, so it's a nice way to "use" my english skills.

I finally started needle felting this Christmas! I've been meaning to do it for yearsss. Bunnydog was my ever first attempt, Slowpoke was my second.

Arcane season 2. Woohee, I had totally forgotten when it was going to drop! It was a good thing tho, I was saved from a lot of painful waiting around, hah. I might've chickened out of the Zaundads fandom back in the day but it's so much more chill now. Well, kind of. I do see people complain a bit in the tags. Plus I bet it's a lot worse in other sites. ANYWAY!

I feel like that in this short time after season 2, I've gotten better at art and got my groove fully back. I am so grateful for people who just keep being so nice and support me here adsfsdfo! I said it back in 2021/2022 I think but I'll say it again: zaundads fandom has been one of the nicest fandom I've been part of. (I have to mention tho, so is riddlebird fandom)

I'm still a bit overwhelmed with all the attention I'm getting, I admit, but I am also so happy I get to share my unhinged love for this stupid little man.

My next year will start with job hunting and balancing my mental health (I've been "in recovery" for years, it's gonna be a adjustment to start working. I am still very much struggling but not as much so I have to find a job that doesn't kill me in a month lol).I've also made one new years resolution which is that I will more actively display and live my preferred identity and not just go "eh whatever, I know how I actually feel like so". Not gonna be easy because I get embarrassed about everything and will want to backpedal so hard at the start but uhhh...I'll try not to? Eh.

Yea. So a lot of new things for the next year and I already feel tired. But hopeful!

I'll end this post by randomly sharing my fave CJU gameplays because his gameplay vids always help me to relax:

I couldn't find the playlist so here's PART 2 and PART 3. I really love the story in this one.

A game I expected nothing from and now rewatch this playthrough ever so often. PLAYLIST

Love the game, love the commentary, love the vibes! PLAYLIST