#i'm bad at talking about things

[artkaninchenbau]

A h-heartfelt reunion..?

Bonus

[teaboot]

Social anxiety level: Chatting with someone experiencing a schizophrenic episode and becoming increasingly self-concious of how I'm just saying "That sounds really stressful", "I've never heard of that but it sounds scary", and "You must be pretty worried about that" over and over again

[weaponizedducks]

you know what i think kids/teen books do 'fantasy romance/fantasy books' way better than any of the adult fantasy books booktok raves about. i try and read some of them and 90 percent of the time its just smut and abusive relationships disguised as 'dark romance'. then i read books like Keeper Of The Lost Cities, The School for Good and Evil, Percy Jackson, Land of Stories, the Nevermoor series, that kind of thing, and they are all actually so amazing because they have fleshed out characters with flaws and an engaging plotline instead of just badly written romance. and when they do have romance it's well written and about the people rather than the tropes.

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[egophiliac]

happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!

thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!

I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)

I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!

also maybe he had some reflection on his hair's troubled past with three kids...

...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.

[bongosinferno]

A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.

Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.

This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!

Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.

[luna-loveboop]

So one thing I like about Time is that he will talk about his life and journeys

He talks about it! He'll tell the boys stories and answer questions. (...when asked)

Obviously he tells his family- Malon knows everything

But he has also never held back from telling the boys stories or answering questions

I'm still always cackling over him telling them about gerudo town- he is way too proud to brag about being a mischievous gremlin

"I proved to be a greater thief than all of ganons tribe"- oh yeah. He's definitely the good influence. (That's sarcasm, Wars is the one good example for the younger ones.)

He just. He looks so smug to tell them about his experiences with the Gerudo- I love how often we see him just talking to them and answering questions about his life.

Even if it's clearly painful memories- he has still always told them

*sobs*

Obviously Time talks to Twilight the most about stuff- and everyone knows that (to where Sky went to him for questions about Time)

But the thing that get me the most is Wind.

Wind asked about... everything! Wind asked about his first journey and his life- and Time told him

The sheer transition from

"I was wondering... about your original journey"

To

"You told me about your original journey. Everything you said... the sages you described, the old traditions, the old stories- all of it! ...)

And this literally drives me insane because Time told him- Time told him everything! He told him about the sages, traditions- Time literally openly talked to Wind about his first Journey because he asked.

The Hero of Time's story had always been a tragedy- I mean... yikes. Trauma much? But I think people overlook this part of him- that he's older. All the hurt and scars are still there, but he has learned to talk about it to deal with it. And I think I know why- (Read)

Malon Malon Malon Malon!!! Jojo showed this set up for their marriage- Time was and is traumatized. But he and Malon worked to talk through things. I mean. Can you imagine keeping secrets from Malon? I don't want to. I feel like she would throw a cow at me. Anyways.

It takes a lot to work through trauma and learn to talk through it. Malon claimed him tho, so I don't think he had a choice. But seriously- she helped him work through things as family. Which led to a successful marriage for both of them, and got Time to where he can talk about these things with the boys :D

But

Time is a troll, so although he will share his insane life stories.... he will also say he fought the moon with no more context, and tell his wife that they have a descendant but not freaking tell her which one it is.

He's so insane I love it <3

Just don't forget this part of him... don't forget that rather it's sad or goofy or whatever- he will talk about his life. If someone simply asks

:)

.

Art and comic by Jojo @linkeduniverse au! :DDD

@adrift-in-thyme

[misteria247]

Fiddleford slowly helping Stanley get used to touching. Like-

Stanley's only really known the kind of touches that involve a fist to the jaw or being grabbed roughly and shoved. Touches meant to do harm to him rather than being kind. And Fidds he notices the way Stanley seems to expect these rough touches from literally everyone other than Ford and Fidds. So he starts small.

Gentle pats on Stan's shoulders or back. Brushing up against his arm with his. Just gentle touches that won't set him into fight mode. Then Fiddleford moves onto things like gently grasping Stan's arm or giving him a hug. It keeps going, with each new touch seemingly doing something. And Stan's just conflicted because other than his twin, he's never really had anyone treat him with such care and kindness when it comes to physical things and affection.

Slowly Stan can't help but want to be near Fidds all the time, to feel his gentle hands on him that ground him when he feels lost or about to break. It's these touches and kind, tender hands and signs of affection that make Stanley fall hard for the nerdy scientist. And Fidds he falls in love seeing Stanley open up, and showing the same type of tenderness in return. Something that he sees constantly displayed towards Ford and now him.

Soon those touches become something they both cherish and do subconsciously. An instinct that they can't fight. Always near one another to feel each other's presence. A rock for the other, a home that's tender and kind and full of warmth.

Just ughhhhh do you get what I'm putting down???

[bertoyana]

X-MEN: DAYS OF THE FUTURE PAST (2014)

[screwpinecaprice]

They won the lottery and inspired by Mr. Greg, they spent it all in one day by committing identity fraud.

Idk I took a second job and my brain is so fried right now. 😭

[laterkatersays]

4 Sided Dive | Episode 29 The Tower | Thru C3 E113

Question: Did Ashton find Jester’s relationship advice helpful?

Taliesin: (Emphatically) Yes.

Question: Why did he seek advice on Fearne at this time?

Taliesin: Honestly, because between guilt, which has been kind of festering forever in Ashton’s head, and also that they don’t really, like, they don’t hit on people normally. When they hook up with people, people hook up with them. They’re not really-

Marisha: The initiator.

Laura: I could see that

Taliesin: They’re not the initiator. They’re just willing to be cool, and then be nonchalant about it, and like, whatever. Like it’s not, there’s not a lot of- And like, not that this was commitment either, but I’m like, I don’t hit on people.

Marisha: Uh-huh.

Taliesin: And also, I feel really bad about a bunch of shit, which also then adds a bunch of like- I don’t want to be guilty and I don’t also want to be going, “Hey babe, it’s the end of the world, want to?” Like, no, no, no, no, no, I’m into this! It just happens to be the worst time that there is for this.

Laura: Has Ashton ever pined for someone before?

Taliesin: No, no.

Laura: Is Ashton pining for Fearne?

Taliesin: (Like when you’re trying to express something and your friend hasn’t quite understood) No…

Sam: What is it about her that turns him on most?

Taliesin: It’s honestly, it’s the- it’s a mirror of their own recklessness.

Sam: (Indicating Fearne’s supposed marsupial pouch)

Taliesin: Yeah, well, that, it’s the pouch too.

Taliesin: But no, it’s very rare for them to meet somebody who is just as irresponsible, who like has that same irresponsibility. And like, the way in his head that it pops up is, like, she really hits him in the best of the worst of him. Like, very much the you bring out the best of my worst. Which, the worst is never going away, and I kind of know that. So, I feel like my chaos is better around you, and I like, I’m not used to really liking people that way. Like, it’s always a little messy, ‘cause family is just designed to disappoint you and go badly. So yeah, it’s a whole-

Taliesin: (Speaking about Ashton specifically, I think) They’re not healthy! At all!

Marisha: No, you just said a lot of really sad things.

Taliesin: Oh they’re sad, they’re sad. Yeah, life has not been kind. They’re doing their best.

[teaboot]

I have decided that from now on when people jokingly speculate about highly personal experiences I'm just gonna answer honestly until it stops

Like yeah Shannon my parents did hit me growing up, would you like to sit down and talk about how that was a formative experience or did you want to tell me something with your big girl words

[torchstelechos]

I love that In Stars and Time gives the nonconsensual kiss a proper horrified reaction, by the way. Most media where a character can kiss someone out of no where either make it a funny thing or the "romantic" thing, but here Siffrin kisses without permission out of no where and Isabeau reacts correctly! He pushed them away! Because thats surprising, and fucked up to do to someone with no lead up and no permission! Isabeau had no context, and at the time when the kiss happened, was under the impression that Siffrin didn't like touch which can have a variety of horrible reasons for it. Not only that but... We don't know what face Siffrin was pulling and I don't think it was a nice one. Which, again, means that we don't have all the context either! This is a horrible event that has horrible consequences and I love that it does. Because it's something that is horrible and objectively one of the worst things Siffrin did to one of the others in the loops, so I'm just!!! So excited it had bad consequences!!!

[bixels]

vague-posting about this here cuz i don't feel comfortable yapping about my su takes on twitter, but after everything that's happened the most interesting thing about the su fandom to me is that so many are 100% there for applying the "everyone can change and deserves a second chance" message to everyone, even the diamonds. except for one ☝️ she doesn't count. cuz she's dead.

[royalarchivist]

🫠