#i'm actually losing it a little

[eposiemc]

"You betrayed me last season so I don't love you!"

guys i can't believe the gempearl divorce is real guys LOVE IS DEAD wl!gem is salty and bitter about how everything ended in secret life. how is it possible that none of us even thought about that possibility

[kuromi-hoemie]

i am not immune to transmascs in sweatpants and a sleeveless top

im rly fucking weak about it actually

[literarymerritt]

Knee deep in the Void Odyssey and you're bleeding me out, is it casual now?

Art Tumblr | Twitter

[hey-hey-j]

(sort of a companion piece to this)

older brother instinct

(★ my Kofi)

[poorly-drawn-mdzs]

This isn't what it looks like.

[First] Prev <–-> Next

[arttsuka]

Some past fiddlestan? (Like Ford just went through the portal. He gone now. Past. Yk?)

The mystery misery yaoi

[just-puddding]

I've been thinking about this post by @oh-no-its-bird

Obito is perhaps the most well-adjusted fictional man to have ever existed, as it is widely known

[gealach-edits]

Hana Yoshida, “Godzilla” EX || Nagoya Festival 2025

bonus:

[ratmonologue]

have some Very Fast Terror Cast Stickynote Portraits

[a2zillustration]

(It's ok Yurgir will respawn in Avernus)

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[nellasbookplanet]

I know this is old hat to just about everyone, but I'm more and more enjoying Imogen and Laudna as not just a mirror of the Briarwoods but also, and perhaps even more so, as a foil.

Laudna may be the death magic goth with a necromancer in her head, but out of the two of them, Imogen is the stronger mirror of Delilah. She’s the one with the undead lover, the one prepared to break the world by risking Delilah's return as long as it got her Laudna back, the one with the drive and the thirst for power and knowledge. Laudna meanwhile, while also tempted by power, is mostly just along for the ride, deeply devoted to Imogen over anything or anyone, alive only because Imogen found a way to resurrect her. They have looked each other in the eye, recognised the same seeds of darkness and the possibility of giving in, and said 'Together either way'.

But they are also in many ways a direct subversion of the Briarwoods. Delilah and Sylas both seemed perfectly happy to have made a pact with Vecna and revelled in the power he granted them, even knowing the disaster he would bring and the horrific acts he asked of them. Imogen and Laudna meanwhile, while tempted by power and openly voicing said temptation to each other, actively fight against it. Imogen was prepared to risk Delilah's return for the sake of Laudna's resurrection, but she would've fought her every step of the way. She's tempted by the power and knowledge of Ruidus, but also prepared to give all of it up if it means saving the world, because unlike Delilah she chooses to care about people other than herself and her lover. Laudna may be prepared to follow Imogen into hell itself, but she may also be what would lead her back out, because unlike Sylas she doesn’t just recognise darkness in her lover, she wants to fight it alongside her.

This is what I mean when I say these two hold the potential for great darkness. They wouldn’t function as a mirror and a foil of the most romantically iconic critical role villain duo if they didn't. But holding the potential for darkness and corruption also means holding the potential to resist and fight said darkness at every turn. It gives them the potential to choose kindness and struggle while still keeping a little bit of that darkness in their hearts, because without it, they never would have found each other.

[mariesbee]

why can't i enjoy things like a normal person? casually, just a few episodes/chapters here and there, then move on with my life. but no, whatever it is, it worms its way into my brain, consumes my thoughts and it slowly drives me insane. i am unable to think about anything else but the Thing of the week, or month, sometimes year(s) if it gets that bad.

[vaguely-concerned]

during the last solas regret memory, when you choose the sad option (he loved her and blamed her) and rook says: "when the other gods struck her down, he destroyed the elven empire to avenge her," they seem to be looking right at lucanis. (who is also the next person to speak and seems to be meeting their gaze during that). there are some times when the staging of a scene makes me feel slightly unfairly rewarded for being a lucanis romancer haha. (or rather unfairly rewarded for having the kind of unhinged brain I do while being a lucanis romancer, maybe.) guess who pretty consistently gets to sit at rook's right hand in most of the scenes where everyone is at the dinner table too :) just little lucanis privileges

[vaggieslefteye]

CHARLIE MAGNE from HAZBIN HOTEL (2019): Pilot - "That's Entertainment" ↳ "So, I've been thinking: Isn't there a more humane way to hinder overpopulation here in Hell? Perhaps we can create an alternative way to change souls through... redemption?"

[sillygoofyqueer]

THIS IS GOING ON MY MAIN BECAUSE I JUST HAVE TO LET EVERYONE KNOW THAT THIS FANFICTION BROKE ME. I'M CURRENTLY VIBRATING. UNABLE TO THINK OR PROCESS ANYTHING. I HAVE SO MUCH ENERGY AND NOTHING TO DO WITH IT. JESUS FUCKING CHRIST. LORD ALMIGHTY. @vinelark, YOU HAVE SINGLE HANDEDLY GRIPPED ME INTO THIS PLOT AND I'M THIS CLOSE TO SOBBING AND THANK YOU SO SO SO MUCH FOR WRITING IT AND I HATE YOU SO MUCH AND I LOVE YOU SO MUCH AND I WOULD WHIP OUT A RING FOR YOU AND I'D LEAVE YOU AT THE ALTER AND AND AND

[mariocki]

Gareth Thomas returns - still running a car hire service, now inexplicably called Tom Lewis - in Public Eye: The Bankrupt (6.1, Thames, 1972)