#i'll make them make sense!!

[elizabeth-mitchells]

SHAUNALEE REAL

[tawnysoup]

two new critters just dropped

[tealgoat]

Act 5- Odile this speedrun fucking sucks

[dkettchen]

she would've told them unlike her canon! version who decided not to be an ally smh

[wildflowercryptid]

❝ just you wait, florian... ❞

how we coping tonight, kieran nation?

[iristial]

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[rasangan-raspberry]

I'm gonna post the pages that I have finished, this comic is going to end up being pretty long i think.

(edit: just fixed some sizing things, this page didn't change much)

Next page >

[scourgeofmyownbrain]

More "Bumblebee and Optimus meeting as ✨Adults✨ but still being Father and Son" stuff I came up with, plus extra because I can't get these chuckle-fucks out of my head.

Link to my prev. post for context. incase yall missed it bc I'm not explaining myself, we're just diving right into the deep end

Edit: i entirely forgot but i have a third one.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Bee knows Optimus isn't one for physical affection, and he fully understands and accepts that. He doesn't want to make Optimus uncomfortable by disrespecting one of his boundaries, that's just a shit thing to do. And Bumblebee is not a shit person. But... he's also desperate. Look, being deprived of physical parental affection your whole life fucks you up something good, let Bumblebee tell you, it makes you do some odd shit just to get a taste of what you've been missing out on. And! And most of the stuff Bumblebee has done are perfectly normal things to do! Plenty of casual stuff, leaning against his chair to look at what Optimus is working on, high fives and fist bumps (Optimus rarely, if ever, does these but for Bee he'll do anything just to make him smile, see Optimus acting totally normal about his feelings what are you talking about), leaning against him for a second when he's tired, totally normal! There are, less normal things, like when one of Bee's legs nearly got torn off on a mission and Optimus had to carry him back to base and Bee curled up close in Optimus's arms the whole time- because of the pain, totally 100% definitely only the pain that was Not mostly taken care of by some field anesthetics. It felt nice to be carried like a kid, sue him.

Getting injured is a special case with giving and taking affection. For example, when Bumblebee had to drag Optimus to a med bay after he passed out from a mission. They were walking into the common room together; Optimus was telling Bee he was fine when he CLEARLY wasn't because he didn't want to wake the medics for something as Trivial as THEIR LEADER and FREIND'S HEALTH (Bee is this close to strangling him) when Optimus just pitched over onto the floor.

Optimus, clearly tried and hurt: I will be fine, there is no need to wake the medics, I just need some energ... *faceplants*

Bumblebee: What did I say? What did fragging I say?! *Hefts Optimus's limp body onto his shoulders* fragging, stupid, slagging, moron, 'I don't need a medic, I'll be fine' he says, if I had been the one doing this, you would have torn the base apart getting the medics up, fragging idiot. *drags Optimus's body out of the room*

Optimus: *Mumbles something about not wanting to bother anyone*

Bumblebee: Too fragging bad, big man, you are going to take care of yourself and you're going to like it!

So now Bee has to drag a bot much bigger than him back down the hall and into the Medbay, just because Optimus was being fucking stupid. Yes it looks as funny as you're thinking. Optimus is semi-conscious but delirious as they make their way down the halls of the base and says "I don't want to take anything that would be better served helping any of you, I care about all of you so much I don't want to see you hurt. I love you." and Bumblebee's like Optimus, I feel so loved and so angry right now, but fuck what you want you're getting taken care of. No, you did not just make my fucking day, I lOve yoU tOo dAd-. He gets Optimus into the medbay on a berth then goes to forcibly wake the medics up to calm himself down because he is seconds from crying.

Optimus eventually gets better with affection, and now Bee gets a hug whenever he asks. He has yet to come down from this high.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Bumblebee calls Megatron his "Shit Ex-Stepfather". The entirety of team prime thinks this is hilarious. Even Optimus can't help but smile, though he tries to hide it. Someone, probably Jazz, changed Megatron's file name to "Worlds Worst Stepfather". After the war, if Megatron is still alive, he will mysteriously acquire some kind of award saying "Cybertron's #1 Worst Stepfather". He is very confused.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

If you could get Optimus drunk, he would become such a sap. Like, insufferably soft and emotional. And he would be talking about Bee damn near the whole time. He would be so annoying.

Optimus: *Drunk* Did I ever tell you about Bumbl-bee? He's, he's my boy, my bumble boy, my gold'n boy, my buzzy boy, my sweet cheese. An, he's really yellow, you'll know it's him, he looks like- he's really yellow, it's hard not to see him, but he's really really good at sneaking. Even though he's so yellow. He can sneak around so good, no one sees him. I can see him, 'cause he's my boy. He can sneak around and nooo one finds him, 'cept me, 'cause he's my boy. He can hide so good, he hid under sshockwave's chest once. Riiiight under his eye, his big purple eye. Bee's so funny, he tells such funny stories. He tells his stories better then me, they're a lot funnier. I'm not good at funny stories. He's really good at it. He's really good at lots of things. Bee's so cool. I'm so happy he's here, he's so cool and funny and nice and cool. And he fights real good too, he's so cool. he once- Bee once punched my ex once, right in the face. Riiight in the kisser, just, boosh. My ex sucks, Bee's so cool. I like him, he's my boy. An-and he taught himself how to do aaaaall the cool things he does. He didn't have anyone to teach him, he did it all by himself. All alone... I wish I met him sooner, when he was small. He says he was really cute when he was small and I want to see him small. I like him big though, he's really fun when he's big. He's- *Sobs* He's my booooy, and I love him so muuuuch.

This continues for hours. Luckily he never drinks so no has to suffer through this.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

If you thought Optimus was the Serial Adopter, you'd be wrong. It's Bumblebee. No bot is safe from his clutches. He scoops up family members like a pelican scoops fish. Optimus is barely aware of how many family members he technically has, he stopped keeping track a long time ago.

Bumblebee: *Bursting into the room dragging some bot he was on an extended mission with* OPTIMUS, I GOT ATTACHED AGAIN YOU'VE GOT ANOTHER FAMILY MEMBER

Optimus: *Not looking up from his data pad* That's great, son, go put it with the rest.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Optimus would be such a good grandparent. In the future, after the war ends, Bumblebee comes into possession of a kid; whether he finds someone and takes them under his wing or he just fucking makes one, I don't know nor care, but he gets a kid. And when he introduces them to Optimus, Optimus just fucking melts. He was already a huge softie before but he's so much worse now. He goes full grandma mode. He has snacks in his pockets (or whatever bots have) that he sneaks to the kid every time he sees them. He gives them money at random. You best believe he would destroy anything that even looked at his grandbaby wrong (Bee: Optimus, stop attacking the door. Optimus, the door just bumped them, they're fine. Dad stop, omp(rimus))

The "Bee finds a kid and both of them get attached and now are a family" is the funnier option. Because the kid knows who these guys are, they saved Cybertron. The kid's still getting used to having Bee as their guardian, so when they meet the 13th Prime: Holder of the Matrix of Leadership, Savior of Cybertron, they don't expect Dotting Grandparent Extraordinaire.

Bumblebee: and this is Optimus Prime. He's your Grandpa.

The kid : *nervous* He's my what?

Optimus: *on the verge of tears* mY grAnDbABy-

The "Bee made a kid" version is still pretty funny.

Bumblebee: *Exasperated* Optimus, give me my child back.

Optimus: *violently crying* nO, It'S mY bAbY nOW.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Imagine, if you will, Optimus and Bumblebee sitting on a roof together, not talking, not touching, just watching the sun set. Just enjoying the silence together, maybe with some energon to go with it. Because they get it, oh they get it. Sometimes you just need to be alone with someone. That good mutual respect and love from a found family that understands you. this is why I need bee to be an adult, I need both of them to be hurting and find some comfort in each other, to find solace in each other, to be a family and to be equals, is that too much to ask?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A list of things Bumblebee is allowed to get away with:

Interrupting Meetings to Tell Optimus Something, important or not (hi dad)

Casually touching the Usually Touch Adverse Optimus (Physical affection ftw)

Calling Optimus out on his self-sacrificial bullshit (you're going to see the medics and you're going to like it, old man)

Using the three points above to drag Optimus into the Medbay by force (Ratchet is so smug about this)

Getting Optimus to do something fun and relaxing (father son bonding time, as Bee says.)

Swearing aggressively (for everyone else it's unprofessional, for Bee its therapeutic. He stretches this excuse as far as it goes)

Making Insulting comments about others to their face (look they deserve it if the Perpetually Friendly Bumblebee is saying it)

Talking about Megatron (Usually team prime avoids talking about Megsy outside of war related convos out of respect for Optimus's history with him. Bumblebee does not give a shit, Megatron is a bitch and he's going to make his opinions known (Everyone thinks it's funny dw))

Illegal activities (this fucker street races in every universe, you think he isn't doing shit like this on the daily?)

Murder

Stealing/Sneaking snacks (he shares with Optimus)

Making jokes about Optimus being his dad (he thinks it's funny bc they're not related and they met like 6 years ago. Optimus explodes with emotion every time bc you consider me good enough to be your dad?)

Bee is a fucking menace, Optimus loves him so much.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Misc. funny word vomit I came up with that have no context, reason, or sense

¯\_(ツ)_/¯

Optimus is working at a desk focusing on some data pads. A tiny energon cube flies into frame, bouncing off Optimus's forehead and landing on the desk. Optimus grabs the cube and eats it without looking up from the datapad. A few minutes pass, another energon cube flies and bounces off Optimus's head. He eats it without looking. Bumblebee is sitting off to the side in the room with Optimus with a bag of energon snacks, periodically throwing one at the distracted Prime. This is Bee's and Ratchet's newest scheme to get Optimus to actually eat, and it's working splendidly. (Actually, Bumblebee originally was throwing the energon onto the desk, but over time he got bored and started just throwing the cubes directly at Optimus. He hasn't noticed any of the cubes hitting him at all, so Bee's started trying to do trick shots.)

¯\_(ツ)_/¯

"Are you sure this is a good idea, Bumblebee?"

"Absolutely, now throw me."

"Alright... Three, two, one- Ngha!"

*distant loud metal slam*

"..."

*distantly* "I'm good! We're in business!"

*quietly* "oh thank primus..."

*distantly* "Okay, I'm done. I'm coming back down."

"Wait-"

*distantly* "Hup!"

*loud crashing metal noises*

¯\_(ツ)_/¯

It's early morning, everyone got back to base late the night before. Everyone is tired. Optimus is sitting at the table in the common room, slowly drinking a cube of energon. His eyes are half open and bleary. Bumblebee is beside him, head in his hand, dozing. Bee's head falls from his hand and slams onto the table. Optimus doesn't even blink at the noise, just takes a sip of energon.

¯\_(ツ)_/¯

Bumblebee takes a lot of pictures. Mostly of his team. He's pretty sneaky about it too, usually just taking a capture from his visual feed and saving it to his personal datapad. And at a glance none of the pictures are all that special, captures of a group of bots hanging out between missions, selfies of Bee and company on missions, drunken mishaps, quiet moments, he's got this really funny one of Cliffjumper stuck in a storage closet, but Bee keeps all these photos out of sight. The others are aware of his habit but they never see most of the photos, they never ask. Bee only opens his photos folder when ever he has a quiet moment alone and just scrolls through, reminiscing. His favorites are the ones where he caught someone's genuine smile. Sometimes they're in the background of a larger group shot, or it's just them smiling at Bee in conversation. He's got a lot of Optimus's smile. Optimus doesn't smile a lot, but he always seems to smile when Bee's around. Bee's proud that he can do that for him.

¯\_(ツ)_/¯

this could literally be anyone on team prime: *teasing* You playing favorites, Prime? Giving Bumblebee all this special treatment is making the rest of us feeling left out.

Optimus: You all treat him the exact same way I do.

again, literally anyone on team prime: ... Touché, Boss bot, touché...

¯\_(ツ)_/¯

After spending an extended period of time in close proximity to Megatron (for what ever reason), Bumblebee and Optimus talk.

Bee: You had terrible taste in partners.

Optimus: *sighs*

Bee: Physically, I can see the appeal, but everything else is a wild thing to say yes to.

Optimus: ...

Bee: His personality, his interests- just why none of that clocked you onto how fragged up he would be is beyond me.

Optimus: ........

Bee: You're not stupid, I hope that your next partner will be leagues better than him. Ratchet maybe, oh or Elita, they would make great partners (and even better step-parents), or maybe-

Optimus: CanwePleasestoptalkingaboutmylovelife??

¯\_(ツ)_/¯

Bumblebee: If you get back together with Megatron I'm disowning you.

¯\_(ツ)_/¯

BB: This is... so dumb.

OP: The higher I am the better I can see.

BB: You can- You can fly.

OP: Hush now Bumblebee! I am searching...

¯\_(ツ)_/¯ idk man, brain rot hits something different when I think about it for long periods of time

[unfinishedslurs]

gay bar (steddie)

“Well, well, well,” says a voice from behind. “Steeeeeeve Harrington. I must be dreaming.”

Steve turns around to see a guy, dressed in black and chains. Rings decorating his fingers, studs in his ears, curly hair pulled back in a ponytail. He’s hot, yeah, but something about him has Steve squinting, trying to figure out why he looks so familiar. 

“I know you from somewhere,” he says, pointing out the obvious. The guy knows his name.

The not-a-stranger snorts. “Of course you don’t remember me. Why would the likes of King Steve stoop to—“

As soon as the nickname leaves his mouth, Steve’s brain lights up. “Munson!” He exclaims, snapping his fingers. “You used to climb on the lunch tables to give speeches.”

It was so obnoxious, too. The kind of thing that had him and Robin reminiscing late at night, celebrating some of the weirder shit about Hawkins that didn’t come from monsters, or Russians, or government conspiracy. Remember that one asshole? Yeah, he stepped on my lunch one time!

Condolences to Robin’s pb&j. She never sat at that table again.

Munson’s whole face turns pink. “Seriously? That’s what you remember?”

“It was pretty fucking memorable, dude. Like, gross, doesn’t this guy know not to put his feet where people eat? Dustin thought you were so cool for it too. I had to nip that in the bud before he started imitating you or some shit.”

“Oh,” he says, voice gone flat. “Because God forbid some poor kid try to immolate the freak.”

Steve gives him his bitchiest, most deadpan stare. “Feet,” he says slowly. “Nasty, fifteen year old boy feet. On my kitchen table. He almost slipped and cracked his skull, and I would have sent you the hospital bill.”

He had to get creative to make him stop, too. Stood there, hands on his hips, and made Dustin tell him exactly how many germs he thought were on his shoes. Then when he tried to do it barefoot, decided the only course of action was to stuff Dustin’s abandoned sock in his mouth and ask if he wanted that shit with every meal. Erica still has the photos. 

Munson has the decency to look embarrassed, face flooding an even brighter red that wouldn’t be out of place in a tomato patch. “What are you even doing here, Harrington?”

What does he think Steve’s doing here? It’s a fucking gay bar, it’s pretty self explanatory. “My friend is here somewhere,” he says, waving out at the crowd of people. “She’s going through a dry spell, so…”

“Right,” Munson says. Steve squints at him. Does he look disappointed?

Eh. Doesn’t matter. 

“You gave my kids the best freshman year of their nerdy little lives,” he tells him, because he knows Dustin would want him to. Plus, the guy was Mike’s gay awakening. He should probably get some credit. “So thanks for that.”

He lights up. “Yeah! How was Hellfire in my absence?”

“I had to hear them bitch and moan for months about how it ‘wasn’t the same,’ but it’s doing pretty all right. Erica Sinclair is running it now.”

“Erica Sinclair…” Munson mutters, snapping his fingers. “Lucas Sinclair’s little sister? Lady Applejack?” He beams when Steve nods. “She kicked ass. Best finish to a campaign my entire high school career. How’s Lucas, anyway? And the rest of the runts.”

“He’s doing great,” Steve says. “College basketball at Yale. Pretty sure he’s dying under the workload, but that’s what you get for majoring in physics. Dustin’s at MIT, and Mike’s taking a gap year.”

He whistles lowly. “Yeesh, I don’t blame him. How about Byers?”

“Which one?”

“Zombie boy.” Steve’s hackles raise, but Munson just grins. “God, that nickname was badass.”

“How do you even know about that?”

Munson taps the side of his nose. “A magician never reveals his secrets. Besides, all it took for you to remember me was calling you by your high school nickname.”

“That wasn’t my nickname.” Steve rolls his eyes. “Literally three people ever actually called me that, and you were one of them.”

He has a feeling it was Tommy who started it, bitter and vicious. Told himself Steve was self possessed, high and mighty, above it all. That’s why he left his old friends behind. Not because he was in love, or because he wanted to be better. No, King Steve just sits alone in his castle, looking down on the peasants with contempt. 

Billy must have taken his angry ramblings and run with them. After all, what better way to get a start in a new town than declaring yourself royalty? Never mind that Steve hadn’t cared about anything like that for almost a year by then. 

Munson had just been a drama-loving asshole. 

“That can’t be right.”

“I stopped being popular in junior year. Why the hell would anyone call a sophomore King?” Steve points out. 

“You were Prom King.”

“Again, in junior year. Pickings were slim. Who else would it have been? Tommy?” He has to laugh. 

Luckily, Munson takes the hint and swerves the conversation into new territory. “You know, I always figured you’d be homophobic.”

Steve snorts. “What, and get kicked out for nothing?”

Munson stares at him, and Steve furrows his brow, looking into his glass like it will have the answer to why the hell he said that to this guy he barely knows. He just decided he wasn’t going to spill all his daddy issues to a near-stranger in a dingy bar, dammit. Is he already on his fifth drink?

Actually, this might be his sixth. That tracks. 

“What?”

“My dad caught me kissing a boy,” he says. If he’s going to give Munson his life story, he might as well commit. “Can you believe that boy ruined my life in three different ways? Two of them didn’t even have anything to do with the gay thing.” 

Maybe four ways, if you accounted for the way he broke his goddamn heart, but everyone and their mother saw that coming a mile away. Even Steve. Especially Steve. 

No offense to Jonathan. None of those things were really his fault. Or actually life ruining, but it sure fucking felt like it at the time. 

He should give him a call soon, actually, see how he and Argyle are doing. He misses the guy. Maybe he and Robin should save up for a visit to Cali. Get Nancy on it. They could see San Francisco while they were there, that’d be cool. Apparently it was the queer capital of the country. 

He’s thinking about asking the bartender for a napkin and a pen to write down the plans he’s forming when Munson speaks up again. Steve honestly forgot he was here. 

“I thought you said you were here for a friend.”

What?” Steve blinks, confused, and then catches on. “Yeah, to get her laid. I’m not in the mood right now.”

Munson cocks an eyebrow. “Wearing that? Could’ve fooled me.”

Steve looks down at his Springsteen T-Shirt that Robin cropped, and picks at the frayed hem of his shorts. Okay, yeah, they’re on the skimpy side, but in his defense it’s summer and even if he’s not cruising Steve likes being looked at. “Yeah, yeah. What about you? Here for anything in particular?”

“Just to talk to some pretty boys,” Munson says, leaning on the bar to flag down the bartender. Steve smirks, reaching out a hand to tug at the hanky in his back pocket. Pinned, damn. 

Munson whirls around, a flush starting to crawl onto his ears. 

“Wearing that?” Steve echos snarkily. “Could’ve fooled me.”

He swears that for a minute Munson’s eyes darken. 

He’s almost tempted to follow through, high school reputation be damned, when someone crashes into his side and nearly sends him careening. 

“Steeeeeve,” Robin yells happily into his ear. “This is Bernie, she’s gonna take me home, see you la—oh, hi!” She says, noticing Munson. “I know you from somewhere.”

“Eddie Munson,” Munson greets. “Steve and I went to high school together.”

“Munson! That’s it, you climbed on tables and had shit music. I’m Robin. Okay, I’ll call the apartment and leave a message when we get there. Bernie’s waiting on me, it’s-nice-to-meet-you-bye!” Just like that, she’s gone. 

Munson’s mouth has dropped open. “You told her I had shit music?” He demands. “Wait, you talked about me?”

“She went to school with us, dumbass,” he says, as if he can talk. He still barely remembers her as more than a vague, glowering figure in his peripheral. “It’s not my fault you blasted your screamy music for everyone in the parking lot. Such a fucking headache, God.”

Munson turns his nose up. “Sorry for having offended your jock sensibilities.”

“Oh, I don’t play anymore,” he says, and knocks on his head. “Concussions, yanno. Apparently brain damage will fuck you up. Who knew?”

“What, like the fight you had with Byers? He did you that bad?”

“He did me just fine,” Steve blurts out, before he can stop himself. Munson chokes. “Shit, sorry, I’m kind of a horny drunk.” Weird thing to say, Steve. “Also, I cannot stress enough how much I needed to be punched in the face. It was a monumental moment for me, you know. Started me on the path for changing my entire worldview. Plus, he was my first guy crush.” He swirls his empty glass, lost in thought, before brightening up. “I should call him!”

Munson is staring at him, mouth opening and closing like a fish. 

“What?”

“You’re drunk.”

“Well, yeah. Duh.”

“I should probably stop you from booty-calling the guy who punched you in the face.”

Steve wrinkles his nose. “It wouldn’t be a booty-call,” he says. “He and Argyle are happy together, man. I’m not gonna ruin that.”

“Oh, so you’d call him because…”

“I call him all the time,” Steve says, confused as to why this is such a big deal. “We’re friends.”

“Jonathan!” He yells happily into the pay phone. Munson is standing to the side, looking on in annoyance. Whatever, it’s not like Steve asked him to do this. “Jonathan, man, how are you?”

“…Steve?”

“Yeah!”

“It’s like…” he hears something clatter in the background, like Jonathan is looking for something, “two in the morning there. You okay?”

“I’m doing great!” He exclaims. “How about you? It’s been ages, man, I miss you.”

“This is so fucking weird,” Munson whispers behind him. Steve ignores him. 

“Are you drunk?”

“No,” he says. “Well, maybe a little. Do you not miss me too?” He pouts, and Jonathan sighs loud enough he hears it over the phone. 

“I just talked to you yesterday.”

Steve frowns. “Yesterday? That can’t be right, it’s been, like, forever. Oh, hey, have you heard from Nance lately? How’s your mom? I love your mom, she’s so fucking cool. Does she know I think she’s cool? How’s Will? It’s been so long, is he taller than me yet? How’s Argyle doing with his degree? I miss you guys.”

“We miss you too, Steve.”

“Awww, Byers, getting soppy on me? Gross, man.”

“You literally just—yeah, okay. Are you alone?”

“Nah, I’ve got this guy with me, he’s walking me home. Oh! Dude, do you remember Munson?”

“Munson?”

“Yeah, Eddie Munson! From high school! The one who used to climb on tables and shit, remember him?”

“Jesus Christ,” Munson groans. “Please let that die.”

“No one is dying,” Steve informs him seriously, and turns back to the phone. Munson sighs. 

“Wasn’t he a drug dealer?”

“Yes! Yeah, drug dealer Munson! Did you ever buy from him?” He turns to where Munson is looking around furtively. “Did Jonathan ever buy from you?”

“How about we not talk about this here,” Munson says through gritted teeth. Steve sighs and turns back to the phone. 

“Never mind, he says he doesn’t want to talk about that. Not like we can judge him, but whatever. Maybe the guy’s turned into a prude—“

“Okay, give me that.” Munson wrestles the phone out of his hand, and Steve whines at him. “Hey, Byers,” Munson says. “Yeah, it’s Eddie. Or Munson. Whatever. Listen, I’m getting kind of sick of standing here watching Harrington slobber all over the receiver, can he call you tomorrow? What? No, I don’t sell anymore—yeah, total bummer, whatever. Listen, I’ll get him home safe—no, I’m not going to serial murder him. He’s gonna be fine, he’ll call you tomorrow—Nancy Wheeler? Like that girl he dated? Didn’t you—shoot me? Jesus, okay! I’m not gonna kill the guy, Christ. He’s gonna be fine, oh my God. He’ll call you tomorrow. Uh-huh. Uh-huh. Yeah, okay. Bye.” He slams the phone into its holder with more than a little contempt. 

“Hey!” Steve protests. “You didn’t let me say bye.”

“You can call him tomorrow and apologize,” Munson says. “Now c’mon, Harrington. I’ve been tasked with getting you home safe, and if I fail, apparently Nancy fucking Wheeler is going to shoot me in the balls.”

“Oh, yeah, she’s really hot when she does that,” Steve says fondly, and Munson splutters. 

“What, does Wheeler just go around shooting people? Does she even have a gun?”

“Of course Nancy has a gun.” Steve frowns. It was one of the sure things in the universe at this point. The sky is blue, Hawkins is fucked up, and Nancy Wheeler has a gun. “And she doesn’t shoot people, stupid. Well, she shot at Billy, but he deserved it.”

“Billy?” Munson mutters, starting to usher Steve in the direction of home. “Who the fuck is Billy?”

“He was trying to kill her first!” Steve defends. “I hit him with a car before he could, so she was okay.”

“Okay, yeah, sure. Why wouldn’t you hit some guy with a car? 

“It wasn’t some guy,” Steve says. “It was Billy. He was, like, possessed or some shit. Oh, and he beat me up. Total psycho.  And that was before the melted flesh monster.”

Munson stops and stares at him. “You know what, sure. Demonic possession. Yeah, okay. Some guy named Billy kicked your ass—wait, are you talking about Billy Hargrove?”

Steve lights up. “Yeah! You remember that? That’s one of the concussions I was talking about. I gotta wear glasses 'cuza that shit. Man, fuck that guy.”

“Didn’t he die?”

“Oh, yeah,” Steve frowns down at the ground. “Shit, I’m, like, speaking ill of the dead, aren’t I? Max wouldn't like that. Unfuck him, or whatever.”

“You wanna come up?” He asks. “For old times sake?”

Munson stares at him like it’s the craziest thing he’s said all evening. “‘Old times’ was your asshole friends calling me a satan worshiper and pushing me around in hallways, Harrington.”

“I know.” He grins. If he was sober he’d definitely feel worse about that, but as it is he’s pretty single minded. “Don't you kind of want to make me cry about it?”

Deer in headlights isn’t usually a good look, but Munson’s got the eyes to make it work. Or Steve is drunk. Either way, it’s kinda cute. 

“You’re drunk,” he finally says, stumbling over the words a little. If Steve pays close attention and ignores most of reality, it almost sounds like he’s trying to convince both of them. “You’re so incredibly drunk.”

“I’m not that drunk.” He totally is. 

“I just had to supervise you calling Jonathan Byers so you didn’t say something you’d regret in the morning.”

“What’s that supposed to mean?” Steve asks, offended. “I love Jonathan! I tell him all the time. Just because I said he ruined my life—“

“That was him?”

“Did I not say that? Huh. Whatever. Point is, I’m not that drunk.”

“You’re definitely drunk,” Munson says. “I’m not—yeah, no. I’m not coming up.”

“Damn.” Steve shrugs, not too put out about it. It’s a bummer, sure, but he handles rejection like a champ. Just ask Robin. “Worth a shot. See you ‘round, Munson.”

“Don’t kill me,” Steve says. 

“Oh, god, did you punch him?”

“No, I, uh.” Steve rubs the bridge of his nose. “I think I tried to fuck him.”

He has to hold the phone away from his face so Dustin’s screeching doesn’t break his eardrums. 

“Your exes are weirdly protective of you,” Munson says blandly. “Also, didn’t they date?”

“Yeah,” Steve shrugs, not exactly eager to start spilling his life story again now that he’s sober. Munson doesn’t need to know more about his dating history than he already does. “We’re all a little weird about each other, sorry.”

“Weird about your exes,” he hums. “No wonder you’re single.”

“Oh, fuck you. It’s not like that.”

He raises an eyebrow. “No?”

“Are you always this nosy?” Steve asks, a little waspish. 

“Absolutely,” Munson replies without hesitation. “I’d say sorry, but I’m not. When did you even date him?”

“Dude.”

Munson just cocks an expectant eyebrow, hip resting against the bar. He can’t imagine why someone would be so interested in the romantic lives of their old high school classmates. It’s not like Steve is about to ask what was going on between him and Chrissy Cunningham. 

“Well, Harrington?”

“First grade,” Steve answers, deadpan. He grins when Munson chokes. “Nah, it was actually after he and Nancy broke up. Fall of ‘86.”

Arms squeeze him from behind, and Robin slides into view, leaving one hand wrapped pointedly around Steve’s waist. She gets clingy when she thinks someone is bothering him, or when she’s just on the side of drunk that she gets possessive. She told him, embarrassed and hungover, that it’s because she registers someone he’s getting along with as infringing on “her Steve time.” Steve thinks it’s hilarious and kind of sweet, an obvious lesbian trying to pretend he’s her date. Especially because he gets the same way when he’s tipsy and feels like he doesn’t have enough of her attention, so she can't yell at him for being a cockblock. Cuntblock. Whatever the lesbians call it.

He wonders what category she thinks Eddie is. Of guy, that is. Not block-anything.

He'd actually be pretty damn happy if the guy miraculously changed his mind and decided to sit on his cock instead.

“What’s going on here?” She asks, almost cattily. He loves when Robin gets bitchy. It brings him back to their Scoops days, except he gets to see it turned on someone else. 

“I’m telling Eddie my life story,” Steve says blithely.

“Ugh. Who would want that?”

Eddie grins. “I’m curious about the adventures of a former king.” He dips his head in a bow, waving his hand in a flourish. “I don’t know if you remember me from last time, I’m Eddie—“

“Munson, I know. You stepped on my lunch in junior year.”

Eddie turns beet red in record time. 

“Aww, Robbie,” Steve almost coos. “Leave him alone. I wanted to be the one who made him blush like that.”

“It’s not my fault your boy’s easy.”

“Not my boy, clearly,” he mutters under his breath. “And if he were easy, I’d have gotten fucked by now.”

Eddie’s mouth drops open with a choked little sound. Whoops. Steve forgot volume control again. 

Robin takes one look at Eddie’s face and bursts into cackles. 

“He was asking about,” he waved a hand in the air, “the whole Nancy-Jonathan thing.”

Her eyebrows jut up. “You told him about the threesome?”

“The what?”

Steve sighs. “No, Robin. I did not tell him about the threesome.”

“…oops.”

“When?” Eddie demands. 

Robin gives him the evil eye. “Why are you being weird about this? It’s not gonna make him fuck you.”

Steve wisely keeps his mouth shut. 

Eddie does not. “Your boy here already asked,” he smirks, leaning closer. “I said no.”

Then, as an added punch to his ego, he twirls a strand of Steve’s hair around his finger and tugs slightly. Steve’s too stunned to protest. 

Robin watches the exchange. “Oh, no thank you,” she says. “Nope. I’m out. I don’t want to see whatever this is. Ugh, stop making me hear about your sex life.”

Hypocrite. “We have thin walls, Buckley,” Steve reminds her. He turns to Eddie and stage whispers, “She likes her girls loud.”

“Steve!”

“You do!”

“Oh, because you’re so quiet,” she snaps, smacking him. “How many times have I had to bang on the wall because you couldn’t keep it down? You wanna talk about loud? I know more about you than I ever wanted to.”

His mouth drops open in mortification. “You know it’s rude to be mean to the man who told you how to eat out,” he hisses. 

“I’m not dying without fucking Eddie Munson,” he declares. “I mean, his high school nickname was literally ‘The Freak.’ He’s got to be good in bed, right?”

“I think that was mostly because everyone thought he was communing with the Devil or something.”

“Maybe the Devil gave him sex magic.”

“Of course he thinks I’m cute.”

“I do?”

“Do you not?” Steve turns to him, widening his eyes in the same pout that always has Robin throwing something at his face, or the kids reluctantly agreeing to do what he wants. He’s found it’s useful for guys too, especially if he ducks his head to seem smaller and looks through his eyelashes. Makes them imagine him looking like that on his knees. 

Munson is no exception. He melts faster than Steve can say gotcha. “You’re very cute, Harrington,” he purrs, and Robin snorts into her drink. 

“You’re a weak, weak man, Eddie Munson,” she tells a blushing Eddie. Then she kicks Steve. “Stop bringing out the ‘fuck me’ eyes when I’m around, I’ll gag.”

“You could leave.”

She gasps, affronted, and kicks him harder.

“So you would fuck me if I wasn’t drunk?”

“Uh…” he looks everywhere but Steve’s face, which is just rude. He has a very nice face. He’s been called dreamy before. 

Which made Robin laugh so hard she fell off the couch when he told her, but he’ll take the lesbian’s opinion with a grain of salt. 

He makes his way onto the dance floor. He’s not a particularly good dancer, but he shakes his ass like he means it. Gets up close with a guy, stares at Eddie the whole time. Keeping eye contact as the guy puts his hands on his hips. 

Look, he means to say. This could be you. You could lose your chance if you’re not careful. 

From the burning in Eddie’s eyes, he gets the message. 

The message is a bunch of bullshit. It’s been over four months, he’s in too deep to go fuck off with someone else now. Still, he enjoys the way Eddie’s hands flex on his thighs, like he had to stop himself from reaching out. 

The thing is, Steve’s not an asshole. He can take a hint. No means no, and all that jazz. If Eddie really didn’t want him, he’d fuck right off and find someone who did. He even started to.

Except Eddie pouted up a storm when he flirted with someone else. Got even clingier when Steve tried to back off. At this point, he’s accepted that Eddie does want to fuck him, and maybe even be more (no one flirts with someone as long as they’ve been doing without wanting something like a relationship out of it. At least, he hopes there’s something more on the horizon), but has some weird hang up about Steve being even a little bit buzzed when it happens. Even though they only ever see each other at this fucking bar.

The problem is Steve has no idea when Eddie will be at the bar. He’ll stay sober one night, hoping to see him, and then go home alone only for next time to be when he sees telltale curls and a wide smile. It’s driving him up the wall. 

Robin has been similarly affected.

“It’s been six months,” she growls as Steve looks eagerly around. “Six fucking months of you two dancing around in the worlds most annoying mating ritual. I’m going to kill both of you.”

“We’re not that bad,” he says absently. 

“You don’t even have his phone number. It’s pathetic. I swear to God, if you see him again and don’t get laid I’m reviving the scoops board. I will go out and buy a whiteboard to keep track of all the times you strike out with a man who used to walk on tables. He stepped on my lunch, Steve. Do I need to keep bringing up the fact he stepped on my delicious, nutritious PB&J? I can’t believe that’s the guy you decide to be obsessed with, that’s so fucking embarrassing for you.”

“Embarrassing? You mean like your crush on my ex girlfriend?”

She screeches wordlessly, pulling her keychain off her belt loop and attacking him with it. 

Naturally, that’s how Eddie finds them. 

“I swear you guys get weirder every time I see you.”

Steve grins guilelessly at him, holding a flailing Robin in a headlock. 

“Eddie! Hey! It’s been a minute.” He hasn’t been able to come in a month, and it’s been longer since he’s seen him. It’s honestly one of the deciding factors on whether it’s a passing fancy or a full blown crush. He still went to sleep every night thinking about Eddie. It didn’t even have to be about sex. 

Although maybe not sleeping with anyone else for half a year should have tipped him off sooner. 

“Sure has, big boy. I was starting to think you were getting sick of me.” It’s a joke, but Steve catches an undercurrent of insecurity. 

“That’d make my life easier,” Robin snorts. She finally wiggles her way out of his hold. “I saw Arty somewhere around here, I’m gonna see if I can crash at her place tonight.” She levels Eddie with a look. “He hasn’t had anything to drink. If you don’t put him out of his misery, I will. And it won’t be the good kind. It will be the bad kind. With bad screams. Lots of screaming, and someone will call the pigs, and I’ll be arrested and jailed for life. Do you want me to go to jail, Munson?”

Eddie shakes his head dumbly. 

“Good! Then do something about it.” She slaps Steve’s back, a mocking echo of his jock days. “Go get ‘em, slugger!” 

With that, she’s gone, disappearing into the crowd. 

“She is,” Steve remarks with amusement, “the worst wingman on planet Earth. Mars too, probably.”

“I dunno, I think it might be working.”

“I’m not doing anything without a condom,” he says, eyes narrowed like he’s waiting for an argument. 

“Me neither,” Steve agrees. “Robin has, like, this big fear of diseases. Totally got me with it. She pulled out the library books, those pictures were fucking disgusting. Shit showed up in my dreams, man. Neither of us do anything without protection.”

“I’m going to be totally honest with you, because I haven’t been and it’s starting to eat at me,” Eddie says, hovering above Steve. 

Steve wrinkles his nose. “What is it? Are you a spy or something? Are you Russian? Do you have superpowers? Is your name not actually Eddie?” He pauses. “Oh, God, you’re not even Eddie Munson, are you? I’m just some asshole who’s been calling you by my old classmates name and you were too embarrassed to correct me. Shit, we made so much fun of you for walking on tables too—“

“What?” Eddie covers his mouth, expression hovering between amused and baffled. “What the fuck, why would I go along with that? No, Jesus, I’m Eddie Munson. Moved to Hawkins when I was eleven, took senior year three times, walked on the fucking tables, could you let that go?” He moves the hand covering Steve’s mouth to play with his hair, looking annoyed for a minute before it smoothes to trepidation. “No, I, uh, I just felt like I needed to tell you that I used to have a hate-boner for you in high school. Like, I used to jack it to the thought of kicking your ass and making a mess outta you. In more ways than one.”

Steve stares. 

“Also, that’s kind of why I approached you in the bar in the first place,” Eddie blabbers on. “And then you said you were just there for a friend, and I was disappointed but it’s whatever, yanno? And then then you told me about your dad, and threw my expectations to the fucking wolves, and then you asked me to come up to your apartment except you were drunk and you probably didn’t mean it. But then the next time I saw you, you kept flirting with me, which you were not supposed to do, and I kept pretending that wasn’t the reason I even talked to you in the first place, and, uh, yeah.” He smiles nervously. “Surprise?”

“I mean, not really.”

“You’re such an asshole, fuck off. At least pretend to be shocked.”

“It’s not my fault you stare at my legs all the time,” Steve says, affronted. “I know I didn’t do too good in school, but I’m not dumb enough to miss that. Like, hello, my eyes are up here.”

Eddie lets his arms give out, flopping on top of Steve heavily. Steve wheezes. “Am I really that obvious?” He whines into his shoulder. 

“You got sad and pouty when I even looked at another guy.”

“You could’ve fucked him,” he mumbles. “The guy you were dancing with. It wasn’t any of my business. I’m a big boy, I can deal.”

“Yeah, but I didn’t want to fuck him,” Steve says. “I wanted to fuck you. Can we go back to that please?”

“Thought I was fucking you.”

“Someone’s getting fucked or Robin will kill both of us. I’d like to live tomorrow morning. And not have to deal with any more of her teasing for having no game.”

“You have unfortunate amounts of game,” Eddie sighs, tracing the side of Steve’s neck. It tickles. “It’s kind of embarrassing for me.”

“Yeah, yeah, are we using those condoms or not, Moodkiller?”

“Oh, I’m the mood killer?”

“Yes,” Steve says matter of factly, and pulls him in for a kiss before he can protest.

[mrbrightxside]

Stupid little Moral Orel comic with Orel and Reverend Putty to express something

[chancheols]

"I feel like I had nothing to hide. I didn't feel like I had to show you my good side. I feel like I can be myself around you."

[ananinidraws]

Fuck it, Super Mario pride HCs

Mario is that one cis guy who at first is a straight ally and thinks he's hetero but then realizes "oh actually guys are kinda cool too". Bisexual with a preference for women, but open to all

Weegee is soooo queer. Always has been, and has an incredibly suportive brother too. Doesn't have a prefered gender romantically, def not cis and on the aroace spectrum, so polysexual, genderqueer and demiaroace. And yes, those were picked specifically cuz all the flags have green in them

Bowser is very confident about his transmasc-ness and displays it proudly. For those of you who said in tags of my previous posts that the scars are painted on, correct, except they're more akin to tattoos, cuz he thought top surgery scars looked sick as hell. He's still questioning orientation wise though. Like Mario, he's always thought he was straight, but unlike him, he's finding it more dificult to nail down what exactly he is

Trans aroace Peach! Trans i will elaborate further on a diferent post (i have some theories that tie into that, but i'll post about that soon), but i see Peach as that one aroace friend who looooves being affectionate with her closest friends. Hearts and love motif characters being aroace and the love being their platonic love my beloveds

Bisexual QUEEN, with no strong preferences. Also Daisy got top surgery cuz she could and cuz she wanted to

Your honour, she loves women. And is also ace, cuz Rosa just gives off ace-spec vibes, to me at least

Pansexual, slight preference for women. After she and Mario broke up they'd go "my goodness i love girls" "me too"

I. I really don't think i need to explain this one. The Bean Kingdom's fruitiest man

Shoutout to @nartblartmallcop not only cuz they inspired me to do the pride hcs in the first place, but also because the hc of Wario and Waluigi being ALL or NOTHING really made me open my eyes to that hc cuz it's AMAZING (these two posts, if you're curious)

And lastly Wapeach, cuz i love her, her gender is No

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

[silusvesuius]

testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags