#i’m right here with you

[foreverdolly]

hey im so sorry about your dad he sounds like a nice guy i understand the grief your going through i lost my mom to aids this year on valetines day i grew up listeing to a bunch of diffrent artist she liked including elvis and if it wasnt for her i dont think i would have the same appreciation for musicans like him

hello there, angel.

just want you to know that you’re not alone in your grief. i’m always here if you want to talk about her or just gush over the music that she enjoyed. either way, thank you so much for finding me and helping me to feel less alone. mourning someone is a really scary thing and is difficult to navigate. i am positive that it is still something that you’re dealing with on a day to day basis. this sort of thing doesn’t have a time limit on it. it’s a wound that will always remain open and painful.

you are loved and understood.

i know that your mom is up there dancing right along with you. music transcends 💗

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[tariah23]

The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.

[charcubed]

and when I say Patrick’s loose barely-on towel that was placed there by request is a metaphor for him being comfortable and shameless in his bisexuality, and Art’s fastidiously tight towel is a metaphor for his internalized biphobia and repression, then what

[jiauro]

Heavy is no longer my least played class

[icelogged]

[oobbbear]

Made this exactly a year ago since my dca brainrot is back I thought I might share this cropped version of the rpg meme

[joeeatsdvds]

the l word = lesbian joke in scott pilgrim is never not funny to me

[faint-taste-of-almonds]

I like the idea of there being something a little sharper about Zaunites.

Jayce often turns around to find Viktor much closer than he had thought, even being able to hear the tapping of his cane. During late nights in the lab, his amber eyes burn violently in the blue glow of the hexgems. On the rare occasion he blinks, Jayce can swear they appear reflective, like a cat’s. Just tricks of the light and the mind.

Mel’s skin rises the first time Jayce brings Viktor to a Council meeting. They’ve met before, of course, but there’s something immovable in his grip when she shakes his hand, touching him for the first time. Viktor smiles ingenuinely, almost mockingly, at something Salo says, and his teeth are a tad sharp. Mel has grown up around war, around danger, but it had always come for her head on. In Piltover, it came in the form of ruining reputations or profits. She wonders how thoroughly Viktor could ruin someone before they even realized he was there. She dreams of wolves and foxes that night, and from a tree, the ember-bright eyes of a lynx watches, waiting for the other predators to tear each other apart.

Vi likes to climb. Caitlyn knows this, though she supposes she didn’t really think about it. It’s almost beautiful to watch, really — the agile switches, the power thrumming beneath Vi’s skin like she might burst from it. Vi maneuvers through the rooftops of Zaun as easily as breathing. Sometimes, Caitlyn’s own breath will catch when the jump looks too far, too much, then Vi’s hand will catch the ledge without fail and she can huff a laugh. She ignores how many distances Vi has crossed that shouldn’t be crossable. Like a cat, a Zaunite will always land on their feet.

Ekko seems to move quite strangely, Heimerdinger thinks. Though, he’s never truly paid close attention to human movements, the boy seems to traverse without the normal effect of gravity, as if he simply never dismounted his hoverboard. It was far too smooth, far too even — it took a considerable time for Heimerdinger to put his finger on it. As they discover the sickness of the tree, the pattern changes. Ekko glitches sometimes, staying in one place for too long before seemingly being sling-shot through space, appearing somewhere else without having gotten there. A mystery for later, he supposes.

Silco feels like a condensation of all Zaun’s noxious gases, perhaps with a vein of Shimmer added for realism. Marcus feels like his lungs are clouding just from being around him, getting the urge to cough out the pollution. Silco is the grimy cracks, the perpetually-wet streets, the sunken ribs and track marks of every body slumped on every street. His voice curls around Marcus like a snake, squeezing tighter and tighter until the fear and the threats are the only things left in his brain. Yet, Silco sits calmly, always far too still. Sometimes his scar appears to splinter in front of Marcus’s eyes. When he tucks his daughter in a night, he wonders about what kind of monster might slip, unheard, through the cracks of her window.

There’s always been Something in the air in Zaun. The water too. Really, can one be surprised at the consequences?

[corseque]

In the DA4 talk table, I found and reordered (as best I could determine) what seems to be a deleted dialogue tree/branch when talking down Solas at the end of the game. 🥹🥹😭😭😭

EDITED TO ADD:

The lines are not assigned speakers, so I had to assign them myself. Looking at it again, I think it’s probably this instead - Solas saying Rook isn’t responsible for Varric’s death, so of course Rook could “let it go.” (The next line staring with “And” confused me.)

[mcr-heritage-posts]

hey everyone - i know there’s a lot going on in the world right now, a lot of causes that need support and visibility now more than ever.

i’d like to take an opportunity to highlight a cause that’s very literally close to home for me: i live very, very close to springfield, ohio. the haitian community there has always needed help and support but now, with white supremacist rhetoric and bold faced lies being circulated nationally, with threats of violence and heightened ignorance being more common than ever, they need it perhaps more than they ever have.

there has been a lot of hate since trump and his little bootlicker attack dog jd vance have started this shit, but there’s also been an outpouring of love and community outreach in the weeks since springfield was thrust into the worst kind of spotlight.

the hatian community support and help center has been invaluable in helping hatian refugees get what they need to start a new life here. they are headed by a team of haitian immigrants that are personally familiar with what their fellow immigrants need. they have been instrumental in keeping their community from falling through the cracks.

i’m humbly asking, if any of you can - please, please consider donating to the HCSHC. every bit helps. and if you can’t donate, please, please share this around. if you’ve ever reblogged one of my posts or found them funny, if you’ve ever scrolled through and liked and reblogged what i’ve put here, i implore you to share this too. this is a very personal cause for me; i want to see these people who are new here, who enrich our community but are met with too much derision and spite, receive the help, respect, and dignity they deserve.

[acetrainertabris]

it’s been two months and some change and I still dont get what da:tv was trying to do with mythal and solas’ relationship.

that dude is a spirit of wisdom, of knowing things. not loyalty, or love, or devotion, or faith, or anything else that would explain (to me) why he says “this is the worst idea of all time. I will follow wherever you go.”

what has she done that was deserving of such devotion. how strong was their worm love that he would override his very beings purpose for her hubristic quest for power.

show me the mythal solas sees when he calls her the best of them. the one who cared for and protected her people with the loving hand of a mother and the fury of a high dragon. show me the goddess of terrible bargains, who clawed her way through history to offer flemeth a Faustian deal.

show me the mythal that saw the path before her, who saw elgar’nan and the evanuris and the destruction that they had already wrought upon the world and thought she could gentle their hand. she could not change tyranny but she could guide his rage.

show me the mythal that knew how delicate this dance was. who saw the volatility of the first born, who could feel the temptation, the corruption always simmering beneath the surface of her best intentions. who knew she would need wisdom to keep from falling completely to the corruption of her new power.

show me the mythal that failed. show me how benevolence becomes retribution, and how wisdom becomes pride.

maybe this is just my disappointment with da:tv as a whole talking, but veilgaurd mythal is just so flat and lacking in any motivation beyond being solas’ tragic backstory that it undercuts the emotional payoff of his redemption ending for me.

sorry for the incoherent ramble, i just hate this game so much.

[tryingonametaphor]

when they make byler canon i’m so sure that all the duffers are gonna say in an interview is “we’ve been planning this for a while. if you go back and watch the seasons you may pick up on some things you didn’t before” and just move on to the next topic

[stillgotscars]

sending the biggest hug and so much love to all my american friends who are feeling sad and scared right now. i’m so, so sorry.

[fawn-tongues]

Safe Bet

[myokk]

💘