#i’m now gonna list out all the instruments i can make out and cast them okay?

[sonic-adventure-3]

i loooove fly in the freedom so much man. i really like trying to pick out all the different layers and instruments and imagine the characters playing them. next time you listen to fly in the freedom notice the triangle and imagine omega playing it. for me. it’s fun

[watchmegetobsessed]

Floating Through Space - Harry Styles

a/n: im literally bursting from excitement over this, i’ve been working on this fic for so long and im pretty satisfied with how it turned out so i hope you’ll like it too! pleas please PLEASE don’t let this flop bc it means a lot to me 🥺 the song featured in the fic is obviously an existing one, i linked it into the right place so you can listen to it and get the vibe of it, that song is what inspired the whole story so i recommend giving it a listen! leave your thoughts and reactions, i can’t wait to read what you thought about the fic!!

pairing: Harry x Famous!Reader

warning: drug use, smut and everything thats wrong with patriarchy lmao

word count: 25.7k

masterlist

This dressing room is no different than the other one thousand you’ve been to. The plaster on the wall is all cracked up, the red bricks peeking from under it in the corner, the dusty couch looks like it’s been through hell and just sitting on it would probably give you STDs. The mirror on the wall is cracked, the few water bottles you’ve gotten are not even cooled, they’re a warm room temperature. The glorious life of a musician, right?

Moments like this you question why you didn’t just choose to be the obedient daughter and became a surgeon like your parents always wanted you to be. You’d have a steady future and a nice income, a decent career instead of having to perform at a different bar every other night for nicks and pennies that barely cover your rent at the end of the month. But that wouldn’t be you. Wearing scrubs, smiling at patients, throwing out your dignity along with your dreams, you wouldn’t have been true to yourself if you chose that life. Besides, you’d still be in school, barely nearing the halfpoint of your education if you decided to go along with your parents’ plan and it’s clearer than daylight that the school system is just not for you. It would be pure torture if you had to sit in classes for a decade just to work a job you never even wanted.

Looking around the small dressing room you cast your eyes over your band that consists of three people. It’s a temporary set up from three guys you met along your way, all of the struggling musicians as you and you saw the as opportunities. Places would rather have a band play with several men in it than just put one single woman on stage and pray for the best. It’s the sexist part of the industry not enough people talk about. You can’t even count how many pitying stares you’ve gotten through the years when you stated that you want to make a career as a solo female singer.

“Honey, you ain’t making it without at least one man behind you,” is what they’ve always told you. So you’ve gotten yourself three until you could stand on your own two feet without a male backup. You’re using them just as much as they are using you. They were already a band when you joined them, the lead singer just disappeared to thin air with her boyfriend and left them incomplete, so you joined forces to navigate your way together in the depth of the music industry, looking for that big jump everyone is dreaming about.

Standing in front of the cracked mirror you fix your eyeliner, checking yourself once again. Your thrifted checkered suit looks radiant on you especially with the neon green see-through top underneath, showing off a black bralette. It’s a male suit, hanging a little baggy on you at places, but you still feel like you’re pulling off the look. Your thick eyeliner makes your eyes appear even bigger than they already are and your hair is in an unruly mop of curls, making your appearance complete.

You’ve received tons of critiques over your outfits, but they are the only thing you are not changing on yourself.

“Don’t wear men’s pants.”

“You’d look better in a dress.”

“Why do you look like a guy?”

“What a shame to hide such a gorgeous body in clothes that weren’t meant for girls.”

Each and every comment is burned into your mind forever and you’ll never stop fighting against the judgment women has to face for not being the conventional beauty all females are expected to be.

There’s a knock on the door and the person behind it barges in without waiting for an answer. The tall, bald guy rushes in, looking a little stressed, but that’s kind of the normal for the owner.

“I’m not sure how to say it, but… you are not performing tonight,” he simply states and your anger sets in faster than ever. You’ve had gigs get cancelled, but not minutes before going on stage. However, he is still not done with his little informative speech. “And your instruments need to be used by another band tonight.”

“What the fuck?” Trey, the drummer jumps to his feet. “No way I’m letting someone else play my drum set!”

“You’ll get half the money if you let it happen,” the owner answers.

“Wait, what band did you find minutes before start?” you ask in complete shock.

“There’s this group celebrating a birthday in the VIP section and some boy band is apparently with them. Birthday girl requested to have the stage for them.”

“And you’re just cancelling on us that easily?” you snap.

“Not that I have a choice. If I don’t do it they are leaving and I’m losing a big amount from the night. Sorry guys, but this is strictly business.”

“I can’t fucking believe this,” you laugh bitterly, staring up at the ceiling. This would have been a great chance for all of you, you’ve been trying to get a gig here for months, knowing that a lot of people from the industry fancies it, you might have caught someone’s eyes, but it’s definitely not happening now.

“Are you letting them use your stuff or not?” he urges, hands on his hips as he looks at the four of you impatiently.

“But what about our gig? We’ve been on the waiting list for months, when can we actually perform?”

“Uh, I don’t know. We’re pretty booked, maybe sometime in the summer?”

“Summer?” you gasp in disbelief. “It’s fucking February!”

“Are you lending them your stuff or not? I don’t have the time for your little tantrum!”

“Yeah, if we get the money they can use it,” Connor, the bass guitarist answers before you explode right then and there. The owner walks out with that, leaving the four of you behind, forgotten and humiliated.

“I can’t fucking believe it,” Trey groans, plopping down on the couch, covering his eyes with his tattooed arm.

“This is fucking bullshit,” you scoff under your breath, reaching for your bag to grab your pack of cigarettes you keep in it especially for cases like this, whenever you are about to go around and punch every living thing in the face in your reach.

Kicking the backdoor open you lean against the cold brick wall as you light the cigarette and start puffing vigorously, trying to get as much nicotine into your system as possible. You notice a group of guys standing near you in the alleyway, laughing on something, having a great time, oblivious to how hurt and angry you are feeling just a few feet away. You hear frictions of their conversation and it’s clear they are British judging from the accents that are hitting your ears. You finish your cigarette pretty fast and immediately reach for another one even though you know you shouldn’t have even smoked that first one, but you just can’t help it. It’s either the smoking or you’re going after the owner and kick him in the balls for being a bitch.

“Oi, can I ask for one?”

Glancing to the side you see that one of the guys has approached you, smiling at you warmly he nods towards the pack in your hands. Nodding you hold it out for him and he takes one. Before he could even ask for the lighter, you throw it at him and he catches it easily.

“Thanks,” he nods, holding the cigarette between his lips before lighting it and passing the lighter back to you.

“Lou, you really shouldn’t smoke,” you hear one of the others speak up as the rest of the group slowly joins you and the one you just helped out.

“S’fine, don’t act like me motha’,” he shrugs, taking a drag from the cigarette.

“At least not before we go on stage,” the blonde one shakes his head at his friend and your eyebrows shoot up.

“Oh, so you’re the band that’s gonna play?” you ask with a forced smile, already feeling your blood boiling. Who the fuck they are and why do they deserve to steal your gig?!

“We’re just playing a couple of songs,” another speaks up shrugging his shoulders. “No big deal.”

“Glad it’s no big deal to you, because it would have been to the band that was robbed from tonight because of you,” you spat at them, clearly surprising them with your harsh reply.

“I assume you are part of that band, right?” the on with the curly hair speaks up, his green eyes burning down at you.

“Nice job, Sherlock,” you groan, taking another drag from your cigarette.

“You could play with us,” he offers, the others nodding in agreement.

“I don’t need your pity,” you scowl at them. “Bringing me on stage to try to make yourselves look like the good guys is not necessary. I’m just fed up with people like you.” The truth is coming out of you easier than ever. All the years on injustice is seemingly erupting from you, pouring down on these five.

“People like us?” the dark haired one asks with a confused look.

“Yeah,” you nod with a bitter chuckle. “Five conventionally hot guys grouped together for a band, making every girl between the age of ten and thirty scream just by a wink. I don’t know where you came from, but I’m betting my head that you’ve had it easier than others.”

“It’s not nice to assume things when you don’t know anything about us,” Curly speaks up, tilting his head to the side.

“Oh, I’ve seen enough not to care about what’s nice and what’s not,” you chuckle shaking your head as you take another long puff from your cigarette and throw the butt to the ground, stepping on it. “Who are you even? Some Back Street Boys 2.0?” you ask, folding your arms on your chest, earning a heartfelt laugh from the blondie.

“I kinda like her,” he smirks around his friends. “We’re called One Direction, you haven’t heard of us?”

“Not even once,” you shake your head.

“That’s kinda humbling,” the one with the cigarette smiles. “We’re from the UK. I’m Louis, that’s Liam, Niall, Zayn and Harry.”

“I would say it’s nice to meet you, but it would be nicer if you guys didn’t just take my gig and lessen me with half my paycheck,” you smile at them sweetly before rolling your eyes.

“Wait, what? They’re not paying you because of us?” Liam asks.

“We only get half the money for lending you our instruments.”

“Let us pay the other half then,” Harry offers right away, but you just laugh at him.

“It’s not about the money, Prince Harry,” you smirk at him, tilting your head to the side. “It’s about justice. How is that air that you just waltz in here and take our time and chance? What if there’s a producer out there who would have liked our music and offered a record deal? What if someone would have taken a video of us performing, put it up to YouTube and it would have gone viral? I assume you never had to go through this phase where you have to beg for every minute on stage so you can at least earn enough money to pay rent. You don’t seem like the type of band who had to perform in smelly bars four times a week for a ridiculous amount of money.”

They stay silent and you know you were right.

“I’m not saying you had it easy, but I’m sure you have no idea what it could have been. And I’m fed up with men walking over others just to have what they want.”

“Look, it wasn’t our intention to ruin your gig. Have your set with your band and then we’ll play a few songs too after that,” Liam offers, but you shake your head.

“No, we weren’t supposed to be just your opening act and it’ll turn into that. So have a nice evening, enjoy your showtime, I’m out.”

Pushing yourself away from the wall you walk back into the building and grabbing your stuff from the dressing room you move out to the bar area, desperately needing a drink.

Sitting on the last stool at the bar you ask for straight tequila and two vodka shots knowing it’ll do the job for the evening and pulling your phone out of your bag, you open up Google. Searching the name One Direction you’re met with quite a few hits and you start scrolling through them, reading about the five boys you just had an encounter with. Just as you thought, they didn’t start off as a traditional band, having put together at a talent show just three years ago, getting such a major push so early in their career, they have no idea how struggling it is to make it in the industry. They surely had their fair share of ups and downs, but they will never know what it’s like to sweat blood and tears for your dream when everyone just wants to drag you down and tell you you’ll never make it.

The shots and half of the tequila is gone, your band joined you to at least get wasted as you watch the technicians set the stage for a band that’s not you, but gonna play with your stuff. Sitting on the stool you’re having a fairly good time thanks to the alcohol when you spot Harry making his way towards you in the crowd.

“Aren’t you supposed to be getting ready backstage?” you ask with an eyeroll as he joins your little circle, the guys eyeing him curiously. Ignoring your comment he pulls out a piece of paper handing it to you. As you unfold it you almost want to throw it back at him.

“This is to make up for what you lost tonight,” he says nodding down at the check in your hands.

“I told you I don’t need your money,” you firmly answer, but Trey grabs the check from your hands.

“But I do!” he snorts. He is such a pig.

“Let us do at least this one thing for you. We really do feel bad for taking your time and the offer to come on stage with us still stands.”

“No thank you,” you shoot him a fake smile before downing the rest of your tequila, the drink burning down your throat. Looking back at Harry you keep your eye locked on him as he watches you intently. He is a good-looking guy, you have to give that to him, but the circumstances you’ve met under just made it impossible for you not to hate him for the privileges he is being handed every day while you fight your way through life.

Harry sighs in defeat nodding as he licks his lips. For a split second, guilt takes over you for the way you’ve been acting towards him and the other boys, but then you remember that you don’t even know him. For all you know, he can be a royal asshole with the face of an angel. You can’t let guilt chew you and spit you out, you have to keep your guards up.

“Alright. We really are sorry. I’ll… see you around,” he nods before turning around to walk away.

You watch them perform their biggest hits, the whole place going crazy over the impromptu One Direction concert they just got for basically free. The VIP area is going crazy over the boys and with each sang song, you feel yourself getting more and more hopeless about your future as a musician. Here you are on a Saturday night, robbed from a job you’ve worked hard for, watching five British boys take your place on the stage that’s supposed to be yours tonight. You catch Harry’s eyes quite often while he is on stage, he keeps glancing in your way, a hint of guilt glistening in his green irises as he sings their songs with perfect vocals. You can tell he feels bad for the situation and you didn’t make it any easier on him or any of the boys, but you’re not really one to beat around the bush. They deserved to know what others in the industry below them have to deal with every day. It’s not always as glamorous as people might think and you’re the living example of that.

You don’t stick around for long after the boys are done on stage, you help your bandmates pack their stuff and head home before Harry or any other members of One Direction can find you.

Walking past the news stand that’s on the corner of your street, you stop upon seeing your own face smiling back at you from the cover of People Magazine, the title catching your attention.

“Grammy nominee Y/N Y/L/N shares her secret to her one of a kind fashion style.”

Grabbing the magazine off the stand you pay for it and continue your way home, holding the copy to your chest with a warm feeling in your heart.

It’s been only a week since the nominations have come out, but it still feels like a dream. You didn’t just get nominated in the category of Best New Artist, but your album Hands of Power got nominated as Best Album and your biggest hit of last year, Sleepless is running for the title of Best song. Three nominations the first time earning a spot on the list. Not bad.

Just as you walk into your place, your phone buzzes, the ever so smiling face of your manager staring back at you from the screen.

“Hey!” you sing into the phone, holding it to your ear with your shoulder, taking off your boots as you walk further down the hallway.

“Are you home already?”

“Yes, just arrived.”

“Great, I’ll be there in ten,” she announces and ends the call. Chuckling you just shake your head, dropping the phone to the coffee table before you move to the bedroom and change into something more comfortable. The flared jeans looked fire on you today, but you rather wear something looser when you’re at home.

You barely have the time to start the water for a tea when Taylor storms through your door using her keys you’ve given her some time ago. She is wearing all white that looks fantastic with her almond skin tone, a knitted sweater tucked into a maxi skirt, paired with strappy heels, she is always so elegant and perfectly dressed for whatever occasion.

“I have knee-shaking news, girl!” she announces as she throws her purse to the couch before joining you in the kitchen.

“I’m going to be the next Bond girl?” you joke smiling to yourself as you get two mugs from the cupboard.

“Better than that!” she cheers. “You are going to perform at the Grammy’s, baby!” she screams throwing her hands into the air as your jaw drops to the floor.

“You’re not just kidding with me, right?!”

“I would never play such a dirty joke with you. It’s one hundred percent true, I had an hour long phone call with some bloke today and they want you.”

“Yes!” you scream in excitement, jumping up and down like a child that just got a pack of candy. “I’ll make the Grammy’s my bitch!” you cheer, making Taylor laugh.

“Alright, Miss Dominatrix. We still have a lot of things to discuss and there’s one more thing about the performance.”

“Oh God, is this the part where you say something that ruins it completely?” you sigh in defeat as you take the kettle and pour the water into the mugs, dropping a filter into each.

“I don’t think it ruins it,” she shakes her head, but you have a feeling you won’t like what she has to say. “They want it to be like a… joined performance. You’d start off with Sleepless, then it would kind of mesh into your partner’s song and they would end it with one of their own songs.”

“Okay, that doesn’t sound bad,” you nod.

“See?” she smiles warmly.

“Do we know who I’m going to perform with?”

“Harry Styles.”

You almost drop both mugs the moment the name is mentioned, but you manage to get them to the kitchen island and slip them to the counter, Taylor giving you a questioning look at your wide-eyed expression.

“Uh, I’m not sure that’s… gonna work,” you clear your throat.

“You’re not sure your duet with the biggest male artist can work? Why is that?”

Licking your lips you try to find the right words to say it, but you’re not even sure why you got so shocked over it. Probably because the last time you saw him, you were still nobody, playing gigs at no name bars and he took your spot on the stage with One Direction. It’s weird, but since you’ve finally made it in the industry, you haven’t crossed paths with him and this would be the first time you meet after seven years.

“I’m not sure if he remembers it, but we’ve met before.”

“You and Harry?”

“Yes. I was playing with The Gambits years ago, it was before I started putting out covers on my own. We were supposed to play at this bar but they cancelled on us, because One Direction was there that night and someone wanted them to play instead of us, so we lost the gig. I had a pretty… harsh conversation with him and the band, basically telling them that their pretty man privilege is what ruins the careers of talented women.” “Oh Jesus, Y/N. Why haven’t I heard of this before?” Taylor sighs leaning on her elbows on the countertop.

“Not that it’s something that would just come up in a conversation,” you shrug. “And as I said, he might not even remember it. It was a long time ago.”

“I know you are all about your rebellious past, good for you, but sometimes you’re making my job really fucking hard,” she sighs, grabbing her phone, already typing a message to God knows who. “Starting beef with Harry Styles before you even made a name for yourself? Who does that?”

“It’s not beef!” you protest. “I just gave them my piece of mind.”

“We’ll see what he thinks about it. I have to make a few calls,” she announces before walking out, already on the phone with someone.

Sitting on a stool, staring into your mug you think back at the time you met him. It feels like a lifetime ago when you were fighting to stay afloat, trying to make through the days, barely hanging on a thread. You didn’t know that five years later you’d sign your first record deal as a solo artist and seven years from that night, you’d be a Grammy nominee. It was a long and challenging time for sure with way more downs than ups until you finally got on track and you’ll never forget where you came from. Not when even as an acknowledged artist, you still face judgment and hatred no matter what you do. Being a solo female singer sometimes feels like harder than being president of the country and there are just so many things that need to change in the world of music, you will never stop fighting for girls that are in the same shoe you once were.

Through the years you’ve followed the career of the boys, especially Harry’s. You read about Zayn’s parting, their so-called hiatus and how they all went solo soon after. Genre-wise Harry’s work is what stands the closest to you, and you’ve witnessed all the backlash he has faced during his time in the spotlight. The shaming for whatever women he chose to date, his choice to get into acting and the way he has been dressing. People just don’t seem to understand they can’t have control over any of these and they’ve tried to bring him down one too many times, but he has been thriving lately, anyone can see that.

Your mug empties out by the time Taylor returns, taking her previous stop at the kitchen island.

“Alright, I set up a meeting with Harry and his manager for tomorrow. They still haven’t decided on the performance and apparently, Harry would like to meet you before giving his answer.”

“Oh God, he remembers me,” you growl under your breath.

“Or maybe he doesn’t and just wants to meet the person he is supposed to perform with. We can never know. We’re meeting them at his manager’s office at eleven tomorrow.”

One night is enough to make you go crazy over such a small thing as meeting someone. It’s not like you are nervous to see him because of who he is, it’s more about knowing what he thinks about you after all these years, in case he remembers you. He saw you as a struggling artist at rock bottom and though your encounter didn’t last long and he didn’t know you on a deeper, personal level, you still fear that he remembers and thinks that you’ve lost yourself over the years.

Authenticity has been a huge issue in your life. Early in your career, everyone wanted to change you. The way you dress, your hair, the style of music you write, nothing was good enough as it was, they wanted you to become someone else, someone who was not you. You fought all attempts until the right person came through and accepted you as yourself, but a tiny voice in the back of your mind kept telling you that they succeeded, that somewhere along the fight you did lose yourself and became what you always feared to be.

Meeting Harry is like meeting a piece of your past and having to face what you’ve become. It’s going to be like a mirror right in front of you and what you’ll see might not be what you expect.

Wearing your bright red dungaree with an oversized vintage shirt and a pair of white sneakers, you definitely don’t look like you’re dressed for a business meeting, but when did you ever? Pushing your hair back with a pair of cat eye shades, you leave a little earlier, knowing well traffic is horrible in these hours. You arrive to the office building just minutes before eleven, Taylor has already texted that she has arrived and which office you should come to. When you finally find the door you’ve been looking for, you take a moment to yourself before knocking.

“Come in!” a male voice calls out and you walk in. Taylor is sitting on the sofa that’s pushed against the wall on the left, a man is sitting behind the enormous desk and then there is Harry, standing by the window, his hands hidden in the pockets of his black slacks, and old Rolling Stones t-shirt hanging loosely on his frame as his eyes meet yours upon your arrival.

“Hey, I would say I’m sorry for being late, but I’m actually exactly on time,” you smirk, closing the door behind you. The man stands from the desk and walking around he meets at the front, holding a hand out for you.

“Perfectly on time,” he smiles warmly. “I’m Jeffrey Azoff, nice to meet you.”

“Y/N Y/L/N. Nice to meet you too.”

“And this here is Harry,” he motions towards the man who has stepped closer and as you look back at him, you’re met with a blank expression for a moment so you can’t figure out if he remembers you or not. But then, a tiny smile tugs on his lips as he holds his hand out for you.

“We’ve met before, right?” he simply questions, and your eyes flicker over to Taylor in a kind of “See? I told you!” manner before you look back at Harry and shake his hand.

“Yeah, we have,” you nod. “A long time ago.”

“Congrats for your nominations,” he smirks, his hand letting go of yours and your let out a soft chuckle.

“Well, thank you. Back at you.”

“Alright, why don’t we start this discussion? We have a lot to go over,” Jeff suggests and you sit beside Taylor while Harry stays near the window, as if he is trying to soak up the sunshine coming through it that’s painting his skin a golden shade.

The concept is simple. The performance would be a mashup from Sleepless and Harry’s song Golden with an exciting and fresh way of mixing the two songs together in the middle, making your song flow into his in a smooth and effortless way. The songs sound compatible and you already have an idea how to mash them together for the transition, but you can’t help but feel doubts over the performance.

“What are your concerns exactly?” Jeff questions.

“Not to come off too harsh, but why is my song the first one?” you ask, earning a few puzzled looks. “If Harry finishes it off, he is going to be the one people will remember more and he’ll get the applause as well. The riffs in the songs allow them to be switched, how come it’s not me who comes second?”

You can see the shock on Jeffrey’s face at how straight-forward you were about your concern and that you even dared to speak up about the issue. He clearly hasn’t had to face anything similar before and when he glances at Harry you follow his gaze as well, but instead of shock, what you see on his face is amusement. He is smirking, tapping his fingers against his chin as he stares back at you.

“She has a point,” he nods and you take a deep breath. For a moment, you really thought this is going to be the part where you are thrown off and Harry makes the performance only his.

“I, uhh—this is what’s been requested,” Jeff answers and you tilt your head.

“Okay, can we make a request to change it?” you simply ask, eyeing Taylor next to you who is typing on her iPad vigorously, taking notes of everything that’s said. She is already used to what you’re like, she is not even surprised you came up with the prompt to change.

“Hold on, so just because you want to be second, you get to be?” Harry questions, but he doesn’t come off as harsh, it seems like he is entertained by the conversation. “Does this mean I don’t deserve to be the second one?”

“That’s-That’s not what I meant,” you answer, taken aback from his accusation and you hate to admit, but he is right. You addressed the issue, but it doesn’t mean he doesn’t deserve the spot either.

“Alright, so then we need to seek a solution that benefits the both of us,” he offers, walking closer from the sunlight and you follow his every movement.

“We could do some kind of medley? Do an ultimate mashup from more songs and have more smaller parts split between us, finishing it together,” you suggest and he nods.

“That could work, but I have something else on my mind.”

“And what would that be?” Jeff asks, a little lost about the situation as he watches the two of you exchange ideas.

“We could write a song together, a duet, and perform that instead of our solo stuff.”

“What?” you snap right away. “You want to write a whole new song just for the Grammy’s?”

“Why not?” he smiles carefreely. “We have almost two entire months to do it, albums have been written in shorter periods, I’m sure we can handle just one song. And I think a collaboration would be a hit for the both of us now.”

You look at Taylor who just stares back at you, ignoring the panic in your eyes.

“Don’t look at me,” she tells you. “I can see the collaboration working, it could be a huge hit.”

“And what, we’re gonna release it as a single after the show? Whose song is it going to be? I don’t have an album coming up until next year, do you get to have it on your third one then?”

“We can put it out as just a single. No one has to have it on any albums,” Harry replies. “If we released it after the show, it would be just the right timing. Neither of us had any new songs out in a while.” Clenching your jaw you’re trying to find a way out of this collaboration, though you’re not even sure yourself why. Taylor sees right through you, knowing well you’re planning your escape, but she has other plans apparently.

“Y/N, let’s have a few words outside,” she pushes herself up and pulls you with her. Once the door is shut behind the two of you she starts right away. “What the fuck is your problem? The song is a huge thing, it would be an instant hit with him on it!”

“Why do I need a song with him to stay relevant?” you question, folding your arms on your chest.

“No one said it’s about that. But we both know it would be a great push to your name that Jordan has stomped over not so long ago, calling you a Feminist Nazi.”

“Don’t even fucking mention him!” you whisper yell, refusing to even think about that trashbag of a man that ruined your life with his fake accusations.

“Look, I know what you are thinking, that you’ll be seen as just an object next to him, a pair of boobs and nice legs, but that’s not his brand. He doesn’t need you to be sexy next to him, he is known for his honest and real works that go farther than just twerking and being a hoe. We both know he produces meaningful music, so why are you so against it?”

“I just… I-I’m scared to work with him,” you finally admit and it’s the first thing today that surprises Taylor.

“Scared? Thought you’re not scared of anything,” she huffs.

“I never said that,” you give her a look. “Harry met me when I was nobody, it was just me and my big mouth, trying to find my breakout. What if we start working together and he sees that I completely lost that version of myself? I would feel like a liar, an impostor.”

“You are overreacting,” Taylor sighs. “You’ve changed on your way here, but I doubt you are that far from the girl he met before. I know we didn’t meet just a few years after, but I can assure you, you’re still that big-mouthed pain in the ass who fights every norm in the industry like no one else.”

You know she is right, she is always right. Taylor knows you too well, that’s why you love working with her, but sometimes, her honesty throws you way off, especially when she is stating the truth.

The two of you rejoin the two men in the office and they both look at you with anticipation as you fold your arms on your chest and move your gaze over to Harry.

“I would… love to work on a song with you.”

When you agreed to work with Harry you didn’t think you’d find yourself heading over to his house a few days later to have a writing session, but he offered right away that day in the office and Taylor accepted it before you could protest. You’ve had a day filled with meetings and fittings and now you’re rolling up his driveway after punching the security code in that he shared with you over text.

You’ve exchanged numbers on the spot and just like that, you’ve become one of the few people on this world that could contact Harry Styles anytime they want to.

You chose to be casual for the occasion, wearing a pair of black sweatpants and a white hoodie, you like to be comfortable whenever you’re working on new music and Harry’s presence won’t change your ways about that. You’re not sure what to expect, if you’re being honest you’re still afraid of being alone with Harry and do such an emotional thing together as writing a song.

The front door opens just as you get out of your car, grabbing your bag from the passenger seat. Harry walks out wearing a pair of shorts and a green hoodie, looking like he hasn’t left the house all day.

“Hey, you found the address easily?” he asks smiling as you walk up to him.

“Yeah, everything went fine.”

“Do you want something to drink or eat maybe?” he offers as the two of you walk inside. If you’re being honest, you’re starving, the last time you had anything to eat was between two meetings around ten, but nothing since then, just a granola bar. But you’re a first time guest, you can’t just eat up his fridge, like you’re old pals, right?

However, Harry can see right through you.

“You haven’t had anything in a long time, right?” he softly asks and you purse your lips, feeling awkward already and you haven’t been here for more than two minutes. “I can make you a sandwich, if you’d like.” “Harry, no need, I—“ “No need, but I want to. Come on,” he nods at you, making you follow him into the kitchen. “So, who would have thought we would be here now, huh?” he smirks at you as he gathers the ingredients and starts working on your food while you sit on one of the stools at his kitchen island.

“Not me,” you admit chuckling. “I kind of didn’t think I would see you again, I mean, personally. I was seeing you a lot on TV after that.”

“Now might be a good time to confess that, that night wasn’t the last time I saw you.”

“What?”

“I went to one of your gigs a few weeks later. Stayed at the back, I just really wanted to see you play.”

“And what did you think?” you ask tilting your head to the side. Harry smirks, his eyes meeting yours before they return to the food under his hands.

“You absolutely smashed it. And I felt even worse for taking your time away that night. The people were robbed from a mind-blowing performance and had to see five annoying guys clown on the stage,” he laughs making you chuckle too. “I wasn’t surprised when your name surfaced a few years later. Knew you’d make it at one point.” He joins you at the island and slides the plate in front of you with a warm smile.

“Thank you,” you mumble smiling shyly before you start eating and only after the first bite you feel just how hungry you’ve been. “Now that we are at it, I want to apologize for the way I talked to you guys back then. I feel like I was a bigger asshole than I should have been and the whole situation wasn’t entirely your fault.”

“No need to apologize,” he shakes his head. “You were absolutely right. We had no business being on stage that night and what you said actually made us think about where we came from and appreciate our career more. You were right about having it easy at the beginning. We never had the phase where we had to push our way to the top like other artists, our first days were broadcasted on TV, giving us the biggest push ever.”

It’s good to hear he is not holding grudges against you for whatever went down in the past. You eat in silence while Harry types a response to a message on his phone before turning it with the screen down to pay his full attention to you.

“I actually just messaged Niall that we are working together and he is losing his shit over it,” he chuckles softly.

“You guys still talk?”

“Yeah, sometimes. Not all of us thought,” he adds, pressing his lips together.

“You miss being with the band?”

“It’s… good to rely on someone in certain situations. As a solo artist, you only have yourself and that’s about it. But I think you already know that.”

“I never really liked being in a band,” you admit.

“How come? I think you fit in well with The Gambits.”

You shrug, chewing on your bite slowly. It’s probably not the best time to admit that you prefer working on your own, when you’re about to get into a duet with him.

“I uhh… I always imagined myself being a solo artist and I just couldn’t stay with the guys too long, especially when I got my record deal.”

“Why?” Letting out a long breath you lick your lips looking at him.

“I would have never made it in a band with three guys. It would have always been about which one I’m sleeping with, who am I having an affair with or if I’m lesbian because I’m not hooking up with any of them. This is just how it goes for women.”

Harry stays quiet, taking your words in as you finish the sandwich that was literally lifesaving. You wash the plate even when he tells you to just leave it in the sink, and once that’s done, the two of you move over to his little home studio in the basement of his house.

“So, where do we start?” you ask, making yourself comfortable in one of the armchairs while he grabs an acoustic guitar and sits on the one next to you.

“How do you usually start writing?” he asks scratching his chin before he rests his hands on the body of the guitar.

“Well, most of the times I write when I’m pissed about something,” you huff and Harry smirks at you.

“Nothing pissed you off lately?”

“Not enough to make me write a song,” you point out. “See, this is one of the reasons why I was hesitant to write a song with you. It doesn’t come that easily for me.”

“And what were the other reasons?” You shut your mouth at his question, you weren’t expecting him to pick it up, but apparently, he listens more than you thought.

“It’s… a long story.”

“And we have all the time,” he smiles slyly. “But of course, don’t feel pressured to share. I just thought it would be nice to get to know each other more so we can work together easier.”

Harry starts strumming his guitar gently, playing random riffs as you watch him, chewing on your bottom lip. Taylor asked you to try and be more open than you usually are and though part of you wants to keep the wall high between you and him, something is telling you to try and reach out to him.

“I didn’t want to do it, because I didn’t want to be seen as just a pretty face next to you. In duets between a man and a woman, females are often seen as just an object, a sight for the eyes but not as serious artists. I worked hard to be taken seriously and I was hesitant about collaborating with you even though your music is not necessarily what I should fear.”

Harry looks back at you with an unreadable expression and you feel like he is judging you for standing up for yourself. Your fight for yourself is often mistaken as “being a bitch” or “being too sensitive” and the amount of times you’ve been told to just chill is upsetting.

“Well, good thing then that I won’t write music about twerking,” he then finally speaks up, a smile breaking his blank expression.

“But you do write a lot about sex,” you point out with a smirk.

“That I do, but it doesn’t necessarily have to be sexist at the same time.”

“You’re right,” you nod smiling.

 The writing process turns out to be harder than you thought. You’re not specifically inspired and Harry is the person to just throw things around until he finds something he likes. The two of you put together is kind of chaotic as you try to come up with something useful.

Two hours later you have a raw version of a melody that could serve as a chorus, but nothing else, no full melody, no lyrics. And if you’re being honest, you don’t like that chorus that much either.

“It’ll be fun to just stand on stage for three minutes and do absolutely nothing, because we couldn’t write anything,” you groan, sliding lower in your seat, rubbing your face with your hands.

“It’s literally our first session and we have plenty of time, Y/N. Don’t stress about it.”

“I don’t know how to do that.”

“You don’t know how not to stress?”

“I literally haven’t had a stressfree day since about 2007, so no, I don’t know.”

“You can’t chill even when you smoke?” he asks and you give him a puzzled look. “What, you smoke, don’t you?”

“Cigarettes? I put it down in 2015.”

“No, I’m not talking about cigarettes,” Harry chuckles softly. “You don’t smoke weed?” You shyly shake your head. “Really? I would have sworn you’re the type to relax with a good joint. Want to try it?”

“What? Now?” you ask with wide eyes.

“Why not?” he shrugs and walks over to the little side table in the corner of the room and reaching into it he simply pulls a little plastic bag out with three joints in them.

“Are you just casually keeping joints around your house?”

“I don’t really smoke them, they make me feel sleepy. But some of my friends like it so I keep a few around,” he explains as he takes one out and puts the rest back. “You want to try?”

“I-I’m not sure… I have to drive back home.”

“You can stay for the night, I have three guest bedrooms,” he shrugs before his eyes meet yours. “Again, not trying to pressure you, I’m just offering.”

“Are you gonna smoke?”

“We can share one if you want. I would recommend smoking one by yourself for the first time.”

“Okay,” you nod shortly as you watch him tip-tap the joint a little, rolling it between his fingers before he takes it between his lips and reaches for a lighter. “Wait, shouldn’t we do it somewhere outside? The smoke is gonna get stuck in here.”

Harry stops, thinking about what you said and he nods. Grabbing the guitar he asks you to follow him and the two of you move up and out to the terrace, sinking into his lounge chairs. You bring your knees up to your chest, hugging them tightly as you watch Harry light the joint and take the first few puffs. As he exhales the smoke he holds the joint out for you and you take it, hesitantly putting it between your lips as you inhale for the first time. You can’t help but scowl at the taste, the whole act of smoking feeling strange after years of smoking your last cigarette. You keep it down a little before puffing the smoke out and passing the joint back to Harry.

You keep switching until you make it past half of it and you finally start to feel the effect of it. You feel light, like you’re floating in the pool that’s in front of you, you can almost feel the water touching your skin yet you’re still dry.

“How are you feeling?” Harry asks, blinking at you with hooded eyes.

“I’m feeling… fine,” you chuckle softly as you take the joint from him and drag from it again. “Do you do other drugs?”

“I’ve done shrooms a few times, not often though. I’m not trying to pick up an addiction,” he smiles softly, running a hand through his hair. “Have you done anything?”

“No,” you shake your head. “Didn’t have the money for it before and then didn’t have time later. But I never really felt the need either.”

“And you said you put down the cigarette as well?”

“Yeah. I knew I had to do that sooner or later, it was starting to change my voice and I couldn’t have that.”

“That’s what we always told Louis, that his voice will turn to shit if he keeps smoking,” Harry chuckles softly, dragging from the joint before he passes it over to you, not much left of it.

“Did he ever stop?”

“I think he put it down when his son was born, but I don’t know if he started again.”

You give the joint back for him to finish it and you watch him put it out in the ashtray before he sinks down in the lounge chair, closing his eye for a bit, breathing steadily. You find it amusing how you can still see the guy that handed you a check years ago at that bar, trying to make things right, but he also looks like a completely different person at the same time. He is more mature and open in his mindset and just the way he approaches things in general. The Harry you met seven years ago was still searching his way, but the version lying next to you now is a lot more confident in who he really is.

“Want to take a picture?” he hums keeping his eyes closed.

“What?”

His eyes peel open and turn to face you, a smug smirk on his lips.

“You’ve been staring at me. Take a picture, it lasts longer.”

“You are way too full of yourself,” you scoff and pushing yourself up from the lounge chair you walk over to the edge of the pool, mesmerized by the way the light is dancing on the surface.

You never really thought about what weed would feel like in your system, but it feels oddly tranquil and relaxing. In a way your body feels a little strange, like it’s not even yours, but you also sense everything very… loudly.

“You alright?” you hear Harry’s voice coming from behind, the tapping on his feet signaling that he is walking closer to you.

“Yeah,” you nod without taking your eyes off of the water.

“Do you want to go for a swim?”

“What?” you breathe out turning to face him.

“Do you want to go in?” he rephrases his question with a small smile.

“I don’t… have a bathing suit,” you answer and the moment the words leave your mouth they feel so ridiculous even when you were just stating the truth.

“Okay, but you are wearing underwear, aren’t you?” he smirks. “Or I’m completely fine if you want to go in naked,” he adds smugly.

“Shut up,” you chuckle. “Can you… maybe give me a pair of shorts? I’m fine without a bra when I come out but I would rather have my underwear on dry.”

“Sure,” he hums and turning around he jogs back into the house while you stay right there, staring at the water again.

With each passing moment you get calmer, the outside world and everything in life that’s not happening right in this moment eases into nothingness, your mind numbs in the best way possible.

When Harry returns he is wearing a pair of yellow swimming shorts, two towels are thrown over his shoulders and he has a pair of white shorts in his hands.

“This is the smallest thing I have, I think it’ll be fine,” he comments handing you the shorts.

“Thanks,” you nod before he shows you the way to the closest bathroom where you change out of your clothes leaving them in a neatly folded pile on the counter, you put on the shorts that are a little big on you, but once you’ve tied the strings it seems to be staying up steadily. Your simple black bra is not showing more than what a bikini top would, so you feel fine walking out in your attire.

Harry is sitting at the edge of the pool, his legs moving around in the water. His head lifts hearing your steps and he smiles at you, standing up when you arrive.

“Fits fine,” he nods, taking a look at the shorts.

“Yeah,” you chuckle.

Walking over to the steps you dip your feet in first, testing the temperature before you start going in further, Harry following you right behind. Just as you expected, the water feels smooth against your skin, warmly caressing and swallowing your body as you get in, the surface reaching your chest. You let your arms move around, feel how the water runs through your fingers, it’s amusing and you enjoy it probably more than you should. It’s just water, but right now it feels like a pile of clouds.

“I know I suggested to smoke and then swim, but please don’t drown into my pool, I won’t be able to talk myself out of that,” he chuckles, easing him into the water until it reaches his neck.

“My life is in your hands, Harry,” you smirk at him before you follow him and let the water swallow your whole body up to your neck.  “This feels so nice.”

“Yeah? You like it?” he smirks.

“Mm, like I’m… floating through space.”

“In a sense, you are floating in the water,” he chuckles. “You don’t feel sick, right?”

“No, I’m fine,” you smile at him shortly.

You move over to the edge of the pool, laying your arms to the side, holding yourself up so your legs could float in the water. You watch Harry dive under and swim across the pool, reaching the far end before he pushes himself over to you.

“When I went to see you perform there was a song I really liked, but I never found it anywhere later.”

“Which one?”

“The chorus went like… Crashing and crumbling, I’m fighting for my breath, Today won’t be the day I’m meeting death…”

You suck on your breath, surprised how well he remembered the lines even after so many years. He recalled them perfectly, even singing the melody a little with them.

“I never recorded it in studio,” you admit quietly.

“Why not?”

“Because it felt too emotional and I didn’t want it to be just out there.”

“What was the name of the song?”

“It’s called Till I Die. I wrote it when…” You take a deep breath, feeling heavy just by talking about it, but something is urging you to share it with him. “I left from home right after I graduated high school, broke contact with my parents completely and I had a few very rough years, trying to just… keep myself alive, I guess.”

“Can I ask why you left your parents?”

“We had very different visions of what I should become. And I didn’t intend to live the life they imagined for me. My parents are very… traditional, my career in their eyes is just some kind of circus when I’m the clown on the stage. They don’t take any of it seriously and they made it very clear at the beginning that they don’t want me to become a musician. I was supposed to become a surgeon, my dad is one and my mom is in criminal law, they both worked very hard to get to where they are, but they don’t think that’s exactly what I’m doing as well.”

The last person you shared it with was Taylor and though it feels odd to open up about these old wounds again, but having Harry as the one listening to you just feels right.

“You haven’t talked to them since you left?”

“No,” you shake your head.

“And they didn’t even try to contact you?”

“Well, I made sure they couldn't. Changed my number first thing I set my feet outside the house and I never left them any of my addresses. I know it sounds cruel, but I didn’t want to do anything with them after the shaming they put me through when I told them I don’t want to become their perfect little daughter. They told me that I could consider myself disowned from the family if I dare to even write a song.”

“Woah, that sounds really tough.”

“It was,” you nod. “I wasn’t asking them to support me in any other way apart from just being there for me. It’s not like I wanted to spend the money the put aside for my tuition to buy guitars and tour the country, I just wanted them to… accept who I am, but apparently, I asked for too much.”

You feel tears forming in your eyes, but you wipe them quickly. It’s been long since the last time you let the thought of your parents, you’ve been good at keeping these feelings bottled up and in the deepest end of your mind. It’s not like you’re going around and just share your trauma with anyone you meet, but it felt comfortable to share it with Harry.

“I’m sorry about that. Everyone should have a support, especially in our job.”

“I had… myself,” you chuckle bitterly. “Became pretty good at relying only on myself.”

“I’m guessing it’s another reason why you prefer working alone, right?” he smiles at you softly.

“You could say that,” you nod into the water.

“I know it’ll sound cheesy, but… if you ever want to talk, I’m here,” he offers.

“Oh, are we becoming friends?” you ask chuckling.

“We’ve known each other for long enough to be friends, am I right?” he smirks, splashing some water in your way.

“We met a long time ago, but that doesn’t mean we know each other. Everything I know about you is from articles and gossip sites and I think you can only say the same thing,” you point out.

“Okay, then let’s get to know each other.”

“What, do you want to play 21 questions now or something?” you huff.

“Damn right,” he smirks.

And that’s exactly what you do. Swimming around in the pool you ask each other questions, some are funny, some are more serious and you slowly start to get to know each other, seven years after meeting for the first time, but in a way it feels like it’s been just last week when you were talking in the alleyway.

The weed soon dies down in your system, leaving you incredibly tired and it’s only then you realize it’s already past one am. Pulling out of the pool, you both grab a towel drying yourselves up before making your way back into the house.

“The guest bedroom next to mine has a bathroom so I think that’s the best one. I can give you something to sleep in if you’d like,” Harry offers as you follow him down the hallway.

“I think I’m fine in my sweats, but thank you.” He shows you the room, tells you how to change the AC if you feel too cold or hot and then bidding goodbye he is about to go to his own room when you stop him.

“Thank you for… today. I know we didn’t get far with the song, but… I liked hanging out with you,” you admit with a shy smile, leaning against the doorframe.

“Don’t worry about the song, it’ll be fine. And I liked it too. We can make it a regular thing, if you want. You can come over, we’d chill and try to cook up something for the song.”

“I, uhh… Yeah, that sounds good,” you nod, he shoots you a smile before turning around and disappearing in his room.

The morning doesn’t turn out at all any awkward, especially because you don’t get to stay around too long. You have a meeting at eleven so you have to leave in time to go home and get changed before that. Harry makes you coffee, which is lifesaving, the two of you sit at the terrace as you drink it and you arrange to meet in two days to try and have another, hopefully more successful session for the song.

You genuinely enjoyed your time with Harry and to think that you didn’t only smoked weed for the first time with him, but also opened up about your parents, you feel a kind of connection forming and you can only hope you’re not gonna regret it later.

You move on with work after leaving from Harry’s that morning, you have some fittings for upcoming photoshoots and an interview scheduled, so there’s not much time for you to sit around. Tonight you’re supposed to meet Harry again at his place for another session and you feel buzzed about it. You meet Taylor for lunch, sitting on the terrace of your usual place she is talking you through everything that’s coming up the next week, just like you always do so then you can put work aside and have a real chat.

“So how did the writing session go?” she asks, digging into her salad that she always asks with extra chicken.

“The writing? Not so well. But we had a good time,” you truthfully admit.

“Good, good! You’re finally making friends!” Taylor grins, satisfied with the news. You just roll your eyes at her, turning back to your food right when you notice that your phone has been blowing up with notifications.

Huffing you grab it from the table with the pure intention of muting it down completely, but then you see that several people have texted you the same link and it bugs your curiosity so you open one of the messages and tap on the link.

“You have got to be kidding me,” you groan, feeling your rage already pushing up your spine, clouding your vision in red.

“What?” Taylor snaps, reaching for her phone out of reflex.

“That fucking asshole dragged my name again!”

“Who? Jordan? That fucker never learns?” Taylor hisses, her thumbs vigorously typing on the screen immediately.

“Someone asked him about me on Twitter and he dared to call me a lying bitch! I can’t fucking believe this man!”

You and Jordan worked together on a project a while ago. You were supposed to write lyrics to a song he was composing and it was meant for an upcoming popular Netflix show, so the anticipation around the song was huge, especially when word got out that Ariana Grande might end up singing it. During your time working together he very blatantly tried to hit on you, which you politely shut down, because one, you didn’t intend to date someone you were working so close with and two, you just simply weren’t into him. However, he couldn’t take rejection the way a mature, almost thirty years old man should. It started off very subtly, but once you’ve had a chat with him to stop posting obnoxious and suggesting things about you on his social media, because it’s making it hard for you to be taken seriously as an artist and that people will just see you as another celeb which you don’t want to be, he just completely lost his shit. He called you different names on Twitter a few times, the worst were Feminist Nazi and a cock teasing slut, and he just somehow never fails to mention that you lied about your intentions with him, when you were clearer than daylight that you didn’t want a thing from him other than work.

When you realized he isn’t going to be stopping anytime soon, you took him to court, dragged his ass in front of the judge and won the case, which ended with him having to pay you thirty thousand dollars and he was ordered to clear all his platforms from your name for good. You really thought that taught him a lesson, especially because against your will, the case got some publicity and he ended up making headlines about the fault accusations he made about you, but it seems like he didn’t have enough.

You wouldn’t worry that much about his new tweet, knowing that he is the one lying, but the trials took a toll on you. It was at the beginning of the time when you were making yourself a name and even though you won, his accusations stung for some people and some even thought him to be the victim. You fell out of two brand deals and an important interview in the upcoming months which was a major setback and all for what? Because a man couldn’t accept rejection? The sad part is that if it would have happened the other way around, he wouldn’t have had to suffer any effect of it, people don’t tend to question a man’s words when he is showing this charming and nice persona to the public. If you accused him the same way you would have been dragged and titled as a sour crybaby and Jordan’s life would have carried on the same way.

The peaceful lunch soon falls through as Taylor turns on her beast mode to at least get the tweet down as soon as possible, already contacting the legal team you worked with before. It has to be against what you agreed on at the end of the trials, he can’t just go around and drag you again without any consequences.

In just about twenty minutes, the tweets disappear from Jordan’s feed, but you know it was already late the moment he posted it. If something gets out on the internet it never goes away, there are probably hundreds if not thousands of screenshots floating around that will preserve his words forever.

You part ways Taylor as he heads to an immediate meeting with the lawyers you worked together previously, she tells you to try not to worry about it, but you can’t just turn it off in you, that’s not how it works.

Making your way home you keep riling yourself up about it, thinking about what it’s gonna cause you this time, what opportunity is going to be taken because a man has called you a lying bitch, even after winning the previous trial against him that proves how big of an asshole he really is.

Changing into a casual attire you head to Harry’s place a little earlier, hoping it’s not a problem you get there an hour before you were supposed to. Arriving you’re a little taken aback seeing that there is another car parking on the driveway that’s not his and you immediately regret coming here, but before you could leave, the front door opens and Harry walks out. You couldn’t have left without noticing, the security system must have signaled your arrival when you punched the opening code in.

“Hey, everything alright?” he asks instead of questioning your early arrival.

“I uhh—I’m sorry for being early, I could go—“

“Don’t be silly, come on in!” he waves at you and you walk up the stairs. “Two friends are here but they were just about to leave soon,” he explains as you walk in.

“Sorry for crashing the party,” you let out a soft chuckle.

“The more the merrier,” he smiles. “You seem a little stressed, everything okay?”

“Yeah, I just… It’s nothing,” you shake your head.

“Oh my God, is that who I think it is?” you hear a woman’s voice from behind and turning around you see a smiley brunette walking towards you, a shy looking guy following behind her.

“Sarah, this is Y/N. Y/N, this is Sarah, my drummer, and that wanker over there is Mitch, my guitarist.”

“Nice to meet you.” Shaking hands with both of them you realize they look familiar from pictures you’ve seen from Harry’s tour.

“I saw that ugly tweet today, that guy needs to be kicked in the balls,” Sarah sighs with a sympathetic smile, Harry’s ears perking up.

“What tweet?” he asks, eyes switching between you and Sarah.

“Oh, just… Jordan Wells thinks it’s fine to drag people with absolutely no truth behind his words,” you answer with a tight-lipped smile.

“Jordan Wells? The name rings a bell,” Harry hums.

“He is a music producer,” Mitch chimes in.

“I think he was supposed to write for 1D one time, but the deal fell through. Guess we didn’t miss out on anything,” he jokes and it brings a genuine smile to your face.

“You surely didn’t,” you comment under your breath.

You chat with Sarah and Mitch for a bit before they decide to head out, but Sarah asks you to come around sometime they are hanging out and you gladly say yes, wanting to know her and Mitch better, they seem like great company and even greater musicians, it’s always good to meet people who are like you.

As Harry walks his friends out you make yourself comfortable on the couch, reading Taylor’s texts about the update on the recent actions, she has gotten in contact with Jordan’s team and legal steps will be taken if Jordan doesn’t show any sign of improvement in the very near future.

“Hey, want something to drink? Wine or beer maybe?” Harry walks in as you look up from your phone.

“Wine sounds fucking fantastic,” you breathe out earning a soft chuckle from him. You follow him into the kitchen and watch him get a bottle of white wine with two glasses. “I hope Sarah and Mitch didn’t leave early because of me.”

“Oh, not at all. They knew you’d be coming over and would have left around this time, so don’t worry about it.”

He joins you at the kitchen island with the two glasses handing you one and you take a sip from it with a satisfied hum.

“So, want to talk about this Jordan ordeal?”

“There’s not much to talk, really,” you shrug. “He is a jerk and I just can’t seem to get rid of him and I didn’t even date the guy…”

“What did he do this time?”

“Oh, he just casually called me a lying bitch on Twitter, so that’s fun,” you let out a fake laugh, raising your glass before taking a big swig from it.

“Not that creative, if you’re asking me,” he jokes making you laugh. “It’s a very plain choice of words.”

“Yeah, not as good as his best which was calling me a feminist nazi.”

Harry almost chokes on his wine as you say the words, coughing a little while you watch him with an entertained smirk.

“That’s… an interesting way to express his opinion about you,” he answers diplomatically.

“Right? I was thinking about getting a sign of it, like a Live, Love, Laugh one, in the middle of my living room.”

“Would be a wonderful touch of décor,” he smirks. “Alright, I have a proposal for today’s session.”

“Shoot it.”

“You seemed to enjoy your weed experience the last time, I thought we could give it a try again, but we would try to write this time as well.”

“You want to write while smoking?” you ask raising your eyebrows at him.

“Only if you want to. I just thought it would relax you a bit, might even come up with some interesting ideas for the song.”

“Are you trying to turn me into an addict?” you narrow your eyes at him and he just holds his hands up innocently.

“Told you, no pressure,” he smirks angelically.

“I feel like I’m not even coming here to work but to meet with my new dealer,” you chuckle making him laugh. “Okay, we can… give it a try.”

 An hour and one joint per person later the two of you are lounging in his living room, he is sprawled out on the loveseat with a guitar on his arms while you are curled upon the sectional, fumbling with the strings of your hoodie.

“We should just… fucking steal a song,” you snort, finding your comment hilarious.

“Which one were you thinking about?” Harry smirks your way, his fingers gently strumming some random melody on the instrument.

“I really want to have a Madonna song to be mine,” you sigh dreamily.

“You’re a fan?”

“Oh, I grew up on her. I have an elaborate choreography for Hung Up,” you snort.

“You need to perform it for me.”

“No fucking way,” you laugh shaking your head. “Not even weed can make me dance for you.”

“Come on, I need to see that choreography, you can’t just hint it and then never show it to me!”

“Nah, not happening,” you laugh, sliding lower down in your seat, your head resting against the armrest of the couch.

You listen to him play the same melody over and over again with your eyes closed and though you really like what you are hearing, no words are forming in your mind that could serve as lyrics. Your phone buzzes on the cushion next to you and grabbing it you see a text from Taylor.

Taylor: Lawyers are on the case, we’ll have more tomorrow, don’t stress about it too much. Night! Xx

Sighing you drop the device back next to you, covering your eyes with your arms.

“You alright?” Harry softly asks.

“Nah, I just want to… disappear,” you sigh, tired of this fight you’ve been fighting for way too long.

“Is this about Jordan? He is a fucking ass, most people know it.”

“But not everyone!” you snap throwing your hands up. “And that fraction that still believes that he is saying the truth is enough to ruin my life. I’m fucking fed up with the injustice women have to face because of the patriarchy we are forced to live in!” Pushing yourself up you run a hand through your hair, hugging your knees to your chest. “It’s so fucking upsetting, like everything I do goes straight down the drain because of one little thing and I’m stuck with trying to rebuild my whole future plan.”

From a sudden urge, you move down to the floor, lying down on the fluffy rug that runs under the couches and the glass coffee table. It feels nice, kind of grounding to lie flat on the floor, especially because your senses are all messed up again because of the weed, but in a good kind of way.

“You worry way too much on longterm things. Try to stay in the moment a little more,” Harry tells you, putting the guitar to the side so he can move his feet to the floor, leaning onto his knees. “You can’t control this much what happens in the future, you should only care about today. And today, you’ve done good, you made it through another day, you did what you had to do and that’s it. Stressing about tomorrow or the next week or next year is just way too much to deal with all the time, twenty-four-seven, three-six-five, that’s just no way to live.”

Lying on the floor you stare up at the ceiling seemingly blankly, but your mind starts to swirl over what he just told you. The worlds are running around, mixing and mingling until something starts to form, making you gasp.

“Grab the guitar,” you tell him, sitting up abruptly. He pulls his eyebrows together, but does as you told him to, holding the instrument on his lap as he waits for you to instruct him more. “Play that… that melody you’ve been playing, but a little faster.”

He turns his attention at the guitar, trying the strings out a few times, feeling the melody under his fingers before he starts playing it just how you asked as you slowly start to sing the lines you have just thought about.

“You made it through… another day, you made it through another day… You did it, let’s celebrate…”

The lines fit perfectly with the melody he has come up with and the more you sing, the wider his smile grows as you move along in the forming song.

“Some days you feel you’ll break, but you made it through another day, yeah, you did it, let’s celebrate…”

“Don’t fucking stop!” he chimes in, never stopping the riffs, trying out new things as you go, slowly perfecting it together with the lyrics.

“Twenty-four-seven and three-six-five, you made another day, you made it alive! Made another day made it alive!” You sing loud and clear, completely lost in the melody Harry is playing, the lines just flowing out of you, like a dam has been taken down and now everything washes over you at once.

When the chorus is about to come up however you run out of ideas, your eyes meet Harry’s and he sees that you’re stuck. His eyebrows knit together, tongue runs along his lips before he starts playing the melody of the chorus and takes over the singing as well.

“So today, baby, remember it’s okay! We’re all floating through space, today, baby, remember you’re okay! We’re all floating through space…”

He plays a little with the lines, repeats them, tries a few times before he stops singing, you are now standing up, watching him end the melody, neither of you saying a word as he room grows silent. A sudden urge drives you to go closer and you sit back down to the floor in front of him, your eyes casting over the now silent instrument on his lap. Looking up your eyes meet his and you feel like the air is kicked out of your lungs.

You’ve heard so much about moments when you feel yourself pulling towards someone, when it’s like a magnetic field but you never actually experienced it until now. Staring back at Harry you feel that pull everyone has talked about and you finally understand what they were trying to say. It’s like there’s a string coming from your chest that’s connected to him and he is tugging it without even doing anything.

Reaching forward he tugs a loose strand of hair behind your ear, his fingers dancing down the side of your face as you catch his eyes wander down to your lips. Sucking on your breath you feel the moment, you know what he is thinking about because you think about the exact same thing. Kissing him. You are desperate to find out what his lips feel against yours, what he tastes like, what it’s like to have him so close to you.

“You want to kiss me,” you whisper and it’s not a question, more like an observation.

“I do,” he admits with a soft smile, but doesn’t move closer. “Can I?”

“I don’t think it’s an appropriate thing to do in our situation,” you breathe out, though you don’t agree with the statement fully.

“You think too much,” he chuckles softly, leaning closer just a tad bit, but there are still a few inches between the two of you. “Do you want to kiss me?”

“Yes,” you admit.

“Then we should just do what we want to,” he suggests with a small smirk and he looks ridiculously handsome with his dimples and shining green eyes that are glued to you.

“And then what? We’ll just go on like it never happened or there’s going to be more happening? How are we supposed to—“

You don’t get to finish, because Harry closes the distance between you and him and presses his lips against yours, swallowing the rest of your stammering speech. Whatever doubts and hesitation you felt just a moment ago, it all vanishes into nothing as you melt into his kiss, his lips caressing yours gently, softly capturing them, savoring and tasting you with caution, giving you the chance to pull back anytime, but nothing in your body can make you stop kissing him in this moment.

His palms cup your jaw as you push yourself up, slowly making your way to straddle his lap after he has blindly put the guitar to the side, hands coming to rest on his shoulder for leverage. His other hand grips your waist, pulling you close until your chest is pressed up against his, lips never disconnecting in the kiss.

Kissing him feels like second nature, like it’s not even the first but the hundredth time, but on the other hand, every touch and tiny sparkle is so new and unusual, you’ve never felt like this before.

Harry slowly pulls back, pecking your lips a few more times before he stops, nuzzling his nose against you in an adorable and innocent way that brings a smile to your lips.

“Doesn’t it feel good to just do whatever you feel like doing?” he asks with a soft smile, making you laugh.

“Kind of.”

“Nothing has to change. Or something can, it’s up to you.”

“You are so upsettingly cool and respectful,” you blurt out chuckling and it makes him laugh, his head falling back against the back of the couch.

“I’m sorry, I guess?” he smirks with a shrug.

“See? Respectful!” you grin, your hands moving up to cup his face. The pad of your thumbs gently tap against his dimples that are showing thanks to the wide smile on his lips right now. You can’t stop yourself from leaning down and kissing him again, even though your rational side is trying to make you stop. You just can’t, his lips are screaming to be kissed and who are you to deny that?

You’ve been running errands all day. Following an early meeting you ran to your favorite vintage store to get another armchair for your living room. Then you went grocery shopping because your fridge has been ridiculously empty the past two days and later you had a quick fitting for a few outfits you are supposed to wear in the near future. You’ve ran into a few fans too, having small chit-chats with them, taking photos, so it’s been a busy day.

It’s been a week since you and Harry have kissed and despite your fears, it hasn’t been awkward at all. He didn’t bring it up, but you don’t feel like he is pretending it never happened, which is kind of a great balance. He is giving you just enough time and space to figure out what it really meant to you, because quite frankly, you have no idea.

Obviously, you find him attractive. You’d have to be completely blind to say that he is not handsome and just simply good to look at. You’re attracted to him and not just to his looks, but to his whole persona.

It’s just you’re not sure it’s a smart idea to start anything with the man you’re working with and though you know Harry is nothing like Jordan, part of you is still scared the whole thing will happen all over again if you get involved with another man from the industry.

Workwise, everything is going well. You’ve successfully finished the song you started that ominous evening and have started recording it in Harry’s home studio, working some more on the melody, bringing a lot more into it than just a single guitar. What more, you’ve been coming up with new ideas for other songs, lyrics popping up in either your or Harry’s head and you just keep sharing them with each other, saving them for later once the song for the Grammy’s is done.

Heading back to your place you get a call from Harry, his smiley face appearing on the screen of your face as you accept the call and his accent fills the car through the speakers that are connected to your phone through Bluetooth.

“Hey, hope I’m not calling in the middle of a meeting,” he greets you and you can tell he is smiling.

“No, I’m just on my way home. What’s up?”

“I’m meeting with Sarah and Mitch for dinner tonight, thought you’d like to join us.”

“I wouldn’t want to intrude on your time with your friends, I feel like you’ve been spending all your time with me.”

“But I like spending time with you,” he chuckles softly, a blush making its way to your cheeks at his words.

“Are you sure you want me there? What about Sarah and Mitch? I crashed your last meeting with them as well.”

“You didn’t crash anything, Y/N. And I’m positive I want you there, I wouldn’t have asked if I didn’t. And just so you know, Sarah asked if you’d be joining us, so I assume they wouldn’t mind it either.”

“Oh, well, okay then. Send me the time and place.”

“Wonderful!” he beams, his enthusiasm making your chest warm.

By the time you arrive home he has already texted you the details and you have just one hour to spare before you have to head out. You opt for a quick shower and an outfit change, switching up your ripped mom jeans and simple t-shirt to one of your favorite jumpsuits. It’s a little baggy, but the waist is cinched in with an inbuilt corset, giving the whole fit a very interesting twist.

Arriving at the restaurant Harry has texted you the address of, the waiter escorts you to the terrace at the back that’s a lot more secluded and you feel yourself relaxing that you probably won’t get photographed. Harry is the only one who is already at the table, sitting with his eyes fixed on his phone, but he immediately puts it aside when he sees you approaching, a wide smile stretching across his face.

“Hey! You look amazing!” he greets you pulling you into a quick hug.

“Thank you,” you smile shyly. He is wearing a pair of brown slacks, a simple white shirt tucked into it, a knitted cardigan thrown on, a typical Harry outfit. “And thanks for the invite,” you add as you take the seat next to him, assuming Sarah and Mitch would like to sit next to each other.

“Don’t even mention it. We’re friends, it’s really nothing. I’m glad you could make it.”

The way he called you friends is giving you mixed feelings. Part of you is happily jumping up and down at the fact that he considers you as a friend, given how you don’t have many of those. It’s been hard opening up to anyone since you’ve made a name for yourself, you’ve ran into occasions a lot when people wanted more than just your friendship from you and it made you rather closed off when it comes to making friends.

On the other hand, you can’t help but feel a little disappointed. Is that all you are? Just friends? More importantly, is that all you want to be, or more?

Sarah and Mitch arrive soon after, joining you at the table and the waiter takes the orders before leaving the four of you alone. It seems like they genuinely like it that you’ve joined, so you can enjoy the evening a little more relieved.

Sipping on some amazing wine, you eat and talk and you feel like you’ve known these people your whole life. You especially like Sarah, she is so open-minded and funny and you think they make a great couple with Mitch who is obviously more closed off, but it’s obvious how much he worships his girlfriend.

Sometime in the evening, when you’ve already had two glasses of Chardonnay and you’re feeling a lot more relaxed and comfortable, you move closer to Harry without even noticing, leaning against him gently and his hand rests on your knee, giving it a soft squeeze under the table, making you want to move even closer to him to feel more of his touch, to get more of him.

Neither Sarah, nor Mitch questions the two of you being a little cozier and you’re thankful for the safe and stressfree environment they are providing, not making you overthink what you do, just letting you enjoy the moment.

At the end of the evening, you can’t shake the thought that you don’t want to say goodbye to Harry just yet. He pays for everyone’s dinner, leaving a generous tip for the waiter and you stay back at the table while Sarah runs out to the restroom and Mitch takes a quick call from his father, leaving you alone with Harry. His hand is still resting on your leg, a little farther up, but still in a very safe zone in the middle of your thigh.

Turning to face him your eyes meet his, his green irises glistening in the soft lighting and he looks so beautiful, you just want to kiss him again.

“Do you have plans after this?” you find yourself asking.

“Not that I know of.”

“Do you want to come over to my place?”

“That sounds like a nice plan,” he smiles at you warmly and you just know that if you weren’t out in the public, he would have leant in for a kiss and you wouldn’t have stopped him.

When Sarah and Mitch return all four of you head out and they don’t question when you follow Harry to his car. They say goodbye and Sarah makes you promise to join them some other time too and you happily say yes to the invitation.

Not much is being said on the way back to your place, he plays some music quietly as you navigate him through the streets.  

“Welcome to mi casa,” you smile as you key the two of you into your apartment you’ve been living in for the past few years.

It’s nothing luxurious, just a tad bit bigger than what one person would need as a home. You would have been fine living in your previous home you lived in before you’ve gained fame, but you needed a much bigger closet so you were forced to move. It’s a two bedroom apartment with one big bathroom, an open concept kitchen and a spacious living room. And of course, a closet as big as your bedroom. It’s the perfect size and you haven’t even thought about buying a bigger place just because you can, it would be a waste of money and space. The interior is very much vintage with all your mismatched furniture and colorful walls, but you think it’s quite cozy and just the ideal space for you.

“Would you like something to drink?” you ask, walking into the kitchen to get yourself some water.

“Some water would be great, thank you.”

Filling up two glasses you hand him one as you lean against the counter, silently eyeing each other. It should be clear to him that you had intentions with asking him to come over, especially after being your cozy with each other during dinner, but you’re a little lost in what you should or even want to do. You just know you want him close.

He drinks up his water, his eyes meeting your gaze as a small smirk tugs on his cherry lips.

“You want to kiss me,” he states, using the exact same words you used the night when you kissed for the first time.

“I do,” you nod, feeling a little breathless.

“Then do it,” he simply answers, making you smile.

“Cool and respectful, as always,” you grin at him as he moves closer, stopping just a few inches away from you, your feet almost touching. Reaching up his fingers gently caress the side of your face and you feel yourself already melting under his touch.

“You’re beautiful,” he murmurs, a shiver running down your spine at his words. You close your eyes for a moment, giving yourself the chance to pull out of it, but you realize you don’t want that, not even the tiniest bit. Opening your eyes they meet with his gaze before you move closer, closing the distance between you and him, lips meeting in a warm and chaste kiss.

Though it grows a little hungrier, you can tell he is still holding back a little, giving you the chance to stop whenever you want to, but you don’t intend to. Pushing yourself closer to him, your arms curl around his neck as his hands grip your waist, your tongue meeting his as you deepen the kiss and melt into his embrace.

Pulling back you grab his hand and head to the bedroom, going back to kissing him the moment you reach it. You easily slide his cardigan off his broad shoulders, pulling his t-shirt out of his pants before taking it completely off, throwing it somewhere to the side. You smirk against his lips, hands wandering down his naked chest and you can’t push down a moan as you feel the warmth of his chest muscles under your touch.

When you feel him try to blindly figure out how to get you out of your jumpsuit with not much luck and this clears your head for a moment to realize what is about to happen. Pulling back your gaze meets his and he stares back at you with caution, ready to stop whenever you tell him to, but that’s not what made you pull back.

“Harry, I…” “We don’t have to do anything,” he softly tells you, his fingers dancing down the side of your face until they reach your chin and he pulls you in for a delicate and slow kiss.

“I want to,” you whisper. “It’s just that… I want you to know that I’ve never… I’ve never been with a man before.”

Searching in his eyes you look for any sign of what’s going on in his head wishing you could just simply read his thoughts.

“You’ve never been with a man?” he asks, seemingly not as surprised as you expected him to be. You nod, licking your lips, waiting for any kind of reaction, a part of you expecting to be upset, though you know he has no right to be mad at you for any of it. “Do you want me to be the first man?” he then asks, with a loving and warm smile as his hand on your hip pulls you against him playfully.

“Yes.”

“Then help me get you out of this jumpsuit, because I can’t figure it out for my life,” he chuckles making you laugh too.

You show him where the corset opens and then get you out of it with joined forces, finally leaving you standing in just your underwear. Harry’s gaze runs down your body, a look of hunger and passion shining through his green irises as he pulls you close again, kissing you with a lot more vigor this time.

Soon enough, his slacks slip to the floor and you climb to your bed, Harry following closely, climbing on top of you before rejoining your lips. Your knees open up wide for him, allowing him to sink his hips between your thighs, his crotch meeting your heated center, a moan slipping out your lips when you feel his erection rubbing against you through the material of your underwear. He kisses his way down your jawline and neck, gently sucking on the soft skin, peppering kisses along your collarbones before he reaches your chest. He easily unclasps your bra and slips the straps down your arms before getting rid of the barrier that’s been keeping him away from your naked chest.

“Fuck, Y/N, you are so damn beautiful,” he breathes out shakily, before his lips wrap around your right nipple, his hand cupping your other breast. You keep whining and whimpering as you feel his tongue swirl around your nipple before his mouth moves over to the other breast, giving it just the same amount of attention.

He kisses down your stomach, glancing up at you as he hooks his fingers into the elastic of your panties silently asking for your permission to go further, still so respectfully looking out for you. As an answer, you lift your hips up so he can easily slide the material down your legs and throw it to the side.

“Oh fuck!” you moan when his tongue and lips press against your bud, playing with it oh so perfectly, making you shudder. If you didn’t think Harry was perfect, his tongue work is now surely making a statement on that.

With every lick, kiss and suck he pushes you closer to your release that’s nearing in a fast pace like never before. Reaching down you lace your fingers through his chocolate curls, tugging on the lightly, making him moan against your core. You’re not sure how long you’ll last, but you want to cum with him inside you, so you pull him up, lips meeting again as you still taste your own juice on him. It’s heavenly.

Without breaking the kiss you reach down and into his underwear, palming his fully hard cock, earning a satisfied growl when you wrap your hand around him. The feeling is quite unknown, you’ve only once had to face a penis before, it happened back in high school when you were still figuring out what sexuality meant to you. Gave a wobbly and quite short handjob to a guy from the grade above you, never even talked to him again. The experience left a major effect on you, never even got close to being intimate with a man, but being with Harry now is putting everything into a whole new light.

“Do you have a condom?” he mumbles against your lips, clearly just as excited to carry on as you are.

“Yeah,” you nod and let go of him, rolling to the edge of the bed so you can dig into the drawer of your nightstand, successfully finding the little silver packet. Tearing it open you hand it over to Harry and get back to your previous position as you watch him kneeling up, rolling the condom on carefully. Your lips part when your eyes fall on his cock, seeing now how big he really is. Harry catches your eyes and leaning down he kisses you softly.

“Tell me if it hurts and I’ll stop, okay?” he kindly tells you, but you smile at him coyly.

“You might be the first man I’m with, but your dick won’t be the first thing to be inside me,” you answer with a smug smirk and it brings an amused look to his face.

“You are so fucking hot,” he murmurs, pressing his lips against yours in a hard kiss as he settles himself back between your legs.

Though you really tried to sound confident the other moment, you still feel a little nervous about it and Harry senses it right away. Holding himself up on one arm he cups your face in his other, kissing you slowly, taking his time with his lips, as if he is trying to make you forget about everything else but his lips.

“Are you still sure about this?” he softly asks, looking for any sign of hesitation in your eyes, but there’s none.

“Yeah, I want this. I want you,” you nod and reaching down between your bodies, you take him in your hands again, positioning him to your center.

Harry captures your lips in another passionate kiss as he pushes into you slowly, filling you up inch by inch. You gasp at the sensation, feeling a little tight around him, but not in an uncomfortable way.

“You alright?” he asks once he is almost fully in.

“Yeah, go ahead,” you breathe out with a small nod. He pecks your lips and slowly pushes all the way in before he starts to move out and then slide in again, picking up a not too fast but still firm pace with his movements.

You gradually get used to the feeling of him sliding in and out of you, it’s surely a whole different experience than using a dildo or any kind of toy you are used to. The thought that it belongs to him is bringing you a sense of intimacy you haven’t felt in a long time.

Wrapping your arms around his shoulders you dig your fingers into his hot skin that’s coated with a thin layer of sweat as he keeps moving, slowly picking up his pace as you both get closer to the endgame.

“Harry, faster, please!” you plead, legs coming to wrap around his waist so he can thrust in deeper, making you go completely nuts from the way your orgasm is already forming in the pit of your tummy.

He obeys without a second thought, slamming into you faster and harder, making you continuously moan his name, the room is filled with moans and panting, the slapping noise of his hips meeting yours.

Harry buries his face into the crook of your neck, kissing and sucking on the soft skin, definitely leaving a mark, but you couldn’t care less. You just grab a handful of his hair, shutting your eyes closed as you feel yourself nearing the end.

“Harry, I’m gonna cum,” you pant, barely hanging on.

Instead of stretching it out and trying to play with you, Harry clearly wants you to combust. Reaching down between your bodies his index and middle fingers find your clit and he starts circling on it, adding that little extra you needed to fall over the edge.

Moaning and whimpering under his massive body, your orgasm washes over you in waves, bringing you such an intense satisfaction you’ve never felt before. He keeps up his thrusting and just a few moments later his movements fall out of his rhythm and mumbling your name over and over again, he gasps as he rides his high while you’re still trying to catch your breath following your own.

With a heaving chest Harry rolls off of you, gets rid of the condom and throws it to the small bin you keep next to your night stand and then lies flat beside you as you both just silently stare up at the ceiling, very much in the best kind of after sex haze.

“How are you feeling?” he then asks, rolling to his side, his hand coming to rest on your bare stomach. Turning your head to the side you crack a smile at him.

“I feel like I’ve just been properly fucked,” you bluntly answer, making him laugh wholeheartedly. Rolling to your side his arm falls to your waist as you scoot closer, your face only a few inches from his. He is so pretty up close, his features never fail to amuse you, hard to believe he is a real human, lying right next to you.

He closes his eyes a little, letting his head sink into the pillow as his fingers delicately dance up and down your side and back. You feel like you owe him to say something, dropping a major detail about yourself in a heated moment.

“I had two girlfriends,” you speak up, his eyes fluttering open to your words. “The first one was when I was eighteen, we dated for almost a year, then I briefly dated a guy, but it was barely just a month. And I had my second girlfriend when I was twenty. We were together for two years.”

“Are you still friends with them?”

“I still talk to the second one. Her name is Mila. We broke up because she moved to Spain for a job for a year and we didn’t want to do long-distance. Then we just… grew apart, but we still talk sometimes. She lives in Atlanta now, she has a girlfriend and she told me that she is planning to propose soon.”

A soft smile tugs on your lips as you talk about her. She was an important person in your life in a time that was truly challenging. Mila supported your dreams, she went to a lot of your concerts and she was the first one you called when you got your record deal even though you weren’t together anymore. She has seen you go from performing in dodgy bars to rocking the stage of arenas.

“Congrats to her,” Harry smiles through tired eyes. Reaching up he tucks your hair behind your ear before leaning closer he envelopes your lips in a soft kiss.

“We really shouldn’t have done this,” you hum, though you can’t wipe the satisfied smile off your lips.

“Why not?”

“Because we work together.”

“So what? We aren’t allowed to like each other?” he smirks cockily.

“You like me?”

“Thought I made that pretty clear,” he chuckles rubbing his eyes. “But yeah, I do like you, Y/N. A lot.”

“I… like you too,” you admit shyly. Leaning in he kisses you again before pulling you to his chest as he lies on his back.

“Can I stay the night or you want to throw me out?” he hums closing his eyes. Chuckling your snuggle to him, making yourself comfortable, enjoying the warmth of his body after so spending so many nights alone in this bed.

“You can stay, but you have to behave.”

“Oh I will behave my best, don’t worry.” A chuckle rumbles through his chest as you both fall silent and soon enough, drift off to sleep.

You wake up tangled in the sheets, but no one else is lying in bed with you. Blinking the sleep out of your eyes you look around and though there’s no sign of Harry in the room you spot his clothes on the floor. That’s when you hear the pots and pans clinking somewhere outside and you smile to yourself. You pull a t-shirt on with a pair of clean panties before heading out, finding Harry in your kitchen, wearing your pink fluffy robe and nothing else as he is making what seems to be pancakes.

“I don’t remember hiring a chef,” you joke walking closer, sliding a hand down his back as you lean against the counter next to the stove.

“Good morning,” he smiles. “I really wanted for you to wake up but I was afraid my growling stomach might wake you up,” he chuckles as he flips the pancakes in the pan with the spatula.

“Found everything you needed?” you ask, walking over the fridge to grab the orange juice.

“Yeah, you have a neatly organized kitchen,” he hums. “Sorry for snooping around though.”

“Don’t worry about it.” Pouring the juice to two glasses you hand one to him which he thanks softly before placing the golden pancakes to the plate on the counter and pours another bunch into the pan.

Sipping on your juice you watch him move around, making breakfast in your robe and you can’t help but smile at the sight of this fine man in your kitchen. Harry catches you eyeing him and he cocks an eyebrow at you.

“What’s gotten you so smiley?” he asks, his voice still a little groggy and husky.

“I just… really want to kiss you,” you shrug placing the glass to the counter.

“I think we are over this whole asking for permission thing,” he smirks, stepping closer he leans down and kisses you gently, tasting like orange juice and something sweet, he has probably ate one of the pancakes. His hand that’s not holding the spatula finds your waist, the t-shirt bunches up on your side as he pulls you closer, deepening the kiss before you hear sizzling coming from the stove.

“Whoops, not trying to burn the place down,” he chuckles as he turns to the pan and flips the pancakes. You wrap your arms around his waist and kiss his jawline before stepping away from him to set the table for breakfast.

“Do you have any plans this weekend?” he asks over breakfast.

“I have a meeting with my label on Saturday, but nothing else.”

“I’m having a few friends over Saturday evening, kind of a late Grammy nomination celebration. Want to come over?”

“Yeah, that… sounds good,” you nod smiling.

“I was thinking that maybe you could spend the night and then we can finish recording on Sunday.”

“Alright, I’m in.”

Harry takes a quick shower after breakfast before heading out, promising to call you later and though it still feels a little odd that he says goodbye with a kiss, you very much like this new setup between the two of you.

Friday evening Taylor is over at your place, she loves helping you sort out promo stuff you get sent all the time, especially because you let her take whatever you don’t want, half her closet was meant to be worn by you.

Sitting on the floor with boxes surrounding the both of you, you’re digging through them with a bottle of wine, some 90’s music playing in the background, it’s a nice and relaxing evening.

Your phone lights up with a text on the coffee table and you already know it’s from Harry. You haven’t stopped texting since he left from your place just a few days ago.

Harry: Do you think it’s a look for the Grammy’s?

He attached a photo of himself in all denim, looking very much like 2001 Justin Timberlake at the AMA.

Y/N: Should I match and pull a Britney?

Harry: Is that even a question?!

“Okay, who’s the girl?” Taylor asks, making you tear your eyes away from the phone’s screen.

“Huh?”

“Last time I saw you smiling like this at your phone you were talking to that girl you met at that award show. So who is it this time?”

“It’s… not a girl,” you admit, placing your phone back to the coffee table.

“Oh, did a guy finally manage to sweep you off your feet?” Taylor gives you an amused look, genuinely surprised to hear that this time it’s a guy that has you wrapped around his finger. “What is his name?”

“Harry,” you shortly answer and see her eyes widen.

“Wait, is it… Harry as in Harry Styles?”

“Yeah,” you admit with a soft chuckle.

“Oh my God, I knew I could feel some sexual tension between you two at Jeff’s office!”

“There wasn’t any, what are you talking about?”

“You didn’t see it because you were too busy trying to blow off the duet, but it was radiating from him.” She gives you a look, putting the sweater she’s been examining to the side. “So, how are things? Are you guys an item, or…?”

“We didn’t label anything, he just said he likes me and I like him too. And he… spent the night the other day.”

“Wait, what? Spent the night as in—“

“Yes, we had sex,” you confirm blushing.

“That’s like huge! The first man you’ve been with!”

“I know,” you chuckle.

“How was it?”

“Fucking amazing,” you truthfully admit with a sigh. “I didn’t think it could be this good with a guy. Maybe it’s just because it was with him.”

“He surely looks like a guy that takes good care of his girl. So what’s gonna happen? Are you guys together?”

“I don’t know. He doesn’t seem to care about names and labels, he just likes to do whatever he wants and if I’m being honest it’s kind of refreshing. We are just… enjoying whatever we have.”

“That sounds very liberal,” Taylor chuckles. “But I’m happy for you. You’ve been alone for way too long, I think he might do good to you.”

“I really hope,” you nod with a sigh.

“How is the song writing going?”

“We’re finishing up recording on Sunday. I’ll send it to you when it’s done and we can start all the paperwork and everything.”

“Amazing, you are doing great, Y/N, I’m proud of you,” she smiles and climbing over she wraps you in a tight hug.

“Thanks, Tay,” you smile at her. “Alright, now do you want these lace socks or should I burn them?” you ask holding up a whole pack of them, making her laugh.

Harry said it’s just a chill get together, nothing fancy so you decide to wear a khaki maxi skirt with a shirt tucked into it that was a gift from a fan, your first album’s name embroidered to the front. It’s one of your favorite pieces and you like wearing things your fans make you, gives the whole fit a plus.

Arriving to Harry’s place you spot that there are a few cars already parking on the driveway. You leave your overnight bag in the trunk, grab the bottle of wine you’ve brought and head inside. Unlike every time you’ve been here, the silence is now switched up with soft music and chatters, quite a few people lingering around the house already.

Just as you walk farther inside, Harry appears on the stairs and his face lights up at the sight of you.

“Hey! Did you just arrive?” He jogs down the rest of the stairs and walking up to you he pulls you close for a quick kiss without hesitation.

“Yeah. I know you said not to bring anything, but I hate coming to parties empty handed,” you chuckle softly, holding the wine bottle up.

“Thanks. Have you eaten? Jeff is grilling outside, but help yourself with anything.”

“I’ll be fine, thanks.”

“Sarah and Mitch are already here, but come on, let me introduce you to a few people.”

Harry takes your hand, lacing your fingers together with his. He drops the wine off in the kitchen before joining all the other guests. It’s really not that many people, just about thirty of his close circle. Musicians, people he has worked with and stayed close with, people he has known for long. Everyone seems welcoming and open, many already know who you are and it’s always a good conversation start, so there are not many awkward silences, especially because Harry is always near you, making sure you feel comfortable around his friends and it means a lot to you.

“Hey, everything alright?” Harry asks, when he finds you in the kitchen, refilling your glass. He walks up to you, placing a hand to your waist as he kisses into your hair.

“Yeah, your friends are nice,” you smile at him.

“I know, that’s why they are my friends,” he smirks, so full of himself. “Want to hear something interesting?”

“Always.”

“I was talking to Adam and our song came up and then out of nowhere I referred to you as my girlfriend.”

Seemingly he is testing the waters, trying to see how you react to the title, even a little afraid of what you might say, but it doesn’t scare you.

“Yeah? That’s interesting indeed.”

“Are you okay with it? I wasn’t really thinking about it, just slipped out.”

“It’s fine,” you smile at him softly.

“You don’t have to call me your boyfriend, call me whatever you want. It’s just a habit of mine, I guess,” he explains, popping some nuts into his mouth from the little jar on the counter.

“Alright,” you nod. Harry stares back at you for a moment before a smile stretches across his face and leaning down he kisses you shortly before taking your hand and walking back to the living room with you.

The last guests leave around midnight. After bringing your bag up to his bedroom you start cleaning up while Harry walks out the last couple leaving. You start loading the washer and put away things you’ve cleaned before.

“Oh, thank you for cleaning, but you don’t have to. I can take care of it later.”

“It’s nothing, I want to make myself useful,” you chuckle softly as you start the washer. Harry comes up behind you, his arms wrapping around your waist as he kisses into your neck.

“I have other ideas for that,” he murmurs, his nose nudging the side of your face.

“Yeah? What kind of ideas?” you teasingly ask, closing your eyes when you feel his hand slide under the waist of your skirt, moving down your abdomen until it reaches your core.

“Fun kinds,” he chuckles lowly. His other hand turns your head so his lips could meet yours, you’re still pressed up against him, melting against his chest with your back just right, like you’re two puzzle pieces.

“Fuck,” you breathe out when his fingers wander into your underwear and they start doing their magic. “Harry!” you whine, reacting intensely to his actions.

“I fucking love hearing my name from your pretty mouth,” he growls, kissing you hard before his lips part from yours and he starts bunching up your skirt.

You don’t protest, in fact, you lean forward, grabbing onto the edge of the counter as he pulls down your panties and you hear the zipper of his pants. Glancing over your shoulders you see him pull out a condom from his pocket and you can’t push down a laughter.

“Did you keep that in your pocket all evening?”

“Wanted to be ready when I finally got you all for myself,” he smirks, pulling his cock out of his boxer briefs, rolling on the condom.

His hands come in contact with your hips and ass cheeks, giving them a light squeeze before you feel him lining himself up with you. His palm slides up your back as he pushes into you, both of you moaning at the fulfilling sensation.

“Fuck, baby, you feel so good,” he breathes out as he pushes all the way inside before starting to pull out.

“Go hard, Harry. Please!” you whimper as he starts thrusting into you. Harry lets out a growl and slams into you, making you gasp at the harshness of the movement, but that’s exactly what you wanted.

The kitchen is filled with the noises coming from the washer next to you and the slapping noise of Harry’s hips meeting your ass with every forceful thrust he makes. His ring clad fingers dig into your hips, probably already making them red, but you couldn’t care less. You hold onto the edge of the counter, but then you move one hand to cover his on you, needing to touch him in some kind of way.

Leaning forward Harry kisses your back between your shoulder blades through the thin material of your shirt and you moan his name when he hits the perfect spot inside you.

“Shit, Harry! I’m g-gonna cum!” you gasp, perking your ass up more so he can go as deep as possible.

“Let go for me, baby. Come on!”

“I want to cum with you.”

“Yeah? Then hold on for a little longer, I’m almost there.”

You try your best to keep everything inside you under control, your orgasm is really on the edge and you can only hope he is nearing his end too.

“Harry! Please!”

“Fuck, okay, okay, cum for me! Let me feel you!” he moans and his words bring you the release.

You clench around him, moaning and whimpering and it finally pushes you into his bliss too. His thrusts slow down but they are hard and go deep, helping you ride the last bits of your high.

He pulls out and gets rid of the condom before wrapping his arms around you, pulling you up from your position so he can kiss your lips.

“How about we take a shower while the washer finishes?” he suggests, pressing a kiss to your forehead.

“Mm, good idea.”

Once the song is fully finished you submit it to your label after an agreement that it should come out through yours, but it wouldn’t be tied to your or Harry’s upcoming album. Everyone seems to love it, Taylor is over the moon when you show her the final version and Jeff is just as happy about it. Having only three more weeks left until the Grammy’s, you send them your request to perform the duet instead of the medley they asked. Their answer comes the next day and they are more than happy to have you premiere your new duet at the show. Everything seems to be on track.

Following a rehearsal for the Grammy performance, you’re staying over at Harry’s, just eating takeout and having a lazy evening after a whole day of working. You’ve put on a new Netflix movie, but every time you look at Harry you feel like his mind is somewhere far away.

“Want to share what’s on your mind?” you ask softly, not wanting to be pushy, you’re just trying to be there for him.

“I’ve just been thinking.”

“About what?” He looks up at you, clearly hesitant whether he should share it with you or not.

“About what you said about your parents.”

“Oh,” is all you can say. Pausing the movie you turn all your attention to him. “What about it?”

“I was just talking to my mom the other day, she is coming here for the Grammy’s and I thought about how you… won’t have your parents there with you.”

“There’s a reason for that.”

“Yeah, but then I thought about how you said you haven’t even let them contact you since then and that maybe they’ve changed their mind about the whole situation. You’ve clearly proved them wrong with building yourself a career, maybe they can now see that what they did was wrong.”

You remain silent, chewing on his words. You’ve been great at not thinking about your parents these past years, it feels weird to have a conversation about them out of nowhere. Harry takes your silence as a warning sign, though that’s not the case.

“You know what? I’m sorry for bringing it up. It’s not really my business, I shouldn’t have brought it up, sorry,” he shakes his head.

“What… would you do if you were in my place?”

Harry looks at you, surprised you are willing to continue the conversation. His hand finds your thigh and he gives it a gentle squeeze.

“I think it might worth a shot to just… contact them. See if they want to maybe get in touch again.”

“And what if they don’t?”

“Then… you know you made the right decision leaving. I know it’s scary, but I think you should take a chance.”

“I’ll… think about it,” you nod shortly.

“Take your time, do whatever you feel comfortable with.” He pulls you into his arms, pressing a kiss to the top of your head as you get comfortable in his embrace before starting the movie again.

Two weeks before the show you are headed to a fitting with Harry, your matching sets are nearly done, but they needed you to try them on and make sure they fit just perfectly. True to your and Harry’s extravagant fashion, this performance won’t lack any over the top fits either. It was clear from the beginning that you would be matching, but you made it clear that you want to bring it to the level where you’d be wearing the exact same outfit, so now there are two sets of suits in the making, the pattern of the whole two piece is recalling a kind of space vibe, blues, purples and black meeting in the colors with hundreds of embroidered stars and planets littering the fabric with additional crystal stars to make it even more extra. It’s truly one of a kind, especially paired with the sheer, tulle shirt you both will be wearing underneath.

“We look fucking great, babe,” Harry smirks as the two of you stand next to each other, examining yourself in the floor-to-ceiling mirror on the small podium.

“We really do,” you smirk, satisfied with how the performance is coming together. It’s gonna be the perfect way to celebrate both your first Grammy nominations, a huge milestone in your and Harry’s career as well.

Grabbing his phone he quickly takes a picture in the mirror of the two of you, pulling you to his side as you smile into the camera through the mirror. Then you leave him alone on the podium as they are pinning his pants to make it the perfect size. Stepping to your bag you fish your phone out and reading just the first few words of Taylor’s last message she sent about ten minutes ago, you feel all blood rushing out of your face. Tapping on the notification you start reading.

Taylor: Please don’t lose your head, but we are dealing with this.

She attached several articles and you start digging through them.

“Is Harry Styles dating his new duet partner?”

“Harry Styles cozied up with Y/N Y/L/N at dinner with friends.”

“Can we expect some hot make out sessions at the Grammy’s from Harry and his new beau?”

And then there’s the absolute worst.

“Is Y/N Y/L/N going to take Harry Styles to court too?”

“Shit, shit, shit,” you mumble under your breath, vigorously typing back to Taylor to take them down. Two pictures have been leaked from the time you had dinner with Sarah and Mitch, it’s so odd because it’s been weeks since then, where were these pictures all along? Not that it matters, all you want is for them to be gone.

Against your better judgment, you go online and check your social media even though you know you shouldn’t snoop around now that it’s out there. No surprise, you and Harry are trending, but the reactions are very much mixed.

The impact of your case with Jordan is still major. It doesn’t matter that you won, people are still questioning whether he said the truth or not and now they are afraid you might drag Harry down just like you did with Jordan. That you are just trying to use his fame to get more attention and then ruin his career, making a victim out of yourself again, because apparently that’s what you’ve been doing.

You’re not only being dragged, but all of a sudden, nothing is about the music and the art you are making, people just want to know if you’re fucking Harry Styles or not. A lot of the times you’re not even named, only referred to Harry’s new lover or what’s worse, his hookup. You’ve lost all the credit you worked so hard for and for what? Because you dared to have dinner with a man?

“Baby, what’s wrong?” Harry asks walking up to you. Your eyes snap up at him and he immediately sees the shock and anger in them, setting panic in him as well. “What is it?”

“The fucking… pictures,” you hiss handing him your phone so he can see the articles for himself. He scrolls through them with furrowed eyebrows, his teeth sinking into his bottom lip before handing the phone back once he has gotten to the end of it.

“Let’s finish this up and head home, okay? We’ll figure it all out.” He presses a kiss to your forehead and you nod, trying your best to keep your anger at bay while the designers finish up on the outfits.

An hour later you walk into your place, talking on the phone with Taylor, discussing the situation though there’s not much you can do at this point. It’s all out, the pictures can’t be taken down. She suggests to just keep quiet for now, she’ll call Jeff to see what could be done as damage control.

Throwing your phone to the bed you feel your whole body shaking from the anger, it’s agonizing to know there’s nothing you can do to stop it.

“Hey, it’s gonna be fine. We’ll figure it out,” Harry speaks up, trying his best to calm you down, but it’s not really working this time.

“Stop saying it, you don’t know that for sure. I can’t believe this bullshit is happening all over again,” you breathe out shaking your head.

“Again?”

“Yes! I’m being fucking dragged for something I shouldn’t be.”

“People will always have controversial opinion on everything, you can’t get them all to like you.”

“It’s not about liking, Harry!” you snap. “I couldn’t give a damn about people liking me, but they discredit my work. Have you read those articles? I’m seen with a man and suddenly, I’m not even seen as an artist anymore. I’m not even my own person in some of them, just a girl who is linked to you. How is that fair?” “It’s not, but stressing yourself about it until you’re sick is not gonna help anything,” he retorts in a firm voice.

“So I should just sit around and so nothing while watching all my work go to shit?”

“Nothing is going to shit! This is how it goes, there’s always something people talk about but they will forget about it in a week. That doesn’t take anything away from what you’ve proved through your career.”

“Now that’s a lie. Because if they did forget about things in a week, they wouldn’t be bringing up the whole Jordan thing now. I dared to stand up for myself against a man and look where it took me to! I’m the drama queen, the lying bitch who likes to ruin men for apparently no reason and they see me as a threat when it comes to you too. People are talking about how I’ll take you to court as well, they think I’m just using you even though they know nothing about me! And the worst part is that it wouldn’t be like this if I weren’t a woman. Whatever happens, however we react to the situation, it will never have the same effect on your career than it will have on mine.”

“So what, you’ll just live your life without ever doing anything that’s gonna upset people? There will always be someone who’ll judge whatever you do, you can’t do anything about that and if you let them get to you now, they’ll know they can mess with you easily.”

“So I’m just supposed to ignore everything? And not do a single thing about it? It’s easy for you, you’ll walk away from this without a scratch on your name, because you are a white man who can do no wrong in the eyes of the world.”

“Okay, now you are being mean for no reason.”

“I’m telling you the truth,” you retort. “And you know what else is part of the truth? That I’m not even having it the worse. There are women who are even more targeted because of their religion, their skin color, their nationality or sexuality and people don’t even realize how hard it is for any of us. I’m sick of the injustice we have to live with just because of our gender!”

“I do acknowledge the problem on hand, I’m aware of it and I’m all for doing against it, but we are not gonna solve it instantly, it’s a long process. Sometimes we just have to pull back a little, be smart about things.”

“They will never stop about this,” you shake your head, stubbornly clinging onto your opinion. “I won’t be seen as a serious artist anymore, just some girl who was linked to you. It’s fucking done, over.”

“Y/N, what are you trying to say?” Harry asks with caution.

“Exactly what you are thinking about,” you reply with a bitter laugh. “I can’t be a respected artist if I’m with you.”

“That’s not true. It will die down, they will see that you are more than just who you’re dating and everything will be fine.”

“What’s not fair is that I have to work for it to be fine while you are still the same artist you were before it all blew up. Don’t you think it’s unfair?” you call him out and part of you knows you’re being mean and unnecessarily rude to him, but you just can’t control it any longer. You need to let it out and unfortunately, he is the one who is here to take the blame.

“It is, but what are you expecting me to do about it? Release a statement asking people to only talk about my dating life to make it equal? What can be done is that we try to fight this together, show them that you’re more than just a woman who is linked to a man in any kind of way.”

“Yeah, like realization is just gonna hit them,” you snap. “I’m at a turning point in my career, Harry. Whether I win a Grammy or not, this time is going to have an impact on my future. If I’m seen as just a girl linked to you, I’ll never make it. I’ll be forgotten and dragged again and I can kiss my career goodbye.”

You know you were way too harsh, but it’s what you think to be the truth. You didn’t fight your way to this point in life just to be seen as a man’s girlfriend rather than the artist you truly are. And right now, you can’t see yourself get out of this situation without letting go of Harry.

“Y/N, please don’t let this ruin what we have. We can get through this, you can’t let them control your life this much. Who are they to tell you what to do? That’s not the Y/N I know, come on!”

He tries to step closer, reaching out for you, but you take a step back, wanting to keep the distance between the two of you.

“I would prefer to be alone now,” you sternly say, folding your arms on your chest, closing yourself off from him as you don’t even look at him, because if you did, you know you would break.

“Y/N, please don’t do this, we—“

“Alone!” you snap, cutting him off.

He stares at you, hoping you might change your mind, but you’re quite set on this. He knows you well enough to know you won’t budge anytime soon. He lets out a shaky breath and slowly turning around, he heads towards the door as you’re already fighting your tears back. He stops right before he is about to walk out.

“I’m really sorry, Y/N,” he quietly says before walking out, the door shutting closed behind him.

The sobs start immediately and you fall to the ground, tears soaking your cheeks, already missing him more than anything in your life. You really thought it would be different this time, that things might get better, but you were naïve.

The next two days go by in a blur. The whole fucking internet is filled with those damn pictures of you and Harry, nothing has been about any of your Grammy nominations or even about your music, you’ve officially became the woman Harry Styles is dating.

Harry was titled as a Grammy nominee in every goddamn writing that surfaced, he was completely credited for his work while you could be happy if your name was written correctly. With every new article, your faith in having the career you worked so hard for lessened until you felt hopeless. You’ve officially became a dumb celebrity, just a woman who was known to be dating a man in the industry.

On the evening of the second day you have enough. You just read yet another degrading piece of you that was clearly written by a man, they once again talked about your case with Jordan, joking about history repeating itself and you swear you could scream and throw a tantrum like a baby at how useless and helpless you feel.

You put your laptop to the side and reach for your phone, dialing Taylor’s number.

“Hey, how are you feeling?” she asks right away, knowing well how hard these past days have been. She came over the evening you sent Harry away and tried to comfort you, but nothing could help you that night.

“Hey, I want to ask you to do something and not try to talk me out of it.”

“Oh God…” she sighs, already knowing you’re about to do something stupid according to her.

“I don’t want to perform at the Grammy’s.”

“What? With all due respect, are you fucking stupid?”

“I’m not stupid. But I don’t want to do it.”

“Well, this has got to be the most ridiculous move you’ve ever tried to pull. Why do you want to throw such a huge thing away?”

“I can’t… sing that song with Harry. If I stand on the stage and sing with him… I just can’t do it, Tay.”

“Of course you can! Suck it up! I know you miss him and it fucking sucks what’s happening, but you have to do it!” she tries to convince you, but you’ve already made your mind up.

“No. I’m not doing it. Please let them know that it’s going to be just Harry performing.”

And with that, you end the call.

Taylor knows better than to try to fight you, she doesn’t call back though you know she wants to murder you right now probably, but she’ll come around, she always does. You make yourself a tea hoping to relax your nerves with it though you know nothing can help you now. You wish you had someone to rely on, someone you could talk to right now, but usually Taylor is that person to you and lately Harry has been your support, but you can’t call either of them. The rest of the people you consider friends… they are just not that close to you. You’re left alone, again.

As your gaze wanders over to your phone, a thought pops up in your mind that makes your hands sweat. You think back to the conversation you had with Harry about your parents and you can’t shake the urge off to finally make that call.

“Fuck it,” you breathe out and grab the device, opening up the contacts until you find what you’ve been looking for. Your thumb hovers above the call button for a while before you finally tap on it and start the call. It rings four times before a voice speaks up on the other end.

“Halo?”

“Hi mom,” you reply and hear a gasp from her at your voice.

There’s less than a week left until the Grammy’s. For your own sake, you haven’t been online outside of answering work emails, you just can’t deal with the shit show your life has become on the internet.

You haven’t left your home unless you really needed to go somewhere, did most of your meetings over the phone or videochat and postponed a fitting as well. You’ve officially caved yourself up in your apartment and you are not planning on leaving anytime soon.

Taylor keys herself in, she hasn’t even mentioned that she might drop by, but you’re not surprised. She is probably here to try to bring you out of this pity party you’ve been holding for days. When she sees you lying on the couch in sweats and messy, unwashed hair, she sighs, shaking her head.

“You really need to pull your shit together, Y/N.”

“I’m fine,” you mumble, pulling your fuzzy blanket up to your chin.

“No, you’re not. This is not the bad bitch I know.”

“Bad bitches have bad days too.”

“This is not a bad day, you look like a fucking zombie. This is not what a Grammy nominee should look like days before the big show.”

“Doesn’t matter, it’s not like I’m performing or anything,” you shrug, but the look in Taylor’s eyes make yours go wide. “Taylor, I’m not performing, you informed them about it, right?”

“This is why I’m here,” she sighs walking closer, sitting on the other end of the couch. “I never cancelled on your performance.”

“I told you I’m not doing it!” “I know, but I was hoping you might come around. But you seem to be still acting like a stupid bitch, so that didn’t happen. However, I’ve gotten an interesting email today.”

She pulls out her phone and opens the email before handing it over to you. Shooting her an unhappy look you start reading.

-

Hi Taylor!

I got your email address from Jeff, wanted to write to you myself. I’ve officially pulled out of the Grammy performance so it’s going to be only Y/N in it. We are also working on a statement to release over the whole ordeal and my lawyers have been after the bigger gossip sites to get the articles down. I want Y/N to have the Grammy experience she deserves and I know it can’t happen with me in the performance. Tell her that I’m sorry for ruining it for her, she deserves so much more. I’m sorry she was brought into this.

I hope to see you soon, take care!

Harry

-

With parted lips, you look up at Taylor who is smiling softly at you.

“He… pulled out for me.”

“He did. Talked to Jeff on the phone, they have already let them know Harry wouldn’t be performing, they will make it official tomorrow.”

“But he deserves this just as much as I do. He is a nominee too.”

“Well, seems like he values you more than his own success.” Taylor lets out a long sigh and scooting closer she places a hand to your knee. “Look, I know you’re upset about how the media treats you just because you were seen out with Harry, and I know that you’re afraid of getting labeled as just the girl he dates and not get taken seriously as an artist, but you can’t let them stop you from living your life how you want to. There will always be judgment, there will always be men who are worse than trash and want to bring you down, but you are stronger than that. Pushing Harry away and being alone for the rest of your life is not a solution. What you can do to put them to their place is give them a big fuck you, date the hottest man in the industry and continue being the bad bitch that you are, fighting against the way you are being treated. Speak up, show them who they are dealing with, share your truth, like you always do! But you can do all of this with Harry by your side. You deserve to be happy and he makes you happy, don’t make yourself miserable because we live in a world where men are still placed above women. Fight for the change but don’t forget to think about yourself as well in the process.”

You feel the tears sting in your eyes. The weight of this past week is just way too heavy to carry, but Taylor is right and you are realizing that you’ve made it harder for yourself. The sobs come before you could stop yourself and Taylor pulls you into a hug.

“I know, I know. It fucking sucks, but you can’t let them win,” she soothes, running her hands up and down your back. “Show them how big of a bad bitch you are and get the man too.”

“You think Harry still wants to be with me?”

“I think that man would be on his knees for you in a heartbeat if you asked,” she chuckles pulling back. “Statement about the performance will be released tomorrow. That’s how long you have to figure it out,” she tells you with a knowing look before leaving you alone with your thoughts, however you don’t have to think long what you have to do.

You have not been the only one these past days took a toll on. The fight the two of you had left Harry completely drained, angry and helpless. He hated that he was the reason you weren’t credited as the talented artist that you are and he couldn’t stop thinking about ways to make it better. That’s when he came up with the idea of pulling out of the performance.

Now he is ready to spend the remaining days until the award show hidden from the world, not even leaving the house. Everyone close to him knows he is better not to be disturbed now, so he is quite surprised when the security system lets him know that someone has arrived.

As you drive up to his house you spot him immediately, stepping out the front door with a shocked look on his face, probably expecting you to be the last person to be there at the moment. You wipe your sweaty palms against your thighs as you walk up to him, feeling anxious to see him and talk to him, especially after the last conversation you had.

“Hey, I’m sorry for coming here without calling or anything…” you shyly start, stopping in front of you.

“Don’t be silly. Come… Come on in,” he clears his throat inviting you inside.

You’ve walked through this front door so many times in the past almost two months, but this is the first time you feel so odd, standing out, like you have no place in here and it’s all thanks to yourself.

“Do you want something to drink? Are you hungry?” Harry walks past you but then turns to face you, talking to you with such warmth and kindness, even after how you acted, putting blame on him for something he has no control over. It completely breaks you and can’t stop your eyes from watering as you look at him. You really hoped you’ve run out of tears in the past days, but it seems like that’s not the case at all.

“Harry, I’m so sorry,” you breathe out shakily and you step closer to each other at the same time, he envelopes you in his strong arms and you fist his shirt at his chest. “I know it was none of your fault, I just got so desperate and afraid that it might ruin what I worked so hard for.”

“I know. And you were right about everything. Everything you said was true and I’m sorry you have to deal with it.”

“Yeah, but it wasn’t right to be mad at you just because you have different privileges, it’s not like you can change who you are. So I’m really sorry about that, and also for pushing you away when you were just trying to be there for me. I was so stupid,” you breathe out, wiping the tears sliding your cheeks down away.

“You just panicked, it’s okay. Don’t apologize for wanting to protect yourself.”

Resting your forehead against his shoulder you wait for your sobs to die down before you look back up at him. Reaching up he tucks a loose strand of hair behind your ear, smiling down at you warmly and that smile alone ensures you that you are exactly where you are supposed to be, with the right person.

“Taylor showed me the email you sent her,” you bring it up, clearing your throat.

“You deserve it all to yourself so people can see how amazing of an artist you are.”

“I’m not doing it without you,” you shake your head stubbornly. “We wrote the song together and we’re gonna perform it together or else I’m not doing it either.”

“Y/N, you know if we step on that stage together they are gonna twist the whole thing and make it about something else. I want you to have this opportunity for your career without me ruining it with just my presence.”

“Fuck them, if they take it as something it’s not. They are not gonna take the chance away from us to perform our song. If they are such fucking dumbasses that they make it all about what’s between us, that’s their own personal problem. If I need to, I’ll go on a Twitter rant and tell them this myself. I want you on stage with me or else I’m not doing it either.”

Harry breathes out through his nose, pressing his lips together as he stares back at you, probably realizing you are dead serious about pulling out of the performance and he is right. He doesn’t even know you were the first one to cancel on it, you’d do it again without hesitation.

“I guess we are performing then,” he cracks a small smile and throwing your arms around his neck you pull him down, lips smashing against his, the kiss mingling with giggles and smiles.

Harry wraps his arms tight around your waist, pulling you up from the ground as he spins you around, making you squeal as you hold onto him.

“I have to call Jeff to call the Grammy’s not to post the statement,” he hums against your lips and he pecks them a few more times before letting go of you to quickly make a call to his manager.

You move over to the couch in his living room as he talks to Jeff, who is luckily very understanding about the sudden change. Hugging your knees to your chest you watch him pace the floor, exchanging a few more words with the man on the phone before ending the call, his gaze dropping to you again. Sitting beside you, he kisses your temple, dropping an arm around your shoulders as you lean against him, head resting on his chest.

“I called my mom,” you drop the bomb suddenly and you can feel him tense up for a moment, probably shocked by your words.

“You did?”

“Yeah.” Lifting your head your gaze meets his as you carry on. “She was… very shocked to hear my voice.”

“I bet,” he hums. “What did you talk about?”

“I just… asked how they are doing and told her that I’ve been thinking a lot about them. She sounded genuinely touched by it and said I’m always welcomed for dinner or lunch if I’d like to see them.”

“That’s amazing! See, I told you they would love to hear from you!”

“Yeah,” you smile at him softly. “I think I want to go over sometime after the Grammy’s.”

“I’m sure it’s going to go well.”

“Would you please come with me?”

Your question catches him off-guard he seems surprised that you would want him there, but then his expression softens as he leans down and kisses your forehead.

“I would love to, if you want me there.”

“I do,” you nod.

“Then it’s settled,” he smiles warmly as you lay your head back to his chest, his fingers gently dancing up and down your arm and for once in your life you finally feel settled, like everything is going to be fine.

Highlights of the 63rd Annual Grammy Awards: Y/N Y/L/N blows up stage with new hit duet

The killer duo surprised us all with a brand new duet titled Floating Through Space, performed it together on their big night. Wearing matching galaxy themed suits, Y/L/N and Styles have closed off the evening with probably the most success, the latter winning two out of his three nominations, receiving the award for Best Music Video and Best Pop Vocal Album with his latest album, Fine Line, while Y/L/N was titled best new artist, becoming a Grammy winner early in her career.

Tabloids blew up earlier this month when the two singers were photographed cozied up at dinner with friends, speculations started about their possible romance, but Y/L/N has made a clear statement on the question with her red carpet appearance before the award show. Wearing a head to toe black Gucci gown paired with a dramatic cape, the message “I’M AN ARTIST, ASK ME ABOUT MY ART” painted onto it in red, making a bold statement about her opinion on the way the media has been treating the star.

Both singers remained silent on their alleged romance, but proved to be the best of their time with their joined performance with their new emotional duet. Following the song’s debut on stage it was released to the public as a single right away, taking over all charts with its overwhelming success.

Listen to Floating Through Space now on Spotify and Apple Music!

Your knuckles are turning white from the tight grip on the steering wheel as you stare up at the home you grew up in. It looks almost the same, sometime through the years you haven’t been around your parents have painted it a light blue color from the paste yellow, but it’s still… the same.

“Hey.”

Turning to your right you look at Harry who is smiling at you warmly as his hand reaches over and squeezes your knee gently.

“It’s going to be fine. I’m sure they’ll be happy to see you, you’re still their daughter.”

“That’s not what they told me the last time I was here,” you whisper, feeling your throat closing up.

“We all say things in the heat of the moment. Seeing how happy they were about this lunch proves that they regret what happened.”

Nodding you take a deep breath to get ready for whatever is going to happen. Leaning over the console you pull Harry in for a kiss and it calms your nerves a little. Getting out of the car he takes your hand and squeezes it to let you know he’ll be right by your side all along. As you walk up to the front porch a sense of strong nostalgia washes over you.

You didn’t have a bad childhood, your parents provided you so much growing up, it’s sad to think what it has become. In a way you feel more anxious than walking the red carpet a week ago for the Grammys even though you’re just meeting your parents, but this is a turning point in your life that needed to come sooner or later.

“I’m right here, baby. It’s going to be fine,” Harry murmurs, kissing your forehead before you ring the doorbell, feeling weird that you come here as a guest, not as someone who belongs here.

You hear footsteps approaching on the other side, two frames appear through the clouded glass of the front door and then it flies open, pushing all air out of your lungs, clinging tightly onto Harry’s hand. There’s a moment of silence and just staring at each other before the tiniest smile tugs on your lips.

“Hi mom, hi dad.”

Thank you for reading, please like and reblog if you enjoyed it!

[reallyhardy]

went through the goes-wrong-verse playbills/programmes - that is, ‘the play that goes wrong’ and ‘peter pan goes wrong’ (thank you @cornleypolytechnicgoeswrong​ !) trying to piece together each society member’s career within the society PLUS if possible whatever it was they were doing at the polytechnic (university) course-wise, along with whatever other character snippets they give. this is mostly to inform me when writing but i thought it’d be useful for other mischief/goes wrong fans!

chris bean:

as of TPTGW is the ‘newly elected’ head of the drama society, and is known at the university for his charitable & philanhropic work. he has six acting credits within the polytechnic to his name.

i was going to presume his choice of course at the uni was acting or directing, but his PPGW bio states that his ‘dacting’ (directing and acting) is all self-taught, so who knows. maybe he’s just in the society because of his aforementioned charitable work.

robert grove:

has starred in 40 productions with the society since 2002 (when he began work at cornley polytechnic as a caretaker - i’m taking this to mean he was never actually a student there.) anyway wow explains why they call him a “veteran actor” lol.

he offers acting lessons (reacting, gesturing, emotioning and acting) and can be contacted via twitter @robertgoodactor. i’ve looked this twitter account up and it does exist it’s just not been used since 2017 - that said there are some in-character photos of henry lewis as robert and nancy zamit as annie on there and plenty of tweets.

he runs an extremely dubiously safe cornley youth theatre program and can be contacted at his email robertgoodactor@hotmail.com (membership fees are non-refundable.)

trevor watson:

in TPTGW is arbitrarily from ‘the north east’ (rob falconer’s portrayal, whereas chris leask’s portrayal is firmly and specifically scouse.)

he has a twitter account (rob falconer’s portrayal) @trevtechie, with i think probably the most tweets of the cornley twitters. stopped being updated in 2017.

his participation in haversham was to complete an electronics module - as the light and sound technician i’d assume his course was in this kinda field.

he states that after haversham he wants to never work with the cornley drama society again, but as of PPGW he’s “following in his parents footsteps” and has pivoted to possibly actually studying stage management. (his PPGW bio states that he’s in his final year at the uni for the 3rd time running. so it could mean his staying on with cornley is like partially due to failing his course?)

dennis tyde:

in his TPTGW bio it states that he joined the drama society after failing to get in to any other societies.

he didn’t live on university campus and commuted in from his parents’ house. he mostly just wanted to make friends - he’s interested in snooker and wants to meet like-minded people.

in his PPGW bio he still wants to make friends and says you can reach him via twitter @dennistyde. i checked this account too and again it does exist but hasn’t been used since 2013, and there are only 3 tweets so its much more bare-bones than the others. i like his one tweet about drinking a mug of bovril to calm his nerves before a show.

as of 2021 in promotional vids we learn that dennis and robert now live together.

max bennett:

in TPTGW bio it says he was a first year studying human geography and crime which i was surprised about but sure okay. it also says here that he happily donated “a large portion of his recent inheritance” to the society to help fund it.

at the bottom of TPTGW’s cast page it states that the west end performance of the play is “made possible by a generous legacy from claude bennett” who’s presumably max’s grandfather? or just father? idk

his TPTGW bio also says his favourite movie is the legend of bagger vance which i’ve never seen but is apparently a will smith golf movie.

his hobbies as listed in his PPGW bio are chess, cooking & hanging out with friends and fam. he also dedicates his performance in PPGW to his grandma claire, which is sweet.

annie twilloil:

as of TPTGW she’s designed, built, painted, costumed & stage managed every cornley show for the past 3 years. in the PPGW bio, it states she’s studying cognitive behavioural therapy and pottery, and has taken up life drawing at the student’s union (as the model.)

after haversham, she apparently had an internship lined up at the bolton octagon.

she has WILD backstory in her PPGW bio that says she dedicated her performance to her estranged husband julian who she hoped was in the audiance and two children frangipani and ylang-ylang. not sure if the kids are with her or with the husband but either way, wild. nuts. pretty funny but also pretty tragic.

she’s also got an ad out looking for a new bloke (i suppose if her husband isn’t in the audience) apparently she’s been left by boyfriends previously for an air hostess, a stripper, and a coal miner.

she also enjoys knitting and playing the banjolin (an instrument she made herself.) her email address is greatfunmum@hotmail.com.

she has a twitter account that again hasnt been used since 2017 (@annietwiloil). a couple tweets chronicle dave hearn’s shoulder dislocation but as max so i guess its canon that max also dislocated his shoulder, but he did it while trying to open a twix? lmao

sandra wilkinson:

in her TPTGW bio it states that haversham manor is her 11th production with the company. idk how frequently they put on shows.

she won some kind of local kids beauty pageant in 1998 and did some modelling for a local restaurant (the sunam balti house, which apparently the cornley crew frequent? or have at least been to - seems they struggled with spicyness levels there, especially dennis.)

nothing on her course at the university, i might just take a stab and assume she was actually doing acting, since her bio is mostly about her being a performer.

she’s a big fan of jeremy irvine, they mention him in both of her bios.

jonathan harris:

is a total health & fitness guy. his course at the uni is in physical education and he’s also a model, though who’s to say what for. in PPGW this is expanded and he’s moved on to being a combo model/actor/photographer/lifecoach.

he loves his outdoor sports: mountain biking & kayaking are noted.

he had a bath salts advert out and he hoped it was gonna go national.

lucy grove:

her surname IS grove! i wasn’t sure, but that’s confirmed. not really much about her in there, because the bio is written by robert and he just used it to gas himelf up.

can’t tell if she’s a student at the university or just in the society through robert. genuinely there’s just not a lot to go on when it comes to lucy.

another note is that the murder at haversham manor and the version of peter pan that the cornley crew perform are both written by ‘susie h. k. brideswell’ who i guess either chris knows or chris is a big fan of?

other notes... they try so hard to make out like the characters aren't all the same age like implying that robert is genuinely older than most of them etc etc but ofc the cast featured in the TV broadcasts are all visibly the same age... ofc all this is just comedy innit so you can take it or leave it

also i realised that the american version of TPTGW calls it “the cornley university drama society” since i guess you guys dont have polytechnics over there. a polytechnic is like... a university that offers the arts (among the classics you know science law what have you) basically. by 2021 in promotional videos etc. shields in character as chris has dropped “polytechnic” altogether from the group’s name (but varies between calling it ‘the cornley drama society’ and ‘the cornley amateur dramatics society’) i assume to reflect how much time has passed since the group put on their first production under chris’ leadership - and that now they’re simply operating unattached to the university because they’ve become a real family. love love love, sillyness and love.

[lesbianrobin]

What do you think are the good and bad aspects of each season of ST?

ok 1. thank u for this question omg and 2. this answer may or may not be a mess, but either way it’s long (almost 7k words lmao) bc i’m insane, which is why it’s under a cut. it’s still by no means an exhaustive list but these are the things that just kinda came to mind.

also i realize you asked “good and bad” and i wrote this whole post as “strengths and weaknesses” which um. is not Exactly what you asked. but close enough <3 i also ended up including a lot of au ideas ksjdckmn bc like i personally hate when people say a certain plot or whatever was bad without suggesting anything that could have improved it yknow so whenever possible i tried to provide Some idea for fixing the issues i had with the show!!

season 1

strengths (this is probably gonna be the longest section but that’s because a lot of these strengths also apply to s2/s3 by default)

nostalgia and authenticity

this one’s pretty simple, but i think that season one did a good job of blending classic eighties media homages (such as the many many e.t./el parallels) with explicit pop culture references (such as mike’s yoda impression, mentions of the x-men, etc) to create a show that’s essentially dripping in early eighties nostalgia without it feeling too forced. before st, i think the most popular depiction of the eighties in mainstream media was that overly exaggerated neon scrunchie aesthetic from the mid to late eighties, and it was usually done in a comedic sense first and foremost. st took a different approach, instead focusing on the early eighties, a time that’s often ignored in favor of going either Full Seventies or Full Eighties, and i think that this choice likely resonated with adults who lived through the eighties and hadn’t yet seen something that felt quite so accurate to their own adolescence. a lot of young people who watched st were totally unfamiliar with this period of time, unfamiliar with books/movies like “stand by me” that st borrows from heavily, and i think st lent more seriousness to the eighties than most young people had experienced so far, and this was refreshing and interesting!

the use of dnd in the show is also quite genius in a way i’m not sure i can articulate?? it isn’t something Everyone would have played at the time, but it’s something that existed within a different context back in the eighties than it does today, and it really lent a sort of authenticity to the naming of the show’s sci-fi elements. like, of course these kids would name parallel dimensions and monsters and superpowers after these similar things in their favorite game! it just feels so real and it grounds st in our reality moreso than you might expect from the typical sci-fi or horror universe.

utilization of existing tropes

almost every single character in st clearly originates from some popular trope. the plot itself is riddled with classic eighties movie tropes. almost every single element of stranger things can be clearly traced back to some iconic eighties film or just to, like, overused horror/sci-fi/mystery/coming-of-age movie tropes in general. this might sound like a bad thing, but it really works in st’s favor! starting off with familiar tropes gives st the ability to easily create a lot of complexity and make a big impact by selectively deviating from those familiar, comfortable tropes!! while el’s whole plot, hopper’s character, etc, are all examples of this in action, i think the steve/nancy/jonathan plot is the greatest example. even from the start, the fact that good girl barb dies while nancy is off having sex with her asshole boyfriend is an incredibly thorough inversion of the most well-known horror movie trope in the book. how often do girls in horror movies have sex for the first time, walk home alone in the dark of night, and live to tell the tale? nancy and jonathan’s dynamic at first glance is a sort of classic “good girl meets boy from the wrong side of the tracks, discovers he’s actually got a heart of gold” thing, but instead of following this well-trodden path, st diverged. nancy is brash, impulsive, and at times downright insensitive. jonathan is angry, bitter, and actually a bit of a creep at first. while they have the capacity to emotionally connect and support one another, they can also bring out each other’s darker side, which is not what we’ve come to expect from that initial tropey dynamic.

in addition, steve, the popular rich asshole boyfriend, is actually... a human being! unlike the cartoonishly evil jocks that we’ve come to expect (especially from eighties movies), steve has complexity. despite his initial immaturity and selfishness, he’s also kind to barb, he backs off when nancy says no, he’s gentle and sweet when they sleep together, his first big Dick Move of the season is in defense of nancy, he realizes the error of his ways after the fight and does what he can to fix it, he’s worried about nancy when he sees that she’s hurt at jonathan’s house, and to top it all off, he ends up saving both nancy and jonathan’s lives when he could have just walked away, and the three of them all work together to fight the demogorgon. like... steve began as the most stereotypical character of all time, and by the end of the season, he had one of the most compelling and unique arcs among the whole cast!

finally, at the very end of the season, instead of dumping steve for jonathan as expected, nancy ends up getting back together with steve, and they’re both on friendly terms with jonathan. i realize that i just kinda. summarized s1. but my POINT is that i don’t think the dynamics between the monster hunting trio would be nearly as fun and interesting had the characters of nancy, steve, and jonathan not been set up to follow certain paths that we already had charted in our own heads. like, within the first couple episodes of s1, it’s pretty obvious that nancy and steve are gonna break up, nancy will get with jonathan, and steve will either die or go full evil or just never be seen again. like, duh! you’ve seen this story a million times! you know that’s how it’s gonna go! so, when the story DOESN’T go that way, the impact of each character’s arc and the relationship dynamics become stronger due to their unexpected complexity and authenticity. 

distinct plotlines separated by age group

this one’s rather obvious, but the way that the adults in s1 were essentially in a conspiracy thriller while the teens were in a horror flick and the kids were in a sci fi power-of-friendship story and all three converged at the end... wow. brilliant showstopping etc. not only was it just really well done and unique, it also gave stranger things near-universal appeal. like, there’s genuinely something for pretty much everyone in season one!

casting

obviously this applies to every season sorta by default, but when i think about what made season one So successful, i always think about the cast, and not just winona ryder. yes, she’s absolutely amazing in the show and it’s very doubtful that st would be as big as it is today without her name being attached to it from the start!! however, i think the greatest determining factor in st’s success is the casting of the kids, particularly millie bobby brown. like... el is just absolutely incredible. she’s amazing. this has all been said many times before so i won’t harp on it, but millie and the other kids are all So talented and charismatic and i think their casting has been instrumental to the show’s success.

strong visuals

the way that multicolored christmas lights which have been around for decades are now kinda like. a Stranger Things thing. jesus christ. those lights are probably the biggest stroke of stylistic genius on the show.

atmosphere and setting

this is probably like. the least important one here for me sdjncdsc because i think s2 and s3 both had like Even Better atmospheres and shit but s1 was good too and it laid the groundwork!! i know a lot of people would have preferred st be set somewhere more Spooky with lots of fog or giant forests or whatnot, and while i do enjoy thinking about alternate st settings and how they might alter the vibe, i think hawkins indiana was a good choice. as the duffers have said, placing stranger things in a fictional town allows them more flexibility than if they’d gone with their original plan of using montauk, new york. besides that, i think the plainness and like... flatness... of small-town indiana just Works. like, the fact that hawkins is never really scary on the surface is a big part of the horror in the lab’s actions and their impact. hawkins isn’t somewhere that people just disappear all the time. it isn’t somewhere known for strange occurrences (prior to s1, that is). it isn’t somewhere shrouded in mist and secrecy. hawkins on its surface seems like the sort of place with no secrets and nothing to fear, and that’s the point! the lab is out in the open! it’s right there! everything is so close to the surface, yet so far out of the public eye, and i think that really works.

the byers family’s whole deal (specifically the joyce/jonathan dynamic)

this is going here bc i miss it so bad in s2 and s3. i’m not one of those people who believe The Byers Are The Whole Point of the show, because st is and always has been an ensemble, and el, hopper, and the wheelers are just as instrumental to the plot as the byers, but ANYWAY, i do think the byers were one of the most interesting aspects of s1. joyce’s difficulties with supporting her sons as a poor and (implied mentally ill) single mother, jonathan’s stress as a result of having to earn money, care for his brother, and keep the house in order when his mother is unable to do so, and the resulting tension between them when will’s disappearance and supposed “death” brings the situation to a tipping point? holy shit! it’s so good! that argument after they see will’s “body” is just incredible and gut-wrenching. their relationship feels so real and messy and i think it’s just... good. also winona ryder REALLY acted her heart out and she carried a lot of s1 which i think people often forget to mention so i’m saying it here.

weaknesses

pacing/timing

ok so pacing is probably going to go in each season’s weaknesses, to be honest, because i think they all had a blend of some good and some bad pacing. good pacing is invisible pacing, though, so i probably won’t be putting it in any of the strengths sections and will only be focusing on it in the weaknesses. i’m also probably not going to talk about weird day/night cycle things, just because i don’t want to get nitpicky on timelines because that would require going back and rewatching things to double check timing which i don’t wanna do at the moment lmao. anyway, when i think of bad pacing in season one, i primarily think of two things: nancy’s little trip into the upside down and subsequent sleepover with jonathan, and the sort of staggered nature of the climax in the final episode. the latter is simple so i’ll explain it first: while i understand that each group’s respective climax is like part of a chain reaction and that’s why each big moment happens separately and at different times, i think that st is strongest when the whole group is together, and i think that makes the stakes feel higher too, so i’m not In Love with the way s1 separated everyone and gave each group their own climax. 

okay, now on to the nancy/upside down thing! idk if i’ve ever talked about it before, but i think the worst decision made in s1 by far is the inclusion of nancy’s brief trip into the upside down, wherein she dives headfirst into another dimension with absolutely no backup, watches the demogorgon chow down, freaks out and runs around for a minute, and then leaves. like... what the fuck? even putting aside what an idiotic decision this was (because i do think nancy’s tendency to rush into things headfirst is an intentional and consistent character trait), it just kind of destroys any remaining suspense surrounding the demogorgon and the upside down, and it accomplishes basically nothing besides scaring nancy enough to have jonathan sleep over, which is lame. i will break it down.

like, first of all, nancy just getting to waltz in and out of the upside down and get a good, long look at the demogorgon makes the entire thing far less mysterious, and by extension far less scary. like... before this scene, we the audience haven’t got a good look at the demogorgon. we’ve seen its silhouette briefly and we’ve seen a blurry picture of it, but nothing more, and i think that is far more effective at building fear than this jaunt nancy goes on which gives us a full view of the thing and makes it into less of a horrifying nightmare and into more of a humanoid animal. like, maybe this is just me, but i found the demogorgon far less intimidating after that scene than before. it also lets nancy and jonathan know For Sure that they’re right without providing any crucial information that they need to fight the demogorgon (aka it’s unnecessary to the plot), which removes a very compelling story element (the faith nancy and jonathan need to have in order to keep going against a vague and poorly understood enemy, the doubt they might have about each other and their own sanity, the possibility that they might be wrong, the trust they need to have in each other) a bit earlier in the plot than i believe is ideal. at the end of episode 5, nancy goes into the upside down and jonathan doesn’t know where she is and it’s intense!!! you’re thinking like, oh fuck, not only is nancy missing and fighting for her life now too, jonathan might be implicated in her disappearance!! some people already think he’s the one who killed will and people know that he took creepy pictures of barb and nancy before they both disappeared, maybe this is gonna cause some serious problems for him!! maybe nancy will find will in the upside down and she’ll help him survive!! fuck, maybe she’ll actually die!! this is huge!! and then episode 6 starts and they’re immediately like oh nevermind jonathan found the tree and got nancy out and she’s fine. my point with all of this is that nancy entering the upside down could have done A Lot in the grand scheme of the plot, but all it did was just... get jonathan to sleep over so he and nancy could have some awkward romance moments and steve could see them together and pick a fight. which could have honestly happened at Any point while nancy and jonathan were working together to hunt down the demogorgon, without ruining the demogorgon’s and the upside down’s mystique. so yeah <3

weird behavior and dumbass decisions that make no sense (aka the whole camera thing)

gonna go off about the teen plot again sorry but: why was nancy so unbothered and quick to forgive jonathan for taking those pictures? girl what the fuck are you doing? why wasn’t that a bigger deal? why was jonathan’s motivation for doing it so weak and why did they just kind of forget about the whole thing? why did nancy TRACK HIM DOWN AT THE FUNERAL HOME while he was PICKING OUT HIS BABY BROTHER’S CASKET to be like hey can you tell me what’s in this creepshot you took? it’s insane. it’s so insane. i mean i think the funeral home thing is hilarious and i don’t mind it being in the show necessarily but like my point here is that i think a lot of character decisions in s1 just kind of.. happened because they Needed to happen for the plot. like, they wrote this plot that required jonathan to be secretly taking pictures of the party and required him and nancy to work together after seeing something odd in the pictures, but they didn’t like... really consider what that event would mean for their characterization and relationship. the whole thing was sort of just dropped with minimal discussion and i think it did both nancy and jonathan’s characters a disservice and was really mishandled.

lighting and saturation/color grading

i am literally begging horror/sci-fi shows to let me see shit. i GET IT okay i understand that when you’re doing cgi effects it helps to keep the lights down and i’m not mad at any of the lighting in the demogorgon/upside down scenes!! i’m really not i think the demogorgon scenes in s1 all look sick!! but like... dude. the colors. where are they. why does everyone look like a vampire. i know blah blah this was probably an intentional stylistic choice intended to mimic film at the time blah blah but dude a lot of old movies are very colorful!! please just let people have color in their faces so everyone doesn’t look like a sheet of paper!!! also i’m white and not a professional lighting designer so yknow grain of salt but i think lucas was kinda poorly served by the lighting sometimes in s1. not Hugely so, not to the degree that i’ve seen poc be poorly served by lighting in other shows, but there were some times where it felt kinda like the lighting setup was just not designed with darker skin in mind. 

horror

i just personally don’t find s1 very scary like... ever. i don’t think they were really Trying to be extremely scary yknow so i’m not counting this as a big deal, but i do think that each season has improved on the horror aspects. i think s1′s horror lies more in the mystery and the unknown than in what’s seen onscreen, and as i’ve said already, i think s1 kind of fumbled that suspense ball.

season 2

strengths

the possession plot

i’ll warn u rn this whole s2 strengths section is probably gonna be really short bc idk like. how much there is to really say i feel like it’s all so self-explanatory skjncmn. anyway yeah the possession plot!! eerie as fuck, and noah OWNED. so did winona tbh and finn and sean etc but like. noah. wow! i think the possession plot helped the show maintain a good amount of tension and suspense throughout the season, and a lot of scenes with possessed!will are flatout disturbing to watch. in a good way. i think the mindflayer and will’s possession were far more genuinely frightening than s1′s demogorgon, and it provided a new layer of depth and intrigue to the antagonist besides just “bad monster want eat people.”

tone and aesthetics

halloween season... literally halloween season. halloween season. that is all.

actually i will elaborate a bit and just say that i think s2 did a good job of having the sort of foreboding vibe that s1 was often going for, but without the annoying darkness and desaturation. so points for that.

also st2 is like one of the best Autumn pieces of media ever like it just. like steve and dustin on those train tracks with the fallen leaves all around them.... god. god the vibes are unparalleled. all of the halloween stuff also really contributes to the nostalgia st runs on yknow it makes you think about childhood and trick-or-treating and you kind of get transported like damn... i remember going to the rich neighborhoods to score the good candy..... idk i just think the whole thing is incredibly effective. 

“babysitter” steve

by sending nancy and jonathan off together, the show created a problem: what to do with steve? this problem pushed them to create the unconventional and unexpected duo of steve and dustin, and the world is so much brighter for it. seriously though we all know steve and dustin are great i don’t need to argue that point. all i’ll add is that i think allowing steve to grow in this way, serving as a mentor figure and becoming genuine friends with someone so unexpected, really took the originality of his character to the next level. no longer content just to defy his archetype, in s2 steve begins branching out in ways that never would have been considered in s1, creating an incredibly complex and interesting person from the sort of character that most shows would have simply written out or killed off for convenience’s sake. and it works and steve and dustin are such a joy to watch and i love them. <3

the lucas/max plot

so first of all max mayfield is the most perfect baby girl on god’s green earth and idk what i would do without her but anyway. i think lumax is the best romantic relationship in the show and not just because they’re the only ones with like an age-appropriate approach to the whole thing. it’s also because their relationship accomplishes more than just putting the two of them in a relationship!! lucas and max spending time together motivates billy to do his evil shit, providing more conflict in the narrative, and it also helps establish max as part of the group in a relatively natural way while giving both her and lucas a great subplot. lucas (and dustin) has a crush on the new girl, they start spending some time together, and lucas ends up needing to decide whether he’ll keep the secret of the upside down and lose her, or risk both of their lives by telling her the truth. that’s a pretty big, character-defining decision that he gets to make!! max has to choose whether to trust this boy she barely knows and endanger herself, or to walk away and stay safe, yet another great character-defining choice that also contributes to the sense we get as an audience of max as somebody who’s incredibly lonely and desperate for love and connection. this post is way too long already and i have a ton more to say so i’ll stop now but yeah i think lumax really Works in the show without ever distracting or detracting from the overall plot and narrative in the way that some other ships (coughjancycough) often do.

balance between the normal and abnormal

s2 i think did a pretty solid job of melding daily life with more fantastical sci-fi horror elements. i enjoyed seeing so much of the kids at school in the first few episodes!! you really get a strong sense of where they’re at in life, what their daily lives are like, and you get a sort of gradual shift into madness that makes everything feel more grounded than i think it would if they had just leapt straight into the horror shit, yknow? 

the el and hopper dynamic

go back and rewatch s2 and tell me that’s not one of the most moving portrayals of parenthood and trauma and growing up that you’ve ever seen. you can’t. or well you can but i won’t listen. i really can’t imagine stranger things without el and hopper’s relationship, and it’s my absolute favorite part of s2. their whole dynamic is so beautiful and complex, and gives them each amazing personal arcs in addition! the black hole scene is literally one of the show’s greatest moments of all time. any given scene between the two of them in s2 is just guaranteed to be heartwarming as well as heartbreaking, and i think that makes for an incredible show.

weaknesses

flashbacks

okay this applies to Every season they All have too many flashbacks but in s2 specifically... please stop showing me shit from season one. i watched it. i know what happened. you don’t need to spoon feed everything to me!! flashbacks can be a really helpful way of delivering information to an audience, but st has a bad habit of not only being kinda demeaning in how often they flash back to shit that the audience already knows, but they also have a bad habit of using flashbacks almost as a crutch to avoid having to deliver information subtly and naturally. 

you know i gotta say it... the lost sister

this is so sad. the lost sister really is like a great concept for an st episode, and i’m not mad about the idea of st taking a break from the normal action to focus on one story for a full episode, but the execution of it was just dreadful. kali and her crew feel very over-the-top and stereotypical, and its placement in the season totally kills the tension and excitement that was built in “the spy.” 

i think the lost sister honestly could have gone over far better, even with the stereotypical fake-feeling gang kali has, if they had just swapped it with “the spy” like... ok, the end of episode five has el setting off to find kali and will collapsing on the ground seizing. right? imagine if, instead of immediately following will to the lab, we’d followed el. we don’t know what’s happening with will, but it’s a very simple cliffhanger that leaves us on edge without making us feel cheated by the show cutting away. we follow el on her little journey, everything happens much the same as canon, and then at the end, el sees hopper in scrubs. she sees mike, screaming, sees that they’re both in danger. holy shit!!! what the fuck!!! what’s happened since we left will seizing on the ground??? we feel el’s fear and confusion. she decides to go home. and then... boom. “the lost sister” is over. now, we rewind, right back to will seizing on the ground, and “the spy” commences. we learn how they got into the danger that el saw in the end of “the lost sister,” and we sit on the edge of our seats all through “the spy” and “the mind flayer,” KNOWING that el is on her way back to save them but not knowing when she’ll arrive!! idk i don’t think that would have necessarily saved lost sister but i think it may have alleviated some of the issues that i and many others have with it, timing-wise.

the nancy/jonathan sidequest

once again, the idea of nancy going off on her own little mission to find justice for barb after s1 is like. amazing. genuinely i love that plot for her and i can’t imagine anything better for her to have focused on in s2. unfortunately though i think her and jonathan’s little trip to see murray was just kind of... lame. the whole thing just felt like an excuse to get the two of them alone together, yknow? which is fine i guess people contrive all sorts of situations to get characters alone together for romance reasons but in this case i think it just really doesn’t work for me because of what it’s juxtaposed with. like, will is POSSESSED, and jonathan is just off on a mini road trip and sleeping with his bestie, and jonathan never seems to communicate to joyce/will that he left town, and joyce never like... thinks to tell him that will is like sick and fucked up and they’re looking at him in the lab??? like it’s so weird i know joyce always forgets about jonathan when shit’s happening with will but jfc you’d think at some point in that like... 72-ish-hour period where jonathan was out of town she would have thought about him. like at least once. maybe i’m forgetting something and she mentioned him sometime and i missed it but even still, i hate the juxtaposition of nancy and jonathan just like cheers-ing at murray’s place and sleeping together and whatnot while everyone else is dealing with possession or trying to hunt down dart yknow? it feels really boring in comparison and i think it could have been done far better. like it was SO insanely easy for them to get into the lab and get an admission of guilt and escape with it!! i think it might have been a lot more engaging if maybe someone from the lab tailed them to murray’s place and they had to like lose the tail and race to get the recording out to as many news outlets as possible before they got caught, or something like that. the tension in their plotline is completely resolved in episode four!! episodes five and six are just them screwing around and addressing envelopes. while there were a lot of strong ideas in this plotline (i really enjoy nancy going out of her way to get justice, and the fact that they have to water down the story to make it believable), i just think the focus on nancy and jonathan getting together hindered it a lot without adding a ton to the plot or their individual characters.

season 3

strengths

starcourt mall as a setting

while i don’t think the mall was utilized quite to its full potential (something i could make a separate post about if anyone’s interested), i do think that starcourt was a genius addition to the series. i’ve said this before, but building a new mall is a literal Perfect in-universe justification for a significant leap forward in fashion and aesthetics, and it provides a great location for characters to just... be characters. idk how else to articulate this i just think that the mall is a great setting to let people interact with each other and to bring people together who may not have been otherwise (i.e. scoops troop). not to mention how sick it was to see the mall get wrecked toward the end kdjncdkm like they were able to do so much more with the mall in terms of like The Finale than they could with just the byers house or the cabin or the school or even the lab. i love all the back tunnels they run through it’s such a fun like acknowledgement of how this glitzy eighties mall is just a real place where employees get shipments and take out the trash and shit idk it’s all about the perfect facade and what’s hidden what’s underneath what’s hiding in plain sight etc etc i’m just saying words now. anyway. 

willingness to experiment and go against expectations

gay robin. neon aesthetics. giant fucking meat monster. i know some people hate both the neon and the meat monster but i personally think they were kind of amazing and like. yknow regardless of personal tastes i think it’s impossible to deny that s3 had a lot of incredible visuals, and they’re all visuals that just wouldn’t have been possible if the show were too afraid to stray from its s1 aesthetic. robin being canonically gay (and her resulting friendship with steve) and the season’s striking visuals are two things that most everyone (besides like homophobes skjncdknm) can agree were great, right? and they were both departures from where the show began and what we all expected!! so yeah i think while some of the experimentation in s3 wasn’t ideal it was also that experimentation that allowed for some of the season’s strongest elements to come about.

the hospital sequence (and the season’s action/horror scenes in general)

this one is fairly self-explanatory. while they may have underutilized the “body snatching” element of the season, the hospital sequence with nancy and jonathan fighting off their possessed bosses did an amazing job of building tension and creating a genuine sense of really intense and personal danger.

in general i think that s3 melded action and horror rather well, particularly in the sauna test, the hospital, and when the mindflayer busts through the roof of hop’s cabin. horror can come from many things, and in this case, st elicited horror largely from the feeling of helplessness, and it was really effective for me personally. i think it worked better for me than s1′s brand of horror because it doesn’t rely so much on a lack of knowledge or a sense of suspense that inevitable disappears upon a second viewing.

the body horror we got in s3 was also really fun! that’s it i just think all the blood and guts and slime were fun and i would like more of them. once again, the impacts of body horror are less dependent upon the viewer being in the dark or unsure as to what’s happening, and as such i think it tends to be a little more effective at eliciting reaction in the long term.

timing and mechanics of the battle of starcourt/finale

i think the battle of starcourt is just fucking awesome, and beyond that personal opinion, i think it’s the most high-stakes and intense finale of all three seasons, and this is for two main reasons! 1. el is out of commission, and 2. (almost) everyone is in the same cental location. this means that (almost) everyone is in danger all at once, and they are all working together at the same time to fight the same threat. s1/s2 have their groups more fragmented for the finales, and while i understand why in each case and i wouldn’t call either season’s finale necessarily weak, i do think the centralized nature of the s3 finale just Works on another level. in s1 and s2, large segments of the cast are already perfectly safe by the time el dispatches the primary threat. in s3, however, everybody save for dustin and erica is still in danger up until the last moment, and el is seemingly (you can def debate how much power she still had in her when she peeked into billy’s mind and whether the memory broke the mindflayer’s hold on him or if she was actually controlling him to some degree) completely vulnerable. this increases the tension and raises the stakes, making the finale a real crescendo to fortissimo as opposed to a series of little mezzo forte moments. i hope everyone reading this knows music idk how else to phrase that my brain is stupid.

emphasis on friendship and adolescence (but in a different way than s1/2)

this is definitely a controversial one but i think that s3 really did like... show a side of friendship that had been more or less unexplored thus far in the show. el and max were amazing, and i think it’s really nice that we got an opportunity to see the kids have some growing pains as well as see them support each other through Normal Adolescent Stuff like boyfriends and breakups instead of just like. death and trauma. this is maybe just a personal preference, but i think it can be really enlightening and provide a lot of depth when you get to see how characters respond to normal everyday conflict and not just how they respond to giant world-ending conflict!! letting el use her powers for goofy teenage shit like spying on boys and messing with mean girls at the mall is not only fun for her and the audience, but it also really emphasizes just how much those powers are a part of el, making it that much more devastating when she loses them at the end of the season. 

weaknesses

tonal dissonance

so this is like. obvious. but it must still be said! i won’t go on and on about it since we all know this so i’ll try to like talk about it from an angle people don’t usually? anyway. it seems to me like they were maybe a little worried about s3 being too dark. while the choice to really lean into humor was definitely driven by the sorts of eighties teen films from which s3 drew inspiration (like fast times at ridgemont high), i think it was also done in an attempt to alleviate the more troubling implications of some events in the season, particularly the russian bunker plot. like, yeah, st can be incredibly dark, but if they’d played the whole “children being stuck inside of a foreign military base, tied up, tortured, and drugged” thing completely straight without the humorous elements that exist in canon, it had the potential to be like... disturbing on a new level. steve and robin don’t have powers like el yknow their kidnapping/torture doesn’t have any sci-fi elements to sorta soften the blow. they’re just innocent teenagers being brutalized and traumatized by grown men. so anyway yeah i think maybe the writers were concerned about this storyline coming off as too dark and they wanted it to be a little more whimsical but they ended up pushing way too hard in that direction and creating extreme dissonance at times. this goes for joyce/hopper/murray/alexei too, but to a lesser extent. i think the ridiculousness in that group felt a lot more like... realistic. but still. 

newspaper plot

once again i feel like i don’t even need to say this skjdncmn we all know it was insane how the show basically ended up delivering the message “while misogyny is a serious problem poverty and classism are not” and i’ve said it on this blog a million times so i don’t need to repeat myself. i’ll focus on another weak point of this plot: the fact that it completely separates nancy and jonathan from everyone else. once again, the show’s preoccupation with j/ancy held them back! like... can you imagine a version of s3 where nancy and jonathan both worked in the mall? i have a lot of ideas about this possible au and like how the plot could play out differently if they worked in the mall but first of all it’s just more realistic, second of all it further utilizes the mall as a central setting, and third of all, it would bring everyone together. as it is in canon, nancy and jonathan were unnecessarily isolated from the rest of the group, and this isolation was detrimental to both of their characters. like, they only ever get to interact with each other! if they’d gotten summer jobs in the mall, they could have had more interactions with the kids/steve/robin, and they absolutely still could have had a similar argument! maybe in this case, nancy notices the rat thing (or something else odd) herself when taking out the trash behind the mall, and she wants jonathan to ditch work with her to check it out bc she thinks it may be related to the lab. jonathan doesn’t want to ditch work because he needs his job, nancy argues that they’re working shitty mall jobs anyway and who cares if they get fired, and we get more or less the same thing as s3 without the cartoonishly over-the-top misogyny. i mean honestly i think the rat shit could have been cut entirely it didn’t rly... accomplish much of anything. in my opinion. like imagine s3 without the rat plot you literally would not be missing anything except it would be more surprising when the dudes melted into goo at the hospital. so yeah i think it would have been better if nancy and jonathan had jobs at the mall, weren’t isolated from everybody else, and were maybe absorbed into the party’s plot or the scoops troop’s plot from very early on, allowing them to interact with more characters and have a less... dumb.... plot. like god splitting up nancy and jonathan between the party/scoops troop would have been So Much better i just. sdkjcnksdmn anyway yeah.

briefness of group reunion/separation of groups

remember in s2 at the beginning of “the gate,” where mike and hopper had a confrontation and max and el met for the first time and el hugged everyone and steve and nancy had their sad little moment together outside... where’s that energy? obviously the s2 reunion wasn’t that long either, but it made space for some significant emotional moments to take place. s3′s reunion had some hopper/el/mike resolution, but besides that... there was nothing, really. i just think that the whole group getting together in s3 was SO exciting and powerful the way they did it (with both the scoops troop and the adults having their own Big Moment reconnecting with team griswold family), but the emotional potential was more or less squandered. 

i also think in s3 at times they were really stretching to keep everybody separated even though it made no sense. and like... in s1 the separation worked bc nobody else knew that (x group) was experiencing weird shit too, and beyond that, each group (as i mentioned in the s1 section) was sort of operating within their own genre and bringing something unique to the season. they’ve stopped doing that though! now, the groups aren’t separate bc each plot is tonally/structurally different, the groups are just separate bc... they need to be, because it’s a big ensemble cast and you can’t just have them all be together for a whole season or it would be way too difficult to coordinate things and keep the show dynamic. all this is to say that i’m excited for s4 because the location differences make it so there’s a Reason for each plot to be separate at the beginning, and i think that’ll work better.

general ridiculousness

i dont mean like i think it’s bad that they made jokes this is just me lumping in all the dumb shit like hopper not worrying about el and not wanting to check on the kids, him and joyce bickering long after they both know they and their children are in danger, max seemingly forgetting that billy is a racist abuser, etc etc. i think many of these are just a symptom of the show 1. trying desperately to keep the groups split up a certain way even though it may not make any sense, and 2. trying to fit into a certain genre/trope mold when their actual characters are more complex than the tropes they’re imitating. this is so fucking long already i am not gonna elaborate further rn but i trust u all know what i mean.

soooo... yeah, that’s about all! i mean it’s not all there are definitely many more things i could talk about and i know i focused sorta disproportionately on the teens which is my bad :/ but i’m done for now. thank you for asking, and apologies for the delay in responding!! i’m sure some people reading (if anyone read this far) will disagree with some of what i’ve said and that’s alright like i’m not The Authority on st or anything i’m just trying to talk about like my own thoughts yknow? so yeah luv u all i hope someone enjoyed reading this!!

[creativeashproductions]

Magician Behind the Music // Owen Joyner

sagSummary: Being in a studio recording songs is an intimidating experience for anyone regardless of age. Wanting the best in the business for his soundtrack Kenny Ortega brings his cast to the best in the business. Heading the production is no ever than Y/N with a certain sparkle when it comes to the tall blonde.

Warning: Swearing, insecurity, oblivious!reader and fluff

Words: 2.1k

A/N: I know nothing about producing songs so I ended up winging it. About time I make a fic for Owen

TO BE TAGGED SEND AN INBOX PLEASE!

Masterlist

The studio had the sound of music as a group of people walk down the hall of the building that housed world-renowned recording studio. The office chair was leaning back as a figure sat listening to the nearly finished album. Forest green Sanuk slip-on shoes on the feet of the individual the door opening wasn’t heard.

“Girls you wanna hear the finished product?” You questioned from your seat behind the large control panel. The four girls on the video chat excited responded enthusiastic band members.

Not needing anymore push the song replaced the one that had been playing as background noise. Sliding the volume up the music, you had both produced and featured played through the speakers. As the pre-chorus and the chorus came, you couldn’t help but start singing.

 I find peace in every story you told

 I think of you, I’ll never be alone

 It’s true, true, true

 You know I do, do, do

 Oh, I need you more than words can say

 Oh, you save me in ways that I can’t explain

 Always been there for me, now I’ll do the same

 Oh, I need you more than words can say

All five that poured themselves on the song couldn’t help but bop along with the catchy words and beat. By far, one of your most favourite songs you ever co-wrote, feature and produce. You and little Mix had been desiring to co-work on something for years now.

“That pre-chorus and chorus are the favourites of my career!” You excitedly announced glancing up the glass separating the booth from the control room. Your face found a handful of young adults and Kenny in the reflection.

“It’s gonna be a bop to sing!” Perrie agreed with her hair in messy space buns sitting at her computer desk in comfy clothes.

Jesy, Leigh-Anne and Jade wore similar loungewear in the safety of their homes after travelling out of LA back to England. An entire week spent solely on writing music and recording with a few sleepover nostalgic of the teen years.

“I gotta go. My next clients are here.” You told the excited British girl group before your cursor ended the video chat.

Pushing off with your toe on the floor, you faced the group seated taking in the awed expressions from the song. Part of you is annoyed at the blatant disregard of professionalism and the potential of the song being leaked.

“Charlie, Owen, Jeremy, and Madison this is my friend Y/N. She’s a musician, songwriter and a producer.” Kenny spoke, waving towards your seat position at the forefront of the control panel.

Your eyes gleamed brighter with the teal blue cable knit sweater paired with a pair of fitted blue jeans. The pros of being a producer in a recording studio meant the work attire was relaxed compared to desk jobs. It appeared this group was similar.

“Hello.” You spoke standing up to be closer to the group, “I believe you have a soundtrack needed? I’m Y/N Y/L/N. I’d like to ask that the song you overheard not be spoken about again.”

“I’m Charlie.” The brunette with a white hat put on backwards immediately shook your hand. Even with the hat, you could tell his hair was a gorgeous brown that contrasted his pretty eyes hazel green eyes.

“Hi Charlie.” You smiled at the male before stepping around him to the other three people in the room. The only other girl in the room was most definitely the lead of whatever show Kenny was currently doing.

“You’re Madison.” You spoke, taking in her youthful appearance and the quiet wisdom flowing within her eyes, the colour of dark coffee grounds. Her hair was down in her natural texture, resting on the shoulders of her muted olive green shirt.

“Jeremy.” Came from the shorter boy with startling rich dark brown almost black hair and eyes you couldn’t discern between blue or green. His cheeks a permanent pink flush but an infectious grin, “How are you?”

“My collaborators for a song liked it, and I’m not going to explain what you’ll be doing in the booth.” You replied gesturing to the enclosed space with the microphone and a stand of instruments.

Brushing off any other details you finally came to the only nameless individual in the room with the only blonde head of hair.

“Owen.” The blonde spoke softly with his eyes nearly begging to leave your expression with the anxiety building. This was so new for Owen, and unlike anything, he had ever experienced before in his life.

“Take a seat.” You motioned towards the long couch against the wall opposite the recording booth. It was a plus that extended couch perfect for a short nap after a near all-nighter. Your studio was the only one with such a good sofa.

“I’ve worked with Kenny on his Descendants series with the cast along with strictly only musicians. I say this with respect with Kenny, but if you don’t respect me or my process, I won’t hesitate to end this. It’s in the contract.” You sternly told the young individuals, “That being said. Your voice is an instrument that needs to be cared for. You need to be careful with it.”

The vocal coach dove into a more detailed list of the items not to be ingested by actors. The same thing happened with every new client you met after the horror film of a massacre a few years previous. As they went over, you looked over the schedule.

The binder was thick with the different songs in the series with jot notes in the margins. Kenny sat in the other chair, looking at them.

“So, Jeremy is the only one with experience?” You questioned glancing up at your elder with a look of curiosity. Kenny nodded with a fond smile, “Okay so let’s get his vocals for the first song recorded. That way, the others have a first-hand look at how it happens.”

Jeremy was quick to rid himself of his jacket to slide into the booth with the headphones resting on only one ear. In two hours, you had guided Madison and Charlie through their parts of this session. Your mouth opened to invite Owen into the booth but his demeanour concerned you.

“Kenny, how about we take a break for lunch?” You subtly guided Kenny to look at Owen before he quickly agreed.

Charlie was practically skipping out of the recording studio with his hands nudging Jeremy on his way out. Madison, led by her father, left right after leaving Owen to just about exit the room.

“Hey Owen?” You spoke, bringing the tensed young man’s attention, “Can you give me a moment?”

His head of thick blonde hair hesitantly nodded as Kenny followed the other cast members out of the room. Gently nudging the door closed you guided him to sit on the couch with you stationed in the office chair.

“First time recording is a bitch of pressure. I completely understand because I’ve guided people and been guided in the booth.” You began leaning forward to meet his eyes, “I know as someone with anxiety it’s intimidating. Let me know. Whatever you tell me will stay between us.”

Owen was quiet, “I’ve done other projects. I’ve never had the opportunity to have a role as a drummer. I guess this is overwhelming.”

“How about you hop into the room, and we mess around with a song?” You questioned, “I can show you how I produce if you’d like.”

“I’d like that.” Owen’s lips curved just a fraction into a ghost of a smile with the tension in his shoulders melting.

For the next two hours, you spent time in the booth explaining the equipment’s role in the recording. After he gave a short lyric, you invited him to sit by the soundboard with you to walk him through it. All the while, you shared the pizza you had ordered for both of you.

 “I started in the business as background vocals for a few bands before I delved into my own career as a musician. I believe I was about seventeen when I got to be part of people getting the songs ready for fans. I fell in love and find it more fun behind the soundboard.” You informed the blonde listening to a recent song you had finished.

“This is insanely cool. I think I’m ready to record my parts.” Owen admitted playing with his fingers. In response, you typed out a quick message to Kenny, bringing the other people back after a long break.

As much as you would have loved creating the soundtrack, it wasn’t possible with your other commitments. Leaving the work in Alana’s capable hands, you had been packing for your visit to the UK for performing the song with Little Mix. Owen, having the day off, had found himself in your apartment as he had for the last few weeks.

“Do you really have to go?” Owen whined, staring at with his head tilted back on the couch. Lips pursed in a pout and blue eyes shining sadly.

“As much as I would adore falling for that look, we both know I have to.” You admitted dropping packing to snuggle into his side, “What’s up with you lately?”

“What do you mean?” He questioned, rolling his head on the back of the couch you look at you. From the position, he couldn’t see your face, but that didn’t stop him from staring.

“It’s hard to describe, but you get flustered when certain songs come on. You’ve been ditching the cast to spend time with me.” You listed off, staring off into the distance, “You got Charlie to drive in the opposite direction of your work to pick me up.”

“What kind of songs?” Owen inquired with one arched eyebrow high. You shifted to stare up at the soft look in his pretty blue eyes.

“It was some duet from that tv series about the High School Musical films…” Your sentence trailed off as everything clicked, “You have feelings for me.”

“Thought it was blatantly obvious. I danced with you in the rain at midnight while I sang to you. I think that’s the most obvious action.” Owen chuckled brushing a strand of hair behind your ear as he took in the startled expression

Owen had walked you home after a late recording session with the cast talking each other’s ear off with different subjects. His hand had slid into yours as he tugged you into the ice cream shop on the way; a scoop each. His eyes glued to every move you made with passion behind every single word.

“-they came to me about a song. It’s a surprise for Kenny, I suppose.” Your one holding the ice cream cone nearly went flying with the motion you made. Your other clasped in Owen’s without even realizing it.

“So, it’s the last song you’ll be helping us on, right?” Owen asked halting to toss the napkin from his cone in the closest bin. You followed suit while intertwining your fingers back together.

“The girls want to do a short little radio tour to promote the single. It would be a month most likely to brainstorm new ideas for songs. We’ve all agreed to collaborate in the future.” You informed the nineteen-year-old. He was a year and a half younger than you.

“When-”

Your sudden squeal cut him off as the sky opened up to a sudden pouring of rain on the two of you. Had you not been so focused on the conversation you would have seen the cloudy sky and the light drizzle of rain.

“Whoa!” Owen laughed, tugging you into his arms in a complete act of spontaneity. His voice softly singing one of your favourite songs.

As he twirled you around in the rain, he serenaded you with Edwin McCain’s song ‘I’ll Be’ unapologetically sharing a piece of himself. It seemed the universe took pity on the male by allowing him to dance smoothly with his friend.

“This is my favourite song.” You giggled as he dipped you with one of your legs in the air. The joy in your features melting the actor’s heart.

“You’ve been playing it every day for the last week.” Owen beamed, leaning his forehead on yours as he trailed off the end of the song, “I’ve memorized every lyric in it.”

With rainwater dripping down your nose the words settled in your mind cementing something you had been only slightly aware of. Playing that song often meant one thing: you had deep feelings for someone.

The someone being Owen Joyner.

“I’m kind of stupid.” You snorted turning to wrap your arms around his neck, “I’ve got no doubts I fell in love with you in that dance.”

Owen’s grin preceded a toe-curling kiss that was the first of many that would happen.

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[bluefirewrites]

Hc - Luke gets in trouble at school and forced to join the drama club latest production and try out , where he ends up getting the lead along with Julie (who they know of each other through there moms friendship. But the more they spend time together even outside school the more they fall for each other. And finally get together (sorry for the rambling sometimes have trouble writing what i want to say )

I had this whole response typed out before my computer crashed and it got lost in the void. 

I’m gonna mince some details just in case it happens again, but I love this concept. 

Luke’s a bad boy on campus. It’s hard to get him engaged in anything school-related, but the teachers just know that he’s got untapped potential, especially Ms. Harrison, the theater teacher. 

The band is on Luke’s mind all day every day. And he gets in trouble at school a lot because of it- borrowing the instruments from the music room for a quick jam session, pasting their gig posters over Carrie Wilson’s student body president ones, parking their band van in the teacher’s lot (it’s a lot closer!). 

But Luke’s latest scheme lands him in hot water with the principal. 

He thought it was a great idea to hijack lunchtime and turn it into an impromptu Sunset Curve concert. He and the boys hid on the stage over looking the cafeteria and they even bribed the sound tech to help them out. 

And in the middle of lunch, they burst through the curtains and started jamming out for everyone. 

And Luke may have gotten carried away. 

He may have jumped onto the nearest lunch table, treating it like his own personal runway, hopping and skipping over people’s lunches.

He may have miscalculated the space and so when he slid into a power stance, he may have spilled orange juice onto some poor girl’s homework.

He didn’t have time to apologize to the fuming girl before he’s up and running, inciting the now crowd of students into a riot with his music. 

Let’s just say that tables were tipped over, food was everywhere, and Principal Lessa was not happy. 

It was a success in Luke’s eyes. 

But then Lessa pulls him into the office and oddly enough, for Luke, Ms. Harrison is present. That’s where they give him the ultimatum: they suspend him and the boys for their little stunt, or they have to audition/ partake in Ms. Harrison’s spring musical. 

And Luke bawks at the idea. Because they’re a rock band! They don’t do show tunes!

But he takes the deal, mainly so his parents don’t get any more pissed at him. 

The boys all show up to auditions, and apart from Alex, the rest of them aren’t super into it. 

He sits down in the auditorium, waiting of his turn, when he notices the next person up for audition- Julie Molina.

He sorta knows her. Their moms are in book club together. When she auditions, Luke notices two things- 1) her voice is killer and 2) the script she’s holding is stained with orange juice. 

Whoops. 

She hops down the stage and catches his eye and she glares at him. And given the round of applause and Ms. Harrisons’s praise- Julie Molina seems to be the queen of the theater department. And Luke managed to have pissed her off. 

Great...

Then he goes up to audition, all ready to half-ass it because really doesn’t want to be a part of the play. So when it’s his turn, Luke doesn’t take it seriously- he purposefully flubs the words, he doesn’t act from the script- instead reciting a monologue from the Simpsons that made everyone, but Julie, laugh. 

Ms. Harrison only nods, and notifies him that the cast list would be put up at the end of the day. 

Luke, thinking he tanked it, doesn’t bother to stop in front of the cast list posted like everyone else does at the end of the school day. But when he tries to pass, everyone’s eyes are on him, including his friends’. 

“Um... Luke,” Alex says from his spot in front of the bulletin board, “You might wanna see this,” 

He pushes past the crowd until he can read the cast list. 

Oh no. 

He made the lead. 

Luke’s confused. He thought he put on the worst audition ever?

“Congratulations,” he hears from beside him and he sees Julie, arms crossed, not the least bit happy. 

And that’s when he reads the rest of the cast list- Julie’s the other lead. 

They’re going to be love interests. 

When it’s time for rehearsals, it’s an utter disaster. Luke’s never been in any production ever, so being part of a team, that’s not just him and the boys, is throwing him off. 

He can sing yeah- but he dancing? Acting? Not his forte. And Julie knows this, and gets so frustrated with him whenever they rehearse a scene together. 

But when it comes time to the duet- oddly enough, they sound great together. Amazing even. Luke wants to say that ever since hearing how their voices complimented each other’s, Julie eases up on him a little. 

Some weeks go by, and slowly but surely, Luke and the boys are warming up to theater culture. Alex, Reggie, and Bobby seem to be having a good time learning their parts and making new friends with the cast and crew, and pretty soon Luke and Julie form a tentative truce. 

One day, Luke closes his locker and gets spooked by Julie leaning beside him. 

“Hey,” 

“Hi?” They don’t talk during school. Only at rehearsal. So this is new. 

“How much of the songs have you memorized?” Okay, right down to it, Luke thinks. But it’s Julie- theater is her life. 

“All of them, don’t worry,” 

“And your lines?” 

“...” 

“I thought so. You called my character by Kayla’s character’s name. Do you even know what this play is about?” 

“Of course I do,” 

“We’ll see about that,” Julie then scribbles something on a piece of paper and hands it to him, “My place. After school. We will be running lines,” 

Luke starts going to Julie’s almost every other day to go through lines, and also because he needs all the help he can get when it comes to acting. 

Some days are good, others- well, are left to be desired, but Luke tries to get Julie to loosen up and he coaxes her into taking breaks and going out to eat during their one-on-one sessions. And he starts to find himself actually enjoying her company, and she with him- even if she’s reluctant to admit it. 

But over time, Luke starts to get a schedule down, now invested in the musical, he makes sure he gets to school on time, gets through his classes, rehearse, and days when he’s not rehearsing- he’s with Julie, working on their stuff. 

Luke’s mom notices a change in him, and even though it’s more music stuff that he seems to be getting up to, she doesn’t mind. And when Luke sees that his mom smiles every time he mentions that he’s off to see Julie, he knows their moms have definitely been talking to each other. 

When he would get to the Molina’s, he would pass Rose, greet her, and say that he’s going to be running lines with Julie. 

“Right,” 

“We are,” he insists, one time, after catching Rose smirking. 

“It’s just, I’ve been in theater myself when I was younger. I know what ‘running lines’ mean,” 

And to say that Luke shows up blushing to the garage where Julie was waiting was an understatement. 

But as much as Luke and Julie are killing it in their performances, there’s one part that trips Luke up. 

There’s a scene where their two characters confess their love for each other, following a group musical number, but Luke can’t get into it. 

He throws the script in frustration at the couch, “This is hopeless.”

“No, you’re doing good. It’s just missing something,” Julie says, pulling him closer to her, “You’re reading the lines. You’re not saying them,” 

“What does that mean?” 

“You need to channel the character. His thoughts and feelings in the moment, and you embody that. You show the audience that,” 

“So what do I need to do?” 

“You need to look like you’re in love with me, okay?” 

“Okay,” 

They run it a couple of times before they do it at rehearsal the next day. And after he and Julie go over their love confession, Luke inwardly curses himself because he couldn’t focus and he was worried he messed up in front of everyone during such an intimate scene. 

But once he concluded, Julie is looking up at him with an expression he’s never seen before, in surprised awe, and he could see a faint blush on her cheeks. And she ends up stammering into her part- something the Julie Molina never did. 

Everyone in the production applauds them- Reggie, Alex, and Bobby look at Luke, wide-eyed. 

Flynn comes up to them to show them the footage she captured of their rehearsal and Luke is stunned to see that his acting isn’t as terrible as he thought. In that moment, he really looked like he was in love with Julie as he said his lines. 

And then it hit him. 

The reason he couldn’t focus is because he had been too busy staring into Julie’s beautiful brown eyes, relishing the touch of her warm hand in his- and he didn’t even try to act, he said the lines as he normally would if he was talking. 

He didn’t look like he was in love with Julie. 

He was in love with Julie. 

It gets awkward between them since then, and they haven’t been able to recapture that same spark as their previous performance. And now that they have gotten their parts down, there’s no need for Luke to keep visiting Julie any more, and they only see each other at rehearsals. 

And then it comes- opening night. 

They run through it without a hitch earlier before and everyone’s all excited for how it’s gonna play out. 

Luke sees his parents out in the audience, chilling with the Molinas, and he stomachs his nerves before walking out and to perform. 

The production is successful, only minor mishaps occur (aka Reggie’s props keep falling apart, so he had to make due with invisible ones for the time being). 

And then it comes to the finale, the big scene. Luke goes in and delivers his lines, staring into Julie’s eyes and tries to channel the same feelings as before.

But when it’s Julie’s turn, she starts ad-libbing. She says her lines, but then she’s throwing in references that certainly aren’t relevant within the time period in which the musical takes place (”when you gave me your last strawberry for my frozen yogurt... I knew... I knew you were the one for me”), it makes the audience laugh but the heart was still there. 

Luke’s confused until he realizes. It’s not Julie’s character confessing her feelings for Luke’s anymore. 

It’s Julie confessing her feelings for Luke. Right there on stage. In front of everyone. 

She went off-script for him...

After curtain call, and everyone is riding that post-opening night high, Luke catches Julie before she could go meet her family out in the hallway. 

“Hey,” 

“Hi,” 

Luke pulls out his script, “Run it with me one last time?” 

“Luke, what-”

“Humor me, please,” 

Julie scans the script he hands to her. He’s circled their love confession scene, and when she reaches the bottom of the page, her eye catches a new, messily scribbled in stage direction. 

“’And they kiss...” Julie reads, a smile slowly growing on her face, “...hopefully??”

They both laugh at the latter words, and Luke looks at her sheepishly. 

“I mean... if it’s in the script, we gotta do it, right?” 

“You’re such a dork,” Julie says before pulling him in for a kiss. 

They pull away, and Luke has the audacity to smirk, “I believe this is what you call a ‘showmance’,” 

Julie quirks an eyebrow at the new vocabulary, “Someone’s been paying attention.” 

“I’ve learned a few things,” He nuzzles her nose against hers, “I had a pretty good teacher.” 

“I have plenty more to teach you,” 

“Oh really?”

“Like, for instance, how the warp party at Denny’s is a must,” She takes him by the hand and leads him out of the theater, giggling “Come on!” 

They dash through the hallways until they come up on their friends and family, who were proud of their performances. Luke looks up from hugging his mom in time to see Ms. Harrison grinning at him and giving him a thumbs up. 

‘Thank you,’ he mouths to the teacher. 

Maybe theater wasn’t that bad of an idea after all...

[hornime]

hq as my discovery weekly | part one

warnings: this is completely sfw, combo of fluff and angst

characters included: kenma, akaashi, oikawa, suna, koganegawa, ushijima, bokuto, kuroo, hinata, kita, terushima, iwaizumi, osamu, kageyama, sakusa

a/n: this was a random idea i thought of but i think it’ll be really cute haha. maybe you guys’ll find some new songs in the process! totally encourage anyone to use this idea if they want cus this was super fun to write!

playing... one through fifteen / sixteen through thirty

↪ “cotton candy lemonade" by blu detiger: kenma kozume

i've been up too long, something's wrong / watch the rising sun / turning all my nights to days

i've been on my own, come find me now / i'm lonely to the bone / but I don't feel so low when you're around / let's run away from home

you'll bе my kaleidoscope, my color in this life / watching thе world fade away

kenma is not the most extroverted and he’s in his head a lot, so he’s someone that might not always see the ‘color’ in things that exist around him. but when it comes to you, well, you’re someone that makes him look up from his screen a little longer than usual.

↪ “love affair” by umi: akaashi keiji

don't overthink this is love / maybe it's just a crush

i hope what I feel is enough / maybe this is just lies

i wanna know how to feel, what to feel, what's right / i never know / 'cause when it gets real, I just run away / and hide from you

akaashi gets anxiety. he used to be certain about a lot of things—his intelligence, his skill, his happiness, but most important to him was his feelings for you. he’s overthinking again, he knows it, but he’s getting an uncontrollable itch that maybe this is all in his head; he doesn’t love you, he just think he does. but when you’re in his arms, breathing even and eyes fluttered shut, he remembers what you always told him: it doesn’t matter what he knows, it matters what he feels. and he feels like the luckiest man alive.

↪ “coke” by iii addicts, danice: oikawa tooru

come closer, i been eyeing you from way over / so it's time i come for some closure

had to let her know that you could lick this / shake it up, it's gonna probably gon' bust

why, tell me why / why am i not satisfied / every time i cross that line / i feel it, i feel it

oikawa feels like tantalus: a man constantly reaching for a goal just out of reach, straining his muscles and screaming his voice hoarse just for a glimpse of an unattainable destiny. he’s desperate to get ahead, and while he may be running at top speed at all times, the finish line doesn’t seem to be getting any closer. his worst fear is that, some time he’ll slow his pace and look back and realize he hasn’t gotten very far at all.

↪ “baby powder” by jenevieve: suna rintaro

i'll put up with you babe / there's somethings I won't take / baby don't feel me false / yeah that turns me off

you're making me so high now / you're everything I'd ever want / you're keeping me so dry now / you're everything I'd never want uh

plastic on the floor but it ain't for me / ima go up to the place that i'd rather be

suna is straightforward. he won’t deal with your bullshit, and he learns that you won’t deal with his either, which makes you so appealing. when he starts letting more and more of you in, he feels you slipping through his fingers. you wanted to be friends, so you treat him as one. he doesn’t remember when he started wanting more.

↪ “chandelier (instrumental version)” by paquin: koganegawa kanji

instrumental so no lyrics lol

koganegawa is bubbly. he’s a bouncer: he bounces between social circles, bounces colors behind his eyes, and bounces back after adversity. he’s an amiable guy, and it’s landed him plenty of friends and opportunities, but best of all, it’s landed him you.

↪ “l-over” by u.s. girls: ushijima wakatoshi

my lover has no heart / magic moving blood around that body / he's cool to the touch / i don't see him much / but when I do, he does nothing for me

can you imagine trying to get / some satisfaction out of a stone?

spare me any talk of your future life / i don't know what I'll do without you

ushijima is stubborn. he’s deadset on achieving his goals for the future, and if you can’t work with them, you better work around them. you’re tired of how he grounds you; you thought it was a blessing at first, having a guy that knew what he wanted and would always act as a constant in your life, but you’ve started to see that he’s not a lighthouse anymore, he’s an anchor. he’s an anchor that’s chaining you to the ocean floor and will drown you if you, even for a second, stop kicking your legs to stay afloat.

↪ “magic!” by リアムMAZE1981: bokuto koutarou

and when you smile at me that way / well you can warm the coldest day / it's magic

and all i have to do is think of you / to make the music start to play / then i dance down the street / and the people I meet stop and say hey hey

and when you want me you just clap your hands / and I'll be with you right away / then we'll float on a breeze / while the leaves in the trees softly say hey hey / magic ways, my friend / you love the girl with magic ways and it's true / i might as well give in

bokuto is bright. he tramps around the world with the light of the sun illuminating his face. there is nothing in the universe that could ever drag him down, especially not with you around. you’ve cast some kind of spell on him, he’s sure of it, because your very presence makes him certain that he’s immortal. he must be, because when he’s with you, he’s withstanding the heat of a thousand suns that erases the darkness in every shadow, corner, and crevice of his life. 

↪ “i hope that u think of me” by pity party (girls club): kuroo tetsuro

i hope that you dream of me baby / nightmares are what dreams are baby i-i-i / i think I'm fallin' out of love

you tell me that it's easy to be / you tell me that it's easy to be with me but you lie-i-i / why do you lie all the time?

kuroo is focused. he takes note of everything when he’s working on a task, down to dotting the ‘i’s and crossing the ‘t’s. he often finds himself with tunnel vision, unable to think of anything but the current responsibility at the top of his every-growing to-do list. somewhere along the way, he lost track of you—must’ve loosened his grip on your hand and your fingers fell through empty space. he’d look for you, back in the void, but he’s busy. he keeps moving, unaware that you’ve turned back, walking in the opposite direction as him to find the life before him that you barely remember.

↪ “the leanover” by life without buildings: hinata shoyo

kiss me, break my mind, close the door / black steel, break my mind, close the door

if i lose you in the street / i say, i say, i say, i say, i say, i say / wassup, wassup with you? / wassup with your friends?

hinata is unfazed. he knows that, when things go bad, there’ll always be something there to right them. so when your paths diverge—maybe your schedules don’t work out, your dates get canceled, your nights home become more and more sparse—he’s not worried. not one bit. because at the end of the night, he knows that you’ll always find your way back to one another, and you’ll always greet him with open arms. and he’ll always do the same.

↪ “ladyfingers - edit” by funding secured: kita shinsuke

instrumental so no lyrics lol

kita is polished. he works hard during the day to be with you at night, dancing in little circles in the small kitchen of your shared home. he looks at you with fondness and appreciation, thanking his stars a million times over for granting him with someone like you. he’s a tree, stable in the harshest of gales, but even trees like to sway with the wind sometimes.

↪ “black madonna” by cage the elephant: terushima yuuji

makes no difference here, so let's be real / black madonna, my black flower / nowhere left to run, nowhere left to hide / you're not havin' fun, i think that you should ride

climb so high, don't hear a sound / don't you forget what goes around, comes around / climb so high, tell me how to feel

call me when you're ready to be real / black madonna, my hallelujah

terushima is hedonistic. he’s never concerned himself with thoughts of the future, or of the past, or of anything, really. all he can think about is making each moment as willing to be lived as possible. you, on the other hand, are practical, too practical in his opinion, and he wants you to let loose, lighten up a little bit. maybe in the long run, it won’t be the best idea to let him take you by the hand and on a midnight adventure, but you haven’t thought that far ahead yet. guess he’s already rubbing off on you.

↪ “mother nature’s bitch” by okay kaya: iwaizumi hajime

everybody / please give a warm welcome to / to this current mood

here i am / easy to please / here i am / okay with it

here i am / desperate for attention / here i am / being mother nature's bitch

iwaizumi is hardworking. he does the best he can with everything he tries; sometimes that amounts to something and sometimes it doesn’t. most times it doesn’t fulfill his expectations, as high as they are. when you’re around, his borderline hatred for himself disappears. when you’re there to tell him how great he’s doing, the tension in his shoulders dissipates. 

↪ “smithereens” by rasharn powell, ab001: miya osamu

found my power / and my brethren / in a tussle with the world itself

see if I’m david, you’re goliath / there’s some power in defiance / put my heart in a slingshot / we been cycling away for days

searching for freedom always / likeness of an orgasm been had / empty with a peace that just don’t last / petite mort, then born again

osamu is pioneering. he opened a small business and eventually branched out, managing chains of his restaurant across the nation. it may not be a flashy job, but it’s a solid one, and a draining one. there are days of back-to-back shifts, afternoons overwhelming catering orders, and nights spent sleeping over on a cot near the kitchen. when he dreams, curled up with the smell of onigri still lingering in the air, he can only think of ‘what if’ he’d chosen another path, a path with a more obvious end, a more obvious definition of glory. but he still wakes up at dawn, conquering his own corner of the sky, knowing that his life, while it may be small, is not insignificant.

↪ “must be” by lou phelps: kageyama tobio

must be the henny on the ice / must be the diamonds that I buy / might be the shit that I write / whatever a n**** do and say, that's what I like

i'm on the cloud as i walk the front door / that's a boost, that's true, that's loo

yeah, um, i'mma need my space / 'cause you's a bum-bum, can't be standing next to me, uh / forgive me for my sins / don't tell me this is wrong if it feels right

kageyama is cocky. he’s good at what he does, amazing, actually, and he sure as hell knows it. he’s surrounded by people that make him better, people that he makes better, and he can’t think of a place he’d rather be. he’s on his way to carve his way into the moon and he’s not going to tolerate anyone that wants to keep him on earth.

↪ “jealous” by eyedress: sakusa kiyoomi

you could have anyone you want / why would you want to be with me? / you know, I'm nothing special

don't tell me about your problems / if you're not trying to solve them / don't ask me for my help

sakusa is independent. he’s not one to see himself as part of someone else’s orbit, opting to act like a random rock, floating in space with no origin and no destination. he’s worried that, if he gets too close to you, he’ll end up getting drawn in by your gravity and either crash land or burn up. neither seems appealing, and the idea of a safe encounter hasn’t even crossed his mind, so he’s going to keep moving on an endless trek towards the stars.

[thanksjro]

More Than Meets the Eye #28- I Sure Hope Y’all Like Megatron

“Dark Cybertron” is finally over! Woohoo!

Who’s ready for a return to hijinks and mild peril?

I know this guy is!

Hold on a second-

We start our foray into Season 2 of MTMTE with a little meta-humor-

-and then it’s right into the swing of things, as Brainstorm uses the thin, fragile wine glass of faction-based morality to hold his personal need to make instruments of violence. Nautica disapproves, but then why wouldn’t she? She’s not been steeped in the militant ideologies of the Autobots for millions of years.

It’s six months after the convoluted events of “Dark Cybertron”, and our beloved ship, the Lost Light, is back on track for the Knight Quest. Nautica’s joined the crew, which is neat, but there are far more interesting things going on.

Like Rung actually doing his fucking job for once.

Wow, look at that little creamsicle man go.

It would seem that in the last half-year (by Earth standards) Megatron’s somehow gotten himself into the esteemed position of Captain of the Lost Light. This likely means that Rodimus has been defeated in battle, or perhaps fucked off on yet another space yacht to run away from his responsibilities. I suppose the narrative will have to fill us in on just what exactly happened.

Or, at least, I hope it does. Wouldn’t be a terribly good story if I had to guess on how exactly this dude’s in charge of a whole-ass Autobot crew.

Yes, yes, I know he switched sides, but goddammit, it takes a little more than saying sorry and changing your wardrobe to excuse the murder of half of NYC.

I mean, we can do both. Both is an option. I’ll break out The Communist Manifesto right now, let’s fuckin’ gooooooooo-

Six months prior to Megatron’s therapy appointment, Rodimus is ready to high-tail it off of Cybertron yet again. This is because, as established in previous posts, Cybertron kinda sucks butt. He bursts into the meeting Optimus Prime called- even though he’s really not leader of anything anymore, Starscream is- bids everyone farewell, and is about to run back out of the room when he’s stopped.

Turns out that the populace of Cybertron want Megatron to stand trial. That makes sense, given what all he’s done. Of course, the Autobot pals we’ve got in the room want to skip due process and go straight to the part where Megatron pays through the nose for the last four million years.

Which doesn’t feel terribly heroic or good guy-ish, but I think by this point you’ve probably caught on to the fact that everyone in IDW Transformers is morally gray at BEST.

Because Megatron’s had a rough time the last few years, in relation to his bodily integrity, spark extraction- that thing that High Command lied about in relation to Overlord- isn’t an option. It would just kill him dead.

Uh, excuse me? Optimus Prime, sir? Monsieur Premier?

Guess Optimus hasn’t been keeping up with exRiD.

Anyway, yeah, since Tyrest fucked off in “The Sound of Breaking Glass” and also tried to commit a genocide, we’re gonna need someone to cast judgement.

Course, a military trial isn’t exactly ideal, but as long as it’s open to the public, it should be fine.

Probably.

Anyway, Prowl’s also going to help. Ultra Magnus has been assigned the task of representing Megatron in court, a job which he’s positively delighted to have, if his face is any indication.

The gang breaks for lunch, and Rodimus and Optimus touch base on how the Knight Quest is going.

Because Rodimus’ half of the Matrix had the map for finding the Knights of Cybertron in it, they’re gonna have to go with Plan B.

Oh fuck yes, I love Plan B!

Unfortunately, finding the ideal romantic partner for all Cybertronians is going to have to wait until after the trial, because Optimus really wants Rodimus here for this. Though perhaps there’s a way to make things move a little faster…

Back in the present, Megatron’s had just about enough of Rung being a psychiatry joke, and is about to walk out of his appointment. Ravage is here, which is neat. Rung asks Megatron about the three most important people in his life, and how he met them. One of these people is, funnily enough, Rung.

Rung, if you’ll recall, was thrown into Megatron and Impactor’s table at Maccadams waaaaaay back in The Transformers #22, the first issue of the IDW run that Roberts wrote solo. It would seem that getting arrested and subjected to police brutality ruined his once-idealistic worldview. This is just a lightning-round recap of the events of the “Chaos Theory” storyline.

Being reminded of how hard he got dunked on makes Rung break out his copy of Megatron’s autobiography, Towards Peace. Of course, Megatron has to be “that guy”, and makes it out to be far more than it actually is. My dude, you used your writing to tell all your proto-Decepticon buddies to go beat up Whirl in prison. Let’s not make things sound more grandiose than they are.

Anyway, it turns out that Rung is actually just as much a nerd as he looks, as he reveals that he’s in possession of one of the only few copies of the original version of Towards Peace. And then he takes off his glasses and the fans go bonkers, even though he’s just got that Milne Same-Face going on, just like everyone else.

There you are, you animals.

Rung discusses Revisionism, I’m reminded that the first publication of Eugenesis had a dedication to Roberts’ son of all people, and we get the question of who Terminus is to Megatron.

But alas! The X-ray vision’s been turned on, and it’s time to see… nude robots? An in-depth anatomy lesson?

Robots are confusing sometimes. Anyways, major props to Milne for drawing all that detail. Dude does the technical stuff with a ferocity that must be awe-inspiring to behold.

Megatron’s decided that it’s time for lunch, and then he’s going to do captain stuff.

Because he’s captain of the Lost Light.

I’m convinced Rodimus is dead. That’s the only way this is happening.

Six months ago, Swerve was being awful Swerve-like, with his new buddy Crosscut- guess he finally learned the guy’s name- and Riptide, who we’ll get to a little later on. These three wonderful lads are holding a sort of “crew try-outs”, and it looks like the requirements needed for entry on Megatron’s Lost Light are stiff.

Still, maybe our new friend Nautica will make the cut.

Oh, you are simply delightful!

Despite Nautica having interest in nearly every topic in the universe, on top of having impeccable taste in booze, she just misses the cut. It’s at this point that Nightbeat bursts into the room to stop this farce from going any further. The fact that nobody mentioned anything prior to this is surprising, given that portmanteaus don’t really seem the type of thing Ultra Magnus would approve of.

Back six months ago, we see what Optimus Prime’s super great idea was to expedite the judicial process- Chromedome. It’s always Chromedome. He’s gonna do that thing he promised his late husband he’d stop doing. I suppose it’s a good thing- for Rewind, anyway- that Megatron is wholly against the idea of having his memories torn out of his head. Guess we’re gonna have to do the trial the normal, non brain-pokey way.

Optimus leaves the cell, because I suppose he’s remembered that there’s a conflict of interests here, but Rodimus stays behind to let Megatron know he deserves everything that’s coming his way.

Then Megatron breaks out the puzzle-box from Hellraiser.

In the present, Chromedome isn’t so much spiraling in his depression as he is circling the drain. Nightbeat doesn’t give a shit about that though- he’s more concerned with the fact that one of the numbers on the door to Chromedome’s room is missing. But I’m sure it’s fine.

It’s fiiiiiiiiiiine.

While Nightbeat’s busy being insensitive to his fellow man’s distress, Megatron’s arrived to his room to find his door’s been vandalized by a bunch of idiots who must have just discovered what a thesaurus is. Then he gets shot in the fucking hand with an arrow.

As you do.

Whirl’s gotten ahold of a bow, and he fully intends to use it for Megatron-directed violence. And also his fists. His very pointy fists. He punches Megatron through the fucking floor into the fuel furnace, and they fall what’s probably a good 200 feet to the ground below. Whirl yells about evening the score between the two of them, and then knees Megatron in the dick.

Turns out, Megatron remembers Whirl even better than originally thought, having gone so far as to order his forces to not kill Whirl, because, in a way, he was grateful for the lesson he learned back before the war in Rodion.

Oh man, I hope Rung’s somehow listening in on this. Like, eavesdropping is obviously bad medicine, but we’ve already established that he sucks as a professional, and he needs what few advantages he can get.

Whirl, enraged by the implication that he’s been fighting fixed battles for the last four million years, punches Megatron in the gut… and his arm gets swallowed up by an errant portal leftover from all of Shockwave’s tampering. Since you can’t really fight with only one arm, Megatron wanders off to do captainy things.

Walking back the timeline slightly, we revisit Megatron leaving Rung’s office, and the idea of personal revisionism, the conversation becoming parallel with the strange happenings going on within the ship, as Rewind’s final message is altered so as not to end with “I love you” but instead a blood-curdling scream. Chromedome is, understandably, upset by this turn of events.

Over with Whirl, it’s revealed that the little fight we saw was intentionally set up. For what purpose, or by whom, is left a mystery.

Please see a doctor.

One last flashback to the trial, as Prowl lists off everything that’s standing in the way of our Sympathetic Megatron Redemption Arc.

Good fuckin’ luck, James.

Back in the present, Megatron’s slapped a bandaid on the hole in his torso, as he checks to see what’s happening on the bridge. It would appear there’s a coffin floating around in space.

Pretty fucked up.

[365days365movies]

January 29-31, 2021: The Mad Max Franchise

Now that I’ve finished watching all of the Mad Max films, I can confidently say that I am indeed a fan! The journeys of the ex-cop through a post-apocalyptic landscape that just gets increasingly worse and worse. Yeah, I can dig it.

And so, I thought it’d be fitting to talk about all of these movies at once, rather than just talk about them one at a time. And I mean ALL of these movies. After all, I started this month by saying the Fury Road was my favorite action film; might as well end it talking about the movie!

Recap

Mad Max: 78%

Mad Max was a great movie, honestly. It’s also HANDS-DOWN the weakest of the quadrilogy. I think that, since this is Miller’s first film, as well as being the first in this franchise in general, this is Miller carving out this universe on screen for the first time, so it doesn’t feel as fleshed out and as stylistically unique as the succeeding films. So, it’s hard to hold that against this film. Anyway, let’s break it down a little.

Cast and Acting: It’s legitimately nice to see Mel Gibson before he became...well, Mel Gibson, at least from a cinematic standpoint. And yes, Hugh Keays-Byrne is certainly memorable as Toecutter, and is a fitting first villain to the franchise. But, uh...that’s it for standout performances. Yeah, Joanne Samuel is endearing as Jess, and I like Steve Bisley as Goose, of course. But they don’t take the spotlight in my memory as much as our main two players. Which, obviously, is fine, but I like me a good supporting character in there as well. Still, this is getting a good 8/10 from me.

Plot and Writing: Plot’s you’re pretty standard cop story. Cop is awesome, cop wants to quit to spend time with family, cop’s family is killed by the villain, cop destroys villain. Not much outside of that. The biggest thing to praise to story for is the mild universe-building given to us. And even then, there isn’t a whole lot. Not, of course, that there needs to be. Credit goes to George Miller, Byron Kennedy, and James McCausland for this 7/10.

Directing and Action: George Miller’s cutting his teeth on the celluloid for the first time, and it’s awesome...for a first-time director, anyway. As for the action: yes, please. It doesn’t have the same pageant s future entries in this franchise, but it’s certainly great at the same time. Overall, 8/10 here.

Production and Art Design: It’s beginning, even though it’s not there yet. This universe hasn’t become the post-apocalyptic hellscape that it’s going to become, but the beginnings are there. Because of this, leather might be a dominating fashion choice, but...not as much as its gonna be. But, OK, let’s stop comparing this to the rest of the franchise. On its own merits, this film looks good! Doesn’t stand out too harshly from the crowd, but it still looks quite good. So, 8/10 here, too!

Music and Editing: Tony Patterson and, yes, George Miller were the editors for this mad boy, and they sought to make an Australian film with a fast-editing style, and in a way that the film could work without sound, as well as with. They way they incorporated sound and music (by Brian May, but not the one you’re thinking) into the film would actually be incorporated as industry standard practice in general! Wow! So for all that...8/10. It’s good, but this is early in their careers, so it can be a teensy bt choppy at time. And the music’s recognizable, but not particularly memorable after the fact. But still, 8/10.

Mad Max 2 AKA The Road Warrior: 92%

This is where I start to fall in love with the franchise. The Road Warrior is where the franchise really begins for me, and it’s EXTREMELY high up on my favorite action films list for this month. Obviously not the highest, but it’s up there for sure.

Cast and Acting: Gibson’s starting to come into his own and own this character, and I think this film is where he’s at his finest as Max. Definitely the most memorable and noteworthy. Antagonists, both Vernon Wells and Wez, and Kjell Nilsson as Lord Humungus, are fanTAStic, and I love them both. Supporting cast also ain’t no slouch this time! Bruce Spence’s Gyro is a wonderful character, and extremely fun to watch. Even the settlers, like Michael Preston’s noble portrayal of Papagallo, were memorable to me. Great cast all around, and they’re getting a 9/10 from me. Why not a 10? Well, for all of those performances, there’s also Feral Kid and Toadie...so, it’s not perfect

Plot and Writing: Plot’s definitely more interesting this time around! We’ve gone into the deep end of apocalypse, as compared to the first film, and we instead get an enforcer storyline for Max. And, yeah, I love that. This movie would carve out the tone of the rest of the franchise, and there’s a reason for that: it’s great. Terry Hayes, Brian Hannant, and of course, George Miller, you guys get a 9/10 for this one, too!

Directing and Action: Right off the bat 10/10. Action is AMAZING IN THIS MOVIE, and George Miller is doing a great job with directing. Not much to say here, other than the fact that this movie looks fantastic, all the way through.

Production and Art Design: A 9/10. This is where the franchise comes into its own, and it does that with a HELL of a lot of leather and metal studs. And yeah, the villains of this movie have a BDSM vibe about them, but it’s still iconic. Not to mention that the vehicles are now taking their true, metal-modded forms. Again, 9/10.

Music and Editing: Brian May turned it UP this time, and the music here is iconic and great. Editing’s pretty good, too, although I did notice some spotty sound editing areas, like in Mad Max. For this one, 9/10 as well.

Mad Max Beyond Thunderdome: 86%

I honestly wish this was rated higher for me, but there are a few issues that I did have with it. However, I gotta say, this one might be the second-highest in my heart. You know what the number one is. Still, I wanna talk about this one, because it’s what made be fall in love with the universe of this franchise.

Cast and Acting: By the time we get here, Mel Gibson is, well...Mel Gibson. He kind of stops inhabiting the role of Max at this point, and becomes the ‘80s and ‘90s action star that we’re all familiar with. So instead, the focus should be on the villains. Tina Turner! WHOOOOOO, Aunty Entity! Look, I love Lord Humungus, but Tina Turner definitely beats him in terms of character. And I might like Wez, but I love MasterBlaster, and...well, mostly Angelo Rossitto. Paul Larsson’s good too, even though there isn’t much acting in the role. And then, there’s Helen Buday, Tom Jennings, and the rest of the desert kids. And let’s not forget Bruce Spence or Edwin Hodgeman! Yeah, this one earns its 9/10 for some memorable performances. Might not have been Oscar-worthy, but they have a special place in my heart.

Plot and Writing: Intricate plot this time! It does seem like George Miller and Terry Hayes get better and better with each movie. Real talk, the universe-building in this one is INTENSE, and well-done for that matter. And the writing’s good as well. This one gets another 8/10, because it’s not perfect in the writing department, but it’s still damn good!

Directing and Action: Y’know, weirdly, 8/10 on this one. Yeah, the action’s pretty damn light here, as compared to the previous two films. Not that I’m complaining, mind you, I love me some good character development and story. But if I’m judging it for action, it’s a bit less. Still, direction’s fantastic; definitely George Miller’s best effort so far. So, 8/10.

Production and Art Design: No surprise, but it’s a 10/10 here. The style of these films is evolve WAY FURTHER with this one, as we get the sense that the world has gotten worse, just by pure physical comparison. And yet, everything is starting to return to some kind of rudimentary order, with places such as Bartertown. Yeah, this one RULES visually, and I would say it’s arguably the best yet.

Music and Editing: Well, music’s still good, but the tone shift from rock instrumentals is a little jarring. Still, for the score, Maurice Jarre does good. And, yeah, Turner’s power ballad, “We Don’t Need Another Hero”, is more well-remembered than the movie itself by many. Hell, I had NO IDEA that this song came from this movie. But for all of that (and for great editing), an 8/10 is going here.

Mad Max Fury Road: 94%

Need I say anything? Let’s get into this one.

Cast and Acting: Well, Tom Hardy’s Max Rocktansky is fine, and definitely takes off of Gibson’s earlier portrayals, but I can’t really say he’s the absolute star. No, that’s the Atomic Blonde herself, Charlize Theron. Furiosa is FAR more memorable than Max here, and that’s pretty obviously on purpose. And hey, Hugh Keays-Byrne is back for a FAR more memorable villain in Immortan Joe. GOD, I love Joe; he’s great. And again, supporting cast aren’t slouching a BIT. Nicholas Hoult, Rose Huntington-Whiteley, and of course...iOTA. You know, the Doof Warrior. Yeah. The dude who plays the blind flamethrower guitarist on the back of a truck is called the Doof Warrior, and is played by a dude who calls himself iOTA. I LOVE THIS GODDAMN MOVIE. 10/10!

Plot and Writing: OK, I’l freely admit that this is the weakest element of an otherwise amazing movie. Because, yeah, it’s basically one long chase with some background plot. Not bad, but not great at the same time. While it’s certainly engaging, and the writing is overly memorable, I’m still giving this one an 8/10.

Directing and Action: I mean...c’mon. 10/10.

Production and Art Design: I mean...COME ON. 10/10!

Music and Editing: MUUUUUUSIC. Junkie XL is the composer this time, and he’s put to excellent usage. Yeah, this is the most memorable music in the franchise, bar none. And the editing is also great, as per usual. While it’s not on my playlist (yet), it deserves to be, just for pump-up music. Although, if I listen to that while driving...eh, maybe not. 9/10!

And the winner is Mad Max Fury Road, at a...94%.

Wait...94%? OH. OH NO.

That means...it’s been dethroned? I, uh...I’m gonna have to figure that out. End-of-month summary?

End-of-month summary. See you later today, people.

[angelhummel]

Who do you think are the top 3 talented glee club members, like the full package?

Godddd it’s so hard to measure. Like they’re all insanely talented in their own ways. Did we literally ever see them actually acting in school plays? I’m pretty sure every school musical scene was just... a song. And then there was like, the mattress commercial or the Christmas special which was just funny and cheesy but I wouldn’t call it good acting lmao. Anyway that’s a weird place to start but there’s like the “triple threat” of acting, singing, and dancing and apparently none of them can act in universe so we’ll cross that off the list

Kurt Hummel. And it’s not just my bias for Kurt, the best character of all time. I really do think he is one of the most talented members of the club. I mean every single one of his solos is a knockout except I’ll Remember I don’t like it as much it doesn’t matter if it’s just him and his voice in front of everyone, or if he’s running around and dancing and jumping on pianos in a pair of gold pants. He can do big and bombastic and theatrical, he can do soft and subdued and dramatic. And his VOICE. He’s up there hitting notes some of these other girlies haven’t even heard of. And they didn’t let him sing in that low register as much but when he did?? Amazing. Plus I mean maybe he wasn’t the best dancer but he was trying. He did his music video recreations and was doing Single Ladies as well as the woman who literally danced back up for Beyonce to that song lmao. He took ballet lessons, he could play piano, he was very skilled at making his own fashions, he could twirl batons and sai swords, he even wrote some of his own stuff. I mean come on my boy is just talented all the way around

Mercedes Jones. For sure I have to put her on the list. Like they barely let her dance but idc. Her vocals are enough to make her the most talented member. She could blow anyone else away with just her voice. And she can do anything she wants. She can do pop, soul, r&b, showtunes, hip hop, original songs. And yes she is criminally underutilized in general, but every single song she’s in? Would not be the same without her. Also I don’t really count the acting but she totally killed it in Rocky Horror and her look and attitude and stage presence was just to die for. I just can’t make this list and not have her on it

Blaine Anderson. Okay maybe this is also my bias but idc. I mean you’re not gonna tell me he’s not talented. He’s got a great voice, great versatility, he’s just got so much good energy. I love all his upbeat poppy songs when he’s dancing around all excited, and his slower and more toned down somber songs. Also we know Darren can play literally every instrument known to man but I think we just saw Blaine on piano and a little guitar. Still, very talented. And also Darren was just about the only person who actually sang live on the show, so that’s definitely noteworthy. Blaine’s just such a charismatic and captivating performer and I love his stage presence and everything he can do. Which is good cause we got so much Blaine (:

Some honorable mentions bc the whole cast is mind blowingly talented and it feels unfair to leave so many out:

Artie. One of the absolute best male vocalists, even tho the other boys hardly gave him any competition. And like Mercedes, instantly improved every single group number he appeared in. Also a great dancer. And it’s funny that they cast one of the best dancers as a boy in a wheelchair (: But he still killed every dance performance he had

Santana. I just love her voice and all her solos. We’re tooold she’s one of the best dancers even tho she’s lacking from some dance heavy numbers but who cares. Santana still has her own moves. Also she’s literally the one we see succeeding most in the show?? In her commercial, in Kurt’s band, on BROADWAY, and featured on Mercedes’s album. Now come on now

Brittany. She might not’ve been the best vocalist but she was the best dancer by miles and miles. And every one of her numbers was a PERFORMANCE. Even I have to smile when she’s singing. The fact that they used her one whole time in a competition performance is just. electric chair for will

Rachel. Obviously I can’t leave her off. I think she has an amazing voice, I just don’t think it’s as dynamic or versatile as some of the others :/ 

Tina. Her voice is super underrated but so so pretty. Plus she can also dance. She was dancing to Single Ladies, she was choreographing tap numbers with Mike and she got no credit for it. She can also play piano. And her voice was really interesting and different and unfortunately I think she sounded great in every song that got interrupted (:

[abladeofgrass]

albums to listen to when you’re feeling spooky but it’s only august

This entire thing is gonna be a mixed bag of genres, hopefully there’s something for everyone!

TURN OFF THE LIGHT 

Artist: Kim Petras Genre: Hyperpop

I feel like almost the entire vibe in this album is that one scene in a modern set young-adult fantasy where the main group goes to an underground bar or club or something and sees a whole bunch of monsters hanging out. The instrumental interludes are VERY good; many of them utilize an unnerving and ominous tone. There Will Be Blood, Close Your Eyes, and Turn Off the Light are my favorite vocal songs; Purgatory, <demons>, and o m e n are some of my favorite instrumentals. We’ve also got some queer vibes with the song TRANSylvania, which only enhances the listening experience. Find the album on spotify here. 

VOLUME 1

Artist: AViVA Genre: Alternative Pop 

I got into Aviva’s music when GRRRLS was getting popular on youtube and being promoted by a number of different channels. All of her songs are contained in the same universe (I believe), and each one brings a different vibe. Some lean towards post-apocalyptic, others more towards horror. My favorite songs are HUSHHH, GRRRLS, and BRN. You can find the album on spotify here. Warning for flashing lights in the music video.

Thanks to You Song

Artist: GHOST (ghost and pals on spotify)  Genre: Vocaloid???

I can’t believe I’m exposing myself right now but I couldn’t resist putting this on the list. GHOST’s sound is very unique, even among other english vocaloid producers. They often lean towards using the software to creature a more robotic style that lends itself towards horror-themed songs. Even outside of this album, most of their songs have elements of horror. Some songs on the album, like the trio of Housewife Radio, Black and White, and Rotary Dial follow a specific story featuring some of GHOST’s own characters. These are very interesting to think about/analyze when listening to, which is one the reasons I enjoy this album so much. Warning: this music style is very polarizing, even within the vocaloid community, so if it sounds like nails on a chalkboard I’m sorry, haha. You can find the album on spotify here. 

There Existed an Addiction to Blood

Artist: clipping. Genre: Rap/Industrial/Experimental

Clipping is a rap/hip hop group that experiments with music by using “noise” in new and innovative ways. Their style definitely isn’t for everyone, but I’ve come to enjoy how abrasive some of their songs are. There Existed an Addiction to Blood, their most recent album which got an October release last year, uses synths to draw inspiration from 80s horror movies, and unusual, loud noises to disturb the listener. The implementation of interludes with monologuing characters also adds to the horror effect. The album uses horror to explore topics like gun violence, police brutality, and discrimination, which also helps to drive home terror of living as a minority, especially as a black person, targeted by the police in modern America. One of the best examples of this is “He Dead,” which uses werewolves as an allegory for police basically hunting innocent people for sport. Warning for major body horror, brutality, and death in the album. You can find the album on spotify here. Warning for gore in the music video. 

Sacrament of Sin 

Artist: Powerwolf  Genre: Symphonic Metal

German metal group Powerwolf released this album in 2018. I feel like the album art really speaks for itself; what you see is exactly what you get: Werewolf Demon Priests. It’s cheesy, but I literally do not give a fuck. Their music is just really fun to listen to. The symphony combined with metal really makes me feel like fighting a bitch when I turn this album on (in a good way). Demons are a Girl’s Best Friend is by far my favorite song, it’s just a VIBE. Find the album on spotify here. 

Frankenstein: a New Musical 

Artist: Frankenstein World Premiere Cast (on spotify) Genre: Musical Theater 

HOLY FUCKING SHIT. This musical is so goddamn underrated, I’m going to SCREAM. It’s a fairly accurate adaptation of the original book, with nuanced portrayals of both the monster and Victor himself. In addition, the music FUCKING SLAPS. I was recommended the animatic below by @corinkeen​ on youtube and I’ve never been the same since. CHILLS. Literal CHILLS. Victor’s and the monster’s voices are incredible; it literally doesn’t matter if I dislike them, because the story captures their descent into villainy so well. Please listen to this. I’m begging you. Find the album on spotify here. 

[amydancepants-peralta]

Could you write a fic about the cold open of 7×04 and what actually wouldve happened if terry wasnt in his office 😂 (By the way i love your content!)

I definitely can!  (Did I spend the majority of today writing this, and very little else?  Yes I did.  Was it a valuable use of my time?  Absolutely.)

Rated NSFW - and also available on AO3 if you’d prefer. 👮🏽‍♀️

oh captain, my captain

With a satisfied hum Amy adjusts the last pile of paperwork on the desk, nudging it slightly to the left so that it sits perfectly perpendicular with both the right and bottom edges of the wood grained surface.  Double checking that all breakable items have been stored away for safekeeping, she stands in the centre of the captain’s office once done, folding her arms across the front of her chest as she allows herself a cursory nod of approval. 

There’s an anxious energy running through to the tip of her right foot, and the steady tick of clock on the wall reminds her of the metronome that used to accompany every music lesson she took in high school.  Briefly, she wonders if her and Jake’s son will play an instrument as well.   

Her nerves are racing, and she’s barrelling towards a severe case of paranoia; but logically she knows that her plan is sound, so Amy runs through several key points in her head, one last time:

1: Scully and Hitchcock’s recent hare-brained plan to build and cook a Mega Pizza at their desk (their mourning period from the pizza vending machine finally coming to an end) had resulted in a small fire and the complete short-wiring of all electrical equipment on the fourth floor, rendering the bullpen and all surrounding offices completely useless,

2: Budget cuts meant that the repair crew would not be in for two more days, and due to the lack of security and surveillance, the floor had been cut off from access entirely - except for Sergeant Santiago, whom they’d trusted would hold the keys to each stairwell in safekeeping, and

3: The growing baby in her uterus has set her hormones onto an all-time high, and if there was any chance for this fantasy to come to life, it was right. now. 

Adjusting the tucked in edges of her version of work attire, Amy fiddles with the toy captain’s badge that she had clipped to the front.  It wasn’t nearly as shiny as the real thing, and was far too light to feel legitimate, but there was still a sliver of joy that ran down her spine whenever she looked at it attached to her chest.  One day, hopefully not too far from now, the real thing would be there permanently.

Flicking her wrist upwards, she looks at watch without ever registering the time.  It was relatively late in the evening and she had texted Jake fifteen minutes ago, explaining that she was finishing up some duties in the precinct and needed some help moving some heavy boxes around in Terry’s office.  Like the sweet and dutiful husband she knew him to be, he had responded within seconds, an emoji filled text message telling her that he was on his way.  

He had been so supportive the past five months - supportive for their entire relationship, if she really thought about it - stocking up on the one brand of tea that didn’t make her feel sick, offering regular back and foot rubs, drawing baths with just the right amount of hot water and bubbles, and complimenting her body with such sincerity that even on her worst days, Amy had still felt a little bit desirable.  He honestly had been exactly the kind of charming husband that she knew he would be, and she couldn’t wait to see him turn into an equally wonderful father to their son.  

She glances at the clock on the wall and sighs, shifting the captain’s hat she’s been holding to her left hand before placing it carefully on her head.  He just needs to work on his punctuality.  

Finally, she can hear the telltale squeak of his favourite sneakers, growing louder as he moves further into the bullpen, and only moments later he calls out - “Ames?” 

“In here!” Amy yells in response, adjusting the stark white blouse one last time and putting on her best Power Pose as she waits.  His steps are faster now that he knows where to go, and as he opens the door and sees his wife standing before him in a makeshift captain’s uniform, Jake’s eyes turn as wide as saucers.  

“Babe?”

“Detective Peralta.  It’s about time you got here.  Close the door.”

With his eyebrows flickering upwards, Jake blinks a few times before responding, the blinds rattling slightly at the force of his movement.  “Yes, ma’am, I apologise for the delay.  I got caught up in - ”

“Spare me the details, detective.  We can discuss your issues with time management later.  There are more important matters at hand.”

His posture straightens and he nods, and a familiar twinkle begins to show in those beautiful brown eyes.  

Focus, Amy.

“It’s come to my attention recently that, despite previous scenarios that have held similar elements, there still appears to be a pressing need for the reality to occur.”  She can see Jake suppressing a grin, and holds her ground as he starts walking towards her.  “And while said earlier exercises have held a very high success rate, it would seem as though sometimes there is just no substitute for the real thing.”

Jake stops just in front of her, close enough that Amy can smell that intoxicating mix of cologne and their fabric softener and Jake.  His grin hasn’t faded - if anything, it’s grown - and he grips his hands behind his back like a dutiful officer of the law.  While his eyes trace up and down her body, taking in the uniform, his grin turns into a full-blown beam, and after he beat he leans forward to whisper -  “You want me to fuck you in the Captain’s Office?”

She nods, quick and stern, and corrects his inflection.  “I’m going to fuck you in the Captain’s Office.”

His breath is warm against her cheek as he lets out a grunted hell yeah, pressing his lips against hers a mere second later.  Warm hands are wrapped around her waist, and hers curl around his neck as the need to be as close as possible to him overthrows the need to play pretend, and when his tongue massages hers Amy cannot help but let out a contented sigh.  

His face has taken on That Look when they finally pull apart, that I’m so turned on look that Amy loves to see (but really, she loves all of his faces, and damn anyone who says that makes her a lovestruck fool), and her heart begins to race at the anticipation of what’s to come.

They’d only been dating a few weeks the first time they tried this; a pared down version of role play with Jake using his very best authoritative captain’s voice and turning Amy on so quickly that the resulting sex had led to multiple orgasms for both.  For their one year anniversary (a date that had been delayed slightly by a temporary Floridian residence), he had set up the reading room in her apartment to be an almost exact replica of Holt’s office, and proceeded to fuck her on every single available surface.  It was a treasured memory, and one that rated very high on her list of Favourite Sexy Timez, and even to this day she cannot read a book in there without getting turned on just a little bit by the thought of it.

Over the years they’d branched out into various role plays, with a special section of their closet dedicated specifically to the costumes they’ve acquired along the way, and while Jake has definitely seen Amy in this captain’s uniform before she’s fairly certain that this change of scenery into something far more real is going to turn him even more than usual.

Lord knows it has definitely worked out that way for her.

His hands have stayed on her waist, and with a grin he yanks her closer, pressing his hips into hers.  Yep.  It’s definitely working for him too.

He pulls her in for another kiss, and as much as she wants to let him, there are a few important details that the need to iron out first, and so Amy presses her hands against the grey shirt that lay underneath his open flannel.

“There needs to be a few quick rules before we go through with this, Peralta.”

“Whatever it is, I’m going to say yes.”

“Obviously.”  She raises her hand, pointing her index finger upwards.  “Rule one, what happens in here never leaves these four walls.”

Jake nods.  “No doubt.  Rule two, I get to replay this in my mind whenever I feel like it.”  His hands slide lower, gripping her butt gently.  “And babe, I’m gonna feel like it a lot.”

Smiling, Amy shakes her head.  “Rule number three.”  She leans in, grabbing the open panels of his shirt and pulling him closer.  “You’ve gotta make me scream, babe.”

He grins, that sexy smirk that once only belonged in the bedroom but over the years has progressed to closets, kitchens, living rooms and even once an elevator with the emergency break on.  “Yes, Captain.”

Oh, mama.  Her breath catches in her chest, and Amy can feel her eyes widen as she looks up at her husband, the facade temporarily stripped away as she speaks.  “Say it again.”

Jake leans in this time, moving his hands to rest two fingers against his forehead, pushing them away quickly in a faux salute, and ohhhh mama.  “At your command, Captain Santiago.”

Her lips are pressed against his before another thought can be made, the amount of desire running through her veins providing more than enough fuel for Amy to get the fire started.  Jake’s hands move just as quickly, wrapping around her waist and pulling her closer before tugging at the blouse that she had tucked so perfectly into place.  Moaning into Jake’s mouth, Amy shuffles them backwards, casting both of his shirts to the floor and feeling the edge of the desk scrape along her thighs as they make their way to the tall leather chair that has held such power in so many moments.  

Jake pushes her against the desk before they can get there, digging his fingers into her ass with such ferocity that Amy feels the blood rush in for repair at his release, and when his hands move up to undo her buttons she lets out another encouraging moan into his mouth.  It had been a passing joke when Jake had misinterpreted her request, months ago on the morning of the Jimmy Jabs, but Amy would be lying if she said there hadn’t been a frisson of excitement run down her spine at the suggestion of it, and now that it was finally happening, she couldn’t wait to get to the good stuff.

A rush of cool air hits her overheated skin as Jake flicks open the last button on her blouse, shoving the panels to the side and letting out an appreciative sigh at what he finds underneath.  She knew him to be a fan of the curves that her pregnancy has blessed her with - particularly when it came to her boobs - and Amy had done her due diligence in researching a front clasping bra specifically for this occasion.  It was nude in colour - work appropriate of course, even if this particular uniform is technically a costume - and had just enough padding and lace to make her chest look incredibly inviting.  

“Ames,” Jake whispers, eyes bright with attraction as he leans down to begin a trail of kisses against her bare skin, scraping his teeth along her collarbone.  Carding her fingers through his hair, Amy uses her right hand to reach in-between Jake’s chest and hers, undoing the clasp in a practiced move and Jake sighs in approval at the sudden change of pace.  His hands move lower; undoing her navy blue slacks as his tongue laps gently at each of her nipples, already aware of the sensitivity that she’s begun to experience there, but tonight all of her nerves are on high alert in other places, and so Amy digs her fingernails into Jake’s hair in silent encouragement to continue.  

He lets out another moan, the sensation of his voice vibrating against her skin as he leaves a gentle bite underneath one breast, lifting her hips up slightly to push her slacks towards the floor.  Amy kicks off her shoes quickly and Jake follows her lead, listening for the heavy thunk as both hers and his hit the ground.  She lets her hands linger along the bulge of her husband’s biceps as they wander lower, undoing the button and fly of Jake’s jeans as his lips move back up towards hers for a heated kiss.

His hands roam along the curve of her belly, touch turning incredibly soft as he traces the gentle swell where their son is currently growing.  He’s been so incredibly enamoured with watching Amy’s body grow, making it a daily ritual to kiss both her and her bump good morning and good night and making Amy’s heart flutter just a little bit each time.  Some nights he rests his head against her abdomen as they lay together on the couch, and on lazy mornings when getting out of bed seems like way too much of an effort he will shuffle down the mattress, leaning in to tell their baby boy the story of how he and Amy met, peppering the moments with truly terrible dad jokes that she just knows he’s been storing up for future reference.  

“You really are my dream girl,”  Jake mumbles against her cheek as he kisses a path towards her earlobe, nipping gently at the hypersensitive spot that only he knows about just below.  Amy’s responding giggle turns into a gasp as he does so, and she grips the waist of his jeans and pushes them down as far as her position will allow, waiting for Jake to pull back slightly so that he can take care of the rest of the material.

The chair moves back into her eye line as Jake shakes the last leg of his jeans off, and Amy rises from her perched position on the edge of the desk to meet her husband, planting her palms square against his chest as she shoves him backwards.  His butt lands square on the seat as he lets out a surprised yelp, and she grins.  “Now I’ve got you exactly where I wanted you, detective.”

He lets out a soft laugh, his arousal obvious in the unusual gruffness of his voice (and the sizeable bulge in his boxers), opening his arms out in silent invitation - and it’s one that Amy is very willing to respond to.  She moves towards Jake, resting one hand along the top of the chair as she plants one knee on the cushion beneath them, and then pauses.

“Wait … the arms on this don’t move.  Can you - ”

“Uh … what if I - ”

“Oof.  Okay let me just put my knee - ow, babe!”

“Sorry!  I think maybe if ..”

“This belly doesn’t make things … How about - Oh god no, my back!”

Out of nowhere, Jake bursts into laughter, the absolute ridiculousness of the situation causing his chest to bounce with joviality.  His hands are resting against Amy’s back, low enough to support her movements as she laughs along with him, tucking her head into his neck as the tears streak down her face.  In mere seconds, all of the tension dissipates, and that is a skill that only someone like her husband could possess.  

Amy rests her hands against Jake’s dancing shoulders, sliding her palms up to cup his jawline, taking in his infectious smile and oh how she loves this man.  Both of their pants are on the floor of their superior’s office, her shirts is wide open and Jake’s hair is all over the place from her fingers running through it, but she feels as comfortable right here as she would if they were at home on their couch.  

She loves Jake Peralta for a lot of reasons, and that was never going to change.  

Bending slightly lower Amy tips the captains cap back and drops her forehead to rest against Jake’s, leaving a soft kiss against the bridge of his nose as their laughter begins to trickle to a stop, and it’s only a second later that he moves his head to capture her lips with his own.  It’s a simple kiss, the sweetness of it all proving to be too much for Amy as they part, and she strokes Jake’s right cheek with her hand stating the most simples of truths: “I love you.”

His cheeks flush slightly as he looks up at her in utter adoration, right hand sliding along her outer thigh as he replies.  “I love you too, Ames.”  Shifting his body ever so slightly, Jake digs his fingers into her skin and continues.  “Here, rest your weight on this leg .. I have an idea how we can make this work.”

“I’m still not going to be able t-ohhhhh.”  The protest dies in the back of Amy’s mouth as Jake’s fingers push her underwear to the side, the angle of her half standing position giving him easy access to where she really wants him.   He circles her clit slowly, watching her lungs expand and contract as he slowly gains speed, and as Amy moves her hands to his shoulders, Jake dips his middle finger inside.  Her breath hitches, and he pulls out before returning, once with two fingers and then again with three.  

“So wet, babe.  You’ve been thinking about this a lot, huh?”  Jake’s lips are pushing against Amy’s before she can answer, and the feeling of his fingers pumping in and out of her takes all response away from her, letting her tongue push against his in response instead.  

She comes to when he finally pulls away, taking in a shuddering breath before throwing him a withering stare for a millisecond, stating “You were ten minutes late, Peralta.”  Pulling him back in for another kiss Amy sinks her teeth into his lower lip in admonishment, and Jake’s responding groan vibrates again her chest.  She smiles when they part, running her hand through his hair and tugging gently at the roots.  “I had to think about something to pass the time.”

“Mmm,” Jake moans, tucking his head into Amy’s neck as his fingers move faster, “Let me make that up to you, babe.”  He makes no hesitation in twisting his wrist, circling his thumb around in the small, rapid circles that he does so expertly.  It’s a well-practised move, one performed only two days ago when he crowded her up against the kitchen sink and pushed her over the edge while they waited for their coffee to finish brewing. 

His fingers stop pumping, pushing in deep and holding still while slightly crooked.  Jake grins up at her as his thumb doubles down in intensity, and Amy tightens her thighs against his wrist as she comes with a stuttered gasp, a mumbled version of her husband’s name falling from her lips as her shaking legs release him from her grip.  She giggles softly (at least, as much as her racing lungs will allow her) and grabs Jake’s hand as he pulls away, pulling it towards her lips and sucking gently on his fingers, sighing in satisfaction at the taste of her arousal.  “Consider yourself forgiven.”

His hand falls from her grasp, and Jake stretches himself up to kiss Amy, gripping his arms around her lower back tightly as he lifts off of the chair, stumbling back towards the desk and resting her butt against the surface once he feels the hard wood press against his thighs.

“I need to be inside you,” he mumbles between hot kisses as his fingers grip the top of her panties, and Amy lifts her hips again to help the fabric disappear faster.  He makes quick work of his own boxers once her underwear is on the floor - and honestly Amy has fantasised about giving Jake a blowjob in this office enough times that she genuinely had planned to do so - but all the hormones that her body was producing right now had turned her into a horny mess and she, too, needed him inside her now.

Spreading her legs as Jake moves in between them, Amy raises her hand up and pulls away the captains hat that she’d managed to keep on until now, resting it on the surface before planting her hands behind her body for support.  She smiles up at Jake as he groans with lust, pumping his wrist up and down his cock while his tongue darts out to moisten the edge of his mouth.  “You truly are the sexiest woman alive, you know that right?”

She nods, and Jake leans in for a kiss, tongue slipping into her mouth as he pushes his cock inside, fingers digging into her hips before resting beside hers on the desk.  This time it’s Amy’s turn to moan as Jake begins to pump slowly, getting both of them used to this unfamiliar position, and honestly every thrust already feels incredible.  

He watches her with the careful eyes of a well-trained detective, but also that of an attentive husband (both of them had discovered that once pregnant, Amy’s body gave different reactions to things that used to work so well), and she gives Jake an encouraging nod of her head as he begins to pick up speed.  She couldn’t tell if it was the angle that the desk presented, or the fact that there were doing it in the captain’s office, but everything felt fucking amazing and she could already feel her body beginning to respond.

“Oh god Jake, yes …”  Bending back on both hands Amy tents her knees, resting her heels precariously along the edge of the desk and letting her body bounce to the rhythm of Jake’s thrusts as all of nerve endings begin to come alive.  The various collegiate novels and industry awards that are lined up on the shelves behind Jake catch her eye, and the sheer illicitness of what they are doing feels better than she could have possibly anticipated.  They should have done this years ago.  Her husband’s right hand moves to cup one of breasts, pushing the heel of his palm along the bottom just the way she likes, and the pressure feels so good that she lets out a gentle moan.  His fingers move further, circling her sensitive nipple with his thumb and only weeks ago an action like that would have had her screaming in pain, but thank god her body has adjusted to these changes because NOW it feels like he’s lighting a match with every stroke, pushing her closer and closer to combustion.  “Yes!  Harder, babe!”

Jake’s breath is hot against her neck as he leaves a series of slopping kisses, dropping one to her mouth before pulling away, breathless.  “You feel so good Ames, so hot … I can’t believe we’re fucking in the captain’s office.  Fuck I love you.”

Amy moves her head back up slightly, eager to watch her husband as he moves closer to the point of no return, and the sight of his beautiful face as he thrusts harder and harder makes Amy call out his name, circling one leg around his lower body in silent encouragement for more.  Glancing behind her quickly, Amy grips the edge of the captain’s hat from the desk, using her thumb to rotate it within her grasp and places it onto Jake’s head with a cheeky grin.  It seems to spur him on, her body rocking against the desk with every single thrust as he increases the intensity, that determined look that she loves so much falling onto his face as he pushes harder and faster. 

Amy lets her hand slide back down his chest, pinching his right nipple as she goes before heading straight for her clit, holding on to Jake’s steady gaze as she begins to move her fingers in the rapid circles that never fail to get her off.  She doesn’t want this to end, but her first orgasm had felt so. good! and she was absolutely ready for another.  The handles on the desk drawers beneath them begin to rattle as Jake really begins to hammer into her, clearly racing towards climax as he mouths Ames over and over.  

The sensation of it all becomes too much a couple of minutes later and Amy cranes her neck back, calling out her husband’s name as another orgasm takes over her body, the delicious rush of it all making her giggle nonsensically.  From above her, Jake moans as Amy’s insides pulse around him, and when she drops her chin to watch him he grips her butt in both hands, pulling her as close as the bump will allow and changing the angle completely.   

His pubic bone rubs against her clit with every forceful pump from this new position, and even though Amy’s just had an orgasm and she would normally be oversensitive by this point, she’s also incredibly turned on - and as Jake’s thrusts continue she grips her other leg around his waist, holding on to him with nothing but her lower body as another wave washes over her.  This time proves to be too much for Jake as he follows her over the edge, digging his fingers into her skin and calling out her name as he releases everything he has.   

It takes a while for either of them to come down from the high, with only the sound of panting breaths and gentle kisses filling the room.  Slowly they part, holding out items of clothing to the other as they begin to put themselves back together, adding in a lingering touch every time one of them is near enough.  

They clear away the evidence of their tryst with the practiced efficiency of a team that know each other inside and out (because really, that’s the only way you could describe their partnership by now), and Jake pulls Amy in for one last lingering kiss as he fastens the top button of his jeans.

“Alright babe, I’m just gonna grab a few things from my desk while I can get to it, and then let’s go home, yeah?”

Amy nods, running her hand along her ponytail and quickly deciding it probably needs to be redone.  “Yep, I’ll be right out.  Oh, and Jake?” 

He turns at the doorway, one hand still gripping the outside frame, and Amy takes deliberately strong steps towards him.  Grabbing him by the collar, she yanks him in hard and fast for a swift kiss, pulling away before he can even try to deepen it.  There’s a flustered look on his face as they part, which when matched with his I just had sex hair makes him all the more adorable, and Amy gives him a quick wink before pushing him out completely.

“Dismissed.” 

[starr-fall-knight-rise]

Humans are Space Orcs “Behind Bars”

WARNING: VIEWER DISCRETION IS ADVISED.

Guys This is the beginning of an interesting new mini series that may deal with some pretty heavy stuff since it takes place in a human prison. If you think there is ANY chance you could be bothered or offended by the topics I might cover, than now is a good time not to read this. I am not going to go through and make a list of all the potential things you may not like, so I deffer to your own judgement of yourself to determine what is good for you.

Also another little side note, the way I portray law enforcement in this is in no way how I feel about them. I have close family member in law enforcement and respect the hell out of them, but the way I did it was done to serve the story, so just keep that in mind. 

For those of you who choose to read it, I hope it’s interesting :) 

“Gah, this place is a dump.” 

“Yeah, just be glad you can’t smell it.”

“Why is that?”

“Urine, lots and lots of urine.”

“Ah, lovely.” Krill muttered making his next movements very tender against the dark clattering metal as if he could avoid stepping in anything unsavory. Beside him, a rather scruffy human appeared from the shadows, “scruffy” with an overgrown haircut, five o-clock shadow, eyepatch and an army jacket that had seen better days.

Commander Vir blended in surprisingly well with the grungy understreets of noctropolis. The city was Less of a city, and more like a series of tunnels bridges and rickety buildings built on and into the side of a cavernous rift in the ground. Once upon a time, the Tesraki had begun serious mining operations on the border moon’s surface causing some serious scars in the landscape which was then filled with the teaming underground life that the most unsavory humans bring with them. 

Noctopolis was located on the furthest edge of the Milky Way galaxy, and seeing as the GA was based out of Andromeda, it was a very difficult moon to police. The UNSC had attempted to take over operations on the moon but had found only limited success considering their military had only been operating in space for the past few years. They didn’t have enough manpower to undergo such an operation, so the moon itself was left mostly unpoliced. Since then it had become home to the most unsavory of the Tesraki, the Drev, and the humans having enough economically or emotionally in common that they at least tolerated each other. 

What understanding they had of the border moon had begun with the banning of interspecies relationships almost a year past. Since Noctopolis wasn’t particularly well policed, may counter culture groups had made their home here. While many of them were decent people attempting a little privacy away from the eyes of the law, other less savory groups had taken an opportunity to stake their claim.

The streets about them were littered with trash and abandoned cardboard and metal scraps. Their greatest source of light leaked down from the lively redlight district above, not only called that because of what it offered, but because it actually did bost a series of bright neon lights that could be seen across the city.

“Wanna tell me why I’m here again. This is kind of a Sunny and Vir thing.”

Commander Vir propped himself casually up against a wall slouching inside his jacket collar turned up against the sour wind blowing up from the cavern vanishing into darkness below, “Sunny had to finish requisitioning our new weapons system, besides, i thought it was about time you and I hung out. We haven't done anything together as friends in a while.” 

“Ah yes, just how I prefer social bonding, Loitering through piss covered streets with an eyeless legless hobo.”

“Rude.” The human muttered glancing quickly around a corner.

Krill let the question drop instead moving onto the next topic of conversation, “Wanna tell me why we aren’t working with local law enforcement?”

The human dodged past a leaking pipe and the resulting black puddle, “Well there are a few reasons. If I plan on getting close to this drug ring, or even the suppliers, I can't have the smell of the feds one me, second is that the policing system here is only partially overseen by the UN, mostly they supply their own officers and their own laws. There are serious rumors about law enforcement corruption, but that can be expected considering the kind of people that hang out here. And then there is the issue of ease of access to fingerprinting and DNA systems. Mine have been temporarily removed from the system for this operation because the dealers tend to check before the sell, but if i was working with local law enforcement my identity might be leaked.”

Together they stepped onto one of the rickety bridges spanning the cavern. Krill tried not to look down into the gaping bottomless chasm spanning downwards into darkness tinted with the red haze cast from the neon reflection of the city.

“Why is this such a big deal anyway. Why waste you on a project like this.”

Commander Vir stepped off the edge of the bridge holding it steady for Krill as he followed.

“Because this guys are linked to the human hormone market.” Krill was a bit surprised. He had heard about the issue months ago. Certain species, the Tesraki and the Drev especially had neurotransmitter systems similar to that of a human, though somewhat dampened and were affected by the use of injected dopamine and adrenaline. On the street they had taken names like Dopie, Daddy, Addie, Joy Juice, and some other strange names. The biggest issue with the use of human chemicals as drugs is that even a single dose of the stuff could fry the circuits for any nonhuman taken in any sort of significant dose. In humans it occasionally meant sickness or even mental illness, but in aliens it could mean permanent flat affect or the inability to feel fear. The other issue was how the dealers got it, usually it involved kidnapping and harvesting the chemicals from humans, since many times the analogue drugs humans made for themselves didn't have an effect on aliens.

Krill shivered at the thought, and stepped through a tight alleyway just ahead of the Commander, who had to turn sideways to fit through the narrow space. He didn’t like fieldwork, at all, but having a human with you was one way to make you feel safe. The only creature that a human might not be able to fight off was a Drev, but even then there was still a possibility.

Together they cut across another street and towards their destination. They had managed to squeeze some information from the only informant still alive on the street, and that had been an address. At the back of the property they found a door padlocked shut though it had recently been cut.

Commander Vir held open the door and shoved inwards leading them into a long, dark hallway lined with debris. Krill stayed behind him as they made their way into the darkness jumping at every sound.

Ahead of him, the commander had removed an energy pistol from the band of his pants. Krill didn’t bother to point out to him, that it was difficult to believe he wasn’t law enforcement when he handled a weapon like that.

He held Krill back and then nudged one of the doors inward clearing the room with a quick sweep from corner to corner even stepping out to check behind the door. Krill peered in as the Commander grunted, “Just what we were looking for.”

Krill peered around his legs and then paused, “Uh….” The room was filled from floor to ceiling with strange glowing tanks of liquid a pale greenish in color. The ambient light gave the room a rather eerie glow. A glow that highlighted the strange instruments and free floating tubes with sinister intent. Nothing was currently in the tanks, but Krill shivered knowing what they would have held if they had been filled.

Human bodies.

The tanks cast much of the room into shadow, and Commander Vir took cover crouching behind one of the tank consoles. Krill followed him taking cover behind the human’s back. He didn't see what the man was so worried about there was one here. The human tilted his head listening intently scanning around the room. Krill was just beginning to speak when the man pushed him back hissing, “RUN!”

But before he could even take a step in another direction, he saw a flicker at the side of the room, and commander vir was lit up with at least ten points of green light all trained on his chest.

“GET ON THE GROUND.”

“PUT YOUR HANDS UP.”

“DROP THE GUN.”

“DON’T MOVE.”

Commander Vir reacted while Krill was still on the floor standing from behind his cover and stepping into the room. The Energy pistol clattered to the floor as he held his hands out to his sides.

“GET ON THE GROUND!”

Lights flashed all around them, and the room was illuminated by a painful burst of light and an eruption of movement. Men appeared from nowhere dressed in black tactical gear, faces and eyes completely obscured. Commander Vir was thrown face first onto the floor with at least three kneeling on his back.

Two came after Krill who squealed, to high pitched to be heard by the humans.

“GIVE US YOUR HAND!”

“GAH! Yes, yes just stop pulling and I will!. Shit…. I’m lying on it, let me up for a- OUCH!” From where he was being pinned to a wall, krill heard the ratcheting of handcuffs momentarily surprised not to hear the initiation of energy restraints.

“Shit, that's really tight…. Ahh… I can’t feel my hands.”

“STOP RESISTING.”

“I'M NOT RESISTING, I HAVE A PROSTHETIC AND YOUR STEPPING ON IT!”  That didn’t do him much good as Krill heard the sharp thud, crack of someone being hit over the head. Krill understood what the captain meant about NOT being policed by the UN. Krill had meat peace officers on earth before, and while they could act the same, they generally had reason be reasonable to them and they would probably be polite to you.

Commander Vir was dragged to his feet hands wrenched painfully behind his back and pinned against the wall as they searched him, “Anything on you gonna poke me or stick me.”

“No, no.”

“You got ID?”

Commander Vir paused, “I…. well no.” One of the other officers ran a scanning device over his body, but it beeped negative.

“No implants.” Krill cursed internally…. They should have thought about that when they temporarily cancelled his ID….

“No ID, you know that’s illegal, don’t you.” The one officer said, sticking his hand into another pocket.

“I can explain. I work WITH you guys I-”

“No badge, no ID ... and ah, what is this.” Krill felt his heart sink as he watched the man pull the Adrenaline and dopamine sample from the Commander’s pocket. He held it up in front of the Commander's face, “And what is this.”

“That…. Isn’t mine.” He said lamely

The man pulled down the front of his mask one eyebrow raised, “Ah not yours eh…. Let me guess these are your friends pants, and you’re just borrowing them. You had no idea they were there. Oh oh, I know, you were just delivering them for a friend you don’t know what they actually are.” He reached into another pocket, “Oh and what is this.” Commander Vir groaned and leaned his head against the wall.

The small baggie of white powder was held up before him, “What is this gonna be, Cocaine, Meth, Heroine. You been trading a little Addie for a fix.”

In fact they actually HAD traded the drugs for information, along with a tracking device. Humans can’t use dopamine and adrenaline like other species can, so they traded it for the classic stuff.

“You can test me, I’m not high, I’m not a drug addict, I am also not who you think I am.”

“And who are you?” 

“My name is Commander Adam Vir with the UNSC. I was sent here to HELP.”

They did not seem in any way convinced, “You have proof of that “Commander”. Look I saw the guy once, and he wasn’t half as fugly as you, also he was taller.”

Commander Vir yelped in indignation as they began patting him down for the second time, “Who you calling fugly you-” He bit his tongue, “I’m sorry OFFICER but I had my implants discontinued for this operation. Just look at me I’m missing an eye and a leg and im 6,2 just like the man you say I’m not, and I also let my hair grow out. GIve me five minutes on the phone and I’ll call my superiors for you.” 

“Uh huh, because they’d have the fleet commander down here crawling through the dirt after narcos and tweakers. This is the army officers sit behind their nice shiny desks and let other men die for them.” Commander Vir was pulled away from the wall, “What are you his junki cousin, a brother?”

“I told you who I am.”

“Someone check the bug, see if he has ID.”

Krill stiffened as a wand was run over him, “Nothing sir. That’s strange, usually don’t see their kind around here.”

“I get my phone call, don’t I.”

“What do you think this is the 2000s. The hormone crisis is a level 5 threat, and we are not obligated to provide you with anything.”

“I'm pretty sure I still get a lawyer.” 

Commander Vir was hauled to his feet and marched bodily towards the door, “Yeah but you'll have to get one flown in unless you want a Tesraki, and I wouldn't trust one of those bastards as far as I can throw them…. Uh disgusting little bats.”  Commander Vir seemed almost irked at the use of the slur. Humans had a habit of that, they had a slur for each of other species weather it be bug, beetle, bat, dino, or just the general use of the word freak.

They were dragged outside, and around to where the vehicles had been hidden. Commander tripped more than once over the cheap prosthetic he had used to augment his look, and every time he was dragged painfully back to his feet. Krill wasn’t treated much better though he only received one of the human officers. Krill were thrown in the back of a cruiser with bars and energy shields over the windows. Commander Vir was thrown against the front of the vehicle, “As of now, you'll be charged with the possession of illegal substance, intent to sell, failure to identify, unlawful possession of a firearm, and resisting arrest.”

“What! I didn’t resist, and I DID identify myself. It’s not my fault you won’t believe me.”

“Someone get a spit shield on him.”

“What, I.” He was pinned even more forcibly against the hood as a female officer secured, a GA issued muzzle over his face. They had developed those after realizing what human spit could do to certain species, and what the human voice could do to others. Once on, The officer flipped the dial, cutting off the Commander mid protest. 

Once done, he was thrown into the back with Krill gagged and restrained. Kril felt as if he was going to pass out, or just go right ahead and die. They had been captured by human authorities that even Commander Vir couldn’t talk down, and the ones that weren’t nearly as understanding as they were on earth. 

Things could only get worse.

[tigerkirby215]

5e Seraphine, the Starry-Eyed Songstress build (League of Legends)

(Artwork by Jennifer Wuestling. Made for Riot Games.)

I mean I’m going to have to build her eventually, right? Honestly Tasha’s Cauldron comes out tomorrow so I may as well take a bit of a cheat day and make a build for the new champ. I mean I still have to and pick out a bunch of spells so at least I’m doing that?

Samira build is going to come out sometime in the year 3587 lol.

GOALS

Lookin' for a song in everything I meet! - Seraphine is a stage performer, rallying the whole crowd into song to make it loud and proud!

You're all breathtaking! - Seraphine can unite everyone around her with shields and heals. COUGH SONA COUGH.

Sing it with me! - When the time comes Seraphine can bring the whole world closer together! Good thing she isn’t mute.

RACE

I would really love to do a funny joke and say that Seraphine is a Tiefling or an Orc or something but no: she’s a Human. I can’t even justify any of the Eberron races so we’ll just be going for good ol’ Variant Human.

As a human you can increase two ability scores of your choice: pump up your Charisma and Dexterity to keep fit and beautiful. You can also learn a skill of your choice and for hearing so strong you can hear the voices of a dying nation inside your special necklace take Perception proficiency. You can also take any language of your choice so I’d suggest one that fits with your group, or whichever one you think is Korean. Actually I think Seraphine sung in Chinese which also made people mad? Man Riot can’t stop making her controversial, huhn?

But of course the main appeal of Variant Human is the free feat at level 1. I think Alert is pretty good for mimicking super sensitive hearing. Along with a +5 bonus to initiative you can’t be surprised nor can you be snuck up on. Being able to hear everyone has its perks, huhn?

ABILITY SCORES

15; CHARISMA - If you’re gonna get the crowd to adore you you’ve gotta look the part.

14; CONSTITUTION - I don’t care if Seraphine is a squishy midlane mage we simply don’t need anything else more. Feel free to swap this out with a different stat if you want better roleplay but worse health.

13; DEXTERITY - You need to be able to keep your balance on a moving platform as well as be able to dance along with the K/DA crew.

12; WISDOM - Seraphine’s big thing is being able to hear the emotions of everyone. Knowing what makes people tick is Insight, which is a Wisdom skill.

10; INTELLIGENCE - Seraphine is just your average, everyday girl. Ditzy and a little clueless.

8; STRENGTH - Seraphine can best be described as “petite.” Muscles in the chest hurt your nice soprano.

BACKGROUND

Now you may not know this but Seraphine is a singer, which is a type of Entertainer. As an Entertainer you get proficiency in Performance (obviously) and Acrobatics as well as a music instrument of your choice (Indie Seraphine plays guitar so grab a Lute) and a Disguise Kit, so maybe you can disguise the fact that you’re a copy of So...

Being the premier superstar of Piltover means that you get to tour around a lot By Popular Demand. You can perform in exchange for a place to stay, and doing so will get people to notice you! "Music helps you keep your head up."

(Artist unknown. Blame LoL Wiki. Artwork made for Riot Games.)

THE BUILD

LEVEL 1 - BARD 1

YOU MAY BE SURPRISED TO HEAR THAT SERAPHINE IS A BARD. As a Bard you get proficiency in three skills as well as three instruments! Choose whatever instruments you want (you mostly sing, and the majority of magical instruments are Lutes anyways which you’re already proficient in) (my secret advice? Pan Flutes and Horns have a few magic instruments) but for your skills take Insight to hear the crowd, Persuasion to rally the crowd, and Arcana to learn why your magic crystal is screaming.

You also get Bardic Inspiration! Seraphine talks about being inspired so she can inspire others, and you can inspire your allies with a d6 to add to Attack Rolls, Saving Throws, and Skill Checks!

But of course Bards are spellcasters with Spellcasting too! You can learn two cantrips from the Bard list: Prestidigitation will let you get some special effects on stage and Vicious Mockery doesn’t have to be mockery... It would just be a lot cooler if it was.

You also learn four spells from the Bard list: Comprehend Languages will let you understand everyone’s song, and Faerie Fire will let you light up their life. On the more unnerving end Dissonant Whispers will let folk listen to your crystal, and Detect Magic will let you tell exactly what kind of magic you’re hearing. That’s weird: why is the Hextech crystal radiating Necromancy?

LEVEL 2 - BARD 2

Second level Bards are Jack of All Trades, being able to add half their proficiency bonus to any skill check. Because you see the rhythm in everything! Additionally you get Song of Rest, helping your friends take a break and recover more health during short rests.

But most importantly you get another spell! Another way to cheer someone up is to give them a good laugh, and Tasha’s Hideous Laughter will make them do just that! Maybe they’re laughing about the fact that Riot keeps insisting your not a copy of Sona? Oh don’t worry the jabs at Seraphine as a character are just gonna keep coming.

LEVEL 3 - BARD 3

Third level Bards get Expertise in two skills: choose Insight to hear the souls of both cities, and Performance because... yeah duh. You don’t become famous in a day.

But much more importantly you get your choice of Bard College, and for the rich and fabulous the College of Glamour will make sure everyone loves you! You can now officially captivate the whole audience (up to your Charisma modifier) with your Enthralling Performance, charming them and making them idolize you and defend you on Twitter. To both shield your allies and speed them up with Surround Sound Mantle of Inspiration takes a Bonus Action to give them Temporary Hitpoints and let them take a reaction to move out of danger. Yeah this was pretty much on a silver platter for me so I figured I’d take it.

You can also learn another spell and for an effective Beat Drop take Hold Person, rooting them in place for long enough that your ADC can do their magic.

LEVEL 4 - BARD 4

4th level comes with your first Ability Score Improvement. Charisma is pretty much everything for us now so pumping that up would be helpful!

You can also learn another spell and another cantrip! For your cantrip Dancing Lights will let you light up your stage and also pulls double duty by letting your dumb human eyes see in the dark. As for leveled spells Suggestion is a more direct form of emotional manipulation, suggesting actions for the other person to take. These actions can’t be directly harmful or against what the character would normally do, but “you should buy my $30 release skin” is a fairly ordinary request, right?

(Picture from Seraphine’s Twitter. Yup Seraphine is definitely real.)

LEVEL 5 - BARD 5

5th level Bards get Font of Inspiration, allowing their Bardic Inspiration to come back on a Short rest instead of a Long rest. This is great because your Bardic Inspiration die also increases to a d8, increasing your Mantle of Inspiration Temp HP too!

You can also learn third level spells but the keyword here is can because I’m actually going to stick at second to take spells like Calm Emotions. Man you’ll never guess what this spell does.

While Calm Emotions is a nice spell feel free to deviate from my builds as you see fit. Like seriously a temporary ceasefire is nice but so is a huge Fear cone.

LEVEL 6 - BARD 6

6th level Glamour Bards can make people dance like they have a magical instrument from Ionia. Mantle of Majesty lets you Concentrate on a not-spell once per Long Rest and get the ability to cast the Command actual-spell as a Bonus Action for one minute. Command lets you make one word commands at your enemy as long as they can understand you and you aren’t asking them to do something harmful to themselves. So commands like “Dance!” “Sing!” and “Cheer!” are all viable (though perhaps not effective in a teamfight.)

You can also add another spell to your spell list but again the third level Bard spells aren’t too enticing to me, so take Enthrall to make sure they concentrate on you and you alone.

Oh and you get Countercharm, letting you use an action to give allies against Frightening and Charming effects. Or they could buy some Tenacity. Or you could get a Paladin.

LEVEL 7 - BARD 7

7th level Bards get 4th level spells and Confusion will get the crowd mixed up in the noise, resulting in a cacophony that would sound like unbearable noise to most. Because it is unbearable noise. But at least your friends can fight them in the madness.

LEVEL 8 - BARD 8

8th level Bards get another Ability Score Improvement. Do you know what’s helpful for a class based entirely on Charisma? Maxed out Charisma!

You know what else is helpful? Charm Monster, so you can talk to any crystal scorpions that might be looking for their family. I mean, assuming the Brackern speak human.

(Picture from Seraphine’s Twitter. Yup Seraphine is definitely real.)

LEVEL 9 - BARD 9

9th level sees your Song of Rest increase to a d8. Does this ability scale really poorly? Yeah kinda.

At least you get 5th level spells now. If you want some high notes that’ll dance around you Animate Objects will let you make a bunch of tiny objects to hit your foes! Honestly at this point all the Enchantment spells become uhhh... evil? So we have to go for a different school if we want “good” spells.

LEVEL 10 - BARD 10

10th level Bards get Expertise in two more skills: Persuasion will help you shift the hearts of a nation. Take whatever skill you want as your secondary one since it honestly doesn’t matter too much. (I personally opted for Perception.)

But more importantly it’s Magical Secrets time! This will let you get any spell from any class’ spell list and add it to your own! Most of the time when you get this feature you want to grab some stuff at the max level you can cast but I’m actually going to go down to third level for some support and buffs! For a healing aura around you take Aura of Vitality from the Paladin spell list. To quickly charm a crowd Incite Greed will force everyone to be charmed by you as they want to see your 50 dollar Brackern Corpse... I mean Hextech crystal.

Along with your two Magical Secrets you also get another cantrip. Message is always good to keep plans in team chat.

LEVEL 11 - BARD 11

11th level Bards get 6th level spells like Otto's Irresistible Dance, which forces everyone to get into the rhythm! It’s much harder to fight when you’re dancing: it’s like being stunned! Good thing only you can force a stunning dance on enemies.

LEVEL 12 - BARD 12

12th level Bards get an Ability Score Improvement but now that your Charisma is maxed you can grab Inspiring Leader to rally everyone together for an awesome performance!

(Artist unknown. Blame LoL Wiki. Artwork made for Riot Games.)

LEVEL 13 - BARD 13

13th level Bards see their Song of Rest increase to a d10, and this is the point where I make a joke about Song of Rest scaling poorly.

You at least get 7th level spells, and because none of these really fit Seraphine I’m going to suggest Mordenkainen's Magnificent Mansion for a K/DA stage. But again I need to remind people that I’m picking options for RP and you’re welcome to build the character however you want. Take what you think will be useful and make your own song!

LEVEL 14 - BARD 14

14th level Eloquence Bards have Unbreakable Majesty! As a Bonus Action you can put on your Ultimate Skin to force enemies to make Charisma saves if they try to attack you. If they fail, they’ll target someone else! This is a great way to keep the damage off you since you don’t exactly have great HP or AC. Do remember that it only lasts for a minute though, but you can get it back at the end of a Short or Long rest.

Additionally you get two more Magical Secrets! If you want to sing to enemies far and long (but maybe not Wide) Gravity Fissure is a Dunamancy spell that forces everyone in a line to take a massive amount of damage and be pulled to the center of the spell.

Now that you got your ultimate the world is honestly your oyster. My recommendation to get a crowd to put their hands up would be Chain Lightning, but that’s more because the spell is good than because it fits Sera.

LEVEL 15 - BARD 15

15th levels get their maximum Bardic Inspiration die of a d12! This also means that your Mantle of Inspiration will now give everyone 15 temporary hitpoints! "Harmonize!"

LoL Wiki doesn’t let me link to voice lines anymore and that’s a true crime.

And hey; 8th level spells! If you want to make some Gamers™ mad about your “cash grab” Twitter account just inflict them with Feeblemind so they can spam pictures of Skarner like the marketing department gets to choose what the champion designers make. Because remember: even if Seraphine isn’t real the people pretending to be her are, so don’t be an ass please!

LEVEL 16 - BARD 16

Who likes ASIs? We haven’t used our hyper-sensitive hearing enough so take the Observant feat for a +1 to Wisdom and a +5 to passive Perception and Investigation. And the ability to pick up on lyrics by reading people’s lips!

Are there more useful feats? Yeah, but we build for character here. If you want a powerbuild check out Reddit.

(Picture from Seraphine’s Twitter. Yup Seraphine is definitely real.)

LEVEL 17 - BARD 17

17th level Bards get to pretend that Song of Rest is a good ability! It’s a d12 now so I’m sure it’s useful now that your party all have around 100 HP!

But you finally get access to your mythical 9th level spells! Honestly all the options are great for a girl who has everything, but I’m going to go for the fun Music Video option of True Polymorph. Turn Akali into a dragon! Turn Evelynn into a demon! Turn Skarner into a battery! The possibilities are endless! (Unlike the #BrackernRights memes.)

LEVEL 18 - BARD 18

18th level Bards get their last two Magical Secrets. This is also the last two spells you’ll be getting so better make them count! Of course the best way to make a spell count is to Wish for anything. With this you can finally unite Piltover and Zaun, as long as you believe enough! Or you can bring back Skarner’s family...

For something a little more in-character and a lot more immediately practical: Mass Heal is the perfect Catch-22 to negate any burst. A burst of 700 HP to everyone is never not useful for a bit of Redemption.

LEVEL 19 - BARD 19

19th level Bards get their last Ability Score Improvement: we have an uneven Wisdom score thanks to our last Feat so eh. May as well take Resilient Wisdom for better saving throws and even scores.

LEVEL 20 - BARD 20

20th level Bards have Superior Inspiration! When you roll initiative and have no uses of Bardic Inspiration left, you regain one use. That is literally how the ability is worded. I mean, okaaaaay? At least you can spam Mantle of Inspiration a little more?

FINAL BUILD

PROS

Whole world hears me now! - You’re a full caster with no multiclassing! 9th level spells: no strings attached! You’ve even got a nice spread between Concentration spells and Non-Concentration spells, as well as both utility and combat spells.

Everyone fights to be heard; I'll fight to listen - Being a Bard means you’re good at just about everything, and particularly good at a select few things. 29 Passive Perception? +17 to Persuasion?

We've only just met and I'm already inspired - Who would’ve guessed that a Support class built to support well would be a good support? You’ve got charms, heals, and CC a plenty along with Inspiring Leader to bolster everyone before a battle and Mantle of Inspiration to keep everyone moving with the music!

CONS

Stage fright? Never heard of it - A lot of your BADDEST™ toys are locked behind big spell slots. You’ve only got two 6th level slots, and just one 9th level slot despite having three different 9th level spells to choose from. Again feel free to build your spell list however you want as I just picked what fit in character.

Pretend it's a big rehearsal - Your DEX is meh, your CON is meh. 140 HP isn’t godawful but it isn’t great when you’ll likely have 14 AC at best with Studded Leather. You know what’s really hot right now? Tattoos. See if your DM’s a cool dude who’ll pass you a Rare Barrier Tattoo from Tasha’s to essentially get Medium Armor! Elven Chain is also nice and pretty.

Joy's too quiet without sorrow on the downbeat - I don’t want to make two points related to your stats but they’re the only thing that’s really hurting in this build. Your only good stat is Charisma: and everything else ranges from meh (+2 in DEX / WIS / CON) to bad (0 in INT, -1 in STR.) While you’ll still be able to roleplay with Jack of All Trades skills your Saving Throws hurt. Your concentration is bad and anything heavy will break your petite spine in two. Luckily INT saves aren’t common but anything Strength or Constitution based will quickly put an end to your performance.

Uniting the world in song isn’t easy, but if anyone can do it it’s you. Harmonize, move with the rhythm, and unite everyone through song. There’s nothing you can’t do, and no one can bring you down down down down down down. Well, except perhaps an angry crystal scorpion monster and his army of Twitter followers.

(Artist unknown. Blame LoL Wiki. Artwork made for Riot Games.)

[amelink66world]

Love of my Life

Heyy Guys!! This is my first time writing a fanfiction and I'm really nervous. But I'm so excited to share my version of AmeLink with y'all. I hope you like it. The story will solely revolve around AmeLink cause why not?! ;)

               Many of the plot lines coincide with the show but I've changed some of them. The first chapter will be up by tomorrow so until then!!

Alternative Pain Relief

It was too much for Amelia to stay in Seattle. She had just lost Betty and came to know that Teddy was in fact pregnant with the father being none other than Owen. On top of that Owen said some pretty hurtful things at the lawyer's office when they went to sign Leo's adoption papers. She couldn't even comprehend that such a thing could come out of the mouth of the man who she considered to be the love of her life. There is some fundamental part of you that is incapable of love or being loved. It caused her too much heartache. She needed a change of pace for a few days.

   

    So here she was in San Diego attending The Western States' Conference for Alternative Pain Relief. She could really use some pain relief right now and drugs were not an option! She wanted some change. She even cut her long brown tresses. Her hair was really short now, it ended just a few inches above her shoulders. She asked Bailey for a few days off, packed her bags and flew to San Diego as soon as she heard about the conference. She thought she kind of looked sexy in pant suit and earrings. She generally doesn't dress up but she she wanted to feel good today. Currently Amelia with a list of the sessions she was interested to attend was trying to find where the line to register her name was.

Amelia's PoV :

My God, there are so many sessions I can attend! Now which shall I attend first? The next generation NSAIDS panel sounds appealing. Now where is the registration line?! I never thought so many people attended these conferences. Finally giving up on my search I tap the shoulder of a tall, muscular man in a grey suit in hopes of asking where the freaking line was!

" Excuse me, is this the line...Heyy!!..", I trail off as soon as the person I asked turned and revealed his face. It was Link !! What is he doing here ?! My life is so damn awesome! The one person I was trying to avoid in the hospital apart from Owen is here !!

" Heeyy!! What are you doing here??", Link says while chuckling. There is shock evident on his face. Both of us didn't imagine running into each other here.

I forgot I had to speak. Recovering from my shock I scramble for words. " Uhhh..." I look here and there to say something and the banner of the conference comes into view. Finally finding my voice, I say pointing to the banner, " Like the banner says Western States' Conference for Alternative Pain Relief".

" I didn't know you were into this stuff", says Link.

" Yeah I'm not. I mean...I'm interested ever since that day of the mass overdose." Ughh why did I have to mention that day?! Stupid.

Link's expression changes to that of understanding.

"Yeah tough day" , he says with sadness.

" Yes. I cried at you...convulsively. You might recall?"

" I haven't seen you around much since then", Link says with creases on his forehead asking a silent question.

" Yeah that was intentional. It's hard to know where to go after that" He understands and chuckles. I can't help but chuckle along with him. Changing the subject I finally ask him why he is here." Anyway I'm newly into this stuff. How about you?"

"Uh I do like three of these a year. I'm giving um... a lecture." , he says sheepishly.

"WOW!!" I'm shocked. I can't help but stare at his face while he speaks. This is the first time I'm seeing him in something other than scrubs. I can say that he is definitely not hard on the eyes!! The fact that he gives a lecture on this stuff does not help either. I suddenly feel the same Pants Feelings I felt when I first saw him walking around the hospital with that funny looking robotics arm. " When is that?"

" Tomorow. But right now I was gonna hit up this acupuncture demo. Interested? " Again I catch myself staring.  FOCUS!!

" Well I'm headed to this next generation NSAIDS panel. No. But you know what? I think I'd rather get poked." Wait. That sounded wrong. I hurriedly add, "...with needles." I catch a gleam in his eyes. I sigh, "Nevermind. I'm gonna keep avoiding you. Have a nice time". And I take off when I hear him laughing. Stupid stupid stupid. Why couldn't I just keep my mouth shut? I just had to make a fool of myself. Ughh. I look above silently asking God why didn't He give me a filter? I whisper " Oh my God " 

I completely miss Link laughing and the playful look on his face after my ramble when he turned to look at my retreating form.

1 hour later :

Amelia is seriously thinking why she didn't just accompany Link. The NSAIDS panel was so damn boring. She is now headed to something called Sound Bathing.

         A woman leads her to a dark room with numerous makeshift beds on the floor. There were numerous people on the beds. She saw a woman in a white dress sitting in front of what appeared to be a giant instrument. She occupied the bed closest to her. As soon as she turned her head to see the person next to her, she was left speechless again. There he was! In his perfect physique and perfect clothes lying right next to her !! ' Seems like the Gods are not in my favour today! ', she thought.

" Oh. Huh. Okay. Well hello again", she says with a nervous chuckle.

Link turned her way. He really seemed to enjoy her nervousness and asked her all the while chuckling,  " You want me to move?"

" No! No of course not."  Thank God. Link didn't want to move either. He was actually enjoying Amelia's company.

Link closed his eyes and laid back down. She couldn't help but ask after a few awkward seconds. " So what does this do? "

" The frequencies respond to the energy meridians and resonate..." She doesn't let him finish and interrupts him whilst chuckling nervously, " Oh okay. Energy meridians. Oh my God. " She lays back down. He lays down too but says, " You're not supposed to talk"

She laughs and says, " Yeah I'm not supposed to be here." She gets up halfway when suddenly the woman in the white dress starts playing the instrument. Amelia lays back down hearing the sound. It piques her interest. Link slightly smiles and stares at her face for a few seconds thanking God that she decided to stay. He really was liking her company!

After the Sound Bath :

Amelia finally is comfortable around Link.

" Can I walk you back to your room? ", Link asks hoping she'd say yes. He didn't want to say goodbye to her yet.

" Yeah why not", she says with a smile. Link just stares at her smiling face for a few seconds and nods. They reach her floor. All the while Amelia felt a bit wobbly on her feet. They were making small talk when she suddenly asks, " Did that make you dizzy? Like loopy?" Still wobbly on her feet.

Link looks at her antics and answers while shrugging, " No. It just kinda chilled me out."

With a hint of playfulness, Amelia says, " I feel like I need a meeting. Ooofff. Hey could we sit for a second Link?"

" Yeah. Yeah sure. Let me just find a place..." Link immediately begins searching for a chair or a place for her to sit and trails off when he suddenly finds her sitting right there on the floor with the wall supporting her. He just stands there for a second looking at her. After a few moments he joins her on the floor with the wall behind him supporting their backs. He waits for her to speak.

" Sorry I'm falling apart here."

" No need to apologize", he smiles.

She looks content. Even Amelia doesn't know what prompted her to open up to Link. Was it his warm eyes or welcoming smile or just his calm personality, she didn't know. She told him everything about Betty. How she was an addict and she took her in to help her. She got emotionally attached to her but then her parents came back and she had to say goodbye to her. She told him she missed her and worried about her still. All the while Link was patiently and attentively listening to her.

She thought Link is judging her when he said..." You sound like a...". She yet again interrupted him and completed his sentence for him with a silent question, " A mess? "

"No! A parent. "  His answer shocked her and she turned her face to look at him properly. There was a level of softness in his eyes and a knowing and warm smile on his face while he was telling her about his mother worrying about him when he went to college just like Amelia is worrying about Betty.

They continue staring at each other. Amelia's gaze travels to his entire face. Link is observing her looking at him. Suddenly she says, " My God. You are just chiseled." This makes Link laugh loudly. She continues, " ...like a statue. It's like your chin has muscles." She leans slightly forward to stare at his chin properly. Link is chuckling and playfully says, " Well I do work out my chin pretty hard. It takes a whole day!" It makes her laugh.

Suddenly they feel like a spell has been cast on them and they can't look away from each other. They continue staring at each other and feel themselves inching closer. When their lips are just slightly away from each other, Amelia turns her head. Link is slightly disappointed that he didn't get to kiss her beautiful mouth. Amelia is a bit nervous and says with a soft smile on her face, " I should go to my room."

" And I should go..." Link trails off looking at her expectantly hoping Amelia would say what he wants her to say. Instead she says with a knowing smile on her face, "...to your room"

Link is disappointed but understands. They both get up from the floor. " You have a presentation tomorrow and I am not fit for human contact. " She hopes he would understand though she herself is not that happy with her decision but she knows it is the right one.

"See you in the morning?", he asks hopefully.

"Yeah. Goodnight.", she smiles.

" Night." He looks at her retreating form longingly for a few long moments. She turns and they share an eye contact briefly and they both turn heading their separate ways.

They keep running into each other both intentionally and unintentionally and engage in heavy flirting for the rest of the conference. They just can't help themselves as they are obviously very attracted to each other. Soon it is time for Link's speech. Her presence brings a smile to his face and stops for a second to admire her. When he continues with his speech, he knows many will be hurt with his course of treatment but continues anyway. Midway he finds Amelia leaving as she is obviously offended. He is highly disheartened as she didn't get to hear the good part before judging him.

He goes back to her room after his lecture in the hope of redeeming himself. He knocks on her door and moments later comes face to face with her. She is initially very rude to him and accused him of failing and costing a child his life. Link is hurt and tells her the rest of the story how he left medicine for a year and is now back and trying to do everything he can to fix the system.

"...maybe we can fight this thing together like Batman and...Batman." This seems to do the trick and her gaze finally softens. She smiles and takes a step towards him. " Okay "

" So you're not mad at me anymore? 'Cause it looked like you wanted go hit me for a second ", he says this sheepishly.

" I've got a bit of a hair trigger which can be scary." She smiles and apologizes for her behaviour. " I'm sorry. I've been in a weird place these days."

" I can roll with weird ", he flirts. He doesn't want to part with her yet and asks her out to dinner. He notices her eyes glazing over when she steps closer and says " Yes". But soon denies and kisses him full on the lips.

Link is astonished for a second. He feels that electrifying spark between them in that kiss that jolts through his entire body. He hungrily kisses her back. He wraps his arms around her waist and brings her body closer to his. He had been wanting to do that since the minute he saw her rambling the day before.

Amelia doesn't know what came over her. She just knew that she wanted to kiss him. No. She had to kiss him. She needed to kiss him. She wraps her arms around his neck when she feels him pulling her body closer to his by grabbing her slim waist.

He slides his hand up her back eliciting a moan from her all the while kissing her desperately when she feels him pulling back slightly. She stares at him questioningly and prays that he doesn't back out. She really needed him close to her. He rests his forehead against hers briefly before answering.

" I feel like I'm taking advantage ",he says with his eyes downcast.

" Why? "

" Because you're in a place and I think you're insanely pretty." This seals the deal. Now she knows that she isn't doing anything wrong.

" The feeling is mutual" , she smiles her charming smile. His eyes glaze over and he stares at her mouth hungrily when she moves her hands from around his neck and starts unbuttoning his coat and removes it. It drops on the floor when he leans down and captures her parted lips. He kisses her hungrily and brings her body even closer to his if that is possible, all the while Amelia was hurriedly unbuttoning his shirt.

She lets go of his shirt and wraps her hands around his neck again when her pulls her closer. They kiss vigorously when she pulls back. She just had to say this one thing. It is now Link's turn to look at her questioningly. Amelia doesn't want complicated now. She is done with messy.

" This isn't going anywhere. It's just alternative pain relief. "

" I could use some of that ", he says with a sultry smile.

Link leans in and bites her lower lip. They start kissing as if their life depended on it. He slowly starts backing her up towards the bed. She now pushes his shirt over his shoulders and it slides down. Link picks her petite body up in his muscular arms and lowers them on the bed never breaking their kiss. He pins her small body on the bed with his big bulky one and moves down to her neck eliciting a moan from her.

Their aerobic alternative pain relief continued till the  wee hours of the morning until both of them tired each other out and succumbed to blissful sleep in each other's arms. Both had content smiles on their faces excited for the future and the experiences that behold them.

Author's Notes:

Hey guys!! So this was the end of the first chapter. I remember that I said I'll post it tomorrow but I just couldn't wait!!! It's a bit long and I hope you really like it. Please share your thoughts in the comments!! I'd really like to know whether I should continue this story or not. The next chapter will be up in a few days. I just have so many ideas for AmeLink! Can't wait ;)

[fuckheadwitha]

Listening to Rolling Stone's Top 500 Albums of All Time

Rolling Stone released an updated list of their top 500 albums of all time and being trapped in the purgatory of covid quarantine this seems like the perfect moment to tackle what an almost completely irrelevant former counter-culture institution has to say about music (we can’t actually blame Rolling Stone for this list, a huge number of musicians and critics voted to make it). I am going to listen to every single one of these, all the way through, with a level of attention that's not super intense but I'm definitely not having them on in the background as simple aural wallpaper. Two caveats though: I can make an executive decision to skip any album if I feel the experience is sufficiently miserable, and I'm also going to be skipping the compilation albums that I feel aren't really worth slots (best ofs, etc.). In addition, I will be ordering them as I go, creating a top 500 of the top 500 (it will be less than 500 since we've already established I'm skipping some of these).

Here are 500-490:

#500 Arcade Fire - Funeral

I can already tell I'm going to be at odds with this list if one of the most important albums of my high school years is at the bottom. That being said, I haven't actually given this whole thing a listen since probably the early 2010s, before Arcade Fire fatigue set in and the hipsterati appointed band of a generation just kinda seemed to fade from popular consciousness. I actually dreaded re-experiencing it, since the synthesis of anthemic rock and quirky folk instrumentation which Arcade Fire brought mainstream has now become the common shorthand of insufferable spotify friendly folk pop. Blessedly, the first half of the album easily holds up, largely propelled by dirty fast rhythm guitar, orchestration that's tuneful rather than obnoxious, and lyrics which come off as earnest rather than pretentious. The middle gets a little sappy and “Crown of Love”, a song I definitely used to like, really starts the grate. And then we get to “Wake Up”, whose cultural saturation spawned thousands of dorky indie rock outfits that confused layered strings and horns with power and meaning. This song definitely hasn't survived the film trailers and commercials which it so ubiquitously overlayed, but the line about "a million little gods causing rainstorms, turning every good thing to rust" still attacks the part of my brain capable of sincere emotion. This album is probably going to hold the top spot for a while, because although so many elements of Funeral that made it feel so meaningful, that made it stand out so much in 2004, have been seamlessly assimilated into an intellectually and emotionally bankrupt indie pop industrial complex, the album itself still has a genuine vulnerability and bangers that still manage to rip.

#499

Rufus, Chaka Khan - Ask Rufus

Before she became a name in her own right, Chaka Khan was the voice of the band Rufus, and it’s definitely her voice that shines amongst some spritely vibey funk. That’s not to say that these aren’t some jams on their own. “At Midnight” is a banging opener with a sprint to the finish, and although the explicitly named but kinda boring “Slow Screw Against the Wall” feels weak, this wasn’t really supposed to be an album of barn burners. This was something people put on their vinyl record players while they chilled on vinyl furniture after a night of doing cocaine. “Everlasting Love” is a bop with a bassline like a Sega Genesis game, and the twinkling piano on “Hollywood” adds a playful levity to lyrics that are supposed to be both tackily optimistic about making it big out in LA and subtly realistic about the kind of nightmare world showbiz can be. “Better Days” is another track that manages to be a bittersweet jam with a catchy sour saxophone and playful synths under Chaka Khan’s vamping. This album definitely belongs on a ‘chill funk to study and relax to’ playlist.

#498

Suicide - Suicide

We’ve hit the first album that could be rightly called a progenitor for multiple genres that followed it. Someone could say there’s a self-serving element of this being on a Rolling Stone list (the band was one of the first to adopt the label ‘Punk’ after seeing it in a Lester Bangs article) but the album’s legacy is basically indisputable. EBM, industrial, punk, post-punk, new wave, new whatever all have a genealogy that connects to Suicide, and it’s easy to hear the band in everything that followed. But what the band actually is is two guys, one with an electric organ and one with a spooky voice, doing spooky simple riffs and saying spooky simple things. Simplicity is definitely not a dis here. The opener “Ghost Rider” makes a banger out of four notes and one instrument, and the refrain ‘America America is killing its youth’ is really all the lyrical complexity you need to fucking get it. “Cheree” and “Girl” have almost identical lyrics (‘oh baby’ vs ‘oh girl’) but “Cheree” is more like a fairy tale and “Girl” is more like a sonic handjob. “Frankie Teardrop” has the audacity to tell a ten minute story with its lyrics, but of course there is intermittent, actually way too loud screaming breaking up the narrative of a guy who loses everything then kills his family and himself. The song is basically a novelty, and I think you can probably say the whole album is a novelty between its brevity and character. But for a bite sized snack this album casts a huge shadow.

#497

Various Artists - The Indestructible Beat of Soweto

The fact that this particular compilation always ends up in the canon has a lot to do with the cultural context it existed in, being America’s first encounter with South African contemporary music during the decline of apartheid (it wouldn’t end until a decade later in 1994 with the country’s first multi-racial elections). Music journos often bring up the fact Ladysmith Black Mambazo, the all male choir singing on the album ender “Nansi Imali”, sang on Paul Simon’s Graceland like their virtue is they helped Paul Simon get over his depression and not, like, the actual music. But also like, how is the actual music? Jams. Ubiquitous, hooky guitars propel the songs along with bright choruses over low lead vocals, but I didn’t expect the synthesizer on the bop “Qhude Manikiniki”, nor the discordant hoedown violin on “Sobabamba”. “Holotelani” is a groove to walk into the sunset to.

#496

Shakira - Donde Estan los Ladrones

So this is the first head scratcher on the list. It’s not like it sucks. And I think I prefer this 90s guitar pop driven spanish language Shakira to modern superstar Shakira. But I mean, it’s an album of late nineties latin pop minivan music, with a thick syrupy middle that doesn’t do anything for me. The opener and closer stand out though.  ‘Ciega, Sordomuda’, one of the biggest pop songs of the 90s (it was #1 on the charts of literally every country in Latin America), has a galloping acoustic guitar and horn hits with Shakira’s vocals at their most percussive.

#495

Boyz II Men - II

So, if you were alive in the 90s you know Boyz II Men were fucking huge, and the worst song on the album is the second track “All Around the World”, basically a love song to their own success, and also the women they’ve banged. You can tell it was written specifically so that the crowd could go fucking wild when they heard their state/city/country mentioned in the song, and I’m not gonna double check but I’m sure they hit all fifty states. Once you’re over that hump though you basically have an hour of songs to fuck to. “U Know” keeps it catchy with propulsive midi guitar and synth horns, “Jezzebel” starts with a skit and ends with a richly layered jazz tune about falling in love on a train, and “On Bended Knee” has a Ragnarok Online type beat. Honestly this album can drag, but you’re not supposed to be listening to it alone in a state of analysis, you’re supposed to have it on during a date that’s going really, really well.

#494

The Ronettes - Presenting the Fabulous Ronettes

A singles compilation of the Ronettes, the only ones I immediately recognized were ‘Be My Baby’ and ‘Going to the Chapel of Love’, the latter of which I didn’t know existed since the version of the song I knew was by the Dixie Cups, which was apparently a source of drama since the Ronettes did it first but producer Phil Spector refused to release it. I feel like as a retro trip to sixties girl groups it’s full of enough songs about breaking up (for example “Breaking Up”) getting back together (for example “Breaking Up”) and wanting to get married but you can’t, because you’re a teenager (“So Young”).

#493

Marvin Gaye - Here, My Dear

This album only exists because Marvin was required by his divorce settlement to make it and provide all of the royalties to his ex-wife and motown executive Anna Gordy Gaye. It’s absolutely bizarre, phoned in mid tempo funk whose lyrics range from the passive aggressive (“This is what you wanted right?”) to the petulant (“Why do I have to pay attorney’s fees?”). There is a seething realness here that crosses well past the border of uncomfortable. I don’t think it’s an amazing album to listen to, but it’s an amazing album to exist: Marvin Gaye is legally obligated to throw his own divorce pity party, and everyone's invited.

#492

Bonnie Raitt - Nick of Time

I have never heard of Bonnie Raitt before but apparently this album won several grammys including album of the year in 1989 and sold 5 million copies, which I guess goes to show that no award provides less long term relevance than the grammys. The story around the album is pretty heartwarming, it was her first massive hit after a career of whiffs, and Bonnie Raitt herself is apparently a social activist and neat human being. I say all this because this sort of 80s country blues rock doesn't really connect with me, but the artist obviously deserves more than that. I unequivocally like the title track though, a hand-clap backed winding electric piano groove about literally finding love before your eggs dry up.

#491

Harry Styles - Fine Line

I do not think I have ever heard a one direction song because I am an adult who only listens to public radio. I’m totally open to pop bands or boy bands or boy band refugee solo artists, but I don’t like anything here. It’s like a mixtape of the worst pop trends of the decade, from glam rock that sounds like it belongs in a car commercial to folky bullshit that sounds like it belongs in a more family focused car commercial. This gets my first DNP (Does Not Place).

#490

Linda Ronstadt - Heart Like a Wheel

Another soft-rock blues and country album which just doesn’t land with me. But the opener “You’re No Good” is like a soul/country hybrid which still goes hard and the title track hits with the lyrics “And it's only love and it's only love / That can wreck a human being and turn him inside out”.

Current Ranking, which is weirdly almost like an inverse of the rolling stones list so far;