#i wrote it so it has to be

[mmavverickk]

theoretically, i understand the appeal of having percy, annabeth, and grover go to college. annabeth wants to be an architect, percy wants to be with annabeth, and grover's gonna need some kind of degree backing his environmental preservation efforts. but like, i just can't see it happening.

annabeth was tasked with redesigning olympus after the destruction of the second titan war. that project is her child. she eats, sleeps, and breathes her designs for the palace. as soon as she graduates high school, that is her number one priority. this is her monument that will last forever, this is what her hubris is driving her to accomplish. college and mortal qualifications can wait until she's finished, until olympus is perfect, until her designs are real and tangible and ready to last a thousand ages, until she's made her mother proud and her father regret pushing her aside. and if she's building a family on the side, one strong enough to withstand two wars, one who will never leave her, never let her fall alone? that will last, too.

percy never had a childhood. he can barely remember a life before his abusive stepfather gabe, before he had to grow up too fast to protect himself and his mom. he never got to celebrate getting rid of the bastard, because by then he'd been thrown headfirst into the mythological world, into the expectations that come with being a child of the big three. he's twelve years old and already the fate of the world is in his hands, and he won't fail. he's fourteen, and the weight of the world rests on his shoulders, turns his hair grey. he's sixteen, and he has to make a choice, to trust someone who had betrayed him time and time again, but he doesn't know if the outcome of that choice will be the end of the world or its only hope. he graduates high school, having lived longer than he'd ever dreamed, and does not immediately throw himself into college. it's time to experience the world that he's sacrificed so much for.

grover is the lord of the wild. he spent his whole life searching for the one being who could save the planet, could keep it whole and healthy and alive. he found him, found pan, and had his hopes crushed. pan was dying. he was giving up on the planet and the people who'd believed in him for millennia. pan put all of their hopes on grover's shoulders, made it his responsibility. he stepped up to the challege, used his passion for searching and made it passion for fixing. he started immediately, despite how dire the situation was, despite all the others telling him he was wrong, that pan was still out there, that he needed to believe in a dead god. yes, he needs to find a way to get the mortals to see the effect they're having on the wild, on the environment, on the planet, but first he needs to find out how bad things truly are. he's traveled north america, he's gathered nymphs and dryads and spirits for war against the titans, but north america isn't the only place in danger. the world is his domain, and grover will rise to the challenge.

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[ao3-crack]

(x)

[lazylittledragon]

'i'll just do a couple of doodles of mombin™/platonic stobin parents' nevermind, borderline graphic novel

[neptunezo]

The idea of the batkids scaring Bruce with “a new grandchild” to only show an animal is so funny to me, because imagine Bruce is so used to it that when Jason wants to introduce him to his new grandchild Bruce almost falls out of his chair when there’s an ACTUAL KID!

Dick: You’re a granddaddy now Brucie!!!

Bruce: WHAT?!? Who?? When??? How??? Actually don’t tell me how. Who is she??? When did she give birth???

Dick: What? No, meet my kid *holds up a cat* her name is biscuit and shes the love of my life!

—

Steph: Cass and I are adopting…

Bruce: Holy shit, actually???

Cass: Yes, it was a tough choice, but we want to adopt

Bruce: Do you need any help with paperwork and stuff? It’s kinda my thing. Also consider the fact that you might be too young.

Steph: Too young…?

Bruce: Yes, I mean you’re only in your 20’s, are you sure you can handle a kid?

Cass: Too young for an iguana?

—

Damian: It happened again, I have a kid.

Bruce: What do you mean AGAIN?!?

Damian: This is my second kid, duh

Bruce: Are you talking about goats?

Damian: Of course I am father

—

Tim: BRUCE YOU’RE GOING TO BE A GRANDFATHER!!!

Bruce: Tim I didn’t think I was going to have to tell you this again after the whole thing with Stephanie, but just kissing someone doesn’t get them pregnant

Tim:

Bruce: Is it a dog?

Tim: No it’s a tiger

—

Jason: I have something to tell you

Bruce(not looking up from his paperwork): Okay, what’s up?

Jason: I have a kid, I want you to meet your granddaughter

Bruce: I can’t possibly imagine what type of animal you’ve gotten, but I’d love to meet her

Jason: What the hell are you talking about?

Bruce (looking up to see an actual child): You actually have a kid????

Jason: Yeah, Roy and I thought it was time I adopted Lian

Lian: Hi Grandpa!!!

Bruce: I’m going to faint, grab me some ice will you?

[a-rabbit-obsessed-queer]

Aspec men deserve much more respect and recognition in the aspec community than they receive. They often face a different form of aphobia specific to them ("men are naturally sexual they can't be ace" "all men are unromantic that's not unique") this rhetoric is spouted by many, even members of our own community and I hope for a day where that is no longer the case. As an ace and demiro woman (demigirl but that's beside the point) I want to encourage folks to take the time to give the aspec men in their lives support and to the aspec men reading, you are who you say you are no matter what people say and you deserve the world. I'm sorry for the ways in which toxic masculinity has harmed you. You are a valued member of the aspec community and the queer community as a whole. No ace or aro person is broken and neither are you. I'm sorry if anyone has ever told you otherwise.

[introspectivememories]

was it casual when i sat in your lap in public? was it casual when i said "recently my heart is crying because you're leaving"? was it casual when we decided how your last name would fit with mine? ("yuki tsunoda-gasly" / "no tsunoda, only gasly" / "yuki gasly?") was it casual when we sang adele's "someone like you" together at your going away party? was it casual when i knew it was you just by touching your ass? was it casual when i knew it was you by smell alone? was it casual when "will you miss me?" / "for 2-3 minutes maybe" / "i'll take that. even if it's just 2-3 minutes, i'll take that"? was it casual when that bus was completely empty and we still sat right next to each other, all the way in the back? was it casual when i picked you up multiple times so you could dunk a basketball? was it casual when i begged to come over to your house multiple time and then you finally let me and we cooked fried rice together? was it casual when we played christmas twister together and i said "your big eggplant is touching my ass"? was it casual when we were pressed up against each other on a scooter going two miles per hour? was it casual when-

[aslyran]

Visions

[beloveds-embrace]

tf 141 with a reader who loves jewelry >>

It’s not a particularly visible obsession; all your boys know is that they’ve never seen you without jewelry. Be it pretty, delicate earrings, a lovely necklace that rests in between your cleavage, or a gleaming set of rings and bracelets. They are eye-catching, on occasions, and other times they blend so nicely into whatever outfit you have adorned yourself with.

They don’t realize it, they don’t make the connection until you’ve invited them into your house, and then you are leading them deep, deep into the basement until they are in front of a closed room. The entire thing is suspicious, honestly alarming because Ghost did so much research into you but never knew anything about this- but you look so nervous and hopeful, emotions bared.

They aren’t prepared to enter a room stuffed full of jewelry. A room practically glittering, gleaming like you’ve brought yourself a corner of the starry universe. Rows upon rows, cabinets and closed glass cases. And then you are smiling, stepping into the room and urging them in.

“I… I’ve always loved jewelry,” you clear your throat, voice soft and hushed. You look around, an unmistakable look of fondness and happiness in your eyes. “Necklaces, earrings.. anything that can be put on the body to adorn it more than clothes could. Ever since I was a child, I was, well, obsessed with collecting them. I love collecting them, and every piece here is precious to me.”

Your cheeks turn pink, and you look away from their gazes. “…but you are more precious to me, and I trust all of you. Which is why I feel happy, showing this part of me to you. And…”

You grin now, opening a cabinet with a simple key you put away to pull out four jewelry boxes. “-And that is why I got these!”

You open the first box, showing John a beautiful necklace that holds a single garnet shaped into a delicate teardrop. Garnet, for his birthstone. John, John, John- a man who will always have your heart. John, who treats you like a jewel even more delicate than the one in your hands. You’ve never had anyone hold you quite as he does, so full of love.

The second box is for Soap, for your Johnny. A dangling pair of earrings that would brush across your skin should you wear them, almost as sweetly as his kisses across your body. A stormy blue, much like his eyes.

Third box is bigger- the biggest. This one, you had custom-made. Not cheap at all, but worth every single dollar. Made entirely out of diamonds, the shoulder pieces would drape so elegantly across your shoulders and dangle off your back, like a never-ending embrace. Your most expensive piece to this day, and yet you would so easily swear that it did not compare to Gaz’s beauty anyways. It was based on him, on how you looked at him, on the sheer love you felt for and from him.

The last piece is a necklace. It curls around your neck not like a collar, but like a hissy cat seeking warmth. Three rows of pearls, shiny and pretty, and in the middle sits a round red jasper. You don’t remember when it had been, but you’d read that red jasper meant courage, preseverance, and healing. Perfect for your brave, incredible Si, whom you’ll always admire and adore.

But in your enthusiasm of describing how and why you chose each piece, you are blind to the way they look at you:

In a room full of gems, jewels and stars, you shine the brightest to them.

[potatobugz]

objects loving objects baby!!!!

[corpsentry]

pick your battles

[inkskinned]

so while i was writing the book, i became violently suicidal.

this was mostly due to the fact that i had a very bad reaction to some meds and my brain stopped producing any serotonin. also i was in the last semester of grad school where it's actually illegal to feel anything but dread. so it wasn't going well.

somewhere in the fog of it i became aware i needed help. nobody was taking clients or my insurance. i didn't want to do inpatient care - it wasn't right for my needs. there's not really an "in between" stage between "inpatient" and "no care," but i was trying to do the right thing. i was trying to activate the chain of command that was my emergency plan. i knew i needed help now.

i used betterhelp.

i know, i know. i'm a straight-A student and so smart and so clever, how could i ever use something so blatantly bad. to be honest with you, i didn't feel particularly keen on it from the getgo - things that seem too good to be true usually are. also, if something online is free, the price is usually your privacy.

the thing is that there was kind of a global pandemic happening at the time and i worked 5 jobs alongside of being a fulltime student and also like writing a book on the side. it is a miracle that i even thought about getting help. i would love to tell you i had the mental wherewithal to like, process whether this was the right choice for me. mostly i was desperate. i was so suicidal that i was trying to find a reason to stay inside of fortune cookies. i was the kind of suicidal that looks like splatterpaint. i hadn't been that bad in an entire decade.

they took my data. i gave them it freely. somewhere out there, they have a dossier on me. on everything i survived. my story in little datapoints, scattergraphed beautifully.

the first woman told me that really i should be grateful, because (and this is a direct quote): "at least you're not anne frank." i said that i felt that statement was antisemitic, as anne frank's life and experience shouldn't be compared to like, a nonbinary lesbian in western massachusetts. the therapist said that i should try to use lucid dreaming to try to picture myself in an actually scary situation, like running from nazis.

i applied for another therapist. i was willing to accept the possibility that there was a bad apple in the bunch. the next therapist and i even laughed about how inappropriate that statement was. and then, in our next session: the new therapist said if i was struggling with body image issues, i should just work harder on my appearance. she spent 3 sessions in a row talking about how she was grieving, and made me memorize facts about her grandmother so "she can live on through my clients."

i am a three's-a-charm kind of person. okay, so what if the last person made me uncomfortable. i figured it was just a misunderstanding of priorities - she had felt she was sharing with me, i had felt like i had to take care of her. i applied for another therapist.

the last woman asked me to help her pray. she bowed her head. i stared at her, frozen, while she said: lord, i beg you: cure her. take the pain of being gay away from her.

i spent somewhere between 2.5 and 3 months on betterhelp. in that whole time, i was not getting the professional help i so desperately needed, even though i was fucking trying.

in the end, i survived this because i finally could get off the meds that were literally killing me. a request for a real therapist finally went through. i survived because my friends saved my life. because nick let me sob myself dry in his arms. because maddie took the razors out of my room when i asked them to. because grace slept over in my bed for like 3 weeks in a row since nobody trusted me not to hurt myself when i was alone. i survived because i got fucking lucky. because even when i was desperately suicidal, i was too old and too self-aware to take "you need to be prettier" as good advice.

the thing is that there's a 19 year old me who isn't like that. who would have heard "just think about how grateful you should be" and said - oh, i see. i would have assumed that is what it means to be in therapy: the same thing my abusers used to tell me. that i am just pretending and lazy. that i am ugly and unworthy.

betterhelp positioned itself to take advantage of an incredibly vulnerable community. it preys on desperation. it knows it is serving people who are not doing well mentally. it saw that there is a huge need for real, immediate, compassionate mental health care: and then it fucking takes your money and privacy.

i still get their ads on instagram. last night i watched as a woman in a pool pretends to talk to a different woman. they discuss her anxiety.

there's a 19 year old version of me, and she didn't survive this. she was too tired, and drowning. i almost fucking died. this thing almost fucking killed me.

in the ad, the woman playing the therapist takes a note on a clipboard and then nods once, sagely.

i have to admit it's a pretty scene. the steam and light coming off the pool water lands on the actresses. like this, it almost looks baptismal, holy.

[shinynewmemories]

Listen to me Suzanne Collins did not have to give Katniss and Peeta a history before the games. She did NOT have to do that. She could have just had their story begin when Peeta's name was called. She could have had them be total strangers until the moment of the reaping.

Like: "And the boy tribute is... Peeta Mellark!" Katniss: Who's that? Or she could have made them vaguely familiar with each other! Peeta's name is called and Katniss just thinks, Oh, I know that name! He's in my class, actually. Poor boy... Anyway!

Either way, SC could have written the rest of the story exactly the same! I think many authors would have done that! Because if Peeta's purpose in the book was to be Gale's competition, to be one of the 3 corners of a love triangle, THAT WOULD HAVE BEEN THE WAY TO DO IT!! But that's NOT how she did it because that's NOT what Peeta is.

And what is he? To Katniss, Peeta's someone who saved her and her family and received nothing in return except a beating. Peeta's someone she has had her eye on but has never worked up the courage to talk to. Peeta's someone she associates with kindness and hope. And all this before the start of the events of the book! Just because WE, the READERS, met Gale before Peeta and immediately felt a connection with him does NOT mean that was Katniss's experience! And that's what SC is trying to tell us!

To dismiss Katniss and Peeta's past as unimportant or inconsequential compared to whatever Katniss and Gale have in the present is to fundamentally misunderstand Katniss as a character and, as a result, condemn oneself to never fully understand the choices she makes in the future.

Suzanne Collins wrote it that way on purpose because she had something to say. And no one will ever be able to convince me that something wasn't "It was always going to be Peeta".

[iheartmonaco]

HI CAN YOU PLEASE WRITE A FULL FIC ON THE VERSTAPPEN GOOD BOY TEXTS PLEASEEE

Good Boy

MV1 X GN!reader

Summary: max verstappen with a praise kink that's it that's the fic

Warnings: suggestive

Inspired by these texts

It started as a joke, really, when you said "you're such a good boy" to Max for the first time.

What shocked you was his reaction to it— the Dutchman, blunt as ever, replied, "I want to hear that in your actual voice, not through texts."

So here you were, with Max's head in your lap, petting him like he does to the cats. A soft sigh left his half-open mouth. You couldn't help but think of it as the perfect opportunity to try out what could be an amazing new addition to your sex lives.

As Max was coming close to the end of his ramble about the day's race, you ran your fingers through his hair and spoke softly, "You did so good today, baby. I'm so proud of you."

It was barely the starting, just typical praise you would always give him after a race, but his reaction was always so adorable you couldn't help but melt. Featherlight pink dusted his cheeks. "Mhm," he replied, lips pressed together in a small smile.

"Such a good boy, always making me so proud."

Heat rushed to his cheeks, cherry red now, as he struggled to keep a straight face. "Thank you, schatje."

You resumed patting his head, cooing softly, "You like that, baby? Like when I call you a good boy?"

Max was looking up at you with sultry eyes and his pupils blown wide. "Yeah," he whispered.

"Then why don't you get on your knees and give me a good reason to call you that, hm?" Max moved instantly, on his knees in front of you in what seemed to be 2 seconds at most. "You know what to do, right, pretty boy?"

He nodded, lips parted as his chest heaved for oxygen. He looked a little dizzy, pupils blown out and blushing down to his chest, and you were loving the effect the simple words had on him.

"Words, baby."

He swallowed dryly, his breath on your thigh. "Yes, schatje, please. Let me please you."

You decided to tease him a while longer, cupping his chin with one hand. "And why should Iet you do that, baby?"

His fingers toyed with the waistband of your sweatpants. "Because I wan— I wanna be a good boy. For you."

You lifted you hips, letting him take your pants off. "Oh, you already are, Max...

"you're such a good boy."

[notebooks-and-laptops]

"If we use force against our enemies, our allies will remember it": an exploration of the Archon Quest in DAtV.

Not everyone will have gotten this quest, as it's only avaliable if you saved Minrathous over Treviso. So let me start by setting the scene:

Rook has just found a secret list of Venatori plans in a Venatori vault. This includes a list of magisters who have been engaging in 'illegal slavery' and also a list of the backers of said magisters.

Dorian and Mae are arguing over how best to use this information. They have decided that one of them should become the Archon, however, they both have different ways they would go about it:

Dorian wants to 'crush our enemies by any means neccessary' - 'destory them and their networks by any means neccessary'. Maeveas describes this as 'swords and spies and blackmail; the devious means [Dorian] learned in the South'.

Mae wants to 'do this in the open. Show the people of Tevinter that we're here for them'. She wants to make this information public in order to 'inspire'.

Both will support the other, depending on what Rook decides. Both of them want to abolish slavery and get rid of the rule of Altus mages; 'the Soporati deserve a say in their own governance'. They say they have the same aims, but they would go about getting them in different ways.

Except...none of what they say actually makes any sense whatsoever.

Tevinter is Not a Democracy

Tevinter is not a demoracy. People do not 'vote' on who represents them.

Instead, there is a magesterium made up of magisters. These roles are hereditary (although you can have apprentice who take your title instead). You rule, because of your birth, or because you were lucky enough that somebody who rules because of their birth picked you.

There is not an election cycle. The magisters do not have to do anything to remain in power beyond making sure people aren't angry/scared enough to stage a coup.

Political factions exist within the magisterium, but you have to work to gain those who already are in it onto your side, you can't just get people to vote more of your faction in.

So....with this in mind, how is Mae's plan ever going to work.

Mae talks about wanting to do things out in the open. She wants to show Tevinter that politicans can be here for them. But those people...don't have a say. They can't meaningfully change things, or vote, or do anything beyond have a (probably violent) revolution.

And yet, we are led to believe that Mae's option will be the path of least resistence. Mae's option is 'working within the system'. What system? Mae won't be able to do anything, even if the public is on her side. It doesn't matter.

The magisters who are Venatori may die by the end of the game, or they may simply step down and give their titles to their children to avoid public disgrace. Maybe, maybe if people are angry enough, the heirs and apprentaces from other houses and magisters will take their place. But I don't see how Mae publishing this list of people and their backers will get her into power.

Especially in a country where slavery is legal. You know the people who would want Dorian and Maevearis's plans to succeed? Slaves. Because they're the only ones unlikely to be culturally indocronated to believe slavery is a good thing. Those a 'rung above slavery' like Krem, may also want their plans to succeed, but they'd likely have to be convinced, or have something happen to them (e.g. like how Krem's family struggled to remain in business because slaves can do their work for free so the products never cost as much) to push them into seeing all this. I highly doubt most people in this society as is would distinquish much between 'legal' and 'illegal' slavery. What even is illegal slavery? Taking people from other nations into slavery without the consent of said nations? That's most of the nations in thedas then. And if slave imports are continuing then surely everyone already knows that this is taking place and that people are arranging it.

AND EVEN IF THEY DID THERE ISN'T A DEMOCRACY FOR THEM TO VOTE MAE IN. To get Mae in, Mae has to convince the magisterium - and that includes convincing them to let her back in ON TOP OF convincing them to elect her as their ruler OR she has to have a violent overthrow backed by the people. That is the only way that 'inspiring' the people can succeed here.

Meanwhile, We have Dorian. Tarquin acts like Dorians plan will mean another Anders style chantry explosion, with things getting worse before they get better. But Dorians plan is vague to say the least. Blackmail? Okay. Working within his place in the magisterium? Now that makes more sense to me; if he can work within his place that might get him to be archon which would in turn allow him to potentially effect meaningful change from the top down with less tape around what he can and can't do.

But Mae implies Dorian is going to start killing people; 'if we use force against our enemies they will remember it'. But....what? Okay maybe Dorian plans to assassinate some people? But if he does, their kids will just get in. Maybe he just plans to threaten to assassinate people (interesting move as that's what got his father, but I think that COULD be an intersting direction for him) and that's what it means by blackmail etc. But if that's the case, is he really going to get to be Archon for long?

Dorians way looks way more like working within the system or...maybe turning the system into some of kind of dictatorship in order to make it a democracy so that Soporati can vote? Do ex-slaves get the vote in this world?

None of this makes any sense, their plans are so so so vague, and what they pitch and what they want means their pitches should be switched.

Who should be the Archon?

Towards the end of this place, Maevaris and Dorian say that a quater of the magisterium are Venatori. This is the implied quater that we have information on, and who needs to be taken out of the magisterium. But...okay, how?

In DAI, three of our companions (Vivienne, Leliana and Cassandra) are up for the role of Divine. But the reason they're up for the role despite all three of them being in some way a break with the past, is that there is nobody else. Everyone else who was up for the position died in the conclave explosion. All three of them have also gained large leaps forward in their reputation based on their actions in the inquistion.

But in DAtV....even if that quater are all killed in the final fight with the Gods, that means 75% are left over. I can see perhaps Dorian - who has maintained his seat in the Magisterium - being able to elbow himself into that power vaccum, win over the 75% and become the Achon. But Mae has been kicked out of the Magisterium already. She's lost her title. How is she going to get herself back in. As detailed above, it won't be by democracy. The Viper talks about her 'triumphent return' but nobody has actually given me a plan to get her to that triumphent return???

Basically; it makes very little sense that these two people are up for archon, even now we know the current one is dead. The archon is usually an inherrited title, either by blood or by being the apprentace of the previous Archon. The Archon can be voted in by only the magisterium if the archon dies without either of these things, however, so that's what they're going for here. But why would any of these 75% of magisters vote for Mae or Dorian?

And even if you argue that the Venatori list had the illegal dealings of more than just those 25% so Dorian and Mae could blackmail them for the position; firstly, Mae has already said she's not blackmailing anyone. So that leaves only Dorian. But the Magisters can pass their seats onto their children, instead of giving in to Dorians demands. That way even if Dorian exposes them, they're no longer in the Magisterium. Similarly, it surely is well known that the magisterium are dealing in 'illegal slavery' and surely even if it isn't, there are ways those within the Magisterium can use their money and power to pretend that they weren't involved with that. Polticians in the real world get away with these lies all the time!

Violence and Thedas

I'm not planning on making this point at length, but I do think the quote I opened this with also makes no sense for Dragon Age. 'If we use force against our enemies, our allies will remember it'.

In a game. Which is. About fighting enemies.

Like, this is a fighting game. We fight our enemies in this game. We don't sit down for tea with the Gods. We don't invite the red templars over to discuss politics. We don't ask the darkspawn if there's any way they won't do what they want.

We've been killing venatori for the WHOLE GAME by this point. We've ALREADY been using force.

I guess that the writers are trying to make a distinction between political violence vs. the rest of the game but uhhh. That doesn't really work either, especially in a game series which has had political violence pretty much at its core (we start with a game about CIVIL WAR and then move swiftly into a game where one of your companions commits an act of terrorism to inspire an overthrow of an unjust system) but also like. The implication that all groups who are bad are just 'evil' and have no motivations beyond 'power' and 'being evil' is dumb, and dragon age games used to be better than that. The Venatori, the Antam, the Crows, Butcher, Illario, The Grey Wardens, all of these people are playing with politics. Dragon Age games used to know this, they ahve a whole thing about 'the great game'.

But. Whatever. I said I wouldn't labour this point and I won't, but this quote makes no sense in a game where we've already spent the whole time using force.

(and also...isn't trying to abolish slavery perhaps a good thing to use force against? This quote implies that both the enemies (pro-slavery) and the allies (anti-slavery) have a similar moral standing which uhhhh i wouldn't say is true)

Why did this happen; some closing remarks

DAtV is vague enough about Tevinter politics that I feel you could, without knowledge of the previous games lore/the codexes believe the following points

slavery is a fringe practice in Tevinter

tevinter is a democracy

In this set of circumstances, their plans would make a lot more sense. Mae really could hope to get people on her side to vote out magisters who are engaging in 'illegal slavery' and other unmentioned things. She really could try and get elected on the promise of honesty and doing things differently, but still working within the system and eventually being Archon.

But this isn't the case. What's happening here is 21st century Demoractic (American Centric) politics are being placed onto a system which is essentially ancient Rome with absolutely no effort to try and make either confirm.

These days there are serious questions surrounding democracy, truth and lies we tell the people, whether its better to work 'behind the scenes' for a better world or not etc. These are all questions that have becoming increasingly relevant in the rise of the far right since 2016. And those who think the system need to change have MANY MANY arguments about whether we need to burn down the system, or whether we need to work within the system and with the backing of everyone to achieve our aims.

But that doesn't work in Tevinter. It doesn't mean anything.

I think the writers were trying to short hand some contempary politics into this world, were purposely vague about the parts of tevinter that don't fit that mould, tried to act like slavery was some form of modern discrimination that can be easily brushed to one side, and then just...released the game like that, with this choice.

But thinking about it for more than 5 seconds makes it SO STUPID. I literally spent ALL of that cutscene going 'wait what??? huh???' i watched it back three times before I understood what they were doing and why Mae and Dorians views were supposed to make sense before I wrote this post.

Another example of the writers not taking established lore/politics/culture in this game seriously. Another example of this game not taking its setting into account. I just. Yeah. This one really pushes me.

td;lr this storyline about who is the future archon doesn't work because Tevinter is not a democracy and they don't actually take into account the political implications, nor lay out actual political plans on how they'd achieve their aims.