#i write often

[sanct1f1ed]

favorite stan twins characterization is that they're both equally insane. stanley just gets more air time to show it off. loosely inspired by a post i read earlier but here's some absolutely insane things both of them have done

stanley:

drugged a person and turned them into an exhibit in the mystery shack

had a vegas wedding to a prospector-themed novelty dispenser

gave mabel a grappling hook

failed to steal an animatronic badger

chewed his way out of the trunk of a car

punched at least three bald eagles

is multiply divorced, possibly even with the novelty dispenser

committed premeditated murder on a llama

faked a heart attack to get on Wheel of Fortune

took his clothes off in front of a live studio audience on Wheel of Fortune

has a rivalry with a fifth grader, a grandmother, and a man who exclusively dresses like a corn cob

stanford:

pulled a gun on a bus driver when he wouldn't let a pig on board

directly assisted in mind-controlling ronald reagan during his election in 1980

gave mabel a crossbow

got bitten by a vampire bat and subsequently began sampling human blood

owns contraband outlawed in 9000 dimensions; keeps it in an extremely flimsy plastic case

"accidentally" set a hawk on fire

has exes ranging from as normal as his old college buddy to as weird as a triangle and an alien with 7 eyes who put a metal plate in his head

wears turtlenecks because he's hiding multiple tattoos he regrets, including one themed around "all star" by smash mouth

is an Extremely wanted criminal across hundreds of dimensions; was completely kicked out of one for card counting

is, bizarrely, super into the band Eurythmics

can see shrimp colors

[theoldaeroplane]

worried that thing you put in your art or writing or game or music is too self-indulgent, too self-referential, too niche for anyone but yourself? fear not! you can do whatever you want forever. and you should.

[lady-of-the-spirit]

It's fanfiction it doesn't have to be perfect it doesn't have to be accurate this is a hobby you're doing this for fun it's okay if it isn't perfect and polished you're doing it for fun [talking to myself in the mirror]

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[shitpostingsterek]

credit

[agentravensong]

thinking about how the extra area added on to a pacifist run of undertale, the true lab, is about alphys's past mistakes. how it ends with the story reaffirming that, despite the pain she's caused, the thing that matters is that she has now made the choice to do the right thing. she's still worthy of her friends' love.

thinking about how undertale doesn't expect the player to get a pacifist ending for the first time. how it's more likely than not that the player will kill toriel the first time they battle her, how lots of players don't initially figure out how to end undyne's fight without killing her, etc. what it expects — not even expects, really, but hopes — is that the player, if they care enough, will use their canonically acknowledged power over time to make up for those mistakes.

no matter how many neutral runs a player has done before committing to the pacifist run, the thing that matters to the characters, to the story, is that you've chosen, now, to do the right thing.

compared to alphys, the player honestly gets off lightly, in that you're the only one (other than flowey) who really remembers any harm you might have caused. and any direct guilting the game could have done about it is long past at this point. instead, as undertale often does, it makes its point via parallels: alphys caused harm, and she knows it. she has committed to being better. in doing so, she has unlocked for herself a better ending to her story. and she deserves it. she's forgiven.

those structural narrative parallels are all over undertale, if you know where to look. and that's one of the things that makes it so fuckin' good.

[macaro-mochi]

Come watch dungeon meshi we have a (seemingly) typical white autistic man who doesn't understand social norms, an autistic man of colour who overcompensates for social deficits by being too good at social norms (while still struggling socially), and we even have the "grew up autistic but also Asian so I have a very good understanding of cultural and social norms but I still struggle socially" variety of autistic man.

[daisywords]

writing is so silly because you have to maintain the understanding that you're not more specialer than anyone else and your work needs improvement and you have more to learn. but also you have to fully believe that your stuff is amazing. mindblowing. masterpiece the likes of which no one has ever seen before. you really have to hold these contradictory beliefs next to each other and force them to play nice. it's like shoving your shoulder angel and devil into a "get-along shirt." It doesn't make any sense. But if you don't, you're not going to get anywhere

You have to pursue what your writing Could Be with dogged determination while unflinchingly perceiving what it Actually Is. You have to accept that you're not more deserving or likely to succeed than any other writer, but you also have to love and honor and cling to your own specific mad genius because no one else is going to do it for you. Writing is really hard and it's also really worth it.

[blumineck]

What is an archer twunk like you doing on tumblr.com?

What am I doing here? I was always here...

I have seen memes rise and fall. I have witnessed the birth of legends, and I have seen them burn in the fires of the sun they strove to touch. Under my watchful eye, nine became ten, the angel met the hunter. I watched their alliance carve great swathes over the memescape, invading everything they touched, before fading into memory.

I have seen the colour of the sky, and felt the pain of a million locked hearts as the great detective waned with each passing season.

Yet I was not content to observe. I too sought to touch that incandescent orb. I have made such posts as could cause a grown man to shrivel into his own skeleton at the recollection of the ignorance of youth. Here I first felt the heady pull of 10 notes, the righteous fury of one wronged by a stranger, and the abiding shame of a stranger called out for wrongs of his own.

What am I doing here?

This place is my home. It has shaped me, moulded me. It has twisted my perception in ways that I cannot reverse, though I have travelled far, and witnessed much that is otherwise.

And now, having found some small measure of recognition, I return to the fold, bringing the skills and knowledge of far off places- gifts to educate and amuse, to quench as-yet-unknown thirsts. And you ask me: what am I doing here?

I'm doing what I've always done. I'm just better at it now.

(Also, some of y'all said you wanted to watch my videos without needing to get tiktok, so I thought I might as well post them here before someone else did)

[ejsuperstar]

Imagine you live in pelican town. The new farmer has been here a couple weeks now and seems to be settling in, except... He's picking the weirdest friend choices. Like sure it's not weird to befriend the local fisherman, especially when he has an interest in fishing himself, but you're pretty sure you've seen him rooting through the Saloon's garbage with the local homeless man. As well, he keeps harassing the poor guy who works at Joja even though you KNOW he doesn't want to be friends with him.

And since you're on the topic of weirdness, isn't it odd he seemingly runs everywhere at a full sprint? Or just... Eats entire raw fish while fishing for "energy reasons"...

...

Despite all that, it's too early to call him off putting or anything... He has been engaging in town traditions, and he's started helping out with the old community centre. He's probably like the rest of you. Someone with a few quirks, that will fit in with the valley great!

Surely he can't get any weirder... Right?

[senblades]

don't make eye contact

[bluegiragi]

check in.

early access + nsfw on patreon

[witchesroad]

whatever you do, DON’T think about josh waking up the morning after the prank and everyone being cagey and indirect about where his sisters are. everyone keeps telling him “it was a joke,” but he can’t piece together the story in a way that makes sense.

sam and mike are nearly frostbitten from how long they spent searching in the snow. chris got his information from ashley, who bit her nails down to the beds overnight. the others could barely look him in the eye. josh can’t figure out if his headache is related to the hangover or the idea of his sisters, humiliated and alone, lost somewhere on the mountain without him.

and where was he when they needed him? drunk, passed out? the last thing he remembers is a hazy glimpse of his baby sisters dragging him to the same couch where he awoke 10 hours later. he sees their faces but the edges of the memory are blurred and undefined. the sound of their voices and laughter is already fading away and running through his fingers like sand. all that’s left is the howling of the wind.

[wilteddreamsofbaldursgate]

Overindulgent father Astarion who tells his children they’re allergic to any kind of jewellery that isn’t made of the highest grade Dwarven crafted gold. 

It’s not even because Astarion might have a certain aversion to silver, no, he just raises his children to have standards, thank you very much. 

And it doesn’t end with shiny things, oh no… 

The Ancunín brood is known to be dressed in perfectly woven cotton, silk and soft leather clothes, no matter the occasion.

They’re seen playing with expensive toys, reading artfully illustrated books that certainly belong behind thick glass, not in children’s sticky hands. 

There’s even talk that one of the children is not as naturally inclined to music as his parents claim him to be, surely his lyre must be enchanted—the instrument certainly looks extravagant enough! 

And then there’s always this air of effortless haughtiness surrounding the Ancunín children whenever their nannies and servants are parading them through town as if they were perfect little dolls; objects to show off the wealth their parents acquired in quite the mysterious ways. 

So, it’s no secret that Astarion and Tav are pampering their children—some might say they’re even spoiling them rotten. 

And maybe they are, especially Astarion.

But he doesn’t see why he should raise them any other way, nor does he want to.  

When it comes to his children, Astarion has his own standards, and as long as Tav agrees with him nothing really matters. 

Because, these people, they don’t know anything about the Ancuníns. 

They don’t know that it’s not unusual for Astarion to wash out dirt and mud and strawberry stains from comically small finery, leaving behind only the memories of a day spent playing in the garden, chasing after ducks, picking flowers, lazing in the sun…

That any holes and tears the children’s clothes might suffer are quickly mended, making them look as good as new in no time. 

Nor do they know that Astarion doesn’t mind fashioning a brand new dress to match that of a favourite doll, either. Or to embroider a pretty vest with the likeness of that stray cat the children seem to adore, although their father would rather they don’t touch the mangy animal. 

No, those people know nothing at all...

“Not tired!” Astarion’s youngest cries; the vehement denial of her father’s earlier accusation is cut short by a telltale yawn.

The room still smells of fragrant lavender oil and peaches even when the bath water has already grown tepid, just one or two degrees above what Astarion would consider too cold to be enjoyable. 

Amused, he raises an eyebrow at the protesting toddler before he lifts her out of the copper bathtub with little effort. 

By now, he knows every step of this game.

“Tut-tut, my dear child, what did mama and I say?” Astarion kneels, quickly wrapping a soft towel around the child to keep her warm. “We only tell lies outside of this house.”

Unfazed by her father’s gentle scolding, the girl crosses her arms that haven’t yet lost their puppy fat across her chest, reminding Astarion a little too much of a very displeased Tav. 

Suppressing a sigh, he leans back to consider the pouting child, wondering what could possibly be upsetting her this time—the list is growing longer by the day, after all. 

“What’s the matter, dear?” Astarion asks gently, hoping it’s something easily fixable as it’s growing rather late. 

“Want apple!”

Decades ago, Astarion might’ve rolled his eyes—he knows exactly which stupid apple the child wants, it’s been haunting him all day—but once he started to treat his children’s problems as if they were his own, his life has grown somewhat easier. 

“Why, let’s get an apple on our way to bed, then. Would that be alright, Your Highness?” 

The girl promptly nods her head, allowing Astarion to pat her hair dry before dressing her in a clean night dress. 

She rests her cheek against her father’s shoulder as he carries her first to the kitchen to grab a fragrant apple and a knife, then to her bedroom where they settle on the cosy window seat, just like they do every night.

Soft moonlight is pouring through the windows; the child giggles at the way the knife’s blade is catching the silver light as Astarion peels and cuts the apple into even pieces.

“Here you go,” he finally says, giving the slice of apple one last examining look before surrendering it to the impatient little hands reaching for it. “A sweet treat for my little sweet. Doesn’t it taste so much better when we don’t eat it off the floor, darling?” And when it’s not crawling with ants…

The appeased toddler nibbles at the juicy fruit as Astarion carefully combs through her still-damp curls. 

Her hair’s getting long, he notices, knowing that taking care of it will become more time-consuming each day. 

Once, Astarion would’ve thought this task tedious, brushing out hair that’s not his own, oiling and braiding it for no other reason than knowing his children enjoy him doing it. 

But that’s why he loves doing it in the first place, he supposes.

Astarion can tell by his toddler’s heartbeat that sleep is about to claim her. 

The half-eaten slice of apple is still clutched in her little fist as he cradles the child to his chest, slowly rising from the window seat to put her to bed. 

He’s just about to lay the child down that the fruit drops to the floor, his daughter’s tiny hand clutching at his shirt instead.

“Thank you, papa,” she mumbles, more asleep than awake.

Astarion pauses.

He breathes in the clean, yet unique scent of the little girl that is forever engraved in his brain, the same way he knows under which exact constellation she was born. When she took her first steps, what her first word was. Soon, he will have to memorise her favourite colour, and what she likes to eat when dirty apples won’t be that appealing anymore. 

By now, Astarion knows this game by heart, knows that with every year that passes, he has something new to learn about his children.

And sometimes he wonders what it’s like to grow up with clean bed sheets and full bellies. Sleep filled with naught but warmth and happy memories. Ever open doors and tears that are dried by tender kisses. Living in a house where mistakes and anger are welcomed, safe. 

He wonders what it’s like for his children to know that their father’s love comes without conditions. Not now and not ever. 

Sitting down on the bed, Astarion holds his youngest a little closer to his chest, unwilling to let go of her, yet. 

He’s often accused of spoiling his children when most people can only just grasp the very surface of his love for them, the bare minimum of what he feels for his one and only, precious family. 

These baseless accusations are as unimportant to Astarion as the people voicing them.

He’s raising his children to have standards, wants them to take their father’s love for granted, to accept nothing less but pure devotion.

It’s the only way Astarion knows how to love them, the only way that comes most naturally to him. 

Astarion looks down at his little girl, now fast asleep, a gentle smile tugging at her lips. 

After all these years—all these children—he’s still in awe watching them sleep in his arms as if no harm in the world could ever befall them.

And it won’t—not if Astarion can help it. 

“No, thank you, my heart,” he whispers, pressing a kiss against the crown of the toddler’s head. 

When it comes to his children, Astarion holds himself to the highest standard.

[inkskinned]

you have to be sexy but you have to be sexy in a way that's kind of bloody. you learn this early because you are wearing a ruffled skirt and the snow around your ankles kicks little sand particles against your calves. baby's first catcall. welcome to sexiness! welcome to the eyesore of your own body!

you have to be sexy like high heels. like sculpted eyebrows. like lean stomach and highly treated hair. you have to be sexy like youth is sexy, which means you have to be sexy like boxtox and plastic. a 30 year old can be sexy but she's not going to be bloody, and they like the bloodiness of it. a 30 year old is sexy when she is a whiskey glass and a wooden desk.

but you need to be sexy like an open mouth. you need to be sexy like a bitten apple. like plucked skin and white-knuckling the waxing kit.

so sex is a performance, not an enjoyment. for a while, you just assumed everyone else was also in on the joke - nobody actually likes sex that much, right? like, some men probably do, but why would you? it is like a gender - your gender is sexy. your gender is the performance of sex. you are thigh highs and garter belts. which, to be fair, do make you feel sexy.

part of what does make sex good is that you can tell that other people want you, which means the performance of sexiness is both bloody and wanted, which is good, which means you are winning at having a body. being wanted is the prize. being wanted is the thing you are searching for, not hope. you think you are looking for a soft grave in easy loam, but that is bloody but not sexy. to be sexy you must be bloody like a red open sign. bloody like a handprint. this will make you wanted.

any wanted or unwanted body is subject to supply and demand, which is to say that the more demand, the better you are valued. you must be highly demanded to be valued. this is stated in matter-of-fact by some men. sometimes it is a priest that says it, and sometimes it is a podcaster, and sometimes it is the 45th president of the united states of america.

(if you do not have any experience with being told your value, i want you to grab the nearest bird to you and i want you to crush it into a thin paste in your hand. spit into the center, and then hold your fingers closed tight around it for days and days, long after the rot has set in. feel bones itch inside of your fist. this is only a fraction of what it actually feels like, but it will suffice for a moment.)

good sex feels like you have earned their desperation. you have earned your own value. for a while you operated under the understanding that everyone knew about the power structure, even him. that their desire to take you - the violence of it - means that you must desire to be caught. little prince, guardian fox - you would rather have cut your own arm off. you liked the secret, cunning little voice you keep tucked into a box. you think you are fucking me. i am not even here right now. you are fucking what i conned you into perceiving. this is a painting, not a person. dominion over the body before all things.

so you bend your body like a wheat shaft and learn the steps so perfectly that it almost seems graceful. (if you do not have experience faking your own connection to your body and sexuality, cut each of your articles of clothing just a little bit incorrectly. pour fishbones into each of your meals. this way, you will experience the average noon on a tuesday.)

you have to be sexy like light spilled over a desk, but not desperate. not a noose. you can't be sexy like an electric guitar, you are the acoustic. you have to be on top of the bull but you can't have control over the animal.

okay, okay. the little rabbit of your heart went to sleep so long ago that winter has ravaged your concept of the human soul. there's something very-bad inside you, something that has taken over, a little fetid and rabid animal, angry and hurting and willing to bite first.

oh but even that's a pain that's sexy. open your mouth. be careful not to let the canines show.

[msbarrows]

Argh... so I've been reading in Scum Villain's Self-Saving System (SVSSS) fandom recently. And it's given me a new pet peeve about formatting and TTS. A bunch of the authors in that fandom are using black lens brackets to indicate the 'system' voice, 【like this】, because the original novels do, and, yeah... unfortunately that's not always compatible with TTS (definitely not with google's TTS engine, and testing with various other online TTS engines gives mixed results).

Guess how I know they're called black lens brackets.

…

Go on, guess.

…

YUP! They get read aloud! Every. Single. Time. They. Appear. Open black lens bracket like this close black lens bracket.

Please resist using the novel's formatting and just use regular square brackets instead! Which do not get read aloud unless there's a space in a bad position, [ like this ]. If you want to be fancy, maybe use <tt>...</tt> formatting or a monospaced font such as courier to make it stand out more as something mechanical.

[Like this]

Which reminds me, another bad formatting choice I've bumped into multiple times (and I can't remember if I've mentioned this one before) is where authors use something <like this> to indicate things like speaking mind-to-mind, or that someone is speaking a foreign language (despite the actual text still being in English). Cool. Neat. Also not TTS compatible, unless you like repeatedly hearing less than and greater than mixed into the text. But guess what - there are already perfectly serviceable ‹single› and «double» angled quotation marks that could be used instead - and since they're recognized as actual quotation marks, they don't get read aloud! Shocking, I know.

Those angled quotation marks could also be another decent option for indication of things like the system voice, obviously.

«Like this»

Thanks to everyone who is already using more TTS-compatible formatting, and to anyone who decides to make some changes to theirs after reading this :)