#i wish i had...literally any writing in me at all. but what i do have...is drawing. sort of

[alexanderwales]

I've started playing Persona 5 Royal, my first Persona game, because it was ridiculously cheap on Steam. Back when I had GamePass, I installed it but never played past the opening, which I think is a bit weak. I'm about 20 hours in, through the first two palaces, and I'm not sure that my opinion is going to change too much, but I'm registering it now just in case (with some spoilers for the first fourth of the game):

I think having a division between the physical world and the mental world, which is physically represented, is super cool. I used it in Dark Wizard of Donkerk, and am overdue for using it in something else. Psychonauts did it too. Inside Out as well. I will always love this concept.

I don't think I like the gameplay. The last major JRPG I played was Final Fantasy VII Remake, and I thought the same there, so ... I don't know, maybe just a whole genre that I don't have that much of a taste for. It's mostly the random inventory items and pointless mob fights that I'm frowning at.

Severe lack of harmony between the battle stuff and the story. The mob fights have fuck all to do with infiltrating someone's mind. There's stupid elemental shit. The mob designs are interesting but mostly disconnected from each other and any theme.

So far, the psyche stuff has been surprisingly shallow, given that it's the main focus of the game. First palace was a gym teacher (Kamoshida) who's abusing students (physically and sexually), and sees the high school as his castle, but ... I don't know. I wanted more. We're literally walking around inside a character's mind, why is the character study so shallow? He should have layers, like an onion, each more horrible than the last. Kawakami is the other teacher we know best at the start, and there's no sense of how he views her, whether she's a sex object to him, or a non-entity, or someone he's worried about, or what, and I kept expecting that narrative beat to happen. I don't know, I think my fanfic would just radically change the entire palace concept so we get ten times the interplay between real world and mental world, and so we can turn these characters inside out and see all their gross bits.

I wish that Joker spoke more often. He's not really a blank slate protagonist, but there's very little personality there, as much as I'm trying, and that means that other characters are driving the plot and scenes and in general being more interesting than him. This is just a matter of personal preference, and a place where I definitely depart from what the average JRPG enjoyer likes.

I generally enjoy the slice-of-life elements, and to a lesser extent, the time management, though there's a part of me that's just screaming that I should be looking at a guide to maximize values. And if I do that, I'll no longer be playing the game, I'll just be watching scenes and doing inputs. I am definitely not playing this game twice, so if there's a difference in endings, or a big chunk of content I might miss, so be it.

It's relatively low on the anime shit that I hate, though there's still plenty of time for me to be disappointed. The way they're handling Ann is ... kind of not great. She was sexually harassed and then immediately after they have this whole "nude modeling" plot that's played for laughs and titillation, and it's possibly just a me problem here (avoiding spoilers for now), but "girl who was leered at and sexually pressured by her gym teacher being then jokingly pressured by her friends to do sexual stuff she's uncomfortable with" is ... not how I would write it. (The answer to "how I would write Ann" would certainly be pretty long, and I haven't finished the game yet, so maybe it gets better, or gets given more meat in the hangouts or whatever.)

There's still time, but I sort of assume that we're just never going to go into the minds of the protagonists, which is a shame. Tons of possibilities there, and I think if they were going to explore any of them, they would have done it by now. I guess I feel the palaces are underdeveloped enough that I probably wouldn't be satisfied by how they treat the protagonists anyway, but it's what I would have done. Let me see a physical manifestation of how Ryugi feels about his alcoholic father. Let me see Joker's defiance. Let me see Ann's self-image. Show me links between these characters, the differences in how they see the social web.

The frame story for the game is an interrogation by the cops, and I am not a fan. Half the time they're just yanking me out of the story I was in the middle of to signpost "hey, this guy is important". Possibly this will all payoff later in some interesting way, like halfway through the game we reach the "present" and the frame breaks. I usually like that. I've had thoughts on the interesting ways the frame story could be used, and so far they haven't used it in those ways. (Also, there's a bit of weirdness where ... I am pretty sure that I was fighting shadows and using powers outside the Metaverse? Unless the interrogation is actually taking place within the Metaverse. Unsure whether I can register a prediction on this basis, or if there are just more mechanics/wrinkles later on. So far, the interrogation taking place within someone's Palace doesn't seem like it would comport with the rules/expectations that have been set up, but there's still time. I'd prefer not being spoiled if there is a clever payoff or twist.)

This game is apparently 100 hours long, which means it's going to take me forever to finish it. I am enjoying it in spite of any quibbles above, but I'm also feeling like it's only 80% of the game that I want it to be, partly down to execution and partly down to personal preference.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[rocker-socks]

not to be insane but Stephanie Brown is so underrated and i really do hate to say its misogyny but. well. It is.

[dragons-and-yellow-roses]

Had an ADHD assessment a few years ago and the fuckwit that assessed me said, as a direct quote, "You're too smart to have ADHD." Like that's not any type of paraphrasing, that stupid fucking statement is burned in my brain forever and has been since I heard it.

I talked to my psychiatrist about getting a referral to a different psychologist for assessment, and she agreed and sent it in.

Today I got a call that said they don't agree that I need reassessment, and I'm welcome to pursue it elsewhere, but they won't provide reassessment. Which is just.

I don't even know where to start with that one. I just needed to get it out. I'm so tired.

[pears-trinkets]

.

[bereft-of-frogs]

the high republic keeps giving me these odd 'just left of canon' AU ideas that really don't make that much sense and don't go anywhere but there are all of these voices floating around in my brain about it

'just do what you used to do pre-'being able to finish anything' (c. 1998-2018), write the parts you want to read to exorcise them from your brain and keep them in a document to read later, just for you, you don't have to put work into 'plot' or whatever'

'I don't know, some of them you could reshape into something that DOES make sense, like your idea for an expansion of the sort-of-rushed path of deceit horror ending'

'girl you had a to do list for today, what happened to editing 'the station', you need to focus up'

'and anyway, look at all the other AUs that don't make any sense, why are you so worried about your 'but what if Jora lived' AU when there are so many high school AUs (*gritted teeth* and time travel AUs) that also don't go anywhere, just do it, have fun, who cares'

'also GIRL, you have your plate full with WIPs, what happened to being happy you found the discipline to commit to long term projects, why do you think you have time for any of this...'

these are the wolves that live inside me.

ok I REALLY have to go edit now...but maybe as a reward...later....we can just work a little bit on the silly AUs that won't go anywhere?

[theflyingfeeling]

current level of boredom while being mildly poorly (=not poorly enough to just lie down doing nothing but poorly enough to not have the energy to do anything thought-consuming): tagging all my shippy asks/posts ✨💅

ps. if anyone knows how to use the mass post editor to actually mass-edit tags in a convenient way I'd appreciate the help 🙏 like, idk if it's even possible to find all the posts I have tagged as x and edit the tags of all those posts at once? 🤔 so far I only know you can find tagged posts on your own blog by adding /tagged/x at the end of your url and then editing the tags manually one post at a time 🥲

[pepprs]

ok actually yeah. i really need to do dishes and go to bed and not stay up late mentalillnessposting a little too viscerally on tumblr the night before i facilitate a workshop in front of the literal president of the university and the vp of my division (LOL about that btw. actively shitting my pants.) but oh my GOD. so saying goodbye to lia was actually fine in the moment. neither of us cried and we talked about all the ways we’ll still be in each others lives and reasons we’ll have to interact in the near future. and she gave me an extremely heartfelt thoughtful gift and we left on a very hopeful note and i felt better and content bc there’s still the rest-of-life and we’ll see each other there. but like an hour before that as i mentioned i was HYSTERICALLY sobbing. in full view of people i know AND people i don’t. and i just sat there and sobbed while everything carried on around me. everything carried on around me!!! and i feel like im about to sob again thinking about it.

[the-everqueen]

did the postdoc interview.

[2024skin]

August 14

PSA about dick-poisoning: it's real 😔 stay safe sisters

[joshuamj]

can college just like, pause for a moment. I wanna catch up on linktober :(

[beast-of-the-void]

.

[gojonanami]

will literally send you small bottles of my eyelashes to make wishes on if you write some of these men being subs

𝐉𝐉𝐊 𝐌𝐄𝐍 𝐁𝐄𝐈𝐍𝐆 𝐒𝐔𝐁𝐒 - ft. nanami, geto, gojo, & choso

warnings: nsfw, 18+, tying up, blindfolds, handjobs (m! receiving), riding, oral (m! receiving), edging (m! receiving), overstimulation

a/n: *adds small bottles of eyelashes beside bottles of tears* i have a collection now :)

NANAMI

“sorry gojo, nanami’s a little tied up at the moment,” you have his phone pressed between your cheek and shoulder, as you run your fingers down his chest, watching his muscles twitch under your touch, “yeah I’ll tell him to call you back, bye,”

kento can only look up at you helplessly, his arms tied above his head by his own black dotted tie, his button up undone and hanging off his body, his cheeks deliciously flushed for you.

“should’ve have let gojo heard you earlier, begging for me,” you lean down, ghosting your lips across his jaw, “but you would’ve liked that wouldn’t you, kento?”

“no…I wouldn’t—“ and you tsk him, the click of his belt sending a shiver through his body, as he grits his teeth, “please, can you—“

“that sounded like a demand, nanamin,” you undo the button of his slacks and tug them down, your eyes fixed on the tent in his boxers, “and I don’t think you’re in any state to make those, are you?” And your question is punctuating by a finger tracing over his erection.

a hiss leaves his lips, as his blue gaze pierces you, “please, touch me,”

and you smile, as you pull his boxers away, your lips kissing his weeping slit, your fingers grasping the base of his hard cock, “of course, kento.”

GETO

“no wonder gojo likes to wear these,” your lips brush over his left ear, tongue tracing the outer part before drawing a circle around his gauge earring, making suguru swallow thickly, “heightens all your other senses,”

“don’t think that’s why he wears one, sweetheart,” his words leave his lips slowly, doing his best to keep his voice steady — how cute.

you’d fix that in a moment.

“well that’s why I have one on you,” your fingers trace over his bare stomach, lips kissing down his body, before your tongue drags over his abs, “look at you - special grade geto suguru — at my mercy. spread out all for me,” and his cock twitches, teeth baring down on his bottom lip, “don’t act like you don’t love it, sugu, your body betrays you,”

And your thumb and forefinger toy with his nipples, pinching it, drawing a short gasp from his lips, “stop—“

“you don’t want me to stop, do you?” you lean away, and it’s a point of pride for him — he didn’t want to beg, he couldn’t. but god, fuck, he was so hard, “we all have base desires, suguru — even sorcerers,” you climb into his lap, straddling him, the only thing separating his cock from your needy cunt being his already far too soaked boxers.

“fuck—“ he’s trying to touch you, but you catch his wrists, “princess—“

“tell me what you want,”

even with the blindfold, you knew he’s glaring, “you know what I want,”

“use your words,” and you grind down on him, making him groan.

“please, fuck me,” your lips curl, as you tug down his boxers and sink onto his leaking cock.

“good boy.”

GOJO

“you don’t usually have a problem talking, so talk,” you press kisses to his jaw, “oh but you got your mouth full don’t you?” your fingers run over the panties you have stuffed in his mouth. Drool left the corners of his pretty pink lips, his eyes blown out with pleasure from the numerous times you had brought him so close to climax.

only to pull away.

“look at you, spread out for me in your expensive little chair — imagine what the higher ups would think of you — the strongest sorcerer all fucked out by my touch? so fucking close to bursting from a single touch,” your pointer finger ran over his twitching cock, “do you wanna cum, Toru?”

and you ease the panties from his mouth, “fuuuck, please, baby,"

"please what, toru? i've already given you so much, you're so greedy," you press your lips to his, swallowing his protests and his whines, as he tries and fails to find any friction against you, but you're woefully out of reach, "look at you, your cock is so pretty like this — all flushed, just like your cheeks," your fingers trace over his cheek bones and the bridge of his nose, "and all f'me? i'm so lucky,"

"please," he's panting, head tilted back.

"please, what?" you lean close, as your fingers reach for his dick, but stop short.

"let me cum, please, I need to—with your hands, your mouth, I don't—" and he's gasping as you climb into his lap, your dripping folds above his cock.

"the only place you're cumming, Toru, is in my cunt."

CHOSO

how many times has choso come already? four, five, seven?

you'd lost track. and so had choso from the looks of him. he's laid back, panting, as your lips and tongue clean up the cum he'd spilled on himself. god, he tastes utterly too good for his own good.

"made such a mess again, choso," you chide gently, as he whines, his thighs shaking from your treatment, his purple eyes clouded over with lust as they flutter open, "such a good boy for me though,"

he's whining, "please, love, i can't—" he's shaking his head, sweat dripping down his body, as he's already so hard again, red and leaking pre-cum, already jerking when you've barely moved to brush against his cock again, "it's too much,"

"do you have one more for me, sweet boy?" you whisper quietly, waiting for the safe word that never leaves his lips, as his teeth find his bottom lip, a sharp inhale as he nods. and you're trying so hard not to swallow him whole -- pressing your thighs together to hold yourself back, before your mouth sinks onto him again.

he's jerking forward, his violet eyes watching you part your pretty lips for him, letting his cock enter your mouth, and it's all too much, too soon. "can i please, I want to--" his hands reach for your head and you look up and nod, bobbing your head more steadily, as his fingers find purchase in your hair, as whines and gasps leave his lips.

"feels so good, baby," tears in his eyes, he's begging, "please, please, i'm so close, i can't--" and you suck on his cock as your tongue swirls around the length, and he's cumming hard and fast down your throat, as he pants, out of breath, as you pull yourself from his length, a string of saliva and cum dripping down your mouth.

he watches with glazed over eyes and his chest heaving, as you kiss your way up his spent body, "such a pretty boy f'me. all for me."

a/n: i was gonna write full length fics but i figured with how long my wip list is, i better be a little more judicious with my time lol - i hope you all enjoyed <3

[callie-the-creator]

sfw. warnings: obsessive behavior, slight stalking, jealousy, saiki uses his powers for selfish reasons, etc.

author’s note: oh, don’t mind me, just writing some headcanons if saiki was ever a yandere.

• you and saiki first met in chūgakkō, junior high, but he didn’t fall in love with you until a few years later when you two were already in pk academy. maybe it’s all the accidentally bumping into him, dropping your papers and saiki being the one to help you pick them up, making awkward eye contact in class, hanging out with one another outside of school, or touching on the same snack you both are aiming for at either the vending machine or at the store... all the things somehow have you involved these recent days and saiki is less than impressed at first

• saiki has always stated time and time again that he personally does not think he will not fall in love, so he always watches others who are in love and help them if he can, but here he is…completely captivated by you of all people. he didn’t know why though, was the author just really that bored?

• good grief

⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦ ⊹ . * ꙳ ✦ ⊹ ⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦

• let it be known that he does possess the power to alter your perception of him. saiki could always just make you fall in love with him just like that…but…what’s the fun in that? no, no, he wouldn’t dream of doing that to you

— however, since saiki was born with the uncontrollable ability to read the minds of all living creatures in a multiple-mile radius…he can read your mind, he knows all of your favorite things, what you dislike, your hobbies, and your address. he didn’t mean to at first, but he did find your thoughts and imagination fascinating. he even finds himself listening to you during class like you’re his favorite podcast

• saiki is crazily protective over you.

— there was a time where you nearly got mugged! and when i say ‘nearly’, well, let’s just say you should be grateful saiki was there to protect you. can’t you see that he’ll always be here for you in a time of need? he’ll keep you safe, but only if you see that for yourself…

• saiki doesn’t think he’s the jealous type, but he will stop any other man who has a crush on you by any means necessary by either relentlessly embarrassing them for the rest of the day or wiping you from their memory because only saiki can have you. no one else. he doesn’t care how many people he has to make forget you to become your boyfriend

• what’s that? you wish it was a sunny day in japan instead of a rainy one? don’t you worry about a thing! saiki will handle that for you!

• stalking you is almost child’s play to saiki since he has so many powers to ensure you don’t spot him — shapeshifting, teleportation, you name it! but this is a good thing because you don’t have to worry about him being an aggressive type of yandere

— if he is following behind you when you’re walking home, i do think saiki would change to his female self, so you would be less scared

• once the author made you bring coffee jelly to school and willingly give it up to saiki after seeing him light up at the sight of it, saiki knew that he just had to marry you

• he could, quite literally, turn the world upside down for you if it meant that you’ll be with him.

[clanwarrior-tumbly]

Can you please do a part two of the Sebastian fluff where he lets his thoughts get the best of him and gets anxious that reader now sees him as a monster because of what they read on his document so he prepares extra good items and plans to give them heavy discounts and even some free but reader barges in like

"MANTIS SHRIMP??? PUNCH SOMETHING RIGHT NOW"

And after a bit of reassuring(possibly some punching too bc reader is too starry-eyed for him to say no to em) Seb realizes he trully never had anything to worry about and just, generally grows fonder of reader?

Ps. Adore your writing, keep up the awesome work!!

"God, why did I let them take it? Stupid, stupid, stupid.."

Sebastian couldn't stop beating himself up, even though he knew he shouldn't care about the opinion of any human sent by Urbanshade--especially one of the "expendable" class.

Yet because it was you, specifically--who was currently in possession of his document--he began to wonder what you'd think of him once you found out the truth:

That he was nothing but a horrible monster. Plain and simple.

If not the knowledge that he was a hideous chimera of several sea creatures' DNA...then surely the revelation that he caused the lockdown of the Blacksite would ultimately make you resent him.

He released all those creatures, who stopped at nothing to prevent you from reaching the crystal and had you running, fighting, or hiding for your life.

He was responsible for all the injuries you've sustained while crawling into his shop, desperately needing a medkit and a place to rest.

He would understand if you'd never want to visit him again after what they documented about him..but the image of your furious expression and overthinking the words you'd possibly say to him left him feeling incredibly anxious.

Suddenly, Sebastian found himself gathering more supplies. Medkits, code breakers, and every light source he had currently in the shop, trying to market down whatever he could. He was even willing to let you take batteries for free...which was something he'd never normally do.

Would it be enough to make up for everything horrific you discovered about him and the terrors he indirectly put you through? Absolutely not.

Was he willing to try it anyways just for the small chance that you'd keep visiting him? Maybe.

No other human has shown him a single ounce of kindness or gratitude for his services. Nobody except you, of course, and he refused to lose that.

-thump, thump-

"Shit.." He froze, hearing movement in the vent duct, hands trembling for his light to shine brighter. Part of him wishes he could stay in the dark, as he didn't wanna see your face and whatever hurt expression it could possibly hold.

But he knew it'd be rude if you actually needed to buy something, so he forced himself to look as your familiar figure crawled out of the small opening. You seemed out of breath, like you were just running from something, and stood up to dust the dirt off your pants.

"Sebastian..I need to know something, and you need to be 100% honest with me."

The moment you pulled out his document, the shopkeeper could feel his heart sink.

"Wh..What did you want to know?" He asked, already bracing himself for the worst.

You sounded dead serious, and he was convinced you were finally going to let him have it.

You were going to force him to explain himself and his actions, and tell him what a monster he truly was. Literally and metaphoric-

"Its it true that you have mantis shrimp DNA????"

Silence.

Of all the possible outbursts he expected from you, that certainly didn't cross his mind.

Sebastian just stared down at you, utterly dumbfounded. He blinked several times, unsure if he was truly seeing the wide smile and starry-eyed look on your face.

He had been waiting for a deep scowl, eyes full of anger and betrayal and sadness that he wasn't the "friend" he claimed himself to be when you first visited his shop.

Yet now? He saw nothing but pure delight in your expression.

"Um..yes. But of alllll the things you read about me, that shocked you the most?" He was still treading carefully.

"Well, it sucks that you were an innocent guy who got thrown into a shitty situation." You gestured to him, frowning a little. "And I'm sorry you never saw justice, but...it's just SO cool that you're part mantis shrimp!" A grin returned to your face. "They've fascinated me for years! I used to watch videos of them all the time. Did you know the velocity of just one of their punches is equal to a .22 caliber bullet-?"

"Stop." He put a hand up, huffing. "At least some part of you must resent me. I mean...helloooooo, did you skip over the bit where I'M the reason those monsters are after you?! There's no way you could've ignored that..unless your brain turned off the moment you read "mantis shrimp"."

"I read everything, Sebastian." You huffed back. "Look, if I ever had to go through what you did..I think I'd wanna rebel, too. And as much as those monsters scare me, they've probably endured the same experiments as you. They probably felt just as trapped and afraid. You must see at least a few of them as your friends, right?"

"Eyefestation and the PAInter are the only ones I consider "acquaintances"." He answered after a long pause, shoulders slumped. "The anglers are primitive, but they recognize me as the one who freed them, so they don't bother me or my shop. The only creature that tends to be an issue is-"

-thump-

-thump-

Tensing, you looked over your shoulder to see a Wall Dweller emerge from the vent behind you, its mouth split open and drooling with hunger, standing on two legs.

"-that." Sebastian glared at the creature; and before it could run away, he blocked the entrance with his tail fin. "Oh no you don't." He swooped over to grab ahold of its head with his third hand, causing it to shriek and kick its legs as he held it up high. "You seriously need to stop eating my customers when they're trying to BUY SOMETHING!!"

The Dweller just growled at him, to which he ignored it and glanced down at you. "What should I do with this thing?"

"Punch it!" You grinned, your fists balled up in front of you as you hopped up and down. "I wanna see how fast you could throw one!"

He raised an eyebrow. "Really?"

"Pleeeeaaase?"

"..ugh, if it gets that stupid puppy-eyed look off your face, fine." He looked back at the Dweller, grinning widely as he cracked his knuckles. "You wanna eat something so bad? Try this."

"....grahh-?"

In a blinding flash, his fist went through the creature's skull, effectively turning its head into dust. Then he dropped the whole body onto the ground with a grimance. "Eugh..never done that before.."

Then he looked down at you again, seeing your smile brighten. "Hope that made you happy."

"It did, that was amazing!" You laughed, kneeling down to rip off a chunk of the Dweller's flesh. He eyed you strangely, his expression changing to a look of horror as you shoved a piece in your mouth.

"What the f...why would you eat that?!"

"It's okay! I've had this stuff before." You swallowed, feeling rejuvenated already.

"B....Before?! What you're eating is clay and acid-"

"Actually, it's fresh meat. Reminds me of poultry, almost. I found a document somewhere saying that it has regenerative properties." You explained to Sebastian, whose eyes only widened the more you talked. "I didn't believe it at first until I saw the Angler kill one. I was hungry and...eating it healed my electrical burn somehow."

".......why was that not in its actual document?" He muttered.

You shrugged, ripping out another piece and offering it to him. "Care for a bite?"

"I'll..pass. But thanks." Lowering his body closer to you, he frowned. "Are you absolutely sure that-?"

"I'm sure."

"..you didn't even know what I was going to-"

"You were worried about my reaction to your file. I could tell from the discount signs and how you were scared to even look at me."

"............."

"But I promise it doesn't change anything, okay? We're still friends, Sebastian, and I'll still swing by to do business with you." You reassured him, smiling as you patted the back of his hand, before noticing the bandage on his third arm seemed bloody. "Um..when's the last time you changed that?"

"...oh this? Erm..it's fine." He attempted to hide it behind his back. "Nothing you should be concerned abou-"

"Too late. It's my concern now. Let me repay you for saving my tail."

He had no time to protest, as you were already on your feet and running for the medkit that was on the table. You weren't worried about getting to the next zone right now.

Not that Sebastian planned on kicking you out anytime soon.

No.

Now that he was able to confide in you, he was genuinely beginning to enjoy your company--especially as you asked him to rest his arm across your lap. From there, your gentle hands went to work changing the bandage out for a fresh one, using an alcohol spray to keep the wounds from getting infected.

He hissed and cursed a few times at the stinging pain, but not once did he try to get you to stop.

Suddenly, it all began to hit him in this exact moment.

You were willingly playing nurse to a giant sea monster that has killed a man and was responsible for the terrifying things you had to witness down here.

He couldn't understand..but at the same time he felt relieved that all along he had nothing to worry about.

"Th-That's fine..thank you.."

Hearing a sniffle, you glanced up as Sebastian hastily took his arm away, "standing" back up and turning away from you. You just smiled and patted his tail comfortingly, not saying a word as you waited for him to collect himself.

For once, that snarky and sarcastic fish you've come to know was gone, and he was letting his walls down, finally realizing he could trust you.

Eventually he fell silent, and you wondered what to do now. You bought everything you wanted to earlier, so you didn't wanna overstay your welcome-

"Do you mind staying for a little bit longer?"

The question surprised you, but you smiled and nodded. "Sure. As long as you don't mind, shrimpy."

There was a pause, and he slowly looked back at you, pouting. "Big talk coming from someone as tiny as you, friend." He playfully sneered.

You just laughed and shook your head, glad to see him in better spirits.

Thanks to that scrambler on his back, you didn't have to worry about HQ getting on your ass about continuing the mission or threatening detonation.

You could definitely stay awhile and ramble about more mantis shrimp facts to Sebastian...if he was willing to hear them, of course.

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.