#i will post an analysis about it out of anger if i have to

[degenerateshinji]

DAY 3

I'm now done pretending to be happy about them (please i need them to meet again, the last time atsushi saw akutagawa was the first time he smiled at him ever and i am not normal about it)

yes this is a redraw (i am so sorry higuchi)

Im angry today for no reason other than i kinda revisited the bsd manga for a bit too long.

random poll cause they're fun but pick one of my favorite bsd characters

no i dont care how off-topic that was

[the-one-that-weeps]

Every time someone in this godforsaken fandom says "I think we've talked about misogyny enough" I want to hit them with a hammer. No we haven't.

We haven't even talked about the deep "Ruikasa&Akitoya Vs. literally everyone else" imbalance enough but imagine all of the people that get pressured into writing specifically for male/male ships simply because otherwise they won't get any appreciation.

Yes it's a cowardly thing but when you see Ruikasa having over 4000 fics and Ichisaki having like 5 in total obviously you're going to be discouraged. Obviously you'll be biased into creating Ruikasa instead of other ships.

And as someone who depends on appreciation in particular to do any work at all obviously that's going to have a lasting consequence. Some people spend 4 hours crying in front of a screen just for 3 people to like their work and leave, it's understandable if they lose passion for creating at all, you guys killed them.

It's even in how we handle m/m ships. You go into a fic that's tagged Rui&Tsukasa(platonic), someone in the comments always goes "okay but when do they kiss". You go to an action-packed longfic, someone always ends up going "okay but when do they kiss".

Fuck you guys. Actually. This is a silly piano tiles game about Hatsune Miku, we should be one of the MOST CREATIVE fandoms in history and somehow people still get mad over two boys not kissing immediately after getting introduced. It's so fucking difficult being a content creator in this fandom because you always end up having to take the same route. They meet they tease they kiss. End of story. "Oh you're doing something "lame" instead? -1 kudo. Bring me my yaoi next🖕"

[iguessitsjustme]

I’m writing this while walking to work so forgive me if it’s not entirely coherent. I think it might benefit some people to have a reminder that books and show/movie adaptations are different. Reading the book might mean you know the framework for the show/movie but it does not make you An Expert on the show/movie.

First and foremost, I’m not going to say don’t post spoilers, but I will so do not go onto someone else’s post and post spoilers. You would not like it if someone came into your house and spoiled things for you. Do not do that to others. It is not only incredibly rude. It is entirely selfish. Which brings me to my next point.

If reading the book enhances your experience, if it’s something you enjoy, I’m glad! I am so incredibly happy for you. It does not make you smarter or inherently more informed than the people that choose not to read for whatever reason.

You might know what happens and have more knowledge about the story as a whole but that does not mean that people that are posting predictions or speculations don’t know what they’re talking about. I know a lot of people that watch these shows have some sort of degree in writing or literature or visual media. Gonna use myself as an example here, I have a degree in writing. I am decent at analysis. I mostly post silly little shitposts or memes but all of my posts are operating from a place of being informed.

I am capable of predicting what’s gonna happen. I am aware of narrative structures. I’m aware of plot devices. I’m aware of the common tropes in the shows I watch. And that doesn’t matter! Because that is entirely Not The Point. I don’t care if I predict accurately. It’s not about the what happens. It’s always about how we get there.

Of all of the shows that are airing and I can pretty much tell you what the ending of each of them is going to be. Even without reading the novels. That does not make them any less enjoyable for me. It makes them even more enjoyable. Cause now I get to watch for the details. I get to watch and see how this show has decided to show the journey of the story. And sometimes how they completely rewrite expectations. Some of the things I have watched have been very, extremely good at subverting tropes and expectations. Things can veer off in directions you don’t expect even if you’ve read the novel. Simply because it’s a different story. It is imposssible to do a 1 to 1 adaptation. As much as we might want it. It is simply not possible.

I have read a few novels that the shows are based on. Every single show has made drastic changes to the source material. So while you might have knowledge of what’s to come in the novel. You might have the ability to spoil everyone for what’s coming, even you can’t be 100% sure until it happens. And condescendingly telling people it’s so obvious when you have future knowledge is incredibly unacceptable.

This has gotten very long and I am actually at work now and should probably actually do my job but I just need to reiterate. Reading the novels is fine! It’s fun! I am genuinely so happy people are reading and enjoying themselves and also enjoying the shows! That is wonderful! But do not ruin or attempt to ruin someone else’s enjoyment simply because you think you know more. Make posts about the differences on your own blog. Talk about spoilers with friends that have also read the novel. But do not go onto a stranger’s post and post spoilers because you might be ruining the media you love for that person without even realizing what you’re doing.

[milfygerard]

sometimes i go thru the gaylor tag to see updates or reactions or something and its so funny everytime. You people are insane i respect literally none of you etc etc

[skipppppy]

Only Gravity Falls fans with media literacy interact with this post pls ok ok ok so do you think some of Ford’s resentment towards Stanley was in part because he felt like he had to “protect” him from Filbrick as the golden child? Like can you imagine if everytime you got mad at your brother, no matter how justified, your dad would verbally abuse him at best and kick him out of the house at worst? How much that fear would weigh on a kid? He loves Stanley, of course he does, and OBVIOUSLY Stanley isn’t the one at fault, he’s a victim, but what is a little boy supposed to do when he’s stuck being “the good twin” and any strike against his brother, no matter how small, could result in him getting hurt? How much anger did he bottle up? How many times did he force himself to turn the other cheek just to keep him safe? How horrible that night must have been, when everything he’d spent his entire life trying to prevent ended up happening anyway? How his dreams were crushed, a promising future was snatched from him, and the one time he actually lets himself get angry about it his brother is permanently disowned? Imagine how he must have felt looking down from that window. How angry at himself he must have been. How ashamed. Man I’d close the curtains too. Torn in half between feeling responsible for the suffering of someone you care so much about and feeling rage at them for being the reason you had to stifle yourself for so long. He probably let himself believe Filbrick’s words just to bring himself comfort. Anyway I love nuance I love analysis I love when characters are flawed in ways that aren’t excused but are still tragic and understandable I love critical thinking

[charliemwrites]

(Re)organized Crime, Part 8!

I was going to wait a little longer to post this (I say, looking guiltily at the queue) but I felt bad leaving it on a cliff hanger!

Content: Attempted Breaking and Entering, Fear for Safety, Hurt/Comfort

Four months ago, Simon drove you home for the first time.

It was a bad week all around. On Monday, Soap broke his arm. Gaz left with Farah and Alex on Tuesday for a business trip on the other side of the country. Wednesday brought about two dozen emails from Philip Graves’ wretched assistant, ugly pastel green borders framing each one. By Thursday, you almost weren’t surprised by the call about a lost shipment.

You were surprised when Price raised his voice at you, though.

“The fuck do you mean it’s missing?” he snarled.

You stood across from him with your tablet in hand, grossly unorganized logs open onscreen.

“I don’t think there are other ways I could mean it,” you answered lightly. “The crates left port and didn’t show up at the next one.”

You were scribbling on the screen, compiling the log into something more comprehensive. Purposefully not making eye contact because you could feel the angry heat radiating off him. It was making your hands tremble, but you’d be damned if you let it show.

“Well then where the fuck are they?” he demanded.

“If I knew that, sir, they wouldn’t be missing.”

“Are you taking the fucking piss?”

At that, you let out a heavy breath and looked up, expression flat. Price’s expression was dark, mouth tight. One hand gripped the arm of his office chair while the index finger of the other tap, tap, tapped his desk. You stared him down for a moment, reminding yourself to breathe with each uneven beat of your heart. Waited through a count of 20 before he huffed.

“Just find the damn thing,” he growled.

“Shall I use my crystal ball?”

You nearly jumped a mile when he barked your name in reprimand. And that was about the time you had enough.

“John.”

He froze. Across the room, so did Simon and Soap. You were so shocked by your own outburst that you came up a bit short as well. Didn’t even have a chance to gather more words when Price’s shoulders dropped. The anger melted away, replaced with apology and self-deprecation.

“Christ, luv, I’m sorry. Where have my manners gone?”

He ran a hand down his face, pinched the bridge of his nose where you were sure a headache was brewing.

“Thank you for the apology. I know this is important,” you soothed, softening your voice. “Give me 30 minutes and I’ll have a list of people you should yell at.”

He grimaced, “Take 45 for the trouble, darling.”

You used the extra fifteen minutes to brew him a fresh cup of tea and served it with a couple pain meds. When you’d delivered the analysis, he told you to head home early, that it would be a late night regardless and there was no need for you to do more than you already had. (It hadn’t helped the way that he’d ducked his head, still sheepish. You’d squeezed his wrist as you’d dropped off a list of damned names.)

With your usual drivers gone, Soap’s arm broken, and Price out to rip several people a new one, Simon drove you home.

He scowled in the vestibule while you fumbled for your keys. Then glared at the entryway as you trudged to the elevator. He grumbled as he accepted the invitation into your apartment, only to sneer (yes, you knew he was sneering even with the mask) at the doorknob and deadbolt.

“This place is a bloody deathtrap,” he finally declared, crossing his arms.

“It’s not that bad,” you replied, shaking your head.

“One solid kick and this door is coming down.”

You arched an eyebrow. “Then don’t kick it.”

“I’m sure a robber will be polite enough to knock,” he scoffed.

“The crime rate is good in this area,” you argued. Not great, but decent enough…

“Bloody hell. Did you even – are your fucking windows unlocked?”

You blinked. “We’re on the third floor, Simon.”

“I don’t give a rats arse—”

“And stop swearing at me.”

“—that you’re on the third floor. Lock your windows.”

You rolled your eyes but faltered when he narrowed his eyes, looming in the doorway like a fussy boogeyman. A clear indication that he did not plan to leave until you complied.

“You can’t be serious!” You were not whining.

“As the fu— as the damn plague.”

You snorted. “I think ‘damn’ is still swearing.”

He didn’t deign to respond to that, just arched his eyebrows. You mirror him right back, preparing to make a snippy comment about wasting company time.

“I’m sure Price would agree,” he said as you opened your mouth. You shut it with a snap.

Smug bastard.

You groaned but made a show of padding to all the windows and clicking the latches shut. Even when into the bedroom to secure those too. When you were done, he grunted in satisfaction and turned for the door.

“Lock this too.”

“I will, I will, I’m not dumb.”

You scrunched your nose at the skeptical grunt you received that time.

Before leaving, he pointed at you again, eyes narrowed. “Lock. Them. All.”

“They are!”

“From now on.”

“Yes, Simon.”

If you survive this episode of Dateline you’ve found yourself in, you owe him a scone and those nice cigarettes he pretends he doesn’t smoke.

“Open th’ fuckin’ door, Bunny!”

Your fingers twitch around the hilt of the knife. It’s not a big one, but it is serrated. That’s not going in or out without some serious damage. If not the fatal kind, at least the messy kind. Brandon’s not doing anything to you without leaving a crime scene investigator’s wet dream behind.

“Bunnyyyyyyyy!”

The banging starts again, nearly as fast as your heart. You could swear it gets louder every time. Maybe it’s just getting closer, layers of wood chipping away, closing the already too-small distance between you.

You glance desperately at your phone, but the screen remains damningly dark. Price promised he’d be here soon, but it feels like hours since you hung up to preserve what little battery life you had left. Your stomach churns as the pounding turns to thicker, harder thumps. Throwing his body into the door again, trying to force entry. Simon’s mutterings about kicking the door echo in your head.

You should have listened.

“Bun—fuck!”

You jolt as something slams into the door, nearly taking it (and the entry table you braced against it) down. There’s scuffling and scraping, muffled shouting, rapid footsteps— then silence. You hold your breath, every muscle in your body wound tight enough to snap.

“It’s alright now.”

You lurch from your protective crouch in the hallway, shove clumsily at the table. The mangled front door swings in crooked on one hinge, cracked and splintered from top to bottom.

And John is there on the other side.

You’re not sure if he reaches for you or if you throw yourself into his arms. All that matters is that he’s clutching you tight to his broad chest, tucking your head beneath his chin. Safe, protected. Your head spins as you lean into him, knowing that he’ll support you. His heart is beating hard against your cheek.

“John,” you breathe, now that fear isn’t squeezing your lungs in a vice.

“I’m here, luv,” he murmurs into your hair.

You’re shaking. Adrenaline seeps from your bones, takes all their heat and steel with it. You’re left cold and feeble in the aftermath, fingertips numb as they curl tight into his shirt. You don’t know where the knife is; you don’t care. You don’t need it now.

“H-He… He…” you start.

John shushes you, squeezes a bit tighter in reassurance. He knows; you don’t need to tell him, don’t have to remind yourself of what could have happened.

“Where…?” you try instead, but words are so hard. All the trembling must have knocked your voice loose, lost somewhere in the pit of your stomach.

“Soap and Gaz are taking care of it,” John says.

The last of the tension drains away. Your boys will scare Brandon off, maybe enough that he won’t ever bother you again. (The thought alone makes your eyes burn.) John is here now, and – when you peek out from around his bicep – so is Simon.

“You were right,” you mumble, “a-about the door.”

Simon winces. “I’m sorry that I was.”

Somehow, that’s what finally bursts the bubble of your restraint. You sob. It’s loud and sniffly and ugly. In the back of your mind, the part that can never just let you rest, you’re mortified to be doing this in front of your coworker. And on your boss’s nice shirt too. You have an image to maintain—

Except John’s broad hand is rubbing soothing circles into your lower back. He’s gathering you even closer, letting you shelter in his warmth and strength. Easing you through hiccups with quiet murmurs, telling you he’s proud and that you did so well to call him.

Through tears, you see Simon reach out. Scarred knuckles run gently down your wet cheek.

“We take care of our own, little miss.”

You warble out a broken little “Simoooon” that seems to break the solemn atmosphere, John sighing against your temple and Simon’s shoulders slumping in what might be fondness.

It’s not long before Soap and Gaz return, looking no worse for wear, thankfully. (Not that you think they can’t handle themselves – but Brandon was drunk and who knows if he had a weapon or not. Accidents happen.)

“Aw, lass,” Soap coos when he sees you. Calmer now, but still sniffling and wiping at stray tears. “He’s gone now. Won’ be botherin’ you again.”

You blink at the fresh blood on his knuckles and don’t ask. You believe him.

“Thank you.”

“Nothin’ to thank us for, doll. Should have taken care of ‘im earlier,” Gaz replies.

“Earlier?” John asks. He’s trying for your sake, you can tell, but you know him too well to miss the sharp note in his voice.

“Hadn’t had a chance to debrief, sir,” Gaz explains regretfully.

You untuck your face from John’s chest to be better heard, clearing your throat. “Still, for all four of you to come here…”

“What else would we do, sit with our thumbs up our bums?” Soap teases.

“That’ll do,” Simon snips, but you giggle anyway.

It doesn’t take much to convince you to leave your apartment – it takes a bit more to convince you to go to John’s. Unfortunately, you’re outnumbered, and while that normally wouldn’t be a problem, you’re not in a headspace to be stubborn, argumentative, or superficially brave.

All the boys have bachelor pads ill-suited to guests, especially on short notice. Maybe on some other night, under different circumstances, you would have insisted on a hotel.

But the idea of being alone in an unfamiliar place makes your skin crawl. You don’t want to be alone. You want to be near John.

“We take care of our own,” Simon said – so you let them.

Gaz, Soap, and Simon help to pack you an overnight bag, scattering to different corners of your apartment to collect items. In the meantime, you keep clinging to John because he keeps letting you. Exhaustion creeps at the edges of your mind, doubling gravity on your slumping shoulders.

“Did I interrupt something important?” you ask finally, voice hoarse.

“No, luv. Just a card game with some old friends. Soap was losing anyway.”

You sigh, relieved. At least you don’t have the loss of some important business deal weighing on your conscience.

“Poker again?”

“Kid can’t keep a straight face for the life of him.”

You hide your smile against his shoulder and appreciate the chuckle you feel more than hear in his chest.

Simon takes the lead out of the building while Gaz and Soap bring up the rear. You’re a bit self-conscious of any neighbors seeing you in this state, but thankfully none make an appearance. It’s too late in the evening for anyone to be coming in or leaving, and if there were any witnesses to Brandon’s bullshit, you never saw (or heard) them.

(“The hell is their problem, actin’ like they didnae hear that bawbag?” Soap grumbles. “Bystander effect,” you answer, shrugging. He grimaces in understanding, but still looks pissed.)

The car is warm when John bundles you into the back seat. Soap takes the wheel, Simon the passenger side. Gaz sits on your other side and leans his knee gently into yours.

“It’s over now, doll, you can rest. We won’t let anythin’ happen t’you,” he promises.

You smile wearily, lean in to drop a grateful kiss on his cheek.

“Don’t know what I’d do without you four,” you sigh as you snuggle into John’s side again.

“Don’t need to,” Simon answers gruffly, “we’re not goin’ anywhere.”

John hums in agreement, low and pleasant by your ear.

“You always take such good care of us,” he murmurs. Quiet, just for the two of you. “Let us return the favor for once, won’t you, darling?”

You want to resist. You should. You drop your head to his shoulder and sigh, “Okay.”

Between the gentle motion of the car and the pattering of a fresh rainstorm, you don’t stay awake for long. You nod off within four blocks of your apartment, peacefully unaware of the dazed and bloody body in the trunk.

First | Previous | TBC...

Masterlist

[where-does-the-heart-lie]

Sabo analysis time!!!!

Do you guys ever think about how Sabo didn't visit Dressrosa to see Luffy again? And him meeting up with Luffy was probably his very last option to secure the fruit, otherwise he would probably avoid it? Cuz i do…

Let me elaborate.

So here's what we know from the source material:

We know Sabo and the other revolutionaries were there since the early morning since Hack was already inside the coliseum for RevArmy snooping reasons.

The prize of the Tournament was revealed after the Revs were already there.

Sabo/Koala were not in contact with Robin to know if the straw hats were anywhere near Dressrosa as seen by Koala saying "I hear Robin-san’s here in this country, too."

Sabo confronted Luffy about getting the Mera-Mera No Mi only after Hack lost during Block B and Luffy got out of his own block.

I had always assumed that Sabo showed up to Dressrosa for the Mera-Mera No Mi and meeting Luffy, but that really isn't the case. Idk why it took me so long to figure that out, it’s literally shown in the Episode of Sabo (EOS) explicitly. Although, the EOS isn't exactly source material. I cant find anywhere stating whether its canon or not, but I cant find anything that would have it conflict with the original plot so i see no reason why it wouldn’t be. All that evidence from before is canon though so even without the EOS, this claim still holds water.

Speaking more of the evidence we have from of the episode of Sabo, we see him snooping around the Colosseum during the tournament, we see the moment he realizes that Luffy is participating in the event, and we see the moment he realizes that Luffy cant participate any further.

Like look at him here. He looks absolutely unprepared for what he knows he has to do. And after this in the scene right before he starts talking with Luffy, he’s like literally walking to him as slowly as he possibly can. Taking pauses in his stride to probably think about how much of a bad idea this is.

Plus, at the beginning of the episode when he’s visiting Ace’s grave, he says “I guess both you and Luffy are both mad at me.”

Sabo has had so many opportunities to meet up with Luffy before he actually does, both in Dressrosa and since he regains his memory. But he doesnt. Because he cant. Because he’s terrified of being met with scorn, anger, or even violence from his beloved little brother.

Finally, we see him plucking up the courage to walk over to luffy. All surroundings are silent besides the loud footsteps coming from his approach echoing in the hallway.

Step. Step. Step. Step. Step. Step. Step. Step.

Then he stops.

Its dead quiet.

Sabo has been pretty much deadpan this entire time, but he then smiles before he says

“I wont let you have the Mera Mera No Mi, ‘Straw hat’ Luffy.”

This is a fairly serious thing that he’s saying to this man in a fake beard and outrageous helmet, and he’s terrified of this meeting with his brother, but he cant help but smile when he’s talking with him.

The conversation that continues is very confrontational, but suddenly something clicks in Luffy’s mind. His body relaxes from it’s tense posture, he starts to tear up, his speech slows,

Then he starts to scream with recognition.

That’s his big brother.

He’s alive…

He’s Alive!!!

He’s here! Right here! Right where he should be!

Alive. Living. Free!

Luffy GRABS Sabo’s face and propels himself towards him. Suffocating and probably giving his brother whiplash in that second within that assault-hug.

All of a sudden, Sabo’s fears of scorn, anger and violence all wash away.

Luffy loves him.

They have each other now.

And now, Sabo is on his way to get that god damn fruit.

Sabo absolutely didn’t think he was ready for this re-connection, but he’s so glad he went through with it.

He has his brother back, his other brother’s powers, and the bragging rights of being able to flaunt both.

This is what I'm sayin with the "seems like fire favors these brothers" post I made. The fact that both the mera mera no mi and Luffy and Sabo were all in the same place to come together at once is a crazy coincidence. How many coincidences does it take, for a happenstance to be Fate? Probably that amount.

In conclusion:

Get this man a therapist. Please.

Heres another sabo analysis if you wanna hear more

Thank you for reading my ramblings about a fictional man. I think about him a completely average amount.

[shukraastro]

Planets & Nakshatras observation on looks and traits

(applicable for spouse analysis)

Mars ruled Nakshatras: Mrigashira, Chitra, Dhanishta

The skin will have a pinkish/reddish undertone.

They can have cuts/scars/marks on the face (representing their fighting spirit).

Men are prone to anger issues (except for Chitra, cuz it lies in Libra, so they have good controle over their anger)

Women are usually restless or even anxious, especially in Virgo Chitra and Mrigashira.

Saturn ruled Nakshatras: Pushya, Anuradha, Uttara Bhadrapada

If Moon is in these Nakshatras then women can be seen wearing corsettes/shapewear or very tight clothes often, bcuz Saturn represents restrictions.

Saturn also represents ink and metals and in these Nakshatras a person can have tattoos and piercings, but a trigger planet for that would be Mars bcuz Mars rules over wounds and cuts. So Mars in these Nakshatras can very likely result in tattoos and piercings.

Purva Bhadrapada Nakshatra:

If you go back to my previous posts you will find about the foot injury trait of Purva Bhadrapada. I have seen this play out so many times that this Nakshatra will give some type of foot injuries, and prominently on the left foot. Justin Bieber has the planet Sun placed in his 7th house in the D9 chart and it is in the Nakshatra of Purva Bhadrapada. Sun is linked to performing arts, Hailey used to dance Ballet until she injured her left foot. You see how planets in Nakshatras inside the 7th house of the Navamsa can play out.

Also another thing I have noticed in this Nakshatra is the lip shape, they can have a pouty rectangular shaped lower lip. And women here somehow give off "island girl" vibes.

They can also have precognitive dreams, because they are very in tune with their higher self.

Rohini Nakshatra:

They love to wear oversized, baggy clothes and quality materials, because of Moon's influence, they love comfort. On the other hand they may also love to display their appealing physique.

They also love branded luxury items: cars, watches, clothes, perfumes. And they love food a lot, they can eat a lot (with Saturn influence they can be cautious and go on diets).

Also after eating food they will get tired, because of the Venus and Moon influence.

And they will always end up having no fixed work schedule in their career.

They can also become the most achieving at a young age, compared to their workmates.

DK planet or 7th lord in Rohini can give a spouse with sining and dancing abilities, Hailey Bieber has Moon DK/7th lord of D9 in Rohini. (Planets like Sun, Moon, Mercury and Mars can give that as talents, Jupiter could make someone a teacher in that area and Saturn could give it as a career).

Moon influence:

Moon connected to any spouse placements or 7th house can give musical talents in the spouse.

Moon in the 7th house can also either give a cat like appearance to the spouse or a bunny like appearance. Both animals are symbolically connected to Moon, cats are connected because of the hightened intuition and bunnies are connected by the chinese folklore of the moon goddess who's companion is the bunny/rabbit.

Mars influence:

Having Mars as DK/7th lord can indicate a spouse who might be a soldier/police/athlete just anything physical movement related.

Saturn in Rohini:

This combination can cause consumption of Whiskey to enhance creativity. A person will love to drink to feel relaxed and sing and dance. If Mercury influence is also there as well it can amplify this even more.

Saturn in Rohini can also result in dryness, skinnyness, lack of water in the body, dry/flaky skin and acne or other skin irritations. But therefor a person will be very disciplined in following a quality skin care rountine.

Ketu Ruled Nakshatras: Ashwini, Magha, Mula

Will have out-of-body experiences/precognitive dreams/sleep paralysis

They can be very interested in ancient history/culture/scriptures. They're all about the past and the root of things. They may love to dig under the ground, that's why Magha especially can make someone an archeologist or historian or even a teacher.

Also Magha is strongly connected with royalty/royal lineage. They may not be considered a royalty but counting a number of generations back, their ancestors might have been powerful individuals.

In these Nakshatras a person will let their hair grow out. Because hair is linked with roots. And Ketu is all about the roots, because it's the tail of the dragon, the tail represents the underground while Rahu, the head of the dragon represents the sky. So Ketu ruled Nakshatras will keep their hair long, it makes them feel spiritually connected to their past lives. There is something they cannot let go of from their past lives.

Revati Nakshatra:

Another Nakshatra which is connected to royal lineage. (same as Magha here also).

If a man has his DK/7th lord/Venus in this Nakshatra, his wife can be taller than him.

They love to travel and their travel journeys will be comfortable, without any kind of major complications.

They will also be very successful outside of their home country.

With Venus here, a person will find their spouse in a foreign country or move to a foreign country after marriage for their spouse. The spouse can also be someone who travels a lot or is successful overseas. Or a person will travel a lot with their spouse.

Rohini, Mrigashira & Ashlesha Nakshatra (snake yoni or symbol):

As the Ascendant/DK/7th lord/Venus natives will always attract strong Rahuvian people.

They have very intense and hypnotic eyes. Either dark and big or bright and slender. If their eye color is dark they may tend to wear light colored contacts, which can give their eyes a snake like appearance.

Ashleshas will be lisping.

Swati Nakshatra:

They can jump very high and run very fast, they love being in the air/speeding through the air, because the deity is Vayu, he rules over the air (Rahu ruled Nakshatra-Sky connection).

Venus in Swati can make a person have a love for the sky in a creative way, also can give singing abilities, because music is carried through the air, they can also have a love for good sports shoes (for jumping) or high platform shoes (Venus-fashion & Rahu heights). But these can also apply to the spouse, because Venus generally represents the spouse.

Swati can make a person be a fanatic for extreme sports related to heights like mountain climbing, bungee jumping and sky diving. Mars and Venus here can also make a person excel in martial arts and music.

Also they just can't stay still, they are always moving, and can't keep still for a second. They look like they can jump off any second.

I will do more of these observations for the other Nakshatras that are left.

Thanks for reading🌺

[somewhereincairparavel]

Annabeth Chase and Jason Grace - two sides of the same coin, an analysis post.

after a long wait, I've finally posted my analysis on jason/annabeth being similar, and mirroring eachother as rivals/potential sibling figures more than percy/jason's 'bro rivalry', based on this post of mine which has crossed over a THOUSAND notes in the last week alone, and I've been getting so many reblogs and comments asking me to expand on my tags in that post and do a full analysis. so here it is. I've been procrastinating this for quite a while now for some reason but I'm glad I'm over my writer's block and I got to articulate my post well enough.

annabeth and jason have had very minor interactions throughout hoo, but the parallels and similarities in their character is jarringly noticeable, which is why I hoped for a jason/annabeth rivalry and not a percy/jason rivalry. they've both been raised at their respective camps since they were literal kids, they were well versed in their respective fields of knowledge, and were well respected/intimidated in their camps.

let's start off with the lost hero

when jason first meets annabeth, he says that her eyes were really intimidating and fierce, so right off the bat, we have jason who's pretty put off by annabeth because she very obviously looked angry, especially since she was frustrated about jason's arrival instead of percy, and looked like she could kill jason to get percy back.

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this parallels to a lot when hazel kept going on about how difficult it was to warm up to jason because his eyes were always calculating and cold, and he gave off an untrustworthy vibe, that he'd sacrifice anyone for the sake of the mission.

both annabeth and jason have a certain similar ‘look’ in their eyes, which have nothing to do with the color. they both have the tendency to make people nervous simply with their eyes, because they always look like they're thinking of new things every few seconds. Ironically, jason first perceived annabeth, the way everyone else perceived him. scary and intimidating with an icy glare and hardened eyes.

They were both said to be ‘studying’ each other in distrust many times throughout. A part of why they didn't trust each other, was, in my opinion, because they embodied their least favorite shared personality trait of each other, secretiveness and guardedness. which is why annabeth got on so well with percy, and jason with leo/piper.

they didn't admire the closed off-ish vibe that they gave eachother. they both needed people who were open and carefree.annabeth said that jason looked like he knew too much information, but chose to keep it all a secret, very similar to her own guardedness from time to time, keeping it a secret and wanting to deal with it silently.

we also know that annabeth and jason are extremely knowledgeable in greek/roman mythology, they both love debates and were quite passionate about history. they were both assigned architecture projects by the gods themselves as a mark of honor and favour.

moving on to the next most important point, they reminded eachother of the people they missed, causing them to feel resentful.

jason, barely met his sister after they reunited. he was bitter when thalia said he had to go look for percy to help out annabeth with the search. he was aware that thalia and annabeth were childhood friends, getting closer to eachother than jason and thalia ever did. she found a home in luke and annabeth, not even a few months after baby jason was thought to be ‘dead’, that knowledge would've weighed a lot on jason. annabeth became the sibling to thalia grace that jason could never be.

while annabeth? the only thing annabeth thought of, after jason had a face off with his mother's remnant in boo, was the fact that jason, who looks eerily similar to luke, could've experienced the exact same fate as him. luke was jason if he had more wrath and held grudges, jason was luke if he had less anger and resentment. annabeth could connect the dots so easily, and that was truly the moment where she gained immense respect for him.

and, when jason told annabeth that his sister was thalia? she had a very odd sort of expression on her face.

annabeth also quotes that looking at jason made her feel bitter, because he reminded her of heras exchange, and the fact that she lost percy for months. whenever she looked at jason, she would only see her two childhood friends, a found family that was broken, and a love that was challenged.

whenever jason looked at annabeth, he would be reminded that thalia had a closer contact to her than she did jason, and had to accept that he would never know thalia as much as annabeth does.

annabeth and jason also appear very confident and sure of themselves, but have second thoughts all the time. they had to put on a fake facade, to live up to their expectations and lineage.

they were both also sort of people pleasers, annabeth couldn't really say no to anyone who asked her for help with things, like carrying the sky for luke especially, because not only where they giving her a chance to execute her knowledge and skill, the thought of helping someone made her genuinely happy. jason also loved seeing people happy, always wanting to say the right thing to satisfy someone, even if it meant he had to sacrifice his own struggles to help them.

fatal flaws:

annabeth’s fatal flaw, is hubris. when you are confident and sure that you can do something, and have a sense of excessive self pride.

and jason's fatal flaw is the temptation to deliberate. hesitation and second guessing, to put it in simpler words.both fatal flaws are so different, yet so similar, and they have both flaws, just in a different viewpoint.

as a child of athena, annabeth appears super confident and even conceding at times because of her wisdom, but at the same time, annabeth had to make sure she was one step ahead of everyone. she had to rethink everything and had to have a plan in her mind all the time, fearing that things wouldn't go smoothly.

she had to hesitate and second guess herself alot, despite her knowledge, like she did when she knew she had to look for the mark of athena. piper and percy had to boost up her confidence with affirmations, to let her know she's on the right path and to just follow her gut. annabeth feels obligated to have a temptation to deliberate, because, as a child of athena, she has to be all knowing and wise, and most definitely cannot fail her mother.

and jason? despite having a very low sense of self esteem and hesitation, he was so used to leading the people who were considered slightly inferior to him in camp jupiter, and basically getting treated like a celebrity for 12 years of his life in camp jupiter, that often, he thought what he did was right, he had his own perception of what a hero should be, and I quote

[“No, no,” Jason said. “I made my choice. You’re not to blame. You don’t owe me anything except to remember what I said. Remember what’s important.” “You’re important,” I said. “Your life!”Jason tilted his head. “I mean… sure. But if a hero isn’t ready to lose everything for a greater cause, is that person really a hero?”He weighted the word person subtly, as if to stress it could mean a human, a faun, a dryad, a griffin, a pandos… even a god”- Tower of Nero]

which was normal, since he had everyone basically following his lead without question as a kid. he's expanded on this in his conversation with piper in mark of athena, where he said he felt weird to suddenly be around people who were either equal/or superior to him in power, and not being in the ‘lead’ particularly.

jason had hubris, but certainly not in a way that you would call it an ego or excessive pride. he was hardwired and brainwashed into having his own perception of what is right and what is wrong, that he thought he was always making good enough decisions, at least from a roman child soldier’s standpoint. [Like when he was okay with not saving nico because it might sabotage their mission, he genuinely didn't think what he said was insensitive until hazel called him out, because he was brought up that way. he thought he was doing the right thing, by prioritising the mission and the duty, first. Like the dutiful roman he was made to be].

both annabeth and jason, have hubris and a temptation to deliberate.

annabeth and jason, also had an extremely difficult time breaking free from the thoughts that their godly parents were always right. It took on alot of disappointments for both of them to stand up to their parents (and not just godly ones, mind you)

they've both had disappointing absent mortal and godly parents with a hostile stepmother involved and monitored with each and every one of their moves. annabeth has had to deal with her stepmother playing the ‘bad cop’ with her father not even coming to her defence, just the way hera came butting into jason's life and giving him terrible memories, taking him away from thalia, with zeus not even caring.

speaking of which, they are both the only demigods who have harboured the most amount of resentment for hera. just the sight of hera pisses them both off, as it hera, stripped off so much time away from annabeth and percy, and memories from jason, which he never permanently got back.

this is sort of irrelevant but I'll add this anyway, in boo, athena also immediately liked jason for calling out zeus's unfairness to apollo, saying something like 'the boy is right' and she gave him an approving/appreciative look for his wisdom, which is pretty rare for athena to say or do to literally any demigod ever. this makes me wonder if she ever saw jason as someone who had some sort of athena legacy in him, which is why she was so pleasantly surprised with him. ugh we could've so gotten jason and annabeth as potential sibling figures bc of how many parallels they have, too bad that the percy/jason rivalry narrative was pushed too hard.

I hope I've drawn enough parallels with their characters, as a lot of you have been looking forward to this post for a while, hopefully this analysis hasnt been underwhelming for you all to read!

@thevoidcaller @karmaajr @onestorytorulethemall @newlyfoundwren @thesummerstorms

[transhitman]

Ok I posted about this in anger a while back but I'm gonna say it more intelligently and actually tag it because I think it's something people need to hear. Something that bugs me about how people talk about the morality of the men in this game is that a lot of analysis totally glosses over Anya's motives and what she actually asks of people, and in doing so once again strips her of agency. Like. The reason Curly sucks isn't because he failed to properly punish Jimmy, it's because he ignored Anya in favor of her abuser. He didn't listen to her regarding how to move forward, he didn't give her a way to protect herself. No matter what he would have done to Jimmy, Anya is still traumatized and in danger, and that's the most important point of failure.

I think a lot of people are projecting a revenge fantasy on Anya, and while I'm not gonna argue about the validity of revenge here, for Anya specifically I think that's a major mischaracterization. She's the one who says that our worst moments don't make us monsters. And while yes, this could just be her trying to appease her abusers, she still doesn't strike me as a particularly vindictive person. She's a nurse, symbolically in a role associated with care and healing. Before the crash, she seems like a very soft-spoken and restrained person. Hell, she can't stand giving Curly his meds because she feels so bad for him. There isn't really a point in the game where she calls for violence at all. And even if punishing Jimmy or Curly is morally correct (subjective), saying that it's what anyone Should have done still glosses over Anya's wants and needs. It still centers the abuser, even in vitriol.

It's especially weird to see people judge Swansea on these grounds, because like... We don't know what his dynamic with Anya was like. We don't actually know what she said to him, if she even confided about her pregnancy or the SA at all! I honestly think Swansea's actions give more credence to the idea that Anya herself wanted a peaceful resolution. The whole "Oh, I'm holding it together" thing, him becoming more hostile after speaking with Anya... He waits until Daisuke AND ANYA are dead before trying to kill Jimmy. I think the obvious reading is that he wants Jimmy dead, but Anya asked him not to do anything crazy. Genuinely, I think Anya just wanted to be safe. She wanted out above everything. She didn't want more violence. The only violence she commits is against herself in the end, in order to escape this hell her coworkers made for her.

And like. Swansea is kind of the only one who actually did try to protect Anya in a meaningful way. I won't say that he couldn't have done more for her - all of the men on that ship failed her in some regard - but Swansea intentionally keeps the axe out of Jimmy's hands. He keeps the pod a secret, probably to give to Daisuke, but we can't say anything for sure. I joke that Swansea should have killed Jimmy from the start, but if we're being real that would have been an insane thing to do given what the characters know. But Swansea isn't the point of this post. Like. Idk I just think it's really bizarre that when people discuss Anya's assault, they still do it from the perspective of the men involved. It's weird and I don't like it. Like people have said before me: it's not enough to hate abusers, you have to love victims.

[astral-herald]

Viktor's (subverted) Aristotelian Tragedy

A common sentiment I’m seeing throughout post-finale Viktor discourse is an understandable concern or distaste for the element of choice lost throughout his story. I know a lot of us – myself included – expected more time spent on his transformation, along with emphasis on the anger/rage/betrayal fueling it. But seeing him allow Singed to “begin the process” in episode 8 reminded me of Arcane’s origins – tragedy. Bear with me for another long analysis :)

Aristotle wrote the following on the tragedy: “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself…with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” He also emphasized that the true tragic hero couldn’t be perfect, and his downfall into such catharsis-inducing circumstances was reliant on a fatal flaw, oftentimes pride.

Viktor fits this mold, as do many Arcane characters, and it stands to reason that this was intentional since the writing team has reiterated that the show is a tragedy, at its core.

Regarding Viktor’s fatal flaw, I’d argue it’s pride, but it manifests very uniquely. He never makes any grand declarations about his success and doesn’t draw attention to himself in any clear way throughout season one (“Progress Day” comes to mind). Instead, his pride manifests as staunch independence and self-reliance that lead to his downfall; his unwillingness to break his stoic mold arguably led to his use of the Hexcore…so it goes.

Fascinating caveat: Viktor’s pride is a defense mechanism, a necessary tool he built in order to survive and succeed in a hostile environment to people of his station. His self-reliance is increasingly desperate as his illness worsens. He’s cornered by fate but banks on the sanctity of choice at every turn – in season one, Viktor is bound by the conviction that we all have a choice. It’s why he’s so distressed when Jayce makes the wrong one regarding weaponizing Hextech.

“There is always a choice.”

Viktor’s choice to fuse with the Hexcore is the classic Aristotelian fatal flaw moment, the singular incident that opens the flood gates for eventual catharsis. We watch Viktor make an irreparable choice, one that we know to be bad, and endure the repercussions. He then makes the choice to abandon the Hexcore, and end his life, but audiences can’t shake the feeling that those consequences aren’t leaving anytime soon.

So why is Viktor so anti-choice in his final season 2, act 3 form?

Choice is Viktor’s weapon. Pride is what leads him to abusing it. Despite how uncomfortable and depressing it is to watch, Viktor’s slow descent into the Herald is a perfect twist of fate. The Arcane is even so insidious that it meshes with his original intent, to help those suffering in the undercity, while convincing him that their subservience is healing. He becomes responsible for their choices. He knows what’s best because he’s relieving the Gloriously Evolved of their suffering, right? The utopia is for the greater good, yes?

Admittedly, it was really hard watching act 3 Viktor descend fully into his choiceless ethos. But we can still relate it to his tragic flaw – his pride has mushroomed into coldhearted omniscience; not only does he know what’s best for everyone, evolution, but he also has the sense to make the choice for them to supersede their “baser instincts.” The grief we feel upon seeing this perverted, violent version of himself, as far removed from Viktor as possible, is the culmination of Aristotle’s treatise on tragedy. The catharsis is the rock-bottom Machine Herald.

"Choice is false."

But then Arcane decided to basically make Jayvik canon (get out of here, Christian Linke) and destroyed the early drafts of this post. I’m going to rapid-fire this next bit:

Jayce forces Viktor back to life. Viktor has no agency in his season 2 inciting incident. Again, it’s distressing when we mourn his agency, but it remains in accordance with Aristotelian tragedy.

Viktor clings to humanity as long as he possibly can. When Jayce calls out Viktor’s trajectory, alleging that his old partner had died in the Council chamber, whatever is left of Viktor gives way to the Arcane because his last tether has been snapped.

Jayce knows the game – Old Man Jenkins Mage Viktor told him so. Jayce becomes the linchpin in subverting Viktor’s tragedy. He knows what must happen. He understands now.

Machine Herald Viktor is given the chance to undo his fatal flaw, to reverse the catharsis, when he sees Old Man Jenkins Mage Viktor. With Jayce’s help, he takes it.

Given that it’s a version of Viktor who ultimately frees him from himself by empowering Jayce, we can gather that Viktor has liberated himself from his tragedy.

Aristotle’s catharsis is rapidly transformed from something based in release to something healing – Viktor’s tether to humanity returns. He grasps it. The walls of his pride and self-reliance collapse. He accepts Jayce’s help, finally being seen as the full individual he is. Catharsis ensues, for sure, but I don’t think it’s based in the typical tragedy genre.

All this to say, I think Viktor’s arc was, in fact, carefully constructed. He represents the Aristotelian descent into a fatal flaw and that’s very distressing to see unfold, especially since he embodied the tragic hero archetype so well from day one. However, Jayce undoes this narrative and we’re given an incredibly subversive ending that I, personally, never saw coming.

I’m sure that Mage Viktor has a much larger bearing on this analysis than I’m accounting for. But for now, suffice to say that he is Viktor’s way out of the tragedy. TALK ABOUT CHOICE!

This doesn’t erase anyone’s discomfort for Viktor having less and less agency, but I’d like to emphasize the logic and literary precedent behind the story decisions.

PS: here's a quick source I looked at about Aristotelian tragedies. I hope to re-up on Greek tragedies so I can get more specific about the parallels Arcane draws from them.

[mama-qwerty]

There's another scene that comes to mind that I want to talk about.

Sonic 3 spoilers below cut

So, I talked about Maddie's non-look last night. There was one other scene that I found pretty powerful, too, and that was later on in the movie.

After Shadow hurt Tom, after Sonic succumbed to his rage and pain to go Super and take on Shadow, the two fought. And during the fight, Shadow taunted Sonic, throwing his feelings for Tom into Sonic's face, asking how much he really cared about the man.

Shadow wasn't talking to Sonic. He was expressing his inner thoughts regarding his own role in Maria's death.

If Shadow really cared about Maria, he could have saved her. He didn't, so he cast that anger and pain outward, wanting revenge for her death. And thus, if Sonic really cared about Tom, he wouldn't be screwing around and would get the revenge he so desired.

When Sonic finally snapped and knocked Shadow out of his Super state, when he had Shadow pinned down on the moon, ready to deliver the final blow, Shadow was so eager for him to do it. He wanted Sonic to do it. He wanted Sonic to end him.

Because Shadow couldn't deal with the pain anymore. He missed Maria so much, maybe he felt guilty for hurting Tom, maybe he knew, deep in his heart that Maria wouldn't want Gerald to destroy the world in her name. He had already questioned Gerald about it before then.

But he was so blinded by his grief. By his pain. By how much he missed the only person on this entire planet who treated him with respect and love and kindness, and now she was gone, all because (according to Gerald) the military had wanted Shadow. He was the cause of the raid on the facility. It was all his fault.

And he had hurt someone in his desire for revenge, in his blind focus on getting that key. He saw that same pain in Sonic's eyes, and he saw himself.

If Shadow deserved his revenge for Maria's death, then Sonic deserved his revenge for Tom's.

He wouldn't stop Sonic. He couldn't, not out of his Super state. He welcomed the punishment he felt he deserved. He welcomed the end to his pain and suffering.

So when Sonic didn't, when he came back to himself and let Shadow go, Shadow was so confused. They both felt the same pain of losing someone they loved. Yet, where Shadow was still in the throes of early grief (he was put in status not long after the original raid, so it was really fresh to him), Sonic had the benefit of years of growth and healing.

That was a powerful moment of connection, of Shadow's grief reaching a crescendo, only to be pulled back by the very person he hoped would end it.

They portrayed Shadow exactly how I wanted him to be shown. A hurt boy who was grieving, confused, and unsure of where he belonged in the world. He didn't know before, and now that Maria was gone, he was even more lost.

~~~

Check out my other Sonic 3 analysis posts

[reiderwriter]

Hating You Is The Easiest Thing I Can Do

Pairing: Spencer Reid x Female Reader

Summary: When your boss pulls your case out from under you and gives it right to the BAU, you're pissed. You're even more pissed when Doctor Spencer Reid suggests you can't do your job properly. After a week in his company, you decide to give him a piece of your mind

Warnings: Day One of Kinktober - Hate Sex, enemies to lovers, dom/sub, Mean!Dom!Spencer, Brat!Reader, spanking, degradation, spanking, spit kink, sir kink, vaginal fingering, slight creampie, Reader's boss is an asshole, typical office misogyny. Spencer is also an asshole, but that's just because he's a dumbass.

A/N: Special thank you to @reidmotif and @mrs-dr-reid for proofreading this one for me! I wrote this when on a major Pride and Prejudice moment, which is why there's a whole lot of plot before the sex. I hope you like the build-up just as much as the smut! <3 If you like it, don't forget to leave a like, reply, or reblog and tell me your thoughts! ((just as a reminder, apart for Sundays and Tuesdays, I'll be posting all the kinktober fics on AO3 exclusively, so check out my writing there - reiderwriter))

My requests are also back open now, so if you like my writing and have an idea, check out my request guidelines and drop me a message in my inbox! You can find the rest of my masterlist here :)

To say you were angry was an understatement. You were seething, the anger bubbling up inside of you and threatening to lash out at anyone who so much as crossed your path as you made your way down the crappy motel corridor. You'd only known Spencer Reid a week, but you could think of no one you despised more.

The FBI had always been a boys' club, you knew that. There were some goddamn strong women in your field office, of course, but you were outnumbered 10 to 1. Which was why you were so determined to do well on the first case assigned to you as lead Agent. The first week of the case, you'd made sure you were thorough. A body had been found in the park by a jogger, and you darted to the crime scene the moment you got the call. A woman in her early twenties, like you, had been raped, tortured, and then dumped here, her body posed in a demeaning way to make it seem as if she were performing a sexual act. Your entire body shuddered at the sight, but you couldn't let your coworkers see you weak so you powered through. Collecting evidence, getting an ID on the victim, interviewing potential witnesses, and yes, even breaking the news to the poor girl's family, you had been so attentive to every detail of the case and you felt you were making progress, your boss delivered a humbling blow.

"Another body has been discovered. I've invited the Behavioural Analysis Unit in from Quantico because you're in over your head." He'd told you, not even looking up at you from the file he was reading on his desk.

"What? I wasn't told about another body, why wasn't I notified?"

"I didn't think you needed to know, now that the BAU is coming in."

"So I'm off the case? That's it?"

"No, I want you to assist them in their investigation. Tell them everything you've gathered so far, get them situated in the office as best you can."

"Get them coffee when they want it? Rub their feet if they ask for it? This is bullshit, I was making progress, if you'd only have given me more time-"

"Agent, I suggest you walk out of this office right now and get your PMSing under control before I have to suspend you from fieldwork." You pressed your nails further into the beds on your palms then and bit back your tongue from replying, simply giving a terse nod and exiting the office.

It wasn't even an hour later before the new team arrived, and you offered a tense smile and welcome as you got them set up in their own office. The Unit Chief didn't seem too bad, but Aaron Hotchner couldn't exactly be described as the most welcoming of people, and you felt an instant camaraderie with JJ, the other agent who'd come into the office with him. There were more agents apparently, but they'd gone out into the field to check out the new victim and reinterview the family, something you weren't exactly happy about. But, if you were going to be their little bitch for the next week, you were at least thankful they were tolerable and polite.

"So here's everything I've got so far. I've been pretty thorough in my interrogations of potential witnesses, and there are no CCTV cameras in the general vicinity of the dump sites, so I don't think you'll find anything else there that'll aid in your profile."

" If you'd have been thorough you'd have found this though, right?" A new voice popped up from the door, and you felt yourself tense up under the sudden accusation. Looking up you saw he was holding up his phone, a picture of a strange marking on a tree lighting up the screen.

"Excuse me?"

"This was left on a tree roughly thirty feet from the first dump site. I called Rossi and Morgan and they found a similar marking near the second victim. It's a Mesopotamian symbol relating to the worship of prostitutes and sex workers to promote fertility." He spoke plainly, but all you could hear was the condescension in his tone, and your blood boiled with rage.

" Agent Y/L/N, I'm sorry about him, this is Doctor Spencer Reid, he's another member of our team." JJ introduced the man, sending him a warning glance, as if letting him know that he hadn't just put his foot in his mouth directly.

You looked at the man then, really focusing on him now instead of the pictures, and almost cursed out loud again. He was a jerk, but fuck was he attractive. Tousled hair, dark eyes, and a perfectly sculpted jaw, it was as if he were sent from hell directly to piss you off and tempt you. You pushed the attraction aside for the minute then, choosing to be the bigger person and introduce yourself.

"I'm Agent Y/N Y/L/N. And I'm sorry that I'm not an expert on Mesopotamian prostitutes, but I guess that's probably your specialty, right, Doctor?" You held out your hand for him to shake, but he just looked down at it.

"If you're referring to my doctorate, I actually didn't study classic civilizations. I hold PhDs in Math, Chemistry, and Engineering and additional BAs in Psychology, Philosophy, and Sociology. And I don't do handshakes." He glanced straight past you after that, walking back over to Hotch and filling him in on other things you must've overlooked during your brief time working the case.

You glared at his back, finally letting your hand drop to your side again as you let out an angry chuckle.

"Don't take it personally, Spencer is just… He’s He's not great with people. He'll warm up to you." JJ put a reassuring arm on your shoulder and you nodded. But inside you knew there was not one thing the man could do to reverse the bad opinion of him you'd just gained.

–X–

After the initial anger of having the case seeped out from beneath you wore off, you actually began enjoying your time with the BAU. You hadn't put much thought into profiling before, it usually being so far off your radar while you were working in the field office but you were actually coming to enjoy how they worked, and you'd learned a lot.

Your relationship with Spencer, however, only degraded.

Your hatred had reignited the moment you'd been joined by the rest of the BAU Team. Your boss has finally come down to greet them, and, almost as if making you pay for your earlier comments, had genuinely sent you on a coffee run for them. You could deal with the fact that the man had the most annoyingly complicated coffee order you'd ever heard of in the Bureau, but what you couldn't forgive were the sly comments you walked in on when you returned.

"Come on, Reid. That Agent is easy on the eyes, you should talk to her, get you a slice of that." You'd been introduced to Derek Morgan earlier and you'd instantly pegged him as a flirt, so this wasn't exactly shocking to you. What was a bit surprising was the other man's reply.

"If she's attractive I hadn't noticed. I've been too busy trying to clear up her mess with this case."

You walked in the door then, coffees in hand, and slammed his drink down on the table for him. You handed Morgan to him, double-checking that you'd got both of their orders right before shooting another glare at the man and walking away to find the rest of the team.

But not before hearing Morgan chastise Reid in another whisper: "God man, you gotta be nicer to the kid…"

To say that your working relationship had soured totally after your two personal encounters with the man was simply an untruth. You didn't have a working relationship, you had a working rivalry.

From then on, you'd slyly interrupt the man when he was speaking, telling him to cut his genius rambles in half, that you didn't have all day to sit around and wait for him to stutter his way through his theory while there was a murderer on the loose.

He didn't hold back either, constantly asking you questions he knew you didn't know the answers to, just to smile slyly down at you and make you admit that you weren't as good as him. It was getting so detrimental to the office atmosphere that you had to be genuinely separated after only three days, Hotchner bringing you into the field with him on multiple occasions and forcing Reid to stay behind with JJ to work on a geographical profile.

You'd been with Hotchner at a family interview, working with him to gain details of the second victim's actions and whereabouts leading up to her murder to establish a timeline when you got a call.

Excusing yourself from the room, you quickly picked up the call.

"This is Agent Y/L/N."

"Hotch isn't picking up his phone." That was all the explanation you got from the man on the other side of the phone, his voice instantly grating.

"Yes, I'd assume he isn't, Doctor Reid, because we are currently interviewing a bereaved mother and father and he put his phone on silent. Is there something you need?"

"I need to talk to Hotch."

"Well, you called me. What do you need?" You heard him breathe out a frustrated sigh on the other side of the line, and you rolled your eyes, slightly enjoying being this stubborn and getting under his skin.

"Just tell him we're ready to give the profile, okay?" He hung on you after that and you cursed him down the line, receiving nothing back but the empty beeps of the dial tone.

–X–

It didn't take long after delivering the profile to get your guy, but as he hadn't been in the middle of committing any felonies when you picked him up, you'd had to spend a few days in the interrogation rooms.

Hotch had taken a crack at him and gotten nowhere, and so had Rossi and Emily and Morgan. JJ had been the one to make the arrest, so she went in last and still came out with nothing much. He hadn't layered up yet, as they'd suspected he wouldn't, too egotistical to allow anyone else into the room that he thought he was going to talk himself out of.

"We're getting nowhere with this, Hotch. I think I have an idea that could get him to start talking." Reid said as you all stared at the man through the one-way glass.

"What, you think you can charge in there and get him to talk?" It was petty, but it'd been a stressful week, and he was used to this flow of conversation between the two of you.

"No, you are. Hotch, she fits his type, she's attractive, same build and coloring as the previous two victims. I think it'd work." You scoffed at his suggestion.

"Oh so now you think I'm attractive? I thought you hadn't noticed because you were, what, too busy cleaning up my mess?" You crossed your arms as he gave you an incredulous look, and you realized that he didn't think you'd heard him.

"Spencer's right, Y/N." Hotch nodded, looking between the two of you to see if he needed to pull you apart to keep you from fighting or to keep you from jumping each other. You personally weren't sure which you'd like most at that point, cursing yourself as you let your eyes trail down his body.

"It's going to excite him having you so close, you should pop a few of those buttons, too," Reid suggested looking down at your chest as you scoffed and crossed your arms.

"Oh you'd really like that," you mumbled under your breath, but a swift look from Hotch had you shutting your mouth again as he began to brief you.

Going in you felt a surge of pettiness seep through you. You were going to nail this guy, get him to talk about every little nasty thing he did to those girls, and prove to your boss that you could do this when every member of the BAU had tried and failed. But a small, dim, and annoying reminder at the back of your head whispered in your ear that you'd be pleasing Spencer then as well. Proving him right. You weren't sure if you wanted to succeed to hear him or your boss say "good job" to you after you finally succeeded, but when you imagined it with him, he was a whole lot closer, right in your ear, body pressed against yours.

You focused on your anger over your attraction and pushed into the room, ready to stare down a monster and escape unharmed.

–X–

It had worked, of course. It had taken a few hours of building rapport but you'd done it. You'd had him eating out the palm of your hand while he confessed to the three murders you knew about and an extra four that you didn't.

A day of retrieving bodies later and by 10 pm, the case was finally closed.

"Well done, kid, you really got him in that interview. That was some great work." Morgan nudged your elbow as he grabbed his duffle, exiting the makeshift office.

"Don't forget we're getting drinks at the cocktail bar in half an hour. Shower off that mud and change into a hot dress, Agent, and I'll buy you your first shot." Emily called back to you from the exit too, leaving you in a fit of giggles as you promised her you would.

Once they'd all gone, you started packing up your things ready to leave yourself when there was another knock at the door.

" Hey, I need to grab my bag." Reid stood in the door awkwardly, and your smile dropped into a politely neutral face as you nodded to him.

"Don't let me stop you, Doc."

"Spencer."He said, stepping a bit closer to you.

"What?"

"I want you to call me Spencer. You keep calling me Doctor or Doc, I want you to call me Spencer."

"No. Doctor Reid is just fine for me."

"And what if I want more?" He grabbed your wrist as you turned to go, using a bit too much force and leaving you stumbling into him, hitting his chest as you looked up at him, your noses almost touching with the proximity.

"Let me go," you growled, but his grip loosened and you didn't move an inch.

"What if I want more?" He asked again, a little more insistent this time, his eyes dark in the dim room, expression unreadable.

"Why should I care what you want, Doctor Reid?"

"Because I think you want it, too. Because I think that despite all the odds, you want me just as much as I want you."

Your anger burst out of you in a sarcastic laugh then at his presumptuous words.

"Despite all the odds? What odds are those Spencer? You treat me like shit, ignoring me, refusing to even shake my hand, and downplaying the hard fucking work I put in before you got here? God, you are so fucking narcissistic." You finally stepped away from him then, turning away to regain your composure.

"Me? I'm not the one who missed some vital fucking evidence in a murder investigation, Y/N, so I'm sorry I wasn't the most welcoming person, but God if we're talking egos, you should probably check yourself."

"Forget it, you're impossible. I really tried to be nice to you, but more fool me for making messes you had to clean up."

"Are you still stuck on that? Y/N, I'm sorry, but Derek just has a way of-" He stepped closer to you again and you could feel the oxygen being sucked from your lungs.

"Don't you dare blame this on Morgan. You're attracted to me and you fucking despise that, and it's none of Morgan’s fault. Now please, just get out of this fucking office and go back to your motel room." You practically hissed those last words at him, holding back the urge to scream in frustration. Your lips were so close now, as his chest heaved, hands clenched by his sides as he resisted the urge to grab you.

"Forgive me… for suggesting something so obviously repulsive to you." With that, he brushed past you and walked out, leaving you reeling at his almost confession, head light from the lack of air. He'd taken your breath with him as he left the room.

–X–

The promise of free shots had convinced you to get back out to the bar as promised, not letting Reid and his fickle moods control when and where you'd be enjoying yourself.

You finally showed up at the bar and were greeted by hugs from JJ and Emily, already one drink in as they immediately handed you a shot from the bar. Guiding you back to the table, you paused as you saw him there.

Morgan was sat at the table, happily chatting away with Reid, who'd since grown quiet, eyes meeting yours before leaving to rake down your frame. You resisted the urge to cover yourself, confidently standing tall as he devoured you with his eyes. Changing out of your work clothes, you'd decided that you needed some fun tonight, donning a short red dress, barely hitting the tops of your thighs, hugging your curves tightly, and pushing your chest up so it nearly spilled out completely. You'd completed the look with thigh-high black boots and a red lip, looking the absolute image of lust - or anger - personified.

"Whew mama, you look good, Y/N." Morgan greeted you, standing up to give you a kiss on the cheek. Reid still said nothing but kept his eyes trained on you as he took another sip of his drink.

"I was promised shots and dancing, I think I'm dressed pretty appropriately don't you think?" You smiled and giggled up at Morgan, letting your touch linger on him a little longer to see if it would spur Reid into action.

"Have I ever told you about my very good friend Penelope Garcia? I think you two would get along just fine."

The rest of the night continued in a similar vein. You'd stepped out onto the dance floor with Emily and JJ, letting whatever man wanted to sidle up close, begging one of them to be a distraction from the man whose eyes were boring into you from the other side of the room. It didn't work. Their hands were on your hips, guiding you to the sound of the music but in your head, all you saw was him, doing the same.

It didn't help that he was getting hit on constantly from his perch beside Morgan, and you watched with a bitter feeling at the bottom of your stomach as women tried, unsuccessfully, to get him to pay attention to them. After another frustrating invitation for a tryst with a local man, you excused yourself from the dance floor, finding Morgan in the bar, letting him know that you were calling it a night.

"Where's Reid?" You asked, trying and failing to sound casual as you glanced around the now crowded bar for signs of him.

"He left like ten minutes ago. Said he was tired and went back to the motel."

"Was he…" You didn't want to finish the question, not knowing which answer you'd prefer, but Morgan filled in the gaps himself with a wide grin.

"Alone? Yes, kid. Here, it's the address of the motel we're staying at and his room number." You hesitated before grabbing the paper and grabbing your stuff, practically running from the bar and hopping in the nearest taxi.

–X–

That's how you found yourself stomping down the corridor of the motel, pounding on his door at 1 a.m., unashamed in your brazen actions. He opened the door, slightly shocked to see you there, and you pushed your way inside and turned on him as you shut the door.

"What the fuck was all of that?" You demanded as soon as he turned back to you. His shirt was open now, jacket and tie discarded on the floor somewhere deeper into the room, but you forced yourself to look up into his eyes, away from the pale plains of his skin.

"What was what, Y/N?"

"You, staring at me like that the whole night and then just leaving."

"Did you want me to stay?"

"I want you to stop answering my questions with questions, Reid. This is bullshit, you can't act like a dick to me all week and then look at me like I'm a piece of meat you want to rip apart, for fucks sake."

"You made it very clear earlier tonight that you wanted no part of this, Y/N. Are you saying I should've done something else?"

"That's another fucking question, Spencer! If you don't start actually talking to me, I swear to god, I'll-" You ran a hand through your hair, and when you looked up again, he was closer than ever. You backed up into the wall, but he followed you, pressing a leg between your own. Slowly and with that condescending grin plastered across his face, he drawled out his next words.

"You'll what?"

Your lips crashed against his with the fury of your frustrations, a mess of teeth and tongue and biting anger as you surged forward into him.

With a rough push of your hips, he slammed you back into the wall, taking charge of the situation, coaxing his tongue into your mouth, battling you for control, and winning. Grabbing you by the neck he slowly pulled his lips away from yours, leaving you gasping for breath.

"Don't be such a brat, Y/N. When I ask you questions, it's because I want answers." You moaned as you tried to regain his lips, but he chuckled and kept you pinned.

"Tell me, baby, what should I have done earlier instead? Got down on my knees to beg your forgiveness, or thrown you over that desk and used you like a cheap little whore? I think I know which one you prefer."

You moaned at his words, but kept your mouth twisted in a grimace, choosing not to answer. He got tired of waiting, and, with a swiftness you didn't know he possessed, twisted you around so your hands were planted against the wall, your chest pushing against it too as he pulled your hips up and out, effectively baring your pantie-clad pussy to him as your dress pushed up and over your ass all by itself.

"So fucking slutty. You let all those men in that club touch you while you stared at me the entire time." He ran his hands across your ass massaging you underneath your underwear before pulling his hands away again and grabbing your hips. He pushed his clothed cock against you from behind and you moaned at how hard and big he felt already.

"Was this what you wanted, brat?"

"Go fuck yourself."

"I think you'd much prefer it if I fucked you, don't you think?" He turned you around again, lifting one of your legs up to wrap around him, the new angle pressing your core further into his cock.

"Open your mouth, now." Against your better judgment, your body reacted to him quickly, your tongue dropping out of your mouth as he ground his cock into your core, effectively dry-humping you. With a swift motion, he spat in your mouth, your eyes going wide as you instinctively shut your mouth and swallowed.

"Good girl," he stroked your hair, lifting you up and carrying you to the bed. His lips locked with yours as you tasted his spit on your lips, letting him take control and move you in any way he pleased.

"But you've been a brat," he said pulling away. "And brats need to be punished."

With that he forced you over his knee, pulling your panties down as he positioned your hips higher, your ass raised. He fisted one hand into your hair and began softly stroking your ass with the other.

"You're going to count for me, baby. If you lose count, we'll start again. With each number, I'll tell you what you did wrong, okay?"

"Fuck, yes, yes sir." With another soft touch, he pulled his hand up and bought it back again down sharply, letting it cup your ass as you hissed from the sting.

"O-One."

"That was for being a brat in the office. Being so confident you missed some vital evidence that was staring you right in the face."

He did it again, and you squirmed under his touch.

"Two."

"That was for teasing me in front of Hotch. Making me get hard right there in the office before you went to interrogate that creep."

"That made you hard?" You gasped out as he cracked out another slap to your ass. "Three."

"That was for talking. You need to stop fucking talking." He stroked your ass again, delivering a fourth, fifth, and sixth blow in quick succession as you felt yourself leak your arousal all over his lap.

"That was for dressing like a little whore tonight. That was for flirting with Morgan. That was for letting another man touch you. What do you have to say for yourself now, brat?" Your breaths stuttered out of you as you tried to compose yourself, confident that he'd finished your punishment now.

"G-Go…. FuckFuck yourself." He growled and threw you back on the bed, ripping your dress off over your head and letting his lips return to yours as he trailed his hand to between your legs, finally pushing two fingers inside of you as you moaned and writhed beneath him.

" I hate you," you moaned in his ear as his lips trailed down to your breasts.

"You have a funny way of showing it." Your orgasm was rapidly approaching, so close you could practically taste it. He sensed it as well, though, and pulled his fingers out of you before you could reach that bliss.

"You thought it would be that easy, brat?" he whispered in your ear with a low chuckle before flipping you over to your front and thrusting his fingers back into you from behind, causing another moan to rip from your throat, uncontrollably loud in the otherwise silence of the motel at night.

Unzipping his pants and freeing his cock, you felt the weight of it on your ass as he rubbed his precum against your now bright red asscheeks.

"You're going to look so pretty with my cum decorating your ass baby. It's going to make your ass feel better, too."

"You're disgusting," you spit at him, but your hips push harder into his dick, trying desperately to capture him inside of you and force him to use you.

"No more talking, bitch. Take my fingers." He pushed a hand into your mouth and you started twirling your tongue around them, using your distraction to finally violently thrust his dick all the way inside you. You screamed at the sudden filling, cumming around his cock in an instant, trying to milk him for all he was worth. But he clamped a hand down over your mouth so that all that fell from your face was escaped tears and muffled pleas for more.

"Gonna use you like this baby, gonna make you admit you love me."

His thrusts gained a steady pace as your brain emptied beneath him, desperate for more of the pleasure his body was supplying you with. He released your mouth then, content that all your energy seemed to be spent on pushing your ass back into his, listening to the wet, sloppy sounds of your activity.

"Do you like that, brat? You like me making you feel like this, huh?" He slapped your ass again as he thrust, and you moaned back with a nod.

"Yes, Spencer, don't stop… Don't stop." You moaned again, another orgasm rolling over your body, causing you to clench unconsciously around his cock.

"So good baby, you're responding so well to my cock." He trailed a hand underneath you to your clit and started rubbing it in time to his thrusts.

"One more for me. One more and I'll pull out, okay? Just one more."

"I can't, Spencer I can't do it.." You whined underneath him, face fully buried in the motel pillows. You were surprised he even heard you through the tears as the material.

"Yes you can, baby, look you're so close already, just do one more."

"I hate you," you moaned again, feeling your third and final orgasm wash over you, your eyes rolling back in your head as your body started twitching and didn't stop. You felt a small twitch from him too, as he finished thrusting inside of you, letting a little bit of his cum escape into you before pulling out and decorating your ass with his ejaculation.

He fell by the side of you and gasped desperately for a few minutes, before grabbing a hot wet towel from the bathroom and cleaning your ass off.

"Spencer…" you croak out eventually, regaining some clarity, but still not moving much from your spot in his bed.

"Spencer, I don't hate you."

"I know. I don't hate you either. Which is probably for the best."

"What? Why?"

"Hotch just requested your transfer to the Quantico Office so you could start training with the BAU. You did a good job this week, Y/N." Your eyes started watering again and you gently pushed away tears as he laughed at you, asking why you were crying.

"I'm not happy," you joked.

"I just realized that means I have to work with you more." You both laughed at that. You didn't hate each other exactly, but that didn't mean you could work together well either.

And you didn't want to if this was the outcome of your bickering and hatred.

[barblaz-arts]

Fellow Chaggie shipper, here and I wanted to ask you a question. Could you please do an analysis post on the Chaggie argument from Hello Rosie. I know this will sound weird but I can't get over the level of icy anger Charlie had towards Vaggie or how despite everything going on, Charlie is more hurt from Vaggie not being honest with her. Just angst all around.

Oh yeah sure I'd love to!

I'm not sure there's a lot I can say about that argument that isn't already super obvious, so I wanna talk about Charlie's anger because of something my brother said as we watched episode 7. He loved that episode apparently because "When they're separated, it's even more obvious that Charlie is the one who's more quick to lose her cool." Which, looking back, is actually true!(To an extent)

Vaggie and Charlie are both quite quick to anger. Charlie is just better at hiding it because she's a chronic people pleaser. Although Charlie wouldn't immediately show her anger at a person being a jerk to her specifically, she's immediately summoning fire and brimstone over anyone who hurts/insults her friends or the cause she's fighting for.

Love this lil bit in "You Didn't Know". How Vaggie is the one telling Charlie to calm down, as if she knows what's about to happen. She knows that if she doesn't at least try to reel in her girl Charlie would be spitting literal fire at a goddamn seraphim.

It would seem like such a surprising role reversal, but if you look at all the times Charlie would lose it whenever Vaggie's not there to tell her "babe, chill", then it makes sense.

But then when their fallout happens, Charlie's short temper is even more apparent. She calls Alastor an asshole to his face even though she considered choosing his support over her father's. She openly glares and rolls her eyes at Rosie when she jokes that her and Alastor look like an item even though she still kept things cordial with Valentino after he licked her arm. She flips the bird at some old lady even though she didn't take visible offense at all the demons that inserted their crude and rude selves in "Happy Day in Hell." While she was cold and subdued even when upset with Vaggie, she was explosive and in ur face when she was pissed at everyone else.

Vaggie reigned in both the girl in Charlie who dreams a little too big and the demon who's waiting to lash out in flames. It really makes me wonder if there's a difference in the kind of person Charlie used to be before Vaggie. Before she had friends to be angry on behalf of and a person to calm her down. And then, in the wake of their argument, Charlie is left with a lot of anger that is easy to ignite.

But I love love love that despite all that anger, Charlie can't bring herself to deny that she loves Vaggie with all of her hurt heart.

This little moment is one of my favorite parts in the series. My brother mentioned that this episode and episode three were his favorites because he liked the beats the dialogues followed. So he looked back--

(the man literally paused the episode to check the opening credits of ep 7 and 3. I was a little annoyed because I just wanted my Chaggie dammit! We'd make terrible youtube reactors with all the pausing and discussing mid-episode that we do...)

--and was satisfied to see that it was written by the same person, Ariel Ladensohn. Apparently she's in a sapphic relationship too and projected her own experiences whenever she wrote Vaggie and Charlie, and it must have paid off because the moments she wrote with them felt so real.

Charlie expressing her fear that even Vaggie's support and love could also be part of the lies she told was understandable considering the betrayal she felt. But immediately following that she goes "Oh that's a horrible to thing to think!" which I love even more. Even when she's understandably mad she thinks about how Vaggie would feel over Charlie thinking that of her. Because although Vaggie lied about who she is, Vaggie was always sincere about how she felt for Charlie. Vaggie's past may have been a lie, but the things she did for, to, and on behalf of Charlie were very real and held dear in Charlie's heart.

I dont have anything smart to say to conclude this. Sorry, I'm not even sure where I went here. Let's all just appreciate the smile Charlie has on her face when she thinks about Vaggie even when she's under a lot of stress I guess.

[flying-fangirls]

As a music, religion, and literature nerd, the Dies Irae has been one of my favorite go-to pieces of trivia for a long time, which means that this line:

Has been driving me batshit BONKERS since part 42! And also as a semi-professional media analysis yapper, I figured I might as well dive into the exact reasons I jumped up and audibly gasped upon first hearing this line and have subsequently lost my mind since then. So!

Here is why I think that the Dies Irae is the perfect analogy for John and Arthur:

Religion

Let's start with the most straightforward meaning: "Dies Irae" is a Latin term, and it translates to the "Day of Wrath." Or otherwise known as the Judgement Day, the foretold second coming in Catholic canon, when Christ will "come again in glory to judge the living and the dead." It's at this Last Judgement where God will wield perfect justice to send the worthy to everlasting peace and the unworthy to everlasting punishment. (everyone say "thank you" to excessive childhood Catholic lessons for burning this into my brain)

There's a kind of irony to the fact that Arthur so vehemently rejects Christianity and religion as a whole, and that John spends much of his arc trying to distance himself from the role/identity of a god, yet both are given this incredibly religious title, effectively restricting them from ever forgetting the presence/influence of religion in their lives.

This title has a couple layers though, because we have to consider why it's the Day of Wrath specifically that represents Arthur and John. Now, I don't think I have to tell you that those two are bursting with anger 80% of the time. But I am going to tell you that those two are not just angry, but moreso "divine fury" incarnate.

The Day of Wrath, the Final Judgment, is the final and eternal judgment of God on all: "For now before the Judge severe / all hidden things must plain appear; / no crime can pass unpunished here." (Dies Irae, Dies Illa). The final Judge, the all-powerful God, can see the objective morality of every single person, and is thus the sole, rightful determiner of fate.

This assumption of their right to perfectly and single-handedly decide others' worthiness shows up over and over, not just John and Arthur's actions, but also in how they describe these judgments.

When Arthur kills the widow on the island, it's not because she was dangerous, but because she was a cultist who "deserved" to be punished.

When John and Arthur need to get rid of Mr. Scratch's stone, John says they should give it to "criminals" who are "deserving of this curse." Even though, just moments before, Arthur refused to give the stone to Oscar because to do so would be to cursing him to a fate of eternal suffering.

And I can't go into every single detail about the entire Larson plotline because this post would double in size, but it obviously needs to be included here. Possibly the strongest tie between this arc and the idea of the Dies Irae is Arthur's conviction through it all. Arthur vows that he is going to kill Larson in divine retribution not because he wants to, but because he has to. He even goes so far as to admit that killing Larson will be a mistake, a cruel and overly-bloodthirsty action that goes against his compassion. But killing Larson isn't a choice to Arthur, it is the unavoidable punishment for Larson's sins and Arthur is simply the enactor of justice. Just like the Final Judgment, there is no sympathy, no hesitancy— the judgment is absolute, divinely ordained, and cannot be stopped no matter how undeniably horrific it is.

If we look at the Catholic Catechism, principle 2302 states that it is sinful to kill out of desire, but that it is "praiseworthy to impose restitution" and use violence to "maintain justic." So even if Arthur has intent to kill, his actions count as divinely sanctioned. He is acting as the hand of God's punishment.

Over the course of Season 3 and 4, Arthur's fiery rage dies down to a more gentle simmer, but his conviction only seems to grow, and John follows suit. Despite previously reprimanding Arthur for his unquestioning wrath, John eventually becomes just as convinced that Larson "deserves" to face a wrathful reckoning. The "fact" that Larson is wholly unforgivable and is fated to receive eternal punishment becomes more indisputable in their minds, and they both stop questioning the morality of their intentions, entirely convinced of their judgment.

Throughout the story, Arthur and John insist upon the importance of kindness, compassion, and forgiveness, and say that these are the values that guide their every action. Yet, time and time again, they approach certain people with nothing but wrath and resentment. It's a sharp contrast to the benevolent figures they make themselves out to be, and Arthur and John are often blind to the contradiction because, in their eyes, they are still following those values in every action. And in the moments when they do recognize their horrific words or actions, they still cannot let their judgment go, convinced that it is their "duty" either way.

In Part 35, Arthur says "Just because you can't make the hard decision, doesn't mean it's wrong." This is exactly how John and Arthur view themselves. They know that some of their actions are harsh and violent and painful, but they are don't view that violence as wrong, because they are enacting that violence in justice. They move through life with carefully-selected destruction, culling the world of those they view as unforgivable sinners, and punishing them with divine righteousness. Arthur and John carry righteous fury in their every step, bringing the Day of Wrath down upon the world around them.

Now, there's already a ton of meaning just in this religious allusion alone. However, there's another application of the Dies Irae in modern culture, which brings us to the second side of this title:

Music

Back in the 13th century (sounds like a familiar setting...), friar Thomas of Celano wrote a poem for and about the Dies Irae. The poem was recited at Requiem Mass (church services to honor the dead), and it ended up being set to a Gregorian chant tune.

Over time, this melody has been used by a variety of composers, but the one we're focused on is Hector Berlioz. In 1837, Berlioz used the Dies Irae melody as part of his narrative symphony, Grand Messe de morts, in order to communicate that the main character had died. Then a lot of other composers saw that and said "Hey that's a cool idea!", and started also using this melody to represent death in their music. Nowadays, it's a fairly staple part of modern film and musical storytelling. If you've listened to literally any major soundtrack, then there's a good chance you've heard this motif (or a variation of it) used before. It's often subtle, sometimes loud and obvious, but no matter what, it reveals the inevitable presence of death. (essentially, the Dies Irae=death)

Now, obviously there's something tragically ironic about Arthur being likened to a musical motif when he tries so hard to distance himself from it, and there's something tragically ironic about John being associated with such a dark piece of music when he shows so much fascination and joy toward the art. Again, though, we've got some layers here. Yorick doesn't just compare Arthur and John to the Dies Irae, he literally defines them as the Dies Irae, a full embodiment of it.

Even before the story started, Arthur lost both of his parents, his friend and wife, his daughter, and his best friend.

John, when he was part of the King in Yellow, knew only how to harm and attack. In the Dark World, he falls back on this fearful lashing out with violence, harming even more people.

And throughout the story, John and Arthur seem to bring devastation to everyone else around them: Lilly the buopoth, Oscar, Noel, Collins, Daniel, Larson and Yellow.

The arrival of Dies Irae musical motif in a film always indicates that death is approaching or that is has already struck— a host carrying its blight to spread onto others. Just like the musical motif, the arrival of Arthur and John foretells the near-arrival of death. They play a duet together— John and Arthur, and death— always singing and dancing around and with each other.

These two never succumb to death, always finding a way to slip through its fingers and survive every situation. But they cannot escape death's presence because they are death's partner— singing the melody to death's subtle harmony. They cannot escape death because they are its host— destined to carry and spread devastation to death's victims. From the moment you meet John and Arthur, you know that death is inevitably approaching just a step behind, waiting to strike you down.

Whether it's the religious or musical side, we can see that John and Arthur are the literal embodiment of these allusions. They carry these powers and ideas in their every action and word, in their every step, in their very breath and blood.

Arthur and John. The hands of God's justice. The enactors of divine fury.

Arthur and John. The hosts of blight and destruction. The partner of death's song.

The man himself. The voice inside his head.

The Day of Wrath. The Dies Irae.

[qiu-yan]

Do you have any feelings opinions or analysis of the golden core reveal or just how the scene in the ancestral hall went down?? Because I have a lot of feelings about it but I can't quite put them together into words and I love your analysis of the story and jiang cheng

thank you for the ask!!!! and thank you for your kind comments!!

god i have so many opinions about the golden core reveal, and the ancestral hall scene that precedes it. i don't quite have all my thoughts in proper essay order right now, but i will probably write another long-ass post about my Hot Takes some day soon.

unorganized thoughts as of right now:

for the ancestral hall scene, i am almost purely on jiang cheng's side. jiang cheng was rude as hell and he did verbally escalate instead of peacefully allowing wangxian to leave, yes. however, they are in his house. they are in front of his ancestors. they are in his ancestral hall, which they entered without permission. to me, it seems like wei wuxian wants to have his cake and eat it too: he wants to avoid jiang cheng and all the anger the jiang cheng of the present has at his (very real and rather devastating) mistakes, but he also wants to freely come and go in jiang cheng's own goddamn house, like he used to be able to when he still had a positive relationship with jiang cheng. if wei wuxian is going to act like jiang cheng and yunmeng jiang are nothing to him anymore, then he should properly commit to being a full outsider.

it's also interesting how wei wuxian focuses his retorts in his argument with jiang cheng on "how dare you be cruel to lan zhan!!! i'm protecting lan zhan!!!!" when in my view the vast majority of jiang cheng's verbal abuse was directed towards wei wuxian himself. jiang cheng calls lan wangji "riffraff" and "an outsider," but that...is incredibly mild language to me. jiang cheng is ruder to wen ning (by calling him a "wen dog") for heaven's sake. instead, jiang cheng is much nastier towards wei wuxian himself: wei wuxian is shameless, wei wuxian's idiotic hero complex got all his family members killed, wei wuxian is why jin ling is an orphan, wei wuxian is a heartless ingrate, etc etc.

wei wuxian, defend YOURSELF! jiang cheng is barely being nasty at all to lan wangji, but he IS being nasty to YOU! compared to all the horrid shit he yells at you, he barely even brings up lan wangji at all! at the very least, tell jiang cheng not to call wen ning a "wen dog"!

i haven't fully thought this out yet so i'm not sure how fully i stand by it, but the fact that wei wuxian gets that heated "defending lan wangji" when jiang cheng barely even insulted lan wangji that much, is very interesting. it implies to me that, while wei wuxian thinks he does not have the right to properly rebut jiang cheng's criticisms of himself, that he truly is guilty and therefore should just take jiang cheng's verbal abuse of him lying down - deep down, he is still upset about jiang cheng blaming him specifically. when jiang cheng calls wei wuxian an ingrate who got all of jiang cheng's family members killed, wei wuxian is in fact upset and does in fact want to protest. however, he is unable to openly do so because he also feels incredibly guilty himself about the role he played in jin zixuan and jiang yanli's deaths, and therefore thinks he does not have the right to defend himself against jiang cheng's rage on the same issue.

but wei wuxian is still upset and still wishes to rebut jiang cheng's fury. therefore, "defending lan wangji" becomes an excuse for wei wuxian, a pretext to find issue with jiang cheng's arguments and therefore fight back. it's somewhat similar to when someone writes an incredibly effective counterargument to your post, so you hyperfocus on mocking them for a spelling error instead: you can't think of a way to properly rebut their rebuttal, so you jump on the first thing that gives you an excuse to disagree with them and poke holes in their argument. wei wuxian believes (accurately or not) that he does not have the right to defend himself against jiang cheng; however, he is fully justified in defending lan wangji from jiang cheng, which gives him an excuse to argue back when jiang cheng insults wei wuxian.

this is evidenced by the fact that, in the ancestral hall scene, wei wuxian does not defend wen ning from jiang cheng at all. jiang cheng also gives wei wuxian shit for "let[ting] the Wen dog wander around in front of our gates," but wei wuxian just fully lets that comment slide in favor of defending only lan wangji. while this could be because lan wangji is present to hear jiang cheng say this while wen ning is not, for me, another reason comes to mind as well: in wei wuxian's mind, wen ning is also involved, however tangentially, in the deaths of jin zixuan and jiang yanli. wei wuxian's guilt extends to encompass wei ning as well. therefore, wei wuxian feels that he also does not have the right to defend wen ning from jiang cheng. it is only lan wangji out of the three people jiang cheng insults that wei wuxian has the right to defend, because lan wangji alone was not involved in the jiang family tragedy of wei wuxian's first life.

also, it was wei wuxian who first escalated a verbal confrontation into a physical one.

regarding the golden core transfer scene.....first, i find it absolutely hilarious that wen ning of all people spilled the beans to jiang cheng, and got so mad about it to boot. king, you helped operate on him. king, you helped lie to him about it. king, there is no shortage of things you have the full right to be angry with sect leader jiang about, but him believing the lies you actively chose to tell him and not figuring out that you were lying is not one of them. as someone else put it, one person between wen ning and jiang cheng had a free and active hand in removing wei wuxian's core and putting it into jiang cheng, and that person was not jiang cheng. wen ning helping violate jiang cheng's bodily autonomy and then weaponizing said nonconsensual surgery later in an argument against the same jiang cheng is kind of crazy to me, honestly.

imo (and i'm stealing from an analysis i read somewhere), wen ning was this harsh about the golden core reveal despite being one of the surgeons who nonconsensually operated on jiang cheng and then lied to him about it for similar reasons as i described for wei wuxian above. wen ning is also deeply angry with jiang cheng for a lot of things: jiang cheng repeatedly calls him a "thing" and kicks him around like he isn't a human being; jiang cheng also led the first siege of the burial mounds, which killed all save one of wen ning's family members. that is a completely reasonable thing to be mad about. but wen ning, having seen firsthand the wrongdoings of qishan wen, probably has a guilt complex of sorts about being a wen; more importantly, he feels incredibly guilty about his "role" in killing jin ling's father. therefore, wen ning probably does not feel he has the right to defend himself from jiang cheng.

but deep down wen ning is still angry. he is still incredibly angry with jiang cheng for the things jiang cheng did to wen ning. and, while wen ning may not feel like he has the right to defend himself from jiang cheng, defending wei wuxian from jiang cheng is a different matter. in wen ning's eyes, wei wuxian did no major wrong and always had good intentions. therefore, jiang cheng has no right to be angry with wei wuxian. therefore, if wen ning absolutely wrecks jiang cheng's shit defending wei wuxian (and not wen ning himself), then wen ning would be entirely justified.

second - and my thoughts on this haven't fully baked yet - there's this undercurrent in both the golden core transfer scene and the guanyin temple scene that, because wei wuxian gave jiang cheng his core, jiang cheng does not have the right to be angry with wei wuxian for the pain wei wuxian's actions caused jiang cheng. that jiang cheng is now permanently indebted to wei wuxian, which therefore voids all of jiang cheng's right to say that wei wuxian hurt him.

i don't like this undercurrent. i don't like this idea at all. if someone - even accidentally - caused you a lot of pain, the fact that they also once sacrificed themself for you does not negate the pain they caused you. you should be grateful for what they did for you, but that doesn't mean you no longer have a right to your pain.

to flip the script, jiang cheng in reality also sacrificed himself for wei wuxian: he only lost his golden core to begin with because he drew that wen patrol away from wei wuxian. it is factually correct to say that, were it not for jiang cheng, wei wuxian would very likely be dead. but if anyone were to say: "jiang cheng once sacrificed himself for wei wuxian, meaning that wei wuxian owes his life to jiang cheng; therefore, wei wuxian does not have the right to be angry with jiang cheng for the first siege of the burial mounds," that would be fucking stupid. because that's not how it works.

i hold this to be true even though there is a cause-and-effect relationship between each person's sacrifice and their later actions. wei wuxian not having a golden core explains a lot of his later lying and other behavior, and jiang cheng having been tortured because he saved wei wuxian in turn explains a lot of his later resentment and other behavior as well. but neither of their fates were set in stone. both of them still had free will and still could have made different decisions afterwards.

the above is all a lot of blaming, refutation of blaming, and morality wank, so here are some assorted non-morality opinions:

the gift of the magi esque dual-sacrifice wei wuxian and jiang cheng pulled for each other is my favorite part of the story. like holy shit.

wen ning did phrase the golden core reveal to be as hurtful as possible. i find the idea of a sacrifice performed out of love and care for the recipient later being weaponized against that same recipient to be a very interesting idea.

wei wuxian absolutely did not give up his golden core out of only a sense of duty. there was quite a lot of duty, obligation, and guilt (spurred on by jiang fengmian and yu ziyuan's last words to him) mixed into his reasons, but i think wei wuxian gave his golden core to jiang cheng because he loved jiang cheng and didn't want to watch jiang cheng suffer.

jiang cheng, meanwhile, led the wen patrol away and thus got captured in place of wei wuxian purely because he loved wei wuxian. in doing so, he specifically failed his duty to his dead parents, his ancestors, and his sect.

wei wuxian's internal narration about how he later conceptualized the golden core transfer as "his duty to the jiang" is interesting because it is written to be a post-hoc justification. as in, he came up with those reasons and that line of thinking after he already gave up his golden core, and was trying to make the outcome acceptable to himself.

jiang cheng postcanon is in a position to start healing. this take is also stolen from an analysis i read somewhere else, but the one question that's been cooking jiang cheng for the past 13 years is Why. why did wei wuxian do all that? did wei wuxian ever truly care about him, about his family, or was wei wuxian lying from the start? wei wuxian consistently accomplishes the impossible, so how could wei wuxian allow this to happen? but now that jiang cheng knows wei wuxian gave his golden core to him, suddenly all these questions have answers. the cause and effect relationship between A and B makes sense now. and now that jiang cheng has answers, he can let the questions stop cooking his brain and begin to heal and move on.

thank you again for the ask and the kind comments!