#i will post an analysis about it out of anger if i have to

[dollishbabess]

how batboys react to you being catcalled (if you fought or didn’t)- dollish

A/n: As someone who got a NAKED GUY chase them in Central Park once,it’s same to say I don’t go out at night and I have my reasons 😭😭 idk if you guys want a story time though.

Second divider @cafekitsune

If you fought back first:

Dick grayson:

Surprise and Concern Dick would be taken aback by your sudden action. “Whoa! I didn’t expect you to do that!” He’d rush in, concerned about your safety and the potential repercussions of your actions.

Supportive Reaction After the initial surprise, he’d be impressed by your boldness. “I admire the courage, but let me handle this next time. I don’t want you to get hurt.”

Talk it Out He’d want to discuss what happened afterward, emphasizing that while he respects your willingness to stand up for yourself, he’d prefer to ensure your safety first. “You didn’t have to take matters into your own hands; I’m here for that.”

If you didn’t fight back:

Protective Instinct Dick’s protective nature would kick in immediately. He’d likely step in without hesitation, using both charm and assertiveness to diffuse the situation. “Hey! Back off!” Which surprisingly he doesn’t do physically fights as dick grayson but used to when he was younger.

Non-Violent Approach While he might be ready to fight if necessary, he’d prefer to use his words first. He’d try to make the perpetrators feel ashamed or embarrassed instead of escalating to violence.

Check-In Afterward, he’d check in with you to ensure you’re okay, offering support and reassurance. “You shouldn’t have to deal with that. Are you alright?” Would check you for any sign of discomfort or emotional distress.

If you fought back first:

Jason Todd:

Immediate Approval (YUHH THATS MY GIRLL) Jason would likely be thrilled by your boldness. “Damn, that was awesome!” He’d appreciate your willingness to fight back against disrespect and might find it incredibly attractive.

Reinforcing Behavior He’d stand beside you, ready to support you in case things escalated further. “I’ve got your back; let’s show them what we can do together.”

Post-Fight Confidence Afterward, he’d be all about boosting your confidence. “You didn’t back down. That’s badass. Just remember, you’re not alone in these situations.”

If you didn’t fight back:

Immediate Rage Jason would likely be furious upon witnessing the situation. His protective instincts would lead him to confront the catcallers aggressively. “You think you can just touch her like that? Get the hell away!” Would be so ready to pop a jaw out of place.

Fight Ready He wouldn’t hesitate to escalate to violence if the catcallers didn’t back off in a nano second, his past experiences fueling his anger towards disrespect since he grew up in the streets he’s seen how violent men are towards woman.

Aftermath Support Once it’s resolved, he’d focus on you, ensuring you feel safe and respected. “I’m sorry you had to go through that. You deserve better, let’s go home.” He’d say a bit annoyed but definitely mood wrecked and definitely made sure you saw stars that night.

If you fought back first:

Tim Drake:

Shock and Support (Like girl, you just did that?) Tim would be shocked at first, watching you throw the punch. “Whoa!” His concern for your safety would come first.

Strategic Thinking After the punch, he’d quickly assess the situation and help you strategize. “That was a bold move! But maybe next time we should come up with a plan together?”

Validation He’d validate your feelings and support your actions, understanding your need to stand up for yourself. “I get why you did that; nobody should have to deal with harassment. Just be careful!”

If you didn’t fight back:

Quick Analysis Tim would assess the situation quickly, evaluating how best to handle it. He might initially react with shock before stepping in.

Calm Confrontation He would confront the catcallers with a calm demeanor, using logic and authority to demand they stop. “That’s not cool; you need to leave her alone.”

Protective Move If the situation escalated, he wouldn’t shy away from physical confrontation, but he’d also prioritize your safety and try to de-escalate things first.

Supportive Afterwards Afterward, he’d want to talk about what happened, ensuring you feel heard and validated. “Are you okay? I can’t believe they thought that was okay.”

If you fought back first:

Damian Wayne:

Impressed but Concerned (BRO’S THROWING HANDS W YOU) Damian would be impressed by your courage but also worried about the consequences. “That was… unexpected. Are you certain you wish to engage in a fight?”

Protective Instinct He’d immediately stand next to you, ready to back you up if needed. “If they retaliate, I will not hesitate to defend you.”

Ownership of the Situation After the incident, he’d likely want to ensure you felt validated. “Your actions were brave, but remember that you must also consider your safety in these situations.”

If you didn’t fight back:

Immediate Intervention Damian would react with a sense of urgency, feeling that your honor was being challenged. He’d step in swiftly, ready to confront the aggressors. “How dare you lay a hand on her!”

Defensive and Fierce His fighting style would be aggressive, and he wouldn’t hesitate to take action if they didn’t back down. He views such disrespect as an affront not only to you but also to himself (he should be on baddies atp)

Possessive Nature After the confrontation, he’d likely be very protective, wanting to ensure you feel safe. “You should not have to endure such disrespect. Stay close to me next time.”

If you fought back first:

Bruce Wayne:

Initial Shock Bruce would be initially shocked by your reaction. “Y/N what are you doing!?!” He’d be concerned about the possible repercussions of such actions in a civilian setting.

Protective Reaction He’d quickly assess the situation, ready to step in if things escalated. “Let’s not make a scene. I’ll handle this.”

Serious Conversation Afterward, he’d want to have a serious conversation about your actions. “While I respect your need to stand up for yourself, it’s important to think about the consequences. Your safety matters most to me.”

If you didn’t fight back:

Calculated Response Bruce would remain calm and collected, assessing the situation before acting. He’d approach the catcallers with an air of authority, making it clear they need to back off.

Verbal Confrontation He might use his intimidating presence and voice to confront them. “You’re making her uncomfortable. Leave now, or you’ll regret it.”

Prepared for Escalation If they didn’t comply, he’d be ready to fight, using his combat skills effectively.

Caring Aftermath Once it’s over, he’d turn his attention to you, offering support and reassurance. “Are you alright? Let’s get you somewhere safe.” And would try to take your mind off it in any way he could.

Tbh all of them would fight for you, just some of them don’t throw hands first especially tim and Bruce.

This is for awareness purposes, thousands of women today around the world have to go through this and worse thousands of women and young girls and minors are being assaulted today, please teach and make a difference for the world today it could be anyone, your mother, sister, daughter, cousin, aunt, grandma etc.

[flying-fangirls]

As a music, religion, and literature nerd, the Dies Irae has been one of my favorite go-to pieces of trivia for a long time, which means that this line:

Has been driving me batshit BONKERS since part 42! And also as a semi-professional media analysis yapper, I figured I might as well dive into the exact reasons I jumped up and audibly gasped upon first hearing this line and have subsequently lost my mind since then. So!

Here is why I think that the Dies Irae is the perfect analogy for John and Arthur:

Religion

Let's start with the most straightforward meaning: "Dies Irae" is a Latin term, and it translates to the "Day of Wrath." Or otherwise known as the Judgement Day, the foretold second coming in Catholic canon, when Christ will "come again in glory to judge the living and the dead." It's at this Last Judgement where God will wield perfect justice to send the worthy to everlasting peace and the unworthy to everlasting punishment. (everyone say "thank you" to excessive childhood Catholic lessons for burning this into my brain)

There's a kind of irony to the fact that Arthur so vehemently rejects Christianity and religion as a whole, and that John spends much of his arc trying to distance himself from the role/identity of a god, yet both are given this incredibly religious title, effectively restricting them from ever forgetting the presence/influence of religion in their lives.

This title has a couple layers though, because we have to consider why it's the Day of Wrath specifically that represents Arthur and John. Now, I don't think I have to tell you that those two are bursting with anger 80% of the time. But I am going to tell you that those two are not just angry, but moreso "divine fury" incarnate.

The Day of Wrath, the Final Judgment, is the final and eternal judgment of God on all: "For now before the Judge severe / all hidden things must plain appear; / no crime can pass unpunished here." (Dies Irae, Dies Illa). The final Judge, the all-powerful God, can see the objective morality of every single person, and is thus the sole, rightful determiner of fate.

This assumption of their right to perfectly and single-handedly decide others' worthiness shows up over and over, not just John and Arthur's actions, but also in how they describe these judgments.

When Arthur kills the widow on the island, it's not because she was dangerous, but because she was a cultist who "deserved" to be punished.

When John and Arthur need to get rid of Mr. Scratch's stone, John says they should give it to "criminals" who are "deserving of this curse." Even though, just moments before, Arthur refused to give the stone to Oscar because to do so would be to cursing him to a fate of eternal suffering.

And I can't go into every single detail about the entire Larson plotline because this post would double in size, but it obviously needs to be included here. Possibly the strongest tie between this arc and the idea of the Dies Irae is Arthur's conviction through it all. Arthur vows that he is going to kill Larson in divine retribution not because he wants to, but because he has to. He even goes so far as to admit that killing Larson will be a mistake, a cruel and overly-bloodthirsty action that goes against his compassion. But killing Larson isn't a choice to Arthur, it is the unavoidable punishment for Larson's sins and Arthur is simply the enactor of justice. Just like the Final Judgment, there is no sympathy, no hesitancy— the judgment is absolute, divinely ordained, and cannot be stopped no matter how undeniably horrific it is.

If we look at the Catholic Catechism, principle 2302 states that it is sinful to kill out of desire, but that it is "praiseworthy to impose restitution" and use violence to "maintain justic." So even if Arthur has intent to kill, his actions count as divinely sanctioned. He is acting as the hand of God's punishment.

Over the course of Season 3 and 4, Arthur's fiery rage dies down to a more gentle simmer, but his conviction only seems to grow, and John follows suit. Despite previously reprimanding Arthur for his unquestioning wrath, John eventually becomes just as convinced that Larson "deserves" to face a wrathful reckoning. The "fact" that Larson is wholly unforgivable and is fated to receive eternal punishment becomes more indisputable in their minds, and they both stop questioning the morality of their intentions, entirely convinced of their judgment.

Throughout the story, Arthur and John insist upon the importance of kindness, compassion, and forgiveness, and say that these are the values that guide their every action. Yet, time and time again, they approach certain people with nothing but wrath and resentment. It's a sharp contrast to the benevolent figures they make themselves out to be, and Arthur and John are often blind to the contradiction because, in their eyes, they are still following those values in every action. And in the moments when they do recognize their horrific words or actions, they still cannot let their judgment go, convinced that it is their "duty" either way.

In Part 35, Arthur says "Just because you can't make the hard decision, doesn't mean it's wrong." This is exactly how John and Arthur view themselves. They know that some of their actions are harsh and violent and painful, but they are don't view that violence as wrong, because they are enacting that violence in justice. They move through life with carefully-selected destruction, culling the world of those they view as unforgivable sinners, and punishing them with divine righteousness. Arthur and John carry righteous fury in their every step, bringing the Day of Wrath down upon the world around them.

Now, there's already a ton of meaning just in this religious allusion alone. However, there's another application of the Dies Irae in modern culture, which brings us to the second side of this title:

Music

Back in the 13th century (sounds like a familiar setting...), friar Thomas of Celano wrote a poem for and about the Dies Irae. The poem was recited at Requiem Mass (church services to honor the dead), and it ended up being set to a Gregorian chant tune.

Over time, this melody has been used by a variety of composers, but the one we're focused on is Hector Berlioz. In 1837, Berlioz used the Dies Irae melody as part of his narrative symphony, Grand Messe de morts, in order to communicate that the main character had died. Then a lot of other composers saw that and said "Hey that's a cool idea!", and started also using this melody to represent death in their music. Nowadays, it's a fairly staple part of modern film and musical storytelling. If you've listened to literally any major soundtrack, then there's a good chance you've heard this motif (or a variation of it) used before. It's often subtle, sometimes loud and obvious, but no matter what, it reveals the inevitable presence of death. (essentially, the Dies Irae=death)

Now, obviously there's something tragically ironic about Arthur being likened to a musical motif when he tries so hard to distance himself from it, and there's something tragically ironic about John being associated with such a dark piece of music when he shows so much fascination and joy toward the art. Again, though, we've got some layers here. Yorick doesn't just compare Arthur and John to the Dies Irae, he literally defines them as the Dies Irae, a full embodiment of it.

Even before the story started, Arthur lost both of his parents, his friend and wife, his daughter, and his best friend.

John, when he was part of the King in Yellow, knew only how to harm and attack. In the Dark World, he falls back on this fearful lashing out with violence, harming even more people.

And throughout the story, John and Arthur seem to bring devastation to everyone else around them: Lilly the buopoth, Oscar, Noel, Collins, Daniel, Larson and Yellow.

The arrival of Dies Irae musical motif in a film always indicates that death is approaching or that is has already struck— a host carrying its blight to spread onto others. Just like the musical motif, the arrival of Arthur and John foretells the near-arrival of death. They play a duet together— John and Arthur, and death— always singing and dancing around and with each other.

These two never succumb to death, always finding a way to slip through its fingers and survive every situation. But they cannot escape death's presence because they are death's partner— singing the melody to death's subtle harmony. They cannot escape death because they are its host— destined to carry and spread devastation to death's victims. From the moment you meet John and Arthur, you know that death is inevitably approaching just a step behind, waiting to strike you down.

Whether it's the religious or musical side, we can see that John and Arthur are the literal embodiment of these allusions. They carry these powers and ideas in their every action and word, in their every step, in their very breath and blood.

Arthur and John. The hands of God's justice. The enactors of divine fury.

Arthur and John. The hosts of blight and destruction. The partner of death's song.

The man himself. The voice inside his head.

The Day of Wrath. The Dies Irae.

[rosakuma]

Possible Parallels to Ace/Nico and Arei/Eden? Spoilers for Ch. 2

Okay so with the next episode approaching us fast, I wanted to get out this post that is something that could connect to the case via the similarities between Arei and Eden with Ace and Nico. This is a mixture of character analysis and theory through the eyes of Culptrit Eden view.

Note: Just because there similarities doesn’t fully cement that Eden is the culprit + I’ll be giving an interpretation on some parts that could be a possible connection. So take this subjectively 😋

Let’s get to our big meanies! To start out, let’s compare two of the biggest jerks of DRDT’s cast, Ace and Arei.

When it comes to their role as a bully to their respective target, both are different while being similar to their approach. Ace and Arei verbally bullyies Nico and Eden with insults or assumptions on them.

When it comes to Ace, his insults and assumptions are based off his own insecurities and paranoia on how others see him. While we still don't know what causes him to feel this way, we can see how this affects others like Nico and also bites him in the back with everyone hating him because of this.

Nico being the victim of these outbursts affects them hard to take things too far due to Ace’s behavior to them reminding them of unsavory memories in their past. Nico seems to had moments similar to what Ace would do of yelling at them for saying something wrong bluntly(though to them, they don't mean it in a bad way) or getting at them for either “Wanting Pity” or “Can’t defend themselves “. Knowing how Nico’s identity of being nonbinary has cause bullies to come after them with throwing rocks/mud at them or being accused of trying to get attention in a derogatory way, this is why Ace’s accusations towards them trying to get pity got to them hard. Enough to commit murder as while I don't think Nico before the killing game tried to kill their dad or any of their peers/teachers, I do think this reflects that Nico wishes they had power over them or maybe thoughts of harming them just to get back at them. Being able to have that temporarily over Ace, it was probably the first time they were able to take action back to others who treated them awful just for who they are as a person.

Getting back to Ace. Ace is aware of this behavior being too much when it comes to his anger, but still goes ahead with it regardless. Even though deep down, he wishes he both was and wasn't the things he claims Nico is. That someone would save him from this situation of the killing game/his self sabotage behavior and care about him. But he also doesn't want to let his guard down with being in this scary situation and refuses to let anyone talk shit to him to his face. That's why it hurt so much when his projection of this person being Levi was shattered the moment Levi reveals he does not care about anyone, including Ace who could live or die for all he cares. This is just speculation, but with this chapter showcasing everyone’s flaws or hints that there’s more to them. I believe Ace in a way like Arei, probably went through something to cause his paranoia on everyone thinking that he’s hot headed idiot and the need to “fight back” to show he’s not weak either. That no one really cares about him except for one person(Taylor) who’s presumably dead now. If I had to guess, it could relate to his talent of being a jockey in perhaps the competition would get to his head and knowing he can’t fail(maybe perhaps thanks to his family whether to disappoint them or fail to support them). Resulting in the Ace we know today as the hot headed all bark, but no bite jockey who doesn't care that his body is failing him as who’s going to care? He only got himself and he can’t go out until he dies on his own terms. He truly lives up to his secret quote of “I don’t know what to do with myself anymore” as he cannot figure out if he wants to just isolate and hurt himself in the process or to let others in to help him out and change this harmful behavior of his.

Going onto Arei, her way of bullying Eden is more out of a mixture envy and concern for her. Before we knew Arei was her manipulative self who would fake being nice and cry during ch.1 before revealing herself and started insulting others. After Min’s death in ch.2 we see how her feelings about what happened cause to her act out in this chapter.

When Eden was searching for her to have her join her clock activitity with her and Teruko, Arei burst out in disgust about this invitation. Eden confused as Arei wanted to join last activity, gets hit with Arei blaming her for Min’s death. For pretending to be all sad about Min dying, before returning to her usually happy self. Telling her that acting this way and trying to do these “friendship” bonding activities is just going to cause more people to die. And it’ll will be all your fault.

This pushes Eden to tears and she runs away. To where we get in the conversation with Arei, David, and Teruko that she reveals her world view. That thanks to her sisters, her life been hell. That she used to be a nice person who tried being kind to others, but that kindness was only met by hate and manipulative jerks who take their sick kicks out on her because they had more power over her. Arei had no one who cared about her or show her kindness, only those who taught her its a dog eat dog world and you better get with it if you want to survive.

In a way, her bullying towards Eden unlike Ace’s towards Nico is because in her own way, she’s trying to help Eden. Eden probably reminds Arei of her old self that she had to disregard to survive during her childhood to adulthood. She doesn't wish any actually harm on Eden, she just wants Eden to not end up hurting like she did. But at the same time while not enjoying making Eden cry over this, she does feel something towards her. Envy

Arei feels envious towards how someone like Eden can exist. That she can be kind in this cruel world and no one takes advantage of her for it. That she can be this way and not experience any hell that Arei did despite not wanting to always be this way.

This makes me feel the connection between Ace and Arei. Both are envious towards their victims with what they have that they never gotten. Both Nico and Eden have people who cared about them and doesn't think of them being less than who they are. They can be themselves in this killing game with no one taking advantage of them(well until I guess the David reveal but nevermind that). While these two are trying to survive in a terrible situation with their own survival instincts they develop to survive in the world before this game. Although Arei before her death was trying to break out from this, to where she was given a hand from both Eden and David. Arei wanted to change even if she thought she was far too gone too. To be a good person like Eden and David. Even when getting her view of them shattered with David being a crappy person, she was glad as she’s not alone. Arei is thankful that there is no bad or good person, that she can change to be less shitty as there’s no impossible standards to live up to achieve it. Though Ace never got to get this as he had no David or Eden to reach out for him, to realize that he may be a shitty person like everyone else, but he could change his ways.

Now you’re probably wondering “Where does Eden come into all of this?” “How does this possibly connects to her being the culprit?” The thing is since both our bullies here have connections in similarities of how they treat their targets and how both murders are similar in how they’re done. What about the targets?

As we established with Nico earlier, Nico was driven to murder Ace because Ace reminded them of their past trauma right? What if Eden did the same to Arei because she reminded her of her past? Full speculation on possible Eden lore based off the little tidbits we know.

Now I don't think how Arei bullied Eden was the reason why Eden would plan to kill Arei her especially since they made up. Rather I think the reason why Eden killed her is because of when they made up. Remember, this is just speculation, so take this with a grain of salt.

I think with Eden’s secret being “Ever since you kissed her, you were afraid your sexuality would ruin your friendships” is connected to Arei’s friendship towards Eden. Whether this girl in the past was actually Arei maybe during their time at Hope’s Peak or someone else, I think when Arei promised to be Eden’s friend brought back memories to her. To someone who promised to be her friend, to protect her, to do stuff with her like baking dumb cakes, and to be someone she could rely on. We can tell with how that secret sounds, it might’ve ended badly for Eden’s crush on this girl who she felt like she ruined their friendship with.

When Arei promised to be this type of friend to Eden for now on, it caused Eden to think back to her and that Eden didn't want to be attached to someone like that again. It was already painful enough to lose that person because of who she was, she doesn't want to relive what happened to her. So she rather cut off what could’ve been a beautiful friendship that has the potential of becoming more just to prevent the hurt of losing someone like that again. With being inspired by Nico’s murder attempt, Eden was able to have the idea to have her plan in action.

Along with this, I think this could explain Eden’s behavior throughout this chapter with how strange she’s been acting about Arei’s death during the investigation to trial. She does clearly care about Arei and wanted to be her friend, but she doesn't want to be too attached to feel regret. Maybe if Arei’s words about Eden being sad about Min and then returning to her cheery self means anything, Eden is trying to do that with Arei of showing grief for a split second before trying to focus on “solving” the case to avoid feeling responsible to her death. Eden does regret doing the murder if she is the culprit as shown how she is so hurt about how she could’ve been friends with Arei, how Arei wanted to change to be a better person, and that she doesn’t want anyone to think any less of Arei that she willingly killed herself. But unlike Nico, who was able to finally speak up for themselves and admit their wrongdoings of almost committing murder, to acknowledge that they are not the victim in this situation. Eden is instead hiding and doing what she always done, rely on others to help her because she is too weak to do so. Her fatal flaw that prevents her from acknowledging that she did wrong and isn’t the ideal good person that Arei looked up to. Unbeknownst to her that Arei already knew Eden wasn’t perfect as she seemed to be.

Also it would make Charles’ conversation with Teruko in thinking that the secret he got(Eden’s) is actually important to the case as tragic but also kinda funny foreshadowing.

Essentially to boil down the connections between both parties in a nutshell:

The bullies are individuals who went through a tough life that formed their way of survival and takes it out on those who they perceived weaker than them.

The targets have to rely on others to protect them or fight their battles(Nico doesn’t do this on purpose as Hu defends them whether they want her or not, but still it happens).

The murders done to the bullies were because the targets were reminded of their past, which pushed them to commit murder.

The murder method are the same with the pulley method and making it seem like a suicide.

The target’s secrets are related to their identity(Eden being a lesbian and Nico being nonbinary) With all of this being said, I think this is the best way I can come up with how Culprit Eden could work motive wise as one of the many reasons why people believe that she couldn’t be the murder is because of no motive we can think that makes sense for her to kill her new friend. Because to be honest I do believe that Eden is the culprit based off the evidence against her with most of the things(the tape, learning the method, the note, the clothes) connecting more to her than Ace. But only reason why I’m still not 100% sure in her being the culprit is the motive. But now if this is true, then this can cement that Eden Tobisa, the ulitmate clockmaker, is the murder of Arei Nageishi!

Anyways, this case can go either way and I just know we’re all going to be destroyed this Friday when the episode airs. One of our gays is going to be buried and there’s nothing we can do about it 🥲

[degenerateshinji]

DAY 3

I'm now done pretending to be happy about them (please i need them to meet again, the last time atsushi saw akutagawa was the first time he smiled at him ever and i am not normal about it)

yes this is a redraw (i am so sorry higuchi)

Im angry today for no reason other than i kinda revisited the bsd manga for a bit too long.

random poll cause they're fun but pick one of my favorite bsd characters

no i dont care how off-topic that was

[the-one-that-weeps]

Every time someone in this godforsaken fandom says "I think we've talked about misogyny enough" I want to hit them with a hammer. No we haven't.

We haven't even talked about the deep "Ruikasa&Akitoya Vs. literally everyone else" imbalance enough but imagine all of the people that get pressured into writing specifically for male/male ships simply because otherwise they won't get any appreciation.

Yes it's a cowardly thing but when you see Ruikasa having over 4000 fics and Ichisaki having like 5 in total obviously you're going to be discouraged. Obviously you'll be biased into creating Ruikasa instead of other ships.

And as someone who depends on appreciation in particular to do any work at all obviously that's going to have a lasting consequence. Some people spend 4 hours crying in front of a screen just for 3 people to like their work and leave, it's understandable if they lose passion for creating at all, you guys killed them.

It's even in how we handle m/m ships. You go into a fic that's tagged Rui&Tsukasa(platonic), someone in the comments always goes "okay but when do they kiss". You go to an action-packed longfic, someone always ends up going "okay but when do they kiss".

Fuck you guys. Actually. This is a silly piano tiles game about Hatsune Miku, we should be one of the MOST CREATIVE fandoms in history and somehow people still get mad over two boys not kissing immediately after getting introduced. It's so fucking difficult being a content creator in this fandom because you always end up having to take the same route. They meet they tease they kiss. End of story. "Oh you're doing something "lame" instead? -1 kudo. Bring me my yaoi next🖕"

[iguessitsjustme]

I’m writing this while walking to work so forgive me if it’s not entirely coherent. I think it might benefit some people to have a reminder that books and show/movie adaptations are different. Reading the book might mean you know the framework for the show/movie but it does not make you An Expert on the show/movie.

First and foremost, I’m not going to say don’t post spoilers, but I will so do not go onto someone else’s post and post spoilers. You would not like it if someone came into your house and spoiled things for you. Do not do that to others. It is not only incredibly rude. It is entirely selfish. Which brings me to my next point.

If reading the book enhances your experience, if it’s something you enjoy, I’m glad! I am so incredibly happy for you. It does not make you smarter or inherently more informed than the people that choose not to read for whatever reason.

You might know what happens and have more knowledge about the story as a whole but that does not mean that people that are posting predictions or speculations don’t know what they’re talking about. I know a lot of people that watch these shows have some sort of degree in writing or literature or visual media. Gonna use myself as an example here, I have a degree in writing. I am decent at analysis. I mostly post silly little shitposts or memes but all of my posts are operating from a place of being informed.

I am capable of predicting what’s gonna happen. I am aware of narrative structures. I’m aware of plot devices. I’m aware of the common tropes in the shows I watch. And that doesn’t matter! Because that is entirely Not The Point. I don’t care if I predict accurately. It’s not about the what happens. It’s always about how we get there.

Of all of the shows that are airing and I can pretty much tell you what the ending of each of them is going to be. Even without reading the novels. That does not make them any less enjoyable for me. It makes them even more enjoyable. Cause now I get to watch for the details. I get to watch and see how this show has decided to show the journey of the story. And sometimes how they completely rewrite expectations. Some of the things I have watched have been very, extremely good at subverting tropes and expectations. Things can veer off in directions you don’t expect even if you’ve read the novel. Simply because it’s a different story. It is imposssible to do a 1 to 1 adaptation. As much as we might want it. It is simply not possible.

I have read a few novels that the shows are based on. Every single show has made drastic changes to the source material. So while you might have knowledge of what’s to come in the novel. You might have the ability to spoil everyone for what’s coming, even you can’t be 100% sure until it happens. And condescendingly telling people it’s so obvious when you have future knowledge is incredibly unacceptable.

This has gotten very long and I am actually at work now and should probably actually do my job but I just need to reiterate. Reading the novels is fine! It’s fun! I am genuinely so happy people are reading and enjoying themselves and also enjoying the shows! That is wonderful! But do not ruin or attempt to ruin someone else’s enjoyment simply because you think you know more. Make posts about the differences on your own blog. Talk about spoilers with friends that have also read the novel. But do not go onto a stranger’s post and post spoilers because you might be ruining the media you love for that person without even realizing what you’re doing.

[milfygerard]

sometimes i go thru the gaylor tag to see updates or reactions or something and its so funny everytime. You people are insane i respect literally none of you etc etc

[charliemwrites]

(Re)organized Crime, Part 8!

I was going to wait a little longer to post this (I say, looking guiltily at the queue) but I felt bad leaving it on a cliff hanger!

Content: Attempted Breaking and Entering, Fear for Safety, Hurt/Comfort

Four months ago, Simon drove you home for the first time.

It was a bad week all around. On Monday, Soap broke his arm. Gaz left with Farah and Alex on Tuesday for a business trip on the other side of the country. Wednesday brought about two dozen emails from Philip Graves’ wretched assistant, ugly pastel green borders framing each one. By Thursday, you almost weren’t surprised by the call about a lost shipment.

You were surprised when Price raised his voice at you, though.

“The fuck do you mean it’s missing?” he snarled.

You stood across from him with your tablet in hand, grossly unorganized logs open onscreen.

“I don’t think there are other ways I could mean it,” you answered lightly. “The crates left port and didn’t show up at the next one.”

You were scribbling on the screen, compiling the log into something more comprehensive. Purposefully not making eye contact because you could feel the angry heat radiating off him. It was making your hands tremble, but you’d be damned if you let it show.

“Well then where the fuck are they?” he demanded.

“If I knew that, sir, they wouldn’t be missing.”

“Are you taking the fucking piss?”

At that, you let out a heavy breath and looked up, expression flat. Price’s expression was dark, mouth tight. One hand gripped the arm of his office chair while the index finger of the other tap, tap, tapped his desk. You stared him down for a moment, reminding yourself to breathe with each uneven beat of your heart. Waited through a count of 20 before he huffed.

“Just find the damn thing,” he growled.

“Shall I use my crystal ball?”

You nearly jumped a mile when he barked your name in reprimand. And that was about the time you had enough.

“John.”

He froze. Across the room, so did Simon and Soap. You were so shocked by your own outburst that you came up a bit short as well. Didn’t even have a chance to gather more words when Price’s shoulders dropped. The anger melted away, replaced with apology and self-deprecation.

“Christ, luv, I’m sorry. Where have my manners gone?”

He ran a hand down his face, pinched the bridge of his nose where you were sure a headache was brewing.

“Thank you for the apology. I know this is important,” you soothed, softening your voice. “Give me 30 minutes and I’ll have a list of people you should yell at.”

He grimaced, “Take 45 for the trouble, darling.”

You used the extra fifteen minutes to brew him a fresh cup of tea and served it with a couple pain meds. When you’d delivered the analysis, he told you to head home early, that it would be a late night regardless and there was no need for you to do more than you already had. (It hadn’t helped the way that he’d ducked his head, still sheepish. You’d squeezed his wrist as you’d dropped off a list of damned names.)

With your usual drivers gone, Soap’s arm broken, and Price out to rip several people a new one, Simon drove you home.

He scowled in the vestibule while you fumbled for your keys. Then glared at the entryway as you trudged to the elevator. He grumbled as he accepted the invitation into your apartment, only to sneer (yes, you knew he was sneering even with the mask) at the doorknob and deadbolt.

“This place is a bloody deathtrap,” he finally declared, crossing his arms.

“It’s not that bad,” you replied, shaking your head.

“One solid kick and this door is coming down.”

You arched an eyebrow. “Then don’t kick it.”

“I’m sure a robber will be polite enough to knock,” he scoffed.

“The crime rate is good in this area,” you argued. Not great, but decent enough…

“Bloody hell. Did you even – are your fucking windows unlocked?”

You blinked. “We’re on the third floor, Simon.”

“I don’t give a rats arse—”

“And stop swearing at me.”

“—that you’re on the third floor. Lock your windows.”

You rolled your eyes but faltered when he narrowed his eyes, looming in the doorway like a fussy boogeyman. A clear indication that he did not plan to leave until you complied.

“You can’t be serious!” You were not whining.

“As the fu— as the damn plague.”

You snorted. “I think ‘damn’ is still swearing.”

He didn’t deign to respond to that, just arched his eyebrows. You mirror him right back, preparing to make a snippy comment about wasting company time.

“I’m sure Price would agree,” he said as you opened your mouth. You shut it with a snap.

Smug bastard.

You groaned but made a show of padding to all the windows and clicking the latches shut. Even when into the bedroom to secure those too. When you were done, he grunted in satisfaction and turned for the door.

“Lock this too.”

“I will, I will, I’m not dumb.”

You scrunched your nose at the skeptical grunt you received that time.

Before leaving, he pointed at you again, eyes narrowed. “Lock. Them. All.”

“They are!”

“From now on.”

“Yes, Simon.”

If you survive this episode of Dateline you’ve found yourself in, you owe him a scone and those nice cigarettes he pretends he doesn’t smoke.

“Open th’ fuckin’ door, Bunny!”

Your fingers twitch around the hilt of the knife. It’s not a big one, but it is serrated. That’s not going in or out without some serious damage. If not the fatal kind, at least the messy kind. Brandon’s not doing anything to you without leaving a crime scene investigator’s wet dream behind.

“Bunnyyyyyyyy!”

The banging starts again, nearly as fast as your heart. You could swear it gets louder every time. Maybe it’s just getting closer, layers of wood chipping away, closing the already too-small distance between you.

You glance desperately at your phone, but the screen remains damningly dark. Price promised he’d be here soon, but it feels like hours since you hung up to preserve what little battery life you had left. Your stomach churns as the pounding turns to thicker, harder thumps. Throwing his body into the door again, trying to force entry. Simon’s mutterings about kicking the door echo in your head.

You should have listened.

“Bun—fuck!”

You jolt as something slams into the door, nearly taking it (and the entry table you braced against it) down. There’s scuffling and scraping, muffled shouting, rapid footsteps— then silence. You hold your breath, every muscle in your body wound tight enough to snap.

“It’s alright now.”

You lurch from your protective crouch in the hallway, shove clumsily at the table. The mangled front door swings in crooked on one hinge, cracked and splintered from top to bottom.

And John is there on the other side.

You’re not sure if he reaches for you or if you throw yourself into his arms. All that matters is that he’s clutching you tight to his broad chest, tucking your head beneath his chin. Safe, protected. Your head spins as you lean into him, knowing that he’ll support you. His heart is beating hard against your cheek.

“John,” you breathe, now that fear isn’t squeezing your lungs in a vice.

“I’m here, luv,” he murmurs into your hair.

You’re shaking. Adrenaline seeps from your bones, takes all their heat and steel with it. You’re left cold and feeble in the aftermath, fingertips numb as they curl tight into his shirt. You don’t know where the knife is; you don’t care. You don’t need it now.

“H-He… He…” you start.

John shushes you, squeezes a bit tighter in reassurance. He knows; you don’t need to tell him, don’t have to remind yourself of what could have happened.

“Where…?” you try instead, but words are so hard. All the trembling must have knocked your voice loose, lost somewhere in the pit of your stomach.

“Soap and Gaz are taking care of it,” John says.

The last of the tension drains away. Your boys will scare Brandon off, maybe enough that he won’t ever bother you again. (The thought alone makes your eyes burn.) John is here now, and – when you peek out from around his bicep – so is Simon.

“You were right,” you mumble, “a-about the door.”

Simon winces. “I’m sorry that I was.”

Somehow, that’s what finally bursts the bubble of your restraint. You sob. It’s loud and sniffly and ugly. In the back of your mind, the part that can never just let you rest, you’re mortified to be doing this in front of your coworker. And on your boss’s nice shirt too. You have an image to maintain—

Except John’s broad hand is rubbing soothing circles into your lower back. He’s gathering you even closer, letting you shelter in his warmth and strength. Easing you through hiccups with quiet murmurs, telling you he’s proud and that you did so well to call him.

Through tears, you see Simon reach out. Scarred knuckles run gently down your wet cheek.

“We take care of our own, little miss.”

You warble out a broken little “Simoooon” that seems to break the solemn atmosphere, John sighing against your temple and Simon’s shoulders slumping in what might be fondness.

It’s not long before Soap and Gaz return, looking no worse for wear, thankfully. (Not that you think they can’t handle themselves – but Brandon was drunk and who knows if he had a weapon or not. Accidents happen.)

“Aw, lass,” Soap coos when he sees you. Calmer now, but still sniffling and wiping at stray tears. “He’s gone now. Won’ be botherin’ you again.”

You blink at the fresh blood on his knuckles and don’t ask. You believe him.

“Thank you.”

“Nothin’ to thank us for, doll. Should have taken care of ‘im earlier,” Gaz replies.

“Earlier?” John asks. He’s trying for your sake, you can tell, but you know him too well to miss the sharp note in his voice.

“Hadn’t had a chance to debrief, sir,” Gaz explains regretfully.

You untuck your face from John’s chest to be better heard, clearing your throat. “Still, for all four of you to come here…”

“What else would we do, sit with our thumbs up our bums?” Soap teases.

“That’ll do,” Simon snips, but you giggle anyway.

It doesn’t take much to convince you to leave your apartment – it takes a bit more to convince you to go to John’s. Unfortunately, you’re outnumbered, and while that normally wouldn’t be a problem, you’re not in a headspace to be stubborn, argumentative, or superficially brave.

All the boys have bachelor pads ill-suited to guests, especially on short notice. Maybe on some other night, under different circumstances, you would have insisted on a hotel.

But the idea of being alone in an unfamiliar place makes your skin crawl. You don’t want to be alone. You want to be near John.

“We take care of our own,” Simon said – so you let them.

Gaz, Soap, and Simon help to pack you an overnight bag, scattering to different corners of your apartment to collect items. In the meantime, you keep clinging to John because he keeps letting you. Exhaustion creeps at the edges of your mind, doubling gravity on your slumping shoulders.

“Did I interrupt something important?” you ask finally, voice hoarse.

“No, luv. Just a card game with some old friends. Soap was losing anyway.”

You sigh, relieved. At least you don’t have the loss of some important business deal weighing on your conscience.

“Poker again?”

“Kid can’t keep a straight face for the life of him.”

You hide your smile against his shoulder and appreciate the chuckle you feel more than hear in his chest.

Simon takes the lead out of the building while Gaz and Soap bring up the rear. You’re a bit self-conscious of any neighbors seeing you in this state, but thankfully none make an appearance. It’s too late in the evening for anyone to be coming in or leaving, and if there were any witnesses to Brandon’s bullshit, you never saw (or heard) them.

(“The hell is their problem, actin’ like they didnae hear that bawbag?” Soap grumbles. “Bystander effect,” you answer, shrugging. He grimaces in understanding, but still looks pissed.)

The car is warm when John bundles you into the back seat. Soap takes the wheel, Simon the passenger side. Gaz sits on your other side and leans his knee gently into yours.

“It’s over now, doll, you can rest. We won’t let anythin’ happen t’you,” he promises.

You smile wearily, lean in to drop a grateful kiss on his cheek.

“Don’t know what I’d do without you four,” you sigh as you snuggle into John’s side again.

“Don’t need to,” Simon answers gruffly, “we’re not goin’ anywhere.”

John hums in agreement, low and pleasant by your ear.

“You always take such good care of us,” he murmurs. Quiet, just for the two of you. “Let us return the favor for once, won’t you, darling?”

You want to resist. You should. You drop your head to his shoulder and sigh, “Okay.”

Between the gentle motion of the car and the pattering of a fresh rainstorm, you don’t stay awake for long. You nod off within four blocks of your apartment, peacefully unaware of the dazed and bloody body in the trunk.

First | Previous | TBC...

Masterlist

[bakuhatsufallinlove]

424

All right, listen. It’s pretty damn funny that two weeks ago I posted all like, “oh I don’t really comment chapter-by-chapter, I’m waiting to see what happens next,” but this one broke me.

This chapter was everything I wanted for bkdk, and it’s so much more tender than I ever dreamed it could be.

This post is not going to be like most of my posts, because I am a flood of emotion. If you’re wanting some detailed, well-researched analysis of this scene, that ain’t coming for a while.

I don’t have some kind of comparative linguistics to show you. I just have my visceral reactions as someone who speaks Japanese and has absorbed Japanese media for many years. I have shared my heart with others in Japanese, I’ve sputtered out words between sobs and felt the many kinds of comfort different people try to offer. I have comforted others who let themselves be vulnerable with me.

In all these moments, just as in English, I wondered if my words and feelings reached them. Each time, I felt the warmth of connection when they looked at me, and I decided that they knew I did my best. They accepted me, even if it wasn’t perfect.

I’m gonna tell you the truth, and I wouldn’t normally say this so directly, but it matters to me: the fan translation for this specific scene is not good. The tone is wildly off in some ways and it outright omits a number of very important words.

The official translation gets so much of it right.

But that’s not really what I want to talk about right now. I want to talk about how people are reading this scene.

I have seen a ton of, frankly, oblivious interpretations of Izuku’s side of things.

Listen to me. Izuku is not making fun of Katsuki for crying, he is not telling Katsuki that crying isn’t like him, that isn’t in the text at all. He is not rejecting Katsuki’s feelings, or belittling them, or ignoring them, or any of that.

Izuku has seen Katsuki cry in-canon a number of times, but every time it was over his own personal failures, and the frustration, anger, guilt, and grief associated with them. We see it in the aftermath of Deku vs. Kacchan 1. We see it during Deku vs. Kacchan 2.

Izuku is shocked to see Kacchan cry because this is the first time he has cried for Izuku.

When Katsuki apologized in 322, he looked Izuku in the eye and told him his feelings with conviction and poise. He was gentle and vulnerable, but strong, because he was asking Izuku to trust them and rely on them. To come back with them and believe in them, like they believe in Izuku. He bowed his head to show his remorse. He caught Izuku when he fell, and he accepted Izuku’s own apology.

He embodied dignity, sincerity, and strength of character. He was a true hero.

This?

This is the raw, honest sorrow of a young boy. It is a tender, earnest, unguarded display of how much Izuku means to him.

These are the tears you shed for someone you cherish. These are tears for when you think you are losing something you can’t live without. Because Katsuki isn’t just crying for the loss of Izuku’s dream—it’s their dream, the future they dreamt up together as kids.

Izuku is almost pathologically incapable of understanding how other people see him and feel about him, but this is unmistakable. He is stunned because there is no other explanation.

There is unmitigated heartache and longing at the core of Katsuki saying, “I just thought somehow we would be together like this, competing and chasing after each other, forever.”

And Izuku is reeling, but so, so touched, and filled with fondness. Look at how his shock shifts to this overwhelmed, affectionate smile.

He’s right—this isn’t the usual Katsuki, and that is precisely why it means so much. We as the audience have been privy to Katsuki’s feelings, but until now Izuku himself has never really grasped the depth of them. This is all the tenderness Katsuki has kept locked up inside, and he is letting Izuku see it for the first time.

To see Kacchan—strong, fierce, and absolutely unstoppable—shed these innocent, helpless tears for him and tell him through sobs that he wanted things to stay this way forever, I can’t blame him for being blown away.

I think Izuku expected Katsuki to be shocked and a little sad that he gave up OFA, both for Izuku’s sake and because it is the legacy of their hero. Before Katsuki even starts crying, Izuku has this small smile on his face, like he was ready to reassure him that he had made peace with his own choice.

But he clearly didn’t expect for Katsuki to weep openly in front of him about it or to confess to wanting him by his side. Izuku had so enjoyed just being allowed near Katsuki, allowed in his life at all—to think that Katsuki could want the same and want it this much, to the point that he worries that things would change, that Izuku would abandon him or deny him? How could that ever be?

In what world could Izuku ever stop chasing Kacchan?

Izuku is a bit of an idiot. He has always thought that Katsuki understood how much he cared for and admired him—that’s why he is so shocked during DvK2 to hear that Katsuki thought he looked down on him for years. Izuku thought Katsuki understood his feelings and simply rejected them.

The way he loves Kacchan is natural and unquestionable. Even now, he can’t understand how Katsuki doesn’t know. It’s baffling to him.

But he still accepts Katsuki’s vulnerability and responds to the intimacy.

This is such an affectionate, loving thing to say. Izuku is being so sweet. I cannot convey to you strongly enough how Izuku telling Katsuki, “C’mon, stop it, this isn’t like you!” reaffirms their closeness.

If Izuku had not said this line and instead skipped straight to this nervous, awkward little attempt at comfort here:

It would have read as so much more distant.

With his tears and his confession, Katsuki pleads with Izuku to not leave him. To be with him always.

And in response, Izuku unabashedly stakes his claim on their bond by being bold enough to affectionately scold him and even assert authority on what kind of person Katsuki is. Remember these?

Chapters 202 and 319

This is such a staple in Japanese media for showing close bonds. Your loved ones know you. They tease you. They scold you. They have that right. You gave it to them.

The people you love cheer you up by reminding you that you’re strong and brave and that even if things feel hopeless and like you can’t go on, that they know you can. Everything will be okay, and they know so because they’ll be right there with you. Of course they’ll be there.

Symbolically, throughout the series, Izuku’s response to Katsuki trying to be closer to him has always been: “Of course.”

He has always accepted Katsuki as much as he is able to, as much as he had awareness for. He is wildly lacking in self-awareness, so it’s certainly not perfect, but by god does he try.

What Izuku is really saying is a mixture of “Really? You want that, too?” and “Don’t be silly!”

One part is him being shocked and touched; the other is him being absolutely certain of his own heart, and showing it as best he can.

He does get flustered and self-conscious, though—because it’s overwhelming to see Kacchan this way, and this is kind of new territory for them. So he switches tactics to reassure Kacchan about how things are now, and make sure he doesn’t feel embarrassed about this outburst. He still has the embers, so it’s okay for now. And their bodies are weak, so of course their heads will be in a bad place too, it’s easy to get low spirits. Of course Katsuki would be feeling vulnerable. It’s normal.

He gives Katsuki so many things here. He gives him as much as he can.

Izuku doesn’t know how long he’ll have the embers for and, frankly, he doesn’t have any guarantee that he will be able to satisfy this longing of Katsuki’s after he loses them. This, too, is a staple of promises in Japanese media: “I don’t know if I can satisfy you, but I want to try. I hope you can accept me.”

Things will be different—the future is always uncertain, now more than ever for their world. But what will never change is what they feel in their hearts.

After this scene, I honestly don’t care if we get something other people see as “bkdk canon.”

What Katsuki says is as good as a confession to me. What Izuku says in return is genuine and pure. This is a messy pair of teenage boys figuring out how to reach each other with words, when they have always been so damn bad at it. This is the two of them both reaching a new point of intimacy and reaffirming everything that came before.

[reiderwriter]

Hating You Is The Easiest Thing I Can Do

Pairing: Spencer Reid x Female Reader

Summary: When your boss pulls your case out from under you and gives it right to the BAU, you're pissed. You're even more pissed when Doctor Spencer Reid suggests you can't do your job properly. After a week in his company, you decide to give him a piece of your mind

Warnings: Day One of Kinktober - Hate Sex, enemies to lovers, dom/sub, Mean!Dom!Spencer, Brat!Reader, spanking, degradation, spanking, spit kink, sir kink, vaginal fingering, slight creampie, Reader's boss is an asshole, typical office misogyny. Spencer is also an asshole, but that's just because he's a dumbass.

A/N: Special thank you to @reidmotif and @mrs-dr-reid for proofreading this one for me! I wrote this when on a major Pride and Prejudice moment, which is why there's a whole lot of plot before the sex. I hope you like the build-up just as much as the smut! <3 If you like it, don't forget to leave a like, reply, or reblog and tell me your thoughts! ((just as a reminder, apart for Sundays and Tuesdays, I'll be posting all the kinktober fics on AO3 exclusively, so check out my writing there - reiderwriter))

My requests are also back open now, so if you like my writing and have an idea, check out my request guidelines and drop me a message in my inbox! You can find the rest of my masterlist here :)

To say you were angry was an understatement. You were seething, the anger bubbling up inside of you and threatening to lash out at anyone who so much as crossed your path as you made your way down the crappy motel corridor. You'd only known Spencer Reid a week, but you could think of no one you despised more.

The FBI had always been a boys' club, you knew that. There were some goddamn strong women in your field office, of course, but you were outnumbered 10 to 1. Which was why you were so determined to do well on the first case assigned to you as lead Agent. The first week of the case, you'd made sure you were thorough. A body had been found in the park by a jogger, and you darted to the crime scene the moment you got the call. A woman in her early twenties, like you, had been raped, tortured, and then dumped here, her body posed in a demeaning way to make it seem as if she were performing a sexual act. Your entire body shuddered at the sight, but you couldn't let your coworkers see you weak so you powered through. Collecting evidence, getting an ID on the victim, interviewing potential witnesses, and yes, even breaking the news to the poor girl's family, you had been so attentive to every detail of the case and you felt you were making progress, your boss delivered a humbling blow.

"Another body has been discovered. I've invited the Behavioural Analysis Unit in from Quantico because you're in over your head." He'd told you, not even looking up at you from the file he was reading on his desk.

"What? I wasn't told about another body, why wasn't I notified?"

"I didn't think you needed to know, now that the BAU is coming in."

"So I'm off the case? That's it?"

"No, I want you to assist them in their investigation. Tell them everything you've gathered so far, get them situated in the office as best you can."

"Get them coffee when they want it? Rub their feet if they ask for it? This is bullshit, I was making progress, if you'd only have given me more time-"

"Agent, I suggest you walk out of this office right now and get your PMSing under control before I have to suspend you from fieldwork." You pressed your nails further into the beds on your palms then and bit back your tongue from replying, simply giving a terse nod and exiting the office.

It wasn't even an hour later before the new team arrived, and you offered a tense smile and welcome as you got them set up in their own office. The Unit Chief didn't seem too bad, but Aaron Hotchner couldn't exactly be described as the most welcoming of people, and you felt an instant camaraderie with JJ, the other agent who'd come into the office with him. There were more agents apparently, but they'd gone out into the field to check out the new victim and reinterview the family, something you weren't exactly happy about. But, if you were going to be their little bitch for the next week, you were at least thankful they were tolerable and polite.

"So here's everything I've got so far. I've been pretty thorough in my interrogations of potential witnesses, and there are no CCTV cameras in the general vicinity of the dump sites, so I don't think you'll find anything else there that'll aid in your profile."

" If you'd have been thorough you'd have found this though, right?" A new voice popped up from the door, and you felt yourself tense up under the sudden accusation. Looking up you saw he was holding up his phone, a picture of a strange marking on a tree lighting up the screen.

"Excuse me?"

"This was left on a tree roughly thirty feet from the first dump site. I called Rossi and Morgan and they found a similar marking near the second victim. It's a Mesopotamian symbol relating to the worship of prostitutes and sex workers to promote fertility." He spoke plainly, but all you could hear was the condescension in his tone, and your blood boiled with rage.

" Agent Y/L/N, I'm sorry about him, this is Doctor Spencer Reid, he's another member of our team." JJ introduced the man, sending him a warning glance, as if letting him know that he hadn't just put his foot in his mouth directly.

You looked at the man then, really focusing on him now instead of the pictures, and almost cursed out loud again. He was a jerk, but fuck was he attractive. Tousled hair, dark eyes, and a perfectly sculpted jaw, it was as if he were sent from hell directly to piss you off and tempt you. You pushed the attraction aside for the minute then, choosing to be the bigger person and introduce yourself.

"I'm Agent Y/N Y/L/N. And I'm sorry that I'm not an expert on Mesopotamian prostitutes, but I guess that's probably your specialty, right, Doctor?" You held out your hand for him to shake, but he just looked down at it.

"If you're referring to my doctorate, I actually didn't study classic civilizations. I hold PhDs in Math, Chemistry, and Engineering and additional BAs in Psychology, Philosophy, and Sociology. And I don't do handshakes." He glanced straight past you after that, walking back over to Hotch and filling him in on other things you must've overlooked during your brief time working the case.

You glared at his back, finally letting your hand drop to your side again as you let out an angry chuckle.

"Don't take it personally, Spencer is just… He’s He's not great with people. He'll warm up to you." JJ put a reassuring arm on your shoulder and you nodded. But inside you knew there was not one thing the man could do to reverse the bad opinion of him you'd just gained.

–X–

After the initial anger of having the case seeped out from beneath you wore off, you actually began enjoying your time with the BAU. You hadn't put much thought into profiling before, it usually being so far off your radar while you were working in the field office but you were actually coming to enjoy how they worked, and you'd learned a lot.

Your relationship with Spencer, however, only degraded.

Your hatred had reignited the moment you'd been joined by the rest of the BAU Team. Your boss has finally come down to greet them, and, almost as if making you pay for your earlier comments, had genuinely sent you on a coffee run for them. You could deal with the fact that the man had the most annoyingly complicated coffee order you'd ever heard of in the Bureau, but what you couldn't forgive were the sly comments you walked in on when you returned.

"Come on, Reid. That Agent is easy on the eyes, you should talk to her, get you a slice of that." You'd been introduced to Derek Morgan earlier and you'd instantly pegged him as a flirt, so this wasn't exactly shocking to you. What was a bit surprising was the other man's reply.

"If she's attractive I hadn't noticed. I've been too busy trying to clear up her mess with this case."

You walked in the door then, coffees in hand, and slammed his drink down on the table for him. You handed Morgan to him, double-checking that you'd got both of their orders right before shooting another glare at the man and walking away to find the rest of the team.

But not before hearing Morgan chastise Reid in another whisper: "God man, you gotta be nicer to the kid…"

To say that your working relationship had soured totally after your two personal encounters with the man was simply an untruth. You didn't have a working relationship, you had a working rivalry.

From then on, you'd slyly interrupt the man when he was speaking, telling him to cut his genius rambles in half, that you didn't have all day to sit around and wait for him to stutter his way through his theory while there was a murderer on the loose.

He didn't hold back either, constantly asking you questions he knew you didn't know the answers to, just to smile slyly down at you and make you admit that you weren't as good as him. It was getting so detrimental to the office atmosphere that you had to be genuinely separated after only three days, Hotchner bringing you into the field with him on multiple occasions and forcing Reid to stay behind with JJ to work on a geographical profile.

You'd been with Hotchner at a family interview, working with him to gain details of the second victim's actions and whereabouts leading up to her murder to establish a timeline when you got a call.

Excusing yourself from the room, you quickly picked up the call.

"This is Agent Y/L/N."

"Hotch isn't picking up his phone." That was all the explanation you got from the man on the other side of the phone, his voice instantly grating.

"Yes, I'd assume he isn't, Doctor Reid, because we are currently interviewing a bereaved mother and father and he put his phone on silent. Is there something you need?"

"I need to talk to Hotch."

"Well, you called me. What do you need?" You heard him breathe out a frustrated sigh on the other side of the line, and you rolled your eyes, slightly enjoying being this stubborn and getting under his skin.

"Just tell him we're ready to give the profile, okay?" He hung on you after that and you cursed him down the line, receiving nothing back but the empty beeps of the dial tone.

–X–

It didn't take long after delivering the profile to get your guy, but as he hadn't been in the middle of committing any felonies when you picked him up, you'd had to spend a few days in the interrogation rooms.

Hotch had taken a crack at him and gotten nowhere, and so had Rossi and Emily and Morgan. JJ had been the one to make the arrest, so she went in last and still came out with nothing much. He hadn't layered up yet, as they'd suspected he wouldn't, too egotistical to allow anyone else into the room that he thought he was going to talk himself out of.

"We're getting nowhere with this, Hotch. I think I have an idea that could get him to start talking." Reid said as you all stared at the man through the one-way glass.

"What, you think you can charge in there and get him to talk?" It was petty, but it'd been a stressful week, and he was used to this flow of conversation between the two of you.

"No, you are. Hotch, she fits his type, she's attractive, same build and coloring as the previous two victims. I think it'd work." You scoffed at his suggestion.

"Oh so now you think I'm attractive? I thought you hadn't noticed because you were, what, too busy cleaning up my mess?" You crossed your arms as he gave you an incredulous look, and you realized that he didn't think you'd heard him.

"Spencer's right, Y/N." Hotch nodded, looking between the two of you to see if he needed to pull you apart to keep you from fighting or to keep you from jumping each other. You personally weren't sure which you'd like most at that point, cursing yourself as you let your eyes trail down his body.

"It's going to excite him having you so close, you should pop a few of those buttons, too," Reid suggested looking down at your chest as you scoffed and crossed your arms.

"Oh you'd really like that," you mumbled under your breath, but a swift look from Hotch had you shutting your mouth again as he began to brief you.

Going in you felt a surge of pettiness seep through you. You were going to nail this guy, get him to talk about every little nasty thing he did to those girls, and prove to your boss that you could do this when every member of the BAU had tried and failed. But a small, dim, and annoying reminder at the back of your head whispered in your ear that you'd be pleasing Spencer then as well. Proving him right. You weren't sure if you wanted to succeed to hear him or your boss say "good job" to you after you finally succeeded, but when you imagined it with him, he was a whole lot closer, right in your ear, body pressed against yours.

You focused on your anger over your attraction and pushed into the room, ready to stare down a monster and escape unharmed.

–X–

It had worked, of course. It had taken a few hours of building rapport but you'd done it. You'd had him eating out the palm of your hand while he confessed to the three murders you knew about and an extra four that you didn't.

A day of retrieving bodies later and by 10 pm, the case was finally closed.

"Well done, kid, you really got him in that interview. That was some great work." Morgan nudged your elbow as he grabbed his duffle, exiting the makeshift office.

"Don't forget we're getting drinks at the cocktail bar in half an hour. Shower off that mud and change into a hot dress, Agent, and I'll buy you your first shot." Emily called back to you from the exit too, leaving you in a fit of giggles as you promised her you would.

Once they'd all gone, you started packing up your things ready to leave yourself when there was another knock at the door.

" Hey, I need to grab my bag." Reid stood in the door awkwardly, and your smile dropped into a politely neutral face as you nodded to him.

"Don't let me stop you, Doc."

"Spencer."He said, stepping a bit closer to you.

"What?"

"I want you to call me Spencer. You keep calling me Doctor or Doc, I want you to call me Spencer."

"No. Doctor Reid is just fine for me."

"And what if I want more?" He grabbed your wrist as you turned to go, using a bit too much force and leaving you stumbling into him, hitting his chest as you looked up at him, your noses almost touching with the proximity.

"Let me go," you growled, but his grip loosened and you didn't move an inch.

"What if I want more?" He asked again, a little more insistent this time, his eyes dark in the dim room, expression unreadable.

"Why should I care what you want, Doctor Reid?"

"Because I think you want it, too. Because I think that despite all the odds, you want me just as much as I want you."

Your anger burst out of you in a sarcastic laugh then at his presumptuous words.

"Despite all the odds? What odds are those Spencer? You treat me like shit, ignoring me, refusing to even shake my hand, and downplaying the hard fucking work I put in before you got here? God, you are so fucking narcissistic." You finally stepped away from him then, turning away to regain your composure.

"Me? I'm not the one who missed some vital fucking evidence in a murder investigation, Y/N, so I'm sorry I wasn't the most welcoming person, but God if we're talking egos, you should probably check yourself."

"Forget it, you're impossible. I really tried to be nice to you, but more fool me for making messes you had to clean up."

"Are you still stuck on that? Y/N, I'm sorry, but Derek just has a way of-" He stepped closer to you again and you could feel the oxygen being sucked from your lungs.

"Don't you dare blame this on Morgan. You're attracted to me and you fucking despise that, and it's none of Morgan’s fault. Now please, just get out of this fucking office and go back to your motel room." You practically hissed those last words at him, holding back the urge to scream in frustration. Your lips were so close now, as his chest heaved, hands clenched by his sides as he resisted the urge to grab you.

"Forgive me… for suggesting something so obviously repulsive to you." With that, he brushed past you and walked out, leaving you reeling at his almost confession, head light from the lack of air. He'd taken your breath with him as he left the room.

–X–

The promise of free shots had convinced you to get back out to the bar as promised, not letting Reid and his fickle moods control when and where you'd be enjoying yourself.

You finally showed up at the bar and were greeted by hugs from JJ and Emily, already one drink in as they immediately handed you a shot from the bar. Guiding you back to the table, you paused as you saw him there.

Morgan was sat at the table, happily chatting away with Reid, who'd since grown quiet, eyes meeting yours before leaving to rake down your frame. You resisted the urge to cover yourself, confidently standing tall as he devoured you with his eyes. Changing out of your work clothes, you'd decided that you needed some fun tonight, donning a short red dress, barely hitting the tops of your thighs, hugging your curves tightly, and pushing your chest up so it nearly spilled out completely. You'd completed the look with thigh-high black boots and a red lip, looking the absolute image of lust - or anger - personified.

"Whew mama, you look good, Y/N." Morgan greeted you, standing up to give you a kiss on the cheek. Reid still said nothing but kept his eyes trained on you as he took another sip of his drink.

"I was promised shots and dancing, I think I'm dressed pretty appropriately don't you think?" You smiled and giggled up at Morgan, letting your touch linger on him a little longer to see if it would spur Reid into action.

"Have I ever told you about my very good friend Penelope Garcia? I think you two would get along just fine."

The rest of the night continued in a similar vein. You'd stepped out onto the dance floor with Emily and JJ, letting whatever man wanted to sidle up close, begging one of them to be a distraction from the man whose eyes were boring into you from the other side of the room. It didn't work. Their hands were on your hips, guiding you to the sound of the music but in your head, all you saw was him, doing the same.

It didn't help that he was getting hit on constantly from his perch beside Morgan, and you watched with a bitter feeling at the bottom of your stomach as women tried, unsuccessfully, to get him to pay attention to them. After another frustrating invitation for a tryst with a local man, you excused yourself from the dance floor, finding Morgan in the bar, letting him know that you were calling it a night.

"Where's Reid?" You asked, trying and failing to sound casual as you glanced around the now crowded bar for signs of him.

"He left like ten minutes ago. Said he was tired and went back to the motel."

"Was he…" You didn't want to finish the question, not knowing which answer you'd prefer, but Morgan filled in the gaps himself with a wide grin.

"Alone? Yes, kid. Here, it's the address of the motel we're staying at and his room number." You hesitated before grabbing the paper and grabbing your stuff, practically running from the bar and hopping in the nearest taxi.

–X–

That's how you found yourself stomping down the corridor of the motel, pounding on his door at 1 a.m., unashamed in your brazen actions. He opened the door, slightly shocked to see you there, and you pushed your way inside and turned on him as you shut the door.

"What the fuck was all of that?" You demanded as soon as he turned back to you. His shirt was open now, jacket and tie discarded on the floor somewhere deeper into the room, but you forced yourself to look up into his eyes, away from the pale plains of his skin.

"What was what, Y/N?"

"You, staring at me like that the whole night and then just leaving."

"Did you want me to stay?"

"I want you to stop answering my questions with questions, Reid. This is bullshit, you can't act like a dick to me all week and then look at me like I'm a piece of meat you want to rip apart, for fucks sake."

"You made it very clear earlier tonight that you wanted no part of this, Y/N. Are you saying I should've done something else?"

"That's another fucking question, Spencer! If you don't start actually talking to me, I swear to god, I'll-" You ran a hand through your hair, and when you looked up again, he was closer than ever. You backed up into the wall, but he followed you, pressing a leg between your own. Slowly and with that condescending grin plastered across his face, he drawled out his next words.

"You'll what?"

Your lips crashed against his with the fury of your frustrations, a mess of teeth and tongue and biting anger as you surged forward into him.

With a rough push of your hips, he slammed you back into the wall, taking charge of the situation, coaxing his tongue into your mouth, battling you for control, and winning. Grabbing you by the neck he slowly pulled his lips away from yours, leaving you gasping for breath.

"Don't be such a brat, Y/N. When I ask you questions, it's because I want answers." You moaned as you tried to regain his lips, but he chuckled and kept you pinned.

"Tell me, baby, what should I have done earlier instead? Got down on my knees to beg your forgiveness, or thrown you over that desk and used you like a cheap little whore? I think I know which one you prefer."

You moaned at his words, but kept your mouth twisted in a grimace, choosing not to answer. He got tired of waiting, and, with a swiftness you didn't know he possessed, twisted you around so your hands were planted against the wall, your chest pushing against it too as he pulled your hips up and out, effectively baring your pantie-clad pussy to him as your dress pushed up and over your ass all by itself.

"So fucking slutty. You let all those men in that club touch you while you stared at me the entire time." He ran his hands across your ass massaging you underneath your underwear before pulling his hands away again and grabbing your hips. He pushed his clothed cock against you from behind and you moaned at how hard and big he felt already.

"Was this what you wanted, brat?"

"Go fuck yourself."

"I think you'd much prefer it if I fucked you, don't you think?" He turned you around again, lifting one of your legs up to wrap around him, the new angle pressing your core further into his cock.

"Open your mouth, now." Against your better judgment, your body reacted to him quickly, your tongue dropping out of your mouth as he ground his cock into your core, effectively dry-humping you. With a swift motion, he spat in your mouth, your eyes going wide as you instinctively shut your mouth and swallowed.

"Good girl," he stroked your hair, lifting you up and carrying you to the bed. His lips locked with yours as you tasted his spit on your lips, letting him take control and move you in any way he pleased.

"But you've been a brat," he said pulling away. "And brats need to be punished."

With that he forced you over his knee, pulling your panties down as he positioned your hips higher, your ass raised. He fisted one hand into your hair and began softly stroking your ass with the other.

"You're going to count for me, baby. If you lose count, we'll start again. With each number, I'll tell you what you did wrong, okay?"

"Fuck, yes, yes sir." With another soft touch, he pulled his hand up and bought it back again down sharply, letting it cup your ass as you hissed from the sting.

"O-One."

"That was for being a brat in the office. Being so confident you missed some vital evidence that was staring you right in the face."

He did it again, and you squirmed under his touch.

"Two."

"That was for teasing me in front of Hotch. Making me get hard right there in the office before you went to interrogate that creep."

"That made you hard?" You gasped out as he cracked out another slap to your ass. "Three."

"That was for talking. You need to stop fucking talking." He stroked your ass again, delivering a fourth, fifth, and sixth blow in quick succession as you felt yourself leak your arousal all over his lap.

"That was for dressing like a little whore tonight. That was for flirting with Morgan. That was for letting another man touch you. What do you have to say for yourself now, brat?" Your breaths stuttered out of you as you tried to compose yourself, confident that he'd finished your punishment now.

"G-Go…. FuckFuck yourself." He growled and threw you back on the bed, ripping your dress off over your head and letting his lips return to yours as he trailed his hand to between your legs, finally pushing two fingers inside of you as you moaned and writhed beneath him.

" I hate you," you moaned in his ear as his lips trailed down to your breasts.

"You have a funny way of showing it." Your orgasm was rapidly approaching, so close you could practically taste it. He sensed it as well, though, and pulled his fingers out of you before you could reach that bliss.

"You thought it would be that easy, brat?" he whispered in your ear with a low chuckle before flipping you over to your front and thrusting his fingers back into you from behind, causing another moan to rip from your throat, uncontrollably loud in the otherwise silence of the motel at night.

Unzipping his pants and freeing his cock, you felt the weight of it on your ass as he rubbed his precum against your now bright red asscheeks.

"You're going to look so pretty with my cum decorating your ass baby. It's going to make your ass feel better, too."

"You're disgusting," you spit at him, but your hips push harder into his dick, trying desperately to capture him inside of you and force him to use you.

"No more talking, bitch. Take my fingers." He pushed a hand into your mouth and you started twirling your tongue around them, using your distraction to finally violently thrust his dick all the way inside you. You screamed at the sudden filling, cumming around his cock in an instant, trying to milk him for all he was worth. But he clamped a hand down over your mouth so that all that fell from your face was escaped tears and muffled pleas for more.

"Gonna use you like this baby, gonna make you admit you love me."

His thrusts gained a steady pace as your brain emptied beneath him, desperate for more of the pleasure his body was supplying you with. He released your mouth then, content that all your energy seemed to be spent on pushing your ass back into his, listening to the wet, sloppy sounds of your activity.

"Do you like that, brat? You like me making you feel like this, huh?" He slapped your ass again as he thrust, and you moaned back with a nod.

"Yes, Spencer, don't stop… Don't stop." You moaned again, another orgasm rolling over your body, causing you to clench unconsciously around his cock.

"So good baby, you're responding so well to my cock." He trailed a hand underneath you to your clit and started rubbing it in time to his thrusts.

"One more for me. One more and I'll pull out, okay? Just one more."

"I can't, Spencer I can't do it.." You whined underneath him, face fully buried in the motel pillows. You were surprised he even heard you through the tears as the material.

"Yes you can, baby, look you're so close already, just do one more."

"I hate you," you moaned again, feeling your third and final orgasm wash over you, your eyes rolling back in your head as your body started twitching and didn't stop. You felt a small twitch from him too, as he finished thrusting inside of you, letting a little bit of his cum escape into you before pulling out and decorating your ass with his ejaculation.

He fell by the side of you and gasped desperately for a few minutes, before grabbing a hot wet towel from the bathroom and cleaning your ass off.

"Spencer…" you croak out eventually, regaining some clarity, but still not moving much from your spot in his bed.

"Spencer, I don't hate you."

"I know. I don't hate you either. Which is probably for the best."

"What? Why?"

"Hotch just requested your transfer to the Quantico Office so you could start training with the BAU. You did a good job this week, Y/N." Your eyes started watering again and you gently pushed away tears as he laughed at you, asking why you were crying.

"I'm not happy," you joked.

"I just realized that means I have to work with you more." You both laughed at that. You didn't hate each other exactly, but that didn't mean you could work together well either.

And you didn't want to if this was the outcome of your bickering and hatred.

[barblaz-arts]

Fellow Chaggie shipper, here and I wanted to ask you a question. Could you please do an analysis post on the Chaggie argument from Hello Rosie. I know this will sound weird but I can't get over the level of icy anger Charlie had towards Vaggie or how despite everything going on, Charlie is more hurt from Vaggie not being honest with her. Just angst all around.

Oh yeah sure I'd love to!

I'm not sure there's a lot I can say about that argument that isn't already super obvious, so I wanna talk about Charlie's anger because of something my brother said as we watched episode 7. He loved that episode apparently because "When they're separated, it's even more obvious that Charlie is the one who's more quick to lose her cool." Which, looking back, is actually true!(To an extent)

Vaggie and Charlie are both quite quick to anger. Charlie is just better at hiding it because she's a chronic people pleaser. Although Charlie wouldn't immediately show her anger at a person being a jerk to her specifically, she's immediately summoning fire and brimstone over anyone who hurts/insults her friends or the cause she's fighting for.

Love this lil bit in "You Didn't Know". How Vaggie is the one telling Charlie to calm down, as if she knows what's about to happen. She knows that if she doesn't at least try to reel in her girl Charlie would be spitting literal fire at a goddamn seraphim.

It would seem like such a surprising role reversal, but if you look at all the times Charlie would lose it whenever Vaggie's not there to tell her "babe, chill", then it makes sense.

But then when their fallout happens, Charlie's short temper is even more apparent. She calls Alastor an asshole to his face even though she considered choosing his support over her father's. She openly glares and rolls her eyes at Rosie when she jokes that her and Alastor look like an item even though she still kept things cordial with Valentino after he licked her arm. She flips the bird at some old lady even though she didn't take visible offense at all the demons that inserted their crude and rude selves in "Happy Day in Hell." While she was cold and subdued even when upset with Vaggie, she was explosive and in ur face when she was pissed at everyone else.

Vaggie reigned in both the girl in Charlie who dreams a little too big and the demon who's waiting to lash out in flames. It really makes me wonder if there's a difference in the kind of person Charlie used to be before Vaggie. Before she had friends to be angry on behalf of and a person to calm her down. And then, in the wake of their argument, Charlie is left with a lot of anger that is easy to ignite.

But I love love love that despite all that anger, Charlie can't bring herself to deny that she loves Vaggie with all of her hurt heart.

This little moment is one of my favorite parts in the series. My brother mentioned that this episode and episode three were his favorites because he liked the beats the dialogues followed. So he looked back--

(the man literally paused the episode to check the opening credits of ep 7 and 3. I was a little annoyed because I just wanted my Chaggie dammit! We'd make terrible youtube reactors with all the pausing and discussing mid-episode that we do...)

--and was satisfied to see that it was written by the same person, Ariel Ladensohn. Apparently she's in a sapphic relationship too and projected her own experiences whenever she wrote Vaggie and Charlie, and it must have paid off because the moments she wrote with them felt so real.

Charlie expressing her fear that even Vaggie's support and love could also be part of the lies she told was understandable considering the betrayal she felt. But immediately following that she goes "Oh that's a horrible to thing to think!" which I love even more. Even when she's understandably mad she thinks about how Vaggie would feel over Charlie thinking that of her. Because although Vaggie lied about who she is, Vaggie was always sincere about how she felt for Charlie. Vaggie's past may have been a lie, but the things she did for, to, and on behalf of Charlie were very real and held dear in Charlie's heart.

I dont have anything smart to say to conclude this. Sorry, I'm not even sure where I went here. Let's all just appreciate the smile Charlie has on her face when she thinks about Vaggie even when she's under a lot of stress I guess.

[fumifooms]

Quick Falin analysis. Congrats on her going along with her loved ones’ wishes becoming explicitly canon and not subtext btw!

Thinking of it, becoming a chimera and literally being puppeteered around by the will of the dungeon and its lord is such an… Explicit visualization of her demeanor in life of letting others’ wants and whims dictate what she does and where she goes. Shows the most extreme & worst version of it, of where that could lead her down the road. Dunmeshi loves often showing that with everyone, with the winged lion warping even the most selfless well-intentioned desire into something intense and destructive.

If Faligon is her retreating into that comfortable role of just on-pilot mode following what others want, that’d be an interesting angle too. Because we see like with the dragons fight at Thistle’s house that the monsters CAN act rebellious, meanwhile Falin was just so on board with the commands she got ever since she got transformed.

Chimera Falin doesn’t have a strong will? Oof

I do also think that Thistle is something that her nursing reflexes latch onto easily, when it comes to comforting and protecting others. It’s unsure how much of her is dormant as Faligon, or how being bound to the dungeon and the dungeon lord’s will affects her, but it’s undeniable that she acts with care when it comes to Thistle. On one hand, she fights ferociously for him, when protecting him or even just sent out to scout, but you can’t really say she’s being assertive either, not when she doesn’t complain or act when he eats all the berries and she’s hungry. She’s still that silent, sidelined guardian, only now very, very literal.

I never bought the angle that chimera Falin mostly represented her repressed anger at the world personally, like yes now she’s loud and big and imperfect, but again, socially she falls into the same pitfalls, it’s just that now she’s top dog, below just one person, and so she’s allowed to be aggressive with everyone else. If anything, it’s the dragon soul pushing her to want more, making her act out, giving her a taste of how it feels to be powerful, carefree and impossible to oversee, but it couldn’t be called catharsis I think. In general, she seems more passive with a "as long as I have what I love, everything else can go burn for all I care" mentality rather than actively(or repressedly) angry to me. Not that she couldn’t have complex feelings over being lonely and cast out either of course, but personally I never got the sense that she resents the world or society at large. I do feel like the dogs treating her like she was at the bottom of the hierarchy also shaped her a lot

Not only cast out by other kids and classmates, but also treated as someone that can be disrespected and roughened up by the dogs at home. She was really pushed into that go with the flow, make yourself scarce and quiet attitude. She’s never really been allowed to hope for better, or to have a dream of her own, her life path being decided for her by others. Besides with Laios, everything she learned everywhere in group dynamics was that she was at the bottom and should be content with whatever others gave her. Maybe that’s why she was so forgiving of her parents too, because at least, to some degree they did care and didn’t want to cut contact, and she takes what she can get.

Thank you @thatsmimi for the fantranslation of the new leaked content, the opening and ending pictures in this post. Their original post about it is here, and as mentioned it is not the official translation.

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.2)

alright here we are with part two! i promised i'd be quick with it, didn't i? you can find part one here. thank you guys so much for all the nice comments, i love yapping to a receptive audience :D

so, if you haven't read part one, i've been going over the common critques of ba's characterization of jason, the main three being:

the typical boiling down of jason's character to "the angry one"

his lack of strategy going into the fight with the demon is out-of-character

the neighbor's kid interaction

in the first part we went over #1, so now were gonna look at #2!

so, a problem people have with the story is how ba writes jason's reaction to the fight with rok (white tophat demon guy); damian and jason jump into the fight with seemingly no preparation at all, "underestimating" rok and paying the price for it.

i'll be honest, i do agree with this critque a bit. jason, if he is nothing else, is an obsessive planner and strategist; his back-up plans have back-up plans, and so on. we see this in plenty of his comic renditions, especially in lost days and under the red hood, where there are numerous examples of jason's competency. despite this, many comics fall into the habit of treating him as the "reckless, stupid robin", once again reducing his character to just his anger, usually to make the other robins more competent. looking at his actions in utrh & lost days, however, makes him jumping into a fight with no information uncharacteristic.

so, i sort of agree with this critque. HOWEVER. i will attempt to rationalize this part of ba's writing (because there are still parts of it i disagree with and it's more fun than just agreeing and moving on)

alright, to begin, lets look at these three different series; utrh (under the red hood), lost days, and the boy wonder. there is obviously many other examples out there, but i'm just gonna focus on these three for now because otherwise we'd be here all day.

in utrh & lost days, jason is driven by an obvious goal with an obvious end result; in utrh his goal is making bruce kill the joker & taking over gotham's underbelly, and in lost days it is getting skilled enough to complete the previously mentioned objective. i also chose to highlight the scene where jason puts a bomb underneath the batmobile in lost days, intending to kill bruce, because it's another very clear example of jason's strategic prowess. the whole bomb thing even happens before jason starts his murder training, making the feat even more impressive.

ba's jason, though, exists in a reality post-utrh; his plan failed and he must live with the consequences and implications of that truth. the recklessness that he presents in the fight in the boy wonder could be a representation of him grappling with this idea-- his supposed failure and banishment obviously must have had an effect on his psyche, and ba is attempting to portray that. ba plays a lot with the sadder side of jason's existence in the comic, so it's a plausibly theory, even if it is admittedly reaching a bit.

additionally, referring back to the earlier conversation about jason's anger in the first part of this discussion, i have the same sentiments about portrayal's of jason's recklessness. he can possess a strategic mind while still being reckless; it's his numerous paradoxical character traits that make him such an interesting character (at least to me). he's a mess of contradictions.

furthermore, while jason's actions are reckless and brash in this specific instance of the story, that does not mean that ba presents him as a reckless character. there's a difference between a reckless character and a character being reckless, and i feel like jason mostly falls into the latter. while maybe not super obvious, jason's tactical-ness is still present in ba's portrayal. this is represented through damian's responses and reactions to jason.

the fact that damian goes to jason for help in the first place is baffling. as a prideful kid desperate to prove himself, damian is not predisposed to asking for help, which is clearly presented in the first issue when he interacts with dick and babs.

damian's willingness to work with jason could be a result of him recognizing their similarities; he's more approachable than dick "golden boy" grayson. beyond that, he goes to jason because he needs a certain set of skills to help him catch the demon.

while jason is not able to fully present his usefulness at this task because the demon finds them first, he is clearly seen taking charge of the situation and dictating their plan to locate the demon, and damian actually defers to him. while brief, this instance represents that despite his recklessness in the battle against rok, ba still accurately presents jason's tactical skills, underscoring the intelligence he has that so many author's ignore or downplay.

i could go into how this plays into jason being a foil character to damian, but i'll save it for another day. sorry if this post is a little nonsensical, i did my best. i'll finish up my analysis in part 3! :)

part 1 / part 3

[dunmeshistash]

My post about animal loving in Dungeon Meshi got a lot of traction (and I'm very happy so many people resonated with it) but I did leave out details that were too specific to the personal situation of the characters since I wanted to write something that was easy to understand by someone that had only seen up to that episode, since the episode about Senshi's past wasn't out yet, and because I wanted to focus on that subject as it related to that scene.

Ofc Senshi's relationship to Anne was more complex, he named her after the pony his party had to eat and he probably saw Anne the pony in the Anne the Kelpie, I think that would fit better in a Senshi analysis than an Anne the Kelpie analysis. There's also the fact that even tho Laios *knows* monsters are unpredictable and wild he thought he could control Kensuke which backfired during the dragon fight.

But those details I don't think added much to my line of thought, the way people justify why they think an animal is special varies a lot and can be rooted in past trauma, but the complexity of the relationship is one-sided. Not to say you can't have complex feelings about an animal, as long as at the end you understand them and their needs.

The Laios thing wasn't quite the same but it was also part of our relationship to animals tbh, I was analyzing it thru a lens of love and Laios does love Kensuke as an animal, but he also thought it was an animal he could control, which I also think it's human nature, he thought since he "understood" Kensuke he could control it, but he says so himself, he doesn't know how monsters think.

I think this one relates more to people that have so much experience with an animal that they forget wild animals are still unpredictable, a "perfectly trained" Lion is still capable of biting your head off even if it didn't the last 100 times.

I really enjoy how Laios reacts to it after he suffers the consequences tho

He never takes it personally when he suffers because of a monster, even towards the Red Dragon he never reacts in anger as if he needs to "take revenge" on the dragon and even tho Kensuke "betrayed" him he still feels sorry when he thinks he might have harmed him later on.

The thing he says about trying to find an use to living monsters reminds me of another Kui work. it's a great read and made me think a lot, chapter 8 from 'the dragon school is on top of the mountain' (Another option if you can't open mangadex)

This got longer than I intended and I'm not going anywhere with it, I just love animals and talking about loving them.

[rin-may-1103]

The Wrong Robin Au (Part Six)

Previous | Master Post | Next AN: Because I wanted Danny and Jason to be the same age, I've moved the DP timeline forward six years. (If we go with their canon ages and timeline, Danny's the same age as Dick.) I'll make it make sense, but until then please ignore the possible confusion it might cause😅.

Turning, Danny held the picture frame up to show Bruce who he was talking about. Bruce glanced up and studied it for a moment before he looked at Danny. His eyes were calculating just like they had been for the past ten minutes, which might Danny add, was really annoying.

"That's my eldest son, Dick." Bruce finally answered, continuing to watch for Danny's reaction.

Danny blinked, looked down at the picture then turned to put it back. why in the world was his name Dick? like, was that actually his name or was it a nickname? it's not like Danny was judging the kid for it, but seriously, who names their kid dick?

sure, Danny used to fight ghosts named Skulker and Technis all the time, but they chose their names. Did the kid willingly choose to go by dick or were his parents unaware of what the word meant? Danny's really hoping the parents weren't aware of what it meant, because if they were? oh boy was that a bag of worms Danny wanted nothing to do with.

How old was the kid anyway? That looked like an older picture, so he probably wasn't that young anymore.

"How old is he?" Danny asks, turning to study another picture. this one was of Jason hanging out with Alfred in what looked like a kitchen. The kid was covered in flour while Alfred didn't have a single speck of dust on him. They both looked happy.

Bruce was silent for a moment, so Danny turned to look at him. Confusion and shock swirled around him, making Danny frown.

"you don't know how old he is do you?" Danny asked, glaring at Bruce. As much as Danny promised to help him, the man was making it extremely hard to do so, when every time he learns something it makes him want to punt the man into the sun.

alright, so forgetting when someone's birthday is sucks but doesn't make sense for someone like Batman, so it wasn't that exactly it's probably more along the lines of grief messing with his perception of time. yeah, that makes more sense. because if it's not, Danny's not afraid to punch the man again.

"Alright, what's his birthday?" Danny asks, making his way to sit back in the chair he had used previously.

"march 20th," Bruce grumbled, turning to glare out the window like the emo bat he was. And see? He didn't forget the date, which means, Danny was right.

"year?" Danny pushed, slumping down in his chair. It felt like he was pulling teeth with how trying to get information from the man was going. Ancients, Danny was going to go gray before they got anywhere.

"1990," Bruce replied, still glaring out the window like he was in some emo music video.

"Alright, it's 2013, so doing some basic maths, Dick is" Danny pretended to do a drumroll as he quickly calculated the dude's age. and he was a dude because he's definitely older than Danny.

"23," Danny finally announced, looking up to watch as Bruce's emotions spiraled in the air. Anger, hurt, annoyance, guilt. Yep, a full-blown meltdown is on the horizon, everyone. let's back it up, Danny's seen enough grown men cry, he doesn't need to do it again.

"Alright!" clapping his hands, Danny stood up and made his way to the door. opening it, Danny glanced out the hall and spotted Alfred finally making his way back toward them. looks like that blood analysis Bruce definitely ordered Alfred to do finally finished. good.

"Alright, mister anger issues. you need to go to bed." turning back to the room, Danny pointed at Bruce. the man stared at him, his emotions freezing in their downward spiral as he processed the words.

"I agreed," Alfred cut in before Bruce could argue against it, making Danny grin. Oh, he was so going to get along with Alfred, he just knew it.

walking over to the desk, Danny snatched one of the sticky notes and a pen. Writing his number on the paper, he handed it to Alfred, "Here you go. you get to keep it because I have a feeling you'll actually use it properly. it's my number, call me tomorrow after he gets some rest. I'll come back and we can discuss how to go about the Batman business from now on"

"you can't just-" Bruce started, cutting himself off when Alfred took the paper and promptly started guiding him out of his own office. "honestly, Master Bruce. You need your sleep, you've gotten so bad lately, that you willingly fought a child."

"I'll show myself out!" Danny called after them, watching as they turned a corner. glancing at the clock, he noticed a green sticky note. blinking, Danny made his way over. nothing was written on it. which means this was just a hint to start looking around here.

intrigued, Danny started studying the grandfather clock, wondering what clockwork could possibly want him to find. The wood overlay looked fine, and the upper door looked freshly polished. The Moon Dial and clock face looked normal, though the hour and minute hands looked slightly worn down. the glass side access panel looked like it hadn't been touched in years.

hmm, strange. the toe molding had slight scuff marks on the corner like it repeatedly hit against something. glancing around, Danny spotted matching marks on the bookshelf next to the clock. crouching down, Danny studied the marks. it was like Bruce had repeatedly moved the clock around like a door...

standing up, Danny studied the clock handles again. worn down like they had been repeatedly rearranged, but the side access panel looked practically brand new which meant the internal workings of the clock worked perfectly fine. so then why would someone have to reset the time if it wasn't broken?

unless...

carefully opening the glass upper door, Danny studied the clock face closely. the oil from human fingers usually damaged the pearl facing used in most clocks, so all Danny had to do was...

there! right below the X that meant ten, and again slightly behind the XI for eleven. which means...

moving the hour hand to right before eleven, and the minute hand to right before ten (so around minute 48.) Danny heard a click. stepping back, Danny watched as the grandfather clock swung open and revealed a passageway. glancing back to the door Alfred and Bruce had left through, Danny smiled.

"Thanks, clocky," he whispered, heading inside and closing the clock-made door behind him. If Tim was right, and he definitely was, the bat cave was below the manor, and with his enhanced eyesight, Danny could see an elevator at the end of the dark hallway, which meant this was one of the secret entrances. (he's pretty sure Batman's smart enough to have more than one entrance. it'd be pretty stupid not to.)

he had plenty of time to snoop around the Batcave now, which meant he had plenty of time to figure out how it worked and how to use that to his advantage. Bruce can't ignore him and his advice if all the bat suits go missing now, can he?

Next

[nalooksthrough]

Dale Dimmadome Analysis (with screenshots)

Dale is one of my favourite characters on the show. He's a funny evil man, that amuses me with his antics and his role as a child slave/kidnap victim in the original series leaves a lot to be explored.

This analysis will be talking about his attachment to money which trust me is a lot more interesting than it sounds. This will be quite a long post. I'll put a cut under this paragraph, so that the people who aren't interested don't have to scroll through the whole post.

Going to assume that since you decided to keep reading, that your interested in what I have to say. This analysis will only be covering "Stanky Danky" and "Lost and Founder's Day" with a brief mention of "Operation Birthday Takeback". I think those two episodes are more than sufficient enough to convey my point.

When we first meet Dale in "Stanky Danky" he's seen coming down from a helicopter, onto a big stage to sell products to people. He appears to be level headed with confidence oozing out of him. But this changes the moment he realises that people aren't going to buy anything.

He almost immediately starts to panic.

He starts shuttering as he calls out to the crowd to buy more things.

His panic becomes anger. Briefly switching back to panic before fully settling into anger. His anger then becomes targeted at the person whose telling these people not to buy from him. He questions who this girl is, what's her name.

Once he's learnt her name. He starts thinking up a way he can stop her and get the customer's interest back.

And once he's found it he strikes.

Going as far as to kidnap Danky and emotionally manipulate him just so he can get what he wants.

Leaving the monster in an isolated area of his estate when he's not of any current use to him. I mean talk about becoming your abuser.

And when Hazel and Danky leave he rushes out calling out to the trash monster, saying that he was "like a son" to him. Trying to appeal to Danky's emotions, desperately trying to get him back. All so he doesn't lose that source of profit.

And when he starts losing all his profits at the end of the episode he falls to his knees, wailing in a fit of despair. He's obsessed with money, he needs it and he's willing to do anything to get it. This obsession of his is best shown in "Lost and Founder's Day"

He spends the first portion of the episode happily monologing as he explains how his Dim Watches "tickle" a child's brain to indicate when they want something. Everything is going exactly as he planned.

Until it isn't.

The moment he spots someone not buying anything he starts getting angry. Ranting at the screen.

His anger only growing more when he realises that this "anomaly" is stopping other people from buying things too.

And when Dev points out that stuff is still getting sold and they are still earning money. He shuts him down.

Stating that while yes people are still buying things. The profit he's making from the festival in going down. And he is not happy about it.

In fact he's so enraged by this that he starts to send drones and his son after it so that he can "learn it's secrets". He can't handle the idea that someone doesn't want to buy anything from him.

And when that doesn't work, he activates the statues. Putting the whole festival on lock down until he can track down the "anomaly".

And when a drone points out how counter productive terrorising the festival attendees is to earning money and making a profit. He quite literally shuts it down.

And at the end of the episode, when the statues are put to a stop and everyone leaves.

He's back in that pit of despair. A literal stream of tears flowing out of his eyes. And he so affected by this that he spent literal months studying this "anomaly" figuring out why it didn't seem interested in buying anything during the festival. And the thing is. If he had just left it alone. The festival would have gone on without much of a hitch. But he just couldn't, because it was never about the money. Not really. It was about him.

It's clear that he puts a lot of value onto money. More than most. With money being tied directly to his identity and sense of security. The more money he makes, the better he feels about himself and when he starts to lose money, he takes it as a direct attack on him. He knows what it's like to have nothing and he doesn't ever want to be in that state again. So he obsessively tries to earn more and more in order feel secure in himself. But it's never enough. And when someone threatens that security he goes on the defence. Even at the cost of the losing other potential sales.

And when he loses all his profits and is no longer generating money, he breaks. And for a brief moment, he's no longer Dale Dimmadome owner of Dimmadome G0bal.

He's Dale. A frighten young boy working in a factory underneath a lemonade stand, whose only wish is for his father to come and rescue him.