#i will never understand why sam liked her

[shanastoryteller]

Sam seems convinced this is going to work, but Dean’s pretty sure it’s just a load of crap. Bobby’s even more convinced that it’s a whole lot of nothing, although he had admitted that he couldn’t read every symbol that Sam had added to this mess up devil’s trap. That didn’t mean it would work. It just meant that Sam had thrown everything he could think into it.

The real reason that Dean is going along with this, and probably Bobby is too, is because it means that Sam wouldn’t be alone after Dean is dragged to hell. Although standing in the middle of Bobby’s junkyard in a mess of spray paint isn’t exactly how he’d wanted to spend the last hour of his life.

“You really think Lilith is going to show?” he asks. He doesn’t know why she would. She just has to send the hellhounds, who’s howls and yips Dean has been hearing for days. And those things have never been stopped by any sort of devil’s trap.

“Yes,” Sam says, tense, not looking at him.

That’s another thing. For weeks Sam has barely looked at him, barely talked to him. Which sucks, because he’d really wanted to spend the last weeks of his life just looking and talking to and spending time with his brother, but Sam hadn’t been interested in that. At all.

He shares a look with Bobby, who just shrugs, hands tight on his shotgun.

Then the hellhounds come, just like he knew they would, no Lilith in sight. “Sammy,” he says, reaching out for his brother. Not because he thinks he can do anything, but because he wants to touch Sam one last time, one last memory to sustain him through hell.

Sam snaps out his hand and the hellhounds go skittering back, letting out pained yowls.

Dean stares, not understanding. “What did you – wait. You can see them?”

Only he should be able to see them. He’s the one that made the deal.

Sam still won’t look at him, damnit, even as Dean fists his hand in the back of his shirt. Sam's voice is low and pained when he says, “I’m sorry.”

Fear clenches in his gut. But before he do anything, there are demons surrounding the devil’s trap, appearing one by one in Bobby’s junkyard. They’d needed to take down his protections so Lilith could get in, but they hadn’t expected this. Of course she brought a freaking audience.

“Which one of you is Lilith?” he barks out, dragging Sam behind him. He refuses to let the last thing he sees be his brother hurt, or worse.

Dozens of demons stand there, human vessels with pitch black eyes. The hellhounds whimper and slink around them, but don’t seem interested in getting any closer. Dean can’t blame them.

Sam pries his hand off of him, stepping away before Dean can grab onto him again. He leaves the safety of the devil’s trap, which is fucking stupid. Dean’s lunging forward to stop him, but then there’s Bobby’s arm holding him back, face pale with a horror Dean doesn’t understand. He hadn’t looked like that even at Cold Oak, when they’d seen the gates open to hell.

The demons bow.

He blinks, not understanding what he’s seeing.

Sam is standing there in front of them, no protections, and they’re all bowing to him.

Except one.

Ruby is there, stupid red leather jacket and blonde hair and the smirk he hates so much. She walks around the demons up to Sam, who’s face is cold and expressionless. “She’s coming.”

“I know,” he says. “If this doesn’t work, I’m going to kill you.”

“Promise?” she returns. “If this doesn’t work, death will be a mercy.”

Dean tries to push Bobby off of him, to get in between Sam and this bitch, but he doesn’t let go.

Then there’s a little girl in a white dress, head tilted to the side. “Something here belongs to me.”

Ruby flinches, stepping just slightly behind Sam.

“Not you,” she sneers. “You haven’t belonged to me in a long time, I fear. You really think that this boy can save you?”

“Sam,” Ruby says.

He sighs, like this is a trial, and raises his hand.

Lilith’s sneer drops from her face. Her upper body yanks forward, but her legs won't move. “You bastard,” she snarls, raising her hand in return, but nothing happens.

For the first time, fear flickers across her face.

Ruby steps forward, her own terror swallowed up by arrogance, by delight.

Dean tries to move, but finds he’s just as frozen as Lilith, even more so. He can’t twitch a single muscle. Going by Bobby’s unnatural stillness next to him, he assumes he’s in the same boat.

“Samuel is the heir of the light bringer,” Ruby says. “He has taken his birthright. You can’t touch him.”

What’s she talking about? What birthright?

What has Sam done?

“No,” Lilith snarls. “He’s nothing more than one of Azazel’s experiments.”

“A night, a full day, and then morning,” Ruby says. “That’s what he was. Then he rose on the third day.” She shoots a mocking look his way. “If it weren’t for his brother, he would have died nothing more than a failed experiment. But he has risen.”

No. What does that mean? What’s she saying? He had just wanted Sammy back.

Did he do this? Is this his fault?

“Ruby,” Sam says, a note of warning in his voice.

“Right, right,” she sighs. Then, back to gleeful, “Her eyes.”

Sam’s finger twitches and Lilith’s eyes bleed black tears.

She screams, the sound even worse because her vessel is a child.

Ruby lists thing after thing, pulling out her fingernails, peeling her skin. Her blood is black, none of it red, and the injuries shouldn’t really be hurting her but they clearly are. Dean watches helplessly as Sam tortures Lilith at Ruby’s command, enacting one terrible thing against her after another.

Lilith lies there, moaning, limbs broken, body in pieces.

“That’s enough,” Sam says.

“Enough?” Ruby hisses, turning to face him. “You know what she did to me! She – she–”

Sam’s stoic mask breaks, creasing in sympathy. Dean would prefer it wasn’t for a demon, for Ruby, but at least he now recognizes his brother. He raises his free hand to her head, his touch an oddly gentle counterpoint to everything he’s done to Lilith. “I know. But it’s enough.”

Tears glint in her eyes, just for a second, then she swallows and nods, stepping away from Sam’s hand.

He steps forward, crouching in front of Lilith. “You shouldn’t have come after my brother. Now we both have to live with the consequences.” His mouth twists. "So to speak."

Whatever she would have said in response is lost in her screams. Black smoke pours from her, then lights up, like a spark in steel wool, the fire moving through her reminding him almost of the Colt.

Lilith dies. Sam kills her, no Colt, no devil’s trap. Nothing but his own terrifying powers.

“Will you bow to me now?” he asks.

Ruby tears her eyes from Lilith’s corpse and her irritating fucking smirk slides back into place. “Now?” She steps closer, tilting her head back almost like she’s about to kiss him, then falls gracefully to her knees in front of him. It looks more like she’s about to give him a blowjob than a form of subservience, but he thinks that for a moment Sam almost seems amused. “I bowed to you first.”

“So you did,” he says softly. He raises his voice. “Move out. Casey. You know your job.”

“Yes, sire,” says one of the demons, voice almost familiar.

Then Sam’s walking away, Ruby just a step behind him. The other demons follow suit, the hellhounds not even glancing at Dean as they get caught up in the procession.

Sam still won’t look at him. He only sees the back of his brother’s head as he leaves him behind

The only demon left is Casey. He knows her, he recognizes her, the demon he’d been trapped with in that city full of sin, the one that Sam had shot and killed. He’d seen him kill her.

She gets to her feet, offering him a smile as she draws closer. “Hello, Dean. I bet you never thought you’d see me again.”

She steps right into the devil’s trap and presses a hand to him and Bobby each. As soon as she touches them, they’re able to move, darting away from her and leaving her stuck in the devil’s trap.

“What the hell was that?” he asks, wishing his voice wasn’t shaking, but he has more important things to worry about.

She turns to face them. “Samuel does not want you to die. He did what he had to do to ensure you wouldn’t.”

“The fuck you talking about?” Bobby asks gruffly.

“I told you back then I was ready to follow Sam,” she says, stepping out of the devil’s trap like it’s nothing, which she definitely shouldn’t be able to do. Bobby hadn't thought that this thing would be able to contain Lilith, but Casey’s nowhere near Lilith’s level. It should work on her just fine.

Bobby’s hand darts out, throwing holy water over her, but it doesn’t so much as steam.

She just looks amused. “That won’t work on me now. Neither will an exorcism, or any of the usual tricks. I have been purified.” She holds out her hand to Dean and it’s the Colt, the one that they’d lost when Bela sold it. “This is the only thing that will kill me now.”

“And you’re just handing it over?” Dean asks.

“I have my orders,” she says steadily. “Samuel wants you to have it.”

His entire body goes gold.

“What do you mean purified?” Bobby asks, shooting Dean a concerned look. “You’re a demon. Purifying you should kill you.”

“And was Lucifer a demon?” she asks. “I have taken the sacrament.”

Dean doesn’t know what that means, but Bobby’s expression shifts from disgust to shock to a horror filled curiosity. “You drank Sam’s blood?”

She did what?

“I have taken the sacrament,” she repeats, lifting her chin. “Samuel purified me.”

How the hell would Sam’s blood do that? Why had she drank it in the first place? She’s a demon, not a damn vampire. Dean pushes those questions aside and instead asks, “How are you even alive?”

“Samuel resurrected me,” she says. First he can kill demons, and now he can bring them back? “He knows we had a rapport and he thought it would be easier if it was me.”

“What would be easier?” he asks. His head is spinning and his heart hurts and he doesn’t understand anything that just happened. At least being dragged to hell would have been simpler.

She presses the Colt into his hands. “Samuel doesn’t want you to die. He knows this will be difficult for you, that you’ll make poor choices. I have my orders. I am to stay with you and keep you alive. We’re going to get to know each other very well, Dean.”

“Like hell,” he says gruffly, hand tightening as he takes the Colt and raises it to her head. “What’s to stop me from killing you?”

“The same thing that will stop you from killing Samuel,” she says and he flinches. “Nothing.”

He stares at her. He can’t bring himself to speak.

“You’ll have to hunt him down the old fashioned way,” she says casually. “But if you can find him, you can kill him. We’re all under orders not to touch you. Samuel won’t stop you if you want kill him. The same way I won’t stop you if you want to kill me.”

“Why?” he asks.

She shrugs. “It’s always been up to you, Dean. He trusts you. If you decide that he must die, then he’s willing to die.”

Dean sold his soul for him. He’s not going to fucking kill him.

But the Sam he sold his soul for wasn’t capable of doing that to Lilith. He wouldn’t have even wanted to be.

“What about your demon lover?” Dean asks, thinking of the priest that Casey had embraced and kissed, the demon she’d begged to spare Dean’s life before Sam had killed them both. “Sam bring him back too?”

Grief chases across her face before she smooths it away. “He will. If I am good, and obedient, and loyal, then Samuel will bring him back for me.”

Dean’s stomach rolls to hear Sam described like that, like some sort of tyrant or king. Like Dad. “You really believe that?”

Casey meets his gaze steadily as she echoes the words she’d said to him in that basement as she spoke of Lucifer, except now she’s talking about his brother. “I have faith.”

[maddy-k-reads-all-day]

Thinking about the "Do you Feel Safe Tape"

Honestly we should talk about the different reactions to 'who do you trust' a bit more.

Wooly - Wooly seems surprised that you trust him. I couldn't help but think it's partly because we like seem to like Amanda and Amanda hates him. Also considering Amanda doesn't trust him, he probably hasn't had anyone say they trusted him in a very long time and it was probably shocking. Then Amanda tells us she felt that way a long time ago and Wooly looks sad. I've noticed throughout the game that he seems to get sad whenever Amanda talks about not liking him anymore. He gets immediately sad when Amanda says that you have to think about who you can trust, before she even mentions. I think whatever he did to break her trust, he might actually feel really bad about it. (I can point out other moments he's done this too if you want). But what else is interesting is that Amanda trusted Wooly at some point. She didn't hate him from the start, something happened to change their relationship. I can't help but feel it was "recent" considering the events of the first game. Considering both Amanda and Wooly's reactions to Wooly coming back to life, I'd assume Amanda has never hated Wooly enough before to try killing him. When I say recent, I mean possibly during the years that Kate was watching the tapes and talking with Amanda.

Personally, I think both Amanda and Wooly unintentionally played a part in Kate's death and Hameln finding her. Considering Amanda's reactions to us saying "Hameln" I think they might still be monitoring Amanda and Wooly. I think that by interacting very directly with her (saying her name and stuff) could have helped them discover her identity and put her in danger. Which is not directly related to anything in this post (I mean it could be, but I'd need more evidence). That said, it's possible that him getting in the way of them remembering (once they started to gain back their memories) was exactly why she stopped trusting him. . But I think the important takeaway here is she did trust him at some point, and he feels bad that he broke that trust.

Kate: Amanda trusted Kate, and wishes she could still talk to her. Kate was one of the last people who knew Amanda when she was Rebecca. (well, positive relationships at least) Think about it. Sam is MIA. All the other librarians who knew her are DEAD. Any friends she had in school or whatever are definitely full grown adults if they didn't get trapped in the show (idk, like if they were watching it cuz it was their friends show or whatever). Every person we know who knew Amanda is probably dead now. Kate was the last one. Now that she remembers, she keeps saying she wishes she could still talk to Kate whenever we mention her, and Wooly looks like he feels bad. Now that she remembers who she was. Now that she remembers Rebecca, she wants to talk with Kate, maybe the way they used to. That could be why she's so angry with him. Why she tried to kill him AFTER they found Kate died (in the Wooly's birthday tape) but had only hurt him when they realized Riley was watching the tapes and not Kate (in the original in your neighborhood tape). Wooly might've caused her to miss her chance to talk to one of the few people who knew her as Rebecca. That was recent though, I think she lost trust in him over time as he kept blocking her attempts to reach out to Kate

Sam: She says Sam was trusting too, and that can be a mistake. She sounds so sad here, like she is going to cry. I think this confirms that Amanda doesn't hold any malice towards Sam about what happened. She understands that both of them were tricked. So idk, I guess any theories involving Amanda hating Sam for what happened are debunked now?

Hameln: Saying Hameln immediately makes Amanda stop trusting us. Wooly looks scared of Amanda yelling (as always) but I noticed he also looks kind of angry? Offended? Annoyed? I can't really tell cuz the tape gets really blurry. I've seen people say that Wooly doesn't react to the meatman or Hameln, but I think he does it's just more subtle. I don't know what else to say here, the clip goes by so fast.

Meatman: Again, both of them react to this. Amanda immediately gets pissed. And like, reasonably so. I've heard that the game won't let you progress past this point if you do this apparently, so like... the meatman is serious. Wooly looks shocked and then immediately motions at us not to say that. But like, it's a different surprise then when you answer "Wooly" he seems horrified. Like this is a pretty messed up thing to say. I'm not 100% sure what the meatman's deal is but like... both Amanda and Wooly seem to dislike him in the first and second game. Also is it just me or is it kind of odd that they only dislike the butcher? Like, there are variants of him in all the shops in the first game and Wooly and Amanda don't really seem to mind him, but they both don't like being in the butcher's. When only the meatman's buildings appear, Wooly looks pretty concerned, and then really scared when they enter, and asks her to take them someplace else. Amanda has a full-blown meltdown over not wanting to go in and when we enter she screams at us to let her out. I find this scene interesting because I don't think either of them are in control. Wooly is trying to distract her from Kate's death (or at least that's what I think the "something bad happened" means) by going a bit off-script and controlling the story a little. It doesn't seem like he was the one who messed with the stores. Amanda didn't either. What if this was the meatman? Like... punishing them for going off script by like reminding them of his looming presence or whatever? Idk. That whole scene was WEIRD in hindsight. Even though we never enter the butcher shop in the second game, his presence looms over us the entire time. Almost makes me think he's the real one put in their too keep the kids under control. They are both terrified of him after all and he seems to be connected with the surgeon who trapped them in there. Sorry this got a bit on topic but I think I might be getting somewhere.

But let's move on to the answers for the "what scares you" question.

"Amanda" or "you" - Question, has anyone tried Rebecca? I've only seen the answer compilations use "amanda" or "you". Amanda breaks our heart here by being hurt that after all this time we're still afraid of her. Ouch.

Hameln - Amanda gets terrified and says not to bring them up. I think Hameln is definitely watching these tapes.

Meatman - Wooly finally reacts to something, and bro is freaked out. Idk if it's by the mention of the meatman, Amanda's anger or both. Honestly, I have no idea why her anger spells still freak them out. I guess it is pretty scary, but I feel like he should be used to it at this point. Also she can't kill him, so what is he afraid of? He doesn't seem to be worried about being the one who makes her angry anymore, but he still gets freaked out when we do it? Weird. Anyway, I find it interesting that Amanda has spent the whole first game trying to tell us all about what happened, but she draws the line at the meatman and Hameln. Wooly wasn't there to stop her before, and she still didn't want to discuss it. Honestly, it doesn't feel like she's been as eager to tell us much in this game, despite trusting us. I mean she's told us plenty about Sam and Kate, so I don't think it's that she doesn't trust us. I think she doesn't want to remember things about Hameln or the meatman. She wanted to remember who she was, she wanted to remember Sam, she wanted to remember Kate and she wanted to know what happened to her... but somehow she draws the line here. Then we see the glitches of the surgery room and the mouth. I really do agree with the theories that the meatman is connected with the people who put her and Wooly into the show. That said... why is he there? That's what I don't get. I think I might be cooking with my earlier theory though no?

Wooly - Odd. He doesn't even look hurt, just confused. We can clearly see here that Amanda is not at all afraid of Wooly, so like I don't think he's like a Hameln worker. The meatman absolutely is though. We are not hating on the meatman enough guys. DOWN WITH THAT- Anyway.

Actually the whole point of this post was to talk about what Amanda says about how we were a stranger when we met her. I think this is really important to note. Because Amanda knew Kate long before she was Amanda. Possibly before "Amanda the Adventurer" even came to be. Of course Amanda trusted her. But she didn't know Riley. She tells us that she trusts us. This is HUGE. I mean, considering everything Amanda has been through. She barely knows us. She has EVERY DANG REASON not to trust us. Heck, I think that could be what Wooly means when he says she shouldn't talk to strangers. Because "not talking to strangers" doesn't make sense in this context. The viewer is a stranger, but if they didn't ever interact with the viewer they wouldn't have a show so Wooly's comment makes no sense. And yet, despite everything, she trusts us. Wooly looks kinda sad when she says she trusts us, probably because she trusted him once too, now she won't listen to a thing he says.

Then Joanne (I swear to god I got so mad at her in this scene) calls us and Amanda looks kind of sad when she hears that. Then looks really sad when Joanne says "that thing" I think Joanne was referring to the Wooly monster but Amanda doesn't know that. Then the possum appears and they both get really mad at it (and us for letting it mess with them). It's made very clear that both of them genuinely don't know who this guy is. It's funny because usually Amanda is the one asking us to get rid of him but this time it's Wooly.

And then let's talk about how COORDINATED THESE TWO WERE OMG. All it took was a look and a nod and they were already on the same page. If we don't help them, they manage to beat this guy up all on their own and mind you, not a single word is exchanged of a plan, they just work together. They just do it. And they do it so freaking well. Remember my Hameln theory? About how Hameln doesn't want these two on the same team because you know... two kids who can control demons who have every reason to hate Hameln and then there's THIS. When they get along they work so freaking well together. Could you imagine if they both decided to team up with their demons and beat the crap out of Hameln? Is there even a chance to be stood here? Honestly, I was also thinking, I think Hameln picked whoever Wooly is specifically for his avoidant personality, knowing that these two would clash. But clearly they don't have to.

Oh yeah, then they both get pissed AT US. I don't think we've actually seen Wooly get THIS mad at us. Like there was the time in the storybook tape but like he was not this mad. He's like... Amanda level mad here. Then they pick up the possum and throw him in the trash with still very minimal communication and ALL THE COORDINATION.

Then in the version where we do help, Amanda actually agrees with Wooly's sentiment that some strangers CAN be scary. Then without a word they both pick him up and throw him in the trash. BRO THE COORDINATION BETWEEN THESE TWO WHEN THEY WORK TOGETHER IS INSANE I NEED MORE OF IT ITS SO SMOOTH AND PLEASANT TO WATCH. Then Wooly asks if they can go home and Amanda playfully teases him "What are you scared?" Then he kinda makes this face like "yeah kinda" and she's like "c'mon let's go." she sounds a lot less annoyed with his presence then usual. Like still annoyed but also like she's kinda okay with it?

This deserves it's whole entire own post but like... I feel like gradually their relationship has improved over the course of this game. Like Amanda still doesn't trust him, there's still some rough stuff they need to work through, but she's starting to let him in again. Just a little. She's more okay with him being there. And I think people tend to overlook this when they say Wooly is evil. If Wooly was evil, why are they starting to get along again, (I mean they aren't besties again but like it's definitely a start and you can't ignore that.) Shouldn't Amanda continue to hate his guts? Instead she's actually agreed with him on some things, and they've helped each other out a bit. Like I said this is probably going to get it's own post at some point so I'll leave it here for now.

Holy crap did you actually read all this? OMG thanks. I did not realize I wrote so much WOW. BTW, I was watching those "all answers" videos along with a zero-commentary playthrough of the original so like, I'm not pulling this from memory at all.

[sgiandubh]

Why would Ashley go to follow and stop following Caitriona? After all aren't sam and caitriona supposed to be just friends and colleagues so why do that? They're the ones creating all the fuss for nothing. If they acted like colleagues no one would go looking 🙄🙄🙄 . I don't understand this need to always dismiss Caitriona as if it's oh my god never associate Caitriona with sam. What a crime to see two friends together ! Following Caitriona means nothing, it doesn't define an affair nor a relationship between them so I don't see the point in avoiding following this woman 🙄🙄 !

Dear Following Anon,

You can try to dilute things as much as you want, but you seem to ignore one of the weird Laws of Thermodynamics in this fandom:

Follows and unfollows are important and relevant. Until they aren't.

I do not share many people's mystique in this regard, simply because I happen to believe social media is nothing more than a tool. Whether it is used for promo and/or manipulation is anyone's guess. What is clear is that there are more things than the bits we are privy to via Instagram, very often with an agenda.

In that particular case, the follow clicked with some info I was shared regarding that get together at the Milady's bar. I was also told Ashley did (help) organize the event, which is consistent with her posting an IG story featuring some Sassenach bottles she was delivering 'somewhere' just before it took place.

And then, there's also this detail:

Clearly she knew the owners/bartending team and arranged things.

But perhaps she thought/was told that would be exposing her too much and then changed her mind about following C? I suppose all we can do is speculate, Anon. Fact is Ashley followed her and she doesn't anymore. Anyone's guess, really.

I will respectfully disagree with you about them deliberately 'creating this fuss for nothing'. You probably are a Fencer and, as all Fencers do, you seem to be unable to connect the dots and never question anything you are told. A most regrettable, unpleasant thing that takes away all the fun and permanently closes all the interesting doors and avenues you could explore in this fandom. Your explanation does not hold: if there is nothing, why condone this ambiguity? For clicks? That is ridiculous. C doesn't give a flying duck about clicks and he just has to take off his shirt: mommies worldwide will instantly unite and drool. How Pavlovian!

There is also another thing: C's Stans really seem to have strong, repressed feelings for her, that might go beyond what is socially acceptable from a fan. They seem to display such a deep sense of possession, it often made me raise an eyebrow in disbelief. If we follow this reasoning, then McGill is the perfect, harmless companion: they see him as no serious threat to their fantasies. S is something else and their minds dissociate - otherwise, as Yeats once famously wrote, 'Things fall apart; the centre cannot hold'.

'Following Caitriona means nothing, it doesn't define an affair nor a relationship between them'. Oh, Anon, I hope you didn't imply Ashley and C... come on, get a grip! By now, all the side players must have been gently, but firmly briefed about people's behavior in this fandom: lack of filter, and all. What would you do, if you were Ashley Hearn?

Finally, let me correct something about the timeline of events - thank you for the opportunity to do so:

I did write in a previous post (https://www.tumblr.com/sgiandubh/765519132954329088/seems-sams-mom-has-been-in-new-york-as-well) that the Milady's get together was on October 17th. I was wrong and superficial, albeit in all good faith. It was on October 16th, after C was spotted at the Burberry's 57th Street Flagship Store Reopening VIP Dinner, in New York:

I do apologize for this mistake and would like to thank @mojo106 for rigorously setting the record straight: what would I do without your collective scrutiny? Probably make a fool of myself.

However, the whole rest of it is legit and I am sticking to whatever I could write about it. Never a problem acknowledging mistakes and owning them, here. Warts and all, Anon. Warts and all.

[ananke-xiii]

Another thing about the lameness of Apocalypse World being the result of "Mary's choice" is that it gives too much weight to Azazel's deal. That demon spent a lot of energy finding his "special children" and had never even noticed Mary before Dean's interference.

Interference that happened because Castiel made Dean travel through time and told him he had to "stop it" just to show him that it wasn't possible. Of course Cas didn't know, back then, about angels basically acting as and for Chuck by manipulating people, time and events for their own benefit. Still, you have to wonder after "In the beginning" whether Cas actually realizes what he has done.

Whether Mary deals with Azazel or not doesn't matter because of the bloodlines. The only difference is that if she said no an angel would fly in, resurrect John and wipe out their memories. Just like Zachariah and Michael tell Dean in S5.

The whole thing about demon blood as necessary in order to be Lucifer's vessel is just there for effect, I think, because neither Dean nor Adam need to be "primed" to be Michael's true vessel who, apparently, is even more powerful than Lucifer. Or, I don't know, to me that doesn't track at all but I might be missing something. I mean, it kinda shows how Kripke was tired of the "special children" plotline but, yk, the awkward, giant elephant in the room is that the foundation of the show is Sam and demon blood so... they had to justify it in some way, I think. But, again, I might miss something here.

The real importance of Azazel's deal is that it highlights Mary's complete loneliness in the world: in an instant her parent and her fiancé are dead. She deals because she bargains her otherwise horrible present (which is still horrible, tbh) for an unspecified future (which she craves. a lot. we've been told. multiple times that she wants to "escape" her current life). The tragedy is precisely that she doesn't know that she's specifically damning Sam's future in the process.

The real, real tragedy, however, is that she has no choice, whatever she does, SHE will always end up there. Because Mary and John are just "placeholders". The angels are basically just waiting for the demons to do the hard and dirt work while, they think, they just have to manipulate low ranking angels and get Dean's consent. Precisely the two things that fuck them in the end because Castiel rebels and Dean doesn't consent.

The other thing about Azazel's deal is that he doesn't need permission to enter Mary's house, that's just an excuse because of the "red tape". He has to bend the rules of the natural order and, in order to do so, he needs to make a deal. His deals are basically asking people to sign and date a blank sheet which is, obvs, a super manipulation, but, because people accept that, the deals "respect" the rules. It's absolutely unfair considering that this seems to apply only to humans while angels bend even the rules of time as they please with no consequences (well... actually, "what goes around comes around" and they will almost all be wiped out, lol).

The tragedy in the tragedy of the tragedy is that Dean understands that's about the souls. "In the beginning" makes a point of telling us that's not about that but I don't think it's true. Yes, Azazel won't come knocking in ten years with his hellhounds but he's bargaining a soul for a soul. Liddy's husband, if Azazel had managed to deal, wouldn't have died; Charlie's father would have lived; John would have died etc. So, in this episode at least because I don't remember the parents of the other special children tbh, Azazel is exchanging the life or death of 1 parent with the future of 1 of their children. At the end of the day, this is what the deal is about: it's a 1 for 1. This is also why he can't resurrect Mary's parents. Well, because he doesn't care, obviously, but because he doesn't have to: John's resurrection for Sam's future (which Mary has no idea about and neither does Azazel, he's also signing a blank sheet).

And this is so interesting because demons must follow the rules but angels don't because they are SO certain that they will end Time. They think they will put an end to everything and finally have their "paradise". When it doesn't come to pass, when the end doesn't arrive as promised, everybody has to face the consequences of their actions.

[loosethreadsofyoursoul]

there’s a reason in fics you only ever see 2 of sam’s canon relationships and it’s because why? amelia was ANNOYING and did not deserve him amen

[biblicalhorror]

Okayyyyy yeah also let's talk about Tammy. I didn't know how I felt about her for awhile because she did very much feel like the Disposable Black Girlfriend, but I'm seeing people saying she's an "abuser" or God forbid "just as bad as Kevin" and that's just. Not at all true.

Yes, Tammy is controlling. She doesn't seem to really like Patty for who she is, and kind of seems to want to change her into someone else instead. HOWEVER, I think we need to look at the whole character to understand WHY she's like that. I don't think she's controlling Patty for personal gain or for the sake of manipulating her. I think she's lonely and desperate for companionship, which leads to her ignoring/pushing past the obvious incompatibility in her relationship with Patty.

Here's what we know about Tammy:

1. She seems to be the only black person in the Worcester social circle. She also mentions frequently how she's surrounded entirely by white men at work.

2. She is also the only openly lgbt person in the area, other than Patty, who is still not exactly out and proud.

3. She describes her entire job as "making excuses for" and "cleaning up after" the men at her job, particularly her partner (whose name I am unfortunately forgetting, does anyone remember?), who even had her plant evidence for him on at least one occasion.

4. Despite being very competent and good at her job, the white men around her keep failing upwards (she mentions a few times that people beneath her keep getting promoted) while she remains stagnant in her career. There doesn't seem to be any explanation for this other than the fact that she is a black lesbian in an extremely white, conservative community.

Basically, Tammy seems like someone who has been taught (like many black women) that she will have to work much harder than everyone else to get ahead in any capacity. She is also likely very, very lonely. She doesn't seem to have any friends outside of work, which isn't surprising given the above. It seems like she doesn't exactly have a ton of prospects, dating-wise, other than Patty. In my opinion, it's really no wonder that she clung to Patty so desperately and immediately and tried to forcibly mold her into someone who could be compatible. She's tough, smart, organized, direct, manipulative, no-nonsense and controlling because, well, she had to be. And she ends up trying to "rein in" Patty because, in her mind, what's the other option? She ends up alone, surrounded by men who force her to cover for their antics and don't care if she lives or dies.

I'm not saying her behavior is healthy. But it comes from an entirely different place than Kevin's abuse, or Chuck's, or even Neil's. And it's also not uncommon. In real life, I know many queer women (specifically small-town lesbians) who end up in relationship dynamics just like that over and over again because they start dating someone who doesn't quite fit, and they compensate for it by trying to force a connection instead of accepting loneliness and isolation. I have a lot of sympathy for Tammy. And I wish the show had taken more care to establish the abuse she faced from her coworkers off-camera.

[gen-is-gone]

hrgh every time I think I've come close to forgiving lance fucking parkin I skim the gallifrey chronicles. and then I remember the Horrors.

[sammygender]

YALL ARE NOT SERIOUS PEOPLE no way i’m looking at the tumblr tag for spn 7x03 aka the sam centric flashback episode dealing with his childhood trauma and how he feels like he’s a freak and everyone is just posting about DEAN. dean and his stupid fucking pie. dean winchester used to be my guy! genuinely! s2-3 i truly thought i was a deangirl! But you people (plus this show atp lmfao) are making me hate him😭

[please-picturemeintheweeds]

.

[museenkuss]

one thing I truly hate is watching male dominated shows and disliking the two or so female characters that ARE gracefully permitted to make minor appearances. I swear it's not you babe, it's the writing

[red-hood-vigilante]

thinking about sam and his relationship to music - growing up with 60s 70s 80s rock blasting all the time and how he probably rejected or criticized that when he could just to distance himself from john and dean. and when he gets to stanford he's be utterly out of touch or uninterested in music his peers listens to and prefers the stabilizing silence he now surrounds himself with after 20 years filled with static noise of the motel TVs, impala engine revving, guitar riffs and mullet rock. but he misses john and dean on occasion so he'll hum songs now and then. he starts digging a little and tries to find music mary might have liked, because then he could get to know her and understand who she was because if music was important to father and brother it must have been for mother too, right? he wants to understand and connect. jessica and other friends introduce him to some bands and they're cool and so sam starts branching out when he has the time so he can fit in. if they like it he should like it too. dean puts on the same old stuff and sings along while sam is bittersweet about it (it's nostalgic and lyrics are burned into him but the eternal soundtrack of a life he didn't want). he still listens to jessica's favourites and he gathers songs from people to remember; jo, ellen, ash, bobby, andy, madison, bela, deanna, samuel, sarah, charlie, even ruby. introduces castiel and jack to music he thinks they would like. talks to a resurrected mary about judy collins and the beatles to make her comfortable. nobody really knows what sam likes himself, he just knows what everyone else listens to.

[imperiuswrecked]

BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!

BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!

As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.

Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.

Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.

Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.

Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.

BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.

For more information about the character's history here is a breakdown of her appearances in Marvel Comics.

The Incredible Hulk (1968) #256 - Sabra's Origin

On the cover of Sabra's origin issue is the image of a dead Palestinian boy.

continued...

As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.

This is Marvel Atlas (2008) #2 page on Israel

Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.

That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.

The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."

Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.

The Prickly Symbolism of Cactus Fruit in Israel and Palestine.

“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”

When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.” 

"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.

However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.

The Sabra & Shatila Massacre 1982

The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.

The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.

Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.

For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.

Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.

Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.

Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.

"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.

Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.

Marvel Super Hero Contest of Champions (1982) #1-3

Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.

Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"

The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.

Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.

A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.

The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.

Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!

The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.

I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.

The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.

Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers

Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.

Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.

Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.

X-Men (1991) #67-69, 72-73

Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.

She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.

Excalibur (1988) #120-121

Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.

Uncanny X-Men (1963) #366, 367, 379

Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.

X-Men (1991) #111

Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."

New X-Men (2001) #131-132

Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."

JLA/Avengers (2003) #4

Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.

Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.

Excalibur (2004) #5

Flashback two panel appearance of Sabra on Genosha.

Civil War: X-Men (2006) #1-4

Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.

Civil War (2006) #6

Sabra fights on the side of Tony Stark/Iron Man.

Union Jack (2006) #1-4

The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:

Marvel Encyclopedia, New Edition (2019)

In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.

Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.

To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.

Later Navid gets hurt and Sabra checks on him, he tries to apologize;

Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.

Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.

The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.

Secret Invasion #6

Cameo one panel appearance of Sabra in Israel fighting a Skrull.

Astonishing Tales (2009) #6 - Astonishing Tales: Sabra

Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.

"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.

The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.

It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.

This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.

Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."

Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.

Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.

Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."

Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.

Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.

Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.

I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.

History of the Marvel Universe (2012)

Cameo Appearance.

Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1

Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.

X-Men (2010) #31, 34-37

In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.

X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23

Sabra aids the X-Men.

Captain America: Steve Rogers (2016) #18

One page Cameo, Sabra appears to have completed a mission and gathered files.

Avengers (2018) #11

Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!

Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.

At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.

Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.

Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.

Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link

Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link

Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.

I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.

Use the Captain America tags to Boycott Sabra.

If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.

Find a Protest near you

Donate or Join Palestine Action

Donate to Palestine , HelpGaza , Palestine Donations , Aid Palestine

Learn about Palestine

[evilminji]

Been Watching Weird Fruit Explorer(?)... and I just...

W-Who let Bored Danny have BooTube?

Sorry, YOU-Tube. He has TWO Apps now. BooTube is bigger. Way more random, yet... somehow more niche? Meh. It's what happens when you get billions of billions of people who all have their own Obsessions to rant over, on a site.

Ember's channel is pretty lit, tho, ngl.

He stopped using YOU-Tube almost overnight. Too many ads, weird algorithmic pushiness. No thanks. It was too small and too "trying to take my money". You know?

Buuuuut? See.... TUCKER is the Tech guy.

Coding and that sort of stuff. HE does hands on work. You want a toaster? He can MAKE you a toaster! With LAZERS! Runs off The Goo! But a program? Eeeeeeeh? Hit it with hammer maybe? Monkey make fire? Hit with stick? Blergh.

Yeah, he can SORTA push through.

But he suuuucks.

And like... he had a headache, okay? His project had just, quiet literally, exploded in his face. So when he looked at his phone? All the apps were blobs. He clicked the one that LOOKED kinda right. Shoved his arm in his phone and brute forced a channel set up.

He figured he could ramble about Space!

It's not like he cared is anyone LISTENS or not! It's a "for him" thing, you know? Like a diary. But more... putting on a ☆~show~☆?

So he rambles from the floor of his Lair's Lab, crashs and wails in the distance, green sky occasionally visible as he lazily floats by windows. Dropping... juuuust past human knowledge understanding of Space. Talking like he's STUDYING somewhere. Referencing PAPERS no human will ever be able to find.

But a few they WILL.

Some of which, are currently? Only half written.

But then? Oh YEAH... he should eat! You know... Sam keeps bringing him fruits and veggies and stuff from her internship at that Botanical Lair. Stuff never seen before of Earth. Or hasn't been seen in centuries.

Again, like, a FEW that? Randomly? Have???

He picks up something sharply purple, bright orange insides. Crisp crunch. He makes a face. And starts to ramble about it, distracted from Space. "Weirdly mushroom-y" he notes. "Kinda bubblegum sweet? But like... CHEAP bubblegum. Like it hits you all at once and is kinda chemically. But it disappears real fast? Huh. Spicy too..."

It's the first video on the Playlist. One of hundreds. Two of the green Lanterns RECONIZE that fruit ad HIGHLY toxic to humans, can't recognize what planet they're seeing. Or how this alien teen got himself on YouTube.

He seems... unaware of how incredibly famous he's become.

But his strange techno Pharoah friend has not. HE is both perfectly aware and apparently amused. Has taken to feeding him rare and hazardous flora and fauna, to see if it tastes good.

....there have been an alarming number of plants from dead planets.

And the comments the kid makes? Alarming as hell.

Sam's just pleased everybody's getting their greens. Danny's glad him n tuck get to hang and do "try weird foods and fuck around, bro time". They've made lazers! Talked about stuff! Debated why Martian Manhunter is THE superior Justice League member.

Danny understands. Wonder Woman is a BAMF. But he's biased, Tucker. He doesn't CARE if she has a sword and flowy, impressive locks! Shape-shifting telepath! From MARS!!! *imaginary mic drop*

And Tucker? Is conquering the YouTube scene with this charming, weird, relatable young alien. Who rambles about Space, debates nerd stuff, eats weird plants and describes them, and makes sci-fi technology! Theme? WHAT THEME? Phantom is a weird channel, man. You never know what you'll find!

And no one can get rid of it.

Believe them, governments have TRIED. Censorship? Not possible. Not without removing the whole SITE.

[deadsetobsessions]

It takes a lot to break a ghost. After all, even death didn’t keep them down for long, not in any way that mattered.

There is, however, a sure fire way to utterly crush a ghost’s core without even touching it.

Find their grave, and defile it.

It is the height of cruelty. It is the ultimate act of disrespect. It is violation, of the deepest kind, an act that can never, ever be allowed to go unpunished.

As Danny stared at the remains of the toppled over rock tower that Tucker and Sam had made for him all those years ago, to honor his death, he wasn’t sure if he could survive this.

——

Please.

Zatanna looked around. The magician knew better than to write off the sound as a trick of her mind.

You have to help him. Please. He’s just a child.

“Who? What’s wrong?” Zatanna asked, heart aching for the grieving whispers of the young voice.

My brother. His grave. It’s been destroyed. Please.

Zatanna’s hair stood on ends. “What’s his name? Where is it?”

Amity Park. His name is Phantom. Please. Hurry.

Her heart skipped a beat. Phantom. The name of the Infinite Realm’s Champion, the future king.

“Shit. I’m on my way. Can you lead me there?”

I can’t. I won’t be here for much longer. Tell him Jazz sent you. Please. Help him. Help him.

“I will.”

When Zatanna portals out of her dressing room, she catches a flash of red hair.

——

“CONSTANTINE!”

“Gah! Zatanna?” John Constantine fell out of his chair, legs slipping from their place propped onto the table.

“Emergency! Infinite Realms level. Someone destroyed Phantom’s grave.”

Constantine scrambled upwards, pulling on his coat as his mind all but bleated like a highland goat at the sound of “Infinite Realms” and “Phantom’s grave.” Destroying a ghost’s grave might destroy the ghost, but if they survive the initial splintering, right before their final death, they’ll explode in a ball of fury. Normally, it would be slightly less of a problem. Normally, it wouldn’t be the most powerful ghost in the Infinite Realms. Normally, this wouldn’t happen. Normally, even if it did, it wouldn’t risk a war none of the universes would win. The Infinite Realms loves prince Phantom. Their grief over this… even if he survives, the consequences would be unimaginable.

“You contact the League. I have to go fix this, right now.”

John doesn’t bother going for his hottle, because he unfortunately needed to do this sober.

“Go, go!”

——

Danny doesn’t turn even as he hears the crunch of grass blades. He sits, staring blankly at what used to be his grave marker.

“Hi, there,” it’s a woman. She sounds sad. Danny understands, because all he feels is a whistling hole where his heart used to be. “Are you Phantom?”

Danny sighs, ice crackling at his lungs. He knows, when this is over, he’ll find it in himself to rage. If he doesn’t shatter from this, he knows he’ll take Amity out. Perhaps he’d spare this one. It’s been a long time since anyone bothered visiting or even knew about his grave.

“Your highness…your sister sent me. Jazz?”

That got Danny’s attention. Glowing green eyes peeked from the curled ball of ghost to stare Zatanna down.

She swallowed.

“She… had red hair?”

“Why are you here?” Why did she send you? He doesn’t say. Zatanna seems to understand anyways.

“To help. Please, will you let me help?”

Danny looks down at the ice freezing her feet to the ground and thinks of the kind set of her eyes, the steel backing her spine, the carefully nonthreatening posture. Yes, Jazz would send this kind of person to help him.

The ice melts.

“Thank you.”

Danny watches as she approaches his destroyed grave. She glances back for his permission. He shrugs. It’s destroyed. Nothing would ever bring it back.

And then, he was proven wrong.

Zatanna’s eyes glow, and the stones began melding itself back together- no, it was reversing the damage and zooming back to its proper place.

“Oh.”

The damage to his core was still there. But… he won’t kill this one at all.

Or her friends, who stand at the edge of the clearing with the soul-torn one standing at the helm.

“Is this… alright, your highness?”

Danny stares at Zatanna. His voice is hoarse but… but it’s not on the verge of insanity anymore.

“Do you always come to graves without an offering?”

He knows he’s being rude. He’s past the point of caring. Zatanna’s response is to pull a bouquet of lilies from behind her back.

——

Phantom’s face is so young, and it’s even younger when he smiles.

“Not always,” Zatanna replies, rolling her eyes. But when she settles the flowers down, they’re gently placed.

“Can you magic clovers around it?” Phantom asks, that note of painful hope cracking her own heart. She wonders how old he was when he died.

“Of course.”

A field of clovers surrounds the rock tower, and Zatanna adds four layers of heavy wards around the area when she grows them. Phantom notices, and looks up at her with… trust.

“I am Zatanna. Your sister, Jazz, sent me.”

“Okay. You can call me Phantom.”

——

“I want their heads.” Danny says.

“We don’t kill.”

“Then hand them over to us, for they have hurt the Great One. They will answer for their crimes.” Frostbite settles a hand on Danny’s shoulder.

“Alright.”

“Constantine.”

Constantine somehow manages to drag Batman away to hiss in his ears.

“Shit in a hole, Batsy, I’m not fucking with the Infinite Realms. My demons won’t fuck with the Infinite Realms. Destroying a ghost’s grave is an act of war, and an act of complete violation, and we’re lucky Phantom liked Zee enough not to completely bring ruin to our universe. So shut up, and get the bastards that did this.”

“Hm.”

——

Zatanna sits in the visitors chair, Batman’s and Constantine’s disgruntled selves standing behind her.

“How old are you, Phantom?”

“Hm?” The future King looks exhausted, understandably. “Oh, sixteen.”

“You’re… sixteen? That’s how old you look, right?”

She’s hoping that he’s older, that he’s a millennia and a half years old. Because if he wasn’t, whoever broke Phantom’s grave, broke the grave of a child.

“No, I’m sixteen. My body looks fourteen. I died when I was fourteen.”

Constantine swears.

Batman straightens and walks out, fists clenched.

Zatanna eases the hum of hunting magic at her finger tips and smiles at Phantom until he sleeps.

Then, she gets up, and hunts.

[soliloqueeer]

When I first watched this episode, I was very confused about Lestat's motivations for being at the trial. During Claudia's execution, I kept thinking, why isn't he moving? Just do something. Help her.

I understand now that Lestat, at this point, is much weaker than usual for reasons that haven't yet been fully explored. From interviews with Sam Reid, I also learned that there was no way Lestat would miss this trial. However, Lestat isn't a planner—he arrived, memorized his lines, yet was utterly unprepared for what was about to unfold. The only thing he knew for sure was that he was going to save Louis. That was his sole plan.

When Claudia says, "It's never been about me," you can see the guilt and shame in Lestat's eyes. Yet, when she announces her plan to kill everyone in the crowd after her death, he's staring at her with pride.

I believe Lestat did a lot of reflecting while in his coffin, pondering how he ended up in this situation and what led his fledglings to turn against him. I think he was actually proud of Claudia for successfully orchestrating his murder. She outsmarted him, and he had entirely underestimated her. This final act of violence made them equals in his eyes.

However, I don't think Lestat ever truly saw himself as a 'father.' He had no example of good parenting in his human life and this had no idea how to treat a child. From the beginning, he was referred to as Uncle Les while Louis took on the paternal role. Then, when Claudia became an adult, Lestat was forced to regard her as a sister.

The idea that someone could look to him as a father wasn't even conceivable to Lestat. In Claudia's final moments, when she looks to him like a child looks to a parent for help, it is horrifying on so many levels. It shocks him to his core when he realizes that he is her father and that he's letting her die right before his eyes. And even worse, Claudia was right—it was never about her.

[drabblesandsnippets]

The Bet

Hot Bucky Summer 2024 - Week 1

Pairing: Bucky Barnes x Plus-size female character (unnamed)

Prompt: “Louder, let everyone hear you.” | [Screaming/Noisy Sex | Gangbang | Exhibiotionism] @buckybarnesevents

Summary: (7k) Bucky’s girlfriend thinks she can stay quiet during sex - Bucky’s more than happy to prove her wrong.

Warnings: 18+ Only. Fluff. Established relationship. Praise. Brief mention of insecurities. Dirty talk. Domination. Oral (f receiving). Fingering. Squirting. (Unprotected) PiV.

---------------------------

“Wait,” Bucky says, reaching for the remote yet again. “Why does she even care? I thought she hated him.”

Bucky and his girlfriend are cuddling on their king-sized bed, enjoying another quiet night at home - something their friends like to tease them about, but they’ll never change. Home is where all their favorite things are. 

The moment Bucky pauses the show - for what feels like the hundredth time since they started the episode - she buries her face against his chest, her groan slightly muffled by his shirt.

Bucky’s laughter gently shakes her body as he asks, “What? I’m trying to understand!”

She picks her head up to glare at him, only slightly frustrated, a smile twitching at the corners of her mouth. “You’d understand if we started from the beginning instead!”

She’s been trying to get him to watch her favorite show for months now, and when he randomly suggested they watch the latest episode tonight, she wasn’t going to argue.

She’s regretting that now.

For someone as intelligent as Bucky, he’s oblivious to the inner workings of TV drama.

Bucky blinks slowly at her response, his eyes wide like she just said they should’ve gone to Sam’s impromptu karaoke party. And then he lets out an incredulous laugh, quick to point out, “There are ten seasons of this show! By the time we get caught up, there will be at least five more.” 

Her mouth opens in surprise, and she pushes herself up, one hand on his stomach, her other hand moving to her chest like he’s just wounded her.

“First of all, there are six seasons.” Bucky playfully groans in response, the pout on her face telling him exactly where she’s going with this. “And even if there were ten seasons, you wouldn’t want to watch them with me?”

“Okay.” Bucky’s laughter reaches his eyes as he tosses the remote to the side - it’s clear he’s not going to be pressing play anytime soon.

He looks adoringly at his girlfriend as he sits up with her, his gaze never wavering. “Doll. Sweetheart. Love of my life. I’d enjoy watching paint dry with you.” 

Her smile almost breaks through, but she holds back, patiently waiting for him to continue. He’s either about to make too much sense, or he’s about to dig the hole deeper. 

After a soft, dramatic sigh, he gently tells her, “But, we haven’t even gotten through this episode, and it’s already been over an hour.”

The moment he says it, he has to hold back his laughter, her response exactly what he’s expecting.

Her mouth drops open again, and she laughs at the ridiculous notion that she’s to blame for their time-management issues.

With a quick shake of her head, and resisting the urge to poke him, she quickly points out, “You keep pausing to ask questions!” 

The moment the words are out of her mouth, Bucky seems almost too eager to remind her of several moments that had nothing to do with him. Sure, he’s partly to blame, but most of the interruptions had nothing to do with him.

Like during the first five minutes when she kept getting up because she forgot something. Or when she had to search a familiar looking actor.

“Or,” Bucky continues, his tone gentle, even though he’s clearly enjoying himself. “When you swore you’d heard that one song before-.” 

She cuts Bucky off before he can finish the last thought, shoving one of the pillows in his face, his hands quickly deflecting it.

“I get it!” she says, laughing with him as he pulls the pillow away from her before she can attempt to hit him with it again.

His slightly raised eyebrow tells her he’s waiting to see if she’s going to try to defend herself.

“Fine,” she relents, giving him another exaggerated pout that makes him grin. “I guess no marathons for us then.”

She glances at the TV where the episode is still paused before turning her attention back to Bucky, her own grin growing. “At least,” she starts, her eyebrow raising suggestively. “No marathons of the TV variety.”

Bucky laughs, a surge of arousal rushing over him at the mere suggestion, but has to shake his head, the disappointment clear on his face.

With a pointed look, he reminds her, “Sam’s down the hall.”

Sam materialized on their doorstep a couple of days ago to stake claim to their guestroom once again, this time while in the city for a friend’s birthday. 

There hadn’t been any objections at the time - and there aren’t any now, as far as Bucky’s concerned.

He really doesn’t care if Sam hears them having sex. It’s not like Bucky’s never overheard him before. But Bucky knows his girlfriend. If she thinks Sam might have heard her, it’ll take her weeks before she’ll be able to be in the same room as him without turning red. 

She’s not thinking about any of that, though.

It’s been a few days since there’s even been an opportunity for them to get lost in each other, and she doesn’t want to waste this one.

With a smile and a slight shrug, she simply says, “So? I can be quiet.” 

Bucky’s bark of laughter rings out, and she narrows her eyes at him. Before she can even think about it, he quickly grabs the pillow still sitting between them so she can’t throw it at him and instead flings it to the side, making her laugh. 

“What?” she asks, still feeling confident in her words. “I can be!”

“No,” Bucky says, trying to hold back his laughter as he shakes his head at her. The simple refusal of her statement makes her lips part in a surprised exhale, but before she can make an argument, he adds, “You are entirely incapable of being quiet, doll.”

He can’t help but lean just a bit closer to whisper, “Especially with me.” 

That feels like a challenge to her. And even though she knows Bucky is probably right, she can’t just give in. She’s just as stubborn as he is, and she knows exactly how to play this.

With a quick flick of her tongue to wet her lips, she leans towards him, their mouths almost close enough to touch, and asks, “Wanna bet?”

Her question has the desired effect, causing Bucky’s stomach to flutter with a rush of excitement. She’s a strong, confident, capable woman, and there’s almost nothing she can’t do, especially once she puts her mind to it.

But, there’s not a doubt in his mind that he’ll have her screaming by the end of the night.

Bucky’s hand reaches out to brush a few strands of hair away from her face, his eyes glancing at her mouth as he starts to close the short distance.

Her hope to feel his lips on hers fades quickly, though, Bucky pausing to grin at her, needing to set the terms of their deal first. 

“When you lose, we’re finally getting that swing.” 

For the briefest of moments, she hesitates. The idea of a sex swing excites her, and it’s something they’ve been discussing for months - even going so far as to choose their favorite - but the intimidating feeling of being on display like that has never faded.

Bucky’s only ever made her feel beautiful, and sexy, and desirable, but that doesn’t mean he can completely erase decades' worth of insecurities. 

Bucky doesn’t rush her, not with something like this. He’ll give her all the time in the world to decide if this is a bet she’s willing to take. And if she decides she’s not ready, then he’ll accept that without hesitation, no matter how much he wants her to say yes. 

The anticipation is short lived though, because a smile spreads across her face and before she even says, “deal” he’s already hard, imagining how incredible she’ll look suspended and tied up for him, completely at his mercy.

There are so many possibilities, and the sooner he wins, the sooner he gets to make them all a reality.

Her lashes flutter when Bucky’s hand moves along her scalp, his fingers sliding through her hair to softly grip the strands. She allows him tilt her head back, putting her in the perfect position for him to finally kiss her, and she tries to remain patient. 

It doesn’t matter, though, because after just a soft brush of his lips against hers, he’s pulling away again, the grin on his face causing her to let out a frustrated sigh.

As much as Bucky wants to just jump right into this with her, the faint taste of her on his lips making his cock twitch, he’s taking this bet seriously. 

He meets her gaze, holding her head steady, and says, “We gotta set some ground rules first.”

She breathes heavily but doesn’t move, waiting for him to continue, wanting this just as much as he does.

“No covering your mouth,” he tells her, increasing the hold of her hair, making her gasp softly.

Bucky doesn’t miss the way her thighs tense with arousal, and he groans softly, pulling her closer so his lips brush across the corner of her mouth. “That includes no biting me.” 

She lets out a soft exhale of a laugh, but doesn’t object, no matter how much she enjoys sinking her teeth into him when he’s fucking her hard.

And considering this bet and what’s at stake here, there are no plans to go slow tonight. 

With a slight nod of her head, his fingers limiting her movement, she agrees, but she’s unable to stop herself from still being a bit of a brat. “Is that all?”

Bucky pulls back, narrowing his eyes at her, his breathing slowing down as he fights the urge to smile. He loves when she pushes back - it’s her way of telling him not to go easy on her. 

“No,” he answers her, his vibranium hand suddenly coming up to wrap around her throat.

The brief flash of surprise that crosses her face is quickly replaced by a look of pure desire, her trust in him radiating off of her. It encourages him to keep going, his need for her reaching new heights.

“You’re also not allowed to tell me to stop just because you can’t be quiet.”

Her body tingles with pleasure, just like it always does when he takes charge, and she has to bite back a moan as the ache between her thighs intensifies.

She’s playing with fire, but all it does is excite her, even as she briefly wonders if she has an ounce of a chance of winning this bet. 

The moment he asks if she agrees to the terms, she answers without hesitation, telling him, “Yes.”

With a cheeky grin, she adds, “And I look forward to winning.”

That’s all Bucky needs to hear and he pulls her against him, crashing his mouth against hers, his tongue immediately demanding entrance.

With his hand around her throat and his fingers gripping her hair, he keeps her in place so he can kiss her, leaving her breathless and desperate for more.

As much as Bucky enjoys taking his time with her, he’s on a mission tonight.

There’s a primal urge to claim her, to prove how quickly he can make her lose control. And there’s no doubt that he’s going to win this bet.

Within just a couple minutes, Bucky has her naked and writhing underneath him, her head resting on a pillow.

His lips follow a slow trail from her neck to her breasts, taking a moment to focus on her sensitive nipples, giving them both the attention they deserve, his ears trained on the soft noises of pleasure already leaving her. 

Her hands never leave his body, needing something to hold onto to keep her focus, her fingers gently tugging at his hair while her other hand grabs at his shoulder, pressing against the defined muscle.

She’s already having to force herself to take slow, deep breaths, the occasional shift of hips causing his hard cock to tease along her wetness, making her want to beg for more.

She remains as quiet as possible though, her eyes drifting closed as Bucky’s mouth travels lower, taking his time to place tender kisses all over her soft stomach, reminding her how much he loves every single inch of her.

He doesn’t even care that she’s not looking at him right now. He’s just grateful for the way she gives herself to him, trusting him to treat her like she deserves.

With one last glance up, Bucky eagerly settles between her thighs, the smell of her filling his nostrils, making his mouth water.

The soft groan that leaves him makes her hips twitch, and he pauses for a second to take her in, both hands coming up to keep her spread wide for him.

She’s already so wet, the sight of her swollen clit just begging to be licked, and he can’t wait to hear her come apart for him.

The first slow swipe of his tongue along her slit causes her body to tense, the sudden sensation making her breath hitch, almost making her forget all about the bet.

Bucky learned her body so quickly when they first became intimate, and now, the familiar swirl of his tongue around her clit immediately makes her back arch, a moan getting trapped in her throat.

He loves the taste of her, happy to spend as much time between her thighs as she lets him, and even though that’s not what tonight is about, he still takes a moment to appreciate the delicious meal she’s offering him.

He alternates between long licks, and fucking her with his tongue, grinding his soft beard against her pussy to get as deep as he can, as if starved for more of her. 

Despite Bucky’s own noises of pleasure getting louder, hers remain low, and it’s not long before the desire to hear her scream builds inside of him again.

Without warning, his mouth suddenly closes over her clit, his tongue resuming the perfect rhythm against the bundle of nerves and his hands grips her thighs, holding her in place.

She cuts off the harsh gasp that spills out of her, and her fingers tighten their grip on his hair as her hips move against his mouth, chasing her pleasure.

Despite half her focus on keeping her sounds under control, he’s still able to quickly bring her to the edge, and her other hand grips the bedsheet as the tension suddenly snaps.

As much as it turns Bucky on to watch her and feel her come for him, there’s something wrong about not hearing her as she loses control.

He refuses to pull away though, his mouth working her through her orgasm, his hands holding her, letting her ride out the waves. His own hips grinding against the mattress, his cock hard and heavy, aching for relief.

When she becomes too sensitive, he takes pity on her and quickly kisses back up her body, giving her a moment to catch her breath.

Her need for him is too overwhelming though, and within seconds, she meets him in a kiss, moaning at the taste of herself on his tongue. 

She doesn’t allow herself to get lost in the moment for too long, her body craving more, and she reaches between them, her fingers wrapping around his thick cock, ready to remind him that she still has a chance of winning this bet. 

Bucky welcomes her touch, his hips thrusting forward, groaning against her mouth.

She takes advantage of his pleasure-filled state, rubbing her thumb across the head of his cock, the tip slick with his arousal, and proudly states, “I told you I could be quiet.” 

The laugh he makes in return sends a shiver down her back, and she can barely quiet the soft squeak as he pulls her hand away, his fingers wrapped around her delicate wrist.

He’s always careful not to cause her any real discomfort, but the look he gives her still makes her freeze, wondering what she’s gotten herself into.

“Oh sweetheart,” Bucky chuckles, slowly pinning her hands over her head as he starts to grind his cock against her. “We’re barely getting started.”

Her body tenses in anticipation, expecting him to thrust inside of her, but he doesn’t change his pace, his eyes taking in how beautiful she looks, all desperate and needy, her skin flushed.

Even after all this time with him, she’s still not used to all the attention he gives her, and she’s grateful that he allows her to move with him.

Each shift of her hips makes her breath quicken just a bit more, the length of his cock sliding along her clit, and she’s pretty sure she could come just like this. 

The thought of it makes her body pulse with arousal, and she quickly nods her head, breathing quickly. “Please,” she whispers, her fingers flexing under his hold.

He grins down at her, tightening his grip slightly, keeping the same pace, watching her fight between completely giving in and trying to silence her noises.

Bucky wants the noises. He needs them. He needs to hear her whines and moans and cries as he brings her pleasure.

She’s clearly determined to win this, but so is he. And the moment he feels her almost reaching the edge, he suddenly stops, pulling his hips out of reach of her.

She has no idea how, but she manages to keep the whine of “no” down, her voice almost betraying her. Bucky’s soft laughter helps keep her focused, though, and she glares at him, breathing heavily.

Her mouth opens in protest, but before she can even think of how to react, his vibranium hand closes around her throat, pushing her down against the bed. 

“Oh god,” is all she can say, her voice trembling as she tries to mentally prepare herself for whatever Bucky has planned.

He knows her too well though, and the moment he moves, she almost loses the bet.

His right hand slides between her thighs, and in one smooth motion, he fills her with two fingers, curling them inside of her to press against her front wall.

She bites her lip hard enough to almost draw blood, but she’s able to dampen her cry of pleasure as she throws her head back, both hands now gripping the sheet. 

Bucky gives her no time to gather her composure before he starts moving, the heel of his hand rubbing hard against her clit while his fingers stroke over her g-spot.

She may not be speaking, but her body is talking, the sounds of her wetness filling the air. He growls his approval and leans over her, his metal fingers twitching against her throat.

“Listen to that,” he murmurs, watching her as he quickly works her towards another orgasm. “Your pussy’s talking to me, doll. Just begging for more.”

She pulls her lips inward between her teeth, biting down as she breathes heavily through her nose, the pleasure starting to make it harder to focus.

His words aren’t making it any easier, but she’s grateful that he doesn’t make her look at him, her eyes currently shut tight, her head pressing into the pillow underneath her. 

There’s something so intoxicating to Bucky about being in charge of her pleasure, and he knows he’ll never get enough of her.

For just a moment, he forgets about the bet, his eyes taking in the way she writhes underneath his touch, everything about her encouraging him to keep going. Her back arching, her legs spread, hips thrusting in time with his hand as he fucks her deep and hard.

Except, she’s still keeping her noises to a minimum. Even as she starts to breathe quicker, the gasps turning to shuddering sighs, she manages to somehow keep it all under control.

And it’s starting to get under Bucky’s skin. He can’t be a gracious loser when it comes to this.

That primal feeling resurfaces in Bucky, the urge to take her hard and fast igniting inside of him. But, first, he needs to make her come again.

He quickly moves his left hand down her body, pressing hard against her clit, giving him the ability to fuck her harder with his fingers.

Her eyes roll back in her head, and she nearly screams, his fingers deep inside of her, curled and rubbing hard against the spongy tissue.

She can feel the pressure building, and she grabs her legs, her hands wrapping around her ankles to keep her spread wide for Bucky.

“That’s it,” he encourages her, just as breathless as she is, his body humming with pleasure. “Can feel you, sweetheart,” he moans, grinding harder against her clit, knowing exactly what she needs to get over the edge. “Doing so good for me. Gonna come all over my fingers, aren’t you?”

She quickly nods her head, but she can’t trust herself to speak. She can barely breathe anyway as her fingers dig into her ankles, the slight pain giving her something to focus on, reminding her of the stakes here.

She’s so overwhelmed, and he hasn’t even fucked her with his cock yet. She has no idea how she’s going to win this bet.

She can’t think about that right now though, because her entire body suddenly tenses, and she squirts, coating his hand with her juices.

She barely hears Bucky’s groan of approval, but his words of praise quickly flood her brain, and she comes for him, using every bit of energy to not cry out.

“Good girl. Fuck, look at you,” his deep voice adds to the pleasure still washing over her and she lets go of her ankles to reach out for Bucky, needing him.

He quickly joins her, resting some of his weight on top of her, letting her cling to him as her body shudders, her hips riding his fingers. 

“You feel so fucking good,” he murmurs against her neck, his fingers buried deep inside of her, savoring the way her pussy pulses with each wave of pleasure. “I think I should I make you come again, just like this.”

He’s only half-serious, his cock aching to be inside of her.

Her expected whine makes him laugh, and he curls his fingers inside of her again, easily finding that spot that makes her tremble.

She’s still sensitive from her orgasm, but her mind is starting to clear, and she immediately shakes her head. “Absolutely not.” Another breathy moan, and then, “I think you should let me suck your cock.”

Bucky groans, allowing himself to briefly consider it, but kisses her softly and tells her no.

As much as they both enjoy when he fucks her mouth, it’s not going to help him win this bet. Her mouth needs to be free to make all those beautiful noises.

“I think you’re forgetting the point here, doll.” he teases, sitting up between her thighs and slowly sliding his fingers out of her dripping pussy.

She doesn’t even try to stop the soft whine from the loss, and he grins at her, watching her as he lifts his fingers to his mouth, licking the delicious taste off both digits. 

The sight of him clearly enjoying himself makes her want to bring him more pleasure, and she leans up to kiss him again, welcoming the taste of her wetness on his lips and tongue.

When her teeth playfully bite at his bottom lip, his fingers tangle in her hair to pull her head back, meeting her grin with one of his own.

“How about I put my cock somewhere else?” 

The smile on her face grows, despite her slight disappointment at not getting to have him in her mouth. And as Bucky rests back on his knees, she slides her hands down to touch herself, giving him an even better view of her wet pussy. 

The action immediately makes him groan, and his hands move to her ankles, gripping them to steady himself. After all this time, she still has the ability to catch him off guard, and it makes him love her even more.

They both watch as he moves his hips forward to slide his cock along her slick slit, almost slipping inside her before gliding up to tease her exposed clit.

The movement sends a jolt of pleasure through both of them, and she lets out a soft whine, shifting her hips to try to guide him to where he needs to be.

It’s futile, though. Bucky’s doing this on purpose. Trying to make her forget the bet, but she keeps herself under control, breathing heavily through her nose, proving to him she’s just as dedicated as he is.

With a longing look on her face, and another shift of her hips, she pleads, “Fuck me.”

Bucky’s fingers tighten around her ankles, but he stays exactly where he is, continuing to tease her with the head of his cock. “You sure you’re ready?”

His gentle tone makes her laugh softly, but he shakes his head at her, his eyes dark with desire.

“I’m serious, doll.” His breathing is just as heavy as hers, his body tense from trying to control himself. “I’m planning to fuck you until you scream for me.”

She’s far from making objections, her need for him overwhelming. As if he needs any more encouragement, she licks her lips and raises her brow at him, declaring yet again, “I’m going to win this bet.”

His laugh sends another shiver down her spine and a pulse of pleasure straight to her clit. There’s no way she’s winning this bet, but she’s going to have fun losing.

Bucky angles his hips, their bodies fitting together perfectly, and as the tip of his cock pushes against her entrance, he tells her, “Arms over your head.”

She narrows her eyes at him but doesn’t question it, knowing there’s a good reason for it. And she’s excited to find out what it is. 

The moment her hands grip the pillow under her head, he smirks at her and snaps his hips, burying himself inside of her.

A harsh gasp leaves her, but it’s not loud enough to make her lose and she throws her head back, biting her lips to keep her mouth shut as he starts to fuck her hard. 

Bucky pushes her legs back, spreading her wider as he finds a quick rhythm. His own noises of pleasure get louder, but he does nothing to quiet them.

He knows how much she craves the sounds he makes, the pleasure she gives him like nothing he’s ever experienced. 

“Oh fuck,” he groans, trying not to squeeze her ankles too hard, “you feel so good, baby. So wet, oh my god.”

She can’t look at him. She clings to the pillow underneath her, her forearms cradling her head as she does everything in her power not to cry out. His cock feels so good inside of her, reaching all the spots that make her toes curl and her body shudder in pleasure.

Bucky is more than desperate to hear more from her. The soft gasps and whimpers doing nothing to quell the ache to experience her pleasure at its fullest.

He’s used to her cries and moans filling the room, and while everything about her is telling him she’s enjoying herself, it’s not nearly enough. 

“Stay just like that,” he orders her, sliding his hands down, squeezing her thick thighs as keeps moving, his hips never faltering.

She’s in no mood to disobey, willingly letting him fuck her towards yet another orgasm. Bucky can feel her tightening, her walls trying to keep him in place on each outstroke.

“That’s it. You wanna come for me again? Wanna come all over my cock?”

She can’t trust her voice and all she can do is nod her head, finally opening her eyes to look up at him.

He immediately growls and leans forward, letting her thighs spread around him as his hands go to her bouncing tits, making her back arch, allowing him even deeper.

Bucky curses again, her wetness allowing him to bottom out each time, and he can feel his own orgasm building, the sight of her writhing underneath him almost too much.

“Fuck,” he growls, his right hand moving to her stomach, loving the feel of his fingers digging into her soft flesh, his hips never slowing. “You feel so good. Come on, come for me, doll, let me feel you.”

All it takes is one brush of his thumb over clit and she comes again, her fingers sore from her tight grip the pillow. But all she can focus on is the electric current of pleasure rushing through her, the tension causing her to clench her teeth.

She resists the urge to press her face against her arm, and somehow manages to make it through the intense pleasure with only making soft, breathy moans.

It’s at this point that something in Bucky snaps.

He fucks her through the waves of pleasure, waiting until her body finally starts to relax, before he suddenly pulls out.

The whine she makes is louder than all the sounds she’s made tonight, and she opens her mouth in surprise, looking up at him with wide eyes.

“I’m not quite done with you yet,” he promises her, the gruffness of his voice making her hips shift.

Bucky chuckles softly and runs his hands over her body, his fingers dancing over her throat before sliding down between her breasts. 

Before he does anything else, he checks in with her. “You ready to keep going?”

Her words come easy this time. “Yes, please," she smiles, lifting her hips again as if to entice him.

He has other plans though, and instructs her to turn over, the roughness of his voice returning. The excitement on her face is clear as she quickly obeys, getting into position - head down, ass up.

Bucky takes a moment to appreciate the view, the desire to claim her burning him up. He controls his breathing and reaches out, running his palm along her back and down to her ass, relishing the way she immediately spreads her thighs even more.

“Good girl,” he praises her, his voice deep with admiration. And then he slaps her ass, hard enough to make her gasp, and she turns her head to look over her shoulder at him.

They grin at each other, and he does it again, making her groan softly, but she pushes back, welcoming the sting. 

Bucky’s hand rubs across the pinkening skin as his metal hand slips between her thighs, teasing her with his fingertips.

She’s more than ready for him to keep fucking her, but he still asks again, needing to hear her give him permission one final time.

As soon as she utters the soft plea of ‘yes, please’ he’s lining up behind her, his hand wrapped around his thick shaft to guide himself back to her welcoming pussy.

He wastes no time and sinks into her with a soft groan, her hot, slick walls enveloping his hard cock like she was made for him. 

Bucky takes her slowly at first, the feel of her pussy fluttering with each long stroke of his cock making it difficult to focus.

She’s so sensitive, and with each deep thrust, her soft noises start to get just a bit louder, reminding him he’s on the right track.

His tender touches start to become a bit firmer, and as her hips begin to meet his with more force, he suddenly grips her waist.

Bucky plans to do whatever it takes to elicit louder noises from her, and without warning, he starts to piston his hips, making her take all of him, over and over. 

This time she’s expecting it though and has just enough time to grit her teeth, each thrust making her gasp, her breath coming quick and shallow.

It’s taking all of her focus not to give in and let herself lose the bet already; she’s just too stubborn to give in, no matter how good Bucky is making her feel.

The irritation grows in Bucky, her lack of noise starting to feel personal, and his hands move to her hips, grabbing fistfuls of her ass as he starts to fuck her harder.

He watches as her back arches and her fingers grip the bedsheets, each deep thrust causing her legs start to shake again. She’s almost there. He can feel it.

She whines his name, and her hands scramble to grip the edge of the mattress, keeping her head turned, refusing to bury her face in the covers.

“Oh sweetheart,” he murmurs, the tenderness a stark contrast to the way he’s fucking her. “Gonna squirt for me again, aren’t you?”

All she can do is nod her head, her eyes shut tight, trying her best to keep her noises under control. But, with each thrust of his cock, she feels herself slipping, her skin breaking out in a light sheen of sweat. 

It’s like a breath of fresh air to Bucky, watching as she starts to slowly lose control.

Any other time, he might take it easy on her, wanting her to be proud of herself for doing something she didn’t think she could do.

But, he’s way past that point now. 

Now, all he wants is to make her lose control and scream for him. And he has one more trick up his sleeve.

Bucky’s strong hands slide up along her back as he raises himself up, placing his feet flat on the bed in order to crouch over her, keeping his cock buried inside of her.

“Oh god,” she breathes, her eyes rolling back in her head as she tries to prepare herself.

She loves this position, but it’s going to be her downfall. And it’s clear Bucky knows it, because the moment he starts moving his hips, he starts talking to her, the growl in his voice pushing her closer to the edge.

“That’s right. Told you I was gonna fuck you until you scream for me.” 

He fucks her hard, the angle making his cock rub against her g-spot with each stroke, and she can feel the coil in her belly tightening.

She can no longer stop her noises from getting louder, and without thinking, she makes a desperate move to regain some semblance of composure.

With a quick pull of her elbows, she buries her face between her forearms, trying to quiet the cry of pleasure as she reaches a breaking point.

Bucky won’t allow it though, and grabs a fistful of her hair, forcing her head to the side.

“Fucking take it,” he demands, grunting with each hard thrust, “fucking take all of me.”

It’s too much. She can’t hold on anymore and her body tenses, her tightening pussy almost pushing him out.

“That’s it!” he growls. “Come for me, baby! God, I love you so fucking much.”

She sobs as her stomach tenses and she squirts, each hard thrust causing her wetness to run down her thighs and soak the sheets.

He talks her through it, like he always does, telling her how beautiful she is, how good she feels, and how much he loves making her come for him. 

Even as her body pulses from the aftershocks, Bucky keeps going, slowing his pace as he settles back to his knees behind her, trying to help her come down slowly.

She was loud, but not enough to satisfy his need to hear her scream.

“I need you to give me one more,” he murmurs, running his hands along her sweaty back. 

She whispers his name and shakes her head, her trembling limbs trying to give out on her.

Bucky’s quick to guide her onto her back again, this time slipping a pillow underneath to raise her hips.

He’s already fucked her senseless - she’s barely able to keep her eyes open - but he knows she has one more to give him.

Bucky starts slow again, giving her time to come back down, waiting until she can finally look up at him, still clearly cock-drunk.

He murmurs words of praise, telling her once again how beautiful she is, splayed out like this for him, her arms over her head, her thighs spread wide.

“You’re gonna look so good in that swing, sweetheart. All tied up and on display for me.”

Whatever insecurities that usually run through her mind are absent, and she moans at his words, starting to slowly move her hips against him, welcoming his cock back inside of her.

The image of being completely at his mercy makes her body pulse, and Bucky smiles down at her, sliding his hands along the sensitive skin of her thighs, just taking another moment to truly appreciate her. 

At this point, it doesn’t matter how he makes her come. She’s going to scream for him either way, all her inhibitions now gone that the bet is over.

And that frees him up to give her everything she could possibly need. “Tell me how you wanna come this time.” 

She breathes heavily and just slowly shakes her head for a moment, still not sure she has anything left to give.

But, if there’s anyone that can pull it out of her it’s Bucky. 

He waits patiently, fucking her slowly, barely pulling out before sliding back in until he’s completely sheathed. “Do you want me to keep fucking you like this?”

His fingers slowly move to her pussy, watching the way her body takes him so perfectly as his thumb finds her clit.

“Or do you need something else?” 

The shaking of her head turns into nods and she tries to find her voice as her back arches, her body welcoming the intense pleasure.

Her body is so sensitive, like every nerve ending is exposed, and she’s still not sure what she needs. Bucky will give her whatever she asks for, but she’s too lost in the moment to answer him.

As much as he’s enjoying the unfiltered sounds coming out of her, he needs her to talk. He needs to know she’s still with him, that she truly wants him to keep going.

“Sweetheart.”

There’s a slight edge to his tone, and she meets his eyes again, a soft smile forming on her face.

He grins down at her and nods encouragingly, “I need your words.”

She nods again, but as she starts to say “I want-” her words are cut off by a soft whine, Bucky’s cock bottoming out inside of her, finding that spot that makes her legs shake.

They both laugh softly, and she shakes her head at him before she finally finishes her thought, “I want you to come with me.”

A deep moan leaves Bucky at her request, his grip on her thighs tightening as he resists the urge to start moving faster.

“Is that what you need?” he asks, starting to lean forward, peppering kisses along her breasts and collarbone.

Her answer of ‘yes’ comes quickly and he starts to rock against her, grinding his pelvis against her clit.

“Yes,” she repeats, the simple word causing pleasure to race up Bucky’s spine.

He drops to his elbows, caging her in, and they both start moving at the same time, her legs wrapped around him, encouraging his hard thrusts.

“Yes, fuck me, oh my god.” She doesn’t care how loud she is anymore, the cries and moans leaving her without a second thought. 

Bucky’s already close, her pussy practically milking his cock, each flutter making him groan. But, he’s a man of his word and he’s not going to let himself give into the pleasure until she comes one more time.

“You feel so fucking good,” he moans, panting above her, unable to tear his gaze away, committing this moment to memory. “Such a perfect pussy, baby. Just made to take my cock.”

She clings to him, her nails scratching down his back, sure to leave marks. But he welcomes it, the sting adding to his pleasure, watching as she cries out, her body starting to tense, her final orgasm building.

When she whines his name, he hears the apprehension in her voice, as if to warn him that this one’s going to overwhelm her. 

Bucky’s fingers slide through her hair, and he cradles her head, forcing her to keep looking at him.

“It’s okay,” he promises her. “Give it to me. Give me everything.” Her back arches and her pussy tightens, the sounds of her wetness filling the air as she starts to squirt again. “Fuck yes, come for me!”

And she does, her breath hitching as the sudden explosion of pleasure rocks her body.

Bucky doesn’t stop, moving hard and fast against her, forcing his cock to stay inside of her, even as her walls clench around him, almost pushing him out.

She cries out, finally giving him what he’s been working towards all night, her scream of pleasure sure to wake the neighbors. 

Bucky can barely hold back, his own orgasm threatening to consume him, but he fights through it, giving her a few more seconds of his attention.

“That’s it, scream for me. Let everyone fucking hear you.”

But then she’s begging him to come too, her sobs of pleasure pushing him over the edge, and he kisses her hard, his tongue sliding along hers.

All his senses are consumed by her, every single part of him entirely overwhelmed with pleasure, the rhythm of his hips faltering as his cock pulses, filling her up with his cum.

After a few more lazy thrusts, their hips finally come to a stop, and he groans against her mouth, collapsing on top of her. 

They’re both panting, their arms wrapped around each other, Bucky’s weight a welcome feeling as he starts to nuzzle her neck, breathing in her scent.

They take their time coming back down, murmuring words of love and affection, their lips eventually meeting again in a soft, tender kiss. 

She barely registers him rolling them over, but makes a soft noise of protest when he slowly pulls out.

Bucky’s own sigh joins hers, the loss of her warmth making his softening cock twitch. If it wasn’t so late, and she wasn’t clearly spent, he’d happily go another round.

For now, they snuggle quietly, her head resting on his chest, listening to his heartbeat while his fingers make slow, soothing strokes along her back.

Bucky’s sensitive ears pick up the steady rhythm of her heart as well, the sound a constant comfort to him even on his hardest days. 

Eventually, they finally move, sharing another brief kiss and exchanging words of love yet again, neither of them ever tiring of hearing it - or professing it to each other.

But, they need to clean up, his release still leaking out of her, leaving her slick - and he’s not much better off, their combined fluids matting the hair at the base of his cock.

Bucky’s first to finish in the attached bathroom, and he’s already in bed when she returns, the covers pulled up to his stomach, his phone in his hands.

The silly grin on his face makes her laugh, and she climbs onto the bed, asking him, “What are you up to?”

He gives her a quick glance, his bright smile making her heart flutter as he returns his attention back to his phone.

“I’m purchasing that sex swing.” 

---------------------------

The Prize

Hot Bucky Summer Masterlist

Main Masterlist