#i will never stop talking about him

[sirlancenotalot]

it is thursday, my dudes

[zwoftt]

i have been a "dorian has dimples" truther since day fucking one and omg you can see a little dimple mark in his new art im gonna cry

I LOVE HIM SO MUCH

[supoctosss]

Look at how absolutely gorgeous this man is😭

omg hiiii :3c

[gojoidyll]

no ruler gilgamesh for fgo this summer, which is fine because I wouldn't want gil to be a summer servant anyway

here's to hoping he's the new years servant 🤧

[yrsonpurpose]

He [Henry] knows that this is the most meaningful relationship that he's ever had. And he's probably been the happiest he's ever been in his entire life. And Alex knows that too because he knows him in and out now. - Taylor Zakhar Perez | TV Insider

[1800-lemon-boy]

I’ve seen a few headcanons (especially in fics) that Will solace actually is naturally brunette but when he was claimed by Apollo his hair turned blonde (weither it’s over time due to sun bleaching or straight away).

And I just wanted to say I love this so much purely because of how heartbreaking some of the implications can be. 🤗

It’s never happened to any Apollo campers before, Will doesn’t know why it had to happen to him, his one sense of normalcy taken away so quickly, his one connection to his previous life- gone.

Will starts to pick up quite quickly he’s not like his other siblings, he’s can’t write and is average at archery. But he can heal, better than anyone else can.

He was different from the start, he was claimed differently, and his gift was different too.

And while still struggling with what to do, at the ripe age of 12 he’s now in charge of a cabin full of kids younger than him, because he was the oldest to survive.

Just imagine how the plague powers would also affect him. Apollo himself said that it seemed Will had gained all of his good qualities and none of his bad.

How would this 15 year old feel that the same hands that can heal can cause harm?

<33

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[jimmysgoggles]

If you could have a drink with Senna one last time, what would you say to him?

I would love to. That was the plan when we were discussing (at the) end of '93 and beginning of '94. We had a connection. We had a call. Sometimes, more than one call every week. We were talking about the present, about the future, and we were talking about what happened in the past but not a lot. For sure if we had a drink, I would have a lot of questions, a lot of discussions we could have. It was really different. It was a different personality after our last podium together in '93 in Adelaide. And there was a lot of things I wanted to ask, I wanted to know, because he's a very mysterious person also, you know? And he did not want to be a friend when we were racing because he told me that he had a fear—that if we were friends, he would lose some part of motivation. But when I retired, obviously, everything went back and we could have had a lot of fun, I suppose.

source: heinekenbr on tiktok

[introspectivememories]

im sorry but i choose to believe that tim drake is the most insufferable "my man, my man, my man" girl about bear. he does not shut up about him. steph is cooking smth in the kitchen? oh my man can do that. bear cooks really well. dick triaging some poor victim on an emergency site? oh my man is really good at that. mhmm, bear is on his way to becoming a paramedic. damian building something? oh my man is really good with power tools. have you ever seen him build ikea? it takes him less than an hour. for our anniversary, he built me a coffee table. mhmm isn't he amazing? yeah my man did that. yeah my man, mhmm that's my ma-

[iamnmbr3]

Draco in second year like: Did you hear? Ginny Weasley fancies Harry Potter. How embarrassing. Can you imagine? Can you imagine someone being attracted to Harry Potter? I couldn't. I mean what's he got besides his stupid scar and his stupid hair and his stupid green eyes and his Seeker skills and his heroics?

Can you believe someone is actually attracted to that? I can't. It must be so embarrassing for her friends. Imagine having to put up with that. Imagine if someone just talked about Harry Potter all the time. It would drive me mad.

The entirety of Slytherin House: ...........

[astral-herald]

Viktor's (subverted) Aristotelian Tragedy

A common sentiment I’m seeing throughout post-finale Viktor discourse is an understandable concern or distaste for the element of choice lost throughout his story. I know a lot of us – myself included – expected more time spent on his transformation, along with emphasis on the anger/rage/betrayal fueling it. But seeing him allow Singed to “begin the process” in episode 8 reminded me of Arcane’s origins – tragedy. Bear with me for another long analysis :)

Aristotle wrote the following on the tragedy: “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself…with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” He also emphasized that the true tragic hero couldn’t be perfect, and his downfall into such catharsis-inducing circumstances was reliant on a fatal flaw, oftentimes pride.

Viktor fits this mold, as do many Arcane characters, and it stands to reason that this was intentional since the writing team has reiterated that the show is a tragedy, at its core.

Regarding Viktor’s fatal flaw, I’d argue it’s pride, but it manifests very uniquely. He never makes any grand declarations about his success and doesn’t draw attention to himself in any clear way throughout season one (“Progress Day” comes to mind). Instead, his pride manifests as staunch independence and self-reliance that lead to his downfall; his unwillingness to break his stoic mold arguably led to his use of the Hexcore…so it goes.

Fascinating caveat: Viktor’s pride is a defense mechanism, a necessary tool he built in order to survive and succeed in a hostile environment to people of his station. His self-reliance is increasingly desperate as his illness worsens. He’s cornered by fate but banks on the sanctity of choice at every turn – in season one, Viktor is bound by the conviction that we all have a choice. It’s why he’s so distressed when Jayce makes the wrong one regarding weaponizing Hextech.

“There is always a choice.”

Viktor’s choice to fuse with the Hexcore is the classic Aristotelian fatal flaw moment, the singular incident that opens the flood gates for eventual catharsis. We watch Viktor make an irreparable choice, one that we know to be bad, and endure the repercussions. He then makes the choice to abandon the Hexcore, and end his life, but audiences can’t shake the feeling that those consequences aren’t leaving anytime soon.

So why is Viktor so anti-choice in his final season 2, act 3 form?

Choice is Viktor’s weapon. Pride is what leads him to abusing it. Despite how uncomfortable and depressing it is to watch, Viktor’s slow descent into the Herald is a perfect twist of fate. The Arcane is even so insidious that it meshes with his original intent, to help those suffering in the undercity, while convincing him that their subservience is healing. He becomes responsible for their choices. He knows what’s best because he’s relieving the Gloriously Evolved of their suffering, right? The utopia is for the greater good, yes?

Admittedly, it was really hard watching act 3 Viktor descend fully into his choiceless ethos. But we can still relate it to his tragic flaw – his pride has mushroomed into coldhearted omniscience; not only does he know what’s best for everyone, evolution, but he also has the sense to make the choice for them to supersede their “baser instincts.” The grief we feel upon seeing this perverted, violent version of himself, as far removed from Viktor as possible, is the culmination of Aristotle’s treatise on tragedy. The catharsis is the rock-bottom Machine Herald.

"Choice is false."

But then Arcane decided to basically make Jayvik canon (get out of here, Christian Linke) and destroyed the early drafts of this post. I’m going to rapid-fire this next bit:

Jayce forces Viktor back to life. Viktor has no agency in his season 2 inciting incident. Again, it’s distressing when we mourn his agency, but it remains in accordance with Aristotelian tragedy.

Viktor clings to humanity as long as he possibly can. When Jayce calls out Viktor’s trajectory, alleging that his old partner had died in the Council chamber, whatever is left of Viktor gives way to the Arcane because his last tether has been snapped.

Jayce knows the game – Old Man Jenkins Mage Viktor told him so. Jayce becomes the linchpin in subverting Viktor’s tragedy. He knows what must happen. He understands now.

Machine Herald Viktor is given the chance to undo his fatal flaw, to reverse the catharsis, when he sees Old Man Jenkins Mage Viktor. With Jayce’s help, he takes it.

Given that it’s a version of Viktor who ultimately frees him from himself by empowering Jayce, we can gather that Viktor has liberated himself from his tragedy.

Aristotle’s catharsis is rapidly transformed from something based in release to something healing – Viktor’s tether to humanity returns. He grasps it. The walls of his pride and self-reliance collapse. He accepts Jayce’s help, finally being seen as the full individual he is. Catharsis ensues, for sure, but I don’t think it’s based in the typical tragedy genre.

All this to say, I think Viktor’s arc was, in fact, carefully constructed. He represents the Aristotelian descent into a fatal flaw and that’s very distressing to see unfold, especially since he embodied the tragic hero archetype so well from day one. However, Jayce undoes this narrative and we’re given an incredibly subversive ending that I, personally, never saw coming.

I’m sure that Mage Viktor has a much larger bearing on this analysis than I’m accounting for. But for now, suffice to say that he is Viktor’s way out of the tragedy. TALK ABOUT CHOICE!

This doesn’t erase anyone’s discomfort for Viktor having less and less agency, but I’d like to emphasize the logic and literary precedent behind the story decisions.

PS: here's a quick source I looked at about Aristotelian tragedies. I hope to re-up on Greek tragedies so I can get more specific about the parallels Arcane draws from them.

[yourlocalabomination]

May I present to you one of the dumbest things iv ever drawn.

[skunkes]

[sunclown]

Quiet

[inafieldofstarflowers]

No bc you guys, Nicky Hemmick was twenty and he was living in Germany and for the first time he was with people who loved him without trying to change who he was. He was learning to love himself, to accept the things that he’d spent his life believing made him evil and broken and worthless, and see that they were beautiful. He had gotten out.

And then, somehow—maybe through his parents, maybe through the cousin he’d only really known for the few months their time in Columbia had overlapped before Nicky left for Germany—he found out that his aunt was dead, that his cousins (and Nicky had only met one of them, but they were twins, and they’d been separated for their whole lives) were either going into the system or into his parents’ custody.

And maybe, for a moment, he reasoned that they were sixteen. That it would only be a few years before they were adults and could make their own choices on where to live, on how to live. But he also remembered that house, and he remembered what it was like to live there and how he’d tiptoed around it. He remembered who he was, then; how much less of himself he’d had to be. And he packed his bags and moved—not home, not anymore, but still back; back to South Carolina, back to Columbia, back to the cousins who needed him even if they didn’t quite seem to want him.

And they figured things out, slow and messy—the custody arrangement, getting the house, establishing a life. Nicky taught the twins German, and he tried his best to teach them what it meant to be loved, and even if they weren’t quite a family yet, to the twins, they were to Nicky. Even if he was only twenty and what he had to offer could never be enough, they were worth enough for him to try.

[dykedvonte]

I genuinely don't think Curly would be as caring for Jimmy as some people depict him in aus where Jimmy gets stuck and burned rather than Curly.

I feel like the realization would truly hit in that moment of what Jimmy did and how bad it was as Curly desperately tries to get him out of the cockpit. He's trying to break in to save Jimmy, but is he? All the thoughts in his head; Jimmy's trying to kill them all, Jimmy's trapped in the cockpit, Jimmy raped Anya, Jimmy's going to die trapped in the cockpit, Jimmy trying to kill them all because of what he did to Anya, and sort of a final Jimmy did this. Is he trying to save him or trying to figure out why? Trying to finally make him take accountability? You can't hold trial for a dead man. Does he want Jimmy to die? Not really, but it'd be easier than figuring out where they go after this. After they drag him out and get his set up in medical and Jimmy refuses to look at anyone but him.

He's the only one who is truly willing to care for Jimmy. I don't think he's keeping him alive for the same reasons, just he can't bring himself to put him down. He wants answers, he wants to be mad. This is the first time he can talk to Jimmy and not have anything spun back at him but he can't get a response. He's never really been able to but for the first time Jimmy actually has to listen and he'll never know if he's actually listening to him this time. It reminds him too much of not understanding Anya. Anya has to care for him and he doesn't want her too, she shouldn't have to but they can't just let him die, can they? Should they? It's easier than hearing him in pain but that's a reminder he did this... even if Curly allowed it to happen.

No one seems to have thoughts on it but him and Anya. They know the reason he crashed the ship but they don't get the logic. Anya does actually, but Curly has to admit he does to. Has to admit he's always known Jimmy's logic behind things, things that need to be "fixed" but he's always taken responsibility and fixed it himself. The first time he really let Jimmy take responsibility and he couldn't, he can't fix anything and Curly know he can't either. He looks at Jimmy and sees every mistake but now he's wondering how many of Jimmy's he's been tacking on to his own. How different are they?

What should he had done to stop it? Maybe this should've happened to him...

Curly doesn't like those thoughts and how they only come when he's stuck with Jimmy, like he's always done to himself. He's way too gentle when he gives Jimmy his pills, too mindful of teeth that always gave him hollow smiles. A tongue that always told half truths, while he held his own. He holds his jaw too kindly and thinks about all the times he's clenched his and smiled for his friends sake. For Jimmy's sake. Jimmy still swallows the pills and struggles, whines like it's not his fault.

He hoped it hurt.

And he's a little scared that he's a little too okay thinking that.