#i will literally pay someone

[scorpiusmalfoylovesoscarwilde]

I need a good drastoria fic I'm actually going to die I'm being starved of them I want to consume them so bad but there's NOTHING THERE plz if any of you have found anything give it to me right now I'm gnawing at the bars of my enclosure this is literally me without drastoria

[left4sad]

i need someone to make a sfm animation of nick and ellis dancing to you can never tell by chuck berry and doing the dance from pulp fiction together

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[ravenpureforever]

On one hand, Young Justice is kind of neglected by the actual superheroes that should be looking out for them in a lot of crucial ways and very much failed by the adults around them

But on the other hand Red Tornado straight up hosts a parent-teacher conference where their respective legal guardians all show up, barring Batman who’s in traffic so Nightwing fills in instead because Robin’s dad does not know he’s a vigilante which is objectively hilarious

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[dsgustng]

I do want to say altho I'm very pro shoplifting it is not something to take lightly. it is something that can and WILL get u in a lot of trouble if you get caught at the wrong place and wrong time. I know a lot of people will get comfortable with it and not think much of doing it but u really do have to be careful and smart Abt it . The best case scenario of getting caught is u get banned from a store you probably really like and worst is you get arrested and have charges pressed against you

[ponchcronch]

If I had a nickel for every time I had an alien with a portable pocket dimension who's likely the last of their kind as a comfort character, i'd have two nickels. /ref

[rollercoasterwords]

like yeah obviously legality does not correlate to morality and i personally do not think ip laws should exist. however the reason i find it relevant to emphasize that selling fanfiction is illegal is not to make some moral stand about the sanctity of ip so much as to be like. hey this is the way it fucking is and if u break the law by selling fic u run the risk of creating larger legal troubles for entire communities of fic writers who just want to share their work for free. also more to the point the reason selling fic is so shitty is that it is a question of labor exploitation. i spent hundreds of hours creating something which you are now packaging and selling to make a profit without compensating me for my labor, which is not only exploitative but spits in the face of the spirit in which this fanfiction was shared—as a labor of love, meant to be free to anyone who wanted to read it. and the gag is that if u did want to fairly compensate me for my labor it would literally be thousands of dollars (assuming i’m charging even minimum wage for time spent writing & editing) which is why it isn’t fucking possible to sell fanfiction for a fair price!! all that on top of the fact that i (and many other fic writers) explicitly say “don’t sell or buy bound copies of my fic” just makes it flat-out undeniable that this is a fucking shitty thing to do, and i genuinely have no sympathy for people who go “wait what i’m not supposed to sell or buy fanfiction 🥺🥺🥺” like shut the fuck up i hate u

[serpentface]

This family dinner is gonna fucking suck

[thatsrightice]

UMMMM

WHAT? IS??? THIS??????

THIS TIK TOK WITH A BEAUTIFUL EDIT JUST DROPS A BOMB SAYING THERE’S A BIRTH CERTIFICATE ON TWITTER AND I FIND THIS????? WITH NO EXPLANATION????

SERESHAWS YOU CANT JUST DO THAT TO ME WHAT THE ACTUAL FUCK

HIS MIDDLE NAME IS JACOB?

HE WAS BORN IN HONOLULU??

I AM UNWELL

[fauvester]

au where the el tigre tiger spirit is an ancient and sort of prehistoric spirit in the wildest reaches of the ghost zone, and the belt allows it to like... 1/4 possess someone (just giving them some extra powers [including retractible chain hands?? ghosts, idk] without affecting their personality)

[hooved]

i hate j*lian b*shir fans. he's like the spock of DS9 in the sense that literally all of you vote for him in polls no matter what the question is just because you wanna fuck this out of character version of him you made up in your head

[herbgerblin]

Blocked for blazing

literally someone else blazed that post and I only saw it while checking my notifications. i don't know what to tell you.

[inkskinned]

100,000 dollars is not a lot of money.

it is also a lot more money than i will ever have. my student loans make up half of that - they're coming back, i'm told, like we all bounced back recently. the other day while paying for gas to go to work, i overdrew my account without knowing it.

i sat in the car and looked at the charge and tried to do the math. where the fuck is the money even going? i don't live extravagantly. i live in a hole in the ground, in an apartment the size of a sneeze; covered in ants. yes, i wanted to live close to a population center. maybe that's my fault. i've downloaded the apps and i've spoken to the experts and i've cut back on excess. i can't help the pharmacy bills or the medical debt.

i have a good, well-paying job. when i googled it to see if i was getting a fair salary, i found out i'd be making "upper middle class" money. which doesn't make sense - is "upper middle class" now just "able to afford a one-bedroom without a roommate". when i was younger, upper-middle meant a nice big house and a backyard and vacations and not flinching about eating at a resturant.

i was talking to my friend who is a realtor. he said 100,000 dollars is extremely cheap for housing. he's not wrong. 100,000 dollars would change my life. 100,000 dollars also won't really buy you anything. it could get you out of debt, potentially, if you were lucky and had a certain amount of scholarships to tack onto your degree. you could pay off the car and then have enough left over for "spending" money. how fucking amazing. one vacation, maybe two if you're thrifty. and then - like magic - the money would evaporate into nothing. people would sigh and tell you see, you should have put it into savings! like "upper middle class" people can't afford to value "actually living" over squirrelling wealth. you should spend your life only in scarcity. like that is what made the rich people all their real "actually a lot of money".

100,000 dollars would literally set me free. it also would just set me back to "earning normally" instead of paying down debt into infinity. god, do you know how many of us just want that? that our first thought is we could stop scrambling and just be free of debt if we won the lottery? that we don't even necessarily need to stop working - we just wouldn't have to worry about failing or falling?

and. at the same time. 100,000 dollars is next to fucking nothing.

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[lessnearthesun]

Post-Crooked Kingdom Kaz having to reckon with the fact that his life long quest for revenge on Pekka Rollins has actually just made him more miserable, and even though now it’s fulfilled and Rollins has paid for what he did, Kaz is still right where he was at the start: an angry, abandoned boy who misses his brother, except now he’s no longer alone is something that can be SO personal actually