#i was the pepe silvia meme

[wicked-west-cats]

If you're going to say you're morally reprehensible, could you clarify a little bit? I'm not saying this to be mean or to accuse you of anything, but I'd like to know if I'm following someone that I don't agree with or want to be associated with.

lmao youre all good and its in jest to certain people ive seen here and on twitter over the years - this is a very pro fictional space and i like that its a safe way for people to process, push, or explore scenarios or dynamics (which apparently is something people get angry about hence the joke, im poking fun both at myself and at others hence the 'dead dove do not eat' reference i made in the tags)

for anyone wondering what that means in terms of the characters here: anything "controversial" would be things potentially already found in the books for backstory purposes

[sarcastic-clapping]

claudia BEYOND justifiably hating lestat and louis and dying hating them because they didn’t see her as a person with her own agency and treated her like a child at best and a toy at worst and both are ultimately to blame for her suffering BUT louis and lestat both genuinely loving her (in their own fucked up and deeply inadequate ways) and seeing her as their daughter and being irreparably traumatized by her death and their culpability in her suffering and the knowledge that she died hating them and it’s their fault and they can never make it right ever

[neonbutchery]

noticed something with villain designs in this game. did someone at larian have a grudge towards people with this hairstyle??? do they all go to the same evil hairdresser?????????????????????????

[broken-risk-assessment-module]

rip secunit 3 😔😔😔 you're not dead but you would have loved saving the lives of a whole colony of innocent humans by making a factually honest and emotionally compelling documentary 😔😔😔

[youz-ink]

I noticed something looking at SQX and HX’s cards from the 4th anniversary video.

SQX has all the phases of the moon in theirs, except for the full moon and new moon. HX has either the full moon or new moon on his. Their cards complete each other!! Beefleaf real!!!!

[lupinescribbler]

Writing Characters: Getting from a ✨vibe✨ to something concrete.

Writing characters is my favorite part of writing, so I figured I’d chat about one of my methods. As far as I know, I came up with it on my own, but I don't doubt a lot of other people use a similar or even the same method.

If you have a vibe you probably know their sense of humor. Their voice. Bits and pieces of their personality, etc. I start from here a lot when I’m writing fanfic especially, since the character is preexisting. Problems I tend to run into from here can be struggling to make them a driving force in the plot, developing a clear and executable character arc, and other… tangibles.

Word Bank. Write down every descriptive word for their personality/who they are. Brave. Reckless. Sarcastic. Loyal. Whatever you’d use to describe them. Then cull the words, think critically about them. Eliminate unnecessary synonyms, or replace with better/more exact words.

Sorting. Draw connections between these traits based on your understanding of the character. There isn’t right or wrong answers, as long as you can explain or justify your reasoning. Are they brave because they’re reckless? Reckless because they’re brave? My primary goal with this step is to be able to isolate a few core tenets of their character by seeing which ones I keep circling back to as influencing or causing others. Usually I end up with 2-5 tenets, 3 tends to be the sweet spot. You want these traits to be distinct from each other. For example you probably wouldn’t want both ‘brave’ and ‘reckless’ to be two of your tenets, or ‘kind’ and ‘encouraging’.

(Note that actually drawing this out isn’t necessarily necessary, and if you do you can do it to whatever level of detail helps. Here I added behaviors resulting from/affirming the personality traits as an example of how you can evolve from this/do whatever you want to with it. It’s a tool, not a template)

So, you got a flowchart, now what? Well, it can be a handy rubric to refer to when writing your character. In its most extreme usage, every decision your character makes should be derived from one of your primary tenets. I generally use it to a less rigid degree than that, but you do you.

In my opinion, it gets fun when you think about the dynamic between your primary tenets. Can the tenets be in conflict with each other? IE, what type of situation could you put the character in where the individual tenets indicate different actions? (In my example sheet: Is he distrustful about a job offer, or is he not taking it seriously enough to even be distrustful? Maybe different tenets predominate different parts of his life?) How do these tenets reinforce or contradict each other? Maybe use internal contradiction to show character complexity, or use internal conflict to drive character growth. Maybe a behavior that is reinforced by 2+ tenets (ex: recklessness) can be a dominating character trait or flaw due to how ingrained it is. What different belief system or coping skill is the scaffolding for each tenet? Could two different tenets erupt from the same belief system and/or coping mechanism? What happens to their traits and behaviors if one of these belief systems is challenged or reinforced? Sometimes just having a new lens to look at characterization through brings up new questions and ideas.

Finally, use whatever method or lack thereof works best for you personally, and have fun writing :)

[chessmatch]

i do think alfred is manipulative and not a great person and emotionally inauthentic to the point where he deludes himself AND rusame is textbook toxic yaoi especially during the cold war HOWEVER the thing that really appeals to me about this ship is i think that they know each other better than anyone else… good and bad. they’ve seen the worst the other has to offer and neither of them have flinched. which i think appeals to ivan specifically. but i also think alfred is an extremely lonely person because he’s inadvertently isolated himself from everyone just by being who he is. so to find this eventual companionship and deep-seated mutual understanding with ivan makes him feel a sort of love and tenderness towards ivan that both horrifies him and excites him

[takemetodragonstone]

in succession 2x08 dundee when logan says “the past is all made up” i really do think that’s the thesis of the entire show btw.

like, the roy kids’ conflicting memories of their childhoods that are never clarified through any kind of flashbacks or confirmation, the entire fucking cruises scandal and the coverups of major crimes, kendall’s accident and how he even tries to rewrite the past in the finale (“that didn’t happen. I made it up”) as logan so often did in both big and small ways (from denying his knowledge of the cruises crimes before congress to small moments of “I told you this already” and “did I even make contact?”)

the fucking poem Dreamsong 29 by John Berryman that all the season finales are named after. this is just the last stanza:

“But never did Henry, as he thought he did, / end anyone and hacks her body up / and hide the pieces, where they may be found. / He knows: he went over everyone, & nobody’s missing. / Often he reckons, in the dawn, them up. / Nobody is ever missing.”

And we never have real confirmation that logan did know about cruises because the characters (minus kendall) deny it to the last. but we know. we keep our plausible deniability because we don’t know, but we know. the show essentially makes us complicit in the same way that the characters are. most of them don’t know that he knew, because they never had any explicit proof, but as kendall says in season 3 “C’mon. We knew.”

the narrative continually shows us that logan “keeps a watchful eye over his whole empire” with perhaps the best example being how he buries the evidence of kendall’s accident and manslaughter at the end of season 1. that’s a very clear parallel to the cruises situation and that’s so skillfully and subtly woven throughout season 2 when the cruises scandals are coming to light and kendall is still reeling from the accident and his guilt.

and all that’s not even touching on the whole matter of ATN and the debate over how involved logan really is in what news stories and political views his network pushes (which could be a whole separate post of its own). very similar to how the cruises thing is handled, the line is always that logan isn’t involved, while the narrative shows us otherwise.

there are a million other examples both big and small that i could pull but this post is already such a disorganized mess. someday i’ll write an essay about it i swear, or maybe somebody else out there already has, but i just needed to point out how brilliant and subtle the show is about this as i’m rewatching season 2

[crispycreambacon]

@shaniacsboogara New Mystery Files episode just dropped and Shane has a corkboard now. Oh god oh fu-

(Alternate quote + blank version + original meme from Always Sunny in Philedelphia down below!)

[biscuitscheesebiscuits]

Reading physical copies of The Queen's Thief series for the first time and realizing that the maps in them are inconsistent???

[daddysboydean]

dean is harping on sam to get laid (normal brother behavior) and confronts him about not wanting to hook up with girls because of jess. sam's like yeah, but that's not the whole story. and then this happens. the loaded silence. the prolonged eye contact. the not elaborating on what the 'main part' is, tho presumably it's something dean knows about judging by the knowing look and him conceding to sam's silence. but if the main part isn't that sam watched his girlfriend burn to a crisp less than a year ago and how that's a major boner killer, then what is it??

is it that you're in love with your brother, sammy??

[902186]

thinking about kurapika and chrollo and parallels and this circle of horrors where they are the victims AND the tools of their fates.

they both think they are neither or more like they don't care about it at all. they don't see themselves as victims, and they see absolutely no other way to live other than this role they took upon themselves. kurapika had such a strong sense of identity and what he wanted to do with his life and understands himself perfectly at all times. he was a part of his clan, but he was more an individual than anything else. kuroro, on the other hand, never knowing, never thinking what his motives are, deliberately not understanding himself and desperately holding on to the spider. he can't be an individual but with others, he can be the spider.

and for both of them, it all started on vengeance. kurapika abandoned himself in order to become a tool, a weapon, to avenge his clan, and to collect scarlet eyes. he stopped being himself and became his people. kuroro didn't know his family, didn't know where he actually came from, didn't know who he was or what he was supposed to be. so growing up in meteor city, he held on to his people strongly. and in order to avenge and protect his people, he would become a tool, a weapon, he would give himself to them. he started being himself as he became his people.

kuroro could be something for his people. and kurapika could be nothing for his people.

kurapika took on the role of judgement for vengeance. kuroro took on the role of villain for vengeance. kurapika acted his part by diminishing everything he was, and kuroro acted his part by filling up his identity with it.

but one thing stays clear and fixed with them throughout it all. they would do anything for their people. for whomever they consider their people. "he'll put his friends before his mission." a weakness kuroro sees in kurapika so quickly and so easily. but the same thing he considers a strength in himself. "i am not your top priority. it is the spider that must be kept alive." as long as his people are alive, his identity will live on. and as long as kurapika is alive, his people’s identity will live on.

"now you will get to experience the pain of losing your home." kuroro (and the spiders) killing the kurta clan set this parallel in motion for himself as the circle began for kurapika. and (speculatively) kurta clan hurting his people was what set the circle in motion for kuroro, too. now thinking about where they are in the story and how their end could be, it is very clear that they are finally ending up in a place where they mirror each other (as they have from the beginning) and they can recognise it in each other and themselves. kurapika ending up empty after his mission and kuroro ending up empty after losing spiders. both of them purposeless and with no self left outside of it. in a way, this is how the circle ends. "i can hear that he accepted death." they walk with death every day with no fear and full acceptance and after losing the only thing they live for, not even something they hold on to because they don't see a point in being alive outside of the fact that they must keep going for their people, for their purpose, and if not then there's no reason to exist, they are meaningless.

kuroro's vengeance left kurapika all alone, with everyone he knew dead, and feeling hollow at the end. by fate, he ended up all alone, with everyone he knew dead and feeling hollow at the end.

and at that point, they will have to start a new page and build a new self for themselves.

[soren-apologist]

i wonder if the reason soren can cast magic silently is because of his dragon blood

it’s canon that soren doesn’t actually verbalize his incantations when casting thanks to the fact he was taught magic years before anyone ever bothered to help him learn how to speak, hence the “silent master of winds” moniker. heck, we even see it during lucia’s execution cutscene where soren is visibly mouthing the words for elwind but is entirely inaudible.

considering no one else can apparently do this (based on how the silence staff works, and ignoring the fact that those also affect soren because of gameplay reasons), i’m curious as to what exactly makes soren so special. it’s possible that the sage that taught him magic was the one who gave him this technique, but since soren never mentions him also being able to do this, he may have just figured out how to do it himself since the sage apparently never bothered to teach him how to even speak to begin with.

it’s a given that branded will have unique abilities based on their laguz parentage, but it’s only really ever expanded upon with micaiah, who can heal others at the expense of her own health, read hearts, and has the ability to see events in the future. meanwhile, the only thing we really know about soren is that it’s implied that he has a perfect sense of direction because of scenes like fe9 chapter 17 where he mentions knowing exactly where he was in the burnt serenes forest when even ike was getting confused, as well as it offering an explanation for how, exactly, he was able to track ike all the way to crimea with nothing but a vague memory and a dream.

with that said, i propose that being half-black dragon, the most powerful variant of laguz on the continent, grants soren two other abilities:

1. draconic heart-reading

2. unusually high magical talent

the first thing isn’t really relevant for this specific topic even though it does offer a reason why soren is so “empathetic” despite how prickly and misanthropic he is, but the second gives a possible explanation for how he was able to develop that sort of unique ability at such a young age. (it also gives an in-universe reason for why soren, a teenager, ends up a significantly more powerful mage than characters like calill and bastian who both have decades of experience over him, but growths > bases isn’t exactly important here either lol.) silent casting could just be something soren who was already considered a magical prodigy was able to create all by himself, but i’d argue it’s plausible that if his dragon blood wasn’t directly responsible for him being able to do it, then at the very least it’s the reason why he was so adept at magic to begin with.

to be more specific on that last point, it’s important to keep in mind that laguz heritage not only gives unique, non-beorc abilities, but also affects any sort of natural talents the branded may have. stefan is an incredibly talented and adept swordsman because of the naturally high strength and skill of a lion, while micaiah is a poor combatant but excellent healer because of her heron blood, who themselves are pacifists entirely incapable of fighting but instead heal and energize their allies. as such, black dragons have unusally high magical stats despite their breath attacks using strength, so i’m willing to bet that if one were to use tomes in combat instead of transforming, their solid magic and skill along with their high resistance would make them formidable opponents. those 3 stats are actually all ones soren happens to excel in, so i believe that it wouldn’t be a massive stretch to claim that black dragon blood grants its owners a natural gift for casting magic.

to sum all this up, while i do think it’s possible that soren is literally just so good at magic he was able to pull a toph beifong and invent an entirely new method of casting, it could still be a result of his dragon blood granting him unique abilities— and honestly, with all the bullshit he had to endure just because he has that dragon blood, giving him special powers is the very least it could do for him.

[sammy8d257]

oooooooh

when I tell you I have not processed a SINGLE THING about the new episode other than the fact Mr. Alan Becker had played my Purple headcanons ONCE AGAIN like a fucking FIDDLE

He once again, disproved my current Purple headcanon backstory while in the same breath, proved part of my original headcanon for Purple that I previously abandoned

I'm ILL (/lh)

He can't keep getting AWAY with this

[waivyjellyfish]

🎃Preparations for Halloween🎃 small hc under cut

I have a small headcanon that Killcheroy has the same eye color as Es.

[iridescentpsychopath]

"The movie messes up the TV lore" 🥺🥺🥺

Bro the TV lore messes itself up. Master fu destroyed the most important temple ever cause he wasn't allowed to eat for a day.