#i was meant to post this a while back

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[xxplastic-cubexx]

Marvel's Squirrel Girl: The Unbeatable Radio Show! | All of Erik Lehnsherr's Call-In's

Episodes featured: The Fate of My Universe The Sinister Six Are No More Who Would Win In A Fight? Unbeatable

Full Podcast Playlist (Spotify)

Credits below:

Written by: Ryan North

Directed by: Giovanna Sardelli

Voice Cast: Milana Vayntrub - Squirrel Girl/Doreen Green Crystal Lucas Perry - Nancy Whitehead Leo Sheng - Koi Boi/Ken Shiga Davied Morales - Chipmunk Hunk/Tomas Lara-Perez Erica Schroeder - Tippy T. Squirrel Rob Nagle - Erik Lehnsherr

Key Art: "Squirrel Girl Infinity Comic (2022)" by Derek Charm - Doreen, Nancy, Ken, Tomas, Tippy "Magneto (2023)" by Todd Nauck - Erik

[ravene]

Part 1 Chapter 2 be like

[lunarharp]

forgot i had some old backlog or whatever..

[needlefail]

Some leafs 🍃🍂🍁

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[kaeyachi]

One of the probable reasons as to why Kaeya didn't arrive on time for Crepus and Diluc when they were attacked was because he, and the knights with him, had no vision, and thus, cannot use a teleport waypoint.

Him receiving his cryo vision when he was supposed to get scorched by Diluc was genuinely the biggest slap to the face given to him by Celestia. It arrived just in time to save HIM.

Even now, the vision only heals and shields him alone as a manifestation of his desire to keep living from that fight... but he can't use it to help others.

[moviestarmartini]

“ as i have always said: real madrid is and will be my last club “

[agalychnisspranneusroseus]

Sasha using the title "Lord" in RiAAU after taking over Toad Tower and presumably killing Grime and stealing Barrel's Warhammer from him, and other political and military leaders assuming she's a man because, well, Sasha is a gender neutral name, so they hear Lord Sasha and assume they're talking about an adult male toad warrior. The second most powerful person in the known world and only real threat to the Leviathan reign!

Cue princess Marcy fleeing Newtopia and her father seeking refuge with his worst enemy hoping to offer information and political levarage in exchange for protection, perhaps even offering herself in marriage to transfer eventual inheritances and whatnot, and she finds out that Lord Sasha is not, indeed, a dark and domineering toad warlord, but a beautiful, terrifying girl her age that looks like her and oh god her poor little lesbian heart can barely take it.

[welcometogrouchland]

I miss them so bad (Dick and Damian)

[c-kiddo]

in the cr2 episode i was listening to earlier tmn were talking to essek and cad turned to him and was like we think that someone in the dynasty is working against the dynasty, and the same for the empire, i think they're working together, and it could be you (essek), but we really hope its not and that if it isn't then this information will be carried on. and i just know essek was absolutely shitting bricks as he lied to his face saying hehe yea i'll carry on the information to someone trustworthy

[alicentalicent]

Trying to understand Otto a little more, and this scene is a good exercise. We have a Viserys who is frustrated because Rhaenyra is being a broody teen and he doesn't get why... (maybe because you married her homoromantic best friend idk). He doesn't know how to manage the marriage proposals, which is traditionally the wife's duty, and obviously Otto jumps in to help him.

My first thought about the expression Otto makes was him thinking: “I couldn’t relate LESS” but to be serious for a minute, I think he’s probably thinking “Well, aren’t you in a position to decide what happiness looks like for Rhaenyra, in the long term?”

I do think Otto believes that about Alicent, that the choices he is making for her and the things he's commanding her to do will lead to her happiness. The ambitious mind of a Hightower, Lord Hand, obviously prioritizes having his blood in the royal line, for him that equals happiness. So her feelings and wants and ideas of happiness don't really matter, cause "father knows best". And I think this is actually a good representation of shitty parenting, thinking that your child can be molded into a specific ideal of what the future should look like, in a lot of cases even getting into heights you couldn't reach yourself, and thus fulfill your dreams. Yes, Otto we know you wanted to marry Viserys, get in line Daemon also wanted to.

No, but really, in the next moment, he says that Aegon should marry Rhaenyra and in that way reconcile his desires with Viserys', thinking of their children and grandchildren as no more than pieces on the board. Full circle moment when Alicent literally points out this to Otto in 1x09, beautiful.

Otto shows his love by carefully laying a path before Alicent, with what he believes to be happiness at the end. Is it love, though? For him, it is. We have to ask Alicent, though. That love probably feels like feeding a little bird in a cage , asking her to happily sing the tune of her heart, and complaining when the bird wallows in her misery.

[do-you-know-this-adhd-character]

Do you know this (canon) ADHD character?

Proof: As shown in the screenshots in this post, there is a call with Seven where he says he talks to himself a lot, and the MC has the option to respond "I heard people with adhd talk to themselves a lot..." If you choose this option, he says "Yeah!" and proceeds to describe more ADHD symptoms he has (distractability and fidgeting, and arguably hyperfocus.)

It's my birthday so I'm giving more stuff too: I love Seven as canon undiagnosed ADHD. He even self-medicates with caffeine. I resonate with him so much. I'm certain that at least one person on the writing team has ADHD, he's just so spot on. Please play Mystic Messenger

[astral-schools]

enjoy your stay!

[misersdream]

Slay the Prince - The Thorn

[shortnotsweet]

Love Lettered

In matters of love, the pen proves mightier than the sword. Or:

Ever since Lucerys turned six and ten years of age, Aemond has been sending him anonymous letters for the better part of two years. He finally gets one back.

End

Love Lettered: short comic alluding to Aemond’s socially awkward attempts at courting Prince Lucerys when he comes of age because he wants to be proper and non-lecherous about it, unlike his brother and father. He sends an assortment of small gifts with his ‘anonymous’ letters—notably: dried flowers, exotic and fragmented soaps, candies he knows Lucerys favored in childhood, large pearls heavy enough to heft in the palm, and an ornate black and gold dagger decorated with pearls as an acknowledgment of Lucerys’ “achievements” and indicating that he no longer resents him for it. The letters’ contents vary from awkwardly earnest love poems, curt comments, to expressing the desire to touch, see, and have him. Aemond is proficient in many things, but clearly not this. Luke deduces pretty quickly that it is his uncle, seeing as every letter starts with “My Lord Strong”, but he finds it endearing and the gifts to be sufficient.