#i was like i will literally get in my car and come over and they were like noooo its fine. we'll just test it out ourselves

[bellamoooon]

A/N: So…Patrick’s sister, this was supposed to be shorter but I uh…I got carried away, enjoy anyway!! <33

As patricks sister, you always understood the dynamic; Patrick is the overprotective annoying older brother and you are the nerdy—he says— younger sister.

So obviously, growing up with him was an interesting experience to say the least.

Before going to MRTA, he’d usually bring his friends over after school, and of course you being the pretty little thing you are, they’d always joke around about how Patrick’s sister was hot, (literally average twelve year old when they see any female) and well Patrick, Patrick was pissed, so this is when the golden rule—he calls it— came in.

Patrick’s sister is off-limits.

Which eventually stopped being a big deal when he left for MRTA, since you’d only see him for holidays and breaks, and you didn’t really get to meet any of his friends.

Then Art comes into Patrick’s life; Bunkmates since they were twelve, both in their first year away from home.

For the first summer break, Patrick left to go to your family’s lake house with you and your parents, and Art went back home to visit his nana, he knew his parents would most likely be away working—as per usual.

But he actually finds out that his nana had already been sent to a retirement home 15 minutes out of his home town, so he visited every couple of days during that summer even though his nana kept telling him, “Artie, you don’t have to visit an antique like me, go be a kid, enjoy your summer” however he insisted in staying around her to keep company.

So when they get back, Patrick “loud mouth” Zweig rants to Art about his summer, and Art simply nods thinking about how he’d most likely stay in the academy next summer, not like he had much to go back to at home.

Fast forward a couple of months, it’s Christmas; Art is helping Patrick pack last minute when there’s a knock at the door, then they hear a feminine voice.

“Come on dickwad, mom and dad are waiting in the car”

Patrick groaned as he started to shove his things into his bag, then looking back at art as he folded some of Patrick’s shirts.

“Hey, Donaldson, mind getting the door? It’s my fuck ass sister” he said casually as he grabbed the shirts from Art.

“Sure” Art mumbled not thinking much, only trying to imagine a female Patrick behind the door, seeing as he’s never met you, so there he goes, he opens the door and finds—not a female Patrick— but the prettiest girl he’d seen just standings there in the most angelic way.

“Hey…?”

“Art, it’s uh— my name is Art” he’s stumbling over his own words in the stupidest way possible.

“What kind of name is Art? Are you like an Arthur or something?” He cringes internally but before he can answer Patrick pushes past him.

“It’s just Art, leave him alone, he’s my best friend, only I can make fun of him, find one yourself, kid” Patrick speaks as he walks out the door with his things then turns to Art, “going home for Christmas, Donny?”

Art despised that nickname, the tips of his ears went red as his whole face flushed, but he shook his head.

“My parents said they won’t be able to make for Christmas and I— I don’t want to worry my nana so…” he said shyly and a bit disappointed but, they were the same parents that had forgotten his birthday a year ago and days later brought a cake that said “happy 14th birthday” when he was turning 12.

“Awe…that sucks man, I’ll talk to my parents, you can tag along with us to our lake house next summer”

And that’s how the tradition all started, every summer, Art would spend it with Patrick’s parents, you and Patrick at the lake house, which gave him enough time to catch a little something his nana called a Lovebug, essentially, his was crushing hard.

But of course, there was the golden rule— totally off-limits.

And Art was…fine with it, it’s not like you’d ever like him back, he was probably just “Patrick’s quiet best friend” to you.

Little did he know…

Then fast forward a couple years later, coincidentally, you would also be going to Stanford without actually knowing Art had already been there for a year.

And Stanford was full of frat parties, Halloween costume parties and in general, any party within a 10 mile radius.

And you, pretty little freshman had been invited to a frat party by one of the juniors in your econ class, and I mean, you can’t be rude, right? You have to go.

So, you do.

You wind up in a frat house with a shit ton of people, some cigarette smoke and, a whole bunch of red disposable cups, so why not grab one, what’s the worst thing it could have in it, beer probably?

Wrong.

Something that to you tasted exactly what rubbing alcohol smelled like, so it goes straight from the cup to your mouth then back to the cup as you cringe letting out a single dry cough.

“You alright there?” A gentle voice popped up from behind you, familiar but you couldn’t quite tell, but as you turn there he is; Art fucking Donaldson. With a backwards red Stanford cap and a grey Stanford hoodie.

Oh.

“Oh— Art…hey” you chuckle softly still smelling the mysterious alcohol from your mouth.

“This isn’t quite your scene, huh?” He spoke as he took a sip from his cup with that goddamn side smirk of his.

“Yeah— no, I mean, I’ve been to parties, fun, fun parties. And this, this is so my scene” you rambled nervously, it was already embarrassing enough you, a freshman was at a frat party with a pretty floral skirt and a crochet sweater.

“Really? Oh…then have fun, fun girl” he laughed as he lifted his cup a bit towards you to then walk away.

Fuck it. You were gonna get wasted.

And so, that you did; Somehow ending up in just a soaked tank top, a soaked skirt, hair dripping water and, squeaky wet shoes as you stumbled out of the pool from the backyard.

“Hey, watch it—“ Art turned as he felt your body bump against his, “oh it’s you, fun girl.” He giggled as he saw you, clearly too drunk to even know what was going on, and he could’ve just laugh it off and get back to the party, but Art wasn’t like that, and specially not to you, you’re such a pretty little thing all wasted and soaked past midnight, plus, you were Patrick’s sister. He had to.

So he said his goodbyes and grabbed you as you both walked out of the frat to go back to campus.

“So tell me, miss Zweig, how does one, as drunk as you, not drown in a pool?” He said as he saw you hold onto his arm for dear life trying not to trip, which might have just dug up something he had buried years ago.

“Y’know, im fun, and this is so my people” you said looking up at him—just barely��� as you let out a hiccup.

He blushed as he heard it, clearly it was your first time getting drunk drunk, adding on to the wet hair and your shivering body,

“Right, fun girl, my bad” he chuckled “come on you’re shivering, here” he pulled his hoodie off as he handed it to you, “can’t let you catch a cold, how else will you go to your next party, miss fun girl”

“Thank you, Artie.” You said as you grabbed the hoodie sliding it over your head feeling the warmth it carried from Arts body, accompanied by the faint smell of his cologne.

Meanwhile, Art was feeling like his spine had just been ripped out; Artie.

You hadn’t called him that since the summers at the lake house, where he had attempted and failed to forget his crush on you.

“Yeah— I uh…yeah” he blushed even harder as he fumbled his words not knowing how to react.

You just shut your eyes and breathed in the scent of his cologne to then open them up, there you were, doe eyed looking at him, in his hoodie, hair soaked as you unconsciously made it harder for him to be a good friend to Patrick, he felt horrible.

Not only did the disgusting thought of wanting to fuck you against his jeep popped into his head, this is Patrick’s sister he’s fantasizing about.

“Come on— I uh, I gotta get you back on campus” he cleared his throat as he looked away avoiding your stare.

“You’re no fun anymore, Artie…” a pout made itself present as you took a step closer, your hands landing on his shoulders, “come on, Donny…”

Fuck.

Fuck.

Fuck.

“Patrick would kill me, you know that.”

“I won’t tell”

He wasn’t proud of himself for turning back to look at you, but you were just so pretty, lucky he didn’t have a boner, if he hadn’t given you the hoodie to cover your very visible nipples against the tank top, he’d probably have you bent over his cars hood.

“I really— I can’t…” he mumbled, his face inches away from yours, noses brushing against each other.

“You sure?” You whispered as you stared down at his lips, “not just this once?”

“Fuck…” he muttered under his breath, well…there goes his willpower, he was in too deep already.

Next thing he knows, you’re riding him in the backseat of his car, all flushed, tits out, him whimpering as he dug his fingers into your hips holding on for dear life throwing his head back, and windows all fogged up.

Yeah, he was so screwed.

He will most definitely be breaking the golden rule for…well, let’s just say it’s not a one time thing.

[gracie-eilish]

Take me out, and take me home…

an: this is kinda long!! but here is my official fic based on Lover by Taylor Swift:) any blue text is Billie’s dialogue and any pink is readers. I hope you enjoy this one!! seven and Guilty as Sin are both coming soon. Peachy (pt. 2) is also going to be on the way! i wasn’t originally expecting you guys to want a part two so i’ll get writing!! 🥰✨🍑

warnings: intoxication mentioned, slight nudity but no smut, so much fucking fluff it’s like a unicorn threw up cotton candy in here.

alsoooo thank you also for over a hundred followers! that’s so many beautiful besties!! i’ve loved writing about billie and chatting with so many of you over the last few weeks and i can’t wait for more!! love ya💋

🩷🥂🫧💋✨

“Take me homeeeee” You slurred, stumbling out of the party you and Billie had just attended. Billie had an arm slung around your waist while you had an arm around her shoulders.

“We’re going home baby, I promise,” Billie replied with a giggle at your disheveled state. Even drunk as can be, she found you so beautiful. Your rosy cheeks even rosier, your big wide eyes now hooded and hazy and full of love, and the sleepy smile plastered on your face made her just wanna kiss it right off of you.

“Heyy babyyyyy? I have.. a very important question for… you.” You looked back up at her stoically, booping her nose as you said “you.” Billie planted a kiss to your temple to try to hide her giggle.

“What baby?” She quickly bent down to grab your waist again as you stumbled backward, making you burst into the most melodic sounding giggles.

“I’m your baby right?” This sent Billie into a laughing fit. The attempt at a serious look on your face combined with the cutest little question, she couldn’t help it.

She pressed kisses to your cheek and temple in between declarations, “My baby, *kiss* my princess, *kiss* my girl, *kiss* my angel, *kiss* my magical unicorn angel baby princess,” she added the last one with a giggle. That was your little nickname for anyone in your life who meant something to you. Your best friends, Billie of course, your little cat. And it never failed to make Billie laugh when she heard it.

“Why do you ask my love?” She questioned after your giggles calmed down again.

“Because I’m like… soooo many things right? But I don’t have a thing for you, you know? Like I need a thing for you. And I was thinking so hard in my brain tonight and I think I figured it out.” You stated matter of factly.

Billie just nodded for you to continue, holding you up a little tighter, and pushing some hair out of your face.

“You, Billie girl, are my-“ You got cut off by Billie’s phone dinging, signaling her driver was here. Without rudely interrupting you, Billie carefully walked you both over to the car, and carefully guided you into the back seat before scooching in herself.

“You warm and cozy mama?” Billie asked, fiddling with the heater in the back, kissing your forehead after you nodded in confirmation.

The ride back home was quiet, a stark contrast to the buzz of the club you two were just in, as well as to your own drunk ramblings. Some people liked to run when drunk, others call exes, and others just fall asleep. Not you. You were always a bundle of energy, ready to chit chat with anyone who would listen, and Billie found it adorable, never once silencing your tipsy rambles even as you both tried to fall asleep at 4am.

“Billie?”

“Yeah baby?”

“I feel like… I feel like I’ve known you for like.. twenty years. But also that’s like not possible. I’ve only known you for real, for like twenty seconds.”

Billie chuckled at your statement. Another little thing you did after drinking, was greatly exaggerate time. For example, if it was the middle of November and someone complained about you still having Halloween decorations up, you’d gasp in shock saying Halloween was “literally like 20 minutes ago.” You two had been dating for about three years now, so Billie just chuckled understanding twenty seconds was three years in your own little drunken time zone tonight.

“Twenty years is a long time baby,” she replied softly, pulling you in closer to her side, letting you rest your head on her shoulder.

“It’s like such a long time. *sigh* Can we still be this close in twenty years?”

This sent both of you into giggles. Billie couldn’t help herself anymore, smothering you in kisses, each one accompanied by a little “mwah!”

“Baby once I get a ring on that finger, we will be this close for a lot longer than twenty years hun.” She pushed some hair behind your ear, watching your cheeky flush under her gaze.

“For ever and ever, you’re my-“

Your conversation faltered again as you pulled up in front of your place. Billie thanked the driver and helped you out of the car before guiding you up to your apartment. Not without few stumbles and bumps along the way.

You were starting to feel a little sleepy but Billie knew you’d get a second wind once you got inside, but she still got butterflies when she felt you wrap your arms around her from behind and rest your cheek on her shoulder as she unlocked the door.

Billie almost jumped out of her skin as you gasped dramatically at something, scaring the shit out of her.

“Baby!” You had your hands on your cheeks in shock, looking back at her as she locked the door behind her.

“We left the Christmas lights up!” You paused before turning back to face the lights. “Until January!”

“Is that a bad thing?” Billie was so confused but went along with it.

“Isn’t that like… against the rules? Christmas was like a million days ago!”

“This is our place, we make the rules.” Your eyes shined up at Billie like she just revealed the meaning to life.

“Oh. My. God. You’re so fucking right babe.”

Billie chuckled and kissed your temple before guiding you to the kitchen and sitting you down on a stool as she got you some water and a small snack.

“Drink up lovie, I don’t want your pretty little head hurting tomorrow.”

As you sipped your water and nibbled on some snacks Billie went into your shared bedroom to get you some pjs and start the shower.

Billie ran her hand under the water to check the temperature before stopping, hearing such a sound come from the kitchen. She dried off her hand before tip toeing back to the kitchen to find the source of the.. sound? song? cry?

“You’re my my my myyyyyyyyyy,” it was you. And your second wind Billie had predicted. You were spinning around on stool singing.. well singing something, only stopping when you caught sight of Billie.

“Babyyyyyy!!! You came back!” You cried out with a huge smile and your hands out, wiggling your fingers as if it would magically will her closer to you. And to your knowledge, it did magically will her closer as she wrapped her own arms around you, kissing the top of your head a few times, chuckling softly.

“I finished my snack and my water. I’m so good at that.” Billie chuckled and simply placed her forehead onto the top of your head.

“You’re killing me here babe.” She said, lifting her head back up and pushing the hair out of your face. You just shrugged nonchalantly before puckering your lips dramatically. Billie smiled adoringly before leaning in and giving you a soft almost angelic kiss, squishing your cheeks a bit too.

“Alright tipsy girl, you wanna go shower and get comfy?” She said holding your shoulders while you nodded. She could tell you were starting to get sleepy, but she knows you’d be grumpy in the morning if you hadn’t showered and you were hungover.

As she guided you into the bathroom, you were humming that little song again, Billie has never heard it before.

“That’s a pretty song your singing there lovie.” She said, helping you out of your clothes.

“Thank you. I’m writing it myself. Right now.”

“Oh really? You wanna sing some more of it for me?”

“Mmm maybe when I’m in the shower. I need to write more words first.” Billie nodded, holding back a laugh.

“Of course, of course. How could I rush such art?” She replied. “Do you want me to come in with you? Need help?”

You gasped and softly nudged her shoulder, “Billie! That’s dirty!” Billie kissed your cheek softly, a mischievous glint in her eye.

“Baby it’s not dirty. We had sex in there this morning.” Your jaw dropped and face flushed at Billie’s statement. Your drunk brain not seeming to remember that right now.

“Oh my gosh Billie. You have to promise not to say things like that in front of other people.” You drunkenly pleaded, face totally flushed.

“I promise mama. I save my dirty jokes only for you.” She said with a wink, making you sigh in relief.

“Oh thank god.” Eventually you did in fact pull Billie in there with you. You claimed you didn’t need any help, but you couldn’t deny Billie’s fingers massaging the shampoo into your scalp was heavenly. The rose smell of your shampoo mixed with Billie’s woodsy vanilla body wash she used on you wrapped around you almost as tight as Billie’s arms, making your eyes droopy as you rested your head in the crook of her neck, leaning back into her and she pressed tiny kisses to your own shoulder. Her hands slowly roaming around your body, over your stomach, up to your boobs, a squeeze to your hips, a couple more squeezes on your shoulders and back to your stomach where her arms wrapped tightly, and contentedly.

“You ready for bed angel?” She whispered into your ear, hands giving your hips another squeeze. You just nodded sleepily turning around in her arms to give her a proper hug.

“Thank you by the way,” Your words a bit more steady now as you slowly sobered up.

“For what baby?”

“For saving me a seat at the table tonight. Since I got stuck in traffic. I was nervous everyone else would wanna sit next to you,” You said it so small and sweetly that Billie felt her heart grow ten sizes, knowing that at every table, she’d save you a seat for the rest of her life.

“Oh babygirl,” she cooed, cradling your head closer into her as she hugged you tighter.

She gave you one last kiss to the top of your head before shutting off the water. She stepped out and grabbed your towels out of the little towel warmer and wrapped herself in one quickly, before heading back to you. She shut the shower door again to keep the warm air in as she carefully dried you off a bit before wrapping you in the fluffy towel, with a kiss to your nose.

A comfortable silence filled the room as the two of you got ready for bed. Well really, Billie got ready for bed and then helped you do the same thing. You giggled at her focused face as she carefully dabbed moisturizer to your skin, only silencing your giggles with a kiss making both of you smile.

She had her own giggles watching your droopy eyes fight to stay open as Billie dried your hair with a towel. You absolutely melted into a puddle anytime Billie had her fingers in your hair, so her fingers mixed with a warm fluffy towel was sending you to dreamland.

When she finished, Billie helped you off the counter and gave your butt a little pat as she guided you back to your connected bedroom, shutting off the bathroom light. The two of you changed into some pjs, Billie giggled while helping you with the buttons after you whined not being able to do it right now.

“I can’t see sometimes.” You grumbled as she buttoned them with ease.

“You can’t see sometimes??” Billie asked, raising an eyebrow and biting back a smile.

“Ugh you know what I mean.” You groaned, playfully smacking her hand away once she finished.

After making sure you could get on the bed, Billie quickly went around the apartment, shutting off the lights, making sure your pets were okay, and locking the doors before returning and shutting the bedroom door behind you.

She slipped under the covers, pulling you closer to her, letting you snuggle yourself into her side like a little kitten. Once she was sure you were practically purring like one as well, Billie settled into her own pillow, letting her arm rest on your back.

“Did you write more of your song while you were in the shower?” She asked, squeezing your side quickly.

“Oh my gosh, baby I did and I forgot to tell you.” But it came out more slurred, your eyes were closed and Billie knew it would be minutes before you were fast asleep.

“That’s okay baby. You can tell me now. Sing us to sleep mama,” She whispered, kissing your cheek before settling back in your hold.

“Wait I forgot how it goes.” You were still a little drunk after all. Billie giggled trying to remember your ramblings from earlier in the night.

“I think I remember.. You kept saying “You’re my -“ and then you didn’t finish that bit. And then you were singing it in the kitchen,” Billie opened her eyes to look down at you, you seemed to be asleep at this point, but the slight furrow in your brows told her you were thinking about your little song, so she continued, whispering,

“You’re my, my, my, my….”

“Oh!! You’re my, my, my, my…” you trailed off again.

“Darling, you’re my, my, my, my…”

“Lover.”

[kwondotcom]

finally, finally built the emotional capacity to annotate something in the orange. on bsk's birthday, i said "the best thing you can do for yourself today is to read this fic." over a week later, it still stands true. this is one of the best pieces of work you will find not only on svtblr, but on the internet as a whole. i believed it then; i believe it now. 🍊 spoilers under the cut.

an anonymous assumption that was made about viv some days ago was whether she has a background as a film major, and her answer was no; she's just recently read the past lives script (lol). could've fooled me. this was a stellar device used for getting into the characters' head and describing them, and the eventual payoff of it just makes the story all the more heart-wrenching. on a more personal note: as a communication major who spent four years writing movie scripts? this shit was good.

the mark of a good apocalypse fic. how deep does the lore go? naming the phenomenon 'the Blight' and establishing it throughout is insane work. the information is bread crumbed. enough to keep you guessing. but in this first paragraph alone— extinction, famine, inflation— the domino effect of everything feels ominous. having seungkwan and the MC discussing [shotgun] marriage afterwards feels like a smoke screen. 'look, the world may be ending, but there is a young couple asking hypothetical questions and falling in love.'

absolutely devastating, by the way. i'm a big believer of love in the small moments, and there's just. something distinctly tender in how this is navigated. the images of walks home, shaky confessions, button exchanges. and the hints of what's happening, what's to come: mild dust storms, a barren world. this is a masterclass in writing, and it is genuinely so insane to me that i am getting to read this for free.

there's much to love in this passage. MC being right about the wires being good for barter. the passages that explain how the camera came to be. and just— all the premise in the world for why their love is so beautiful, how their affection persists. MC being a 'former writer' prepared for the zombie apocalypse is a nice touch.

[CAR CRASH] [GLASS SHATTERING] [EXPLOSION] “OH MY GOD” [BABY CRYING] “WAAAHH WAHH” [YELLING] “HELP MEE” [POLICE SIRENS] WEE WOO WEE WOEOO [YELLING] [HELICOPTERS] ‘WE’RE REPORTING LIVE-‘ [EXPLOSION] ‘MY LEG... MY LEG!!’ [BABY CRYING] “AHFUCKK SOMEONE HELP US” [REPORTER REPORTING]

both of the translations i found absolutely wrecked me. the first translation offers a specific kind of pain. the thought of the newlywed; longing for someone; a crying heart; if he cannot come, i will send my heart instead— after knowing MC is referred to as 'my heart'? and the second translation gives us tears of farewell; the trace of someone; how can old wounds be renewed? i'm a believer that everything is intentional, that nothing is left up to chance, especially when it comes to writing, and viv just bowls you over with the sheer thoughtfulness of a detail like this. i can't even begin to discuss the juxtaposition of a beach ruined by things like plastic and trash vs. bullet shells and shrapnel. the couple then running to be in the water together; the footage, partially obscured? i can't help but wonder how much of this is intentional. we've been privy to their romance so far, but this moment— what might be considered A Last Good Day, even, since this is d-4— isn't even perceivable in its entirety. there is only so much that we can see about their relationship on-/off-screen, both in a literal and metaphorical sense. i compound a couple of later scenes here. direction to hold an image of joy, in a mokpo beach (my god, viv; you are vicious) that is untouched by tragedy; uncertainty of whether the filming was accidental or intentional.

anticipatory loss, only for the loss to be one so unexpected. once again, i'm amazed by the amount of detail in the world-building— how viv outlines the conscription and the emotional aspects of it. how do we even begin to prepare for loss? and how do we live with the knowledge of how much we're about to lose? isn't that just the entirety of life, really? knowing that we are always going to lose one thing or another. in response: we hold things tight. we look, and memorize, and catalogue. it reminds me of the popular quote: "everything i've ever let go of has claw marks on it."

i was struck between the eyes by the violence of that act [cutting any scenes], because this very much feels like the crux of reconstruction/memory/narrative. seungkwan is in charge of what will be remembered; how the MC will be remembered. i adore the ambiguity of whether the scenes reflect a stitched-together film or whether we're following along seungkwan's review. equally, there's just something gutting about this playing out in some perverted version of what MC and seungkwan joked about i.e. a world with electricity, where seungkwan had free reign to do what he wanted with all the gathered clips.

not thieves, just travelers. expecting last words and getting the ghost of a kiss instead. your eyes, only ever kind. there is so much to love here, so much to adore in the stylistic, technical sense, but what comes to fore for me is this: viv's respect for the dead/dying. an honorable death in its own right. unjustified, still. devastating, always.

i will be honest. it's nearing 4 a.m. as i wrap this up (annotations were done in non-chronological order lmao), and i feel my coherency waning. i know enough to say that these were some lines that felt like a literal gut punch. the idea that our writer!MC and filmmaker!seungkwan can still nurture creativity. to love and be loved. the thought that MC always smiled at seungwkan over the camera. love. loss. a heart's a heavy burden. and you were seungkwan's heart, weren't you?

i think, in my initial read— struck by grief of the fic lol— i'd skipped over seungkwan's line here. twice as many stars as usual. let's look up together. this scene takes place in a corn field, presumably the night before the Incident. two-headed calves don't survive for very long; most pass away in less than 24 hours, their deformities taking a toll on their lifespan. the poem has always tugged at my heart, because at its core it talks about finding so much hope, and light, and love, in a short lifespan. and is that not the case of seungkwan and MC? twice as many stars. some beauty and peace despite being doomed from the beginning. all any of us have is however long we have.

ending this with two of my favorite poems on grief. a discussion i've had time and time again is whether a person can be complimented on their ability to write grief. is it a insult, to be told that you write about grief well, when it takes an acute understanding of loss to be able to pull it off? i haven't figured that out yet. and so i conclude, instead, with this. grief's familiar rooms and how it reminded me of the scenes wherein seungkwan is rewatching the clips (pulling at its buttons / that are not answers); poem and how, by and by, it reminds me of this gorgeous piece as a whole. i'm changed in inexplicable ways because of something in the orange, and i'm not exaggerating. how lucky are we to be in a time where writing like this is free to read; how grateful am i to exist in viv's orbit, under the same starry skies. the poem story ends, soft as it began, —

something in the orange

summary. remembrance is also reconstruction. reconstruction presupposes loss. a meditation on memory, narrative, and grief. and, of course, love. pairing. boo seungkwan x gn!reader genre/tags. ANGST, (semi-graphic) major character death, interstellar au-ish (just the blight), non-linear narrative, blurred fiction and reality if you squint (sorry I reread goodbye eri while writing), unbeta’d (mistakes are my own) wc. 5k suggested listening. love wins all, iu // 消費期限, seventeen // triassic love song, paris paloma // eight, iu prod. & ft. suga // yawn, seventeen // something in the orange, zach bryan (or niall's cover)

notes. midnight in korea now; happy birthday kwannie! this is very experimental, and admittedly i'm not fully satisfied w it, but I didn't know how to change it atp. sorry boo, it's your birthday but i give you pain. as always, reblogs are appreciated and come say hi if you're so inclined 🫶🏼

D-17 EXT. SEOUL TRAIN STATION – KOREA – DAWN The sun rises over the ruins of Seoul Station. The air is clear of smoke and fog. A shot of the sun peeking over the heap of steel, glass, and cement that once served as the station’s framing. The train tracks run to the far horizon, to the left and right of the frame. Pan to YOU (young-looking though age is ambiguous, former writer, love of SEUNGKWAN’S life) squinting at an old, battered map of Korea’s train lines, and a compass. You’re wearing battered jeans that are slightly too big, boots, and a sturdy leather jacket. Behind the camera, SEUNGKWAN (male, young-sounding though age is ambiguous, former video producer) narrates.                 SEUNGKWAN (O.S.)         BOO-log number 529. We’re now figuring out how to get to Mokpo. Neither of us are any good with directions, but my partner decided that we could try following train lines since the none of them are running anyway. You look up at the sound of his voice, noticing the camera.

                YOU             (exasperated, but fond)         Kwannie, are you filming again? We have 30 batteries, but not all of them might be working. You might need to save battery and memory if you want to video the view of Jeju Island.                 SEUNGKWAN (O.S.)         It’s okay, I really just wanted to record us before we start. Once we’re walking, I won’t use the camera as much. And I have twenty other SD Cards!                 YOU             (not surprised)         Okay, we’ll definitely figure something out for the batteries, then.                 SEUNGKWAN (O.S.)         Yeah. Now— Seungkwan’s voice changes to a more formal tone, as though he were imitating a newscaster.                 SEUNGKWAN (O.S., CONT’D)         What are your thoughts as we start our newest adventure? The camera catches your grin. You follow along, changing your tone to an impression of those backpackers in TV documentaries.                  YOU         Um, I’m excited to see Jeju-do, even from afar, because it’s part of Seungkwannie, and we had our honeymoon there. As long as we’re careful, I know we can do it. If we’re lucky, we may even find someone who can bring us across. Beat. You look ever so slightly awkward in front of the camera.                 YOU (CONT’D) Wait, here, give me the camera. I’ll record you this time. The footage shakes, briefly showing a tiled floor, then train tracks, before panning to a blurry face. The camera shakes for a moment before the image comes into focus, revealing a beautiful young man with dark hair. Seungkwan does a better job at the “interviewer voice”, but you’re no slouch either.                 YOU (O.S., CONT’D)         So, Seungkwan-ssi, what are your thoughts as we embark on a new adventure?                 SEUNGKWAN             (genuine)         I think it’s about to be wonderful.

D–2183

When the Blight started, both you and Seungkwan were in high school. Though only having known you since that start of your third year, you’ve quickly wormed his way into his life—visiting his house, having dinners with your family, and he even managed to force you into joining the badminton club with him.

Bees now officially extinct, the news proclaims, an effect of the ravaging of nearly all plant life. Asia in particular has suffered; the widespread rice shortages due to it becoming impossible to grow resulted in widespread famine. The extinction of plants used for feed, made food prices across the board skyrocket. Corn, it seems, is the only crop that can resist the Blight—and the rest of the world now has to adjust its staple food to mimic the old Americas.

“Seungkwan.” You prod his ribs.

“Mm?”

“What would you do if the world ends tomorrow?”

“Marry you.” You laugh, until you realize he isn’t joking.

“What?” Your voice pitches to an incredulous squeak.

“Marry you,” he repeats.

“Why, though?”

“I always wanted to get married,” Seungkwan replies, after a moment of pondering. “And if the world ends tomorrow, as of today you’d be my best candidate for marriage.” 

For a moment, you just look at him, eyes tracing over his features. Your steady gaze makes him shift, uncomfortable, wondering if he said something wrong. Eventually, you shrug, though there’s a twinkle in your eye as you quirk a smile at him.

“While I don’t support shotgun marriages, I’d make an exception for you and the end of the world.”

His breath catches, heart stuttering as he tries to parse your answer in his head. “Wha—you—”

“Come on, Seungkwan, don’t dish it if you can’t take it,” you groan, flopping sideways to plop your head against the armrest. Your legs tilt as you do, your foot brushing against his calf. He tries not to jolt at the contact.

“I’m sorry!” He pouts, trying to calm the uneven fluttering of his heart. You laugh, shifting your lean in the opposite direction, so your head lands on his lap. Despite having done it a thousand times before, he traces softly the way your hair falls, admiring the way its color contrasts with the color of his pants.

(Looking back, he’ll think about how that day changed things, even just by a little bit; how his gazes grew longer, noticing more how the sunsets glowed against your face as you walked home together every day, painting you golden. How you’d both gotten used to creative ways of shelter when mild dust storms come, thanking your luck each time that you had gotten home before it truly began.

He’ll think about how, a year from that day, he kissed you as he walked you home for the last time before you enter your separate colleges, swallowing the teasing took you long enough from your lips as he finished his shaky confession. 

He’ll think of how you exchanged second buttons like those characters from that anime you liked did, and the quiet promises to make things work even as the world seems to turn more barren than both of you can follow.

He’ll think of how three years from then, he gets on one knee, to your tearful yes and salty kisses. Your small marriage, with just your families, batchmates, and some professors, followed by a beautiful honeymoon in Jeju. Despite it all.

None of these decisions had anything to do with the end of the world, but you and Seungkwan made them, nonetheless.)

D-9 INT. A TENT – A TRAIN STATION SOMEWHERE BETWEEN SEOUL AND MOKPO – NIGHT The footage is grainy due to the lack of proper lighting; the camera shakes as Seungkwan seems to be trying to balance it on something. The tent is quite cramped; the inside is sparse, with only two sleeping bags and your knapsacks—Seungkwan’s with two camping pans attached with a carabiner.  The leather jacket you were wearing is now resting on one of the bags. You have both swapped your sturdy day pants for more comfortable, albeit worn, sweatpants. Out of context, it looks like a vlog filmed by two campers on a hike. The camera steadies as Seungkwan moves away. He moves to sit beside you. There is an easy intimacy as you thread your fingers together, almost mindlessly.                 SEUNGKWAN         BOO-log number 531. We passed by a sign that said Nonsan. That means we’re probably halfway there.                 YOU         We made progress better than expected, didn’t we? I estimated at least two weeks.                 SEUNGKWAN             (nodding, excited)         I thought the train tracks would have been ruined, since the stations are, but they’re surprisingly reliable.                 YOU         It’s true; of course there were times when we had to find our way around the tracks, or climb above anything that fell down over it, or go through some cornfields, but mostly, it seems we’ve been lucky.                 SEUNGKWAN         By the way—everyone, it looks like we’re in a tent in the middle of nowhere, doesn’t it? Don’t be fooled, we set this up in a convenience store.                 YOU             (laughing)         You ruined it! Now we can’t be funky backpackers with a tent on the train tracks.                 SEUNGKWAN             (playfully lecturing)         It’s good to be truthful, you know. What if kids watch this someday? We have to be good moral people.                 YOU             (with the remnants of a laugh)         Okay, okay. We set this up in the Seven Eleven inside one of the train stations. Abandoned, obviously. We made it in right before the dust storm hit.                 SEUNGKWAN         Another good news today is that we managed to barter something for food.                 YOU         Yeah. This one engineer or something—I think he’s a veteran? But we saw him tinkering on his porch and offered a trade, his corn for our cables, and now we have dinner.                 SEUNGKWAN             (joking)         It’s not jokbal, but it’ll do, I suppose.                 YOU             (groaning)         Oh my God, what I’d give for some jokbal right now. With bossam. And soju. SEUNGKWAN         I’ll be dreaming of that tonight.                 YOU         Anyway, everyone, we’ll end the log here, so we have enough batteries for a nice long BOO-log at Mokpo. Both you and Seungkwan wave your corn (dinner) at the camera. You reach forward, covering the lens with your palm. The clip ends.

D–20

Seungkwan walks around the house. He’s doing his last checks, checking between what’s in his bag and what’s in the rooms to parse if he’s missed anything—batteries, your wallets, matches, passports, birth certificates, first aid kit, water bottles, toothbrushes, all the canned food in the pantry, the sturdiest kitchen knife you both owned (wrapped in two layers of cloth), the Swiss knife he was gifted a few years back, flashlights, a whistle, and all the carabiners and hard cash you had were already packed.

He finds you in your shared bedroom. There are a bunch of wires there, evidently cut from various appliances. You’ve wrapped the cables as neatly as you could manage. On the bed, you’ve laid all your dry-fit shirts and the sturdiest pairs of pants you both have. Then, from the dresser, you’ve collected the most expensive jewelry the both of you own—well, all of them, but you separated the expensive ones in another pile. He points to the latter.

“What’s that for?”

“If cash fails, maybe gold won’t. I don’t know, just in case the currency collapses. But they’re worth bringing all the same.” Also, you hold out copies of both your health insurances. He opens his knapsack and quickly stuffs them in the same place as your other documents.

“Last resort kindling?” Seungkwan offers, showing the cluster of documents in his compartment. The remark draws a quick breath of a laugh from you.

“Probably.”

“How about the wires?”

“You never know when we’ll need some emergency engineer bullshit; plus, if it comes to it, the wires will probably be better barter material. Before you ask,” you hold up one hand, “I edited a zombie novel a few years back. But if that kid was pulling out of his ass, we’re fucked.”

Despite your disclaimer, the no-nonsense, matter-of-fact way you’re handling the situation makes something settle in him, as though all he needed was an anchor amid the chaos. He pulls you close, placing a kiss to your temple. The tension in your body melts as you press against him. For a moment, Seungkwan just holds you. A temporary anchor before you need to move.

Turning to him, you offer a quick peck to his lips before holding up his trusted camera bag, worn as it is. “Bring it,” you tell him firmly. “We need a little bit of happiness. Get all the SD cards you have, too. In case we just never leave Mokpo. It’s small enough to stuff in our pockets.”

Seungkwan can’t help it; he grabs your face and kisses you. The camera bag sits between you awkwardly, but he doesn’t care. He savors this, the familiar taste of it, the contours of your face that his hands have long since memorized. You pull away, but not before kissing his lips again, then his nose. He’ll never quite get used to the way you look at him, as though there is something new to love each time.

“We’re gonna be okay, my heart.”

D-4 EXT – A LONG STRETCH OF BEACH – MOKPO, SOUTH KOREA – SUNSET The camera captures a breathtaking sunset. The sky is a wash of oranges and pinks, the clouds purple yet lined in the light of the sun. Mokpo is on the southwest side of Korea; the view of the sunset is particularly beautiful, as the sun sinks down into the sea. There are faint silhouettes of islands both near and far from the shore. The waters are tranquil, and there are no sounds except for the steady wash of the waves on the shore.

The shot slowly pans to you. Your expression is tranquil, despite the dirt and tears across your clothes.                 SEUNGKWAN (O.S.)             (soft, so soft you don’t hear)         Pretty.                 YOU             (clueless)         Hm?                 SEUNGKWAN (O.S.)         Nothing. Can you see Jeju Island from here?

He already knows where it is.                 YOU             (laughing softly, a little sad)         To be honest, I don’t know which piece of land I’m seeing is Jeju. A finger appears at the edge of the screen.                 SEUNGKWAN (O.S.)         There, that’s Jeju. Right behind the blob that looks like a hat.                 YOU             (squinting)         Oh! Right, that’s what it looks like. Beat.                 YOU (CONT’D) The view is beautiful. It’s been so long since I’ve seen the sea. Seungkwan hums the opening to Tears of Mokpo. You don’t recognize it until he softly begins to sing the opening lyrics.                 SEUNGKWAN (O.S.)             (singing)         사공의 뱃노래 가물거리면…                 YOU             (laughing outright)         That doesn’t have anything to do with Jeju! He sings louder just to spite you. You playfully roll your eyes. Bending down, you unlace your boots and take off your socks, sinking your bare feet into the sand with barely-concealed relish. Seungkwan stops singing as he knows what you’re about to do.                 SEUNGKWAN         Careful; don’t step on anything sharp. As you move forward, the camera follows you. It is revealed that the beach is not so picturesque. The sea seems to have dried up some, and even here, bits and bobs of life float on the surface and linger in the sand.

There are the usual culprits: plastic bags, empty cans of alcohol and soda, and snack wrappers. Yet visible also on the camera are the following: bullet shells, shrapnel, a chair leg, a ragged pillow, and a cracked desktop monitor. As all this is visible, the camera centers on you laughing, splashing in the saltwater and enjoying the breeze in your hair.                 YOU             (calling; audio faint)         Kwannie! Come here! A beat. The camera zooms in on your face.                 YOU         Kwannie, come on! Hurry up!                 SEUNGKWAN             (proximity makes his voice loud)         Okay! A rustle. The camera is laid down, cloth (Seungkwan’s jacket) obscuring part of the footage. After a nudge, the cloth disappears from frame. Another figure, barefoot, joins you.

D–119

Jeju has officially been declared abandoned, lost for some other country to use as farmland. The radio announced the treaty ratification today. Seungkwan is a spectre around the house, listless and heartbroken. 

Months ago, when the conflict began to escalate in earnest, he began whatever arrangements he could to ensure his family was safe, moving them as near to the farming areas as he could manage and encouraging them to share whatever techniques they knew could help former cities now learning how to farm. The news does not make the sharp pang of grief dull any less.

He is at the age when he is to receive a conscription notice; Korea has since shifted its system to split soldiers into those who will either fight on the front lines of the Resource Wars, or serve by tilling the land and ensuring that there is enough corn for the population, however dwindling. There is no guarantee on which one he is to get, even if he did register himself as head of household (and should hypothetically be assigned the latter), but he is due to receive news in a few months’ time.

The promise of the notice hangs over both your heads. In the mornings, you spend ten more minutes just looking at him, as though you were memorizing the shapes and contours of his features. At night, he curls into you more tightly than before; once you’d have complained that it was too hot, now, you simply wrap your arms around him and let him sink his face into your hair.

“Hey, Seungkwannie.”

“Mm?”

“Let’s go on a trip.” The hand mindlessly running through your hair falters. 

He pulls away, looking at you with a furrowed brow. You keep your head low, pressed against his chest. “What?”

“Let’s go south. Yeosu, Mokpo, whatever, just near the beach, as close as possible to Jeju. Just…just see it, even from afar.” At his silence, you barrel on. “If we walk enough, we can make it in two weeks—a week if we can hitch a ride with one of those crop trucks or something—and then just another two weeks back, if we don’t settle in Mokpo outright.” 

“Food—”

“I can pack us as much as I can. We’ll need to ration, and possibly trade, but we can do it. The treaty is in place, and it’s most dangerous up north right now. Going south isn’t as big of a risk, and the weather has been looking good lately.” Finally looking up, you cup his cheek, tracing the skin with your thumb. He presses his lips to your wrist.

“It’s okay if you don’t want to Kwannie. I just thought you might want to say goodbye.”

“I…” he falters. It’s tempting. Unbearably so, despite the nagging at the back of his head that it would be better to leave it at that, keep his memory limited to the days you spent there dodging dust storms and falling in love. He doesn’t know how much it’s changed. How much the ocean might have even dried up. He doesn’t know if he can stomach to see it. “Give me a few days to think about it?”

“Of course, Kwannie. All the time you need.”

D+29

Seungkwan’s life has been demarcated into two. Before, and after. He goes through the motions of the government-run fields: waking up, clocking in, eating breakfast, tilling the soil, weeding, lunch, the occasional drills in case they were still expected to fight, transporting corn from one warehouse to another, dinner, sleep. Repeat.

Not a lot of people are here; many prefer to till fields they own, or collectively own; for once, agrarian reform straightened itself out at the start of the Blight. Yet with the dwindling population—slowly withering family trees—those lands acquired by the government grew.

Sometimes, Seungkwan thinks of home. He was lucky enough that the head of the center, Seungcheol, was kind enough to register his name as part of the deployed cadets under his supervision, despite the incomplete paperwork he had when he stumbled into his field, frail and dehydrated from lack of food and water.

Home remains now only in his memory, and in every replay of the Christmases he captured on camera. The soil is more unforgiving than before; it distracts from the loneliness.

EXT. A SMALL FIELD, WEDDING VENUE – DAY The wedding is humbly decorated with dried corn leaves fashioned into flowers, as there are no real ones anymore (none within the budget, anyway). Guests came as they are, though everyone has made an effort to clean up more than usual. It is currently the reception, and the speakers are playing a quick beat. The guests are dancing, laughing, and cheering, though their movements are blurry and almost smeared onscreen (step-printing effect). In the middle of it, you stand, the only still figure in the frame. You’re smiling softly to someone behind the camera, very clearly in love. Cut to Seungkwan, in a similar position, the guests around him dancing as but blurs. He is wearing a similar expression. He begins to walk forward.

You meet in the middle, still the only clear figures to the camera, and begin to dance.  As though the dance were a spell, the surroundings cut to: INT. A MEDIUM-SIZED LIVING ROOM – NIGHT EXT. SEOUL STATION, IN RUINS – DAY INT. YOUR TENT (MAGICALLY ENLARGED) – NIGHT EXT. LONG STRETCH OF BEACH (UNPOLLUTED) – MOKPO – SUNSET Hold this image for a moment. The sea laps at your ankles. The bottom of both your garments brushes against the saltwater, but neither of you seem to notice. Both you and Seungkwan close the gap to meet in a tender kiss. Suddenly, cheers. You part, and are back to: EXT. A SMALL FIELD, WEDDING VENUE – DAY The newly-married couple smiles and waves. The bottom of their garments are damp.

D+167

It seems surreal to have all the batteries he wants, and even a computer where he can replay all his footage—more than 4000 hours’ worth of it. It took a few months of work to earn enough credits and rank to access it, but Seungkwan pursued the goal with single-minded purpose. There is enough electricity in this center to run a few computers, and Seungkwan is its most regular customer, painstakingly going through each clip on the dozens of SD cards he has.

For footage so far back, from when you had just been married, there are parts where he no longer remembers what happened after the clips end. They remain in his memory as but colored ghosts, warm-tinged with nostalgia. Cabinets that would never be opened again, now filled, in his dreams, with infinities.

The house of his memories blurs with the house of his oneirism. In both, he subsists on sleep and daydreams. But memory will betray; it won’t tell him if the house he remembers has been altered by each remembrance. So he watches his videos. He walks through his house, now only alive in video and reconstructed by memory. He sees himself and he sees you, in all the different iterations you both were. Wonders if he could stitch both into narrative. Wonders if he could even bear to cut any scenes. He’s never thought about the violence of that act until now.

Inventories do not just catalogue possession; they also measure the potential of loss. It was a quote from one of your writing workshops, discussed over a late dinner. You could still afford some meat then; Seungkwan had saved just enough for a small slab of cured pork, which you would cut tiny slabs from for both of you to enjoy before bed.

He has five minutes left of his designated slot with the computer.

Seungkwan watches, and he catalogues.

D=0

Seungkwan only remembers in flashes—a gunshot. A scream. It’s only when he replays that moment in his mind that he realizes it was his voice. Barely a thud as your body is cushioned by the corn leaves. Dark red liquid, somehow both grainy and slippery on his hands as he drags you into the thick of the field, away from the path, trying desperately to stem the blood while minimizing your trail. Until finally, he collapses, feet unable to bring him a step further.

More flashes—your eyes, only ever kind. Even at your last moments. The way you hold his hand and place it over the pocket you keep his SD cards, as though reminding him one last time. The way your eyes search his face, first desperate, and then resigned. The way he leaned in when you opened your mouth, to hear your final words, only to feel the ghost of chapped lips brush against his ear. The gush of blood that dribbles past your mouth that tells him you’re gone.

(The Resource Wars felt like more a backdrop than anything else; you had come this far without any altercation. Yet even as you screamed that you were not thieves, just travellers, the gunshot rang. 

The cornfields weep with him as he leaves you behind, SD cards clutched in his bloody hand.)

D–4

TIME CUT TO: It is twilight, now. The camera is trained on the horizon. The sun has fully set, and night is beginning to settle in the sky. Only the barest hints of orange remain. The footage has already become slightly grainy due to the lighting. Neither you nor Seungkwan are on the camera. Instead, voices are heard while the darkness arrives. It is not evident whether the footage was taken accidentally, or on purpose.                 SEUNGKWAN (O.S.)             (softly)         I’m glad we came. Really, even if we couldn’t get to Jeju. I’m glad. I’m glad it’s with you.                 YOU (O.S.)             (just as softly)         I’m glad too, my heart. You filmed the whole sunset, didn’t you? Start to finish?                 SEUNGKWAN (O.S.)         Yeah. Yesterday and today. I have so much footage that I don’t know what to do with.

Breath.                 SEUNGKWAN (O.S., CONT’D)         Actually, that goes for all the BOO-logs. Even the ones from high school and college.                 YOU (O.S.)             (surprised)         You never tried editing them?                  SEUNGKWAN (O.S.)         I have, but what then? There are hardly any theaters now. Nowhere else to post. And electricity is expensive.                 YOU (O.S.)         Okay, but if we both die, what do you think’s gonna happen to this camera? Seungkwan is many things; a prideful badminton player (before the Wars stopped sports events), a videographer, casual vlogger, and a corn field worker. You are also many things; an editor (before your company closed from too little employees), author, copywriter, and occasional tiller.

Both of you still enjoy nurturing sparks of creativity when they come.                 SEUNGKWAN (O.S.)         Mm. someone picks it up and it gets immortalized in a post-war museum. And our videos will be a special feature.                 YOU (O.S.)         Oooh. And the war museum would be on a spaceship, with funky gravity and new plants and meat the astronauts domesticated from a different planet.                 SEUNGKWAN (O.S.)         And there’s a new jokbal. Call that out of this world delicious.                 YOU         Stop! Despite the terrible joke, you both laugh, then let the conversation drift into comfortable silence. The sun has fully set. Nothing much can be discerned visually from the footage.                 YOU (O.S., CONT’D)         Hey, Seungkwannie.                 SEUNGKWAN (O.S.)         Mm?                 YOU (O.S.)         If you had the chance, like computers and steady electricity, would you edit all the BOO-logs into a short film?                  SEUNGKWAN (O.S.)             (skeptical, but thinks about it seriously)         What would the plot even be? A married couple traveling to Mokpo, dodging dust storms and chasing each other through cornfields? Watching the stars at night?                 YOU (O.S.)             (earnest)         Yeah! Or, y’know, make it semi-autobiographic, like two lovers wanting to visit where they first had their honeymoon. Or maybe I’m sick and you want to take me to the sea one last time? The footage earlier could fit with that storyline.                 SEUNGKWAN (O.S.)         Don’t even say that!                 YOU (O.S.)             (laughing softly, apologetic)         Sorry, sorry. But if you do make a short film, I want to be the first to see it. It’s been so long since I’ve seen you work.                 SEUNGKWAN (O.S.)         What about you, then? Would you write a book about us?                 YOU (O.S.)         Oh, definitely. And you’d be the first to read it. The footage cuts.

D+182

Seungkwan replays the footage again. Beside him, Vernon fiddles with a pen.

“What do you think about making this a short film?” Seungkwan asks. 

Vernon stops. 

Seungkwan may be their newest addition, but the rest of the crew has grown protective. He brings light to their conversations, effortless in his ability to entertain and bring laughter. Mingyu asks him of his favorite foods, especially the ones he misses from Jeju, even if recreating them is near impossible. Seungcheol reprimands anyone who tries to bully him into giving up his share of rations. Junhui has begun to joke more, noticing how Seungkwan seems to be particularly into his humor. 

Yet everyone recognizes the sadness that still clings to his heels.

Vernon looks, for a long moment, at the monitor, frozen with a picture of a smiling face he’s never known—never personally, only ever through the screen and Seungkwan’s stories, always shared in quiet whispers in the privacy of his room.

He knows, though. Knows that this person was real. They loved, and were loved. It speaks in how the camera follows whoever is in the frame. The cuts of certain clips, as though either the person behind the camera joined their partner or had a moment that could not be captured in film. Most of all, it was the way whoever was in the frame would, without fail, smile at the person behind it. 

“I think,” he replies, choosing his words deliberately, “that you are in a unique position to dictate how someone is to be remembered by those who never knew them. And…” he hesitates, wondering if two months of these quiet conversations is still too little to be so candid with his friend, especially when talking of loss.

So, so much loss.

Seungkwan answers that question for him. “It’s okay, Vernon-ah.”

“…Well, I just wanted to say that it’s a burden to bear, is all.”

EXT – A CORNFIELD UNDER THE STARS – NIGHTTIME The stars have emerged, visible in all their glory. After the start of the Blight, when the population began to dwindle, electricity and many other resources became scarce. Much of the light pollution that was once a problem has disappeared. Brilliant dots twinkle overhead. To you and Seungkwan, it could pass for the Milky Way. The POV seems to be at a low point; stalks of corn are visible at the edges of the frame. Yet the stars are bright, captured exceedingly well.

You’re softly speaking aloud Laura Gilpin’s The Two-Headed Calf. It was one of the poems you memorized in college, as a creative writing major. YOU (O.S.)             (as though from far away)         Tomorrow when the farm boys find this freak of nature, they will wrap his body in newspaper and carry him to the museum.

But tonight he is alive and in the north field with his mother. It is a perfect summer evening: the moon rising over the orchard, the wind in the grass. And as he stares into the sky, there are twice as many stars as usual. Long beat.                 SEUNGKWAN (O.S.)         Twice as many stars as usual…let’s look up together.                 YOU (O.S.)         I see the stars, my heart, but I’m tired…

A breath hangs in the air. Some rustle of cloth, as though someone had adjusted so you fit together. A soft sigh.                 YOU (O.S.) Good night, Kwannie.                 SEUNGKWAN (O.S.)         …Good night, darling. End.

note. are the screenplay bits from the short film? the raw sd card clips? his memories? distorted memories? guess we'll never know. nonlinear bc grief is nonlinear. pls tell me your thoughts (even/esp if u didn't get the story lol) take care of yourselves always <3

[moeblob]

I am really tired of a situation rn.

[pennedinblood]

as of ten minutes ago we are officially Jobless™️. my sign to retire early and devote the remainder of my existence to writing toxic old man yaoi

[sammygender]

i just rewatched the rapture ohhhhh my god. such a good episode the jimmy stuff is actually fucking horrifying somehow even worse remembering claire grows up to be a hunter. then dean and bobby at the end locking sam in the panic room oh i hope they suffer. forever. he shouldve never spoken to their asses again

[stormbreaker-290]

So do you ever just

💥

[virgil-upinthestars]

the fire alarm went off a lot when I was in high school, for a multitude of reasons (someone pulled it, someone decided to smoke weed in the bathroom, someone tried to microwave a burrito) that were never actually a fire. but, because of protocol, we'd have to stay outside in the cold pnw rain for anywhere from twenty minutes to an hour as the fire department trudged over to figure out what the fuck happened this time. this resulted in a school full of teenagers who reacted to a fire alarm like it was an announcement for a suprise assembly. instead of dropping everything and heading for the exits, we'd jump at the loud noise because ew loud noise, groan because fuck not again, and proceed to pack our shit because there was no way we'd be standing out in the cold for forty minutes without our coats and phones.

cue me now, three thousand miles across the country, studying in the library of a well-respected university when the fire alarm goes off. my roommate and I nearly both jump out of our seats, grabbing each other's hand out of sheer reflex, and after a blurred prayer, I realize what's going on. all around us, people are getting up and talking over the alarm as they worry about what's going on, making their way to the nearest exit. my roommate gets out of her chair, looking worried. me?

I look up. I take a long sniff, like I'm impersonating the wolverine. and then I finish my goddamn email.

some of my roommate's friends come over to us, hurriedly explaining that it's just a drill, we don't need to worry. my roommate visibly relaxes. I respond "oh, thank fuck" and close my computer, packing my stuff up. these girls from east asia look at me with shocked and slightly unnerved expressions as I put on my blazer. they've all left their stuff behind. my roommate's also leaving her coat and bag. I shrug, and sling my backpack over my shoulder. If I don't smell smoke, I'm finishing my goddamn email.

[nobodybetterlookatme]

Update 3: drove the asshole home bc I was so sure he was fr gonna die if he drove himself lmao. Poor dude looked so miserable, like bro was either holding back while we were working or he got worse the second he was able to relax, bc there wasn't a single moment of silence the whole drive back, dude was just curled up in the passenger’s seat shivering and being so fucking symptomatic. Like he was doing that thing where you basically cough all of the air out of your lungs then doing that rattly little inhale and then repeating, like it was Not Good 😬 0/10, hated being there to experience that in person, I was horrified, I want all of that to stay in audio recordings where it can't hurt me lmao. And he wasn’t sneezing a ton, but when he did, he stifled them until I told him to quit it bc the last thing he needs is a fucking ear infection on top of whatever the hell is already wrong with him, and even when he stopped, he was so congested that they sounded kinda stifled anyway 😭 like it's all objectively hot and I would've loved it had I just read it and not experienced it first hand, but unfortunately I'm a massive germaphobe and had to sit three feet away from this guy all damn day. So I bleached the hell out of my car and scrubbed myself down in the shower three times and I still don't feel like anything is clean enough, but I'm tired so it's gonna have to do for now lmao

[cranberrymoons]

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[crowrelli]

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[guinevereslancelot]

they should make a rope tow for your backyard that you don't have to build yourself or spend 9k for

[mer-se]

thank god that despite being a really anxious person I don’t generally crack under pressure and traumas because what the fuuuck is this shift , let’s get christmas over with now pls

[peachznscream]

genunely sometimes do not know how to cope with the world being so cold and bureacratic and people who withold care and essential rights to people over arbitrary rules and money and

[dailyautophagy]

SORRY BUT IM JUST TOO PRETTY TO BE UPSET

[doecrossing]

just sat through the most horrible, awkward, tense dinner I've ever experienced in my whole life