#i was an incredibly perceptive child but could not figure out motivations
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thinking about the time in 6th grade when my classmates were like âwould you kiss a boy for $200â and things like that, always the same gender as whoever was being addressed, price going down as people kept discussing. some of them were getting real bashful about it, which was probably part of the whole social game.
i, however, had no particular understanding of social cues nor sexual attraction to EITHER gender, so i flung myself into the conversation with a cry of âCowards! id kiss one for $3!â
this, of course, led to the subsequent restraint of the nearest available victim, a call to my parents, and a plea deal that forced me to split my hard earned money with the unwilling party
#experiences that make a lot more sense to me in retrospect#a LOT of people thought i was gay for quite a while after that#and i could not understand why#the act of touching lips is meaningless all that matters is intent#and i intended to earn three dollars#my conservative christian mother was none too pleased#kept subtly shaming me for being gay#tried to keep me away from the victimâs family despite us being good friends#a thing i only found out much later in life#i also didnât understand the gay shaming i just thought she was weird#i was an incredibly perceptive child but could not figure out motivations#anyway if youâre reading this and go Wait That Was Me I Got Kissed For $3#sorry about that
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Hi. I was just wondering how do you perceive canon Sirius? I havenât read any of the books and I keep seeing different interpretations (psychotic bully top, Regina George, woke gen z etc etc) of this character it really makes me wonder.
Oh, that's a really good question...and you have no idea the novel-length response it's going to prompt from me, lol.
I'll give my short response first and only the brave and masochistic will need to venture below the cut...
Sirius was as good a person as most people can reasonably be. He suffered a lot in his life and didn't handle it very well. While he showed that he logically understood right and wrong, the moral complexity of the world, etc., he was ultimately someone who struggled to live by his own standards. A hypocrite, really, though I say that word a bit more softly than most. He spent half his life in prison for a crime he didn't commit yet still felt guilty for and was never really given the chance to properly mature.
Ultimately the words I would use would be immature, depressed, selfish, and regretful. Very much the poster child for displacement, ie: someone who has been hurt taking that anger and acting out towards others.
We learn directly who Sirius is after Azkaban, through his appearances in the first five books. And we learn indirectly about his Hogwarts years through a few flashbacks and lot of very biased recollections...
Because Harry Potter is the point of view character for the series, we don't ever get to see anyone else's thoughts, and so any interpretations of character motivations are going to get run through two filters: one is Harry's perception, and the second is the reader themselves.
That's a longform way of me admitting that my interpretations of Sirius Black may actually say more about me than they really do about him.
So I can't claim to be right or anything like that when I spout off how I personally feel about a secondary character like Sirius. But I do like to think my ideas are grounded in pretty solid logic. I guess I'll start off with what Sirius Black really isn't:
A woke gen z-er, as you put it lol. There's of course nothing wrong with someone going this route in their fanfics, it's all just for fun, and I like a lot of these works, personally. And I can see how and why people gravitate towards them. But I will warn anyone whose entire experience with the Marauders is coming from fanfics where Sirius Black is helping Timothee Chalamet his brother navigate his trans awaking and calming his lover Remus Lupin down from a panic attack using Tik-Tok approved counseling tricks to not go diving into the actual canon Harry Potter series expecting that....because you will not find it, lol.
An incestuous and abusive psychopath. I gotta' be fair and throw my own works under the same bus here. As much as I think I stick closer to canon Sirius in a lot of ways....the Sirius that pops up in my fanfic shenanigans is just as out of left field. As much as Sirius/Regulus has been my OTP for basically forever, I could never actually see canon-Sirius displaying the level of deliberate, active cruelty or complete lack of basic morality that I like to attach to him. Like other people giving him the vocabulary of a 2020's Tik-Tok star, it's just a fun fantasy on my end.
So I guess that leaves us with trying to figure out what exactly Sirius Black is. At least as far as we can surmise from his canon behaviors.
Full disclosure that I am not including Pottermore or any of JKR's random tweets. As far as I'm concerned, canon is the 7 main books and I don't pay attention to much else. So let's break it down book-by-book:
Philosopher's/Sorcerer's Stone: He's mentioned once here, just in passing. Hagrid talks about Sirius lending him his motorcycle to get Harry to the Dursleys' faster. With the context we later gain from book three, we can plausibly assume that Sirius Black is incredibly reactive, and quick to go all-in on things in the wake of a huge emotional upset. With his friends dead and Hagrid refusing to give him his godson, Sirius essentially 'throws away' his most prized possession and only getaway--his motorcycle--and then goes away with the Aurors, laughing loudly instead of trying to proclaim his innocence.
Prisoner of Azkaban: This is Sirius's book and he spends 80% of it as the villain, at least until the Truth(tm) is revealed at the end. But even though he's proven not to be a Death Eater or murderer, he still behaves alarmingly. It's explained that Sirius's innocence was the 'unhappy' thought that kept him sane in prison, but it didn't stop him from becoming obsessive. He's so consumed with the desire for revenge against Peter Pettigrew (not necessarily saying I blame him, lol) that he is willing to endanger and even outright hurt Harry and his friends to do so. He does make mention that part of his motivation was to 'save Harry' as he felt Peter being in disguise as a rat living at Hogwarts was dangerous to his godson. But he did almost choke the kid out in that shack when he got in the way of Peter Pettigrew Murder Time, lol. So Sirius was somewhat emotionally volatile. It's clear he doesn't always think things through before he acts.
This is further reiterated with the whole Snape-Lupin-James werewolf fun times fiasco. We don't get a direct and honest retelling of "The Prank" events ever, instead having to make due with different characters giving their opinions on decades-old memories. Dumbledore first presents the issue without mentioning Sirius at all, merely telling Harry in the first book that Snape "never forgave" James for saving his life and then trying to pass off all of Snape's behaviors towards Harry as a sort of begrudging protective role and half-assed effort to make even with a ghost. By book three we get more context and learn that James "saved" Snape after Sirius told him how to get to the Shack. Sirius clearly has a habit of razing things down in anger without thought towards the consequences, and then hiding from the responsibility, possibly from selfishness or guilt or both. We know that Remus, Lily and others were able to forgive him for nearly getting Snape killed and Remus imprisoned, so it's likely that his guilt over the situation was genuine.
Basically here we have someone who does not handle emotions well. Possibly an environmentally learned trait from growing up with the kind of parents that burn pictures of you and loudly declare you're not welcome at home anymore yet never actually disown you from their will...can't say for sure, but...ya' know...
Goblet of Fire: After the immediate chaos of breaking out of prison fades and Sirius has a support group of friends who know and believe he's innocent, he gets to transition a bit, and we see that he is also very protective and eager to be involved. He has a couple moments where he goes full Dad-mode on Harry, and I have a sneaking suspicion that Dumbledore finding him a good hiding spot in Hogsmeade was less of a "hey Sirius come hang out near the school" thing and more of an "okay I know I can't stop you from getting as close to Harry as possible, will you please at least stay in this safe hiding spot I found for you?" concession.
We also see Sirius criticizing Barty Crouch Sr. for not being there for his son. Sirius is able to connect the dots and comes to the logical conclusion that much of Barty Crouch Jr.'s behavior is the fault of his father for being uncaring in the first place. He sees that those around the Death Eaters do--in some cases--bear some blame for not paying attention, for not reaching out, and for ultimately setting them up to join Voldemort. Yet...Sirius does not seem willing to connect this realization to his own treatment of Severus Snape, his younger brother, or even Peter Pettigrew.
Order of the Phoenix: This is where we get the most of his character, I feel, and some of it is subtle. I'll admit that 90% of my characterization of Sirius as actually caring deeply for his brother comes from the sixth chapter:
"...my idiot brother, soft enough to believe them..."
...
"Was he killed by an Auror?" Harry asked tentatively.
"Oh no," said Sirius. "No, he was murdered by Voldemort...from what I found out after he died, he got in so far, then panicked about what he was being asked to do."
Harry asks if Regulus has been killed. And as Sirius corrects his assumptions about Reg being offed by an Auror, he also corrects the verb, from killed to murdered. And generally you don't describe a just killing as a murder. Death Eater or not, Sirius didn't think his brother deserved to die. He also admits that he went actively looking for information about Regulus. Again not the mark of someone who doesn't care.
And while I would describe Sirius as immature, that does not mean he was completely without maturity. He takes a lot of hits in this book, a lot of very harsh words get flung his way. He has to deal with Snape's constant snide remarks about how cowardly Sirius is for staying at home cleaning all day instead of fighting Voldemort, hell, he has to sit there and let the Weasley twins call him a coward to his face just because they're upset that their father has been injured and they're angry that Sirius is safe under house arrest while their parents aren't.
And all this because he's still a wanted fugitive, unable to venture outside safely. He wants to fight but can't. Powerlessness and depression hit him hard in this book.
In the chapter where Harry dives into Snape's pensieve we get our one and only 'objective' view of Sirius as a teenager, where it becomes clear that he was arrogant, handsome, talented, and very popular. He also liked to start altercations. This is actually our first big fissure between Harry and Sirius, and between Harry and his dad.
While James and Sirius are shown as going out of their way to pick fights with someone they don't like, Harry is such a passive and much more emotionally aware character that this causes significant pain to him. To find out that Sirius and James really were bullies is a big blow to Harry, who would never behave that way. He spent most of his childhood being bullied, after all, and I think that in that memory, Harry realized just how much more he identified with Snape as opposed to his own father and godfather and that really freaked him out.
Not to mention how uncomfortable it is to realize that these "bullies" were people Harry loved. Because once you have to come to terms with finding out someone you respect and love has done something cruel, it leaves your opinions on others shaky. This moment wasn't just about making Harry realize there was a "bad side" to Sirius and James, but also the first step towards helping him understand there may be a good side to people like Dudley Dursley or Draco Malfoy.
Sirius is quick to dismiss his past mistakes, he rarely owns up to them. This doesn't mean he's got no conscience, just that he--once again--does not deal with emotions easily. He clearly doesn't respond to his own guilt very well. So he brushes off his treatment of Snape and even his dismissal of his own family. In Sirius's mind, he and James are "allowed" to have matured out of their past bad behaviors and deserve to not be criticized for them...yet Sirius is unwilling to extend this grace to others. Everyone else around him is permanently stuck as how he first perceived them.
Sirius never finding out the full truth of Regulus's death is a huge disappointment to me, as I would have loved to have seen how he reconciled his inability to change his mind about his family with such an obvious act of heroism.
Ultimately book 5 shows that Sirius is, like a lot of us, very susceptible to "being a good person in theory". He very easily falls prey to cruel behaviors against "bad" people. He treats Kreacher the house elf terribly and uses his position as Kreacher's master to control and belittle him, using it almost as an opportunity for revenge against his family for what must have been a rough childhood. Yet he would never do that if Kreacher were nice to him.
It's a sort of complicated hypocrisy. Sirius treats people based on his personal feelings towards them, not based on what is right. Snape was "a little oddball up to his eyes in the Dark Arts", and that is how Sirius justifies his and James's behaviors. The reality is that Sirius wanted to be good, clearly saw himself as a hero, and was more than willing to die to protect the people he loved (he literally does die in this book to help Harry). But he still gave into the same kind of selfish cruelty he complained about growing up with.
It's not just that he was "an idiot at the age of fifteen", as he describes it. Most of us were. Anyone who claims they were always an enlightened progressive-minded justice fighter constantly standing up for the marginalized is just not remembering age twelve very well. The true mark of Sirius's character is that he can't handle the guilt. When the topic comes up, he hides from it, brushing people off quickly and making excuses. He is unable to openly and honestly confront his own mistakes.
Sirius himself told Harry "the world isn't split into good people and Death Eaters" and those are probably the wisest words in the whole series. Yet...he was unable to actually live by those words.
Do as I say and not as I do, right? Lol.
Ultimately this character flaw was his downfall. The climax of book 5--and consequently Sirius's death, as well--comes as a direct result of Kreacher's betrayal, a betrayal he was only able to pull off because Sirius, in one of his many fits of anger towards the elf, ordered him "OUT."
He was definitely one of the good guys. I'm not here with any edgy take about how Sirius was somehow worse than the literal wizard nazis. But also...he wasn't perfect, either, and he did and said some very bad things.
A lot of people I think find comfort in that binary split, where characters are either perfect angels or the worst monsters ever. And the meta that get the most clicks are going to be the ones that take those crazy stances of "'[Character You Hate] is Actually a Perfect Angel and Here's Why" or vice versa.
I know that I personally used to write like that, as well. It's actually a touch painful to look back at some of my earliest writings and see just how badly they lacked any nuance...(but boy did I feel like I was making some serious Statements(tm) at the time lol). So it's safe to say my idea of Sirius has definitely grown with time. As have my interpretations of the rest of the characters, too. The more life experiences you have, the better context you can bring to the stories you read. The more diverse people you meet, the more you can start to understand. As your real world grows, so too do the fictional worlds you read about.
So that's my idea of Sirius Black in a very large nutshell. This is the first time I've ever spit all these thoughts out at one time and it was fun to do!
I've seen a lot of different interpretations of Sirius's character over the years and I hope I didn't come across as dissing on any of them. What the reader brings to the table is key. My ideas of why Sirius did the things he did is heavily influenced by my experiences with friends and members of my own family. And the specific areas where my stories jump off from canon into my own little world is equally born of my own life. They come from my memories and from my interests. What ideas I personally like to explore. So when I see someone else's fanfic be just radically off base from how I would have ever conceived of writing the character...I get it.
He's not a real person. So no matter how you see him you can't really be wrong. Each different Sirius Black that pops up on tumblr or Ao3 is just a little window into what's interesting or important to that author.
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Love, Ten
#sirius black#maurauders#sirius x regulus#harry potter#tenkuroi#meta#character analysis#ao3#fanfiction
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So you want to give your fictional character a tragic backstory? Let's talk about how to write trauma.
In order to write trauma, we must understand what it is first.
**This is not medical or therapeutic advice, this is simply a guide to help a person write trauma.**
What is trauma?
The American Psychological Association describes trauma as "an emotional response to a terrible event like an accident, assault, or natural disaster."
I think it's much more complex than that.
Trauma is more than a "terrible event." Trauma is anything that threatens a person's physical, emotional, and/or spiritual well-being. It's not always one huge event that turns someone's world upside down (though this can also be the case).
Small events can be considered trauma, too.
A parent/caregiver denying your reality.
Multiple doctor's visits for a chronic illness.
An autistic person forcing eye contact.
Living with a parent that couldn't regulate their emotions.
A person constantly trying to people please.
Hiding who you truly are due to fear of judgement.
Passive religious abuse.
And more.
It's basically anything that's considered distressing to the person experiencing it.
Sometimes, if you've had repetitive exposure to the trauma, it may not seem distressing. This is due to the fact that your body and mind have learned how to adapt to a consistent state of dysregulation.
Many adults grow up and don't even realize that they experienced childhood trauma until they reach a point of burn out.
This is important for your characters.
Why?
Because they can be subtly affected by trauma in ways that many don't even notice.
Let's say your character was the outcast of the family. They never truly fit in. They had trouble getting along with their parents. They could do nothing right.
And most of all, they lived in the shadow of their siblings.
This is traumatic. This is the dynamic of a narcissistic parent.
There's a golden child & the scapegoat. As a result, the character will struggle with feelings of inadequacy, resentment towards their siblings, feelings of shame/guilt, and potentially a fear of failure.
This is trauma.
This affects a person just as much as a person who lived through a singular event, like an earthquake. It may present differently, but it is still trauma.
Your character may find themselves trying to make sense of the feelings they're struggling with, but may fall short in the process. If they aren't aware they experienced trauma, they may beat themselves up about how they should "be normal" or try harder.
They can struggle with insomnia, rapid changes in mood, trouble connecting with others, self-isolation, substance use, memory loss, nightmares, dizziness, chest pains, stomach aches, being defensive in conversation, self sabotaging behaviors, disassociation, and more.
If they're supposed to be saving the world, it can be incredibly hard to focus when their body is just barely surviving from the trauma they've endured.
Questions to ask yourself when thinking about your character's trauma:
How might it impact how they interact with others?
How do they cope with it? Is it a healthy coping skill or an unhealthy coping skill?
What's their limit and will it cause them to give up on their mission?
Will it motivate them more and make them fight back harder?
How do they manage to maintain focus?
What are their triggers?
How does the villain trigger their trauma?
How does it affect their self esteem?
How does it influence their perception of figures of authority?
Do they get overwhelmed in certain environments? If so, what are they and how do they react?
I'll provide more questions to ask yourself in a future post.
However, this is just to get you thinking about what your biases towards trauma might be.
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Gojo and Mahito
Nanami and Gojo share several parallels as pointed out by Nanami in Chapter 22 of Jujutsu Kaisen. A connection between the two of them thatâs developed to the point where we see Mahito steal a technique from Gojo (domain expansion activation for only a few microseconds) in the latest chapter. More on the parallels of Gojo and Mahito, because for both of them thereâs more than meets the eye.Â
1. Children with Too Much Power
Mahito parallels Gojo, but more specifically I believe he has the most in common with teenage Gojo we see in Hidden inventory. Especially on two key points. Both of them had immense strength that they hadnât quite figured out yet.
Teenage Gojo, who was still figuring out the infinity and could not yet quite make the universe bend at the snap of his finger tips. In his introductory arc when Mahito was fighting Nanami, he was like a child figuring out how to use his body for the first time.Â
Everything he does in that arc is out of a childish sense of curiosity. He gets to close to Junpei, to observe what will happen from prolonged interaction with a human. He toys around a long time with fighting Nanami because heâs still figuring out how his curse technique works.Â
Unlike the other curses who seem to already exist knowing what they are, or have existed for years already long enough to figure themselves out, Mahito is actively learning about himself when he fights Nanami.Â
Just like Gojo, being pushed to the brink of death by an incredibly powerful enemy, only seems to make Mahito bounce back stronger. Mahito and Gojo parallel each other in their comparison to Nanami. Simply put, Nanami is the most mature character in the series, heâs the role model for a normal, decent adult.Â
While Gojo will drag children to battlefields, or take big bets with their lives, Nanami acts much more responsibility, with respect to the fact that Yuji is a child whose emotional well being heâs nurturing.Â
Nanami is introduced to us as the opposite of Gojo, someone mature while Gojo is immature. He even says that he doesnât respect him in the least bit. Gojoâs powerful, but heâs not grown up. Nanami even explains this quite logically, people donât grow up by fighting bad guys, or getting stronger. People grow up by accumulating experiences.Â
Gojo and Mahito are all powerful in ways that Nanami will never be, while at the same time they act like children. Especially teenage Gojo, but even adult Gojo doesnât really like to get along well with other people, and decides everything based on his own emtoions and perspective. In other words both Gojo and Mahito have a tendency to be egocentric.Â
Egocentric.Â
thinking only of oneself, without regard for the feelings or desires of others; self-centered.Â
2. The World Through Their Eyes
Mahito and Gojo are characters who appear childish and frivolous on the surface, but if you plunge their depths they have a deeper understanding of themselves and their desires than most ofther characters in the series. They might not get other people, but thatâs not their priority either. In classic Jungian symbolism, shallow water belies greater depths.Â
Gojo and Mahito are both extremely well thought characters, capable of immense amounts of self reflection. (Probably too much self reflection in Gojoâs case, he just loves looking at himself in the mirror a little too much how vain.) It not only shows in how much of themselves they have figured out but also their jujutsu. I think itâs safe to say that there is some resemblance between the infinity, and Mahitoâs idle transifguration. Their Jujutsu makes them both privvy to the world that no one else can see. Itâs unknown what Gojo can see with the six eyes exactly, but considering the limitless.Â
You can infer that heâs capable of seeing much greater sensory perception than the normal person. Mahito doesnât have the six eyes, but because his jujutsu is about altering the form of the soul, he has the unique ability to see the shape of the soul inside of the body.
Mahito can see through peopleâs bodies, and see down to their souls. However, his perceptiveness has caused him to give up on the idea that people have any individuality at all, that they have âheartsâ you know like, thoughts and feelings and stuff. Which is why all humans are pretty much interchangable to him. Mahito canât see life separate as him from having any particular value.Â
Both of their cursed techniques create distance between themselves and others. Though in opposite ways. Gojoâs cursed technique is based around the idea that nothing can reach him, because it will always slow down in the infinite space between them. Mahito is able to completely change the shape of whatever he wants with one touch.Â
However, at the same time this resembles how they both interact with other people. Mahito sees people as nothing more than toys to play with and experiment in developing his jujutsu technique on. He even is literally pictured in an official color illustration as destroying Junpei, Nobara, and Nanami as torn up dolls. They were just toys that he got bored with and threw away.Â
Gojo can sometimes even share this tendency, not to mercilessly kill and slaughter of course not, but to be so far away from other people, and too busy perceiving the infinity that he canât get caught up in ordinary lives. Remember, Mahito, Jogo and Hanamiâs plan was to shake up Gojo with the sheer amount of people he would have to save in Shibuya, and it just... didnât work.Â
Gojo just isnât that shaken up by the people he canât save. Heâs not Geto. Heâs not Yuji. Of course he cares enough to try and minimize the damage, he could have just used unlimited domain to end the situation at the cost of everybody gathered, but he made a decision to try to balance between everybodyâs lives, protecting his own, and exorcising the curses.Â
Mahito and Gojo are both extremely distant from other people, but because of that they have a unique understanding of themlseves. Mahitoâs domain expansion is called âSelf Embodiment of Perfection.â When Gojo figures out reverse Jutsushiki he quotes the budha when he reached enlightenment.Â
They are extremely isolated characters who have others plumbed the depths of themselves. Gojoâs goal is to be the best version of himself he can be, to push himself into being the strongest. Their individual will is so strong they want to impose it on the world around them. Gojo wants to reset the jujutsu world, Mahito wants a world of curses.Â
They both encourage the other people around them to also think deeper about themselves, and how to evaluate themselves. Gojo tells Mahito to stop repressing himself for the sake of others. To try to be stronger individually instead of more of a team player. Instead of judging those around you, look inwardly.Â
Mahito is furious that Yuji doesnât evaluate himself, doesnât think deeply about his own motivations. Thatâs what he criticizes Yuji for constantly, he doesnât think for himself, he runs blindly into fights. Mahito calls their fight a clash of truth. Yuji has to know his own self, and know his belifs and know why his beliefs are better than Mahitoâs if he wants to face him.Â
Mahito and Gojo are both always looking inside of themselves, and thatâs why their depths go much further than their seemingly shallow surface. If I were to make one last comparison between the two of them, I would say that the reason Mahito imitates Gojo is because his end goal is to become enlightened. What Mahito wants, is to be true to his nature, the truest embodiment of a curse in the series. He wants to reach an enlightenment like Gojo has where he has himself, his role in the world, completely and totally figured out. Where he embodies his own idealized sense of perfection.Â
Which is why he imitates Gojo, the strongest. Though his is the opposite path, like a reflection of a mirror. If Gojo uses his power to be the model, the embodiment of a jujutsu sorcerer who exorcises curses to save human lives, then Mahito chooses to be the embodiment of a curse that plagues humans.
Mahito and Gojo both see through things, they can see what everybody else canât, however they differ in how they use those perceptions. Gojo tethers himself to responsibility to other people, because he finds meaning in doing that, he thinks thereâs a point in protecting and nurturing the weak because eventually heâll be able to find strong comrades. Mahito however, believes in the opposite of camraderie. He can see through other people, so he acts like theyâre not even there. Gojo is a character who while his tendency is to try do everything on his own, is currently waiting rescue from the strong comrades he focused so hard into training. While Mahito will most likely end up alone.Â
#gojo satoru#satoru gojo#gojou satoru#satoru gojou#mahito#jjk meta#jujutsu kaisen meta#jujutsu kaisen analysis#jujutsu kaisen#jujutsu analysis#jujutsu meta
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Cass wouldnât even begrudingly tolerate [the Black Bat], because sheâs even less lenient than Bruce on killing and far more willing to throw down.' - THANK YOU for remembering that.
Cass is my favorite Batfam member, the only one really that I have an active interest in reading about. I'd be incredibly ignorant to not bring bring up such a crucial aspect of her characterization. And even if I didn't personally care for her, well, last thing I'd want is to be another source of frustration for Cass fans. Lord knows there's enough of those to go around.
mousebrass also asked: On that note, how do you imagine a meeting between Cass and the Shadow going?
Fair warning: This one took me 6 hours to write, and it became a hell of a lot longer than I imagined. I liked Cass a lot, but I never quite realized I had this many feelings regarding her until I was tasked with writing this, and a lot of things clicked for me regarding my plans for The Shadow thanks to this ask. @mousebrass, thank you. I mean it. I think I may have found something here I've spent years looking for. Hope you enjoy the post.
I'm thankful that this scenario is only really taking place in a hypothetical fanon where both characters can get a fair shot, because I wouldn't trust DC with this premise. I don't trust DC with either of them as is.
There's a lot of ways that this crossover could go on about taking place naturally, initially because Cass is already connected to some of Batman's pulpier elements, due to her connections to Lady Shiva and the League of Assassins, and one could connect Cass to Myra Reldon (who really should just be race swapped if ever brought back so she can stand out as the cool character she is, without the yellowface gimmick holding her back). There's two things I think are crucial to making the most of this idea, and the first of which has to do with the subject of killing. I usually don't like to come up with hypothetical team-ups for The Shadow that focus too much on the fact that he kills, because it's far from the most significant aspect of his character to focus on, much of it is written from a wrong understanding of the character, and it never amounts to anything other than perfunctory. But here, not only is it completely unavoidable to discuss, here there is actually a very, very substantial grounding as to why this has to be such a big part of the story.
The first and foremost thing that's gotta be established to everyone reading that doesn't know already is this: Cassandra Cain, more so than Batman, more so than any other DCU hero, has a tolerance towards murder lower than zero, and this is completely non-negotiable. She will throw herself on the path of an assault rifle to stop men trying to kill her from accidentally killing each other. The defining moment of her incredibly grim backstory is that she was trained from birth to be the world's greatest murderer, and her first kill traumatized her so badly that she has pivoted as far away from that as possible. I stress a lot that the Shadow should not be written as the trigger-happy maniac comics made him into and that the pulp version killed mostly to defend himself and others, generally left criminals to the police if possible, offered plenty of second-chances, had stories dedicated to the rehabilitation of criminals and so on, but none of this would matter to Cass.
Cass has literally chosen suicide over the prospect of living with murder on her hands time and time again, and The Shadow kills. When he kills, he does so without remorse, with unshakeable certainty. He hates death, he doesn't want lives to be at risk in the first place. But people will die if he doesn't do anything, and what he can do, what he exists to do, is turn the tools of evil against evil, and murder is the oldest tool of evil there is. He doesn't kill because a war scarred him, he doesn't kill because he's got a demon in his soul, he doesn't kill because he's mentally off balance, he doesn't kill because he's evil or sadistic or arrogant or anything of the sort. He kills because the men he fights chose death when they sought to harm innocents and fire guns at him. He kills because he is Death itself.
Regardless of how compassionate he is or can be, regardless of the fact that he's motivated by a desire to protect people, regardless of how justified he is, he is still dropping corpses and laughing maniacally doing so. Cass's real arch-enemy isn't Shiva or David Cain, it's Death, it's the thing that she's fundamentally most opposed to. And guess what The Shadow gets compared to often enough? Literally the very first line of the very first book where we get to see him, this is how we are introduced to him:
So the premise here is that we are taking a character who is defined by her fundamental opposition to death with every fiber of her being, who understands death on a level no other human being does, who is traumatized and hard-wired to detest death at all costs and to choose suicide over it, and asking her to team up with The Grim Reaper.
Even if he received the most abject lesson conceivable on the sheer wrongness of murder, even if he does put down the guns around Cass out of respect for her, he cannot protect his agents and others if he cannot shoot or kill those who try to harm them, and the protection of the agents is absolutely non-negotiable and not at all something he's willing to fuck around with by trying out gadget kung fu superhero alternatives. The Shadow has chosen to throw his life away for their sake time and time again, and no matter how appaling or disgusting Cass finds his deeds, even if he concedes that she's right and should be right on all accounts and that he is fundamentally a monster who has no right to judge others, he would not concede on his mission and he would make it very clear she would have to put him down violently to stop him from protecting others this way, and death has not stopped him before.
And to be upfront in case there's anyone who doubts it, Cass would kick The Shadow's ass, if they had to fight. She is the strongest fighter in the DCU, she lives and breathes fighting and combat in a way no one else does. And The Shadow's not one of those characters who is supposed to be invincible and the best at everything all the time always, he can and does lose fights and scrapes to people far less adept at it than Cass. He's a great fighter, obviously, he hauls bigger men than him through doors and was disabling people with Vulcan neck pinches decades before Spock, and he would definitely have an edge in other areas, but he's out of his league here. Frankly, I don't see The Shadow raising a finger against Cass unless she's been brainwashed into killing people by bad writing. Not because she's a woman, that doesn't really stop him from dealing with evil. But because, for one, she's practically a child compared to him age-wise. Two, he'd obviously know beforehand of her capabilities and how futile it would be to fight or even provoke her. And three, the Shadow's whole thing is knowing. The Shadow Knows and all that. Knowing comes with understanding.
He'd understand very quickly that there is no way someone this young could grow so quickly into the world's greatest fighter without horrific treatment that no one should ever be subjected to. He'd see the movements too practiced and quick, the self-control, the strength and speed far beyond even the trained warriors he's seen, the places where she's been scarred and is good at covering it up. Assuming he doesn't already know about her life story, any meeting between the two would lead to him very quickly figuring out that there's something much deeper about her opposition to killing than just moral reservations, something deeper than Bruce's own gun trauma.
Denny O'Neil's 2nd Batman and Shadow story was about The Shadow secretly helping Bruce overcome gun trauma, and Bruce rejecting The Shadow's intentions to hand him a gun. And to make it clear, people tend to assume that The Shadow only helps people for utilitarian reasons, which is not true as I've tried to demonstrate many times now. I don't want to convey that he would want to help Cass overcome her trauma just so she could be more efficient or something, absolutely no, he'd help her because he helps people in any way he can. I think a story with The Shadow and Cass might involve a similar premise, The Shadow understanding that she has been traumatized very deeply by death and refuses to accept it on any terms, trying to help her overcome it, only to learn that she does not want to "learn" anything she doesn't already know, that she has weaponized her trauma into a source of strength, and wishes nothing more than to help others with it.
And here's where we get to the part that allows the two to be on less antagonistic terms, because one thing that also very strongly defines Cass, at least the Cass I like reading most, is her stubborn, almost desperate need to believe in the best of people, that people can and will change for the better. Like The Shadow, her strength too is knowing, it's perception, the things that she knows about people that words cannot convey. Just as there are many things The Shadow would grow to understand about her that others would not, there would be many things that The Shadow would not be able to conceal from her. Things that no one but her would figure out. Things that, despite her age and lack of experience compared to him, he would have to defer to her knowledge on, which reverses the usual dynamic The Shadow has with people. And perhaps one aspect of that reversal, it's that maybe it's she who winds up secretly manipulating The Shadow into overcoming a deeper issue.
Cass's perspective on killing is shaped not just through trauma, but from a painfully intimate understanding of not just what happens to someone at the time of death, but the cost of murder upon the human soul, the ways it warps people into things they never should have been. Killing is a deeply, deeply serious matter, much more so than fiction seems ever willing to go into. Of course we suspend disbelief for fiction, there's nothing wrong with that, but if a story starts asking questions, starts poking holes into fantasies, they should not be disregarded.
And so it begs a question: How has it affected The Shadow? Is he really as remorseless as he appears to be? Is the fact that he's only killing evil people really of that much use? What's the cost of living as someone who has to know so much about so much evil in so many hearts? Knowledge never comes without price, and knowing evil is his tagline. When he enlists Harry Vincent, he makes it very clear that he has lost lives as he has saved them. From when is that regret coming from? What lives did he lose then? Is he saving people by damning his soul or merely prolonging the inevitable by piling corpses on another end of the scale?
If there's a character that could meaningfully start bringing these questions forth, who could ever truly get The Shadow to stop and reveal things to the audience he never would otherwise, maybe Cass could be that character. A girl who was raised to be a monster, who is treated as a monster and an aberration in-universe (and even outside of it), and turned that into a strength she uses to help others, who cares about everyone and refuses to let others be dehumanized as she was. Who better to know what lurks in the Shadow's heart?
Sometimes when I get an ask, I bullshit my way through infodump walls of text until I can structure it into something vaguely resembling a point. And sometimes, and I know it sounds crazy, but sometimes I get a very, very clear word on my mind related to it before I start writing, that almost seems to be a beacon pointing where I need to get to, and I work my way into getting there. Once you sent me an ask about crossing over The Shadow with Cassandra Cain, the word that came to mind the very second was Language.
It's an interesting relation the two have with language. Language is of course a very substantial part of Cass's character, who does not process language and linguistic development the way most people do, and instead reads body language to the point of superpower. Many stories revolve around Cass's relation to the concept of language, the help she may require from others in getting around things beyond her upbringing, and ways in which she has mastered beyond anyone's scope. Though she is mute, language is her power, what makes her what she is, and she is someone that Batman freely admits could kick his ass if she ever felt like it.
For The Shadow, language is also his power. He speaks all languages and connects allies all over the world, he is an expert ventriloquist, he is able to project his voice beyond what's physically possible, he can imitate voices perfectly to the point of being able to conduct group conversations single-handedly well enough to fool even the people whose voices he's imitating, much of his presence and terror and manipulation are done through his voice, arguably the very reason he exists in the first place is entirely because a radio actor's voice performance was so good and captivating that it tricked people into thinking the character was a real star and not just a glorified narrator. The man you cannot see, but only hear, the perfect hero for radio. And then of course the laugh, which I have a whole separate post on and which, in many ways, acts as a substitute for language in the novels. He uses the laugh so often as a substitute for statements or words, even to himself, that it's pretty much his own personal language. And language is at the core of how he deals with people, as he knows the right language to use to manipulate and move and help them. He knows what to promise, what to reveal, what to omit. He knows what to say, how to say it, when to say it. Language is the strings by which he puppeteers the world around him (and he can talk to animals, at least of one kind).
The Shadow and Cassandra Cain have mastered two different types of Language as throughly as anyone can possibly master them. The Shadow can talk a group of hardened criminals into killing themselves, Cassandra can punch a heart into stopping without killing it. The Shadow echoes his voice "through everywhere and nowhere at once" to whip crowds of thugs into frenzies, Cassandra outraces missiles and was tanking bullets as a child. The Shadow can lie and usurp lives so masterfully to fool even the families of those he's passing off as, Cassandra is a living lie detector who gleams inner conversations from miniscule reactions. The Shadow can speak every language known, Cassandra is the greatest master of the world's most universal language other than music. The two are supposedly human, but every now and then, something comes along to call that into question because of the things they can achieve. They cannot hide secrets from each other the way they do to everyone else. They are driven by a deep desire to help others, to make something out of the circumstances of their lives. To weaponize that which dictates they should be evil and monstrous into a relentless force of good.
Language is the root of understanding. And if nothing else, as impossible as a conciliation of their approaches to crimefighting may be, I think there could be an unique understanding between the two. Perhaps, and this is a bit crazier a concept but one that seems to be where I might have been heading towards all along, even Cassandra Cain finding a calling away from the frayed dynamics of the Batfamily, away from the Bat's looming presence, to become The Shadow's successor, swearing to uphold a mission of justice through non-lethal tactics while he stays on the backseat guiding her. If The Shadow could trust the safety of his agents and the protection of the innocent at the hands of someone as capable and selfless and good-natured as Cassandra, I think he'd be all too happy to be able to trust someone in such a manner, to no longer be the Master of Darkness, but instead to serve the next generation that's weaponized darkness without submerging in it. To achieve, and perhaps return, to his strongest, highest self: A disembodied voice heard, but not seen. Once again the narrator, not the star.
It's a concept I've thought about very extensively for the years I've been a Shadow fan, but now it occurs to me that, if I had to appoint a successor of The Shadow, someone who could take up the mission but shine on their own right, even improve it with the right guidance and circumstances, it would be Cassandra Cain. The Orphan, The Shadow of the Batgirl. Daughter of the greatest assassins, meant to be the world's most lethal murderer, instead pivoted to being one of it's greatest heroes, but never allowed to shine as she should. But in the darker, less restrictive and wilder world of pulp heroes, in The Shadow's world, a beacon would shine all the harder. Perfect strengths attached to perfect opposites, joined together for a greater good, unstoppable after together having weaponized that which most take for granted: the power of language to move worlds.
#replies tag#pulp heroes#comic books#the shadow#cassandra cain#batgirl#i always had a feeling that a successor to the shadow should not be modeled on batman but someone within that range#i never quite found a character i would be happy with taking that role or a similar role#aw shit i just talked myself into a new favorite character#that just so happens to be another character brimming with potential that's denied them by corporate overlords#who could have seen that coming
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Touch (pt 9) - Amity
PAIRING: Dabi x Fem!Reader
STORY WARNINGS: 18+ only please! Â Drug abuse/withdrawal, adult language/themes, heavy angst, past trauma/abuse, anxiety/panic attacks, PTSD, fluff, pining, slow burn, eventual emotional SMUT. *please pay attention to the chapter tags as these warnings will apply at different times*
CHAPTER WARNINGS: talk of killing, blood, needle/medical sewing; pining... lots of resistant pining. Typical sensory overload due to quirk use.
CHAPTER SONG: Ocean Eyes by Billie Eilish
Part 1 Â Part 8
Artwork credit to @hellowon31 on Twitter (https://twitter.com/hellowon31)
Part 9: Amity
Between your second night in a row of poor sleep and waking up incredibly early, it didnât take long for exhaustion to find you again. Â By mid-day your sensory overload had subsided enough that you collapsed into your bed, dreamless sleep dragging you under instantly. Â It was short-lived, however; it felt like no sooner had your head hit the pillow, that a knock on your door roused you groggily from your slumber.
Rubbing the sleep from your eyes, you stood up and answered the door to see Toga standing in front of you, a bloodied washcloth held to her temple.
âOh my god, what happened to you??â you exclaimed, as you let her into your room.
âI was out running some errands and a thug tried to jump me in an alleyway.â Toga replied cheerfully. She halted in her tracks.  âOh⌠arenât you still sick with the flu?â  She instantly covered her mouth and nose with her free hand, taking a step back.
âHuh? Oh!â you exclaimed. Right. Â Crap. You forgot about that little white lie. Â âSorry, hang on a sec.â Â You quickly went to your medical bag and pulled out a white disposable mask, placing it over your face. Â âIs that better?â You asked, your voice muffled.
The tension in Togaâs shoulders instantly left, her posture easing as her hand dropped away from her face. âYeah, thanks.  Are you feeling okay?  I could try to do this myself this timeâŚâ
You balked at the thought of Toga treating her own injuries.
âIâm fine right now, I promise.â You replied.Â
The blonde shrugged and fully entered your space, although her folded hands in front of her body communicated she didnât want to touch anything.
âSo, a guy jumped you in an alley?â You asked.
âYeah. Â He was big, too. Â And had a quirk that gave him extra reach on his arms.â Â Toga explained.
You werenât quite sure what sort of errands required Toga to be in alleyways, but you had a feeling none of them were good. The curiosity pulled at you - you could feel the question on your lips, but you swallowed it down. Â When you had first joined the League, you and Shigaraki had discussed the importance of compartmentalizing your role from the others. Â You were the only one out of the group who was defenseless after all, so as the weakest link within the League, you had both decided it would be best if you knew as little of the Leagueâs affairs as possible, in case you ever got captured and questioned. Â You were allowed to participate in general discussions regarding the Leagueâs next moves and what areas were important to you that you wanted to focus on, but the nitty gritty details were kept separate: private meetings with other villains, locations, times, that sort of thing. Â So, despite your curiosity, you knew not to pry.
Instead, you asked, âAre you okay?â
âYeah,â she replied, âbut I canât get this to stop bleeding.â
âLetâs take a look.â You gingerly removed the cloth from the wound to see a deep gash in the skin before new blood filled up. You placed the washcloth back over the wound before it could spill over. Â âHm. Better keep that on there. Â Youâre going to need stitches.â
âI figured.â She grinned. She took over holding the cloth to her head while you grabbed your medical bag. Â You escorted her into your bathroom and had her sit on the toilet seat. Her outfit was speckled with blood, some of it from her wound, and, you suspected, some of it not.
âSoâŚâ you started, as you washed your hands in the sink. âWhat happened to the thug?â
âI drained him.â She replied cheerfully. Â The casualness of her statement filled you with a confusing mixture of fear and pity.
âYou killed him?â you asked, as you prepped your needle and thread.
Toga looked at you with her yellow feline-like eyes. Â âHe would have killed me if I didnât.â
âTilt your head back.â You instructed. Â Toga did as you said, and you carefully removed the cloth before placing your fingers over her open wound. She winced slightly at the contact, but quickly relaxed as your quirk soaked in.Â
Silence filled the room as you cleaned her wound with antiseptic and set to work.  The heavy quiet dragged on as your mind mulled over the girl next to you.  You had a thousand questions in your mind, but none of them seemed very appropriate to ask, not without upsetting her.  And despite your good standing with the League, you made it a careful point not to get on anyoneâs bad side.  It wasnât so much that you didnât trust them, although a part of you was always wary around those who were willing to commit violence.  But you also understood on a personal level that the problems these villains had went far deeper than society was willing to acknowledge.  Mental illness, quirkology, environment⌠all of it played a role in dealing the hand that these outcast individuals had been dealt.
Minutes passed as you stitched up the cut and cleaned the blood from the sealed wound once more. You were washing your hands when Toga finally spoke, her voice soft. Â âAre you mad at me?â
You paused to look down at her. Â Her brow was furrowed, her mouth pulled into a sulky frown as she stared at her hands. She looked like a child waiting to be scolded, and in that moment, you could see how young she still was. Â You gave a soft sigh. Â âOf course not. Â He attacked you, right? You had to defend yourself.â
You paused then followed up with, âIâm sorry you had to do it.â
âDonât beâŚâ she replied. âI liked killing him.â
Your hands faltered as you began putting away your supplies and Toga noticed.Â
âYou donât like it, do you?â she asked, accusation lacing her voice. She was defensive, waiting for your judgement.Â
You couldnât blame her. No doubt her quirk was something she likely struggled with all of her life before finally giving in to it. Â She had never given you her story directly, but it wasnât hard to guess. Â Everything about her â from her ramblings to her actions - spoke of a caged animal who finally got a taste of freedom and refused to be captured.
Contradicting feelings warred within you, and you struggled to wrangle them. Â You had to admit, you hated the idea of her killing. Â More importantly, you knew that her victims werenât always street thugs, villains, or corrupted heroes. Â But at the same time, despite this uncomfortable fact, you also understood how strongly quirks affected behavior, how it could act like a poison, messing with the mind and forcing its way into being expressed. Â It wasnât the first time youâd seen it; you understood it intimately.
You looked down at her and a familiar sense of pity unfurled in your gut, snaking into your veins, pulling at your emotions even as your core roiled at the idea of needless violence. She was just like him... a victim in her own way, despite the horrific things she did.
âYou think Iâm a monster.â Her words cut through your thoughts, and your attention refocused on her. She had her knees hugged up to her chest, her feet propped on the closed toilet lid that she occupied. Â You mentally scolded yourself for abandoning her as you got lost in your head and crouched down next to her.
âNo. Â I donât think youâre a monster.â You answered soothingly.
âThen why do you look scared of me?â Toga demanded.Â
You gave her a smile that you hoped reached your eyes. She was more perceptive than you gave her credit for sometimes. Â You had to choose your words carefully.Â
âIâm not scared of you.â You explained. Â â But I am a healer, Toga. I see someone whoâs hurt, and I want to take that pain away. Â Itâs what my quirk is. Itâs a part of who I am and itâs what motivates me. So, I wonât deny that itâs hard for me sometimes to understand why you do what you do because itâs so opposite of how I am.â
Toga averted her eyes, her body tightening in on itself.
âButâŚâ you continued as you placed a hand on her forearm, âIâm not scared of you.  And even though you do monstrous things, I donât think youâre a monster.â
Toga slowly lowered her knees, letting her feet touch the floor as she stared at you. Â âWhy not?â she asked.
âBecause,â you replied, âYou still care about people.  You and Twice were the first to welcome and befriend me when I joined the League. And the way you take care of Twice⌠like heâs your big brother⌠that counts for something.  You even care about Dabi, even though heâs an ass. That was why you checked on him that night, right?  You treat each of us like family.  Now why would a monster do that?â
âBut I still want to cut you guys all the timeâŚâ she confessed.
âI know. Â But you donât. Â That should count for something.â
Toga smiled at you with teary eyes. Â âYouâre so nice, big sis.â Â Her compliment made you smile.Â
Toga hopped of the toilet with a nimble bounce, signaling the end of the conversation. Â âAm I all done?â
You nodded.  âYouâre free to go.â You announced.  Toga made her way to your bedroom door, but she halted when you called her name.  âToga⌠donât forget to change your clothes.â
Toga looked down at the bloodstains splattered across her school uniform. Â âYeah, I guess youâre right. Â Thanks, big sis!â
She left your room with a jovial wave. Â As soon as the door closed behind her, you slumped down onto your bed as you removed the white mask from your face and placed it on your nightstand. Â Exhaustion washed over you again, deeper this time than it was before. Â It wasnât even so much due to your quirk since you didnât have to use very much of it this time. Â Instead, your mind focused on Toga, replaying the conversation. Â It filled you with a swath of competing emotions; pity, anger, frustration, helplessness, fear. Â The feelings swirled in you making a rank stew in your soul, old and familiar.
This was just like before.
You shoved the feelings aside, unwilling to look too closely at them. You already had enough on your plate as it was⌠you didnât want to dredge up more of the past.  It would only add more stress and it wouldnât change anything.
You laid down again in the hopes that this time, finally, your sleep would be nightmare free and uninterrupted.
 * * * * *
The withdrawal-induced restlessness Dabi felt lasted throughout the day, making sleep near impossible. Â To keep himself from going crazy, he forced his energy into cleaning up his space, despite his typical disdain for chores. Â He straightened up his desk, took out the trash, and most importantly, did his laundry. It was overflowing and stank of mildew, and he was in desperate need of clean towels. Â His bed was no better, reeking of sweat and infection and covered in chip crumbs. But while his body appreciated the movement, the lack of mental power the activities required did little to distract from intrusive, obsessive thoughts.
He wasnât sure which thoughts he wanted to avoid more - thoughts of his family or thoughts of you. Â The memories of family were old and familiar, but the emotions in them were raw, threatening to suck him in and shred him to pieces like itâd already done so many times before. Â But thoughts of you werenât much better, at least not to Dabi. He didnât like the warmth he felt each time he thought of you, and yet he kept going back to that feeling, like opening the fridge to stare at that last piece of cake. Â He was at war with himself, and he didnât know how to fight it.
Somehow, with all of his coming and going from his room, he somehow managed to never run into you. He wasnât entirely sure if that was a good thing or not, but like all other uncomfortable thoughts, his forced himself not to focus on it. Â It shouldnât be important. Â You shouldnât be important. Â His mouth pressed into a thin line. Â The number of times he had to tell himself that were becoming too many to count, and it never did seem to make much difference. Â
The cleaning only occupied him for so long.  Towards the end of it he found himself sitting in his room, waiting for his clothes to finish drying so he could retrieve them.  He had laid back on his bed just for a moment, to stare at his phone. He woke up an hour and a half later, his mind muddled with jumbled dreams and memories.  Cigarette smoke, a childâs laughter, the sound of himself screaming in agonyâŚ
He shook his head to knock the unwanted fog from his brain and grabbed a smoke to soothe the shaking in his hands. Â The cigarette was gone within a minute. Â The haze still lingered though as every inch of Dabiâs nerves hummed and his gut clenched in discomfort. Â So, he inhaled a second cigarette for good measure and followed it up with an electrolyte drink paired with a couple of antacids. Â His laundry was likely done now; no point in letting it sit there and risk another League member touching his things.
With the laundry dry and sitting on his bed in a crumpled heap, he stared at the contents, a frown on his face. Â Your towels were mingled with his, and the sight of it filled him with an uneasiness that had little to do with his withdrawal. Â It looked entirely alien to him, intrusive in his personal space. Â His stomach gave a weird flutter before giving way to a wave of nausea.
Stupid, he thought to himself. Â Theyâre just fucking towels.
He began folding the first towel. It was half-assed in its effort and one hundred percent intentional, as if giving careful care to your items would give away something about himself he wanted to keep secret. Â But even as he did so, intrusive curiosity crept into his mind. Â How did you fold your towels?
Idiot. Â He caught his wandering mind and reeled it back in forcefully, but it did little good. His mind was a master escape artist, running away to explore other unwanted thoughts without his permission as soon as his mental back was turned.
As he folded your items, his hands slowed slightly in their actions, taking in the feel of cotton on his fingers. He watched as he rolled the soft material between his thumb and forefinger while memories bubbled forth, broken and vague. Â Waking up in the shower, sitting on the toilet with your towel over his head, feeling of your hands working the cotton over his wet hair. He tried not to think of your face, but of course not wanting it made it appear in his mind. Â He remembered your eyes, the concern in them, and the memory filled him with a warmth that he was still struggling to understand, even as he tried to deny its presence.Â
It was short-lived â the memory of your tender gaze soon faded away to a terrified one, and now he was remembering your scar. Â A new thought came into his mind then, dark and plaguing. The look of fear youâd given him that night - did you wear that same frightened expression on your face when you were burned, marked by whatever asshole laid their hands on you?
Dabi could feel his body temperature begin to rise.
The last towel was folded, and he swiftly grabbed the pile and shoved it on top of his dresser as if were contaminated.  Contaminated with memories, contaminated with youâŚ
He faltered for a moment, his anger disrupted by that strange sense of guilt that gnawed at him.  The unwelcome mental picture of you cowering in fear as flames licked your skin danced in his imagination.  No wonder you had been so utterly terrified of him that night. No wonder youâd been unable to look him in the eyes the next dayâŚ
Dabi caught himself staring at your things and forced himself to turn around to finish his laundry. He folded his clothes swiftly, not caring whether or not they were done nicely before shoving them into the dresser drawer. Then, with his clean towels in his arm, he went into the bathroom to give himself that much-needed shower.
 * * * * *
You woke up feeling groggier than usual as the orange-red glow of the late afternoon haze filtered into your room. As predicted, your sleep was restless and riddled with hazy uncomfortable dreams that instantly began to fade away as soon as you opened your eyes. Â You sighed in annoyance as dissatisfaction slinked across your tired skin. It was as if you had slept the entire time with your body tensed, ready to run at a momentâs notice, and now you were feeling the effects.Â
You got out of bed with a stretch to ease the stiffness in your muscles. Â Maybe something to eat and drink could lift your spirits and wake your body up. Â You slipped on your shoes and opened the door before remembering to grab your mask off of your nightstand. Â Then, you left your room to trudge downstairs.
The smell of pizza greeted you as soon as you stepped out onto the main floor, and your stomach growled in response, your mouth watering.
âY/N!â Toga cheered. âDid you take a nap?â
You frowned as your hand self-consciously went to your messy hair. Was it really that obvious?
âYeah, I was pretty tired.â You confessed, as you tried to fix your stray strands.
âAre you feeling any better?â Magne asked. Â You could tell she was asking about the âfluâ you were supposed to have.
You shrugged. âYeah, a littleâŚâ
âAnd how about Dabi? You were treating him too, right?â Magne continued.
You felt embarrassment bubble in you, and you scratched at your cheek as a distraction.  âHeâs doing okay⌠I think itâs hitting him harder, though. Heâs probably going to need some more time to recover.â
âHe came down here yesterday without a mask and everything.â Spinner grumbled. âThen decided to take a stroll. Â He couldnât be that bad, could he?â
You shrugged. âStomach bugs are weird and vary from person to person.â
Shigarakiâs voice surprised you from behind. Â âHowâs his burn?â
He knew about thatâŚ?  Maybe Dabi said something the day before.  Either way, no point in lying about it nowâŚ
âItâs doing well... but itâs not completely healed yet.â
Shigaraki grunted and grabbed a slice of pizza from the open box sitting on the bar.
âHey, Y/N! Â You want some pizza?â Twice offered.
âYes, thatâd be-â
âShe canât eat pizza when she has the flu!â Toga scolded. Â âShe might throw it up. Â She needs something simple!â
Your heart sank. Â No pizza??
âNo, itâs okayâŚâ you started, your eyes staring at the perfect slice.
âIâll go make you something, okay big sis?â Toga chirped as she bounded lightly towards the small kitchen behind the bar.
Oh⌠oh noâŚ.
âOh, um⌠itâs okay Toga, Iâm not really hungryâŚâ you tried to call after her, but she was already gone and out of earshot.
You fiddled with your hands nervously. Â Cooking was not one of Togaâs strong suits. Â Fortunately, Kurogiri was present, watching the exchange.
âIâll make sure she doesnât burn down the kitchen.â He commented, as he followed after her.
You stood there awkwardly, strongly contemplating grabbing the entire pizza box and running away with it. But youâd just had that personal exchange with Toga earlier, so abandoning her when she was trying to do something nice for you probably wouldnât go over well.
Damn it. Â You were too nice for your own good sometimes.
On defeated feet, you walked over to the couch and sat down next to Compress who was reading a book. He put the item down as you sat next to him and gave you a smile. Â âHow nice of you to grace me with your company, little flower.â
You crossed your arms and sulked into the couch cushions, wishing they would swallow you up. Â âToga is cooking for me.â
âOh dear, so I heard.â He commented. Â âHowever, Kurogiri is supervising her. Â Perhaps this time it wonât be so bad.â
âKurogiri doesnât eat.â You pointed out.
âTrue,â he laughed. âBut perhaps you set your standards too high. Â I never said heâd ensure that the food is good; however, his assistance may ensure that it is edible.â
âDonât you use logic on me, Mr.â you replied, even as you tried to suppress a smile.
âThen perhaps a magic trick then?â he offered. Â âAs a distraction.â
âSure.â You grinned.
A few minutes later, Toga came out with two steaming bowls sitting on a rectangular tray.
âOh good! Youâre still here!â Toga smiled. Â âI made you soup!â
You stifled a groan as you stood up and stared at the contents.  It⌠didnât look badâŚ. It looked like it was canned soup at least, which, all things considered, were one of the simplest things to make. Still, it had that a slight burned odor to it when the steam reached your nose.
âWhy are there two bowls?â you asked.
âOh! Â Oneâs for you and oneâs for Dabi.â Â Toga explained. Â Behind her, Magne chuckled at the table. Â âHe hasnât come down to eat yet today so heâs probably hungry.â
âIt was my suggestion.â Kurogiri stated. Â âYou are still sick after all, so it would be in the Leagueâs interest if you and Dabi had your meals in your rooms until you are no longer contagious.â
âMaybe it can be like a little dinner date!â Toga added.
You fought the flush of hot heat that seemed to take over your insides. Â âA what?â
The last thing you needed was the League thinking you and Dabi were dating.
The blonde girl giggled as she handed you the tray. Â Her hands instantly went up to her hot cheeks, her eyes glazed over with infatuation. âWhat I wouldnât give to have a private dinner date with Izuku!â
âOh geez, not this againâŚâ Spinner grumbled.
âHey!â Toga shot at him. Â âItâs rude to tease a girl in love!â
You were grateful that Toga was easily distracted, and you took the opportunity to make your escape. âO-Okay. I guess Iâll go take this upstairs then⌠Thank you, Toga.â You mumbled.
You walked out of the room quickly, the soup sloshing in the bowls and threatening to spill. Â But you wanted to get out of there before things got even more awkward. Â Toga wasnât even the real concern â the real concern was Magne. Â Her chuckle had not gone unnoticed by you, and she was a master conversationalist when she wanted to be. Â The last thing you needed was more intrusive questions or implied statements, especially with everyone there to listen in.
You took the stairs instead of the elevator, not trusting the old rust bucket to run smooth enough with bowls of hot soup in front of you.
Dinner date. Â You wanted to laugh. Â Dabi certainly wasnât the type to do dinner dates. Â In fact, Dabi probably didnât even date. He probably just hooked up with random girls whenever he felt like it.
Your stomach tightened into an uncomfortable knot.
It didnât matter. Â You werenât his type anyway. Â And he shouldnât be yours, not with all of his baggage. And boy, did he seem to have a lot of baggage. Â Besides, he didnât need the pressure of someone pining over him while he struggled to keep himself together. Â He needed someone he could trust. Â He needed a friend.
You felt yourself start to calm as you centered yourself on that single fact. Â He needed a friend. You could do that. Â Youâd already committed yourself to it.
You made it to your own room and set the tray on the floor outside your door so you could go in and grab your medical bag. Â If you were going to take soup to Dabi, then you might as well treat his wounds and give him his pills. Â It was about time for it anyway. Â With your bag slung onto your shoulder and the tray once again in your hand, you went over to his door and knocked.
It opened and you froze, eyes wide, as a warm humid air wrapped you up in the scent of shampoo and body wash.
Dabi stood before you in nothing but a pair of grey sweatpants that left little to the imagination.  Shit. It hadnât even been a full five seconds and you were already staring at his crotch.  Hot embarrassment flooded you as you averted your eyes, only to get stuck on his glistening, bare form.  Youâd seen him shirtless many times, had your hands on his body, even⌠but something about this moment was different.  Maybe it was the shower.  Maybe it was the simple - yet absolutely sinful - sweatpants.  Or maybe it was how he seemed to be carrying himself in this moment, like he was the king of his domain.  He was a living art piece, every angle of him stunning from the slope of his shoulders to the cut of his lean waist. Even his stitches looked beautiful, the light bouncing off of them like gems.  Whatever it was, Dabi seemed to be a thousand times hotter than you remember him being, and it left your brain feeling dumb as hot desire washed over you.
You were staring. Â You knew you were staring but you couldnât break the trance he seemed to put you in. Your eyes took in the cut of his cheekbones, the slope of his nose, the shape of his lips. Â Aqua blue eyes stared at you in knowing amusement, grabbing you like the tide and pulling you in. Â You could feel yourself floundering beneath his intense gaze as you struggled to get a hold of yourself.
âUhâŚâ you stuttered.
You were still staring.
âHey, DollÂâŚâ He greeted, a playful grin on his lips.  His voice washed over you, and you felt lightheaded.
This was so embarrassing. Â If he had any doubts that you found him attractive before, then he certainly didnât now.
âHi.â You said dumbly.
His eyes broke contact with yours to look down. Â âHey-â His hand shot out to quickly grab the tilting tray, soup splashing messily over the sides of the bowls.
âShit! Sorry, sorry.â You cursed, as you adjusted your hold. You kept your eyes down, unable to stare at him any longer. Â âCan I come in?â
âYeah.âÂ
Was that a chuckle you heard in his voice? Â How dare he.
You crossed the threshold, only to find yourself even more smothered by the clean scent of his recent shower that permeated the entire space like a fog. Â Beneath it, the faint hint of cigarette smoke was present, but it was muted. Â The light in the room was dimmer than you remembered and you realized why â he had put one of his shirts over his shoddy lamp, reducing its brightness. Â The humid warmth in the room was paired with a strange heavy silence. Â Your eyes instantly checked his window and there was no billow of the curtains this time, no street noise coming forth. Â Your breath froze in your throat for a moment as you realized â he remembered. Â All the things that had bothered you this morning were modified for your arrival. Â A weightlessness swelled in your chest, intertwining with the attraction you were still grappling with. Â You set the tray down with shaky hands before wiping your sweaty palms onto your pants.
Dabi came to stand next to you with his towel on his shoulder, the warm bare skin of his chest brushing against your arm as he stared down at the bowls. Â With his proximity so close and your own emotions running amok, it took every ounce of mental fortitude not to hug him right then and there.
âDid you make that?â he asked, eyes narrowed in suspicion.
âOh, uh.. Toga did.â You finally said, as you moved slightly away from his bare skin.
âWe should have let the tray fall.â Â He stated as he stared at the contents with distaste. Â You couldnât help but laugh at his comment, and it helped clear some of the brain fog. Â He gave you a soft glare. Â âWhy did you even take this? Â You should have just said no.â
âWell, not all of us can be as nice as you, Dabi.â You teased. Â âBesides, she wanted to do something nice for us because she thinks weâre sick.â Â You explained.
âIf I eat that I probably will be.â He retorted.
âOh, come on⌠itâs probably not that bad⌠just a little smokiness to it.  That shouldnât bother you, right?â You put a spoon into a bowl and handed it to him.
He gave you a deadpan look as you held the bowl against his chest, his hands refusing to take it. âIâm not eating it.â
âHey, if I have to eat this, then so do you.â You glared.
âLike hell.â He replied. âBesides, I already have food here.â
You set the bowl down and stared at the bags on his desk. Â âYes, chips, beef jerky, and cigarettes! Â So healthy.â
âThe three basic food groups.â He agreed with a grin. He sat down in his desk chair, his legs spread wide as he slouched back.  It took extra effort to not let your eyes wander.  âTell ya what, doll⌠you try it first.  If you donât throw up or die, then maybe Iâll consider eating mine.â
You rolled your eyes at him and grabbed your bowl.  âFine, you big baby.âÂ
You filled your spoon and raised it to him in a mock toast before placing it into your mouth. Â He watched the motion in silent amusement, his eyes focused on your lips as they closed around the spoon.
It was awful. Â Definitely burnt. Â And the parts that werenât burnt were overcooked, making the textures all wrong in your mouth. Â You swallowed forcefully, suppressing a gag.
âMmm⌠You look like you enjoyed that.â  Dabi teased.
âHey at least Iâve actually tried it.â You shot back.  âSo, I guess that means only one of us is a little bitch.âÂ
Dabiâs eyes widened, the light in them dancing in amusement, as a grin spread across his face. âYou kiss your mother with that mouth, doll? Â Youâve been with the League too long.â
You pointed your spoon at him. Â âDonât try to act like you know me. Â And in case you havenât noticed, Iâm not dead. Â So eat up.â Â You picked up his bowl again and held it under his nose. By this point, you knew the soup wasnât really that edible, but now you were determined to have him suffer with you.
The smell wafted up and he wrinkled his nose. Â He pushed the bowl away back towards you. Â âI donât think so.â
You narrowed your eyes at him. Â âYou said youâd try it if I did.â
âI said Iâd consider it.â Â He replied. âItâs been considered and denied.â
âYouâre an ass.â You pouted. âIt really is awful thoughâŚâ you confessed.  âand she had Kurogiri with her, too.  Like⌠how?â
âKurogiri doesnât eat.â Dabi replied.
You laughed. Â âThatâs what I told Compress!â
Your conversation was interrupted by a loud, hungry rumble in your gut.
A low chuckle rumbled from Dabiâs chest that made your heart pound and your flesh feel warm. Â âCâmon doll, donât torture yourself.â He said. âWhy donât we just go get a bite to eat. Thereâs nothing keeping us locked up in here.â
Togaâs words echoed in your head. Â Dinner date. Â Oh geez, if she or Magne saw you two leaving the premises together, youâd never hear the end of it. Â The offer was tempting though, and you were pretty sure Dabi was starting to get tired of his snacks. Â Junk food could only satisfy for so long; at some point he needed a proper meal.
But something nagged at you as you stared at the man in front of you.  He seemed to be doing okay at first glance⌠his recent shower certainly seemed to lift his spirits.  But you had been too distracted by his attractiveness earlier that you hadnât taken the time to really assess him.  Now, you could see the exhaustion still in his face, could see the small wiggle of his leg and the drumming of his fingers on the table.  You checked the time on your phone â no doubt your quirk and the pills were beginning to wear off.  But how far along that was, you couldnât really say; it was hard to tell with Dabi; he didnât show his pain very easily.
You knew your appetite would disappear once you pushed yourself into sensory overload. Â But Dabi couldnât wait, even if he might try to play it off that he could. Â More importantly, you didnât want to try to deal with a withdrawal-suffering Dabi out in public. Your heart sank slightly. Goodbye delicious dinner, for the second time that night.
ââŚI should probably treat you first.â Your eyes landed on his bag of goods as your stomach rumbled again. âBut maybe a snack would be good.â You confessed.  You felt embarrassed for asking, especially after the big show youâd just point on⌠but pride had to take a back seat before your stomach ate itself.
His blue eyes stared at you for a long moment. Â You could feel your skin start to prickle under the weight of them.
âSure, doll.â Â He finally said. Â He rummaged through one of the bags until he found what he was looking for under a bag of spicy chips. Â âIs this your style?â
He tossed you a prepackaged muffin about the size of a softball. Â You couldnât fight the smile that blossomed across your face. Â âYeah, thanks.â Â You opened up the wrapping and began breaking off pieces of it. Â âYou want some?â you offered, holding the muffin towards him.
He shook his head. âNah. Â Donât feel much like eating.â
You broke off half of the muffin for him anyway.  âI still need to give you your pills, so you should eat something first.  Besides, this is too big for me to finish by myself anyway.âÂ
Was it a lie? Â Of course. You were starving. Â Did Dabi know that you were lying? Â Of course. Â But he took the other half of the muffin anyway. Â You sat on the edge of his bed while he sat in his chair as the two of you ate together in silence for a moment. As you ate, your eyes wandered around his room.
That was when you noticed it.
 âAre those my towels?â you asked.Â
Dabi looked over at his dresser as he stuffed the last of the muffin into his mouth. Â âYeah. Â Theyâre clean now.â
âThank youâŚâ you replied. Your eyes scanned the room, taking in the details.  âYou cleaned upâŚâ
Dabi shrugged. âDonât sound so surprised. Iâm not a complete slob.â
You stared at him as he began fidgeting with a pack of cigarettes, tapping the box on the table, flipping it over, and tapping the other end. Â Over and over it somersaulted, and you wondered if he was craving one right now. Â Why didnât he just take one out and light it up?
Was Dabi⌠being considerate?
Then again, the action didnât come as much of a surprise to you as it might have before. Â Heâd been more willing to do small acts of kindness ever since the night of his withdrawal. Â Bringing ramen. Â Adjusting his room for your sensory overload.
Now this.
Was it fueled by guilt? Or did he actually care?
He looked like he was waiting for something. Â You watched as he rubbed at his scarred arm with his free hand, irritation flashing across his eyes. Â Of course. He was waiting for you and your quirk. You ate your muffin faster. Â As soon as it had disappeared into your mouth, you reached for your bag and took out the pill bottle. Â His eyes were on it instantly, the shaking in his leg stilled by the sight of it, his shoulders releasing some of their tension.
âHere.â You offered, handing him his pills. Â He took them and swallowed them dry before opening up a beverage and taking a swig.
Dabi eyed the bottle in your hand as you closed it. Â âThatâs looking awfully low there, isnât it?â
You put the container back in your bag, enclosing it in a zippered space. Â âItâll be enough to last us through tomorrow morning.â
âThatâs cutting it real close, donâtcha think?â he replied.
You looked up to see his brow furrowed in concern and offered him a reassuring smile. Â âIt is. Â But Iâll be picking up the refills tomorrow before our evening session, so thereâs nothing to worry about. Â Now letâs take a look at your back real quick.â
He stood up and dragged his chair over to where you sat and straddled the seat with his back facing you. The bandage was still on, but you could tell it had gotten wet in the shower. Â Youâd have to be careful when changing it this time, since the bits of skin that were starting to heal might reopen.
You applied your quirk first around the bandages, then began to delicately remove the wet gauze and tape. Your fingers were cold on Dabiâs skin and a small shiver ran up his spine at the sensation of your touch. Â The wound didnât show any signs of infection or fresh damage, so you continued business as usual, applying the antiseptic followed by fresh gauze. Â As you patched him up, your eyes kept drifting to your towels, thinking about what had happened that night. Â There was something important youâd been meaning to ask him. Â Something you had to know.
âI⌠have a question.â You ventured.
âHm?â Dabi responded, his head turning slightly to the sound of your voice.
âThe next day⌠after I helped you out that one night⌠was there anything⌠off?  About you specifically?â you asked.
There was a long pause and you could tell Dabi was thinking heavily, which only made the dread in your gut sink in deeper.
âI couldnât feel anything.â He finally admitted.Â
âIâm not talking about the pain.  Iâm talking about⌠I donât know.  Anything else.â
âI know.â He replied. âWhen I woke up, I couldnât feel anything.â
Your brow furrowed and the dread hardened into a stone.  ââŚwhat does that mean?â
âIt means I didnât care about a thing, doll. Â Everything was turned off.â He was facing away from you and in that moment, you wished he wasnât â you desperately wanted to see the expression on his face. Â Your hands felt clammy as you processed his words.
âYou mean your emotions?â you clarified.  You needed to understand more.  You needed to know how bad it was.  âWhat⌠did it feel like?â
âEmpty.â
You finished putting the last bandage on him but you barely noticed as your vision became unfocused, your thoughts whirling.  Holy shit. You had turned off his emotions?  You supposed in hindsight it made sense, since it was likely his memories and the emotions attached to them that were torturing him that night.  Why else would he have been blabbering incoherent apologies as if he were desperately trying to atone for something? But still⌠the severity of that made your blood run cold. Emotions were everything, contrary to what some people might think. They fuel how people think, how they act, how they react⌠entire personalities â entire identities are built around how emotions are felt and how they are dealt with.  You very well could have entirely erased Dabi as a person. In fact, you likely did, at least temporarily.
You swallowed the hard lump in your throat and tried to calm your panicked breathing.  ââŚHow long did it last?â
He was quiet again, and the silence was worse than anything.
âPlease tell me.â You begged. Â âHow long?â
âHours.â
Your heart was racing and your ears ringing. Â Your eyes began to sting but you fought it, focusing on a patch of scarred flesh on his back to distract yourself, memorizing its pattern. Â You didnât want to cry in front of him. Not again. Â And certainly not twice in one day. Â You wanted to apologize, to beg his forgiveness, but you couldnât make the words come out, not without your emotions spilling out with them. Â Instead, you forced yourself into action, treating his scars with your quirk.Â
There was so much more you wanted to know. How did he get his emotions back? Â What did it feel like? Was it slow, or at all at once? Did he feel relieved?
Did it hurt?
But you couldnât bring yourself to ask those questions, no matter how badly you wanted to know, no matter how badly you wanted to understand. Â They were too personal, and you could already tell by Dabiâs growing reluctance that he didnât want to talk about it any further.
Youâd apologize to him. At some point, once your emotions were under control, youâd apologize.
You finished numbing his back and shoulders, even tracing down his triceps a little. Â âTurn around,â you instructed.
He did as you asked, adjusting himself in the chair so he was now facing you.  You avoided looking at him, the shame and guilt far too heavy for you to lift your eyes.  Unbeknownst to you, a frown pulled at his brow, his lips.  You wore your emotions so plainlyâŚ
You took his hand in yours and continued your quirk as your skin began to prickle and sting. The sound of the shower dripping in the bathroom was louder now. Dabi shifted slightly in his chair and the scraping sound against the floor was like nails on a chalkboard. Â The odors in the room went from pleasant to offensive.
âI gotta question for ya,â Dabi suddenly ventured. Â âDid you change my clothes that night?â
Your hands faltered and you glanced up at his face before you could catch yourself. Â His eyes had a glint in them you couldnât quite place in your distracted mental state. Â You felt embarrassment creep across your skin.
âI did.  I had to get you into the shower before you combusted.â You replied as you continued to treat him, your hands on his collarbone. The feel of it was so familiar nowâŚ
âI was naked?â
âOnly for a moment!â you replied.  âYou were in your boxers for most of it, but I had to change you out of those after the shower.â God, this entire conversation was so embarrassing⌠why did he have to ask about this of all things?
ââŚdid ya peek?â he asked.
Your mouth struggled like a fish out of water for a moment as you glared at him.  âNO!â You finally exclaimed.  âOf course, I didnât!  Why would you evenâŚâ  but then you saw the grin on his face and you realized he was teasing you.Â
You playfully punched his arm. Â âYouâre an asshole.â You fumed.
He laughed. Â âThat didnât even hurt.â He mocked.
âOf course it didnât, idiot. I already used my quirk there.â You shot back. Â âNow stay still so I can get your damn face.â
âSo feistyâŚâ he murmured.
Shit.  With your senses heightened, you could almost feel the vibration in his voice, as if he were closer to you than he actually was. For the briefest moment, it distracted you from the growing pain of your scar, from the sound of the drip drip from the bathroom shower.  You wondered what it would feel like to have those words uttered against your skin, his hot breath warming your flesh, the feel of his rough lower lip brushingâŚ
You clenched your jaw until you nearly gave yourself a headache, forcing the intrusive thoughts out of your mind. Â You werenât here for this. Â You were here to treat him and get out of his space. Â You werenât his type. Â You repeated it to yourself like a mantra, a prayer, a reminder to the illogical part of you that wanted to follow the lure of his voice. Â Why did he have to be such a flirt? Â It didnât surprise you, but it certainly left you feeling confused when his actions and words sometimes contradicted themselves.
All it meant was that he was getting comfortable with you again. He was treating you like a friend, and friends teased all the time. Â Right?
His eyes watched you closely as your hands caressed his jaw, relieving the ache there. Â You seemed lost in your thoughts and while you certainly didnât look comfortable, you also didnât look too be too horribly in pain. You were doing better today. Â Still, your fingers danced quickly across his skin, skating under his eyes which he instinctively closed, and barely touching his lower lip. Â It happened far too quickly before the presence of you disappeared, and it left him feeling empty. Â How badly he wanted to grab your hands right then and put them back onto his face.Â
When he opened his eyes again, your own eyes were downcast as you stretched your fingers slightly.
âYou okay?â he ventured. The question sounded odd coming from him, even to his own ears.
You looked up at him then, and you could see he was concerned. Thatâs right⌠he knew about your quirk and your scar now.  You clasped your hands in your lap to keep them from shaking.  Shaking from the pain you were feeling, shaking from the fear of your own thoughts and desires.
âIâm fine.â You lied. Did he know you were lying with this too?
He knew. Â In fact, youâd given him the same false words he always gave you. Â It was like looking into a mirror.
âYou donât gotta do the legs.â He offered. Â âIâm not dressed for it anyway.â
âDonât be ridiculous.â You chided. Â âOf course Iâm going to do your legs. Â The better I treat you, the better you can rest. Â And your body needs rest to heal your burn.â
He noticed that you made no comment on his withdrawal, which a part of him appreciated; it helped him avoid the discomfort of shame that was always associated with it. StillâŚ
âItâs not like Iâm going anywhere, doll. Â I wonât be needing them. Â Besides, the drugs help.â He replied.
You eyed him for a moment, assessing. Â âHow about I just do your calves then?â you bartered.
He assessed you in return before he gave a small half-smirk. Â âDeal.â
By the time youâd treated his calves down to the tops of his feet, you were definitely grateful you didnât have to do any more.
PINGâŚâŚ..PINGâŚâŚ
You rubbed at the bridge of your nose, feeling the onset of a headache as you skirted just shy of overload. You closed your eyes, hoping maybe the lack of visual stimulation might make the auditory more bearable. Â Or at least bearable enough that you could actually move your body instead of feeling frozen. Â But it only made it worse, allowing your brain to hyperfixate on it. You covered your ears against it as you struggled to find your way out of it, to regain control of yourself.
While you lost yourself in your senses, Dabi watched you in displeasure. Â Heâd made sure to have everything ready before you showed up. Â He even made sure not to light up a cigarette, as much as that had grated on him, since he knew the smell would linger long after. But clearly, something was bothering you. Â What had he missed?
He watched, waiting, giving you time to figure yourself out or ask for help while he secretly tried to decode the mystery. Â Your eyes were closed, your hands over your ears. Â Was it multiple sensory attacks? Â You flinched again. Â And again. There was a rhythm. Â So, it was something you were hearing.
Curiously, Dabi closed his own eyes listening for anything that stood out. Â Slowly, the quiet sound of water dripping greeted his ears like a whisper. Â He opened his eyes just in time to see your flinch match with the sound.
That was it.
âItâs the shower.â He commented.Â
It wasnât a question â it was a statement.  You opened your eyes and looked at him with surprise before giving a nod, your hands still over your ears.  He knew his shower leaked for a bit after he used it, but heâd gotten so used to it that he just tuned out the sound by this point.  But for you⌠especially after using your quirk on himâŚ
Why didnât you just get up and leave?  Why stay here if it was bothering you this much?  Obviously, you wanted to get away from itâŚ
Maybe you couldnât. Â Maybe, for some reason, you were stuck in what you were experiencing, unable to find your way out.
Dabi could relate to that.
And he didnât like it.
He stood up and closed the bathroom door before returning to sit in the chair in front of you, waiting.
You could still hear it. But it was manageable now, muffled. Quieter.  You could feel yourself start to process the rest of what you were feeling.  The pain on your back; the feel of your clothes, your hair; the smell of Dabiâs body wash, fresh linen⌠cigarettes.  Slowly, your hands lowered from your ears as you focused on each sense, identifying all you recognized.  The world was still loud around you, but at least you could somewhat function again. Slowly, you opened your eyes to see him watching you through an unreadable expression.
âBetter?â he asked.
âMuch.â You replied. âThank you. Â Again.â
âItâs fine.â
A heavy, awkward quiet filled the space, and in that moment, despite Dabiâs kindness, all you wanted was to be back safely in your room. Â Maybe it was because you were feeling overwhelmed by your own emotions, unable to properly control how your heart pounded around him, or how you couldnât keep your eyes off him. Or maybe it was the way he kept looking at you, his expression unreadable yet his gaze intense, as if you were all that he was focused on and he was determined to discover all of your secrets.
Either way, you felt an ache grow within you, threatening to drown you. But you couldnât focus on it, couldnât dismantle it or bury it, not while your brain fought the senses overwhelming you. You could handle one or the other⌠but you couldnât handle both.
You needed the comfort of your room; you needed your safe space.
âIâm⌠going to go lay down.â You said quietly, as you grabbed your bag.  It felt heavy in your hand.
If Dabi noticed the shift in your mood, he didnât say so. Â Instead, he stood from his seat and shoved his hands into the pockets of his sweatpants.
âYeah. Â Me too.â He replied.
Despite the suddenly aloof atmosphere, he still walked you to his door. Â After you left, he leaned his back against the cold wood and ran his hand down his face.
So much for not caringâŚ
________________________________________________
Part 10 ________________________________________________
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Three Gates - on ao3 (for content warnings check Ao3) - on tumblr: pt 1, pt 2, pt 3, pt 4, pt 5, pt 6, pt 7, pt 8, pt 9, pt 10, pt 11
- Chapter 12 -
The Nightless City was grand and glorious, as luxurious as Koi Tower and as tasteful as the Cloud Recesses, and Meng Yao would burn it all down in a heartbeat for the chance to return to the familiar sparse stone and metal of the Unclean Realm.
Wen Ruohan had forgiven him for murdering Wu Bixian and blowing his cover once Meng Yao had explained the circumstances, although heâd been displeased; Meng Yao had had to work his way back into his inner circle the hard way, inventing monstrous machines for him to use in his Fire Palace, where he played at treating torture the way other people viewed sport.
Meng Yao had once dreamed of torturing his enemies â initially defined as anyone who insulted his mother, but later expanded to include anyone who made a serious effort to harm Nie Mingjue and recently he had been considering an additional expansion to loop in the same for Lan Xichen â but now he realized that torture was boring and burdensome and messy, and a quick execution was clearly much more effective.
There was a lot less upkeep, for one.
A lot fewer tormented doctors as well â that poor Wen Qing would probably have never picked up her needles if sheâd known this was where she was going to end up using them, that was for sure â and anyway, neither of his lovers would have approved so it was all a moot point anyway.
Possibly former lovers.
Not that theyâd ever actually made it to the stage of being lovers, what with Lan Xichenâs sect rules and parental trauma, Meng Yaoâs nightmares of the brothel, and Nie Mingjueâs experiences with Wen RuohanâŚ
Probably for the best, actually, given what Meng Yao now knew about Nie Mingjue â something that he was almost certain that Nie Mingjue did not know about himself.
A few months at Wen Ruohanâs side had certainly been enlightening on that front. As Meng Yao mightâve suspected, he treated even the people in his clan about the same as wooden furniture, useful to varying degrees but all ultimately disposable, and someone like Meng Yao, a talented retainer heâd stolen from another sect and who had no way out, made for amusing company.
Wen Ruohan had in fact heard the rumor of someone in the Nie sect being born as a yang furnace, very likely from Wu Bixian himself in an attempt to get rid of what he perceived to be a stain on the sectâs reputation, and heâd investigated, ultimately figuring out that the person in question was Nie Mingjue. A yang furnace, Meng Yao learned, was considerably rarer than a yin furnace, requiring the right horoscope and lucky (or unlucky) parentage, and was considered far more precious â people with that constitution would have an incredible talent for cultivation themselves, but would also be able to magnify, many times over, the cultivation or even cultivation potential of those with whom they engaged in dual cultivation.
The furnaceâs consent in the matter was not required.
After discovering the truth, Wen Ruohan had apparently gone back and forth for some time in deciding whether to snatch him up immediately, training him up as a concubine reserved for the use of the Wen clan, but one of his more esoteric specialists had told him that the sort of intense cultivation techniques he had in mind would likely kill a child and, more importantly, that the positive effect on his own cultivation would be magnified if Nie Mingjueâs cultivation were higher when he began.
âSect Leader Wenâs patience is admirable,â Meng Yao said with the sort of smile heâd worn when talking to the brothel owner that used to beat his mother on a regular basis just so sheâd âremember her placeâ. âIf only I had known..! I am not so certain I could resist such a temptation for years on end.â
Wen Ruohan laughed. âWell, I must admit I gave it a half-hearted effort a few times. The doctors did say that a few times early on wouldnât hurt.â
By hurt he meant damage to Nie Mingjueâs ability to cultivate, or to cultivate with others, not to the lifetime of nightmares and terror that Nie Mingjue suffered as a result of his unrelenting pursuit.
âThough on that subject,â Wen Ruohan continued, a faint smile on his face, âperhaps youâd like to take a look at the room Iâve prepared for him, and let me know if you have any suggestions â anything you think heâd enjoy for the times when heâs not â in service.â
âOf course, Sect Leader Wen.â
âNaturally, if you also have any proposals regarding any of your marvelous machinesâŚâ
âNaturally, Sect Leader Wen.â
âGood,â Wen Ruohan praised. âIf you please me well enough, perhaps Iâll let you take a turn once Iâm done with him.â
He had other requests, too, which were even less savory â mostly storytelling, Meng Yao casting his mind back to his days at the brothel and even in desperation some of the artwork Nie Huaisang insisted on collecting to describe all sorts of scenarios for Wen Ruohanâs evident enjoyment.
Meng Yao took a bath as often as he could plausibly manage it, and still felt unclean.
(Chiwen, hidden away as best as he could in the room heâd been assigned because a Nie saber did not voluntarily enter Wen hands, screamed in his head. He hated everything about what they were doing.)
It was amazing, Meng Yao thought, how far self-deception could go: he had thought, once, that he would be able to distract and dissuade Wen Ruohan without losing anything along the way, that he could sell himself without counting the cost, and at the last he realized that his mother had been right about warning him not to get used to making deals with bad men.
Wu Bixian, too. He had thought that Wen Ruohanâs goal was domination of the cultivation world, his pursuit of Nie Mingjue only a means to get there or at best a distraction, when in fact Wen Ruohan wanted to be a god, to break through the barrier of cultivation and rise up to the heavens, and he believed that Nie Mingjue could get him there.
And yet Wen Ruohan, too, was deceived â he thought that everything in the world was meaningless grist to that great ambitionâs mill, thought that everything he did was for power and power only. And yet there was the great care and attention with which he had filled the prison room in the Nightless City with all the things Nie Mingjue liked, things that heâd figured out from casual mentions in discussion conferences, the fascination in his eyes when Meng Yao told him stories that were sometimes so very boring and mundane, the casual way he dismissed even his own heirâs death at Nie Mingjueâs handsâŚ
Perhaps the interest had been merely practical once, but it certainly was no longer.
At least the war was going well.
Not much else was.
His letters with Wen Ruohan had been belatedly discovered and publicized, his betrayal becoming widely known â Wen Ruohan deliberately cutting off Meng Yaoâs route of return, no doubt. The fact that it was a good move, and one Meng Yao would have done if he were in his place, did not make it any easier to swallow.
He had always assumed he would be there to explain the letters to Nie Mingjue.
Heâd said so many cruel things in those letters over the years, hurtful things, things he didnât believe but thought that Wen Ruohan would like to hear â things about Lao Nie, about Nie Mingjue, about Baxia, about Nie HuaisangâŚdisdainful, wretched things, lies that had flowed so easily out of his brush when heâd thought it was all a game.
He didnât want to think about Nie Mingjue hearing them â seeing them â reading them â
He didnât want Nie Mingjue to think that was how he really felt.
Some days, in the middle of the night in the too-brightly-lit core of the Nightless City, Meng Yao put his head in his hands and felt the prickle of tears in his eyes. He should have known better, he thought. He shouldnât have tried to take it all on his own shoulders; he shouldnât have assumed heâd be able to explain, that he could swear on Chiwen that his motives were pure and that all would be easily forgiven; he should have told Nie Mingjue what he was doing early on so that it would not come to him as a surprise â
He should not have repeated his motherâs mistake from all those years ago.
(âThey donât trust us!â Lao Nie had shouted, his voice still audible behind those stone walls, and Nie Mingjue had gone silent, the words hitting their mark and leaving a wound, before heâd started arguing once again.)
Meng Yao had originally planned on having both Nie Mingjue and Lan Xichen act as his contacts during the war, but instead for his sins he got stone-faced Lan Wangji and, eventually, red-eyed Wei Wuxian, who was clearly still deeply shaken by the near-destruction of the Lotus Pier and how close he had come to losing everyone he loved.
(Meng Yao killed time in between boring torture, nauseating dinners with Wen Ruohan, and interacting with his two contacts in trying to figure out how to get said contacts to confess their obvious attraction to each other without ever actually telling them to their face that they were being idiots.
How anyone had ever compared him to Wei Wuxian â citing their status as fatherless children being raised by sect leaders alongside their heirs â he honestly did not know; the boy had a genius for cultivating and the arrogance to go with it, but simply no common sense whatsoever. Meng Yao was his exact opposite.)
They had both briefly been guests of the Wen sect, brought in by the same invitation that had been forcefully extended to Nie Huaisang; once they were there, they were given to Wen Chao to lead and reshape. Obviously that went about as badly as anyone could imagine, Wen Chao being what he was.
Nie Huaisang had been there too, of course, and Meng Yao hadnât dared go anywhere near him. It wasnât that he doubted his own acting abilities, or Nie Huaisangâs for that matter, but rather his own perception. Nie Huaisang was a very good liar, and if Meng Yao got it into his head that his own blood brother didnât believe him, he might very well fall apart.
So he didnât go.
That turned out to be a mistake.
Apparently, not showing up was seen as some sort â admission of guilt, perhaps, because the second Nie Huaisang returned to the Unclean Realm, things started going very badly indeed. Many of his old contacts stopped talking to him or even disappeared, even the ones he would have sworn Nie Huaisang had no knowledge of, and he didnât even want to think about how many of his plans ran into obstacles that had nothing to do with luck and had everything to do with Nie Huaisangâs Nie temper.
Meng Yao only hoped that the cause of the temper tantrum was his failure to apologize for not letting Nie Huaisang properly into his schemes, and not that Nie Huaisang thought â
Surely Nie Huaisang would have said something to Wei Wuxian or Lan Wangji if he didnât believe Meng Yao to be trustworthy? They were peers, had been schoolmates, and a few months together was more than enough time for Nie Huaisang to get the measure of them â he had to know what they were doing on his behalf, surely, and he hadnât stopped them, soâŚ
Sometimes Meng Yao thought that his circular rationalizations would drive him mad, long before anything else about this horrible life of his did.
(He also thought, sometimes, about how his mother would feel â how she did feel â about what he was doing, and whether she approved or not. He usually tried to stop thinking about it as soon as possible.)
At any rate, the sect heirs had all escaped after some unfortunate encounter with a corrupted Xuanwu that made Meng Yao twitch in fear when he belatedly learned about it, and soon after that the war began in earnest.
The Nie sect took Heijian, as had always been the plan; the Wen sectâs cultivators threw themselves against their iron wall without any success and even some heavy losses, especially whenever Nie Mingjue himself there to lead battles. The Lan sect was scattered after the burning of the Cloud Recesses, but Lan Wangjiâs early warning had preserved more of their lives than might have otherwise been accounted for â the attack on the Lotus Pier had been similarly blunted through timely advice, although Jiang Fengmianâs stubborn refusal to take immediate action had resulted in injuries, some rather serious.
Two major attacks, in under a year â the rest of the cultivation world was alarmed. A sizeable number chosen to give in at once, while others opted to join the opposing forces, and war was everywhere.
Meng Yao had hoped that his information would be enough to tip the balance, that he could play the same role heâd played against Wen Ruohan in the past â acting as an interruption, but never quite tipping his hand. Never pushing for the real reward, taking the big riskâŚ
The war dragged on.
There were some close calls â some difficult battles. People were dying on both sides. Several times there were reports of terrible injury to key people; the death of someone he loved was only a matter of time.
It seemed that he didnât have a choice but to take more dramatic action.
Evil, Chiwen screamed in his mind, just as he had every day since Meng Yao had arrived at this horrible place. Kill it!
Meng Yao wished it was so easy.
âDo you mind if I borrow your brother?â he asked Wen Qing, who glared at him but accepted the jar of wine he offered her. âJust for a while.â
âNone of your machines,â she said at once. He couldnât blame her.
âNo machines,â he agreed. âI need a courier.â
She paused, then put the wine down. âOut of the Nightless City? Safely?â
He smiled.
Wen Ning was delighted to see Wei Wuxian, and the feeling was decidedly mutual â Meng Yao had picked Wen Ning in part because of the extraordinary initiative he had taken at the Lotus Pier, initiative that made the entire Jiang clan quite fond of him â and Wei Wuxian happily agreed to smuggle Wen Ning out of Qishan to deliver a private message.
âMake sure he gets to Lan Xichen,â Meng Yao instructed. âA message can be compromised or lost â a person, not so easily.â
âIâll do my best,â Wei Wuxian said, and almost looked approving, like he thought that Meng Yao was doing this to save Wen Ning from the worst of the war.
He had no idea what Meng Yao was doing.
âWei Wuxian,â Meng Yao said when they were about to leave. âWhat does Lan Xichen say about me?â
A blink, there and gone. âHe fears for your safety, and hopes you are well.â
âAnd â Nie Mingjue?â
He didnât bother asking about Nie Huaisang. If his brother didnât want someone to know how he felt, no one would ever have the slightest clue.
Wei Wuxian hesitated, and Meng Yao waited, and in the end Wei Wuxian finally said, âI donât think Iâve heard him say anything about you at all.â
Meng Yao nodded. It was no less than heâd expected, for all that it felt as if his heart were shattering. âThank you. Please go.â
Wei Wuxian would take Wen Ning to Lan Xichen, and Lan Xichen would believe the words of a person more than he believed a letter â it was his nature to do so, especially when that person was as serious and earnest as Wen Ning, who seemed so trustworthy and who would never knowingly tell a lie.
But a person who would never knowingly tell a lie could still be made to carry one, and so Lan Xichen would listen to Wen Ning, and he would take what Wen Ning told him to Nie Mingjue, and Nie Mingjue â who might have questioned information brought by Wen Ning but who would never question Lan Xichen, the way he had previously never questioned Meng Yao â Nie Mingjue would listen, and believe, and act on that belief.
He would go to Yangquang â
And Wen Ruohan would be waiting for him.
Sometimes Meng Yao hated himself.
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Honestly it seems like some fans have trouble seem outside of Malcolm's pov, which is understandable given he is the show's protagonist and very sympathetic one at that. That being said regardless of how well intended Malcolm was he did make Ainsley doubt her own sense of reality and was projecting by assuming she wouldn't want to know or couldn't handle knowing. Yes the way Ainsley went about making that point was completely messed up but she did have a point to make.
Okay first things first, sorry it took me so long to get to this, I had a lot of thoughts to put together before I responded because I need to talk about Ainsley.Â
Iâll start with the fact that I seem to emphasize with Ainsley more than a lot of people. Maybe itâs because I am the youngest sibling, with older brothers. Maybe itâs because I have âeasier mental illnessesâ like OCD and ADHD in comparison to others. Maybe itâs the fact that one of my older brothers has much more severe mental health issues and Iâve been reminded how lucky I am in comparison to him and others. Maybe itâs because my mother has been my best friend since I was a teenager. Or maybe itâs because I try to be someone else's emotional support while neglecting my own mental health until I eventually snap. Maybe itâs the fact that supportive figures in my childhood have turned out to be less than ideal as of late. Bottom line, Ainsley is someone I care a lot about, and I need to talk about what is going on with her. And why she isnât evil or abusive.Â
Letâs start out by debunking one argument. That being Ainsleyâs lack of remorse over what she has done. Now this argument bothers me for a few reasons. Firstly, because Nicholas Endicott was a monster who deserved what he got and everyone on the show acknowledges that. Like Jessica and Malcolm do not morally disagree with killing him, Malcolm says flat out that he deserves to die. Heâs just scared of being like his father and scared of losing his friends, this is an important distinction between him and Ainsley that I will get into. Secondly, we donât see Ainsleyâs initial reaction aside from her nearly crying in Malcolmâs flashback. According to Halston, she found out at some point around episode 4. Martin might have told her during their visit, she might have figured it out reading his journal, it could have been the nightmare she tells her mother about. We donât know, we just know that by this point she has dealt with it.Â
Going back to Malcolmâs fear of losing his friends. Malcolmâs guilt is from having to lie to his found family at the precinct. That is what makes him feel awful. This is something Ainsley does not have. She does not have any found family to lose. Malcolm has to keep lying, Ainsley doesnât have to. Obviously it eats her up less. Speaking of Ainsleyâs support system, or lack thereof, letâs go through it. Starting up, Jessica, mother of the year, diminishes her daughter's career, blatantly insults her, emotionally neglects her for twenty years and snaps at her whenever she expresses her problems, undermines her issues, this only changes after she murders a man. Next we have Martin Whitly, out of her life for twenty years, literal serial killer, and yet somehow the most emotionally supportive member of her family. Then thereâs John Watkins, Mr. Boots, childhood bestie, possible paternal figure, child groomer, who ultimately tries to murder her in favor of her brother. Gil Arroyo, Malcolmâs adopted dad who seems to find her incredibly annoying and only talks with her when somethings wrong. That leaves us with Malcolm, emotionally broken older brother and the only person Ainsley feels she can trust. Yeah, thatâs destroyed. Malcolm shattered that trust with his actions. Malcolm is afraid of losing everything, Ainsley already did.Â
Now weâre up to Ainsleyâs actions in this episode. No they werenât gaslighting. Malcolm was not forced to question his own sanity or memories due to her actions, he was just scared of her and for her. She just lied to him, an incredibly shitty lie that horrified him, but it was just that, a lie. He also wasnât breaking down due to it, he was scared for his sister, but he honestly seemed pretty kept together throughout the episode until the end. At which point his frustration seems to stem more from the situation heâs in and what heâs âhadâ to do for her. Now I fully admit that what Ainsley did was shitty. But it doesnât make her toxic. If it does, then Malcolm is as well because he does the exact same to the people he investigates. Was it abusive, maybe, but soâs gaslighting your sister, slapping your son, and punching your friend. But these arenât patterns of behavior, theyâre one time things that happened during highly stressful and emotional situations. Speaking of which.Â
Yes, Malcolm did gaslight her. Gaslighting is a technique used by a lot of awful people, Malcolm doing it does not make him awful, but he lied to his sister about her memories and perception of the world and it made her emotionally spiral for months. In comparison, Ainsley let this go on for maybe two or three days, a week at most. Iâd also be remiss if I didnât mention that Ainsley gave Malcolm several opportunities to tell the truth. He had the entirety of Bad Manners and Head Case, during both of which she gives him reasons to come out with it and tries to get him to do it. She was trying to make him prove that she could still trust him, he failed to do that until he got a concussion and Ainsley decided to make sure that he never did it again. Â
Now Ainsley did something horrible, I fully admit that. That being said, donât act like Malcolm would have just listened if she told him not to lie to her again. Sheâs already told him and her mother to stop shielding her. Now there were definitely better ways to do this. Or if she was going to scare him, scaring him and then telling him the truth the next minute, hour, morning, which would still be bad, but less so. But Malcolm is someone who learns a lot better by experiencing than listening. She was trying to show him what consequences his actions could have had. Scaring him straight. She took it way too far, but the motive was understandable.Â
Finally I want to dispute this idea that Ainsley is being ungrateful towards Malcolm. Firstly, she thanks him profusely in the first episode of the season. Secondly, she didnât ask him to do this for her, and the show fully implies he might have screwed them both over by doing this instead of immediately going to the police and claiming self defense. Finally, Ainsley killing Endicott has been thanked by no one. Remember how he was going to have Malcolm sent to prison and only by getting rid of him was Malcolm able to get the DNA evidence properly refuted. One could argue Ainsley took a great risk and saved him too. Ainsley saved Malcolm from prison just as much as Malcolm saved Ainsley.Â
Look Ainsley is flawed, I wouldnât love her if she wasnât. But letâs not act like sheâs crossed the moral event horizon with this. Or that she did this completely unprovoked and everything she said towards Malcolm was invalid. Both of them are broken and in pain and I hope by the end of this they can grow even closer than before.Â
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What're your exact thoughts on AA5?
ooh anon are you sure you want me to get into this?
Itâs... complicated? Like, as a game on itâs own, it... still has MAJOR flaws but itâs not too bad. As a sequel to AA4? Pretty terrible.Â
I guess letâs start with that angle. What makes me angriest about AA5 is that it kind of... completely erased any chance of proper closure to some of the story arcs and themes that AA4 opened up. Like, people will try to claim 456 as a âtrilogyâ, but itâs nowhere near cohesive enough to pass as one. AA5 pretty much pushed Apollo (who was supposed to âsucceedâ Phoenix as the protagonist, being kinda the point of the case literally called Turnabout Succession) to a secondary character role. It shoved Trucy completely out of the spotlight so her only role was to hang around the office and then get kidnapped once (which has such little role in the story itâs completely forgettable). It completely abandoned Klavier and had him come back as a kind of bland âja achtung herr forehead Iâm a rockstar ;)â character who only shows up to play a minor role in a minor case. In contrast with, say, how JFA treats the major cast from the first game (consistent protagonist, Maya having a bigger role and more of her history and family drama explored, Miles getting huge amounts of character development and being a major part of the emotional arc) it is an extreme letdown. It also just automatically brings back Phoenix as the protagonist and... doesnât even touch on the lasting consequences of his disbarment? Not even just the âhe became a lawyer again right away and doesnât really bring up the effect disbarment had on himâ kind of thing, but the story itself kind of forgets about him being disbarred. For a game entirely about the publicâs perception of the legal system being in the dumpster, not one person ever questions Phoenixâs eligibility as a lawyer or whether he forged the evidence. Like, sure, he was cleared of all charges, but that doesnât mean that the public would automatically see him as innocent, especially considering his massive influence over the trial that essentially proved his innocence! Like, âoh, you practically ran this trial that said you didnât forge evidence? Okay, we love you, youâre a hero.â
And I do love Athena, and I like her overall story with Simon, I like them both as characters and I like their general plotline. I just think it came in at a veeeery bad time. Adding Athena as a protagonist in the same game you add Phoenix back as a protagonist means that not only do none of the protagonists end up with the sole focus of the game for their development, but also her major role in the plot pushes back any chance for exploring the story of AA4. Athena gets a joint protagonist-assistant type role, so Trucy isnât necessary anymore, since the only assistant role is filled by one of the other lawyers. So, no Trucy development. And as a protagonist she is immediately overshadowed by Phoenix in the very first case.
I... like to think the first case is a very good example of DD, because it starts with Athena being immediately overshadowed by Phoenix who is back to his normal trilogy self, and Apollo ends up bleeding on the ground.
I mean, in some ways, I get it, because this is a game that was written six years after Apollo Justice and had a completely new writing team, not to mention being on a completely different console, so already making a direct sequel to AJ would be complicated considering that a decent amount of the people buying the game possibly would have never played an AA game before (considering the 3DS ports werenât there at the time.) And apparently Phoenixâs characterization in AJ, and AJ in general, was poorly received, so from a marketing standpoint they did kinda need to abandon as much as they could. But from a story standpoint, itâs really bad.
Thereâs also the issues with the plot in general, namely the âDark Age of the Lawâ. Because... the law has been TERRIBLE in this series for as long as the series was around. If thereâs a Dark Age, itâs been going on for a looooong time. And, of course, thereâs no real way that Phoenixâs disbarment and Simonâs arrest were what initiated this Dark Age, because the people who have ALREADY been arrested should have been much, much worse. Like weâre talking about an undefeated prosecutor known for forging evidence, the Chief of Police, another prosecutor being accused of murder, not to mention the investigations games tackling down an ambassador and the former Chief Prosecutor/ head of the committee thatâs SUPPOSED to stop corruption. After all that, the breaking point is a defense attorney and some rookie prosecutor?
(One good explanation is what Saturationâs take on this all happening is, but considering the games havenât said it was like this...)
Also again with the issue of Phoenixâs disbarment. The game assumes that once Simon is cleared (in an unofficial trial) and Phoenixâs name is cleared (again in an unconventional trial) the public is magically going to start trusting in the legal system again. ... Good luck with that. Thereâs no way thatâs going to happen.
And thereâs also a lot of wasted opportunities with the whole âthe ends justifies the meansâ nonsense in general. Like, I think Iâve talked before about how the first case of Apollo Justice pretty much embodies the âthe ends justifies the meansâ approach. The evidence has been destroyed by the true culprit, and the only way to have them safely convicted is to present forged evidence: what then? Or even RFTAâs âthere isnât any evidence that this person is the culprit, but we KNOW they are, and if they continue to get away then they could hurt people, so isnât forging evidence the right thing to do?â Itâs a complicated morally grey thing they can dig into, but instead, DD goes for the âbut I want to present forged evidence to win!!â which everyone can agree is wrong.Â
(Itâs also incredibly ironic that Athena talks about âMr. Wright is going to bring us out of this dark age!â right in the middle of the third case when confronting Means, when, you know, Phoenix used the EXACT âends justifies the meansâ approach just a year later. but you know, no oneâs going to say anything about that, because Phoenix Wright is perfect and can do no wrong.)
Plus thematically the game is all over the place. Unlike say the second investigations game which had a solid theme about âbonds between peopleâ with a focus on âbonds between parent and childâ, I... canât really figure out what the overall theme of DD is. When I replayed the game prior to UR-1 incident, I could come up with about like five things that they maybe focused on in the last case but none of them were concrete enough to be called the overall theme. Incredible that the game was written two years after the one with one of the most solid overall themes!Â
Also, the villain was weak overall; they were TOO unpredictable and the fact that absolutely no one noticed something was off with him (particularly not the girl who can literally read emotions) was rough. Everyone immediately turning on him despite the exact same case talking about believing in your friends even if there is evidence against them is a little weird. And their motives, whatever organization they worked for, itâs all unknown (and completely abandoned in the next game, of course, so weâll never know.) Which may be the point, not everything NEEDS to be solved, but the fact that none of the characters ever express concern about this (like why an international spy who killed someone to impersonate them has a realistic mask of Phoenixâs face) is also weird.
... This is a lot of negativity. Uh, there are things I do like, I swear. I like Athena and Simon, I like uhh... the soundtrack... ... ... you know I do like the game a lot more when I am in the process of playing it. Despite the undoubtable fanservice that was Milesâ appearance (OH THATâS ANOTHER NEGATIVE THING, I didnât like how Athena didnât have a major role in the Phantomâs takedown despite that being the guy who killed her mom) I like being able to see Miles and I like seeing what comfortable terms heâs on with Phoenix now. Some elements of the individual cases were lots of fun (the father-daughter relationship in the second case, the focus on the friendship in the third case, and I enjoyed the DLC case overall.) ... This has gone on long enough, so Iâll leave it at that!
#dd spoilers#dual destinies#aa5 spoilers#long post#(hopefully those'll all tag the spoilers for those who haven't played this yet)#sorry about all the negativity...#I tend to focus on negatives more than positives when critiquing media#just a weird little thing I do#asks
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On Goro Akechiâs morals and forgiveness (character analysis, but also just a very rambly post)
Akechi is⌠a very interesting character, I have no doubt about this. Also my favorite of course, if you hadnât figured that out yet by this giant text youâre about to read (sorry). I have a lot I want to talk about in regards to him since he is so intriguing and we actually donât have that much info about how his thought process works so it leaves a lot of room for speculation.
In any case, in this meta in specific Iâm going to be talking about Akechiâs...morality(?), forgiveness and his relationship with regret. Iâm not sure if thatâs the best word to define this but Iâll roll with it for now. Iâll try to be fair and talk about things as I personally see them, itâs totally fine if you donât share my views! Now, onto the actual meta.
Starting off, as people are obviously aware, Akechi is a morally gray character, a darker shade of, but heâs a sympathetic and tragic character nonetheless. That much is undeniable, he was written to be sympathetic, even if Iâd argue Atlus did a pretty poor job of it in Vanilla (he was still my favorite ever since then though lol) but heâs reached his true potential in Royal, which makes me immensely happy to see. I get so unbelievably happy whenever I see people saying Royal changed their perception of him and started to like him more! But even then, there are a lot of people who just canât forgive him for what he did, and thatâs only natural. I personally think that, if you donât try to sympathize with Akechi and truly, truly try to understand his mind and history, youâre doing him a huge disservice. But, forgiveness is something that everyone is free to think and decide if he deserves it or not. In Akechiâs case, I feel like forgiveness is something much more personal to the player, and this shows between the Phantom Thieves too.
There is a visual novel I hold very close to my heart called Umineko no Naku Koro Ni (which Iâll be quoting relentlessly throughout this entire post) that illustrates what I think better than I could put into words, so Iâll be quoting that scene with a few tweaks for better context:
âYou said you understood the culpritâs motive.â
â...Yes.â
âIs that motive⌠a satisfying explanation for why theyâd [commit murder]?!â
âWho knows. Thatâs for you to decide. Even if I say itâs satisfying, that doesnât mean it will satisfy you. âŚYou have to decide that for yourself.â
I really like this. It reminds me a lot of Akechiâs situation. I firmly believe that this has no âobjectiveâ, âmost correctâ answer to, just your personal feelings, which are the most important. I, as a player, do forgive Akechi, I want him to have a happy ending, another chance at life, manage to live happily with Akira and have some fun for once. Thatâs what âforgivenessâ means to me in this situation, but while some people may empathize with Akechi, they still canât forgive him. They think he should stay forever in jail or die since he cannot be redeemed in any way in their eyes. Where do I wanna go with this endless blabbering you ask, and I respond, I just want to try and see Akechiâs actions through two different lenses.
Well, I personally donât like downplaying the crimes he committed and dumbing it down to âhe was being manipulatedâ because, even if this is not false, it is not entirely correct either. Akechi is so fun to speculate about because heâs a character who is always clashing against himself in various ways as if he was in a constant state of internal turmoil, and this is not very different.
Akechi himself made the choice to go to Shido. It is extremely unlikely that he didnât know he was going to be using his new powers for murder. He may have been very young, but despite the fact that he was a child forced to mature prematurely, he knew exactly which type of person Shido was. When he walked into that deal he was aware of the consequences and had fully made peace with the fact that heâd be taking another personâs life. Now, Iâm not saying that Shido never manipulated him because he did, but not with that particular choice.Â
This alone tells plenty about Akechiâs morals. I believe that Akechi indeed has some level of empathy for other people, but I sincerely doubt he feels especially bad about the Okumura-like people he had to kill. He might feel bad for the family of the victims or just feel nauseated with himself, however, he doesnât regret a thing. As if he had grown numb to it. ...Until a certain point, that is, but Iâll talk about that later.
I would also like to elaborate further on Akechiâs continuous conflict with himself, and this particular piece of Marukiâs confidant immediately reminded me of this:
Heâs talking about Akira here, but isnât it interesting to note that Akechiâs internalized and externalized realities are, in contrast to Akiraâs, the farthest they could possibly be from each other? His sense of justice, childlike desire to be loved and seen as a hero, in contrast to the cold-blooded murderer he had become? Itâs like there are two people fighting it out inside of Akechiâs brain (lol) which must cause him a lot of distress. I donât believe that Robin Hood is a ruse or that his Detective Prince façade is entirely fake. The way I see it, they are his ideal, which he strayed so far away from he lost grasp of who he himself is.
In my opinion, Akechi has never cared about fame the slightest bit, he used all of that as an opportunity to act out the person he wished he was, just and virtuous, while still being the feral murderer and bloodstained person he is today. These are two integral parts of him that he has never known how to reconcile. Itâs interesting to note that in the third semester he was the one who since the beginning advocated firmly to return to the harsh reality but he had spent the entire game living in the comforting âdetective princeâ dream he made for himself until the engine room scene happened.Â
With the third semester context, the engine room becomes so interesting because that scene is akin to Sumire finding out sheâs not Kasumi. Itâs a cold bucket of water thrown straight to Akechiâs face and telling him to wake up from this lie he made to comfort himself and face reality: he is no hero. Despite the fact that he is, too, a victim, he is simultaneously a murderer who perpetuated with the cycle of his fatherâs aggressions and he cannot escape that fact. Worse, he was being manipulated all along and his revenge plan and arguably his only reason to live AND justification for his actions was completely crushed.
Once again, this Umineko scene illustrates what I think Akechiâs situation up until that point was like:
Akechi rationalized every awful, inexcusable thing he did as, âItâs for my revengeâs sakeâ and ran with it. He was incredibly blinded by his hate and ignored the weight of the consequences of his actions up until that point where everything came crashing down right in front of his eyes. There is no excuse and no justification for that.
However, Akechi was also abused himself. There is no excuse for what he did, but is getting back at the person who took everything from him so reprehensible a thought? Is wanting justice against someone who essentially ruined your life not understandable? Many people like to say âcool motive still murderâ or things of the like, but Iâm asking you again to put yourself in his shoes.
Yet AGAIN with a Umineko screencap:
I played this the other day and one of the first things I thought of was Akechi. A lot of people draw parallels between Akechi and Adachi, but thatâs just so damn wrong and make me lose my hair so much and become completely bald because that couldnât be farther from the truth and Iâm gently asking you to reconsider. In the pic above, Adachi would fit the âhomicidal maniacâ mentioned to a T, and while Akechi is by absolutely no means free of guilt and much less a stellar person, his crimes were moved completely by his heart.Â
For the people who use his choice to become Shidoâs hitman to say Akechi does not deserve any kind of forgiveness and that heâs a murderous maniac, I ask you to at least think of what state of mind he was at that moment. Think very hard about it, imagine how completely bleak life must have looked like then, to the point that he risked everything on murder.
This is nothing more than my speculation, but I believe Akechiâs thought process at that moment was something along the lines of, âI have nothing to lose since my (current) life is completely meaningless". It was as if he had reached such a numb state he chose to forgo all his morals and humanity in pursuit of at least one thing that would give his life meaning, that being his hate for Shido, which I also think was the only emotion he ever truly understood well ever since his mom passed.
Since Akechi is all about conflicting emotions though, I would also like to remind you how vulnerable Akechi really is to any kind of affection. His âchildlikenessâ that Robin Hood represents was, by all accounts, still there. Akechi has a desperate need to be loved while simultaneously putting up walls and wearing masks, making it extremely difficult to have any kind of meaningful relationship. This is something that Shido thoroughly takes advantage of, too.
Thatâs also why one of his lines to Akira hit so much harder for me, following this reasoning. âIf only we had met a few years earlier,â expresses many emotions at once. If Akechi had known something other than misery and hatred during that period of his life he would not have latched so thoroughly to that revenge plan. Akechi simply had nothing to lose, since he had nothing at all.
I mentioned earlier that Akechi doesnât regret a thing, which I still think itâs true. Before he had met Akira, he truly did not regret a thing, but meeting Akira caused him a lot of strife because not only Akira is a person whose whole existence flaunts everything Akechi could have had if he hadnât fallen into fateâs trap, but Akechi also experiences happiness through his connection with Akira. Hanging out and talking to him truly makes him happy, and itâs something more genuine than heâs ever known. Yet, itâs too late, because his choices were already set in stone and he had already pulled the trigger with no way to take any of the bullets back.
Thatâs why Akechi is so confusing, so controversial and sometimes uncomfortable to think about. There is no clear line between good or bad, he just is something in the middle. Akechi is both a person who ruined a lot of peopleâs lives with no regard whatsoever to the consequences but also a victim rebelling and retaliating against the person who took everything from him and made his life a living hell. Thatâs why itâs so hard for not only some players to form opinions about him but also downright uncomfortable for the Phantom Thieves to think about. There is no objectively best answer for what he deserves. It just doesnât exist. Should he spend the rest of his life in jail, or dead, because his crimes were inexcusable? Or should he be given another chance at life to learn to be happy? Itâs entirely subjective, and thatâs why heâs so great to think or discuss about.Â
Aaand thatâs it, Iâm grateful you read so far, hope I didnât piss anyone off, also not gonna pretend this wasnât very self indulgent because of the amount of times I quoted Umineko in it. Anyways, thank you!
SIDE NOTE: I didnât write this recently, it had been sitting on my drafts for some months now and I found it again today and decided to just release it into the wild because why not? I think this was meant to be much longer than it is and to elaborate more eloquently on a lot of points I brought up (like the PT with Akechi) but alas, I lost the train of thought and so it Perished.
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with the daldabaoth au thing, imagine how hurt akira might be at first realizing goro wants to kill his dad :( he might even feel used like goro only liked him to get close to his dad
I ACCIDENTALLY JUST KIND OF RAMBLED ABOUT THIS AU BECAUSE IâVE BEEN LOVING IT SO LIKE. HEREâS SOME GODHUNTER DRAMA FOR YOU.
YEA thatâs pretty much exactly how it goes ;o; akira is really fascinated by humanity and he loves to make friends, he loves to help people with his unique perspective, but heâs also definitely very guarded considering he knows what would happen if anyone found out who he is. so, very much like in canon, akira is great at getting others to open up to him, but he rarely does the same in return, too afraid that any personal details will be looked into and heâll be discovered by the wrong people. as a cognitive being, akira does have a little bit of insight into the emotions and motivations of others, but being in reality really messes with his ability to be totally accurate (yaldabaoth retains this ability to a much higher degree, but he still has plenty of trouble himself as surviving in reality presents different issues for him), so heâs navigating social relationships with a lot less insight than heâs used to. initially he gains an interest in goro due to his minor celebrity status (akira is obviously drawn to popularity due to the publicâs influence), and goro is interested in turn for, again, the same reasons in canon: akira is fascinating to speak with and his opinions often surprise goro. despite the fact that he really does seem to be a trend follower, goro notes that he often has very different ideas than most on whatever topic is popular, waxing incredibly philosophical about different viral trends in a way thatâs oddly intriguing. and for his part, akira sees a perception in goro thatâs rare for humans, an unparalleled acumen and the ability to mold himself to what the public wants in an utterly flawless way in order to achieve his fame while the real goro remains far and away from that persona. they both begin opening up to each other, letting their guards down, and itâs the exact perceptive nature that akira admires in goro that leads him to become suspicious of who akira really is. after all, despite their growing intimacy, goro never even learns where akira lives, let alone goes to see it, and akira has nothing to say of his family, his history, or his personal life. his friends at school know nothing either - ryuji and ann both shrug their shoulders to the questions, saying theyâve never seen akiraâs home...although he has mentioned his dad once or twice, mostly about how he has a strict curfew and couldnât stay out with them. itâs the most goroâs heard too...and he knows itâs not right, but he goes to dig into akiraâs school records to find the information scant and impossible, fake addresses and fake names, âakira kurusuâ not seeming to exist outside of shujin academyâs files along with the parent listed. neither of them exist...and goro understands the metaverse, having to achieve the fame he has in order to travel to the depths and find the shrine that had been abandoned - akira, obsessed by trends in a way that seems unnatural given the opinions and intelligence heâs demonstrated time and again. he almost wonders if akira himself might be god, but why would he go around inserting himself into humanity so openly? goro spends time debating how to question him without arousing suspicion, but once he receives intel that itâs suspected god has a child, heâs almost certain thatâs exactly who akira is and the father he only mentions in passing, the one whoâs never been seen or heard from himself, must be the creature goroâs looking for.Â
it marks a shift in their relationship, goro hesitating in his mission for such personal, sentimental reasons, but no one else has a clue where to find god or his child, so he does have the luxury of keeping his silence for a time. however, akira notices the shift, sensitive to emotion and intention, and he begins to feel something...wrong about goro, flashes of anger, hatred, disgust directed toward akira...feelings of grief and guilt that come with them and it frightens him, it makes him distance himself from goro despite the pain it causes him. goro almost figures itâs for the best...yet he knows if he makes his move, if he tells the organization he works for that he found him, akira will suffer too, heâll be ended with his father. so he tells himself he needs to be sure, that akira will only be killed if he truly is godâs child and this isnât all a mistake that could see his life taken for no reason, so all thatâs left to find is where he truly lives and confront whateverâs inside for himself. itâs stupid, it doesnât make sense, if he does find himself in godâs residence, heâll only have himself to kill that miserable creature without knowing what it might be capable of. yet...he tracks akira, follows him and finds his home over the course of days as akira often takes multiple and ever changing lines to arrive in his neighborhood, a precaution that makes goroâs heart sink as it only serves to be another nail in this coffin. but once he knows, all it takes is going to the home when akira isnât present, forcing himself in and quietly, quickly with wide eyes and sweating palms searching each room...but when the upper floors yield nothing, he realizes all thatâs left is the basement...and of course that thing would live in the basement, heâs seen the throne it kept in the bowels of that dungeon it called home. yaldabaoth had sensed goroâs presence long before he forces open that door, however, an unwelcome and unknown human filled with such conflicting emotions they induce a headache in the god. and in truth, that irrationality and unpredictability is somehow worse than a human totally intent on killing him - it makes motivations unclear, it makes the ailing god more agitated than he should be, and itâs an emotion not lost on akira, who rarely feels anything but composure from his father. how stupid had he been, he thinks, rushing home as fast as he can, he knew something was wrong with goro, he knew he had said too much and felt that sudden shift of emotion between them but he ignored it, he just tried to run instead of alerting his father to his missteps so that they might have left this city. but...he had hoped to be wrong, that he was reading things wrong as he so often does and besides...his father would be safe, heâs too powerful to fall isnât he? (but akira knows being in reality has made him sick, he knows his father doesnât admit to the weakness, he hides it from his child, but existing like this poisoning him)
and what can goro do? the basement is dark, dingy like the endless halls of mementos, but he knows heâs found god long before he actually sees him, feeling sick and repulsed, the sense of wrongness, of trespassing, of walking into see something his entire body rejects to experiencing...it all pales to actually laying eyes on the being theyâve been looking for, however, a poor parody of humanity. its eyes all lock onto him, six of them on its face, an additional four on each hand that it uses to observe him too, its mouths full of sharp teeth, body covered in dizzying geometric patterns that disappear under the vestments of a priest. goro hadnât known what to expect but the sheer size of it is even overwhelming, just tall enough to fall into an uncanny valley, its skin a true white with shocks of blood that burns an angry red (but it canât be blood, can it?) and hair that turns to feathers at its tips, something that tried so much to be human but has failed. yet yaldabaoth doesnât move, he observes goro quietly as he senses the mix of emotion from him, an intent to kill being overridden by something else, at least for now. even as goro draws a weapon, levels it at the deity that refuses to move, he canât pull the trigger on it, knowing he would lose akira too...but how can he sacrifice his autonomy and everyone elseâs to a monster? he tries to speak to it but it doesnât answer, although he can see that the mouths on either side of its face twitch into different expressions occasionally...and he canât stand that indifference, that silence, the creature that created them and abandoned them without care...the creature that surely had made him suffer so without a second thought. his mind makes up, motivation and rage clicking into place and only then does yaldabaoth move, a split second before goroâs reflexes can fire on him and it only serves to piss him off more - this thing knows how he feels, itâs reading him and only stayed still until now because it sensed his indecision, his hesitation....his hesitation for his sonâs sake. its eyes narrow by fractions and those toothy mouths smile while it seems the other frowns deeper, obviously now understanding the source of goroâs conflicted emotion the moment he thinks of akira. the god finally opens its mouth but just as quickly it seems to think better of it, an action that rattles goro before he hears the basement door slam open again and almost in an instant, in a moment too impossibly fast, his gun is now pointed at akira. his eyes are nothing like they had been before, that composure, the cool sharpness of them replaced by pain, by hatred, by the red sting of tears in betrayal, of righteous anger and animal-like fear for an entire existence threatened, the panic of survival and the hurt of that panic coming from someone you had trusted so much more than any other. goro canât stand it, he knows what akira thinks now without a single word traded between them...a godhunter that had used him to track his prey, the deity that now grabs akira with all four hands to remove him from the line of fire and the first words goro hears him speak tell his child to run, to find somewhere far from this city, but akira refuses. this is all his fault. he led a hunter here to his father, a father thatâs only here as he is now because he wonât leave akira on his own, but when he and goro look at each other once more, akira pushed back and partially hidden, goroâs gun lowering inch by inch, what can they do? one of them should die here, yet in that instant they reach an impossible impasse, neither of them willing to sacrifice the other despite being so opposed to one another. the god is silent, watching goro closely in his unpredictable indecision once more...but goro canât raise his gun against akira and this monster...the thing all of humanity wants dead now shielding the boy he loves, so where does that leave the hunter? he has to leave, has to run from them and escape that horrifying, suffocating basement, escape his own hesitation and the revelation that he has fallen in love with something that isnât even human, the spawn of that repulsive god. he canât sacrifice his own need for revenge, the need to free humanity from an oppressive will, but he canât sacrifice akira either...and things only get more complicated from there.
#THIS WAS SO LONG WHAT THE FUCK#can u tell i really love this au??? god i need to learn to shut up#things get very tense but...#goro learns yaldy could effectively hide from humans in his inert form as the grail#but he doesn't as that would leave akira on his own and vulnerable#however yaldy's not doing too hot#and goro also knows he doesn't give akira any freedom...akira's not totally happy#THERE'S A LOT AND IT'S ALL COMPLICATED ESP YALDABAOTH UGH#p5#akira kurusu#goro akechi#yaldabaoth#shuake#bad end family#Anonymous
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The Baaba Maal concert was Jan 20th. Heathrow was supposed to insinuate Harry going to LA to support Louis through the stunt⌠do yâall actually read the Larrie theories before debunking them?
I donât think Syco was sending messages. And you know I donât think that. You had to resort to a strawman fallacy to attempt to ridicule my argument. I donât think Syco gave a damn WHAT the fans believed or that they had a coherent narrative in mind, they just wanted fans to focus on something that wasnât one of the members of the most profitable act theyâve ever had fathering a child at the same exact time that they had the last few dollars to squeeze out of it, especially because the perception of that member as a father could potentially drive away hundreds of thousands of incredibly profitable fans (or are you gonna argue now that 2015 wasnât the biggest year in terms of % for the Larrie fandom?)
Fine, convince yourself that Mark the sound guy had absolutely no idea he was encouraging fans to believe a whole ass child was fake. He never read one reply to his tweets, he never read one text message. No one in the crew realized it either.
Im not even saying that he should understand the entire lore of the Larrie cult. Iâm just saying the very very bare bone basics. He didnât realize it!! Poor Mark had no idea. He went through all the trouble of getting the bears a phone and a phone number but never even read ONE of the text messages fans sent. Poor innocent Mark.
I really hate that yâall are the face of âthe antisâ because yâall make us look like idiots who canât actually explain how and why Larrie beliefs are ridiculous and we just ignore their points. You canât even say âyeah, itâs possible that Syco (which was bound to have marketing department who looked into fan engagement) noticed that fans were theorizing about the bears and saw the imminent upset Louisâ baby announcement could cause in a crucial moment of the band and decided to encourage the tech guy that was behind it to continue and maybe hint harderâ
Like? What is so strange about that? I donât even think Syco told him what to do. Just to deflect from what was happening and engage fans so they donât stop supporting the band, but he make the decisions, obviously. I donât think anyone in their right mind believes there was a table of executives saying âah, yes, now put a wedding dress on the big Bear! Genius genius!!â And of course most of the Larrie interpretation of the bears wasnât hinting at anything. Mark probably knew fans would make the theories fit even if he didnât plan anything to make them fit. I only think he tried to soothe the fanbase by sending positive messages when things got dicey for them (the baby being born, pictures of the babyâŚ), hence âLarry okâ, âlittle book of calmâ, âcoping with diarrheaâ, and the implication that Harry had gone to LA to see Louis. The Twitter seemed half nonsensical and half reactionary. The concert setups were obviously all nonsensical, which is why 6 years later Larries are trying to figure out what the hell the dude meant with nut tree.
Btw, we donât know if the guy is gay. Kinda weird for you to make that assumption.
"I donât know what motivated this man to do what he did. I have no clue. The only explanation I have is that it started in good innocent fun and when Syco saw the engagement it got from fans they decided to use it to their advantage, since they probably wanted to maximize profits and knew a good chunk of the fanbase would be turned off by the news of Louis becoming a father"
I only know what you think via what you tell me you think in your anonymous asks. I think your theory is ridiculous. I get that you're outraged by that and are incredulous that I don't agree with you; you don't have to keep coming back to tell me. Though the backtracking is kind of funny.
Meanwhile you keep attempting to put words in my mouth. I'm posting your ask so you can see what it looks like when you have a one-sided argument with yourself ("Are you gonna argue now that...?.", "Fine, go ahead and convince yourself that Mark...") while you work out and expand on your conspiracy theory.
As it somehow isn't blatantly obvious to you, I'll make it clear: I have zero intention of "explaining" or debunking Larries' delusional theories about teddy bears six years later. They do not warrant an explanation beyond what I've given (by "narrative" I was referring to your narrative) . I don't care if you - an angry, anonymous person on the internet- think I make "antis" look like idiots.
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I sure do!!
Well then, I shall divulge.
So, in my talentswap Kiyo is the protagonist as he is the ultimate detective. Originally this was just because I thought it fit but I definitely have more of a definite reason as to why I chose him for the ultimate detective. So a big thing I wanna do with this au, is to give more of the unpopular characters a spotlight, this can be seen with the main central group of the game, Kiyo as the ultimate detective, Tenko as the ultimate astronaut, and Angie as the ultimate child caretaker/assassin. (Which, yeah, It's kinda funny how these three ended up being the main trio considering what happened with them in canon) And when I played v3 I always thought Kiyo was super interesting, not only his talent but also his entire personality. It was so unlike what you would expect from the typical dr cast, I mean the creepy guy of the cast isn't the main antagonist? It was so different and it drew me towards his character, and I even indulged in a few of his free times which were always super fun just because I learned something new with each one.
And then, well, chapter 3 happened. I don't believe I have to explain what happened with that. I remember being kinda bummed out, I mean, the creepy weirdo just ended up being a creepy weirdo, a creepy weirdo who was abused by his shitty sister, but a creepy weirdo nonetheless. Didn't help that I have a brother that I'm decently close with; the entire thing just made me very uncomfortable. So I figured it would be super interesting to go through a story with Kiyo's lenses, to understand why he believes the things that he does and to give him a second chance, in a way.
Also when I really sat down and thought about it, it made a lot of sense to me. Like, in this au I want to keep their backstories intact, (for the most part) and I also wanna keep the fact that they were originally pursuing their canon talents until an event happens that changes their mind. So originally Kiyo was still gonna go for the anthropolgy route, but on one of his vacations, he happened upon a murder case. In the beginning he planned to just observe how the scene would play out, but because he's so attuned with people, he ends up finding out the killer and has him arrested. After this he becomes fascinated with criminals, about their ideologies, their psychology, the history behind past criminals. And so he then redirects his path towards that of a detective, perhaps partially out of a sense of justice, but mainly out of a morbid curiosity to see, "how far the depths of humanity can go."
I also noticed how in the canon story Kiyo often likes to observe others and sorta likes to stay neutral on most topics and I feel this would really benefit him as a detective. But yeah! That's essentially the reason I decided to make him the ultimate detective but let's dive into more of his background and how he grows throughout the story.
So, let's just go ahead and get this out the way. The sister issue. Now, as I stated before, I have a brother I'm close with myself so the entire incestuous relationship with Kiyo and his sister makes me deeply uncomfortable. So I'm sorta divided on two options. 1. I could eradicate sister from Kiyo's story completely and pretend she never existed. Or 2. I keep sister but simply change the form of abuse she inflicts on Kiyo. I'm leaning more towards the second option as this way I'm not just neglecting the abuse Kiyo went through, but I also don't have to make myself uncomfortable by acknowledging the incest stuff.
Anyway! Moving on to the more exciting stuff. So, I still want to have Kiyo involved with the occult, or at least he used to be. See, possibly a year or two ago, (and possibly in regards to sister's death but I'm undecided on that) Kiyo performs a ritual that goes horribly wrong. And the result of this ritual enables Kiyo to see and hear the spirits of the departed. And while at first it was intriguing, it soon became annoying at best and mentally draining at worst. It's simply a fact of life he has to deal with, and due to this power he can see and hear the ghosts of his dead classmates throughout the story. Which is both a blessing and a curse.
Now, as for his development throughout the story, here's what I'm thinking. Now, Kiyo doesn't really have many confidence issues, he's proud in his line of work and he's unapologetic about his beliefs and such. And I wouldn't really wanna repeat Shuichi's storyline anyway. So, for this au, I think Kiyo's arc throughout the game will be learning to trust and gain acceptance amongst people he loves. Rather than the twisted perception of love that Kiyo gives off in canon, I'd want Kiyo's result from sister's abuse to be that no one loves him and no one ever will.
He then begins to believe that love doesn't exist, and not just romantic love, but any kind of love. But rather than grow depressed by this fact, Kiyo uses it as a way to uplift himself. Telling himself that he doesn't need love and that he's perfectly fine being alone. To put it bluntly he's basically just coping from the abuse, trying to use it as shield to protect himself when in reality it's just a sword pointed at himself. But then again, what reason would he have for not believing this? This very concept is what's made him such a great detective.
He doesn't take sides because he can't understand the reasoning behind either side, not in an emotional way anyway. And even though he's incredibly successful in his work, there's a part of him deep down that is terribly lonely. A part of him that longs for company, a part of him that wishes he knew why hatred always burns in the eyes of those he arrests. And it isn't until he's kidnapped and taken to the Ultimate Academy that he finally has to acknowledge this part of himself. This starts with his relationship with Tenko.
Which, as you might expect, doesn't start too well. Tenko of course still has her "degenerate male philosophy" (though after chapter 1 this part of her becomes severely toned down and we get to see what her actual character is like sorta like what canon should have done before chapter 3) but Tsumugi, (ultimate pianist) accompanies Kiyo for a lot of chapter 1 and this sort of slowly warms Tenko up to Kiyo. After chapter 1 tho, when Kiyo flawlessly solves the first case, Tenko sees how useful Kiyo is and grows a sort of begrudging respect for him. After the trial she congratulates him on a job well done and Kiyo appreciates the gesture, obviously being able to tell that it wasn't something she was particularly ecstatic to do. Chapter 2 comes around and if you read my ask about Maki (ultimate artist) , you know this is when she starts spreading the "rumor" that Angie is an assassin.
Kiyo initially doesn't buy this at all, because even though he's exceptionally good at reading people, Angie is a total blank for him, so he can't really confirm or deny the rumors. What he does notice, though, is that Tenko seems to he strangely angry at these rumors, growing visibily distressed whenever Maki brings them up. He doesn't really get it, seeing as though he's only seen the two talking a handful of times, but he brushes it off but he doesn't get involved with people's personal bis. Until Tenko comes to him. He's surprised to see her and even more surprised to see the angry expression on her face.
She tells him that they can't keep letting this go on. He asks what and she responds with the rumors. He agrees that the rumors have gotten out of hand but he asks her what she wants him to do about it. She tells him that he is the only one that the others will believe. And he's like, fair enough, but why do you care so much. And she responds saying, "Because I have her motive video." Kiyo is shocked by this info and asks why she can't just tell them herself. And she says that, "Well, because the rumors are true, she is the ultimate assassin."
Kiyo is again flabbergasted and asks Tenko if she intends on him lying and she says yes. He asks her why, in the most sincerest tone, truly not understanding why anyone would go this far to lie about someone they hardly know, Tenko responds. "Because something isn't right, Monokuma has to be playing some trick, there's no way Angie is capable of murder." Kiyo still doesn't understand, but seeing the fierce determination in her eyes, he knows he won't be able to refuse her offer. And so he agrees that tomorrow he will do his best to dispel the rumors about Angie and convince everyone that she isn't an assassin. And then, the very next day, another body is discovered.
Immediately the opportunity to clear the air is gone in the mass confusion. And it's not long after that everyone begins to pin their blame on Angie. So, Tenko approaches Kiyo again asking if she can accompany Kiyo on his investigation, but only on the basis of defending Angie. Kiyo, who isn't used to working with others, hesitantly agrees and the two form a reluctant partnership. Kiyo initially plans to work on his own but after Tenko finds a few vital pieces of evidence he grows more accustomed to her presence and the two actually bond quite a bit, although they don't admit it.
Eventually the investigation ends and the two head to the trial together, convinced that Angie isn't the killer. Of course the main lie of this trial is that Angie is not the ultimate assassin, the only real thing that was pinning her to this case. After that is cleared up, Kiyo, along with some help from Tenko, solve the case. All is well and good with the world it seems, until Maki speaks up. She asks Monokuma to show Angie's motive video, just to be 100% sure that she isn't the ultimate assassin.
Immediately Tenko retorts, saying that they already cleared up that she wasn't but Maki replies.
"Well, if you're so sure that Angie isn't an assassin, then you should have no problem with me showing this right?"
"Unless, you know something we don't?"
The others agree with Maki and demand that the motive video be shown. Tenko looks to Kiyo, demanding he do something but Kiyo shakes his head. "They're too far gone now." Tenko clenches her fists, but doesn't say another word. With a grin of pure malice, Maki tells Monokuma to show the video and he complies, if a bit reluctantly due to Maki's tone. The video plays and the truth is revealed, Angie is the ultimate assassin.
After the video the students erupt into an uproar, angrily turning towards Tenko and Kiyo and demanding why they lied. Tenko responds that if they hadn't lied, the rest of the students would have gotten them killed. They also turn on Kiyo, asking why a detective would lie. He responds saying it was the only way to get to the truth. He also adds that Angie being an assassin had nothing to with this case, they already determined the true killer.
But despite their statements many of the students are still outraged as they mount the elevator. They also notice Angie is not with them, as she seems to have disappeared during the chaos. Two individuals however observe the scene with twisted glee, Maki and Kiibo (ultimate supreme leader). After everyone gets off the elevator, Tenko approaches Kiyo. She thanks him for standing up for Angie, and this time she actually sounds genuine. She then admits that maybe he's different than the other degenerate males and that he's not so bad. Kiyo accepts the sort of compliment and Tenko walks off.
And for the first time Kiyo feels happy. Now he's felt satisfaction after a solved case and even sometimes felt contentment but, he can't remember the last time he felt happy. The last he felt like he belonged. And after this the two from a solid friendship, one that will carry them throughout the entire game and Angie joins the squad too and as much as I'd love to get into their relationship this post is far too long already and I wouldn't wanna waste anymore of your time. But! I hope this was enjoyable at the very least.
I really enjoy getting these asks because they always help me to flesh out the story and the characters and they're always super fun to write so if you ever wanna know about any of the other characters, don't hesitate to ask. Thanks for the ask!
#danganronpa#danganronpa v3#talentswap au#korekiyo shinguji#tenko chabashira#angie yonaga#maki harukawa#kiibo#incest tw
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The ballad of songbirds and snakes
I saw a video in the tag shitting on the book, and rather than pick a fight with that person who probably doesn't care I figured I'd just dump my thoughts out here just to get them out of my head.
First, this person out the gate took issue with the fact that Collins is trying to make you sympathize/empathize with Snow. Honestly Collins could not have been more heavy handed with her intentions that yes you are supposed to relate to Snow because real world "bad guys" are people. They have families and hearts and everything that you and I have. And this is supposed to make it especially revolting that a human being can harm other human beings the way Snow does.
Second, the pacing of the book is less action packed than the original trilogy. Again this has an obvious purpose. We're supposed to pay more attention to the characters motivations and world building and analyze the way it mirrors our own society.
Speaking of world building, this isnt the Panem of the 75th Hunger Games, a well oiled tightly controlled machine. This is a version thats still finding its footing. Its teetering on the edge of yet another revolution that evolves itself to become more scary and authoritarian. So it's not inconsistent that details of this Panem are different from Katnisses.
And this last thing is incredibly specific that if this person does read this post they'll know its @ them, but the critique that this is not a dystopia novel and instead "dystopia light" really demonstrates that your biases going into this novel warped your perception while reading it. You're really gonna sit here and say that a child witnessing cannibalism in their fallen city is "dystopia light"? Really? And not to mention the rest of the districts are living out that dystopia even after the capital does regain some sense of normalcy so yeah it's still a dystopia dumbass.
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Just ONE more...until I think of yet another question I'm dying to ask you a few minutes from now! What do you see as Buffy's greatest traits and worst flaws? Angel's greatest traits and worst flaws? In what ways (assuming they were human) do you see them as compatible? In what ways do think they're similar to each other, and what are their complementary differences? What jobs do you think they'd have as humans? What would they each be like as parents? What would they do in their spare time?!
Buffyâs greatest traits and worst flaws
Buffy is a very complex character with so many strengths, but equally, many flaws. Without a doubt her greatest strengths are her resillience and inner-strength. No matter what life throws at her she seems to have an incredible ability to keep moving forward. Even after Joyceâs death - which is undoubtedly one of the greatest tragedies anyone in this world will face - sheâs able to compartmentalise in order to take responsbility of the household and step up to be a parental figure for Dawn when sheâs still a child herself. Not to mention that she dies and is resurrected and somehow manages to find a way to keep going. What strikes me about Buffy is that even when sheâs clearly struggling mentally and emotionally she never wallows in self pity. She accepts that the world is unfair and cruel and that everybody suffers in different ways and she does the best she can to carry on. Her other strengths include her leadership, confidence, determination and decisiveness. In every situation she finds herself in, Buffy is able to make tough decisions for herself and others. She never shies away from the responsibilities that go with being the Slayer, she owns it. Sheâs the one that everybody looks to when shit hits the fan and thatâs a huge burden, but she never treats it as one despite feeling that way deep down inside. It takes so much courage to be able to make hard and fast decisions, particularly when those decisions impact the people around you, but Buffy does it all the time. Her morality is also a strength of Buffyâs. She has a strong sense of right and wrong, and although that view can sometimes be a little bit too black and white, she is never afraid to stand up and fight for what she believes is right no matter what it takes. Once again, that takes great courage. Speaking of courage, the courage and bravery Buffy has is staggering. Even when sheâs afraid she doesnât let it show, she always goes into a fight ready and raring to go. Sheâs also incredibly loyal and although she has a strong belief in justice, she has an ability to forgive others even when they sometimes arenât necessarily deserving of her forgiveness.
As for her flaws, theyâre very much the flip-side of her strengths. Her resillience and inner-strength can sometimes lead to her being emotionally unavailable and closed off. Her way of dealing with the responsibility of being the Slayer and the trauma, depression, grief and other powerfully negative emotions she faces is to isolate herself, shut away her feelings and focus on tasks. This means that she often doesnât process or deal with her emotions in a healthy way resulting in her taking it out on others, or more commonly taking it out on herself (this is particularly the case in season 6). The way she would shut herself off emotionally also sometimes led to her not being perceptive of how others around her were feeling and being insenstive or dismissive of them. Simirlarly, her leadership and confidence means that she can be condescending and belittle the opinions and knowledge of others, believing that sheâs superior. Sometimes her confidence can drift over to arrogance and she canât always admit when sheâs wrong or take the advice of others. Statements such as âThereâs only me. I am the lawâ really show that. Furthermore, her decisiveness and leadership means that she sometimes makes decisions for others that arenât hers to make or she doesnât take the feelings of others into consideration as much as she should. Her courage and bravery can occassionally transform into recklessness and impulsivity whereby she throws herself into potentially harmful situations with little regard for her well-being.
Angelâs greatest traits and worst flaws
Angelâs greatest traits are definitley his compassion, dedication and selflessness. Angel will lay his life on the line to save the life of anybody, whether itâs his son or a stranger that heâs just met. He is fiercely dedicated to helping others and is genuinely able to empathise and sympathise with people in order to provide that help. Because of the uniqueness of Angel as a vampire with a soul he has an inherent ability to empathise with people (despite the fact that he believes heâs disconnected from them), because heâs lived for so long, has such a wealth of life experience, has experienced the darkest parts of humanity as a soulless demon and now feels the pure emotion that comes from having a soul. Heâs able to see the good in everybody and to remain open-minded and non-judgemental in order to understand peopleâs lives, motivations and feelings. Despite how much good he does, heâs very humble and never seeks fame, glory or praise. Thereâs a lot to be said for the fact that every person Angel helps he does so because he wants to help. Itâs that simple. He doesnât do it because of some ulterior motive, itâs completely selfless. I mean, this is a man(pire) that was willing to die fighting an unwinnable battle. Angel is also a great leader, but in a very different way from Buffy. Angel isnât a self-elected leader, heâs a natural leader that his friends look to because they trust his judgement and have faith in his decisions and ability to lead. Angel doesnât assume responsibility because he believes he has the authority, power or skill to do so more than anybody else, he does it because thatâs what his friends expect of him. As a result of this, heâs able to listen to the advice of his friends and even delegate responsibility, letting them to take the lead sometimes. This is all part of Angelâs kindness and ability to see the good in everyone. Angel has an ability to inspire and motivate those around him based purely on his actions and philosophy. Heâs able to bring characters like Faith, Cordy, Wes, Gunn and Fred - all of whom felt disconnected, lonely, unappreciated and had very little self-belief when he first met them - and transform their perception of themselves. With Angelâs mission statement and leadership to provide them with direction and his care and support, they were all able to come into their own and hone their strengths, skills and abilities (which hadnât been acknowledged previously) to make a difference in the world.
In regards to his flaws, Iâd say that he can be very depressive and pessimistic, which is only to be expected from a vampire with a soul. Sometimes he can be prone to falling into a dark spiral and when he starts that descent thereâs very little that can stop him. A lot like Buffy, this can sometimes be part of him hitting self-destruct. Angel carries a lot of guilt and self-loathing for his past actions, and in the moments that that catches up to him he struggles to put things into perspective and acknowledge the person he is now and all of the good heâs doing. He also has a tendency to fixate on certain things which causes him to lose sight of the bigger picture. This happens at various points with Buffy, Darla, Cordelia, Connor, Lindsey W&H and Spike. A lot of the time I think this stems from his  persistent fear that threats to those he loves are lurking just around the corner and doom is imminent (which, to be fair to him, itâs usually true haha). Angel also lacks confidence in his own abilities and is too humble. Being humble can never really be a negative thing, but I think that in the context of Angelâs character heâs too hard on himself and doesnât give himself as much credit as he should for all the good he does. He often diminishes the huge importance he plays in fighting the good fight and the impact he has on peopleâs lives. Similarly, But Angelâs most obvious flaw (if we can even refer to it as such) is Angelus. Soulless vampires are evil, plain and simple, but Angelus takes this to the extreme. Heâs a callous, vindictive, cruel, merciless monster that takes pleasure in inflicting pain on others and exploiting their weaknesses. Although Angelus is an entirely different character, it has an impact on how Angel acts. He constantly lives in fear of Angelus returning and with the guilt of Angelusâ actions. This results in him having a huge amount of self-hatred which festers inside him no matter how much time passes and which he can never get past or forgive himself for. However, Angelâs understanding and acceptance of this part of himself actually makes this somewhat of a strength of his. He hates that side of himself and repeatedly tells his friends that if heâs ever to lose his soul again they should kill him immediately.
In what ways (assuming they were human) do you see Bangel as compatible?
This is a very tricky question to answer, because I genuinely struggle to imagine Buffy and Angel as humans. The supernatural is such a huge part of their lives and such a definitive aspect of their relationship that if you take that away they become entirely different people and their relationship transforms as a result. Ultimately, what brings them together is their shared sense of isolation which comes from them being the only one of their kind - Buffy being the Slayer and Angel being a Vampire with a Soul. In addition, their fight against supernatural bads and desire to help others is a mission they share which unites them. Thereâs not very much that Buffy and Angel bond over outside of this, no shared interests, hobbies or commonalities that could be considered âhumanâ that I can think of. So, I apologise, but I actually donât know how to answer this question!
In what ways do think Bangel are similar to each other, and what are their complementary differences?
Theyâre both leaders who take immense responsibility onto their shoulders and have an ability to bring people together, to motivate and inspire them. Emotionally, they share similiar feelings of loneliness and depression that come from the traumas they face, the pressure of being a leader and feeling disconnected from the world they fight to protect. Theyâre resillient and have an astounding amount of strength which enables them to go on even after the worst has happened - Buffy has to endure killing Angel, losing her mother, dying and being resurrected; Angel has to endure dying, going to a hell dimension and being resurrected, losing Buffy, watching the mother of his child die in front of his eyes, having his son kidnapped by his own best friend, losing his son to evil, the woman he loves being possessed and impregnanted by an evil entity, losing his son forever as he wipes his memory, losing Cordy and Fred. I could continue, but you get the point. Buffy and Angel are able to keep moving forward when anyone else would simply lie down on the ground and give up. On a lighter note, theyâre both goofy and have this adorkableness that seems to pop up during the most random times.
As for their differences, they have a lot but I wouldnât necessarily consider them complimentary. Iâd say that Buffyâs extroversion makes for a good contrast to Angelâs introversion. Angel keeps Buffy grounded and centered, whilst Buffyâs free-spirit captures Angel. Angel is also more able to remain open-minded to the possibility that demons have a capacity for goodness, whilst Buffy is usually much quicker to condemn demons without considering that they may not always be wholly evil. This means that Angel is able to encourage Buffy to reconsider her black and white view on the world and to give chances to those she may not have naturally, and on the flip side, Buffyâs outlook can remind Angel that not everybody always deserves a second chance or has a capacity to redeem themselves and set themselves on the right path.
Besides this, I canât really think of any differences they have that are complimentary. The main differences I see between them come from the fact that Angel is so much older than Buffy and has completely different experiences as a vampire. Ths means that his motivations and priorities are quite different from Buffyâs, despite them being dedicated to a similar cause. Although Buffy accepts being the Slayer and fulfils her duties, sheâs resistant to it on more than one occassion and when an oppourutnity arises to create more Slayers so that sheâs not the only one she does so because she doesnât want to carry that burden of being the Chosen One. In comparison, Angel is a self-elected hero. Heâs not pre-ordained or chosen, he willingly dedicates himself to helping the helpless because he believes thatâs his calling and he wants to repent for his previous sins. In an ideal world, Buffy doesnât want to be the Slayer, she wants to be an ordinary girl, but Angel wouldnât willingly choose to be human even if it was offered to him on a silver platter (which it is in âI Will Remember Youâ). Buffy, despite being the Slayer, is a human girl who longs for the things that most human girls do; to hang out with her friends, have fun, go shopping, spend time with family, graduate, get a car, go on holiday and do everything else that young people do. Angel naturally doesnât care about any of that. He doesnât think in terms of his future or building a life like Buffy does, he lives for the here and now and works off the idea that he will do everything he can today to make his life count for something.
What jobs do you think Bangel would have as humans?
I think Angel would be a Private Investigator. I know this is a bit of a cop out, because he was a PI on AtS, but itâs exactly the sort of job that suits him. He needs something where he can actively be out in the world making a difference to peopleâs lives but where he has freedom to make his own decisions and take on his own cases. He also needs to have action in his life and to have independence. Although he works well with his friends on AtS, he isnât the sort of guy that necessarily works well in a team, particularly if heâs forced to work with people that he doesnât know very well.
Buffy would be in fashion. I donât just say this because she has great fashion sense, but because sheâs able to see the essence of people and I feel she would know exactly how to use fashion and image to project that to the outside world. I also think that a creative and vocational career where Buffy can use her hands and put her ideas into practice would suit her personality down to a T.
What would Bangel each be like as parents? What would they do in their spare time?!
Well, we saw Angel as a father and Buffy as a kind-of-mother to Dawn, but I suppose as a co-parenting team Iâd imagine them to be fun-loving but over-protective parents. They would definitley teach their kids self-defence; Angel would encourage them to read books and go to the ballet and theatre and musuems to ensure theyâre attuned to the world around them and culturally aware; Buffy would be the discplinarian because lets face it Angel is just a softie; theyâd attend ice hockey games every weekend where Angel would embarass the kids by yellling out all the time; Angel would tell the worst dad jokes in the world; Buffy would always try to make things fun and take any oppourtunity she could to have a family barbeque, parties or celebration; theyâd sit down to eat dinner together every evening and Angel would cook (because Buffyâs cooking skills only extend to cheese toasties); Buffy would be the cool hip parent that every parent at the school playground would admire and envy; Angel would take on the domestic duties like cleaning, washing clothes and cooking but the kids would have a strict chore schedule that theyâd get pocket money for; Buffy would be incredibly affectionate always smothering the kids with hugs and kisses and beaming about how proud she is of them.
#answered#meant-to-be-waiting-for-me#buffy the vampire slayer#angel the series#buffy summers#angel#bangel
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I really liked falloutfandomeventhubâs Meet The Muse template and thought it might be fun to fill it out for a few of my kiddos. And then, Animal Crossing happened and I got sidetracked for like a week. Oh well! Sixâs was pretty much done so Iâm tossing him up first. Enjoy the future Architect of an Independent Mojave~!
|| The Basics ||
Name: Sixpence Ira Richelieu Nicknames: Six, Courier Six Age: Twenty-Six Species: Retribution Made Human
|| Personal ||
Alignment: Lawful Evil actions mixed with Chaotic Good ideals? Six is an odd duck. Religious Belief: Six was raised alongside religious iconography, but his first family didnât do any strict beliefs. They believed more in just collecting knowledge and sharing knowledge, showing kindness to others and the like. Six quite likes the Followers of Apocalypse because of that. Sins: Wrath, hands down. Virtues: Diligence? Kid does work hard and has pretty strong ethics for being partly wasteland-raised. Primary Goals In Life: Well, heâs always seeking out knowledge. His preteens and teen goals were probably like âbe gay, do crimesâ and now him just really wants to free the Mojave from all hands that seek to own it. Because fuck them all. Especially Benny. Heâs not sure how figuratively or literally he means that fuck either. Definitely something to figure out to. Languages Known: English, Latin, Spanish, and some Mandarin Chinese. He spent a lot of time studying and learning when he was younger. Secrets: He lost his right eye as a child and thatâs why he favors melee weapons and why his perception is pretty low. He refuses to tell people because itâs a bit of blind spot for him and people have taken advantage of it in the past.
Savvies: Generally intelligent, but he definitely has a good handle of the Medical, Science and Repair skills. He really loves robots and robotics too.Â
|| Physical ||
Build: Slender / Scrawny / Bony / Fit / Athletic / Herculean / Babyfat / Pudgy / Obese / Other Height: 5â˛7 Weight: (...I canât calculate out realistic weights so whatever is reasonable for someone his size?) Scars/Birthmarks: Two scars on opposite sides of his head. It looks like it could be an entry and exit wound of a single gunshot to anyone who doesn't know better, but it's just the lingering marks of the two times he's been shot in the head. 1 Luck, indeed. Abilities: Extremely skilled combat medic, great at hacking both systems and robotics, can swing a golf club like its expertly sharpened machete, and he is a devastating liar when he has a motivation to lie. 'I've learned while, at least at first, it seems like the young courier wears his heart on his sleeve, it's just solidifying intent. You see what he wants you to see and when the pure extending depth of that finally settles into your bones⌠Well, I'll let you know when the chill leaves mine.' Restrictions: Incredibly guarded and emotionally closed, he has put up all the walls and scaling them is not simple or easy, absolutely hellbent on revenge when people slight him, very flirtatious but refuses to allow anyone past that stage, the very definition of hot and cold.
|| Favorites ||
Favorite Food: Grilled Nightstalker Tail! He'll also fist-fight a deathclaw for a box of Sugar Bombs. Favorite Drink: Purified Water, always. Though he's fond of Black Coffee and whatever it was that Dean made while he was scrambling around Sierra Madre. Favorite Color: Purple and yellow, as it reminds him of wildflowers. Favorite Music Genre: He's not picky. Whenever he can safely listen to something to fill the void, he'll take whatever (especially if itâs coming from ED-E). Favorite Book Genre: He devours any book he can get his hands on. That being said, folk tales and TS Eliotâs Wasteland are his favorites. Favorite Movie Genre: I don't think he's ever seen a movie. And if he had any interest prior to the events of FNV, Old World Blues completely killed it. Favorite Season: Winter! Favorite Butt Type:Â Classified! Favorite Swear Word: Fuckâs a good classic. Favorite Scent: Inks, old leathers, and rain on cement. Favorite Quote:Â âExvrgat Devs Dissipentvr Inimic.â The words themselves arenât particularly significant to him. Itâs just whatâs on the sixpence coin his father left for him and something his mother often hummed to him like a lullaby at night. Itâs something like âlet God arise and His enemies be scatteredâ.
|| Fun Stuff ||
Boss Theme Music: My Songs Know What You Did in the Dark (Light Em Up) by Fall Out Boy. The song links to a Homestuck AMV because I always pictured Six doing at least one Kanaya 3x Showdown Combo Curbstop in his lifetime, so itâs extra fitting to me. Loud Burper Or Soft Burper: Generally soft. He's spent a lot of time traveling alone so he tries to minimize his presence. Sings In The Shower: Yes / Not Really, No Likes Bad Puns: Yes / No / Only if they are relevant to the situation
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