#i want to read it and form my own opinions

[xdinaryvamp]

ᶻ 𝗓 𐰁 .ᐟ 🩷 ` teasan "never seen before"!!

where a mysterious stranger starts leaving notes in the books you read, hoping you'll write to him at the number he gave you.

genre : fluff, "secret" ( non so much ) admirer, gn reader.

pairings : bookwarm!taesan × bookwarm!reader.

if there was one thing you loved with all of your being it was reading.

you loved getting lost in the pages, traveling on ink and imagining worlds. you loved that fictional world much more than the real world, and you took refuge in it whenever you could.

books had made you know thousands of things, allowed you to experience emotions you had never felt before and created a corner that was just yours. the problem? they had also made you a hopeless romantic.

the characters in the stories were very different from the people who populated your daily reality, yet so plausible that you confused them with something possible in your everyday life. but it wasn't like that.

real people were much less predictable, more selfish, and less intelligent. not to mention the fact that you couldn't form an opinion of them at the end of the book, you had to get hurt to really get to know them, and you didn't want to suffer.

yet, even though you were aware of this rift between your two worlds, you continued to hope for that love similar to the fiction you read.

that's why that afternoon you had to do your best not to start laughing like an idiot all by yourself.

it was a day like any other, and taking advantage of the free time you took refuge in the library. not that you didn't like reading on your own at home, but there was an atmosphere in that building that made you feel at ease, so you went there as much as possible, even several times a week.

that particular day, you had to go to the bathroom, so you momentarily left the book you were reading on the table that was in front of you.

upon returning, inside the book you found a note, folded in two and hidden inside the page you were reading.

----- ☆

“i certainly have not the talent which some people possess, of conversing easily with those i have never seen before.”

i've seen you reading ‘pride and prejudice” two times this month, so i read it too, it was beautiful. you intrigue me, but i don't like starting conversations with people ( the quote should already be explanatory of this ). would you like to write to me first? i want to know more about you, besides your pretty face.

my number: ××× ××× ××××.

----- ☆

on average you wouldn't have done it, but the note in the book was too cliché that it didn't make you smile, and besides it made you curious.

you wrote to him. he had a photo of kurt cobain as his profile picture, so you had no idea what his face looked like. but you didn't care, you wanted him to remain a mystery.

you talked all day about books and music, and you were fascinated by his calm manner which was even noticeable in the messages. he would ask you what your favorite books were, and then he would read them. he would send you his playlists, and you would listen to them until you fell asleep.

he also complimented you from time to time; “you look beautiful”, “i loved the way your hair were styled today”, “i couldn't read anything, you were too distracting”.

you, on your side, never turned to see who those messages were from. you had an image of him, and you didn't want to ruin it.

teasan -that was his name- was your personal fictional boy, the crush you always wanted to have. what if meeting him ruined everything? you would have been destroyed by this.

you continued to talk to him for months, finding, those few times you left your seat, little notes and pieces of poetry in the book you were reading. they were never too romantic, but they still made your heart beat.

you always had to try your best not to react too much to these small gestures, especially when there were people around you.

like that morning, where the seat next to you was occupied by a beautiful boy busy reading a book by murakami. he looked like one of the male leads of a fantasy romance, with his soft black hair and a serious expression. in another circumstance you would have paid more attention to his appearance, but not that day, because in the moment in which you went to get a coffee from the coffee machine, another piece of poem had been inserted into your book.

----- ☆

[ . . . ] those rare strangers

who make me

catch my breath

the first time we meet.

[ . . . ] i am drawn to them

but do they see me?

or am i just part of

the wallpaper of their life?

susan ash. “first encounters”

----- ☆

you did your best to except smile as you placed the piece of paper in the pocket of your jeans. you had saved them all, and kept them in a box in your bedroom.

“i certainly have not the talent which some people possess, of conversing easily with those i have never seen before.” the boy next to you spoke, without moving his eyes away from the book he was reading.

your heartbeat lost a beat recognizing that words. “i'm sorry, what?”

he looked up from the book, and you were enchanted by the beauty of his eyes. you wanted to believe that he was the notes boy, that he was taesan, the guy you had a crush on, but you didn't want to disappoint yourself.

he smiled, and then he closed the book he was reading. “i don't want to be just the wallpaper of your life anymore, y/n.” he said, and you convinced yourself that it was really him.

“i would like to be a more tangible part of your life, if you'll let me.”

and of course you agreed. you were already in love with him, and by now the fear of the first meeting had vanished. there was nothing that could stop you from living your real fictional story with him.

[revolutionsingingintherainnn]

masterlist ✩₊˚.⋆☾⋆⁺₊✧

hi hello welcome to my blog!

my name's kavi! i'm from india! i'm a writer, and i really enjoy writing for all my desi readers. i've been writing fanfictions only for the f1 drivers right now, but i may expand my fandoms eventually!

i'm a huge fan of tangled and how to train your dragon. i enjoy reading romance. i'm a published author. i have a doggo. i am mentally ill and neurodivergent but i'm bisexual, so it cancels out (it’s a joke, guys. tho, i am all three of those things). i have also added my most favourite playlist if any of y'all wanna enjoy!

this is my prompt list, so y'all can select a number, give me a driver and i will write it as soon as possible! i also have a google form for a taglist if anyone's interested! you can sent in your requests here :) i don't write smut. it's something that i haven't tried writing before, and i am not sure when i'll be comfortable enough to write it, so please don't send me requests for smut! i will be posting once a week, usually on a sunday!

i do want to make one thing clear though. i may be a lando norris, oscar piastri, carlos sainz fan, and i may defend them with my life, but i will not accept any sort of hate for any of the drivers. i will defend all of them with my life. i understand that this is a sport and that everyone is entitled to have their own opinions, but if i wanted hateful comments, i would've gone to twitter. i intend to make this a safe space for everyone. f1 beginners can ask questions if they want, and i can answer them to the best of my understanding. y'all can also just ask me stuff and just talk to me! but, any kind of hate, i will be blocking.

my works ☄. *. ⋆

☾ ln4

⭒ khichdi (desi!reader + fluff)

⭒ aakhon mein teri (desi!reader + smau)

⭒ comfort (fluff + comfort)

⭒ postcards (fluff)

⭒ superstitions pt1 pt2 (desi!reader + fluff)

⭒ crazy ex (fluff + humour?)

⭒ curling iron (fluff + humour again? + smau)

⭒ tumne jo kahaa (desi!reader + fluff)

ʚɞ mv33

⭒ swear words (desi!reader + fluff)

⭒ no words (fluff + kinda wholesome)

[dippedinmelancholy]

For all there is to complain about ACOSF - I am certain huge portions of it were taken out and rewritten. Particularly in regards to Mor. There's a reason the Christmas Special has a focus on Mor, in her perspective, with her memories and emotions. She has a particularly sharp dislike of Nesta, even going so far to say Nesta should be locked away where women are raped, sold, and are viewed as items, not people. She says Nesta would fit right in, but the unspoken bit here is that Nesta DESERVES such treatment for her "viper's tongue", because lets be honest. A cruel tongue is literally the worst of Nesta's sins. She never goes out of her way to hurt anyone, she doesn't care for it, nor does she have a taste for it. Of all the people to talk to Cassian after Nesta initially arrives at the HoW, it's Mor. Not Feyre, to check on how her sister is adjusting. No, it's Mor, who scoffs and laughs at Nesta taking a depressing nap (because that's exactly what it is, at least when you're asleep you don't need to be in your own head). And then. . . nothing. A huge gap between this, and Mor being the one to teach Nesta the Hewn City dances, which doesn't get it's own scene. Nothing between this and Mor requesting to come see Nesta and the priestesses train, and Nesta saying the other girls would like that. It feels so empty and weird that there's no scenes between this. When there clearly could have been some kind of written scenes to show development between Nesta and Mor, especially since Nesta has SO MUCH in common with how women in Hewn City are raised. Her virginity prized and used to secure a marriage, her mother grooming her, her father borderline abusive, being a survivor of SA herself, being willing to sell herself to Tomas to keep her family alive because it was all she had, her body, her virginity. Then, Nesta recklessly fucking the first person she can with no feeling, because in the land of the fae, her body has no worth now. A purposeful scene between Mor and Nesta rather than yet another meaningless smut scene, maybe even directly after Kelpie tried to SA Nesta, followed by the learning new dances scene, could have done so much. It could have proven to Mor that Nesta doesn't want to hurt Cassian, she literally never has. A mirror reflected of the brutality of being a woman, human or fae. An understanding that a mask is just that, a mask. It could have given worth to the "friendship" of Cassian and Mor, rather than Mor is just pissed Mor isn't her plaything anymore. I think that's my core problem with ACOSF. It feels as though so much else could have been written at one point. Instead, there's so much that we're just supposed to accept as "This is how it is now, problems gone!". ACOSF really leans on telling instead of showing, which makes it a really horrible read in a world building way, especially since CC3, and more than likely more books in the future, intertwine with these characters so much, expecting you to believe in them and their bonds.

[welcometogrouchland]

[ID in alt text] my magnum opus

[cecoeur]

🤷🏻‍♀️

[franollie]

inside of you are two wolves…the one that really doesn’t want to watch invincible and the side that wants to watch it and write a 30 page essay on it

[the-judicial-assistants-notebook]

Okay. Let's talk about Kay in The Forgotten Turnabout.

I've mentioned in a post before how I think Kay doesn't have a purpose in AAI2 (as in, AAI was all about the Yatagarasu which is her story, but AAI2 generally has nothing to do with her, and you can see this change just by looking at how she's positioned in the promotional material for the two games:

[left AAI; right AAI2.] In the left poster, while she's at Edgeworth's back, it's clear that they're both the main focus. In the right, though, she's on par with Gumshoe).

And I think the result of her slight lack of direction in the game culminates in what happens to her and her character in Forgotten.

From the beginning of AAI2, you can kind of tell that Kay was written to a bit different from how she was in AAI. She's still fairly consistent with how she was there, but the game kind of bounces between her original characterisation and her newer one, where she's slightly denser (see her calling the laser pointer a mole in Target, when she should definitely have known what it was; and them explaining to her what a prison is in Imprisoned like she wouldn't know??) and less concerned with maintaining formality around Edgeworth, although they haven't interacted since the end of AAI (see her partner opening line changing from "Yes?" to "Yeah, what's up?"). She also seems more eager for his approval (there are a few times when she questions/asserts her effectiveness as an assistant when I don't remember her ever doing that in AAI), and, overall just a little more like Maya.

In Imprisoned, when she freaks out, Kay hits Ray, which is notable because we've only seen her resort to violence before on purpose and as a child (whereas Mia/Maya have both hit people out of emotion). I'm not going to go through the whole game, but I bring it up because there's an argument to be made that they're trying to replicate the Phoenix-Maya dynamic and push the Dadworth interpretation in AAI2 -- probably because they realised it'd be popular with the fans -- and this comes to the forefront in Forgotten.

First, just a note about AA's amnesia cases. The thing about these cases is that they're usually done to explore some formerly unseen aspect of a character (as is with Phoenix and the one in DGS), BUT they're always true to the nature of the character (as is most clearly observed with Thalassa). This is... not so in Forgotten.

The parts about Kay that appear to remain in Forgotten are her politeness and sense of honour, both of which get dialed up to 11 and both of which we already know she possess. Everything else about her personality, though, is altered and has always reminded me of Iris (if you made a parody of Iris's soft and seemingly delicate nature). That's mostly because (1) they have similar sprites

and (2) because they're rehashing Edgeworth's mini arc in T&T (which I don't mind because T&T did leave room for that concept to be explored further) where he acts as the defence for, you guessed it, Iris. Looking at it more closely, though, I can definitely see bits of Maya mixed in, too.

The most obvious parallel to Maya, and by extension Phoenix, here is that you act as a... not-prosecutor who defends their assistant from murder charges that even they think they might be guilty of (Reunion, and Turnabout, anyone?). Just like Reunion Maya, Forgotten Kay has poor self-esteem (albeit to a greater, comedic degree), thinks of herself as weak and useless, and becomes reliant on Edgeworth for both her emotional and situational needs (this is not a dig at Maya; she was in jail after having her first big channeling session result in death. Her reaction was natural).

Another less serious but obvious alteration made to make Kay seem more like Maya here is her relationship with food -- which I know sounds ridiculous but!! It's really what tipped me off to her Maya-fication to begin with!!!

You see, in Forgotten, there's a point where Kay talks about hamburgers:

Kay: Umm... OK. I remember a faint scent... It was a wonderful smell coming from the counter of a food stall... I followed the fragrance, only to find a perfectly sculpted burger, resting on two golden buns... The tender and juicy patty made my taste buds sing with joy... Yes, I can remember what I thought at that moment! ...I want seconds!

The thing about this that stands out to me is that you never get a line about food like this from Kay in AAI; and I know this, because not only is the only time Kay ever brings up food in AAI with regards to Swiss rolls (which are notably her favourite treats), you have the option of presenting food to her, which gives you this dialogue:

Kay: It's a box of Samurai Dogs, right? Ah, but see, I'm a Jammin' Ninja fan! So, while I would love to have one... I'm going to be strong and resist the urge!

She would have one but she'll refrain. It blatantly goes against how she acts in Forgotten, and it's so obvious that they only did that to make her more like Maya!!! They even use burgers!!!!

So why am I even getting all uppity about this? There's nothing wrong with being like Maya is there? She's a great character. And, yeah, she is, but the point of Kay is that she's meant to be a foil to Maya... and Edgeworth.

Both Maya and Edgeworth lost their parents at a very young age. So did Kay. But, unlike Maya and Edgeworth, Kay was specifically written to have had the emotional support and strength she needed to move on from her father's death. Her character was created in a way that shows how you can still love and respect a dead family member (and choose to continue their legacy) without being held back by grief and trauma the way Edgeworth largely is. By making amnesiac Kay behave in a way that is so self-deprecating and reliant on other people for her emotional needs, you are implying that this has been who she is deep inside all along and diluting that message of being able to move forwards while still holding onto your love for the people you've lost. It undermines the resilience that has been a part of Kay's core as a character from her conception, and basically flattens everything that makes her... Kay.

Now, this is obviously not great, but what really gets to me about this is that they didn't need to do this for the case to still work. They could have given Kay a milder form of amnesia, where she has a gap in her memory regarding why she was up on that roof and what happened, and the story would have largely functioned the same way. The only reason I can think of for why they do a complete 180 on her personality is because they wanted to use her to develop Edgeworth's character.

Because think about it: we've seen Kay put in a position where she's been accused of murder before, and that didn't affect our or Edgeworth's desire to save her. That drama and the feelings invoked by placing Kay at such risk would still exist; the only thing that would change is Kay's reaction to it. We know from Ablaze that she wouldn't just fold and rely on Edgeworth's help; she would fight back. Her behaviour in Forgotten just doesn't quite align with her usual character (aside from being extremely honourable and polite), which makes me wonder why they did it. And the only answer I can find is that it gives Edgeworth someone to 'save' in the greatest sense of that word (because, remember, she's also extremely emotionally vulnerable and dependent on him here) and furthers his development as a character.

You remember at the beginning when I said Kay didn't have a purpose in this game? I think the developers felt that, too, and they decided that her purpose would be to make Edgeworth a better person and strengthen his arc by giving him someone to protect, without really considering what this would do to her character. This case was never about Kay; it was always about Edgeworth. And, honestly, that should have been obvious from the very moment you realise that Kay is being granted an amnesia plotline, because that whole thing about amnesia in AA being used to reveal parts of a character previously unseen? Yeah, that was never going to work with Kay. Because Kay doesn't wear a mask. She is who she is... until she isn't.

Honestly, I've said pretty much everything I wanted to say about Forgotten and Kay, so thank you if you've read this far. I really appreciate it 💝💖💕 The rest of this is me basically talking about how this change affects my feelings on the game and this interpretation of the Kay-Edgeworth dynamic, so you can stop reading now if that doesn't interest you and still get the basic point of this post.

I suppose I'll start by reiterating that I do like AAI2 despite what it may seem. The characters it introduces are some of my favourites in the franchise, and, in fact, the actual plot of Forgotten with the PIC is my favourite part of the entire game. I thought it was brilliant, but I just needed to get this out because... I don't know, it was bothering me for some reason hskdhdj Like, AA has some amazing female characters, but I know better than to go into it expecting some kind of boundary-pushing piece of new feminist media, believe me; it doesn't surprise me that they used Kay to push Edgeworth's character forwards. It is his game, after all. But I guess it's just a little frustrating to see after they genuinely achieved something great with her characterisation in AAI only to... there's no less inflammatory way to put it, infantilise her? a little? for the sake of developing a male character?

(Especially when I don't think Edgeworth even needed it?? Like, I'm pretty sure he would have been just as adamant about saving her if she had been her normal self so mmm???? It was likely just done to make him seem liked he'd be a good father and up his popularity a bit more, honestly. As if he needed it).

Again, I have no issues with anyone who enjoys the father-daughter (or brother-sister) dynamics pushed by this case; it's literally in the text, I can't say you're wrong for it and like. My opinion shouldn't matter to you anyway! It's fandom, do what makes you happy. But I personally can't get past what is actually being suggested when the game, or fanworks, echo the traits grafted onto Kay in this case within them. Like what it means when she's essentially made to take a few steps back so she's less as at peace with her father's death than she was when we first met her, or less independent and self-assured than she usually is -- especially when this is done only for an older male character (most likely Edgeworth but it could be anyone) to come in and either see themselves in her, thus coming to a conclusion that helps them better themselves in some way, or take on a "fatherly" position that lets them comfort her back to a level of confidence she would usually be at anyway, while simultaneously coming across as being such a good person (which is usually the focus/point of these kinds of things).

And, like, if you don't see a problem with Kay's characterisation in this version of their relationship, that's perfectly fine! If you think I'm reaching and do enjoy the Dadworth dynamic for what it is, then please don't let me rain on your parade. My main thing is that I want better for Kay, and this case just didn't satisfy my need for that.

Anyway, yeah! That's pretty much it. Thank you so much for everyone who read all of this, and I hope you got some amusement out of it if nothing else. Feel free to tell me your thoughts, too!

[sysig]

I like him a normal amount (lying) (Patreon)

[the-casbah-way]

WHY is emailing potential supervisors so intimidating. like hey esteemed academic in the field i aspire to become qualified in do you want to put up with my stupid fucking research project. do you want me to plague you with emails for the next year. do you want me to ruin your fucking life you poor innocent soul ensnared by your duties to inarticulate sleep deprived classics students. god

[alkimea]

and if i start posting on substack about the books i read/movies i watch then what

[lewmagoo]

i’m going to bed but i placed a hold at my library on salem’s lot and i just got a notification saying that it’s available to check out 🥳🥳🥳

[thoseyoulove]

Just starting this chapter... How do y'all feel about Jesse?

[jesse-pinko]

Me whenever I get to the obligatory visit-the-Tribe book in a Warrior Cats arc

[firebirdsdaughter]

Looking back at your Ask box…

… And realising you have Asks going back at least two years…

Which is a good thing bc I just accidentally found out someone blocked me that I think I only interacted w/ them all of once and I'm not sure why but I might know why and now I feel bad, and…

… Yeah. I'll. Uh. I'll go think about the Asks, maybe.

[iwritenarrativesandstuff]

I have found the Trigun manga!!! I'm going to finish watching Stampede first but then I think I'll jump into it. :)

[danothan]

i love having dc mutuals! would love to follow one some day…