#i want this show to get its natural conclusion!!

[alternating-b-w]

a lot of people nowadays, when consuming media, do not have the ability to adjust their mindset and expectations on what should happen to the actual events of the story. people expect found family partially because they lack emotional immaturity or life experience.

i don't want to sound like a snob, but the popular fiction landscape is dominated nowadays by fanfiction or wannabe fanfiction- genre fiction that labels itself with ao3 tropes. you know the sort: cozy fiction, brandon sanderson type stuff, or honestly? if i see an anime genre in a native english language novel, like magical girls or mecha, i run. they are best suited to visual media for a reason. this is my personal opinion, so don't jump me for this, but these works don't tend to deal with emotional matters in a complex, subtle matter. when there is a romance story, you get a character who says "i hate this guy, he's kind of cute- i mean a BITCH." when someone suffers, their response is measured or defined in what angst trope do they respond with. they are cut and paste characters designed for emotional gratification, behaving relatively similar across the board regardless of how someone about the same age, gender and in the circumstances as those characters would behave. i could further go on about how how this in part stems from not really examining the culture and mannerisms of the opposite sex (and yes, i used the word sex, because it's important to analyse gendered socialisation when understanding how someone relates to their gender in present, cis or trans) to oneself when writing, but i digress. my main point is that the anime community tends to be bedfellows with those sorts of literature fans.

meanwhile, golden kamuy doesn't really have stock characters, aside from maybe shiraishi.

for example, sugimoto's a wanderer with ptsd, but there's no mystique or affected melancholy to his trauma, i.e. no real whump-bait. a less thoughtful writer would stop the brakes on the story midway to kick in the ye olde 1900s japanese therapy-speak and have him solve his issues that way, or have him cry and open up about his trauma regardless of him not being the sort of person to do that.

likewise, tsurumi's a manipulator, but he isn't a mustache twirler or a ragyo kiryuin clone- he's eccentric, charming and makes his men feel they owe him without him ever holding it over them. the actions he takes in the story create a logical conclusion of his men being loyal to him. a lesser author would have created a character who is a manipulator because they said so, even if in real life the character's men would all actually scared of him or would probably be offput by him trying to overstep their boundaries.

then, there are the characters who are 'useless', but are still present such as kadokura, kirawus, or vasily. we understand their emotional states, but equally that the main cast dont want or need to be their best friends; this making everyone feel real because it shows where the main casts priorities lie! kado and kira were certainly aware theyre werent pulling their weight compared to anji or ushiyama, but they didnt really give a fuck because kadokura had already did hijikata a massive solid with the prison break-in. meanwhile, vasily can't even speak japanese and followed sugimoto's group for the sole purpose of jumping ogata. he wasn't there to make friends and the story's not, at its core, about making friends, so why on earth would vasily end up being friends with sugimoto? gk respects every single character's agency and motivations more than making the reader feel warm and fuzzy.

however, when one doesnt think critically about characters and how their circumstances should impact them, it's easy for one to default to the mental comfort zone: tropes. likewise, when one doesn't spend much time in a highly competitive environment like the events of gk, they cant quite comprehend the fragile nature of the relationships made in those circumstances. so, to maximize emotional gratification, a somewhat friendly group now becomes a found family.

now the ogata issue starts when when the reality peeks through- ie, that every character bar asirpa has tried to kill each other at some point, the classic fanon 'fuck canon i do what i want' mindset kicks in. here's the thing- ogata is one of the only characters to which you really can't 'fuck canon' your way out of. even usami's quirky enough that you can easily box him in as the yandere sort, but ogata killed his mom, dad and brother over deep-seated daddy issues. it is very hard to defang the character into making him have the found-family appeal, especially as the story progressed and he went from weird quiet guy with sad backstory (which is still workable) to telling asirpa "do it pussy you won't." there is no way to turn ogata as we know him into an archetype fit for emotional gratification without removing a lot of what makes ogata ogata, as he would rather kill himself than show emotional vulnerability or change his mindset, so he becomes the odd one out when talking about the different groups in gk. thats what i think.

I mean... I am a person without a lot of attachments. I don't have a lot of trust in people, and I generally view people as simply everybody on their own path.

So then when I read other people's interpretations of gk, I'm often confused because I don't really understand where they're coming from.

For example, the idea of loyalty seem to be really important to a lot of other fans. Ogata is interpreted by almost everyone as a untrustworthy, with no loyalties.

But I don't understand why anyone in this story needs to have loyalties or why loyalty is even a good thing.

Everybody has completely different motivations and wants.

Tsurumi wants to split off a piece of the military, and use it to regain territory in Russia Where his wife and child are buried.

Hijikata says that he is looking to revive the Republic of Ezo, but actually he doesn't have the resources, or the time to do that so really he's looking for one last great battle and to die under that banner rather than to set up and new independent political entity.

Shiraishi has no real goals and just likes his friends and would love to get some money out of it. He later takes on Boutarou's goal.

Ogata has no real concrete achievable goal and is looking for an abstract sense of worth.

Sugimoto also has no real concrete goal and is using the gold hunt to avoid confronting the fact that he really has no place to return to. He says he has to get the money before he returns to ume, but this is just a prerequisite he set for himself, to delay returning. Ume isn't waiting for him, has no idea that he's out trying to get the money for her, and doesn't even know if he's alive. Despite all of the importance that he places on returning to her, he is a non-entity in her life, in the same way that Ogata is a non-entity in his father's life. The similarities and differences between Ogata and sugimoto is best left for another post.

Asirpa...... is a 12-year-old girl and is still trying to make sense of the world.

Many of the soldiers don't have any goals of their their own other than following orders or impressing their commander. People like Inenaga, ushiyama don't really have any aspirations for the gold. They just seem to be along for the ride since they have map tattoos.

My point is....

These are all clearly people with individual and completely different goals, to which the gold is just a means to an end. So I don't understand why loyalty is considered important, in fact I don't understand why it's a thing at all.

So given that ..... I don't understand why Ogata is considered a disloyal betrayer....

When I read comments by other readers, it really feels like there's an expectation that these groups be a found family of sorts. A place of trust and loyalty where people support and mentor each other and it makes no sense to me.

Like that's something you expect from the military. Members of the military are supposed to be brothers in against a common enemy led by a father figure and it is explicitly pointed out that this is not the case.

People bully each other, sometimes severely. The father figure is self-interested and the only sees his men as pawns. There are shifting loyalties and factions with their own goals in the same unit. The military is not a family substitute. Gold hunt groups are not a family substitute. Even family do not present the kind of loyal loving support that people seem to expect.

So I just..... I straight up have no understanding of why Ogata is considered to be a betrayer, because I don't understand how loyalty is a thing here. I mean to me, the very concept of loyalty in this story seems to be a lie used to manipulate people seeking identity and belonging, and have them be willing to die for the group.

When I look around on forums and discussions it seems like most people do not share this interpretation. People interpret media and events is through the lens of their own experiences. And I actually keep wondering if I'm missing something huge. Like if other people interpret loyalty in a totally different more meaningful way, what are their experiences that support this belief?

Just Curious

TLDR: this is not a story about found family as much as you want it to be. Instead it's about each person finding a place for themselves....not everyone is looking for a family.

Edit: I guess this is sort of meta. The reason I have this interpretation because I have a long history of working for corporations, and despite the found family culture that they try to create and all the team building exercises, people are constantly gunning for each other, trying to get people fired, taking credit for other people's work, making people look bad in front of management to elevate their own status, trying to jump ship and go to other companies in the same industry with proprietary knowledge... so my take on this whole story is that..."this is simply how people operate."

Like I've been on team building exercises with the company where everybody an outdooring trip and bonds over canoeing, and then immediately the next day people get back to trying to get each other fired.

That's just how people are. People form connections over all sorts of things, but that doesn't mean that they aren't out for themselves or that the connection will always exist, or that the connection is deep or that the person is loyal to you.

[nyaskitten]

Ninjago 2024 Update

Kevin Burke has recently confirmed the second season of Ninjago: Dragons Rising, will be the same length as the first season, but they're unclear on if there'll be a third season/how long it'll be. That's why we, as fans, are advised to continue watching and maybe spread the word or something so they can continue to tell the story they wish!!!

[snekdood]

the stereotype of rwingers becoming trans and then trying to become leftists shouldnt be a "ewww you're morally impure and havent been a perfect progressive since you were a fetus like I have" type of thing, if anything it should open up a broader conversation on how a lot of people amab are basically from day one being indoctrinated into the right thus making it harder for people to accept themselves and thats very concerning and we need to do something to stop this.

[prokopetz]

Something I love about The Far Roofs is how much of a swerve its premise is if you're coming to it uninitiated.

Okay, so there's these talking rats with a culture of swashbuckling heroism – basic Redwall/Reepicheep stuff.

Also, there's a magical realm called the Far Roofs which exists above every human community, and that's where the rats go adventuring; a little weird, but you can see the precedents in popular fiction. It's like wainscot fantasy taken to its logical-yet-absurd conclusion.

By default, the game wants you to play as a fictionalised version of your (presumably human!) self and go up onto the Far Roofs to have adventures with the rats. All right, now it's coming together: it's like isekai fantasy meets The Muppet Show, with you as the obligatory human character, right?

Then we get to the nature of those adventures: the rats have this whole culture built around questing against beings they call "the Mysteries" – beasties with names like Harpy and Goblin and Unicorn. So basically it's a bunch of muppety rats on the roofs fighting Dungeons & Dragons monsters, and you go up and help them do it. Great.

And then you get to what the Mysteries are actually like, and... well, I'm going to let the following excerpt carry the weight here. (This particular bit of text also appears in a previously published work by the same author, so I'm not giving anything away that's still under wraps.)

Unicorn, which is named Numinous, dwells three steps away and beyond the world, but most often in the Farthest Roofs, where the Steppes of the Sky come down to touch the Vast and Earthen Court. There it is stepping upwards from the world, as it has always been stepping upwards from the world, caught in a moment of transcendent glory that does not complete. It simply is. Melanthios heard the footsteps of Unicorn. Melanthios heard the ringing of Unicorn’s bells. So Melanthios chased Unicorn off to the Farthest Roofs, and Melanthios did not return. Anton and Karel, who were his sons, were wiser than their father. They heard the bells but they did not follow. Instead, they memorized the scent. They gathered swords, and ropes, and nets, and they went out. They brought food and water and all manner of gear. They clung to the roofs with all four feet wheresoever after Unicorn they went. It proved no good. Anton looked up, and Karel to his brother. The world came down— That’s what Karel said. He had time to look away. He had time to bury his head in his paws. He did not see the fullness of Unicorn’s presence. He only saw Anton his brother become unreal. In the light of the moment of the Unicorn, Anton became as a paper figure in the fire. His reality burned out. His shadow seared into the roofs behind him. Where he’d stood, for just a moment, the Steppes of the Sky came down to touch the Vast and Earthen Court; and Anton was gone away. So Karel ran and Karel ran and Karel ran from the Unicorn; and all his life, he envied but was more fortunate than his brother.

These are gods. You're going up there to kill God.

Like, it's still silly wainscot fantasy with funny talking rats, but there's that tension. It's like if Fraggle Rock occasionally took a hard turn to serious cosmic horror – Lord Dunsany by way of Jim Henson – and that tonal juxtaposition was treated as something unremarkable.

Basically what I'm saying is go back The Far Roofs.

[tackykachowch]

Silco was set up to be Fishbones from the start

Disclaimer: I won't take season 2 into account At All, because it can't work with setups and payoffs even if its life depends on it.

Alrighty. As we've seen Season 1 paid a lot of attention to set up canon things from LoL into the show as naturally and logically as possible, and at least from my point of view, it handled the job with flying colors. Jayce's hammer, Vi's gauntlets, Vander/Warwick etc, nothing felt out of place. But how does Silco fit into this at all? Let's get down to business to defeat the huns

First of all, what even is Fishbones? In the canon of LoL, it's one of if not the most iconic weapon Jinx has. And it is not only a weapon to her, but a loyal and "beloved" companion, as it's described in one of her skins. She constantly talks to it, and in contrast to her chaotic and impulsive nature, Fishbones is very pragmatic and calm. Sounds like a certain someone, doesn't it? But let's not get ahead of ourselves.

But how does Silco go from being Jinx's father to one of her weapons? There are a lot of points that support that actually, I was surprised myself ngl.

- Silco is the only character in the entire series who is directly and tightly connected to water and underwater creatures. Silco was "reborn" in the water when Vander tried to kill him, the first office he had was placed under the water, with a huge observational window. Silco is also fond of underwater creatures, and while other people call and see them as monsters, Silco pays no attention to it, as he thinks that there's "a monster inside all of us". And here's Fishbones, who is designed after a shark, arguably the most famous "underwater monster". But what is more interesting is that it debuted is the finale of season 1, which is titled "The monster you created". Quite a throughline there.

- Silco was the reason behind Fishbones' creation in the first place. While it does seem that it all started with Jinx, who stole the hex gemstone on the Progress Day, we also need to remember WHY she did it. She did it to impress Silco specifically, to make him to be proud of her. This want was triggered by her screwing up the smuggling mission earlier that day, and while Silco didn't scold her for it much and only advised her to rest for a bit, she saw this as him thinking that she's weak. So, after all of this Silco asks Jinx to make a weapon with the use of gemstone. Not necessarily to use it against Piltover, but to have it as a wild card if his plans go wrong. Jinx agrees and attempts to reverse engineer it, but it triggers her memories when she killed Mylo and Claggor with her bomb, so she tells Silco that she can't do it. He then goes to the river he was nearly killed in with her, and "baptises" her to help her let go of her fear of pain. This seemed to have worked, at least for a little while, because she managed to finish the weapon. So, in conclusion: Fishbones' creation was triggered by Jinx's want to impress Silco, and he helped her with its creation on every step of the way.

- this point is somewhat meta, but I'll use it anyway. In previously mentioned episode 9 Silco tells Jinx that everybody around them betrays them, and they have only each other to love and lean on. He says, quote: "Everyone betrays us, Jinx. Vander, her. It's only us". At the same time, in LoL Jinx says this line to Fishbones: "It's just you and me, Fishbones!". Well.....it's certainly a callback if I've seen one. Like- it's not even funny. They couldn't have written this line on accident.

- now onto the most interesting part for me personally. We all now that there are no accidents in animation, like. At all. Even if there are this is extremely rare, as every frame is created intentionally. Now, we do now that there are quite. A few discrepancies between writers and animators of arcane, but I don't think this applies in this particular case. Now onto the actual point. So, in the finale of season 1 Jinx kills Silco, and it's shown to us like this.

He's turned with right side ("human") of his face to the camera, while the left side ("monster") side is hidden.

As Jinx fires Fishbones at the council

It's positioned with its right side to the camera, which alignes with Silco's "monster eye". Also, Fishbone's eye has a black scar pattern around its eye, which again, resembles Silco's damadged eye. That could mean that Silco is once again "reborn", and now continues to live on in the monster Jinx created.

And here comes the most awesome part in all of this. When Silco adopts Powder, he hugs her and tells her

Do you see how the frame is positioned? Exactly. It is exactly the same framing scene with Jinx and Fishbones has. And, most importantly, when Jinx pulls the trigger, we hear the exactly same line on the background: "We will show them all". It simultaneously shows: that Jinx's attack on the council is her way of dealing with grief of killing Silco; her way of honoring Silco's fight against Piltover; and a direct transition of Silco into Fishbones. Although he's dead in body, but Jinx's memories of him and his voice now continue to live in Fishbones, her new eternal companion.

I am at awe with the fundamental work that's been done with this setup, and although s2 never followed up on this, I still can get enjoyment from the clear intent creators put here originally.

[greyedian]

uh oh part 2: I just read House on Emberflit Alley and... man I need to stop reading this stuff, bc it's just genuinely good. It's like... retroactively ruining the only storyline in s2 that I kinda liked :(

uh oh chat I just read Viktor and Jayce's league bios and I like it more than what season 2 did with them... like A LOT more

[ferrstappen]

primero llegó verstappen l MV1

a/n: MONACO by Bad Bunny. that's it that's the tweet. this isn't very long and its all over the place but I hope you like it <3

summary: Suddenly, Max isn't annoyed about being featured in a music video.

Max couldn't stop staring at himself in the mirror of a tent full of outfits, cameras and people moving from one place to another. In his mind he already did enough promo for the team, more than enough after being crowned World Champion for the third time and a huge contributor to the comfortable win of the Constructors Championship as well.

Maybe appearing in a music video was where he draw the line?

He wouldn't have an issue if it was him on his fireproofs doing a couple of laps in some closed circuits, maybe even some hot laps, but having to pose next to his RB19, wearing a faux leather jacket and showing one of his TAG Heuer Monaco Titan, because he was a walking billboard, was a little too much on his books, especially as a make up artist mixed different shades of some foundation, and Max was trying really hard not to take offense after he told him "his dark circles were incredibly hard to conceal".

Here he was doing favors and in return was being offended by his lack of sleep and naturally pale complexion.

He almost laughed after noticing Checo staring at himself in the mirror, the same confused and uncomfortable look on his face, and the same tight jacket as they contemplated the marina from above.

In conclusion, yes, this was well above his paycheck. Max also wouldn't deny he didn't thrill on the presence of paparazzi in quiet Monaco. granted, they were looking for the big star who was doing some shots around the city, walking hand in hand with his model girlfriend, but he could still make out some yelling for him and Checo.

Then, his day took a turn.

Some crew members wearing headphones and what he assumed were the assistants approached him and Checo, telling them this wouldn't take long since all they had to do was walk around the car, get in and out of the car, with and without the helmet, all while blasting the song.

A very catchy and good song that mentioned he was the first one to cross the finish line. At least he couldn't complain about that.

But he was internally complaining when, once again, he found himself on the make up chair with the same make up artist who had a problem with his dark circles, but this time the place was much different.

A sharp suit and this time a heavy Patek Philippe on his wrist as he walked inside the Casino of Monte Carlo. Now he was greeted by Bad Bunny himself, who thanked him many many times for being a part of this, and in return Max thanked him for even thinking of him for his song. They fell into a comfortable conversations about cars when the singer motioned for two girls to come over, one Max recognized as Kendall Jenner, the other he didn't know but was eager to.

"Max, this is mi novia, Kendall, and this is her friend (y/n). They're doing some stuff on the background, don't they look incredible?"

Max swore the designer dress you were wearing was painted on you, because there was no way it could fit so perfectly on your body, with a couple of stray hairs adorning your face and long eyelashes accentuating your eyes.

"It's so nice to meet you, I'm such a big fan of motorsport," you stretched your hand and it caught Max off guard, not really knowing what to do.

So he panicked and gave you a weird handshake before lifting your hand to his lips and leaving a kiss, and he had never felt more like a creep, but he noticed you blushing and a giggle leaving your lips.

You wanted to add something when the crew called everyone to start shooting, Benito and Kendall leading the way, and the only thing Max thought of doing was to offer you his arm which you gladly accepted.

The song was blasting as everyone pretended to talk and surround the roulette, but you and Max weren't pretending to laugh or to talk.

He even left Checo by himself, he'd forgive him eventually.

"I'm pretty sure the camera is on us in this moment," you told him through gritted teeth, trying to keep a perfect smile.

"What should we do?" Max asked, trying to hide his smile while doing his best to give you his best seductive stare.

You knew he was flirting with you and it was surprising. After seeing him on screens and social media you figured he'd be cocky, not having any trouble flirting with women every weekend on different countries, figuring out a way with foreign languages, but you never pictured him as a giddy, easily flushed, good for banter man, and the only thing you wanted was to leave this shoot and have him show you the city, dressed to the nines and maybe pretending to be cold in the end so he could put his jacket over your shoulders, and that way you could see him with just a white shirt and undone tie.

But you were getting a bit ahead of yourself, especially when you heard the director yell cut and tell you and Max to pay attention to the instructions, earning you the glare of everyone in the room.

"Ey, cabrón, que se están enamorando, déjalos solos!" Hey, they're falling in love, leave them alone. Those were Benito's words.

And God, was he right.

[thatneoncrisis]

could you explain your reasoning for butch harrow? im asking this in a way a student asks a master

ok so. up top: do i think harrow is butch in canon? no. god no. absolutely not. secret third category of person. not butch or femme shes just like A Guy who really fucking likes black

however i do think that between those two ends of a nebulous spectrum, being butch would be way more comfortable for her than femme, if we think of it in the most traditional sense for both sides. there are literally exceptions to every rule femmes can have short hair and wear pants, butches can have long hair and wear makeup yadda yadda. but the way she interacts with certain elements of her presentation in canon just felt to ME, PERSONALLY, that being traditionally feminine would freak her the fuck out

ive seen people compare her compulsion to wear the skull paint to a need to wear makeup and i. very much disagree. id see it more as like, an overtly religious thing, like a nuns habit or a hijab, its modesty and how she shows respect for her god, also routine, its as natural as putting on pants for her. and also frankly if it was an analog for traditional makeup that would be uuuuh awful. like I genuinely feel terrible for women who cannot even leave the house without foundation or contouring or whatever i dont know shit about makeup but holy fuck. if shes femme in that analog id be shaking her by the shoulders GIRL. YOU HAVE GOT TO BE A NAKED ANIMAL

another thing is her hair. so many people read her having short hair and immediately went to a bob or a pixie cut. and between tamsyns inconsistent description of the length of her hair in book one (saying its stuck to her face with sweat despite them being there for like, a month) and the htn cover being The best image we have of her, i understand that conclusion. but in the beginning of gtn its said its close cropped, tamsyn said on her blog post describing all the characters its "cut short (as benefits someone in a monestary)" which is a very interesting choice of words tbh. like im sute she didnt mean harrow is completely bald in the middle with a ring of hair but that Is the monk haircut. and then finally harrow says to gideon outright "i wont cut you bald-even though your hair is ridiculous- because I know you wont shave it every day" which i always took to mean being shaved down to the scalp is just how the ninth is traditionally. in harrow the ninth its said "occasionally ticklish rasps at your ears or forehead would frighten you numb before you realized ut was your own hair" indicating that she is not used to that length at all. also theres the fact that ianthe made her hair grow faster particularly to fuck with her. in short harrows haircut is shitty and utilitarian and any fussing with it has only been described in relation to her direct discomfort

finally theres that goddamn dress scene. why did ianthe put her in that stupid fucking thing. humilation tactic (im exaggerating but it basically was explicitly and exclusively for ianthes own amusement). shes such a simple girl, she just wanted something that could cover her up. its not impossible to have a longsleeved formless dress, but beyond my own opinion that i think harrow would have been uncomfortable in anything, i think the fact this like, explicit symbol of femininity is used to further degrade her in some sense in a room full of people who font reapect her feels like. intentional on the authors end. it quite literally just isnt her, its not even a true black its like a deep midnight blue. you get the pretty woman makeover scene but harrow comes out of it more miserable and resigned than ever. augustines approval means nothing. she looks in the mirror and sees her mother, a woman she appears to not have a single fond memory about. its all very sad

tldr when i talk about butch harrow its less about her "being butch" and more about how unfemme i think she is. also i want more butch4butch dykes i think gideon and camilla should teach her how to tie a tie.

[linkspooky]

If there's a next time, maybe I'll change how I live...

Sukuna's last moment in the manga ends with him accepting that his loss, and showing even the strongest of all time Sukuna, someone powerful enough to do what he wants, when he wants, could not only lose but he could be wrong. This is something considering that you could make an argument that the entire manga, and sorcerer society as a whole is shaped around Sukuna's morality of the pursuit of selfish desire and strength of all else. In fact someone else argues it right here.

What led to this journey of the most irredeemable character in the comics who lived only for selfish pleasure acknowledging the love he rejected in the end? Well, we'll cover that under the cut.

The Cycle

Before analyzing Shinjuku as a whole, I want to start with its conclusion. I'll first break down the final moment in Sukuna's character arc, and then go back to the start and analyze how we got there. That being said, let's get on with it.

Sukuna loss begins with him contradicting his own nature. I'll explain what I mean by this. If you read the thread above, detective_critics observes characters like Sukuna who live for themselves and characters who embody Sukuna's ideals like Gojo are rewarded in the manga whereas characters like Yuji who fight primarily for others are punished relentlessly.

This is well supported by Yuji's continual losses throughout the manga. Yuji swallows Sukuna's fingers in order to permanently execute Sukuna and stop future people from being harmed by curses, but because of Yuji's decision to swallow the finger thousands die in Shibuya. Yuji's desire to save others only seems to backfire and he's continually presented with those he can't save, Junpei, Nanami, Nobara. He's even robbed of his own purpose of being Sukuna's vessel when Sukuna takes Megumi's body instead.

I mostly agree with this idea that the manga rewards people more true to their desires like Sukuna and Gojo, but I'd like to add an addendum that the manga doesn't specifically reward selfishness, but rather self-actualization.

To backtrack slightly, Sukuna observes that many sorcerers in the past have faced him but they didn't truly believe in their ideals the way that Yuji did. Yuji is punished by the narrative yes, but he's not unceremoniously killed off the way that Toji, and Mahito are. Rather, Yuji's durability, his ability to cling to life instead of just dying off like Sukuna suggests weak people should do comes from the fact that his ideal is unshakable.

Let's look at Sukuna's words a little more closely. He says that many sorcerers killed him in the past and they all had different ideals, but none of them truly believed in their ideals. Because Sukuna could so easily point out how their idealism was false he came to think of all ideals as worthless. This is shown in the way that he easily picks apart both Gojo and Hajime, two characters who lose because they ultimately don't believe in their own ideals. Sukuna is very easily able to point out the hypocrisy in both of them.

Sukuna basically points out that Kashimo and Gojo were both happy to bully anyone who came near them, they'll throw around their power all they like and revel in their own superiority and then go back and complain about being lonely. A classic case of wanting to have your cake and eat it too, or as Sukuna said they were being greedy. They were the ones who rejected everyone around them, they were the ones who rejected the love they were shown, and yet they put the blame on everyone else.

Gojo even in death acts like everyone else is a flower, an inferior being incapable of understanding him. Yet, a few panels later he says that the fight with Sukuna the only person who rivaled him in strength and therefore shouldn't be able to understand him didn't satisfy him, and he would only have been satisfied if Geto were there.

These two statements contradict each other. The thing is, Gojo has at this point long surpassed Geto in strength. People often clown Geto on the fact that he never had a domain expansion, and that Kenjaku seemed to use his cursed technique far better than he ever could. Geto is someone who's far behind Gojo in strength, and yet he's the one who could satisfiy Gojo, not Sukuna. Which means Gojo was the one who was wrong. Gojo was betraying his ideals. He believed he was living to be the strongest, that he was satisfied being the strongest while all along wanting something else and it's that contradiction that killed him.

Let me make a brief comparison to another manga. Aizen from Bleach is a character with a god complex to rival Gojo's, and just like Gojo exists on a different level of power than everyone else. He is not only the strongest soul reaper, but one of the smartest, and has been isolated by that strength since he was a child. Aizen then believes that he needs to become god, because it's his right as a naturally superior being, but Aizen is a fraud.

Aizen loses becuase the hogyoku the source of his power rejected him right as he seemed to be at the peak of his power. However, Ichigo reflects that maybe the Hogyoku didn't reject him. The Hogyoku is in plot, a wish granting macguffin, that grants your subconscious desire. Ichigo speculates that maybe Aizen didn't truly want to ascend to godhood, but rather he wanted someone like Ichigo to defeat him. That he wanted an equal like Ichigo so he wouldn't have to be alone on the top anymore. Aizen not being fully aware of this desire and clinging to his sense of superiority instead, the very thing that makes him lonely is what causes him to lose. Aizen is cut down by Ichigo, and instead of becoming a god he becomes just another soul reaper.

Sukuna cuts through Gojo by cutting through the world, bypassing the infinity, and therefore making him just like everyone else. Just as Aizen wished to be just another soul reaper, Gojo becomes just another sorcerer now that his position of the strongest has been taken by Sukuna.

So Gojo's loss came when he betrayed his ideals. His stated ideal of "I am the strongest", but this was contradicted by what he really wanted which was the time of his life when him and Geto together said "We are the Strongest." Strength didn't satisfy him, but rather it was Geto and Gojo's inability to realize the real reason he was fighting leads to his loss.

The manga doesn't reward selfishness, but rather self-actualization. Characters with a strong sense of self are just more likely to be self-actualized, because they possess a deep sense of self awareness.

Sukuna at least is self-aware. He knows you can't be the strongest, to relentlessly bully others with your power and yet want to be close to other people too. He knows that's wanting to have your cake and eat it too, so he rejects love. Sukuna knows you can't have it both ways, so he decides I don't need love, love won't satisfy me, I'll live only to be the strongest.

My main example of a character betraying their ideals is Toji though.

Toji moves to face a newly awakened Gojo. He has not only a solid plan to fight him, curse tools that can penetrate his infinity, but he's also got inside knowledge of the Limitless. Toji believes he can win, and yet at the same time he feels uneasy.

As he died, Toji reflects that the reason he died is because he deviated from his true self. He believed that he was jumping from job to job, just working for money. That he didn't care about the sorcerer world. He killed sorcerers, got paid, and then gambled it all away.

Yet, when he was faced with the pinnacle of Jujutsu his motivation changed from living to fulfill his own selfish desires, to revenge. Toji wasn't as over the way the Zen'in Clan rejected him as he thought he was. He needed to defeat Gojo in order to affirm himself, and the moment he betrayed his own ideals like that he lost.

Now this moment can be directly paralleled back to Sukuna, who feels a similiar unease the entire time that he's fighting Yuji, an unease that makes him more and more irrational over the course of the fight.

Sukuna betrays his ideals in two ways, one that he's never once cared what other sorcerers think and say and lives only for himself and two that he is merely killing time before he dies. The first leads to his breakdown over the fight as he tries to crush Yuji, but finds himself unable to. The second is as I said above the final nail in the coffin.

When faced with a stronger opponent, or rather opponents as the sorcerers of the modern era all work together to trump the sorcerer of the golden age of sorcerery Sukuna doesn't accept his death. In his last moments he's clinging desperately to Megumi, trying to keep living in his body. At which point Megumi remarks that even someone like Sukuna must fear death too.

You could connect this to Mahito too. Many people even said that Sukuna got the Mahito treatment. Both characters lived freely slaughtering everyone else, and yet when they are about to be killed they try and run away from it. This is obviously deliberate as not only do the words "You are Me' parallel "I am you" but Sukuna's last moment in the manga is a conversation with Mahito.

Mahito also betrayed his ideal. Number one curses don't truly die, Jogo and Hanami and Dagan all accept their deaths because they'll be reborn as different curses but they'll always come back. However, Mahito clings to his own existence. Mahito is also not true to his nature, because he longs to be a true curse, but Mahito is also the most human curse. He's the representative of the fear and hate humans have for one another, and he spends his last moments terrified of the human being known as Yuji Itadori.

Which is why Mahito is appropriate to have this final conversation with Sukuna. Mahito calls out the way Sukuna betrayed his ideals. Sukuna always believed he was only living to satisfy himself and he didn't care what others thought, but Mahito points out that he was really living for revenge towards the people who rejected that unlovable wretch. Sukuna wasn't rejecting people because he was a god towering far above others, but because he had been rejected and hated in the past and then decided to hate them in turn.

However, unlike Mahito Sukuna is able to grow up so to speak. Mahito doesn't want to be anything else but Sukuna comes to the realization that you can choose your nature. That the decision to hate and reject everyone was a choice, and that he can choose a different path in another life.

You define who you are, that is the literal definition of self actualization. So we see Sukuna having become enlightened about himself escape the cycle, whereas Mahito who's still a curse is still trapped in that cycle. Something that Mahito complains about, that he's just a child unable to grow up while even Sukuna has changed.

Escaping the Cycle

Now that I've shown you how Sukuna has changed, I'm going to go over all of Shinjuku to describe the events that led to this change. This change is brought about everyone, but most of all by Yuji Itadori someone who unlike Sukuna reached self-realization. Yuji is the one who remains true to himself, whereas Sukuna who has only lived for himself is the one who betrays himsellf in the end.

The first hint that Sukuna may not entirely believe his own words comes in his conversation with Kashimo. Sukuna lives for his own self-satisfaction, other people exist for him to amuse himself until he dies. Since he's a complete being who doesn't need anyone else to satisfy him, since he's satisfied then why did he need to divide himself into twenty parts and keep living after death.

Sukuna doesn't answer this quesiton, but rather just continues on with his monologue. If life to Sukuna is just killing time until he dies then why does he go above and beyond to prolong his life? Why not accept his natural death?

Then after quickly dispatching Higuruma, Sukuna finds himself unsatisfied. Even though he was doing exactly what Kashimo told him, he was tasting an interesting sorcerer and swallowing him whole.

Sukuna doesn't feel satisfied in his victory. At first he thinks it's just because Higuruma lost too early, and then he realizes that his current disatisfaction comes from Yuji. Sukuna doesn't care what others think, he hates the concept of ideals themselves, at yet the same time Yuji holding an unbreakable ideal bothers him. If Sukuna is being true to himself, then he shouldn't care what Yuji believes in.

Yet, Sukuna changes for the first time in a thousand years. He acquires a new ideal and that's killing every sorcerer present and then initating the merger. Something that Kusakabe even notes is out of character for Sukuna. He thought Sukuna wouldn't have a need to start the merger, he doesn't care about big picture things like Kenjaku he just wants to strong opponent.

Sukuna begins to drift further and further from his nature because of Yuji over the course of the fight. As I said Sukuna shouldn't have to fight Yuji to prove that Yuji's ideal is wrong. If he rejects all ideologies then he shouldn't even care. Yet the things that set Sukuna off the most in the fight, the things that motivate him to fight the hardest to crush his enemy are people like Yuji and Maki who challenge his beliefs. Yuji by fighting for others instead of himself, and Maki by rejecting cursed energy entirely and instead having a strong body to fight.

Sukuna who is supposed to be completely satisfied with himself, has something to prove when fighting against these opponents. We learn that Yuji isn't just some boring child like Sukuna suggested. He's actually made from the other half of Sukuna's soul. Rather, Sukuna rejected his twin and ate him in the womb. All of his superiority as a sorcerer, his four arms, the mouth on his stomach comes from this. However, that twin didn't disappear, he reincarnated and mated with Kenjaku to produce Yuji.

So Sukuna is Yuji's uncle technically, but symbolically, Yuji is the other half of his soul. The half that Sukuna rejected. How can Sukuna be someone at peace with all of himself, if he rejects half of himself? It goes along with what Mahito said, Sukuna didn't reject others because he was compeltely satisfied with living alone, but because of revenge. He was born a malformed retch and never shown love so he rejected all forms of love.

Sukuna is not at ease with himself because he's not whole. Yuji represents the love that Sukuna rejectected. Rejecting yourself doesn't work though, because one he tried to reject his twin and his twin's soul reincarnted, and two rejecting yourself is completely at odds with the complete self-acceptance that Sukuna preaches is the source of his strength.

Sukuna's incessant need to reject Yuji, to prove that Yuji is wrong, that he's inferior is what leads to his demise. Not only that, but Sukuna's rejection of Yuji's method of fighting, relying on his allies leaves him blind to several elements of Yuta's strategy. He falls for the copy technique bluff twice, because Sukuna didn't factor that both the original users Angel and Toge could still use their techniques too. He's beaten by the cooperation that Yuta uses in his strategy, because Sukuna rejects that same kind of cooperation and sees it as a weakness.

Sukuna's proven to be wrong. He told Jogo that working with others limits your individual strength and he should have tried fighting on his own, but Sukuna is continually outfoxed by Yuta's strategy which relies entirely on team coordination.

It's also a direct parallel to the way that Gojo lost in Shibuya. Gojo was absolutely infuriated that the curses would work together to fight him and they'd rely on a strategy instead of just overpowering him with brute strength. But Gojo lost, precisely because they made a strategy around Gojo's exact weakness, that he's strongest when he's alone.

If Sukuna didn't feel the need to reject the others, then he wouldn't be so blind to Yuta's way of fighting with strategy and cooperation. If he could accept other ways of thinking other than his own he wouldn't have been hoodwinked multiple times in the fight. Yet, it isn't just Sukuna rejecting them on principle, he has to reject companionship otherwise the curses and hatred churning inside of him would burn him up inside. So Sukuna isn't really choosing his nature as he believes, but rather he's a slave to it.

There's also parts where Sukuna just straight up lies. He says he feels nothing, and yet two panels later he's completely enraged.

You could say that Sukuna is just saying he feels nothing about Yuji's attempts to empathize with him, but that's not the case. He definitely feels something, because that empathy, or rather pity as Sukuna frames it compeltely infuriates him.

if Sukuna lived entirely according to his own desires and didn't care about the opinions of others, as he stated a hundred times above why does Yuji's pity infuriate him? If he was so confident in his godlike superiority to others, why does he feel the need to prove it, by ripping apart all of Yuji's friends right in front of it in a gesture of revenge for being pitied.

This leads to what is the greatest moment of growth for Yuji, and the greatest moment of stagnation for Sukuna. Yuji's moment of growth isn't just in rejecting the cog mentality, but also in accepting Megumi. Specifically, he accepts the fact that Megumi is different than him, that it's alright if Megumi's not strong enough to keep living.

Sukuna is compelled by his own nature, his desire for revenge to reject everything around him, but the conclusion of Yuji's character arc is defined by acceptance. Not only does he accept that Megumi's own feelings are different than his, but he's willing to accept Sukuna back into his soul.

I don't think Yuji empathizes with Sukuna. He still doesn't understand him. However, in spite of that lack of understanding, he's willing to accept Sukuna into his soul and keep living with him, because as I said above Yuji and Sukuna are two halves of the same soul. Sukuna is the embodiment of everything he hates, someone who carelessly disregards life and hurts others with a thought, and yet Yuji is willing to give a second chance to that person.

In that moment Yuji lives true to his ideal of saving people, whereas by clinging to life Sukuna was betraying his ideal. I think it's important that Yuji didn't empathize with Sukuna though because Yuji and Sukuna might be two halves but they're meant to represent opposites.

Sukuna also had to learn to accept that Yuji was different than him. He spent the entire story trying to reject him and step on him like a bug. If Sukuna were truly confident in his ideals he wouldn't care that other people had different thoughts, but no Yuji had to be wrong.

Yuji doesn't empathize with Sukuna but he does change him. He alters Sukuna's fundamental nature "You are me" by showing Sukuna there was a different path he could have taken all along. That Sukuna wasn't the strongest he could be, that someone could have compeltely different ideals and be stronger.

Uraume says that the main characters didn't win because they were stronger, but because Sukuna was in Megumi's body a thousand years later instead of his own original body. Which basically means that Sukuna being a parasite in the modern era, pointlessly extending his life is exactly what led to his defeat because he couldn't accept his own death.

I think it's significant that it's not Yorozu or Yuji who Sukuna finally decides to accept as someone he can love, but Uraume. Sukuna even references there were people who tried to teach him about love in life. Assuming the one on the right in Yorozu, the way both uraume and Yorozu approach their relationship with Sukuna is compelte opposites.

Yorozu in the end seemed to recognize Sukuna's isolation, but she projected her desires onto him entirely like everyone else in the manga. Yorozu, Gojo, Kashimo, they don't seek to understand Sukuna but rather to make him understand then. They're in the end kind of self-serving in their love, making Sukuna into a symbol. Specifically Gojo and Kashimo project their loneliness onto Sukuna when Sukuna never asked for it. I mean if you want an example Gojo says this in his dying dream.

Yet, moments later Sukuna declares that Gojo Satoru cleared his skies. That he would never forget his name. Sukuna was completely satisfied with the fight, Gojo just didn't understand him.

Ironically, the one who Sukuna finally shows love to is the one who never bothered to try teaching love to Sukuna in the first place. Ura Ume spends the entire time at Sukuna's side, and while they seem to have more of a servant master relationship I'd argue that Ura Ume has a better read on Sukuna than anyone else. They can tell when Sukuna is enjoying himself, they can tell when Sukuna is holding back, they don't ever try to make Sukuna into something he's not they just stay by his side and accept them.

Sukuna's final scene in the manga is a deliberate callback to this scene. Jogo begins to cry and Sukuna says he doesn't undertand the reason why Jogo is crying. Immediately afterwards, UraUme appears in front of him.

Then, in their final scene together Sukuna is shown musing on how two people showed him there were different ways of living, Uraume and Yorozu. As he decides to go north, and become someone new as Mei Mei once put it in the going north and going south metaphor, he holds Ura Ume's hand and comforts him as he cries.

There are two people in the manga who showed Sukuna unconditional acceptance, Yuji and Uraume. Through them Sukuna was finally able to accept his own humanity.

So in conclusion: Sukume canon!

[astrow0rldx]

Dark Asteroids

TW Very Dark Themes of Human Experience & Nature.

Look at the house its in to show where it would show up, and its aspects to see how it influences different energies in your life.

︵‿︵‿୨♡୧‿︵‿︵

narcissus (37117) - narcissist. your side, or people in your life.

nessus (7066) - abuser, r@pist, predator. sexual abuse, obsession.

dejanaira (157) - ^ nessus victim. victim of these.

proserpina (26) - ruined innocence, abductions.

persephone (399) - ^ similar story. where time is not your own. held hostage, absence caused strife.

melete (56) - anxiety.

deprez (9795) - what makes us sad

pan (4450) - earthy carnal energy, lust, chase, desire.

maniac (228029) - inner maniac, where we do things other wouldn't, unexpected hobbies or passion.

lie (26955) - where you lie or manipulate, or get lied to about.

ate (111) - rushing to conclusions, delusional. respond to perceived, or real threats.

lucifer (1930) - where you are powerful. pride, egotistic. where you gain followers by manipulations. how you transform. why you look for revenge.

phaeton (3200) - dangerous behavior, people that got carried away, car crashes, accidents.

icarus (1566) - accidents, excessive risk.

nemesis (128) - enemies. vengeful self.

sado (118230) - sadistic dark sexual expression. borderline pain. thats that make us sad hard time expressing.

myrrha (381) - sexual relationships that go against natural law.

medusa (149) - your the prettiest, natural beauty can be corrupted by others. assault. punishment for something that isn't your fault.

karma (3811) - karmic connections, circumstances. fated.

tantalus (2102) - never getting what you want. always out of reach, temptation without satisfaction.

furia (194982) - our anger. what proves it. what attitudes bother us.

cassandra (114) - a gift & a curse. where your rejection ruined your life. where no one believes what you say

anubis (1912) - egyptian god of the dead.

grieve (4451) - grieve, grief, mourning, sorrow.

︵‿︵‿୨♡୧‿︵‿︵

for Nessus and pan to be in my 7th house i do attract those type of people. lustful, predatory men. but like in my actual relationships to.

furia is in my 4th house and i get really angry in the home, my mars is also there. narcissus is in my 4th house and and i have a narcissistic mother. my ancestors i work with seem to be very strong and aggressive to.

phaeton, dangerous behavior, accidents, and car crashes are prevalent in my dreams stuff like that and it's in my 12th house. also mania is there and spirituality, drugs, sleep/dreams, psychology could be where i have an unexpected hobby and passion others wouldn't.

icarus is another dangerous behavior, excessive risk. in my 5th house of parties, sex, creativity, entertainment etc. while deprez is there to that causes depression. as i read or write out celebrity chart analysis, everything puts together as lore, jhene aiko, jeffery dahmer, donald trump, etc. so as im writing mines out and its just mini asteroids, i love to see the depths, and art of my birth chart.

my lucifer is in the same house as my lilith the 3rd. also where my sun and venus is. and i do have really good mental manipulation skills, lying and using my words to scheme. but im only so aware because im not to much in my ego about it and never really liked to since a kid except when i needed to, but was always aware of that "power". nemesis is there and that is also my vengeful self. ate is also there in my 3rd house lol, rushing to conclusions, delusional. respond to perceived, or real threats. but these characters are very influnced in my school life also. im also a big trickster, love mind games, dark humor,etc.

tantalus in my 2nd house is frustrating. so as medusa in my 6th house of day to day activities & work environment. proserpina and persophone in my 10th and 2nd house is scary.

[maoam]

Sakura is "the juice"

Some people might remember this interview where Kishi talked about writing characters and him using Sasuke as an example. And funnily enough, even non-shipper men on narutoforums immediately came to the conclusion that Sakura is the juice that Sasuke doesn't like, and Naruto is the tea that Sasuke likes.

"I want a character to behave like this --- if it's a juice situation where Sasuke wouldn't want to do it --- I need to create a different pattern/circumstance so the juice situation happens"

A good example of tea situations, Sasuke acknowledging and protecting Naruto where it comes naturally to him. "If tea shows up in a scene, he'll drink it". His "body just moves on its own" to protect Naruto:

Whereas with juice situation, it is like this. "If it's juice, I don't think he will drink it because he doesn't like it":

In order to make juice situation work, he will create a different circumstance:

Since Sasuke's body does not "move on its own" for Sakura, what Kishi will do is create a contrived circumstance where Sasuke HAS TO switch places with Sakura's vest in order to get out of the desert, so he appears right behind her, and she falls on him due to exhaustion, thus creating a scene. None of this would have been needed if Sasuke just instinctively protected Sakura like he does Naruto.

Because protecting someone you love is not about looking down on that person (like how SS tried to justify Sasuke's disinterest in protecting Sakura). This is something Naruto had to learn. In the beginning, Naruto did not like being saved by Sasuke because it made him feel inferior.

However, Sasuke did "die" for Naruto later in the same arc because Naruto was important to him.

Kishi brought what Haku said here back in the war arc, where Naruto brings it up to Sasuke.

And Naruto understands now. And that's why he likes it. Because he knows it means Sasuke loves him. That's why Kishi also made sure to give Naruto a reaction whenever Sasuke protected him during the war arc.

Because as I said instinctively protecting the person you love is not about "looking down on them" but about loving them. It's an INSTINCT. Something Sasuke did not have for Sakura during the war arc, because Kishi knew it would have been out of character for him. Which is why Kishi had to make that contrived scenario in order to create a "moment" SS wet their pants over.

[madwomansapologist]

blossoming alone over you

Meet Kind!Druid!Tav | More Weirdos | AO3

synopsis: It doesn't matter what their first impressions of you were, they certainly did not expect you to be so important in their lifes. And as the days passes, each one of your companions need to understand a simple fact: they love you. They all love you.

warnings: it's 31st december. i'm drunk. song "pink on the night" by mitsky for wyll. song "working for the knife" by mitsky for astarion. song "abbey" by mitsky for shadowheart. companions (wyll, astarion, shadowheart) x druid!tav. background cast (karlach, kagha, halsin, lae'zel, gale, cazador). tav is used as a nickname. wyll stuttering. astarion seeing draws of himself because he fucking deserves it. shadowheart falling for a druid that can turn into a wolf.

Trust betrayed, secrets spread, lies disguised as facts. That's how life works. It gives you hope, then crushes it front of your eyes. It let's you reach your goal, just to rip it out from your bare fingers.

The cruelty of life is the ultimate sign that gods do exist. There must be a higher being watching its puppets pathetic attempts of conquering an unreachable happiness. There are other proofs, but that's the easiest to perceive.

And they were used to it. From the renowed Blade of Frontiers to the pale elf hiding in the shadows: they all knew what to expect from life. Dishonest agreements, stolen hearts, the cold embrace of loss. Life is painful, so they shielded themselves from any harm.

But not you.

At first they assumed you were naive. The things Shadowheart thought to herself when you reached for a hand stuck in a portal; or how easily Astarion deceived you when he thought you were a mind flayer; even Wyll judged you from time to time.

You let your guard down easily. Instead of protecting yourself, you were helping others. Instead of using your teeths and claws to get what you wanted, you preserved nature.

But naive you were not. You may have trusted them too easily, but you weren't blind. You knew when a question was a order, when a joke was a threat, when a smile was just sharp teeth showing.

You discovered what Astarion really was and demanded he wouldn't maim anyone that didn't deserved it. You convinced Wyll that the evil he so wanted to tear apart was a victim. Saw right throught Kagha's distorted teachings, don't matter how alluring they sounded.

To turn a foe into a friend was your instinct, but you were not hesitant to solve problems with violence if it was needed. And sometimes you even got pleasure from it.

Wyll will never forget your face after finding out about Kagua's deal with the shadow druids. You didn't even allowed the party to rest. All your party received from you was an order to clean the ivy from their weapons.

"Shouldn't we focus on freeing Halsin? He must understand Kagha better than us," Wyll pointed. "You're a druid, but that doesn't mean the groove sees you as one of them. But they will hear Halsin."

"She can hear me," you slammed your staff on the ground, giving strength to your certainty. It pulsed with energy, and its glow matched the beat of your heart. "Or she can die. I can grant her mercy, but I won't give her time."

Wyll felt his body getting warmer, Shadowheart's impressed whistle reached his ear. "O-Of course," he cleared his throat. "After you."

"We'll purge some rats," you smirked at him. It didn't feel threatening. "Can I count with your blade?"

"Always," Wyll answered you, staring at your back. He could stare at your back all day. And he meant it.

Seeing that you weren't naive, Astarion came to a conclusion about you. Meanwhile the Blade of Frontiers stopped seeing your benevolent acts as a signs of impulsivity, the pale elf saw them as a mask. Something meant to cover what others should be paying attention to instead.

After all, who would suspect that something is rotten when the scent is sweet?

You're beautiful. Astarion admit it. Your laugh reverberates through the forests, your tiredness calls for aid, your eyes attract and soothe. Beautiful faces can make up for dirty minds, soft words can hide the lack of a heart, pretty acts are easier to see than destructive intentions.

You're just like him. Astarion sees it, clear as the sea. Your delicate smiles and his gaze full of lust are just as fake. Your sweet words and his dirty innuendos are both rehearsed. In need of this party, it's not hard to understand why you two would act to ensure they don't ever leave.

When Shadowheart cures you first, Astarion's invisible reflection occupies your eyes. When Lae'zel attacks monsters aiming at you, he's your shadow. When Gale puts more food on your plate, Astarion can see his smile on your face.

He wouldn't be surprised to find out that you both look the same.

One may say that your corrupt intentions are nothing compared to the good you've already done, but Astarion is not so idealistic. Sin stains your good deeds, he can see it. You depict yourself as someone better than them, better than him, but that's just your depraved plan to survive.

And he can't blame you. It's working perfectly.

Astarion may despise you for being as dirty as himself, but he respects that part of you. He trusts your plans, your combat skill, your magic. You're good on what you do. Screaming instructions to help during fights, discovering hidden passages, trading for better weapons.

You're not a good person, but there's a reason for why you survived this far. You're competent. That Astarion can respect. That's why he's constantly trying to get on your good side. You are smart and strong. Maybe strong enough to rip Cazador apart.

And if you haven't realize that Astarion is putting on an act to win your heart, than the shame is on you for not realizing that you both are the exactly same thing.

But you had to show him how wrong he was.

At midnight you approached his tent with your sketchbook. Astarion thought you wanted a distraction, using your drawings just as an excuse to talk a bit. Gods know he was dying of boredom before you appeared.

"I didn't knew you were so talented, darling," he praised you.

Illuminated by candles, Astarion let his guards down. Instead of just saying the right thing at the time, Astarion was really impressed at your skills.

It must be nice. To be able to create things with your bare hands. Sometimes he cry at the start of a good book. He don't know why, but it must be because he too would like to be making things. Astarion thinks that creating is the ultimate sign that you're alive, instead of just surviving.

Maybe one day he can become a poet.

"I can't help but notice that you have a muse," it was clear someone had attracted your gaze. Maybe a dear friend you miss, or perhaps another competitor for your attention. "Should I worry about being replaced?"

Astarion expect you to flush, but all you did was to get... softer? You seemed to shrivel up.

Your mouth dried up. He doesn't even recognize himself. Astarion don't even remember how he looked like.

"That's you, Astarion," you told him. "And that's a gift. You helped a lot these past months and... All I'm trying to say is that I'm grateful."

It was the first time you saw Astarion in silence. Paper by paper, he admired your drawings. Do they look bad? You've spent a lot of time training to be able to create something worthy of his beauty, but you admit they're not perfect.

Or maybe it isn't the quality. It's the fact that you spend so long drawing him. How many hours did you spend on those sketchs? How many hours did you spend glaring at him from your tent? Does he feel ofended? Invaded?

"That's how you see me?" Astarion whispered.

You barely heard his words.

"Yes, Astarion," you licked your lips. "I know some can be..."

His hand on your thigh stopped the rant you were about to go on. His bloody eyes were sharp. Just like the day you first met him, his dagger against your throat. Astarion looked pleased, but not happy.

As if he discovered being right about something he rather not be.

What you gave him... this is a treasure. So many drawings, so many angles, so many poses. How many centuries has it been since he last saw himself? How many since Astarion forgot his own face? Sometimes he touches his face, trying to picture it, but his imagination isn't good.

You gave him something priceless.

And when something is priceless that people discover how sunk in debt they really are.

"And now you want me to pay you back," his husky voice made shivers went down your spine. His nails scratched lightly your skin, drawing shapes on your thigh. "Don't you?"

You jumped from your spot, getting away from him. You were flushed, but not in a good way. "From where I came from," you breathed in. You sounded offended. "Something that puts you in debt isn't a gift."

As you turned over to go to sleep, you felt that if you didn't say what you really thought you would end up exploding. You know you don't have the right to speak about his life, but that didn't stopped you.

"Cazador made you believe that you have to sell yourself to be worth of anything, but he's wrong. He was wrong since the very start. We'll lacerate that monster for what he did to you. And that I promise you: it won't be fair. Cazador don't deserve fair."

You felt your nails digging the skin of your palms. "That was a gift. Get used to it."

Maybe Astarion was wrong about you. And maybe he was wrong about himself.

Merciful, but not weak. Gentle, but not naive. Pleasing, but not manipulable. You were a walking question mark. Whenever they thought they understood what you were, you proved them wrong. Not impulsive. Not manipulative. Not stupid.

Until they came up with a word that described you too perfectly. A word that didn't need any buts or explanations. One that everyone cognize, but that isn't used often. That don't deserve to be used often.

You're kind.

It's in your nature to be considerate. You help others because you can. No. Wrong. And that's something that Shadowheart still don't really understand: you help others because you can, so therefore you should.

She has only one goal in mind. Shadowheart needs to make to Baldur's Gate with the mysterious artifact in safety, and if she does everything right... maybe her Lady will grant her what she truly want.

But you make Shadowheart forget about all that.

She must be discreet, she did that her whole life, and still Shadowheart finds herself talking about her goddess to you. Her mission depends on her going straight towards Baldur's Gate yet there she's, following you as you try to solve everyone's problems.

Shadowheart didn't even noticed. She didn't made a rational choice to open herself to you. She just did it. Almost as if you were fundamental part of her forgotten past and her heart couldn't do nothing but to trust you.

You impervious into her prayers. Invaded her dreams. Burned your mark inside her mind. Your name feels like honey on her tongue. Like a sweet treat that she can never get enough of.

You tempted her, luring her with your determination and grace, and Shadowheart proved herself sinful once again.

If only you had judged Shadowheart for her loyalty to Lady Shar. Asking her what her favorite flower is. Listening to her opinions. Even when she was nothing but distant and cold, you were sweet. Toothaching sweet.

Shadowheart was hungry. She'd been hungry for her whole life. Starving for something easy. Something raw. Something more than a beautiful concepts. Something real. And how could a starving person ignore a banquet?

She can't. Shadowheart couldn't. But she should've. Damn, she should've.

You're testing her faith. Constantly. Every smile, every vulnerable look, every act of protection. It's like you're trying to compete with Lady Shar for the control over her mind. Sometimes it feels like you're winning.

She was admiring the sky without stars when the wolf came. All it took was a sight to paralyze her. Shadowheart had a mace, but the weapon was useless in her trembling hands.

The giant beast, wool pale from the moonlight, foamy drool dripping from its fangs. In a golden glow that being of darkness transformed into something.

Into you.

"It's just me," you whispered to her, eyes wide with worry and blame. "I didn't... You're safe. You're fine."

She forced herself to unclench her jaw. "Don't tell any of them," Shadowheart hissed as soon as she knew she could speak without stuttering. "Let this fear I have stay as a secret."

"As you wish," was what you said. No questions, no jokes, no provocations.

You went back to rummage through lost boxes and barrels in the ruined village. You had goblin's blood staining your face, but it didn't seen to bother you. "I wish I had a bag of holdings," you murmured to yourself.

Shadowheart was grateful. Either you decided to change the subject to cease her embarrassment or you just were this easily distracted, it still meant something. Her flushed cheeks went unnoticed.

She leafed through some damp books, trying to find something useful. "Embrace loss," she murmured to you. Now your attention was back on her. "We'll never let you have one."

You gasped. "Moon, why is that?"

Shadowheart ignored how breath turned into a difficult task when you used that new nickname.

"Face it, Tav," she called you by the nickname Gale created to you. "You are a compulsive hoarder. I've seen you keep a rotten apple in your pocket."

"I thought it could be useful!"

Shadowheart smiled. She did not even realized she was smiling. "I bet you did."

You have a soft spots for battles you can't possible win, protecting people in need and turning foes into friends. And apparently you are their soft spot.

Part 2!

if you enjoyed, please reblog! i promise it makes a difference ♡

@ madwomansapologist.tumblr.

[mythronic]

Wayne Family Persona TIME (Pt 1)

Brucie Wayne thinks he did it best? Nuh uh, his kids are a multitude of little shits who like to one up their father.

Richie Gray:

Hot boy supreme, instagram model, verified on all platforms, spoiled little brat. Dick’s persona revolves around posting shirtless pictures of himself on social media and posting about his lifestyle as an Olympic gymnast and 4-time champion medallist, social media heartbreaker and sexyman of Gotham type shii. He posts GRWM’s while gossiping and complaining while posting about brand deals and promoting products online.

Trust me, he’s absolutely been so absolutely flustered and embarrassed posting all those pictures cause man actually does not know what to do with himself. Golden retriever soft boy he is,,,

He makes friends with other models and influencers, (if anyone imagines Young Justice the show instead of the comics, then Garfield Logan) and would later whine about them to Wally, Donna, and Roy.

Dick: “Why do these wannabe makeup influencers think that promoting faulty product is fine as long as they apologise for when they inevitably get caught? Why??”

Wally: “Money?”

Roy: “Attention.”

Dick: “WhYYYY—“

Jayce Todd-Wayne:

Charity boy from crime alley who’s always trying to help. Jason pre-death went with his persona, genuinely putting money into improving the things that genuinely needed to be improved, like the orphanages and foster care system as well as helping work to eliminate as much homelessness as possible by reinforcing and providing camps and shelters that provide the help they need.

Post Ethiopia I imagine Jason doesn’t go to any galas or anything anymore, content with making change as Red Hood and not wanting to feel his anger flare at interacting with privileged and ungrateful millionaires.

No one in Crime Alley believed that Jayce was his actual personality, growing up on the streets in the Narrows or Crime Alley doesn’t exactly foster naïveté like that, but they understand the necessity and appreciate his help.

Jason, to Blue Hood: “Yeah. These are the good places, they can’t always provide shelter, but they’re always up to date on space, food content, all that stuff.”

Tyler: “Ooh, I heard that Jayce Wayne was the one who made that system.”

Jason: “Ug-ac— Ack- Yeah kid.”

Timothy Jackson Drake-Wayne:

Business mogul and the genius heir of Wayne Enterprises as its current majority shareholder. Tim went for the fear route. His family choose to stick to the ditzy, air headed natures, Tim went with a cruel ruthlessness that can freeze over hell. Strategic, business savvy, and knows everything about everyone—socialites fear and respect him, and the people appreciate his cold and brutal, but honest and fair method of running the Neon Knights.

Tim in actuality, being a more laidback and sarcastic person, and as Cardinal, the sly, chaotic little brat who makes friends with villains and rogues for fun will never be mistaken for cold hearted Timothy Drake-Wayne.

He’s a messy little shit with a messy relationship history, the media is not surprised when he publicly dates Conner Luthor, the heir of another ruthless businessman. They fear what kind of order these two will create.

Tim: “Bern, Kon, look: ‘Breaking News: Conner Luthor caught in a scandalous kiss with mysterious blonde?’ How do you think we should twist this story, hm?”

Bernard: “Ooh- ooh! You can go to the location and take a picture with you both in that exact position and pose as a selfie, and use that selfie as a claim that the author doctored the picture.”

Kon: “That’ll be fun.”

Cassandra Wayne:

Stuck up rich kid, accomplished Dancer, protective sister. People believe that she and Tim are twins, and therefore, Cass matches his cold energy with an… ‘Entitled sister’ energy. It’s not that hard for her to fake, people at galas were disingenuous and fake, all she needs to do is silently stick her nose up at them and people made their own conclusions. She’s Tim’s other half, and together they would scare the socialites back to their corners.

Although she may be a ‘stuck up brat who mooches off of her little brother’s work, she’s a respected dancer and her media presence doesn’t affect the views on her performances. (Socialite gossip sticks to socialite gossip)

People also have learned never to piss off Cassandra Wayne, especially in the form of insulting or harassing her brothers. You will regret it.

Xanthe: “You punched a politician?”

Cass: “Insulted Tim. I did warn him.”

Xanthe: “How is your persona both so inconvenient and convenient at the same time?”

Cass: *shrug*

[edwinspaynes]

You know, I've been mulling over how the streaming business model - specifically the @netflix business model - actively discourages the creation of diverse shows.

Netflix's idea that everything has to be a Big Hit caters to the concept that everything that's worth making should be mass-streamlined for the largest possible audience. That audience is, of course, going to fall into majority demographics - straight, cisgender, neurotypical, probably white (though I don't really feel comfortable speaking about that so much as a white person myself. If a PoC wants to add onto this post, I'll reblog it.)

Anything with queer representation is going to be heavily watered down or tailored to a cishet audience if we are to follow the Netflix business model to its natural conclusion. Shows like Dead Boy Detectives, Ratched, First Kill, Shadow and Bone, and Warrior Nun include nuanced stories about queer characters and their journeys, and the sad fact is that many cishet people simply don't even care to try to relate to these stories. They're overlooked in favour of straight-made, straight-majority shows like Bridgerton, Never Have I Ever, or Stranger Things. All three of these shows include a queer side character, but that character is either never fleshed out or made queer in the most perfunctory and performative way possible. Straight audiences still care to watch them for the straight characters. This leads to the cancelation of authentic queer shows because they don't "have the numbers" to be hits.

(Btw, I can say with confidence that Dead Boy Detectives at least did have the numbers needed to be a hit, and they're ever-growing. But walk with me and take Netflix's stupid ass claim at face value for a second.)

No shit queer shows are going to get canceled if you're basing everything on "hit" numbers.

According to the Williams Institute, 5.5% of US adults identify as LGBT. That's a pretty huge minority, which is surprising for most of us queer people who tend to hang out in groups like little queer magnets. But it's true. Even if half of the cishet population is happy enough to watch queer shows, that's still only 55.5% of people who are maybe going to watch. And we can't expect everyone to watch every Netflix show. That's unreasonable.

So, to summarize, you're going to only make hit shows? That means you're only catering to majority-audiences. That means that we are going to have NO diverse media that doesn't get the ax.

It also really sucks that Netflix seems to use Heartstopper (a great show!) as its "bbbut we're not homophobic" billboard. Like, okay! You have one cute little coming out show. And we love it! Doesn't make you an A++ Ally, though.

But what about other queer stories? Ones that aren't about queerness? Why can't we see ourselves as supernatural detectives or vampire debutantes or morally gray psychiatric nurses?

In the immortal words of one of the best, most complex queer characters ever to exist, "it's so fucking stupid it's unbelievable."

[godzillabreath]

wwdits finale

I feel like I've written one of these chunky text posts after every season of What We Do in the Shadows, but I always feel so incensed about the decisions the writers continued to push.

I really do feel like season 3 reached the pinnacle of what the show was for me, and for me, it hasn't justified its continued existence since then. Ultimately, post-season 3 they decided to go with the overarching theme of "nothing ever changes, this is a metaphor for the long, listless immortal lives these vampires have." Guillermo is upset by this unchanging nature, but we never get to have a catharsis for him. He is ultimately stuck in their mire, and so it feels unsatisfying to end the series by having him continually strung along. It's not only unsatisfying, but it genuinely feels bad.

What would have been more interesting is if the writers had Guillermo push back against the unchanging apathy the vampires experience and provoke them, make them aware of their endless drifting, change and challenge them.

I really loved the idea of Nandor wanting to be human again in season 3 episode 8. I wish this could have been a long-running theme explored with him. Such an ancient vampire feeling so disenfranchised and out of time struggling with the idea of being human again, have some kind of emotional tether to the world. I think it would have been cool if, somehow in the end, Nandor could have been made human again, allowed to live a life he never really had. Guillermo could have easily facilitated this change in him. It writes itself.

Another thing I really didn't like in the finale was the explicit jab at anyone who ever found the relationship dynamic between Nandor and Guillermo compelling. Creating this framework of "Nadja hypnotizes you fool audience members into thinking Nandor and Guillermo are this married gay couple, that's so funny, it all exists in your stupid mind" felt very much like a punch down. I could probably extrapolate this argument out further to talk about the weird "woke homophobia" from the showrunners' framing: how queerness is always used as a punchline, how queer culture is a quippy line or a pride flag but not an actual element of the show, how queer relationships aren't ever allowed to exist seriously on screen in the way straight ones are. So yeah, that sucks.

Lastly, I felt the ending was disappointing because it eschewed any ideas. The showrunners decided to make it meta and self-referential as a opt out of saying anything conclusive for the characters or for the audience. It was lazy, bland, and unsatisfying. It will go down in my mind as a show that was half-good, with all this unrealized growth from season 3 siphoned into 3 additional seasons of sitcom slop.

[bricky-brikson]

Thinking about the "trilion and 12 years old" joke about Bill and thinking about his psychological development after the Euclydia massacre

In the show, we see that while he can plan ahead and manipulate people, he's often foiled by his own impulsiveness/anger/emotions. His ultimate goal is to escape the Nightmare Realm/Dimension 0. And sure, he says this is because he promised the Henchmaniacs he'd help them, but ultimately as others have pointed out, Bill is terrified of death. He wants to live forever - have "a party that never ends with a host who never dies". All he cares about is himself, his own survival and hedonism

All this to say, Bill has the emotional development of a teen. He hasn't gotten past the self-centredness nor the reward/adrenaline seeking behaviour, but has emotionally evolved enough to be able to manipulate people and such (and be able to feel guilt, even if it's just a picogram). Though his immaturity shows when he doesn't get his way.

One might think that, being a trillion years old, he would've developed a bit, but here's the thing - major traumas can "freeze" people at certain developmental stages. We don't know how old Bill was when Euclydia was destroyed - though considering his behaviour I would bet he was a teen.

(Or whatever the equivalent of that stage is for his species. They have exoskeletons- do they have instars then? Whatever, that's not on the topic of this post)

Seeing his entire dimension destroyed after (what was probably) a well-intentioned attempt to show them what he saw ("They'll see. They'll all see.") permanently emotionally stunted him. However it was he got his powers, he was a teen/young adult with powerful abilities who had just erased an entire dimension from existence and was now accountable to no one but himself while also being deeply traumatized. His constant partying and implied substance use were probably the only coping mechanisms he could think of, dissociating because he has no idea how to actually confront what happened. The way he talks about the massacre - he detaches himself from it yet still admits guilt ("A monster."). Only post-divorce does he implicate himself in the event, though still obscuring its true nature ("I liberated them.").

Being surrounded by individuals who are similarly maladjusted for most of his trillion-year lifespan certainly didn't help things. The Henchmaniacs are likely somewhat stunted as well, or at the very least don't offer much in the way of mature/emotionally adult conversation, especially since Bill reacts so poorly (read: homocidally) to any sense of malcontent.

Which is to say, I think part of why Ford was important to Bill was because, compared to him, Ford was more emotionally developed (Ford is emotionally stunted in his own ways, but not as severely as Bill IMO). Subconsciously, their relationship was reaching a hand out to the scared teenager in the centre of Bill's psyche and offering him someone to lean on- someone who had their shit a little bit more figured out. A kind of figure Bill hadn't had since he killed his parents.

Of course, such vulnerability probably felt so alien that Bill tried to distance himself. I always wondered - why didn't Bill just lie to Ford about his plan to take over Dimension 49'\ ? Ford would've believed him, finished the portal, and Bill's plan would've been fulfilled. Well, I think it was Bill trying to burn the emotional bridge. In his own impulsivity, his own desire to dissociate instead of confront, he would rather make sure that he would never be able to be vulnerable to Ford than fulfill his grand plan.

...

I don't remember where I was going with this. There's no conclusion. I'm spinning this triangular multidimensional tyrant at physically impossible speeds in my mind and if I didn't write something about him my skull was going to turn into a fine powder. It's almost 2 AM, so it's entirely possible this post makes 0 sense, in which case feel free to inform me of that in the notes.