#i want pete to sing this song to me

[lock-my-feelings-in-a-jar]

[sugarhillpark]

my nana: not doing great my cat: not doing great me: trying to remain upbeat in the face of this, the usual chronic pain dance, having surgery booked on Halloween, the surgery taking me off work and thus taking away part of my already hand-to-mouth income for another 1 - 2 weeks when I've barely recovered from the first 6 weeks off, watching multiple genocides unfold, and the surreal bonus of watching people actively celebrate a 31 year old pop star's preventable death because of abuse allegations me, turning on my pc to write fanfic and look at my gay little scrapbook on tumblr.com: hey look it's a bunch of fever era panic! pics! see, what a nice thing! and you know, i haven't seen people dogpile on brendon urie and wish violence and suicide on him for ages now, so that's something me, scrolling down: mmmm. MMMmmMMMMMMMMmm

[maccawrites]

"Home" by Edward Sharpe & The Magnetic Zeros is extremely Goose/Carole-coded.

[daeluin]

what is patrick lying about with heaven iowa?

lol as most of my posts i was mostly joking, but speaking honestly??? i've never for one second believed patrick doesnt know what the songs are about. like yeah maybe he doesnt 100% gets a line or an innuendo. but that man knows what heaven iowa is about

[jasonsbones]

Eilish put out a new song ig but it like Sounds like a watered down version of a Rezz song? Idk man her shit just doesn't really hit that sweet spot.

[thebearer]

Can we get something with Carmy his wife and his girls trick or treating?

yes!! omg this is so cute.

i feel like their neighborhood really goes all in for halloween (much to carmen's slight dismay, because he has to decorate. "we're not going to be the only house without decorations, carm!" "we have decorations. look, we got pumpkins.")

but it's also the perfect place to trick-or-treat. pete and sugar always bring their kids and they all go trick-or-treating together.

picturing that willow is maybe four, teddy's seven. teddy is a trick-or-treating pro, she loves it. loves halloween, really- carmen tells you she gets that from you. she's had her costume picked out for weeks, and is soooo excited to go bounding up door to door to get candy.

willow on the other hand, is not as much.

she likes the decor, she liked picking out her costume, and she likes candy, but... she's not a big fan of the trick-or-treating aspect. usually hiding behind your or carmen's leg, eyes wide and blinking in fear, too scared to speak to the stranger at the door with the candy.

and that's how carmen ends up living his worst nightmare, which is going door to door with willow, having to also speak to strangers.

"trick or treat!" teddy chirps, grinning widely, a charming smile that she inherited straight from mikey- a pure berzatto trait.

"oh, look at you. aren't you just precious." the elderly woman coos, grinning back at teddy, dropping pieces of candy in her bag.

"what do you say, hm?" carmen mutters, running a hand over teddy's head.

"thank you." teddy sing-songs, turning and running back to you, babbling about the candy she got.

the woman turns to willow, still half hidden behind carmen's leg. "oh, and who's back here, hm?"

willow only clings to his leg tighter, barely peeking around to look. "aw, is someone a little shy?"

carmen fights back a cringe. "yeah, she, uh, she's still gettin' the hang of it." he tries to coax willow out. "c'mon wills, what do you say? can you say trick-or-treat?"

"twick-or-tweat." willow says quickly, before burying her face in carmen's side.

the woman takes mercy, passing carmen a gentle smile and two pieces of candy for her bag.

willow runs back to you, the candy wrapped tight in her fist, her scared expression now traded in for excitement. "i got two mama!"

"what? no fair." teddy huffs. "i only got one. why did she get two?"

"go up to the next house and get another piece. we'll call it even." carmen nods towards the other house, lips curling in a smile at how teddy grins, darting off down the sidewalk.

willow is too excited to notice, situated on your hip, babbling with excitement about how she got the candy. "i-i said twick-or-tweat and she gave it to me." willow was in awe, looking at the candy in her hand.

your heart swelled at her little lisp, peppering her cold cheeks in kisses. "that's amazing, sweet girl. you did so good." you cooed, voice lilting high and sweet. "do you want to go to another house?"

willow hesitated, looking at the houses then back at you and carmen. "d-do i have to go alone?"

"no, baby." you said before carmen could, shaking your head. "daddy or i will go with you, i promise. we'll help you got all the candy, won't we?" you grinned at carmen, who nodded, his hand settling on the small of your back.

[thekidsarentalright]

u ever think about how the kids aren’t alright is a love song to friendship and pete said favorite record is a love song to the fans, when talking about it he said ‘my favorites always feel a bit off and out of place- maybe that’s why i love you so’ and twin skeletons is a love song to him too, where he said ‘the world doesn’t make sense to me but i’d rather it not make sense when i am lying next to you’, and maybe abap is an album that sings of all the devastation of love but is also bursting at the seams with the potential of love and love that comes to us in unorthodox ways, with all of its possible imperfections and deep devotions. maybe it is our time now if you want it to be, maybe i’m yours when it rains it pours, i spin for you, we could be immortals, if you just hold on. like maybe abap is one of the best most important albums ever do u ever think about it??

[tavolgisvist]

Paul and drums

Our kid was first in a group with John called Quarrymen, and apparently, I’d forgotten the set of drums fell off the back of a lorry, as we say in Liverpool, and landed up in our house. So I was learning drums, and one of the Quarrymen came back and said, ‘I remember you’re coming down the house, and it was great when you played drums for us.’ I said, ‘Did I?’ I’d totally forgotten. But then I realized why I forgot. It’s because I broke my arm in a scout camp, and this hand dropped. It was dead, paralyzed. So it took several years to get it back, and at that time, those drums that I was learning on, first of all, my brother, no wonder the drums on the band on the road are good. That’s where he learned it from my drums. But I couldn’t play anything then. So I’d forgotten that I was even the drummer, and Ringo got the job.

(Mike McCartney)

Mersey Beat Founder and Editor, Bill Harry wrote a guest column for Beatle Fan Magazine in 2019. He stated “For their August 7, 1961 gig, the Litherland Town Hall classified advertisement in the Liverpool Echo carried the message: ‘Hear Pete Best Sing Tonight.’ Best had been talked into performing the song “Pinwheel Twist,” which Paul had written for him to sing. Pete recalled in a conversation with Spencer Leigh: ‘Paul wrote the song and asked me to do it. He coupled it with Joey Dee’s hit “The Peppermint Twist.’ I used to get up and do the twist onstage and Paul played my drums. It was a little novelty act and it went down well with the fans. When The Beatles performed it, Paul took over on drums, George played Paul’s left-handed bass right-handed and Pete sang.”

(Source)

I used to get on Pete’s case a bit. He’d often stay out all night. He got to know a stripper and they were boyfriend and girlfriend. She didn’t finish work until four in the morning, so he’d stay up with her and roll back at about ten in the morning and be going to bed when we were starting work…

(Paul McCartney, Anthology, 2001)

Q: When did you first play drums? A: My first recollection is in Hamburg. You’d get behind the kit to try and show the drummer what you wanted. That gradually grew to messing around on other people’s kits, which were lying around because there were a lot of groups playing in the places we played. You picked up the simplest beats very naturally. I remember one evening when Tony Sheridan’s drummer didn’t show up, so Tony said, “Come on, man, sit in!” I said, “No way! I can’t do this.” And he said, “Yeah, you can.” So I did it and then I was thinking, “Well! I’ve actually done a professional drumming gig!” Later, with The Beatles, there was a period where John, George, and I operated as a trio and picked up little bits of work. I remember playing in an illegal club in somebody’s basement on Upper Parliament Street in Liverpool’s Caribbean Quarter. One day this guy called Lord Woodbine, who ran the club, asked if we’d come in and accompany this stripper called Janine. We said, “Wow! Yeah, man! There’s a job.” He even paid us money. Q: It sounds like you would have paid him for that gig. A: Exactly [laughs]. So she came in and said, “Okay, I need you to play Ravel’s Bolero.” We said, “Oh, gee. Sorry, luv. We don’t read music. But we’ve got ’Raunchy.’ That might do.” I had somebody’s old drum kit, and I sat there with a broomstick between my legs, with a microphone tied to it so I could do a bit of vocals and drum at the same time. It was hilarious.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

Q: When Ringo joined the band, that must have interrupted your emerging career on drums. A: Yeah, I was completely redundant. We loved Ringo so much. He was our favorite drummer in Liverpool, and when he joined the band, it was an explosion: Every song sounded new and fresh. He could pass what we felt was the true test for drummers, which was to be able to play “What’d I Say” — the cymbal work and the toms.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

We did do a few little bits and pieces together before we all went our separate ways. John and I and Yoko did ‘The Ballad of John and Yoko’. He enlisted me for that because he knew it was a great way to make a record. ‘We’ll go round to Abbey Road Studios. Who lives near there? Paul. Who’s going to drum on this record? Paul. Who can play bass? Paul. And who’ll do it if I ask him nicely? Paul.’ He wasn’t at all sheepish about asking. He probably said something like, ‘Oh, I’ve got this song I want to record. Would you come round?’ And I probably said, ‘Yeah, why not?’

(Paul McCartney, The Lyrics, 2021, about Dear Friend)

Steve Miller happened to be there recording, late at night, and he just breezed in. ‘Hey, what’s happening, man? Can I use the studio?’ ‘Yeah!’ I said. ‘Can I drum for you? I just had a fucking unholy argument with the guys there.’ I explained it to him, took ten minutes to get it off my chest. So I did a track, he and I stayed that night and did a track of his called My Dark Hour. I thrashed everything out on the drums. There’s a surfeit of aggressive drum fills, that’s all I can say about that. We stayed up until late. I played bass, guitar and drums and sang backing vocals. It’s actually a pretty good track. It was a very strange time in my life and I swear I got my first grey hairs that month. I saw them appearing. I looked in the mirror, I thought, I can see you. You’re all coming now. Welcome.

(Paul McCartney in Many Years From Now by Barry Miles, 1997)

I really had to ask myself, “Do I want to give up music, or keep going?” I got a four-track Studer recording machine, like the Beatles used for Sgt. Pepper, put it in the corner of the living-room at my house in London and tried a very simple technique of just plugging directly into the back, not going through a mixing desk. It’s a cool way to record because it’s pure. If, say, I was doing a drum track, I’d play the drums, record it with one microphone, listen to it back, move the mike a little if there wasn’t enough hi-hat or cymbal, and then re-record. Then I’d add bass by plugging the mike into track two and overdubbing while listening to track one through headphones. I’d do that with all with four tracks. It was very hands-on, primitive way of working. <…> It was funky, and still sounds good to me.

(Paul McCartney, “Wingspan” documentary, 2001)

We did not see Ringo until the next night when he arrived at the session. He walked in and went straight to his drums…fiddled with them, then fiddled with them some more. “Somebody did something to my snare drum,” he said irritably. “Paul was here last night. He played them,” explained John. “He’s always fucking around with me things!” It sounded as though Ringo were back in Liverpool and all of them were still teenagers and nothing in their lives had changed. I realized then, that no matter what might happen among them, this was the way they would always relate to each other.

(May Pang, Loving John, 1983)

(Krla Beat, pic by lisamarie-vee)

So, I got into my studio in Scotland and started working, doing the drum track. I normally start with the drums. I sometimes use drum machines, but I like to redo it with real drums. I enjoy drumming. Then I put some bass on it. I was just doing an experimental thing. I was messing around and experimenting. Slowing down tapes, or speeding them up.

(Paul McCartney, The Lyrics, 2021, about Coming Up)

Paul and I were in England, having dinner together [along with our wives]. I told him I was making an EP, and I said, “Why don’t you write me a song?” He wrote the song [Feeling the Sunlight] and put bass on it, he put piano, he put the drums on — and I had to take the drums off. [Laughs.]

(Ringo Starr, interview with Rob Tannenbaum for AARP, Nov 2023)

George was the first one to make a solo album [Wonderwall Music], and I was the drummer. John started the Plastic Ono Band, and I was the drummer. Paul likes to play drums himself, or I would’ve been on his albums too.

(Ringo Starr, interview with Rob Tannenbaum for AARP, Nov 2023)

Q: As strong as you are on bass, keyboards, guitar, and as a singer and writer, is it frustrating to play your drum parts at a more limited level? A: That never intimidates me, though it probably should. I just have so much enthusiasm when I do things that I don’t even consider it. I’m lucky, because some people would wrack themselves with doubt, but when I came to this project I was like, “Man, let’s just have a bit of fun!” It didn’t occur to me that I was some idiot jumping on the kit. I know that a lot of drummers can play rings around me, but as long as I keep it simple and don’t get too flash, I can play with a steady, swampy feel, and that’ll do the job.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

@i-am-the-oyster, I hope you will enjoy :)

+ this

[ourflagmeansgayrights]

wait fuck ok i’m back to being sad about it now

like the thing is that ed doesn’t really hang out with anyone but stede in season one, not really. and whenever he is talking to other ppl on the crew, stede is right there. the only exception to this is in episode 8 when jack brings the party energy and everyone is getting drunk and rowdy together specifically as part of jack’s efforts to exclude stede.

and as a fandom we always make jokes and theorize about what the relationship between ed and stede must look like from the outside, if they were all placing bets for when they’d finally hook up or if they had zero belief in stede’s ability to pull THEE blackbeard

but now i’m thinking about the crew’s perception of Ed Himself. of the crew’s perceptions of The Legendary Blackbeard and how that must’ve changed over the course of the first season. because when they first meet him they’re all impressed and starstruck bc yeah, duh, this is Pirate Beyoncé we’re talking about. they’re also in varying degrees “worried he’s gonna kill them.”

but they quickly see that the real pirate beyonce isn’t all leather and murder and head made of smoke. blackbeard swaps clothes with their cringefail (derogatory) boss for fun. he dresses up and goes to a fancy party just because he wants to—he’s not even trying to get anything out of it, doesn’t have an angle the way frenchie does, he genuinely just wants to go to a very un-Blackbeardy party and have fun. he tells them scary stories. he shows them some of his trade blackbeard secrets. he hypes them all up after their first fuckery (and i will never get over how cute that is exchange is, “scared the pants off me” and “i thought blackbeard didn’t feel fear” and “and i didn’t, until tonight” and the crew’s genuine excitement and pride). he goes on a treasure hunt with their cringefail (affectionate, now) boss and lets him dig in the ground to get it out of his system. they learn that ed isn’t just a scary pirate, he also can be silly and goof off and enjoy things that aren’t exactly compatible’s with the Blackbeard Brand

and beyond just not adhering 24/7 to the Brand, they learn that ed—that blackbeard—is human. is fallible. they see his first plan to escape the spanish fail, and they get to participate in the backup plan that he and stede come up with. frenchie sees ed get hurt at the fancy party in a way that he completely understands. lucius realizes that ed is just as into his cringefail boss as his cringefail boss is into ed, and over the course of giving ed a shovel talk he maybe learns that The Legendary Blackbeard might actually be nervous about a boy liking him back.

and none of this—NONE of this—makes the crew lose any respect for him. even pete never has a moment where his perception of his idol is shattered, where he’s disappointed that blackbeard isn’t all nine guns and zero mercy all the time. instead, pete expands his idea of what The Ideal Pirate (the ideal MAN) looks like.

i think by the time jack rolls around, ed is no longer on that Pirate Beyoncé pedestal to them. he’s still on a pedestal, a bit, but instead of seeing ed as this untouchable badass legend, they see him as like. the coolest guy on the ship. still a badass, still somebody they all respect and admire, but someone they can hang out with. someone they really want to hang out with. they want to impress ed because they want him to like them, they want to be his friend. and yeah, it’s played as a “your father and i are getting a divorce but we still love you very much” joke, but they really are so sad when ed leaves with jack.

and ed showing up with no beard and no stede, ed hiding in his cabin for. a day? multiple days? ed singing a song about his feelings. ed saying he no longer wants to go by blackbeard.

the crew is confused, but they’re on board. they don’t laugh at him for his (bad) singing, they don’t think less of him now that he’s sans iconic beard. ed, to them, is still The Coolest Guy On The Ship, and they want to be his friend. they’re excited to be his friend.

they want to put on a talent show.

and ed, right after getting stabbed in the back by jack and izzy, and then stede, and then izzy again—ed, who was so affected by the jeers of the rich fuckers at that fancy party, who grew up in a culture that doesn’t allow for friendship, a culture of everyone in various stages of fucking each other over—can’t see that. he’s got fresh heartbreak and fresh betrayal that are compounding on years of trauma and he hears them all chanting his name and he can’t trust this crew. he couldn’t trust his first mate, and he couldn’t trust his old shipmate, and he couldn’t trust stede. he cannot, cannot risk vulnerability with the crew. not again.

(and like, cmon, who is ed even kidding? he’s not made for things like softness and friendship and genuine camaraderie. trying to be anything other than blackbeard is like a wolf trying to fit in a sheep’s clothing, but the clothing is too small and everyone can see right through him and they’re all laughing and laughing and he’s the only one who can’t see what a joke he is. ed’s not an idiot, he knows there’s no way the crew is up their chanting his name and asking for another song because they like him. they just want the great clown pagliacci to come out and make them laugh.

so sure, ed’ll give them a show. they think ed’s funny? well he’s about to be fucking hilarious.)

EDIT: those of y’all seeing this in the ofmd tags are missing the additions where it gets even sadder

[nobodysdaydreams]

Hatchetverse Theory: The Parallels Between Paul (TGWDLM) and Grace (NPMD):

More thoughts and parallel screenshots under the keep reading, part of my #hatchetverse theory posts. Sorry these are all awful screen shots, I'm bad at gifs, but I hope I made my point.

The screenshots are pretty self-explanatory, but the parallels between Paul and Grace, especially with what happens to their characters at the end of their respective musicals, has been living in my head rent free, and I want to talk about it.

I've seen a lot of posts that speculate that the reason Grace went crazy at the end of NPMD is because she's just that blood thirsty and willing to kill, and while her character (at least of what I've seen of her in NPMD and what I've seen of nightmare time) is certainly intense, I wouldn't quite go so far to say she's always been that willing to hurt others, even for what she believes.

In fact, after rewatching NPMD, I realized something. When the kids first go to the Waylon Place, the others are the ones suggesting ways they can violently hurt Max. Pete even calls Grace's plan "goofy" and Richie is the one who suggests beating Max up. Grace is the one who tells them that all she wants to do is teach him a lesson and scare him and rejects their more violent ideas.

But after Max dies? That's when Grace's intensity starts taking a darker turn, and it's not as noticeable as it might be in the other kids because "Grace has always been kinda weird and intense" and the show has been playing that up for laughs since the beginning. But when you look at what happens to Grace in terms of her character's choices, she's the one who suddenly pulls a "bury the bully" plan out of nowhere when she was against even beating him up just a few hours ago. She's the one who suggests lying to the cops and trying to cover up what happened. She's the one who has a prophetic nightmare after the incident at the Waylon Place. That's also the moment when she symbolically loses her WWJD bracelet (though others have already pointed that out).

And if the LIB could infect Paul with spores just because he happened to be in close proximity to the meteor, then they could probably do something similar to any of the kids in the Waylon Place (and you cannot convince me that they were not the ones who collapsed the floorboards in the Waylon Place and killed Max).

But why would they target Grace you ask? Why not one of the other kids? That's a good question. I have a few theories.

The first has to do with what I mentioned before about hatchetverse's history of Webby's powers seeming to favor kids, and the LIB powers struggling to work on kids. We don't know how old most of the kids in NPMD are exactly, but the musical makes a point to tell us several times that Grace is "only 18" (Shaprio says she's a legal adult and will be tried as an adult in court). The musical also makes a point to have this be the Homecoming Dance (not Prom), which is in the fall, so most of the senior students wouldn't have turned 18 yet. We can also make an educated guess that Stephanie has turned 18 and Pete hasn't because she sings "wake me up when you turn 18" during their song. You could combat this by asking why the LIB never address Grace during the summoning and targeted Steph instead, which is a fair point. But interestingly, if you watch Grace, Steph, and Pete during the Summoning, Grace is silent most of the song, but looks completely horrified (especially when they tell her that they want what she cherishes most), despite the fact that from our perspective, the LIB aren't talking to her. She also seems to know exactly what the LIB want from her, because the next scene she's in is when she shows up to save Steph and Pete. During the Summoning, Pete, on the other hand, seems to mostly be involved in the conversation the LIB are having with Stephanie, although Grace also seems to understand what the LIB want from Stephanie. It's possible that this was intentional on the LIB's part, since they can see every timeline (in the "Abstinence Camp" episode of Nightmare Time, Grace gets between Steph, Pete, and Lumberaxe, risking her own life so that Lumberaxe doesn't hurt them. Grace might be willing to lose her own life for what she believes, but she might not be willing to lose her friends' lives. If the LIB know this, they'd likely want to make sure Grace understands that Steph or Pete will die unless she's the one who pays the price).

They have a personal reason for wanting her. In TGWDLM, Pokey hates Paul because...well, Paul doesn't like musicals but bigger picture, Paul resists Pokey's hive mind. Why would the LIB hate Grace? Possibly because she hates evil, the devil, and sin to an extreme degree. It could be a point of pride for the LIB: "we got the guy who didn't like musicals to join our musical and brainwash the world, and we got the girl who didn't like sin to devour souls for us." I've also seen a theory that Paul has some sort of resistance to the LIB because he doesn't like musicals and in a way sort of serves as a "prophet" in TGWDLM by warning others that musicals are bad. Grace arguably serves a similar role to Max in NPMD. She suggests Max becomes a better person "before he ends up in hell", which is ironic because then Max goes on to beat up Pete, which turns the nerds against him, setting off the chain of events that eventually lead him to actually being sent to hell (the black) by Grace. I've also seen some other theories suggesting that the LIB getting Paul in TGWDLM was really about getting Emma (since she was the one who starred in a musical before), and following that logic, it's possible that the LIB killing Max at the Waylon Place was really about getting Grace, because she'd still actually be alive. The LIB might have known this would work if they knew Max and Grace liked each other, and as seen in nightmare time, Grace is willing to risk her own life for her friends, and this might be consistent across several timelines.

Speaking of sacrifice, I know I covered this with the gifs, but the fact that Paul's last act was giving up his life, and Grace's was giving up what was essentially her morality and who she was so they could save their friends, only to have themselves turned into the very monsters they tried to destroy? Absolute tragedy.

But what's also interesting to me is how this happens. The way Grace and Paul both seem to lose control of themselves. With Paul it happens in one song and is more noticeable, but with Grace, it's a lot slower, and the more bad and morally questionable stuff she does, the funnier it is, and her character has been intense and over the top from the beginning, so you almost don't notice the difference in her actions until you rewatch the show. But her and Paul asking "Who am I?" has a similar creepy vibe, the screenshots I found for those moments (pictured below) even ended up looking very similar, though with Paul, you can see more of the fight happening during the song, whereas with Grace, it's more drawn out over the course of the show with these little moments of clarity where she has a complete breakdown.

Then of course there's the whole: What do you want thing?

Why do the LIB want what Grace cherishes most? Why do they want Paul to want anything at all?

And why do they phrase it in the creepiest way possible, asking for "a peek at Paul's soul" and telling him to "give up his choice" and telling Grace that they'll get "whatever they want" and that she'll "be forever in their debt?"

Well, probably because that does seem to be what happens. The most obvious screenshot parallels are probably their final numbers in their shows, which I think speak for themselves. The only unknown is what exactly is happening with the LIB and their whole "what do you want" thing. By taking what someone wants, do they replace that "want" in the person with wanting to serve them? How does that work?

At this point, I'm not sure, and I'm too tired to continue the rant, but I'd be happy to hear anyone else's thoughts on this.

I hope you enjoy Starkid fandom. Thank you for listening to my rants!

[omegalomania]

the full apple music interview with zane lowe is out! we got snippets of it when love from the other side dropped, but they finally rolled out the full thing. here are some highlights that stood out to me :)

patrick describes pete's lyrics as what gets him out of bed in the morning. if pete doesn't send him lyrics, he doesn't write a song.

andy and pete used to draw fake snake tattoos on each other using magic markers as kids omg?

so evidently patrick was the one who got covid during hella mega tour. and he hated it and he was miserable and that's when he called neal avron about the new record lmao

patrick says that joe was hesitant at first and he was the one who said that for this record he wanted to make something that they could all savor and spend time on and patrick was immediately on board with that

pete says patrick's job is to interpret him because pete calls his mentality a "little bit off" but patrick is capable of understanding him and translating it

patrick describes his and pete's creative relationship as "twin speak." it's not linear and it's like living in his brain a little bit. he calls it the "weirdest thing i've ever seen" when pete can just Tell that some words that patrick adjusted weren't ones he wrote despite not remembering writing them. patrick says he's gotten better at connective tissue and knowing how pete would say things

pete: back in the day patrick was like, "what's the difference between cry and weep i will KILL YOU. THEY'RE THE SAME THING. I'M GONNA KILL YOU RIGHT NOW."

zane says patrick's vocals are next level for this album. pete agrees that he kills it on this album and said he never would've expected that voice coming from him when they first met. zane says patrick could sing a recipe and it would be good. he then passes patrick a recipe and patrick. sings it???

patrick: i'm not gonna belt it. (starts belting) NINE INCH PIE PLATE ROLLING PIN

patrick says that pete doesn't mean to have rhythm to his words but there's a rhythm to them all the same and patrick can find this syncopation in his words and thinks it's amazing

more talking about patrick and pete's Magical Mystical Transcendent Soul Bond. patrick says "if we were one guy, we'd be an INCREDIBLE DUDE"

patrick and pete say that interviews with all four of them are hard because it's chaos and everyone's talking at once but it all makes perfect sense to them and no one else. zane says that sounds like fun flkjdfd [i agree please do this more it's a joy]

pete says joe really stepped up and wrote a lot for this record!

patrick: "joe is kind of a conundrum because he's this really talented...he's a brilliant writer, a brilliant player, but pete and i became the "team" and it wasn't really a plan, but that's just kind of how it happened. [brief tangent about the hiatus] we come back from the thing and joe is this fully-formed writer with a very distinct - he has one of the most distinctive writing voices. when i hear his parts, when i hear his ideas, i could pick them out of a crowd. like i know the way joe writes, and it's VERY joe." part of the process with post-hiatus was integrating him into the writing process more.

discussing the hiatus and fame and pete says his life kind of "blew up" and took it pretty hard. apparently during production for folie paparazzi actually broke down the gate to neal avron's house

patrick goes on a big tangent about how bad things got during the height of pete's fame. "part of my role is to tell his story. i'm a composer. that's what i like to do. i work on movies, i work on shows, and i work on pete. pete has a story that needs music, and if he's removed from himself, if he's not even able to access himself because he's behind all of this stuff, i don't have a story! so not only did i not have my buddy, which was heartbreaking in its own way, but then i also don't have a purpose as an artist."

patrick says that andy is always ready to play but when you get him happy to play, it's another level

"and trohman, there were these moments where he...he got so excited."

patrick describes writing what a time to be alive as wanting to write the saddest, most desperate song you could hear at a wedding. pete bursts into laughter and calls it "so twisted"

talking about other endeavors outside the band - patrick talks about composing and said joe's been super busy with his book and writing for tv and because there are so many deadlines for stuff like that, it's what hammered home to him that fall out boy needs to not be that. "there's something special about this that can't be...this has to be passionate and art."

discussing how scared patrick was of his own voice while the band took off. patrick was really scared of the song saturday at first because there are some really exposed vocal moments. he describes saturday as a song where everyone in the band lets each other go for it.

zane calls fall out boy the "emo blueprint" and says they were unapologetic in being emotional. patrick immediately says, "that was pete. i don't think we could've done that without him." he and joe were basically kids and patrick was too anxious to talk on stage.

zane says, "i remember interviewing you in the early days and i felt like every time i asked you a question i was bullying you." pete IMMEDIATELY loses his shit.

"in another life where i didn't have a pete...cause saturday, i did write most of that by myself...so there's a world where that song exists without the band. there's no world where i sing it in front of people without pete."

pete says every night before they put out a new song he calls patrick up and gets really scared and wants to back out and patrick talks him down every time

they talk about how scary it was when arm's race released and performing it at the amas. patrick starts laughing rly hard as they get into how there were giant crickets on stage and the crowd was just stone-faced and utterly nonresponsive and their stage manager was utterly panicked

towards the end patrick really loosens up and starts swearing more dlkfjdfd

[earlgreytea68]

LOOK AWAY IF YOU DON'T WANT SO MUCH FOR (TOUR) DUST SPOILERS, OKAY?

~~~

~~~

~~~

Set list:

(1) That Pink Seashell spoken word thing actually opens the show

(2) Love from the Other Side: I assumed they'd play this first, and they did, and they looked very happy with the reception that it got

(3) The Phoenix

(4) Sugar, We're Goin Down: I overheard two guys when I was leaving saying, "I only came to this show for that Sugar song, and it was the third song they played," whatever to those two guys lol

(5) Uma Thurman

(6) A Litttle Less Sixteen Candles, A Little More Touch Me

(7) Chicago Is So Two Years Ago: I know they always play this song when they play Chicago but the way the show is set up, there's this spoken intro that references a light being left on in Chicago, and then they launch into this song, and so I feel like maybe it's permanently in the set list for this tour, we'll see.

(8) Grand Theft Autumn: Patrick told the story again of how he wrote the lyrics while jogging with Pete. Here is exactly what he said, because I recorded it, hahaha: "I wrote this song out here, jogging, trying to figure out the words. This was back when I wrote a lot of the words. And Pete was jogging with me and he was like, 'Eh, maybe change this, maybe change this.' Before we knew it he was writing all the lyrics." And then Pete said, "Imagine us jogging" lolololol

(9) Calm Before the Storm

(10) This Ain't a Scene, It's an Arms Race: They added a little Peterick-y moment in here? I don't remember them playing at each other during this song in previous performances? It was cute, it was during the instrumental part before Patrick leads the singalong, maybe I've just always missed it? They played it each other and kind of did some kind of kick thing with their legs??

(11) Disloyal Order of Water Buffaloes: Honestly, always a delight to hear this song, this is one of my favorites <3

(12) Heaven, Iowa: THIS SONG LIVE, I SWEAR

(13) "The Take Over, the Breaks Over": OH MY GOD I LOVE THIS SONG AND I TOTALLY DIDN'T EXPECT THEM TO PLAY IT, I WAS SO HAPPY

(14) Headfirst Slide into Cooperstown on a Bad Bet: <3 Guess they got over being scared of playing this one lol

(15) Fake Out: I CANNOT TELL YOU HOW EXCITED I WAS THAT THEY PLAYED THIS ONE OMGGGGGGG. Also, there was some plan I wasn't aware of to, like, hold up cell phones with pink paper over the lights so the crowd lit up pink???? I have no idea who engineered that but it was CHARMING and at the end of the song Pete said, "Thanks for that, guys, that was beautiful," and the stage was on darkness so it seemed absolutely spontaneous on his part and I think they really did like the effect, so, Idk, future shows, keep doing it????

(16) Patrick did some kind of piano interlude where he played "Don't Stop Believin'"????? It was random but he was super charming, I think the rest of the band used it as a break, it was just SO GREAT. Part of his intro was: "Pete was putting together this show and he said to me, 'Hey, you should play piano.' And I was like, 'I kinda only play songs I wrote. I don't really play piano. I don't know how to play piano.' And he's like, 'Eh, you'll figure it out.'" And then Patrick sat down and played gorgeous piano ugh THANKS, PETE.

(17) Last of the Real Ones: I am glad Mania got some love.

(18) Save Rock and Roll

(19) PETE RECITED BABY ANNIHILATION WHAT. I SWEAR TO GOD. I SO DID NOT EXPECT THIS AND I STILL CAN'T BELIEVE THAT IT HAPPENED. If you're going to the show, pay attention, because I looked away and apparently there's, like, a magic trick at the end of the monologue where he disappears behind a piece of black silk?????

(20) Crazy Train cover: I...don't know what to say about this randomness hahaha but it happened??

(21) Dance Dance

(22) Hold Me Like a Grudge: I think Patrick adores singing this song, I really do.

(23) G.I.N.A.S.F.S.: I KNOW. I CAN'T BELIEVE IT, EITHER.

(24) My Songs Know What You Did in the Dark (Light Em Up)

(25) Thnks fr th Mmrs

(26) Centuries

(27) Saturday <3

The show ends with a little piano version of So Much (for) Stardust played over the sound system, so pay attention for that.

The set is super Alice in Wonderland-y and I adored it, it's playful and fantastical and has all these whimsical touches and interludes and I just thought it was delightful and at one point there were bubbles, and I heard some people complaining after the concert that the fantasy thing didn't suit their style of music and really, I was surrounded by downers after the concert, I thought they were perfect hahaha. Like, ABSOLUTELY PERFECT. They looked so, so, so tangibly happy, all of them. Patrick sounded fantastic and he looked like he was having a blast, he smiled the whole time.

I have a lot of videos but they seem like they're all pretty terrible, but I'll see how I feel in the morning lol

[beenbaanbuun]

emo!mingi

im writing something big rn but for the time being, i can’t get the fact that mingi is a certified! emo off of my mind… like ever….

it’s all i think about and as an emo/metal girlie myself, i can’t help but think about mingi fucking you to his personal horny emo/metal playlist.

bc i can guarantee he has one. like the man said one of his favourite songs was dance dance by fall out boy??? like i can just imagine him taking the lyrics to that song a little too personally, stripping you bare on his mattress, putting you on your front and kissing down your naked spine. pete wentz was sooo right when he wrote that song… mingi does want sympathy in the form of you crawling into bed with him…

and i’m sorry, if that man ever listens to death of peace of mind by bad omens??? oh that man would be DONE. FINISHED!! because how is he supposed to hear that song without you popping into his head. memories of him folding you in half as he fucks into you, mascara tears streaming down your face as you cry out for him. chanting his name over and over again like a mantra… it’s like that song was written about you.

and that man has eaten you out one too many times to K.M.B by nova twins… he gets so pussy drunk and just goes dumb between your legs while the music degrades him and calls him out for what he really is. there really isn’t much going on between his eyes once he gets even a hint of your pussy juices. literally turns into a pretty puppy that exists solely for your pleasure, and you’re okay with that…

and i just know that this man goes fucking i n s a n e when he hears the first note of a deftones song. imagine him listening to my own summer (shove it) and just ramming into you. he’d have you pinned down as he almost completely loses himself, thrusting hard and sensual, trying so desperately to hold on to his last thread of sanity. trying so hard not to snap completely and let himself go absolutely feral on you. he wants to, so bad actually, but for the sake of you being able to walk the next day, he holds back… barely.

but like, we also know this man is a giggly baby half the time. like he’s such a princess and i refuse to believe that every single time you have sex with him, he’s completely serious. like imagine he’s trying to be but then the playlist switches songs and it’s a fucking limp bizkit song or something. like it just switches the mood entirely because how is he supposed to fuck you when fred durst is singing rollin’ directly in his ear. like you’re not telling me this man won’t collapse on top of you in a fit of giggles, rigid dick still pressed inside of you as he tries to contain his laughter in your ear. and you just slap his shoulder or something because what the fuck is LIMP BIZKIT doing in his sex playlist?!?!?!?

i’m so sorry, but emo mingi DOES THINGS TO ME!!!!! like it’s all i can think about at any given point in time and i need people to understand that this is my roman empire!!!

[warnersister]

I Remember Everything

bradley ‘rooster’ bradshaw x mitchell!reader

Inspired by the song ‘I Remember Everything’ by Zach Bryan -> you and Bradley were only together back then to piss off your dad.. right?

Flashbacks & song lyrics in italics

top gun masterlist

“What can I get ya?” You ask, back turned to the patron but you could feel their expectant presence behind you. “Rotgut whiskey's gonna ease my mind” your breath hitched in your throat as you recognised the voice, pivoting to the voice you used to yearn for just to comfort your own sanity. “Bradley.”

Yourself and Bradley went way back. Back further than you wanted to admit. You started fraternising with him when you were freshly eighteen, pissed off at your father, Pete Mitchell. And as president of the ‘Pete-Mitchell-Hatred Club’, Bradley was more than happy to oblige. He himself was 25, finally managing to begin his naval training without any support of his surrogate uncle, and he’d just dumped you in California and fucked off to the dessert for annoying some admiral, leaving you with Penny despite your argument that you were old enough now to make your own decisions.

Bradley was at a two month station at top gun, not to train; no he wasn’t at that stage in his naval aviation training yet, but to boost morale and promote dog-fighting initiative amongst the new recruits. To throw them in at the deep end and put them up against the best.

You knew the two of them didn’t get along and you knew how your father yearned for a relationship with Bradley, so it was the perfect was to get under his skin in a way that would truly aggravate him. Being with Bradley.

At first, the reason Bradley even entertained your behaviour because he knew how it would get to maverick and how, realistically, Maverick had absolutely no say in what you did anymore. Because you were an adult making your own choices, and he surrendered any parental ties on Bradley when he withdrew his papers. It was a win-win situation as far as he was concerned, that was until he really started to fall for you.

It was a hot day in mid-July and Bradley had a day off so he opted to spend it with you, honking his horn twice in his Bronco, right outside Maverick’s house as you came running out and your dad shouted after you - regardless of the fact you were always in the passenger seat. You made it to the beach but ended up in Bradley’s military accommodation, as per usual. He watched the way your hair whipped as you observed passers-by, in nothing but a bikini as your beach towel rests on the dryin’ line.

He approached you and rested his head on your shoulder, hands on your hips as he followed your eye-line to where you were watching a couple of golden-coast born boys playing volleyball on the beach.

“Do I remind you of your daddy in his ‘88 Ford?” He asked as you handed him his whiskey from across the bar. You scoffed. “You were like a Labrador hanging out the passenger door” he continued, reminiscing on the way you used to hang your body half out of the window to feel the humid breeze against your skin, a panicked Bradley with his knuckles going white as his fingers grasped at the loop holes of your worn denim shorts to keep you in the vehicle.

The sand from your hair was blowing in his eyes. He’d blame it on the beach, grown men don’t cry. He knew what you wanted out of this: a bit of fun, a dig at your father. And he knew that he shouldn’t be feeling the way he did, a sense of growing adoration for you and your company. Your constant sleep overs and loving attention.

“Do you remember that beat down basement couch?” He asked after the silence and for the first time since you looked at him, you smiled. “God I loved that thing, of course I do Brad” you say in an almost accidentally small voice. “I'd sing you my love songs and you'd tell me about how your mama ran off and pawned her ring” you nodded “I remember,” you began with a steady inhale “I remember everything.”

You worked at the hard deck over the summer while you waited on news from the colleges you’d applied to, Bradley always overstaying his welcome despite you giving a cold shoulder at closing time, before he’d approach you and manage to coax you away from the bar for the evening.

“You were begging me to stay 'til the sun rose” you remembered with a grin, thinking back on all the times you’d given into him. Bradley could hardly muster any sort of words, unable to string a sentence together as he realised you really did appreciate his first summer in North Island; strained words come on out of a grown man's mouth when his mind's broke. Thinking of the pictures and passing time, all these years apart. He wondered if you were married now, if the hard deck was what you actually did for work, if you had a man, a child, a life without him, before you broke the silence with your realisation. “You only smile like that when you're drinking” you tell his dopey grin. “I wish I didn't, but I do… remember every moment on the nights with you” he tells you.

You begin to wipe down the counter, questioning his reiterative choice of beverage. “You're drinkin' everything to ease your mind?” You asked, rhetorically. “But when the hell are you gonna ease mine?” He retorted in question and you creased your brows. He peered around the bar, it still technically closed, being only 4pm, but you couldn’t deny Bradley entrance. Not after your history together. Acknowledging that there was nobody else, he took it in his stride to zip around the bar to you, trapping you against the bar and leaning closer, you could smell the Rotgun whiskey on his mouth. “You're like concrete feet in the summer heat” he tells you with a shake of his head, laughing sarcastically as he throws his head back “It burns like hell when two souls meet”.

You look up at him and trace his moustache with your thumbs, hands cupping his chiselled jaw. “No, you'll never be the man that you always swore” you tell him, reminding him that he was nothing like your father, but you nod to the familiar Bronco in the parking lot “but I'll remember you singin' in that '88 Ford”, you smile.

“Are you gonna give me a cold shoulder at closing time?” He asked “are you gonna be begging me to stay ‘til the sun rose?” You ask in response. “You of all people know that strained words come on out of a grown man's mouth when his mind's broke” he whispers, moving to bury his head between your collar and jaw. “I still think about the pictures and passing time” you tell him, threading your hands into his hair.

You feel his brows raising “what? So I wasn’t just a way to get back at your daddy?” He asked and you shook your head. “What? I thought I was a way for you to get back at him. No, you were everything to me Bradley. Everything. You just happened to be there when I wasn’t getting along with Mav” you tell him and he takes his head from the crevice of your neck to give you a boyish smile as he realises after all this time, his feelings were always requited. “You only smile like that when you're drinking” you tell him. “I wish I didn't, but I do remember every moment on the nights with you” you tell him and he creases his brows.

“Now why’re you tryna forget me, honey?” He asked, nose almost pressed against your own. Almost. “Well you’re probably married now, kids, job, everything.” You say meekly. “And I never moved on.” His breath caught in his throat. “Darlin, I ain’t married. Ain’t got no kids or anything, no girl, no nothing. I never got over you” he tells you. “No one was ever as good as you Brad, no one made me feel the way you made me feel” you tell him as he inches dangerously close.

“Well can I give you something to take the edge off, princess?” He asks, eyes meeting yours after fleeting between them to your lips for the past few moments. “Rotgut whiskey's gonna ease my mind” you tell him as he finally leans into close the gap between the both of you, tasting the bitter sweetness on his tongue and the smell of the liquor on his moustache.

You pull away and become acutely aware of how he’s only in his swim shorts and a Hawaiian shirt, as his beach towel rests on the drying line. “Do I remind you of your daddy in my '88 Ford?” He asks as he leans his forehead against yours and you nod, with a jokingly “Labrador hangin' out the passenger door.”

“Why’re you still in North Island, sugar? Still working the Hard Deck?” He questions as he nips your neck with his teeth. You stop him and pull his head from where it was taunting against your sight. You hold his head in your hands as you shake your head with a serious look crossing your face. “Bradley I’m only helping Penny clean up. I’m stationed here for the foreseeable.” You say, as the obvious dawned on him. He hadn’t seen you since that summer before you started college “you’re in the navy?” He asked “aviator.” You replied and he grinned to pick you up and sling you over his shoulder as you yelp with surprise.

“Bradley! What are you doing?” You ask with a breathless laugh. “Got a lot to catch up on, sugar.” He tells you as you approach his Bronco. “How about an all night revival?”

[justabigassnerd]

Hidden Talent

Pairing - Pete 'Maverick' Mitchell x daughter!reader

Word count - 1,615

Warnings - little pinch of angst, mostly fluff, an unpopular trope I guess, don't like it don't read it

Summary - after some convincing, you finally take part in karaoke night and surprise the Daggers and your dad

A/N - I guess I should apologise for disappearing again... I'm so sorry I've been picking up a lot more shifts recently at work so I'm in a permanent state of exhaustion right now and I'm trying to get myself writing for y'all it's just a fight right now. I know this trope isn't popular but like... it was a request so just scroll if you don't like it and yes I chucked Taylor Swift in there because I was listening to her music while writing so yeah. anyway I won't ramble anymore, as per y'all please send in requests, feedback, and enjoy!!

Karaoke night at the Hard Deck had very quickly become popular among the Daggers when Penny implemented it every Saturday night. It usually consisted of the Daggers singing various songs off-key while a few drinks in. It was great entertainment for you, watching the people your dad worked with to be up on their feet singing the likes of Celine Dion and various attempts to sing the whole of Bohemian Rhapsody.

Each of the Daggers had invited you to get involved on multiple occasions but you always turned them down, saying you got stage fright and that seemed to get them to back off enough although they did reconvene together and whisper about how uncharacteristic it was for you, the daughter of Pete Mitchell to experience anything like stage fright.

One night, you were hanging out at the Hard Deck with the Daggers and watching Jake sing what he has dubbed as one of his favourite country songs, but you weren’t too sure how serious he was about it since he claimed almost every country song as his favourite. As Jake sang, beer bottle in one hand, microphone in the other, Bradley sidled up alongside you in front of the bar where Penny had just handed you a soda and spoke up.

“You going to sing anything?” He asks, keeping his tone as casual as possible.

“Not a chance.” You reply with a slight laugh tagged onto the end as you glance up at Bradley. You knew if you went up there and sang you might get made fun of. You were sure you could sing, after all you had made the school choir but that didn’t stop you from being terrified that the Daggers would tease you and then somehow word would spread to your dad, and you’d become a disappointment in his eyes.

“Come on. Just one song? Please?” Bradley pleads, making you roll your eyes with a light scoff. Since your dad and Bradley had made up, Bradley had no issues stepping in as an annoying yet loveable big brother to you.

“Bradley… have I ever said yes?” You question, raising an eyebrow as Bradley falls silent for a moment before speaking up.

“Just this once and then I’ll never ask you to do it again. Promise.” Bradley insists, nudging you lightly with his elbow, chuckling when you squirm at the tickling sensation that came with the friendly nudge.

“I’ll do it if you and the Daggers promise not to make fun of me or tell dad.” You say after a brief moment of consideration and when at first you saw Bradley light up at you saying you’d do it and then when he heard the rest of your sentence his expression shifted.

“You’d think we’d make fun of you?” Bradley asks softly, eyes regarding you gently as you begin to feel guilty for your words at the crushed look on Bradley’s face.

“Well… you guys always tease each other when you sing so I just assumed you’d act the same towards me. I don’t mind the teasing I’m just nervous enough at the thought of singing in front of you guys that any teasing might just- I don’t know.” You try explaining, not really knowing how to say what you want to say without sounding rude. You never minded a bit of fun with the Daggers, you were able to keep up with their usual banter with ease but there was something so terrifying about singing in front of them. You had grown more passionate about singing the more you did it at school and you weren’t ready for everyone around you to make fun of your interests and passions.

“y/n/n, I promise we will not make fun of you. We can go and speak to them now to get all of them to promise.” Bradley offers, making you nod with the slightest of smiles on your face as you follow Bradley from the bar to where the Daggers had congregated.

“Hey, y/n! Is everything, okay?” Reuben asks as you approach, all of the Daggers noticing how you stuck to Bradley’s side.

“Is something wrong?” Bob asks worriedly, eyes flicking between you, Bradley, and the other Daggers to try and figure out what was wrong.

“Do you want to tell them of should I?” Bradley asks quietly, glancing down at you softly.

“I’ll tell them.” You say, taking a small step forward and addressing the group who give you their undivided attention.

“Bradley has coerced me into singing a song tonight. But I will only do it on two conditions. One, you don’t make fun of me if I sound awful or anything. Two, no one tells dad about it. I’m not ready to potentially embarrass or disappoint him.” You say clearly, the way you command the group eerily reminding them all of Maverick and how he could control the group much easier than any other superior officer. After you finish speaking, the Daggers all exchange looks once more before softening.

“I promise we will not make fun of you, kid.” Jake says sincerely, as the rest of the Daggers agree and give you their own promises to not make fun of you or tell your dad. They were all a bit confused as to why you were so shy about your dad knowing about you taking part in karaoke night but since you didn’t want him to know, they promised they wouldn’t tell him. With their promise secured, you cross to Penny and tell her what song you want to play, and Penny is quick to find you a karaoke version before letting you take the stage.

As the opening bars of Fearless play, you divert your attention away from where the Daggers are sitting and instead focus your attention on the furthest wall to keep yourself distracted as you begin to sing.

When you started to sing, the Daggers exchanged looks of shock and awe. They had no clue what to expect when you took to the stage, but you had taken control of the stage and sung your heart out.

Unbeknownst to you and the Daggers, Maverick had entered the Hard Deck, ready to pick you up but instead of finding you talking and laughing with the Daggers, he saw you up on the small karaoke stage singing. You seemed so happy and confident as you sang, and Maverick couldn’t help but feel his heart surge with pride at the sight. He had no idea you could sing so well. You had never sung in front of Maverick before, not even in the car or singing around the house.

“Hey Pete.” Penny’s soft voice shakes Maverick from his stupor, and he turns to face her as you sing in the background.

“Did you know y/n could sing like that?” Maverick says, awe written across his face as he speaks, making Penny softly laugh at the expression.

“No, I didn’t. And neither did the Daggers by the looks of things. She’s never taken part until today.” Penny says, nodding her head in the direction of where Maverick’s squadron was sat, all of them looking just as shocked as Maverick was, and constantly turning to whisper to each other about your performance.

When you finished the song, the Daggers were quick to cheer and the second you stepped off the small stage Mickey and Javy grabbed you into a hug.

“That was amazing y/n/n!” Natasha says excitedly, pulling you into a hug the moment Mickey and Javy released you from their hug. You couldn’t help but laugh at how everyone was scrabbling to give you a hug or congratulate you. When the group finally dispersed, you came face to face with your dad and you stiffened slightly, worried about what was to come.

“Hi, dad.” You say nervously, trying to anticipate his next words.

“Hi y/n. I didn’t know you could sing like that.” Maverick says, a smile soon breaking out on his face which makes you relax and smile in return.

“That was amazing! I’ve got one talented kid.” Maverick continues, pulling you into his arms gently, holding you close as you wrap your arms around him with a grin.

“Thank you, dad.” You say softly, squeezing him a little tighter as you feel him press a kiss to the top of your head before pulling away.

“I hope we’ll get to hear more of your singing from now on. You can’t keep a talent like that hidden away now.” Maverick says, unable to wipe the grin from his face as you shrug lightly.

“Well, I did make the school choir… maybe you and the others can come to some performances or something?” You suggest, and Maverick wasted no time in agreeing.

“I’ll be there for every performance I can be.” He swears, making your smile widen as you go in for another hug, grateful that your dad was supporting your passion instead of shooting it down like you had feared.

“Hey, pops! Stop hogging the future superstar!” Jake calls over to you and Maverick, making you both laugh out loud as you pull away, turning around to look at him and the rest of the Daggers as Bradley steps forward.

“I just think the most important thing is I finally found myself a singing partner.” Bradley says proudly, slinging an arm around your shoulders and pulling you close to his side as everyone chuckles.

“Bold assumption that I want to be your singing partner there Bradley.” You say with a laugh as Bradley’s jaw drops in mock shock.

“Come on! At least one song a week. Deal?” Bradley bargains, everyone falling silent and awaiting your response.

“Okay. Deal.”

[mitchellpete]

Dating Maverick (Headcanons)

summary: What dating Mav is like. (In ‘86 and in TG:M)

pairing: pete “maverick” mitchell x gn!reader

genre: fluff, a bit of angst

word count: 1278

A/N: if anybody wants a drabble/one-shot or for me to expand on any one of these (or if you wanna just talk about or exchange hcs), drop me an inbox! 

-

1986 (and a few years after-ish)

Maverick is a very gentle lover. It didn’t seem so at first, with how cocky and flirty he might’ve been to catch your attention, but after the second date? So vulnerable and soft with you.

He can sing! Like actually super well. You noticed one day and now you ask him to sing when you can’t sleep. He was kind of self-conscious at first, used to singing with Goose in a playful, rowdy manner, as opposed to softly to you. He grew more comfortable as time passed, and now he likes to sing you his mother’s favorite songs.

But also gets incredibly obnoxious sometimes and will loudly impersonate Elvis while you’re trying to get something done.

Spontaneous road trips on his motorcycle (when he’s able). Dinner in Oceanside. Lunch in Palm Springs. A pick up in Vegas. A day in Phoenix. When? Now! Now?!

Knows the Southwest like the back of his hand, actually. It’s not as fun as flying, but driving through the wide, open stretch of desert with you clinging behind him is one of his absolute favorite pastimes.

Is from somewhere in the Southwest, therefore he absolutely hates the cold. Will have the heater on in the winter time and is not opposed to getting wrapped up in blankets by you. You tease him on how easily cold he gets, and he’ll playfully go “Whatever.”

You frequently find random candid photos of you. Taped to his wall, to his fridge, suddenly framed on his bedside table. He almost never mentions them until you laugh and point them out, to which he responds, “I thought you looked pretty there.” (With a shit-eating grin.)

Definitely has one in his F-14, by the way.

Is very stubborn about his attire. Very insistent on dressing like a cowboy at all times. You had to buy him his first pair of beach shorts.

Loves seeing you in his clothes; he’s crazy about it, actually.

Very cute lunch dates. He knows the best diners.

He likes taking you out for ice cream. Sometimes you share a cone and watch the sunset and the planes soaring through the sky. 

He’s the best kisser. He prefers soft, sensual kissing and it definitely has its effect on you.

He has a habit of leaving paper planes everywhere. Some with love notes in them, others with funny doodles. Sometimes it’s just both of your names written, a little heart in between. 

He rambles a lot. He’s very, very passionate about flying, and about his plane. Though you might not know what he’s talking about, nodding along with a simple smile and asking him a few questions makes him so happy. “Well, no, you see..” And then he goes on and on again. 

At the same time, Maverick can be difficult sometimes. Especially after Goose. Sometimes he feels he needs to be alone, but don’t take it personally. He appreciates your support, but he’s been conditioned to “suck it up and move on.” It weighs on him to have to try, so expect him to be a bit quieter at times, a bit slower. You can sit around with him as he sulks, your head on his shoulder to let him know you need him, and that he’s loved. That he doesn’t have to isolate.

You get to watch him visibly becoming Bradley’s father figure. 

“Hey, about tomorrow’s date. Can I bring the kid?” 

Melting when he’s got Bradley in his lap in front of you, making airplane noises with a french fry to watch Bradley giggle and clap. Your heart swells at how good he is with him.

“Pete.. You can’t take him to watch that movie; it’s not for kids.” His signature grin. “Carole won’t mind.”

-

TG:M

Still sings to you. Or, in general, really. He likes to hum while making you breakfast.

He writes all your dates on his calendar. 

He’s very playful with you. Likes making you double over in laughter because it usually results in you wrapping your arms around him and kissing him.

But he also enjoys when you tease him. Tell him there’s something he can’t do as well as he used to and boy, he will prove you wrong. He insists he’s getting better with age.

He’s still as flirty as ever. Except, you’re already dating, so he does it to watch how flustered you get. He loves making you blush.

He likes pet names. Sweetheart and honey are the ones he calls you the most.

He still does not like proper beach attire. Will roll up his jeans and call it a day.

He loves beach days with you, though. He likes laying back on the sand and watching you sunbathe, or play in the water.

You’re almost scared of phone calls now, with the way you’ve been called and informed of the accidents he’s been in while testing his planes. Though most are minor, you can’t help but worry that the next one might not be.

You’ve cried to him a couple times, making him promise he’ll be careful.

He’s a bigger cuddler at his older age, with the habit of pulling you from where you stand, from whatever you’re doing, and tugging you into bed with him.

He likes it when you play with his hair. It’ll lull him to sleep sometimes. Especially when you gently massage at his scalp, and bonus if you’re giving him kisses too. The fastest way to get him asleep, truly.

Alternatively, he also likes playing with yours. He’ll randomly twirl a strand when you’re in front of him, will tuck another behind your ear, will softly intertwine his fingers in it while you lay on him. 

When he’s able, sleeping in together. As often as he can. 

He notices you so well. If something is bothering you, he’ll make sure to find out what it is. He’s also a very good problem solver (duh, but with mundane things too). You feel like he deals with a lot, so you don’t always take every single one of your problems to him, but boy, when he figures out something is wrong? Expect him to walk you through the simplest of things if that’s what you need. He has an unbelievable amount of patience with you. And if it’s something he can’t help with, he’ll at least want to be there with you as you deal with it. He can be the best listener if you need him to be.

Is a lot more domestic and able to settle down. Likes the idea of having a “home” with you. (Not that he didn’t when he was younger, but he feels more grounded now. More grown up. Able to breathe a bit better.)

He makes your coffee just the way you like it. If he’s up before you, he always wakes you up with it, and a kiss on the forehead.

The days spent in his hangar. 

Sometimes, in the summer, a late night thunderstorm will pass through, and there’s nothing more thrilling than cuddling up to him in the trailer, the both of you giggling at the sound of the rain pattering and the loud cracks of thunder. 

But also the days! Though he’ll be occupied with something, you’re always a mere 10 feet away, reading or sketching or entertaining yourself in whatever way you can. Other times you just watch him work. Other times you ask him to tell you his infamous stories, or about his dad. He’ll have sort of a sad smile as he talks, but you know that he loves talking about the past. You make sure to always make room for it in the tranquility of the desert.